#jan zieliński

[nikeatyquis]

今日の色🎇🌷

[beyourselfchulanmaria]

💐 Congratulations! 👏 Gratulacje! 🤩

Jan Zieliński 🇵🇱 和謝淑薇 (Su-Wei Hsieh) 🇹🇼 在混雙比賽中贏得 2024, July, 15 年溫網冠軍！決賽中，波蘭隊和台灣隊以2:0（6:4、6:2）的比數擊敗對手。這是波蘭組合和台灣組合繼年初在澳大利亞網球公開賽上奪冠後，在大滿貫賽事中的第二次勝利。🎾🏆 Jan Zieliński 🇵🇱 i Su-Wei Hsieh (謝淑薇) 🇹🇼 wygrali Wimbledon 2024 w rywalizacji mikstów! W finale Polak i Tajwanka pokonali rywali wynikiem 2:0 (6:4, 6:2). Jest to drugie zwycięstwo polsko-tajwańskiej pary w turnieju Wielkiego Szlema, po tym jak na początku roku triumfowali w Australian Open. 🎾🏆 Photo : 波蘭臺北辦事處 / Biuro Polskie w Tajpej

Jan Zieliński i Su-Wei Hsieh wygrali Wimbledon 2024 w rywalizacji mikstów! W finale Polak i Tajwanka pokonali 2:0 (6:4, 6:2) meksykański duet Giuliana Olmos/Santiago Gonzalez. To drugi wielkoszlemowy tytuł w karierze tenisisty z Warszawy.

Zielinski/Hsieh v Skupski/Krawczyk Highlights | Australian Open 2024 Final (2024. 1. 26)

[muirneach]

stoppp the mexican mixed doubles team forgot jan zieliński’s name 😭😭

[emzeciorrr]

75 LAT WFO / 75th Anniversary of WFO FILM STUDIO from Wytwórnia Filmów Oświatowych on Vimeo.

PL (ENGLISH BELOW)

Data 29 grudnia 1949 roku jest szczególnie znacząca w dziejach polskiej kinematografii. Ówczesne Ministerstwo Kultury i Sztuki powołało bowiem w tym dniu do istnienia rozmaite instytucje filmowe – rzecz jasna jako „przedsiębiorstwa państwowe”. Większość tych podmiotów powołano zbiorowo, w jednym zarządzeniu, natomiast łódzką Wytwórnię Filmów Oświatowych powołano zarządzeniem osobnym, „indywidualnym”. Z utworzonych wówczas licznych instytucji przetrwały do dziś już tylko dwie: warszawska WFDiF i łódzka WFO. Ciekawostką jest fakt, że WFO już w dniu narodzin miała niemały dorobek – faktycznie bowiem funkcjonowała przy ulicy Kilińskiego 210 w Łodzi już od roku 1945 jako Wydział Filmów Oświatowych Instytutu Filmowego. Stąd wśród licznych sukcesów Wytwórni wymienia się także nagrodę na MFF w Cannes w roku 1946 – za film „Wieliczka” Jarosława Brzozowskiego. Niemniej jednak, oficjalnie, pod obecną nazwą, Wytwórnia Filmów Oświatowych w Łodzi została powołana do istnienia 29 grudnia 1949 roku, dlatego też w roku bieżącym (2024) świętuje Jubileusz 75-lecia nieprzerwanej, twórczej działalności. Niewiele jest w Polsce instytucji filmowych o tak długiej tradycji i tak bogatym dorobku. Przez wszystkie te lata, funkcjonując pod tą samą nazwą i tym samym adresem, WFO była jednym z głównych filarów „Łodzi Filmowej”, zyskując zasłużoną renomę ważnego ośrodka polskiej sztuki filmowej. Zrealizowano w Oświatówce imponującą ilość blisko 5 tysięcy filmów, które zdobyły ponad 1200 nagród festiwalowych. Tylko początkowo były to filmy edukacyjne i popularnonaukowe. Po roku 1956 zaczęły powstawać w Wytwórni filmy wszelkich gatunków – w tym dokumentalne, eksperymentalne i fabularne. Domeną Oświatówki stały się filmy przyrodnicze, równie bujnie rozwijał się tu film o sztuce, a osobną i charakterystyczną dla WFO „specjalnością” było produkowanie filmów dla peerelowskiej rzeczywistości nietypowych i niechętnie gdzie indziej realizowanych – filmów nowatorskich, ambitnych artystycznie, noszących wyraźne piętno oryginalnej wyobraźni twórczej.

Bliskość łódzkiej Szkoły Filmowej i otwartość Wytwórni na debiutantów sprawiły, że wielu mistrzów polskiego kina rozpoczynało tu swe kariery, choćby Wojciech Jerzy Has, Krzysztof Zanussi, Krzysztof Komeda, Zbigniew Rybczyński, Grzegorz Królikiewicz, Juliusz Machulski, Jerzy Zieliński, Krzysztof Ptak, Piotr Sobociński, Jacek Bławut, Marek Koterski, Jan Jakub Kolski, Maciej Drygas. Po roku 1989, mimo zasadniczych zmian w formule funkcjonowania wywołanych przewrotem politycznym i gospodarczym w Polsce, wbrew rozmaitym przeciwnościom, Wytwórnia utrzymała swój status liczącego się producenta wartościowych filmów. Wielka w tym zasługa kolejnych szefów WFO z trudnego okresu "po przełomie" - Zbigniewa Godlewskiego, Andrzeja Traczykowskiego i Katarzyny Madaj-Kozłowskiej.

______________________________

ENG

The date of 29 December 1949 is particularly significant in the history of Polish cinematography. On that day, the then Ministry of Culture and the Arts established various film institutions - obviously as ‘state enterprises’. Most of these entities were established collectively, in a single decree, while Wytwórnia Filmów Oświatowych in Łódź was established by a separate, ‘individual’ decree. Of the numerous institutions created at the time, only two have survived to this day: the Warsaw WFDiF and the Łódź WFO. It is interesting to note that WFO already had quite a legacy on the day of its birth - in fact, it had been operating at 210 Kilińskiego Street in Łódź since 1945 as the Educational Films Department of the Film Institute. Hence, among the many successes of the WFO was an award at the IFF in Cannes in 1946 for Jarosław Brzozowski's film ‘Wieliczka’. Nevertheless, officially, under its current name, Wytwórnia Filmów Oświatowych in Łódź was established on 29 December 1949, and therefore this year (2024) celebrates its 75th anniversary of uninterrupted creative activity. There are few film institutions in Poland with such a long tradition and such a rich heritage. For all these years, functioning under the same name and address, WFO has been one of the main pillars of ‘Film Łódź’, gaining a well-deserved reputation as an important centre of Polish film art. An impressive number of almost 5,000 films were made at Oświatówka, which won over 1,200 festival awards. Only initially these were educational and popular science films. After 1956, films of all genres - including documentaries, experimental and feature films - began to be made at the Wytwórnia. Nature films became the domain of Oświatówka, films about art developed just as luxuriantly here, and a separate and characteristic ‘speciality’ of WFO was created. WFO's separate and characteristic ‘speciality’ was the production of films that were unusual for communist reality and unwillingly made elsewhere - films that were innovative, artistically ambitious, and bore the stamp of an original creative imagination. The Studio's proximity to the Łódź Film School and its openness to debutants meant that many masters of Polish cinema began their careers here, including Wojciech Jerzy Has, Krzysztof Zanussi, Krzysztof Komeda, Zbigniew Rybczyński, Grzegorz Królikiewicz, Juliusz Machulski, Jerzy Zieliński, Krzysztof Ptak, Piotr Sobociński, Jacek Bławut, Marek Koterski, Jan Jakub Kolski, Maciej Drygas. After 1989, despite fundamental changes in the formula of functioning caused by the political and economic upheaval in Poland, despite various adversities, Wytwórnia maintained its status as an important producer of valuable films. Great The credit for this goes to the successive bosses of WFO in the difficult ‘post-breakthrough’ period - Zbigniew Godlewski, Andrzej Traczykowski and Katarzyna Madaj-Kozłowska.

[beachpartyhotslotonline]

Czy Polska wyjdzie z grupy w Mistrzostwach Europy w Piłce Nożnej 2024?

🎰🎲✨ Darmowe 2,250 złotych i 200 darmowych spinów kliknij! ✨🎲🎰

Czy Polska wyjdzie z grupy w Mistrzostwach Europy w Piłce Nożnej 2024?

Polska drużyna narodowa w piłce nożnej ma aktualnie duże szanse na wyjście z grupy mistrzostw Europy 2024. Pomimo silnej konkurencji w turnieju, fani futbolu z całego kraju wierzą w umiejętności i determinację naszych reprezentantów. Znaczące osiągnięcia w ostatnich latach, w tym udział w poprzednich edycjach mistrzostw Europy i dobrze przejście przez eliminacje do tegorocznych mistrzostw, dają przekonanie, że Polska może osiągnąć kolejny sukces na międzynarodowej arenie.

Nasza drużyna dysponuje zgranym zespołem, w którym znajdują się znakomici zawodnicy zarówno grający w krajowych ligach, jak i za granicą. Wielu z nich ma doświadczenie w międzynarodowych rozgrywkach klubowych i reprezentacyjnych, co może być kluczowe przy takich prestiżowych turniejach.

Trener reprezentacji również odgrywa kluczową rolę w szansach Polski na sukces. Jego taktyka, umiejętność motywowania zawodników oraz wybór optymalnego składu są kluczowe dla osiągnięcia pozytywnego rezultatu. Kibice z całego kraju wspierają naszych piłkarzy, co stanowi dodatkową motywację podczas meczów.

Oczywiście, sport jest pełen niespodzianek i trudno przewidzieć dokładnie, jak potoczą się losy naszej drużyny w Mistrzostwach Europy 2024. Jednak obecnie wydaje się, że Polska ma realne szanse na wyjście z grupy i dalszą walkę o sukces na europejskim turnieju. Czekamy z niecierpliwością na kolejne emocjonujące spotkania i mamy nadzieję, że nasi piłkarze będą w stanie zaskoczyć wszystkich pozytywnie.

Polska była jednym z krajów, które zakwalifikowały się do Mistrzostw Europy w 2024 roku. Przed rozpoczęciem turnieju warto przyjrzeć się potencjalnym przeciwnikom, którzy staną w drodze reprezentacji Polski w fazie grupowej. W tej analizie skupimy się na trzech drużynach, które mogą okazać się wymagającymi rywalami.

Pierwszym rywalem, na którego Polska może trafić, jest Anglia. Reprezentacja Anglii ma silny skład i doświadczonego trenera, co czyni ją jednym z faworytów turnieju. Ich dynamika i umiejętność ataku mogą stanowić poważne wyzwanie dla polskiej drużyny.

Kolejnym potencjalnym przeciwnikiem Polski jest Francja. Mistrzowie świata z 2018 roku mają w swoich szeregach takich graczy jak Mbappe czy Pogba, co czyni ich groźnym rywalem dla każdej drużyny. Ich szybkość i technika mogą sprawić wiele problemów obronie Polski.

Ostatnim analizowanym przeciwnikiem jest Portugalia. Zespół ten ma w swoim składzie Cristiano Ronaldo, jednego z najlepszych piłkarzy wszech czasów. Jego doświadczenie i umiejętności mogą być decydujące w starciu z polską drużyną.

Podsumowując, Polska może się spodziewać trudnych wyzwań w fazie grupowej ME 2024, z potencjalnymi rywalami takimi jak Anglia, Francja i Portugalia. Jednak w futbolu wszystko może się zdarzyć, dlatego fani mają prawo mieć nadzieję na pomy��lny wynik dla swojej drużyny narodowej.

Reprezentacja Polski, pod kierownictwem trenera Paulo Sousy, zdobyła awans do Mistrzostw Europy w Piłce Nożnej 2024. Zespół ten obecnie prezentuje się w bardzo dobrej formie. W składzie znajdują się gracze światowej klasy, którzy przynoszą wiele emocji kibicom.

Jeden z najważniejszych zawodników aktualnej reprezentacji Polski to Robert Lewandowski, znany na całym świecie jako jeden z najlepszych napastników. Jego umiejętności strzeleckie sprawiają, że jest kluczowym graczem w drużynie narodowej. Oprócz niego, warto zauważyć również innego utalentowanego piłkarza - Krzysztofa Piątka, który również jest istotnym ogniwem w ataku.

W obronie Polski możemy liczyć na solidnych graczy, takich jak Kamil Glik czy Jan Bednarek, którzy potrafią skutecznie bronić naszą bramkę. Ponadto, w pomocy mamy do dyspozycji kreatywnych zawodników, takich jak Grzegorz Krychowiak czy Piotr Zieliński, którzy potrafią dyktować tempo gry.

Trener Sousa ma do dyspozycji świetnie zorganizowany zespół, który potrafi rywalizować z najlepszymi drużynami na kontynencie. Polska reprezentacja, przy odpowiednim wsparciu i determinacji, ma realne szanse na osiągnięcie sukcesu na Mistrzostwach Europy w 2024 roku. Kibice z niecierpliwością oczekują tego turnieju i trzymają kciuki za naszych reprezentantów!

Taktyka i strategia selekcjonera przed meczami grupowymi Mistrzostw Europy w Piłce Nożnej 2024 są kluczowymi elementami sukcesu dla drużyny narodowej. Selekcjoner ma za zadanie dopasować taktykę do specyfiki przeciwnika oraz do własnych możliwości zawodników. Przed meczami grupowymi ważne jest ustalenie klarownego planu gry, który umożliwi maksymalne wykorzystanie potencjału drużyny.

Jednym z głównych elementów strategii selekcjonera przed meczami grupowymi jest analiza przeciwnika. Przeciwnicy w fazie grupowej mogą być bardzo zróżnicowani pod względem stylu gry, siły ofensywnej czy defensywnej. Dlatego ważne jest, aby selekcjoner odpowiednio przygotował swoich zawodników do konkretnych rywali i wiedział, jakie zagrania mogą przynieść najlepsze efekty.

Kolejnym istotnym aspektem jest odpowiedni dobór taktyki gry. W zależności od przeciwnika i celów drużyny, selekcjoner może zdecydować się na defensywną taktykę, skupiającą się na utrzymaniu rezultatu, lub ofensywną, nastawioną na zdobycie większej liczby bramek. Ważne jest również odpowiednie rotowanie składem, aby zapewnić rytmiczność i świeżość zawodnikom przez cały turniej.

Wreszcie, kluczową częścią strategii selekcjonera jest motywowanie i budowanie atmosfery w drużynie. Pozytywne nastawienie, zaufanie w swoje umiejętności oraz wsparcie ze strony sztabu szkoleniowego mogą mieć kluczowe znaczenie dla osiągnięcia sukcesu w fazie grupowej Mistrzostw Europy. Dlatego selekcjoner musi skutecznie zarządzać zespołem i stworzyć warunki sprzyjające osiągnięciu jak najlepszego wyniku w meczach grupowych.

Historia występów reprezentacji Polski w turniejach piłkarskich jest pełna emocji i zaskakujących zwrotów akcji. Od czasów pierwszego występu na Mistrzostwach Świata w 1938 roku, przez złote lata lat 70., aż do obecnych zmagań eliminacyjnych do kolejnych turniejów, polska drużyna narodowa pozostaje symbolem pasji i zaangażowania. Mimo trudności i momentów rozczarowania, kibice z całego kraju zawsze wspierają swoich piłkarzy, motywując ich do osiągania coraz większych sukcesów.

Nadchodzące Mistrzostwa Europy w piłce nożnej w 2024 roku budzą wiele nadziei i oczekiwań wśród fanów reprezentacji Polski. Po udanym występie na poprzednim turnieju, gdzie drużyna zaprezentowała się z dobrej strony, teraz nadszedł czas na jeszcze większe wyzwania. Dzięki doświadczeniu trenera oraz zaangażowaniu zawodników, polska drużyna ma szansę na pokazanie się z jak najlepszej strony i osiągnięcie dobrego rezultatu.

Konkurencja w europejskim futbolu jest ogromna, ale reprezentacja Polski już wielokrotnie udowadniała, że potrafi pokonać nawet najtrudniejszych przeciwników. Zespół ma świetnych zawodników, którzy regularnie występują w najlepszych ligach europejskich, co daje im cenne doświadczenie i pewność siebie na boisku. Dlatego fani piłki nożnej w Polsce wierzą, że na nadchodzących Mistrzostwach Europy zobaczą wspaniałe widowisko i wiele powodów do dumy z reprezentacji.

Czas pokaże, jak potoczą się losy polskiej drużyny narodowej na ME 2024. Jedno jest pewne - emocje będą sięgać zenitu, a kibice będą trzymać kciuki za swoich ulubieńców aż do ostatniego gwizdka.

[filipekthedirector]

BLIK | ZJAZD | DIGITAL 15s from Marcin Filipek on Vimeo.

Director: Marcin Filipek | Point of You DOP: Wojtek Zieliński

Client: BLIK

Agency: Change Serviceplan Producer: Dorota Sieradzka Creative Director: Janek Majle Copywriter: Paweł Jan Nowak Art Director: Krzysztof Nienautowicz Business Director: Michał Tyburcy Client service: Artur Kępa

Production House: EASY HELL PRODUCTIONS Producer: Magda Wołosz Production manager: Marcin Trybulec, Aleksandra Szubiakiewicz

Set designer: Paweł Dąbrowski

Costumes: Sandra Burak

1AD: Iwo Barycz

Postproduction: Rio de post

Editor: Janek Wierzbicki

Grading: Piotr Sasim

Sound: Głośno Sound Postproduction Manager: Anna Bileńska Sound Designer: Błażej Kafarski

[cdntennis]

Australian Open 2023 (Day 5)

Men’s singles third round [6] Félix Auger-Aliassime (CAN) def. [28] Francisco Cerúndolo (ARG) 6-1, 3-6, 6-1, 6-4

[10] Hubert Hurkacz (POL) def. [20] Denis Shapovalov (CAN) 7-6(3), 6-4, 1-6, 4-6, 6-3

Women’s doubles first round [3] Gabriela Dabrowski (CAN) / Giuliana Olmos (MEX) def. Irina-Camelia Begu (ROU) / Shelby Rogers (USA) 4-6, 6-2, 6-2

Belinda Bencic (SUI) / Jil Teichmann (SUI) def. Rebecca Marino (CAN) / Madison Brengle (USA) 6-2, 6-2

[7] Beatriz Haddad Maia (BRA) / Zhang Shuai (CHN) def. [PR] Leylah Annie Fernandez (CAN) / Bethanie Mattek-Sands (USA) 6-7(5), 6-4, 6-3

Mixed doubles first round [8] Gabriela Dabrowski (CAN) / Max Purcell (AUS) def. Yang Zhaoxuan (CHN) / Jan Zieliński (POL) 6-2, 7-5

(Picture : © Associated Press)

[bziklife]

[ohchopin]

- Chopin's first love was Konstancja Gładkowska, the blue-eyed daughter of Commander of the Warsaw Castle, who studied singing at the same conservatory. How deep this feeling must have been can only be guessed from the beauty and quality of the works Chopin composed at this time: the Adagio from the f minor Concerto, dedicated to Miss Gładkowska, and the whole Concerto in e minor. 

- Konstancja performed at the farewell concert held in Warsaw before the composer’s leaving to Paris.

- “He invited Gładkowska and Wołków to participate, and Soliva to conduct. “You would not believe the trouble I had getting permission for those young ladies to sing.” Chopin complained. (...) The day after the concert Chopin waxed lyrical about the evening to Tytus. His farewell appearance had exceeded all expectations, he said. It was a full house, the applause was tremendous, Konstancja was dressed in white with roses in her hair, “her attire divinely arranged to suit her complexion.” Soliva had transposed Konstancja’s aria from Rossini’s La donna del lago down a tone, the better to suit her voice. At the words “tutto detesto” she descended to the low B-natural in such a way that “Zieliński declared that one note to be worth a thousand ducats.”

Chopin called the Larghetto movement of his concerto a “Romance”, the only time he is known to have used the term. And since it is the only piece of music about which he ever attempted to provide a literary program, his commentary is not set aside. Once again Tytus becomes recipient of some private thoughts.

‘’The Adagio of the new concerto is in E major. It is not meant to create a powerful effect; it is rather a Romance, calm and melancholy; giving the impression of someone looking gently toward a spot which calls to mind a thousand happy memories. It is a kind of reverie in the moonlight on a beautiful spring evening.’’

When Chopin talks of a “reverie in the moonlight” and “a spot which calls to mind a thousand happy memories” he comes close to suggesting that the movement enshrines an imagined love scene. His description is notable, coming as it does from a composer who generally chose to say nothing about his music in order not to let the daylight spoil the magic. Is it possible that thoughts of Konstancja lay behind this music too?

In the afterglow of this concert Konstancja and Chopin exchanged rings, althought there is no evidence that this symbolized a betrothal. Still, Chopin arranged to correspond with Konstancja throught his friend Jan Matuszyński, who was studying medicine at the university and agreed to act as a go-between. - He instructed Jan to tell her that "my ashes shall be laid at her feet." Konstancja did not respond to such an extravagant notion, which led Chopin to ask his intermediary, "Did you hand over my note? Today I regret having written in. Perhaps she is fooling me and treating it as a joke." The Russian officers who spent time in her company aroused his jealousy and he disparaged them as "the epaulets". His feelings sometimes came boiling to the surface. "How I tear my hair when thought comes that she may forget me! Those fellows! Gresser! Bezobrazow! Pisarzewski! It's too much for me. Today I feel like Othello!"  -  There was secrecy involved, but the mere fact that these arrangements were put in place indicates that the relationship had been taken to a new level, one in which it was not impossible for the couple to contemplate a future together after Chopin had returned from his foregin travels. The idea is borne out by some affectionate lines that Konstancja wrote in Chopin’s album on October 25, just two weeks after the farewell concert, most likely in the Chopin family apartament in the Krasiński Palace. 

‘’Sorry twist of fate you weave, Yet yield we must to fortune. Remember well, as now you leave in Poland they do love you. K.G.’’

Two or three pages further on Konstancja added more lines, conveying the patriotic sentiment that "in foreign lands they may appreciate and reward you better, but they cannot love you more." She never saw the words that Chopin was add in pencil after he had left Poland and she herself had married, "Oh yes, they can!". (Dr. Alan Walker)

- He revealed his feelings for Konstancja to Tytus Woyciechowski in a letter of 1829:

“…. because perhaps I already have my ideal, whom I faithfully, not having spoken to her for half a year already, serve, about whom I dream, for whom the adagio of my concert is dedicated”.

- Incidentally, this pure love of Chopin to Gładkowska still continued after her marriage. This is evidenced with Ludwika Chopin's words from a letter to Fryderyk, ‘’You write that your love is here. (...) I wonder, how can you be so unfeeling. Palace seemed to be [for Gładkowska] more important, but you made a bad interest; you said she had a good taste, feeling! Ah, the feeling! But it seems she has that feeling only in the singing, and you are the proof for it!’’ (prof. Jacek Jadacki)

[bongda24hbet]

Soi kèo Thụy Điển vs Ba Lan, 23h00 ngày 23/06/2021, Euro 2020

Nhiều trận đấu bất ngờ đã khiến cho vòng chung kết Giải vô địch châu Âu Euro 2020 trở nên kịch tính và hấp dẫn hơn. Màn đối đầu giữa Thụy Điển vs Ba Lan cũng là một trong những trận đấu nhận được nhiều sự quan tâm của người h��m mộ. Cùng Bongda24h nhận định trận đấu hấp dẫn này và đặt kèo cho chính xác.

Soi kèo Thụy Điển vs Ba Lan

Thụy Điển đang rất thuận lợi có được ngôi đầu bảng với 4 điểm sau 2 trận đấu. Mặc dù khá khó khăn nhưng đội tuyển này đã có được 1 điểm rất xứng đáng trước đội thủ được đánh giá khá mạnh như Tây Ban Nha. Bởi mặc dù chỉ có thời gian kiểm soát bóng khá ít và không có nhiều tình huống nguy hiểm nhưng nhờ tinh thần đoàn kết họ đã phòng thủ rất chắc chắn khiến cho những chân sút Tây Ban Nha không thể làm gì.

Soi kèo Thụy Điển vs Ba Lan

Với 4 điểm thì chưa có gì chắc chắn rằng Thụy Điển sẽ được lọt vào vòng loại trực tiếp. Tuy nhiên cơ hội để đội bóng này đoạt được tấm vé này cũng khá cao khi đối thủ trong trận đấu tới của họ là Ba Lan. Còn về phía Ba Lan mặc dù được kỳ vọng rất lớn với chân sút hàng đầu thế giới Lewandowski nhưng lại không thi đấu tốt. Họ hòa Tây Ban Nha trong trận đấu đầu tiên nhưng lại để thua Slovakia 1- 2 trong trận đấu ngày 14/06.

Nếu so sánh phong độ hiện tại cùng với những thành tích trong quá khứ thì Ba Lan thực sự không phải là đối thủ quá đáng sợ đối với Thụy Điển. Hai đội đã có tổng cộng 5 lần đụng độ nhau nhưng Ba Lan đều thua trong các trận này. Đây là thế trận không hề cân bằng, chính vì thế việc nhà cái nhận định Thụy Điển là cửa trên và chấp Ba Lan 1.0 quả là có căn cứ. Người chơi có thể dựa vào kèo chấp này và đặt cửa thích hợp cho mình.

💣 Nhận định tỷ số: Thụy Điển 2-1 Ba Lan

Soi kèo tài xỉu Thụy Điển vs Ba Lan

Đội hình của Thụy Điển trong thời kỳ hiện tại không còn có được phong độ đỉnh cao từ sau Euro 2008. Tuy nhiên nếu điểm danh thì họ vẫn đang có những cái tên nổi trội đang chơi ở các câu lạc bộ nổi tiếng ở châu Âu như Ibrahimovic (AC Milan), Kulusevski (Juventus), Forsberg (RB Leipzig)… Chính vì thế trong 5 trận đấu gần nhất họ vẫn không để thua một trận nào và giành chiến thắng đến 4 trận.

Nhận định trận đấu Thụy Điển và Ba Lan

Trong khí đó ngoài Lewandowski trên hàng công thì đội tuyển Ba Lan không còn cái tên nào quá nổi bật. Những cầu thủ còn lại trong dàn cầu thủ này hầu hết chr thi đấu tại giải quốc gia tầm trung của châu Âu. Hiện tại có rất nhiều cầu thủ chấn thương đã kịp quay lại thi đấu cho đội tuyển tuy nhiên hầu hết họ đều là những cầu thủ trẻ và cần phải thi đấu nhiều hơn.

Nếu xem phong độ của họ trong thời gian gần đây với 3 trận hòa và 5 trận thua thì có thể người hâm mộ sẽ không thể yên tâm cho bước đường kế tiếp của họ.

So sánh cả về phong độ và đội hình thì Ba Lan vẫn tỏ ra lép vế hơn Thụy Điển. Nhà cái đưa ra kèo Tài Xỉu là 2.5 và người chơi vẫn có thể đặt cửa Tài cho trận đấu này để ăn tiền của nhà cái.

💣 Kkèo Tài Xỉu: Cửa Tài

Soi kèo hiệp 1 Thụy Điển vs Ba Lan

Trong hầu hết các trận đấu mà Thụy Điển được đánh giá cao hơn trong thời gian gần đây đội tuyển này đều thi đấu áp đảo và ghi được bàn thắng ngay trong hiệp đấu đầu tiên. Chính vì thế với lực lượng hùng hậu của mình dự đoán trong trận đấu với Ba Lan, Thụy Điển cũng sẽ gây nhiều khó khăn cho dàn cầu thủ đội bạn ngay từ khi mở đầu trận đấu và có thể đội sẽ ghi được ít nhất 1 bàn thắng.

💣 Nhận định kèo hiệp 1: Thụy Điển 1-0 Ba Lan

Soi kèo phạt góc Thụy Điển và Ba Lan

Thụy Điển chứng tỏ là một đội chơi khá chắc chắn trong những trận đấu vừa qua. Đây có thể là bí quyết để họ có được điểm số trước những đối thủ mạnh như Tây Ban Nha. Không phải là đội có quyền kiểm soát bóng trong hầu hết các trận đấu tuy nhiên với sự tính toán trong từng đường bóng nên họ vẫn có được những điểm số quý giá. Chính vì thế dự đoán trong trận đấu sắp tới với Ba Lan lối chơi này cũng được duy trì và ít có quả phạt góc. Người chơi nên chọn cửa Xỉu khi đặt kèo phạt góc.

💣 Nhận định kèo phạt góc: Chọn Xỉu

Đội hình dự kiến

⚽ Thụy Điển: R. Olsen , E. Krafth, V. Lindelof, F. Helander, L. Augustinsson , E. Forsberg, S. Larsson, Albin Ekdal, V. Claesson , Z. Ibrahimovic, D. Kulusevski

⚽ Ba Lan: Wojciech Szczesny , Bartosz Bereszyński, Tomasz Kędziora, Jan Bednarek, Sebastian Walukiewicz, Piotr Zieliński, Karol Linetty, Kamil Jóźwiak, Robert Lewandowski.

Phong độ thi đấu Thụy Điển và Ba Lan

Nguồn: https://bongda24h.bet/soi-keo-thuy-dien-vs-ba-lan-23h00-ngay-23-06-2021-euro-2020/

[architectnews]

Alps Wellness Retreat design competition

Alps Wellness Retreat design competition by Switch, Architecture Contest 2021

Alps Wellness Retreat Design Competition by Switch

26 Apr 2021

Alps Wellness Retreat design contest Winners

Alps Wellness Retreat Architecture Competition Winners News

1st Winner – Peran Guillaume, Camille Desplanques (France)

2nd Winner – Matthew Cox (United States)

3rd Winner – Stefani Fariawati Hasan, Muhammad Agus Ali Ridho, Gregorio Eben Heizer (Indonesia)

Honorable Mentions:

Jakub Wichtowski, Jan Zieliński (Poland)

Li Han, Siyi Pan, Jingxiao Ma (China)

António Rebelo, Bruno Graça, Luís Martins (Portugal)

An Heesung, Park Minjoo (South Korea)

Nora Ravanidou (Switzerland)

Ole Flatebø, William Horstad (Norway)

Xianglei Ding, Haoran Ma, Siwei Xu (China)

Marta Adamik, Patrycja Raszka (Netherlands)

Tony Li, Jocelin Chan (United Kingdom)

Arup Tiwari, Poornima Verma, Sarthak Wadhwa (India)

5 Jan 2021

Alps Wellness Retreat design contest by Switch

Alps Wellness Retreat Architecture Competition News

The fast pace of 21st century has led to a very distorted work-leisure balance among urban settlers. This has caused numerous lifestyle-related mental and physical issues like stress, depression and other chronic ailments.

This has shifted the focus on wellness and its importance in leading a happy and fulfilling life. We are getting aware and more conscious of the fact that wellness is more than the absence of disease and is a careful holistic balance of the mind, body and spirit. The dialogue has been initiated and we can see an upsurge in the wellness tourism sector, as people demand for a more accessible and wholesome experience.

Designing for health and wellness is inherent to architecture. Great architecture is rooted in real world outcomes that foster healthier spaces and environments. The aim of the competition is to design a wellness retreat in the picturesque setting of Alps that can incorporate different aspects of wellness under a single roof and create a therapeutic and immersive experience for the user through architecture.

Architecture constantly evolves to meet the needs of society and part of its social role is to assist the well-being of those who transit and use their spaces daily. Architecture for Wellness is a niche responsible for the development of captivating architectural experiences that can facilitate and support the search and the achievement of the psychophysical wellness.

Architecture can have a deep healing effect on a person if it can stimulate the human senses. The Wellness Retreat should be resonant with an elemental materiality and a deep sensual pleasure that can be a very good medium for instilling emotions, i.e. the aura of space should bring a positive change in a person’s perception and mood while using the space. The Wellness retreat should enhance the olfactory, tactile and visual experiences of the visitors.

The participants should integrate nature with the Wellness hub in a meaningful manner. The transition between the natural-artificial, interior-exterior should be fluid and seamless to the extent that it becomes one continuous envelope.

The combinations of light and shade, open and enclosed spaces should create sensuous and restorative experience. The built form should not just be created with beautiful materiality and facia but resonant with atavistic memories of weight, contiguity and enclosure, of sound and enticing illumination.

The Wellness retreat should have a ‘music-like’ rhythmic quality to it. It should help people unwind in solitude and slow down. The retreat should indulge in various spiritual, physical and psychological activities.

The participants are free to impart any function they feel are needed inside the retreat. All generic functions like rooms/cabins for stay, meditation and yoga halls, spa, heated pools/baths, sauna, massage rooms, gym, restaurant, healing rooms etc. should be provided for an all-in-all experience under a single roof.

PRIZES

Prizes worth EUR 2500 are up for claim with the distribution as follows:

FIRST PRIZE: EUR 1200 SECOND PRIZE: EUR 800 THIRD PRIZE: EUR 500

Apart from the winners, the jury will select ’10 Editors’ Choices’ who will be featured on our website and several other international magazines and websites across the world. The winners and Editors’ Choices will be provided with an honorary certificate.

REGISTRATION &TIMELINE

The competition is open to everyone in the world (architects, students, engineers etc.). You can participate individually or in a team. A team can have a maximum of three members only. • For Indian nationals: 1800 INR + Taxes (per team)

Standard registration: – 1st January 2021 – 28th February 2021 • For foreign nationals: 60 EUR + Taxes (per team)

Late registration: – 1st March 2021 – 30th March 2021 • For foreign nationals: 80 EUR + Taxes (per team) • For Indian nationals: 2100 INR + Taxes (per team)

Submission deadline: 31st March 2021

Result: 25th – 28th April 2021

DISCOUNT

Group discounts apply for a minimum of 5 teams from one particular architecture school/university as our initiative to promote more participation from students. Send us the following details at queries@switchcompetition.com to avail the offer.

OTHER DETAILS

Website: https://ift.tt/2jlIMgs Facebook: https://ift.tt/2FuLOb7 Instagram: https://ift.tt/2QJWjiU

Alps Wellness Retreat design competition by Switch information / images received 050121

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Comments / photos for the Alps Wellness Retreat design competition by Switch page welcome

The post Alps Wellness Retreat design competition appeared first on e-architect.

[emzeciorrr]

NPRCz "Czy" 75s - dircut from FILM FICTION on Vimeo.

film-fiction.com

Director: Marcin Filipek / Point of you DOP: Wojtek Zieliński / Match & Spark Creation: NIENAUTNOWAK Creatives: Krzysztof Nienałtowski, Paweł Jan Nowak Client: Narodowe Centrum Kultury | Marzena Strąk, Daniel Zgaga, Joanna Haberek Featured: Daria Pikulik, Rysy, Kazik Mazur, Ida Nowakowska Production house: FILM FICTION Producer: Adrian Pawłowski Production Manager: Katarzyna Rup Coordinator: Maciej Kowalczyk Production Assistant: Gosia Pokropek Production Assistant: Jakub Wójcik Production Assistant: Marcin “Malan” Production Assistant: Cezary Helm 1st AD: Roman Grad Set Manager: Jacek Kozłowski Makeup Artist: Natalia Brzęczkowska Costume Designer: Sandra Cudna/ Hartwig Fashion Set Design: Jędrek Kowalski, Maria Kowalska Postproduction: Coloroffon Editor: Magda Mikołajczyk Postproducer: Agata Krynicka / Coloroffon Colorist: Frederick Van Eden Grading studio: Coloroffon Online: Krzysztof Karnicki / Coloroffon DI: Sebastian Lipiński, Robert Rogowski / Coloroffon Sound Postproduction Studio: Halo Studio Sound Postproducer: Renata Kucharska / Halo Studio Sound Designer: Łukasz Sobolewski / Halo Studio Music Composer : Buslav Lector (movie): Łukasz Sobolewski / Halo Studio Lector (radio): Kamil / RPM Casting Director - Ewa Hornich Casting Studio - Stars Impresariat Cast: Dominika Miecznikowska, Karolina Romuk Wodoracka, Jakub Krysinski, Joanna Świtała, Andrzej Pietruszka, Maria Bijak, Michał Oleś, Michał Sobczyński, David Iroko, Konrad Kitlas, Franciszek Gurgul Heoma Ukwuoma, Jagoda Kusyło, Hubert Wiatrowski, Diuna (dog) Shootingboard: Jurij Ostafijczuk Still Photographer - Nikita Wierchow Camera - ATM Focus Puller - Michał Szpilman Camera Assist - Piotr Les "Fragles" Grip - Mariusz "Misiek" Drążyk Sound Operator - Piotrek Gołaszewski Set Lighting - Heliograf Gaffer - Patryk "Wilczur" Zadrożny / Heliograf Sparks - Łukasz Głaszczka, Konrad Pruski Prop master - Filip Strzałkowski Stage Hand - Koper & Skayer / Koper Film Catering - Przepis 77 Driver - Michał Dańda, Maciej, Robert Jóźko Agregat - Seba Film Special THX Wojtek Urbański (Rysy), Agnieszka Wieczorkowska / Point of You, Igor Pająk / Match & Spark, Joanna Myszor / Coloroffon, Magda Widuch / Coloroffon, Opta, Dream by PR, STARS Impresariat, Casting Studio, Jonak, Apogeum, Ori Actors, Vanilla Models, Difference, ID, Gudejko, Undercut, OSiR, W Orbicie Słońca, ZPSM nr 1 Warszawa, Uniwersytet Warszawski (Instytut Anglistyki), Marta Kalinowska / Hartwig Fashion, Marcel Kuśmierczyk, Dorota Gawron

[filipekthedirector]

BLIK | RANDKA | DIGITAL 15s from Marcin Filipek on Vimeo.

Director: Marcin Filipek | Point of You DOP: Wojtek Zieliński

Client: BLIK

Agency: Change Serviceplan Producer: Dorota Sieradzka Creative Director: Janek Majle Copywriter: Paweł Jan Nowak Art Director: Krzysztof Nienautowicz Business Director: Michał Tyburcy Client service: Artur Kępa

Production House: EASY HELL PRODUCTIONS Producer: Magda Wołosz Production manager: Marcin Trybulec, Aleksandra Szubiakiewicz

Set designer: Paweł Dąbrowski

Costumes: Sandra Burak

1AD: Iwo Barycz

Postproduction: Rio de post

Editor: Janek Wierzbicki

Grading: Piotr Sasim

Sound: Głośno Sound Postproduction Manager: Anna Bileńska Sound Designer: Błażej Kafarski

[cdntennis]

Australian Open 2023 : Canadians in the singles and doubles main draws

Men’s singles first round [6] Félix Auger-Aliassime (CAN) vs. Vasek Pospisil (CAN)

[20] Denis Shapovalov (CAN) vs. Dušan Lajović (SRB)

Women’s singles first round Bianca Andreescu (CAN) vs. [25] Marie Bouzková (CZE)

Leylah Annie Fernandez (CAN) vs. Alizé Cornet (FRA)

Rebecca Marino (CAN) vs. Zhu Lin (CHN)

[Q] Katherine Sebov (CAN) vs. [4] Caroline Garcia (FRA)

Women’s doubles first round [3] Gabriela Dabrowski (CAN) / Giuliana Olmos (MEX) vs. Irina-Camelia Begu (ROU) / Shelby Rogers (USA)

Leylah Annie Fernandez (CAN) / Bethanie Mattek-Sands (USA) vs. [7] Beatriz Haddad Maia (BRA) / Zhang Shuai (CHN)

Rebecca Marino (CAN) / Madison Brengle (USA) vs. Belinda Bencic (SUI) / Jil Teichmann (SUI)

Mixed doubles first round [8] Gabriela Dabrowski (CAN) / Max Purcell (AUS) vs. Yang Zhaoxuan (CHN) / Jan Zieliński (POL)

(Picture : © Martin Sidorják)