#james tavernier

[rangersfc-1872]

2023/24 UEFA EUROPA LEAGUE ROUND OF 16 - 2ND LEG

Rangers 0-1 SL Benfica (2-3 agg) 14th March 2024 Ibrox Stadium

Silva (66')

[raphoupix]

James Tavernier - Rangers FC v. Celtic FC - Scottish Premiership

[imvges-football]

>>>

[alexlacquemanne]

2023 in 12 movies (1 per months)

January

The Horse Whisperer (1998) directed by Robert Redford with Robert Redford, Kristin Scott Thomas, Scarlett Johansson, Sam Neil, Chris Cooper and Cherry Jones

[First Time]

February

L'Horloger de Saint-Paul (1974) directed by Bertrand Tavernier with Philippe Noiret, Jean Rochefort, Jacques Denis, Yves Afonso, Julien Bertheau and Jacques Hilling

[First Time]

March

The Fabelmans (2022) directed by Steven Spielberg with Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Keeley Karsten, Julia Butters and Judd Hirsch

[First Time]

April

The Third Man (1949) directed by Carol Reed with Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard and Bernard Lee

[First Time]

May

The World, The Flesh and the Devil (1959) directed by Ranald MacDougall with Harry Belafonte, Inger Stevens and Mel Ferrer

[First Time]

June

La ciociara (1960) directed by Vittorio De Sica with Sophia Loren, Eleonora Brown, Jean-Paul Belmondo, Carlo Ninchi, Andrea Checchi and Pupella Maggio

[First Time]

July

Oppenheimer (2023) directed by Christopher Nolan with Cillian Murphy, Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett and Casey Affleck

[First Time]

August

Heat (1995) directed by Michael Mann with Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Diane Venora, Amy Brenneman, Dennis Haysbert, Donald Breedan and Ashley Judd

[First Time]

September

Catch Me If You Can (2002) directed by Steven Spielberg with Leonardo DiCaprio, Tom Hanks, Christopher Walken, Nathalie Baye, Amy Adams, Martin Sheen, James Brolin and Brian Howe

[First Time]

October

Le Grand Bain (2018) directed by Gilles Lellouche with Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-Hugues Anglade, Philippe Katerine, Félix Moati, Alban Ivanov, Balasingham Thamilchelvan, Virginie Efira et Leïla Bekhti

[First Time]

November

Fools Rush In (1997) directed by Andy Tennant with Matthew Perry, Salma Hayek, Jon Tenney, Carlos Gómez, Tomás Milián, Siobhan Fallon et John Bennett Perry

[First Time]

December

The Great Race (1965) directed by Blake Edwards with Tony Curtis, Natalie Wood, Jack Lemmon, Peter Falk, Keenan Wynn et Ross Martin

[First Time]

Honourable Mentions :

Airplane! (1980)

Duel (1972)

Les Sentiments (2003)

The Carpetbaggers (1964)

Scoop (2006)

Mon crime (2023)

To Have and Have Not (1944)

The Super Mario Bros. Movie (2023)

The Man Who Shot Liberty Valance (1962)

臥虎藏龍 (2000)

The Glenn Miller Story (1954)

Le Dernier Voyage (2020)

Dead Men Don't Wear Plaid (1982)

L'ingorgo (1979)

Indiana Jones and the Last Crusade (1989)

Adieu Gary (2008)

Conflict (1945)

Fahrenheit 451 (1966)

La Nuit américaine (1973)

Sorcerer (1977)

La Guerre des polices (1979)

Life of Pi (2012)

The Big Short (2015)

Le Hussard sur le toit (1995)

Excalibur (1981)

The Naked Gun: From the Files of Police Squad! (1988)

Bridget Jones’s Diary (2001)

Le Procès Goldman (2023)

Enter the Dragon (1973)

Matrimonio all'italiana (1964)

Chaplin (1992)

La Vie de château (1966)

Escape from Alcatraz (1979)

Au-delà des grilles (1949)

Second Tour (2023)

Le Couteau dans la plaie (1962)

The Eiger Sanction (1975)

JFK (1991)

Le Fugitif (1993)

Chef (2014)

Quai des Orfèvres (1947)

Appointment with Death (1988)

Bridget Jones: The Edge of Reason (2004)

Wallace & Gromit: The Curse of the Were-Rabbit (2005)

River of No Return (1954)

L'Assassinat du père Noël (1941)

Dances with Wolves (1990)

Die Glasbläserin (2016)

The Lion in Winter (1968)

Les Mystères de Paris (1962)

[lucienballard]

Jane Birkin, actor and singer, dies aged 76

Best known for the sexually explicit 1969 hit Je t’aime … moi non plus, she found fame in her adopted France

The British-born actor and singer Jane Birkin has been found dead at her home in Paris, the French culture ministry said on Sunday.

Birken, 76, was best known overseas for her 1969 hit in which she and her lover, the late French singer-songwriter Serge Gainsbourg, sang the sexually explicit Je t’aime … moi non plus.

Birkin found fame in her adopted France, catapulted into the public eye by her turbulent relationship with Gainsbourg. Her heavily accented French became her personal style signifier.

She crossed the channel in 1968 at the age of 22 to star in a film alongside Gainsbourg, who was 18 years her senior. It was the start of a 13-year relationship that made them France’s most famous couple, in the spotlight as much for their bohemian and hedonistic lifestyle as for their work.

The doe-eyed Birkin, with her soft voice and androgynous silhouette, quickly became a sex symbol, recording the steamy Je t’aime … moi non plus with a growling Gainsbourg. Banned on radio in several countries and condemned by the Vatican, the song was a worldwide success.

“He and I became the most famous of couples in that strange way because of Je t’aime and because we stuck together for 13 years and he went on being my friend until the day he died. Who could ask for more?” Birkin told CNN in 2006.

“So Paris became my home. I’ve been adopted here. They like my accent,” she said.

Birkin was born in London on 14 December 1946 to an actor mother and naval officer father. At 17, she married the James Bond composer John Barry, with whom she had a daughter, Kate, but the marriage lasted only three years.

She made waves in her film debut in 1966 with a full frontal nude scene in the swinging sixties classic Blow-Up by Michelangelo Antonioni.

After meeting Gainsbourg, 18 years her senior, in Paris on the set of a romantic comedy – he was her co-star – she moved to France permanently. Their musical and romantic relationship was tempestuous. During one of their raging rows, Birkin launched herself into the River Seine after throwing a custard pie in Gainsbourg’s face.

They had a daughter, Charlotte, who became a hugely successful actor and singer.

Birkin finally walked out on France’s favourite bad boy in 1980 and went on to to blaze her own trail. In cinema, she branched out from more ditsy roles to arthouse productions, gaining three nominations at the Césars – France’s Oscars – starting with La Pirate in 1985.

In her about 70 films she has been directed by France’s leading directors, including Bertrand Tavernier, Jean-Luc Godard, Alain Resnais, James Ivory and Agnès Varda.

A chronic alcoholic, Gainsbourg died of a heart attack in 1991 aged 62. A few years earlier, he was in the audience to hear Birkin perform her first solo concert at the age of 40 at the Bataclan theatre in Paris.

In 1998 came her first record without Gainsbourg, Á la Légère. But she repeatedly returned to his repertoire, singing his hits around the world accompanied by a full orchestra, including in 2020 in New York where she performed with Iggy Pop.

The English rose of French chanson became something of a national treasure, who preserved the accent that made the French swoon throughout her life and an endearing air of fragility.

Her life was marked by tragedy, with her eldest daughter Kate Barry, a photographer, apparently committing suicide in 2013. She had leukaemia in the late 1990s and in 2021 suffered a minor stroke.

With her flared jeans, mini-dresses and messy bangs, Birkin was the ultimate It girl in the 1970s. In 1984, Hermès named one of its handbags after her. She was made an Officer of the Order of the British Empire (OBE) in 2001 for her services to acting and British-French cultural relations.

Besides Charlotte and Kate, she had another daughter, the singer Lou Doillon, from her 13-year relationship with the French director Jacques Doillon.

RIP Jane

[thejadedking]

HUMAN LIFE

1710 Galeb was born 25th August named Şehzade Süleyman, to parents Ahmed III Sultan of the Ottoman Empire and consort Mihrişah Kadın. ( a.k.a Jeannette de Bazory )

1730 Ahmed III reign as Sultan of the Ottoman Empire ended after an insurrection initially involving 17 Janissaries, citizens and military, led by Patrona Halil on 20th September.

Fearing for her eldest son’s life, Jeannette de Bazory ( Galeb’s mother ) persuaded Galeb to hide on a ship leaving Constantinople and fake his death. He reluctantly agreed.

Her fears were proven correct and she was murdered by the Janissaries soon after.

The captain of the ship Galeb escaped on, Ohrili Fahri, decided he was a good worker and adopted him into his family.

He soon joined his adoptive family in business as a diamond merchant.

After receiving news that his mother had died, Süleyman abandoned his name, dawning the name of ’ Galeb Bazory ’ in honour of his mother and adopted a detached persona. 

1733 Galeb would begin sailing the world in search of other business opportunities.

1740 Galeb met Jean Baptiste Tavernier in Cadiz, Spain.

1743 After the two became close, Galeb would open up to Jean Baptiste Tavernier who would cement his interest in turning him and later embrace Galeb.

UNLIFE

1745 With his sire wanting him to retake his throne or control it from the shadows, Galeb refuses and abandons his family and sire but continues to sporadically keep in contact with him.

1794 After travelling the world and continuing his business ventures, Galeb travelled to Andorra where he met and fell in love with Agueda Hernández.

1796 He’d admit to Agueda that he was a vampire.

1805 Agueda admits her dream of having a child and growing old with Galeb, realising he can’t give her what she wants and what he believes she deserves, he flees the country.

1806 Galeb meets a man named James Underwood, a sugar trader, who he begins to have feelings for.

1807 James and his wife have a son who they named Berel, James’ wife dies shortly after the birth.

1814 In contact with his sire, Jean Baptiste Tavernier, Galeb agrees to settle in New York.

1829 James Underwood dies, Galeb takes on Berel as his son.

1833 Berel asks Galeb to go into business with him.

1835 Berel questions why Galeb never ages, Galeb admits he’s a vampire and Berel begs him to turn him.

1869 After many years of putting it off, Galeb reluctantly embraces Berel.

1879 Disgusted by Berel’s behaviour as an immortal, Galeb abandons his childe.

[dustedmagazine]

Listed: James and the Giants

James and the Giants is the latest project from James Jackson Toth, who got his start in the freakiest edges of aughts folk as Wooden Wand, releasing a slew of albums under that and his own name. More recently, Toth has convened another band, James and the Giants, which shares personnel with Woods (Jarvis Tavernier, Kyle Forester and Jeremy Earl). In her review of their self-titled debut, Jennifer Kelly wrote, “Who’d have guessed from James Jackson Toth’s early forays into noisy, freak folk experiments that he’d shape up as such an elegant craftsman? This latest collection of songs attests to the artist formerly known as Wooden Wand’s deep connection to and understanding of foundational American popular music forms: blues, folk, gospel, R&B, Beatles-esque psych and Brill Building pop.”

Below is some music I really love. I have omitted music created by friends and people with whom I am acquainted in “real life.”

Oiro Pena

Studio overdubs are a bit of a rarity in jazz music; even less common is jazz created by a single musician overdubbing themselves. While recent Oiro Pena albums have expanded to include several other members, band founder Antti Vauhkonen’s earliest work under the name was created by Vauhkonen alone accompanying himself performing all of the instruments. The result is like a cross between the space exotica of Sun Ra’s Chicago period and the homespun psychedelic clatter of No Neck Blues Band. As much as I enjoy the band’s recent work, it is the early Oiro Pena records that I find most compelling, the composite parts of a single brain improvising with itself to create a beautiful illusion.

B-52s — “Ain’t It A Shame”

The B-52s’ 1986 album Bouncing Off The Satellites is what is often referred to in rock crit speak as a “transitional record.” It preceded a 3-year hiatus, after which the B-52s enjoyed a tremendously successful comeback with 1989’s 4x platinum Cosmic Thing, thanks in no small part to chart-topping singles “Love Shack” and “Roam.” Bouncing Off The Satellites found the increasingly fractious band moving away from their taut, artsy new wave origins and embracing the potential of nascent studio technology, namely the Fairlight CMI. Most crucially, the album was released less than a year after the AIDS-related death of founding member and guitar player Ricky Wilson, who was silently and secretly struggling with the virus during the recording of the album. As a result, the band did not promote nor tour in support of the album, which is really too bad, because it’s a great group of songs, the highlight of which being the melancholy “Ain’t It A Shame” (later covered by Sinead O’Connor). The song does not deal directly with Ricky’s illness—it was written before the diagnosis was revealed to anyone in the band—but seems to foreshadow some of the band’s personal difficulties in that prophetic way that songs often do. A gorgeous, flawless song.

Eyvind Kang — “Binah”

Tucked inconspicuously into the center of polymath / genius Eyvind Kang’s 2002 CD-only release, Live Low To The Earth, In The Iron Age, is this mesmeric masterpiece, somewhere between a post-rock Bill Frisell and a more pastoral Henry Flynt. Over 27 minutes, “Binah” slowly blossoms, changing almost imperceptibly. To an impatient listener, it will be like watching paint dry; to me it’s like watching a flower bloom. My wife Leah and I have listened to this album on a loop for hours, and I’m not typically a “listen to a song on a loop for hours” kinda guy.

Omar S

For over two decades, fiercely independent producer Omar S has been upholding the tradition of Detroit techno, his best music fusing the black sonic fantasias of Drexciya with the supple house-funk of Theo Parrish. On his own records and on his own label, FXHE, on which the vast majority of his 12”s and albums are released, the former Ford Motor Factory employee works exclusively with analog gear. Omar’s releases on FXHE are pressed in small quantities, often with crude, handwritten labels; if you order direct from FXHE, it’s very likely the box you receive will have been assembled and shipped by the man himself. While using techno and Chicago house as its base, the music Omar S produces is eclectic and unpredictable, untethered to any signature sound or approach; he’s just as likely to release an irresistible summer jam (see the Diana Ross-sampling “Day,” a track so infectious it makes Daft Punk sound like The New Blockaders) as darked-edged minimal house tracks like “Nite’s Over Compton,” on which Omar S masterfully evokes a mood using the barest essentials and tools.

Frank Zappa — “Chunga Basement”

I’ve given up trying to convert friends to the cult of Frank Zappa. I’m a big fan, especially of his guitar playing, but I sympathize with those who might have an aversion to Zappa’s prurient and mean-spirited sense of humor. In fact, if Frank Zappa’s particular sense of humor could be said to have an exact diametric opposite, it is my own. I love Zappa’s music in spite of — not because of — its scatological / puerile aspects. With that preamble in mind, I encourage all you private press-obsessed guitar loners to consider this embryonic, uncharacteristically laid-back version of future live staple “Chunga’s Revenge,” recorded during a casual jam session in early 1970 and featuring a rhythm section of Ian Underwood on keys, Max Bennett on bass, and Aynsley Dunbar on drums. “Chunga’s Revenge” was historically one of several signature vehicles for Zappa the Guitarist (as opposed to Zappa the Social Theorist, Zappa the Comedian-Provocateur, Zappa the Serious Composer, et al) and this early take finds our mustachioed man sounding uncharacteristically mellow and un-caffeinated, exploring the endless possibilities of his guitar in a way that isn’t remotely wacky or wanky.

Barre Phillips — Three Day Moon

There was a brief period in the mid-to-late 1970s when artists on ECM — my all-time favorite label after Three Lobed — were experimenting with synthesizers, approaching this relatively new technology with an omnivorous artistic fervor common to the ECM roster. Legendary bassist Barre Phillips’ pair of albums in the late 1970s are, to me, the distillation of this meeting of the earthy and the synthetic, locating in the process what might be considered ground zero for “ambient jazz.” While jazz groups incorporating elements of ambient and drone have become increasingly common as of late, there was little precedent in 1976 for the experimental marriage of saxes and circuitry. Mountainscapes (1976) and Three Day Moon (1978) both feature the mysterious and under-recorded synthesist Dieter Feichtner, about whom little is known — anyone know what became of him?

The Knife — Silent Shout

In 2006, I was in an electronic music rut. Everything being produced suddenly felt like a retread or a facsimile of things I already liked, a malady common to older, more established genres like rock and jazz, but not, as far as I was concerned, electronic music. My slump ended upon hearing Silent Shout, the third album by Swedish sibling duo The Knife. Though I avidly continue to keep up with the uniformly excellent solo projects of both members of The Knife — Karin Dreijer Andersson’s Fever Ray and Olof Dreijer’s Oni Ayhun — Silent Shout remains a pivotal record in my listening life. The album’s gothic austerity and phantasmal reimagining of dance music is clearly the work of visionary minds. Silent Shout is music of physicality, of intimacy and bodies, rendered icy and alien in part by the deployment of pitch-shifted vocals that suggest multiple menacing personas, giving the album the dissociative sense of having many different vocalists embodying different characters. Dreijer Andersson’s voice is an incredible instrument, capable of evoking dread, fear, loneliness, and antagonism. Incredible artist.

Ulver — Blood Inside

Ulver is predictable only in its unpredictability. The band radically reinvents its sound from album to album in a way that makes the Norwegian group’s music impossible to pigeonhole (see also: Boris, Circle). The group’s early albums are exciting, if fairly traditional black metal. But since then, Ulver has experimented with symphonic neo-classical, synth pop, art rock, trip hop, and folk music. 2005’s Blood Inside is their masterpiece — one of the most engrossing, relentless and overwhelming albums I’ve ever heard. Sometimes the album sounds like King Crimson covering The Cure’s Pornography, sometimes it sounds like Swans trying to evacuate a city being blasted by bombs. A grower if ever there was one, Blood Inside will worm its way into your psyche with its manic, brute ferocity and decadent maximalism. I’m loath to resort to the cliché of comparing a piece of music to an acid trip, so let’s instead call Blood Inside the sonic equivalent of an anxiety attack — inside a kaleidoscope.

Tolerance — Divin

The late music journalist Yuzuru Agi founded the Osaka-based Vanity label in 1978, releasing 11 LPs alongside a handful of 7” singles, flexis, compilations, and cassettes by mostly Japanese artists before dissolving the label in 1982. My favorite Vanity release is 1981’s Divin, the second album by the Osaka duo Tolerance. Led by the enigmatic and mysterious Junko Tange and aided by guitarist Masami Yoshikawa, Tolerance used drum machines and mixers alongside guitars and keyboards to create a different sort of early electronic music, one that was as far away from Kraftwerk and Tangerine Dream as Captain Beefheart was from the Rolling Stones. As the album’s most enthusiastic boosters love to acknowledge, listening to Divin is like listening to the future: the mechanized cracked electronics of Wolf Eyes and Nautical Almanac can be heard here, no wave’s dissonant skronk and grave incantations, and certainly what is now referred to as “minimal wave.” But the record’s prescience as a precursor to techno may be a tad overstated; by 1981, we already had “Being Boiled,” Louis and Bebe Barron’s soundtrack for Forbidden Planet, and Throbbing Gristle’s “Hot On The Heels On Love” (the latter of which does sound like a clear precursor to Tolerance’s “Sacrifice”), to name a few. Whether or not the members of Tolerance were aware of any of these things is impossible to know, as no one has seen or heard from either band member since shortly after Divin’s release. I’d speculate that most if not all of these resemblances are purely coincidental and not an indication of any direct influence. The coincidences, however, are fascinating. “Misa (Gig’s Tapes in ‘C’), presented here backwards, sounds a bit like a dry run for My Bloody Valentine’s “Touched;” “Sound Round” could quite easily pass as a sixth-generation cassette dub of some lost Skam or Rephlex 12,” while “Bok Wa Zurui Robot (Stolen from Kad)” does indeed sound like a blueprint for Detroit techno. There is something beguiling and uncanny about the entire presentation of Tolerance in general and Divin in particular. Though it is unlikely that the future architects of electronic music as we know it were aware of this record upon its limited release in 1981, it is a testimony to the notion of collective unconscious that Divin unwittingly presages so much of what was to come while still sounding like nothing else.

[maclad1888]

James Tavernier's old tweet goes viral as Celtic win league

James Tavernier’s old tweet about a guard of honour has gone viral as Celtic won the league and visit Ibrox next weekend. — Read on thecelticbhoys.com/2023/05/08/james-tavernier-old-tweet-celtic-league/

[userscuderia]

james tavernier i have a message for you.

[rangersfc-1872]

2024/25 SCOTTISH LEAGUE CUP SEMI-FINAL

Motherwell 1-2 Rangers 3rd November 2024 Hampden Park

Halliday (25') Dessers (49'), Bajrami (81')

[anordinarybhoy]

The Rangers supporters always think their players are superior to everyone else in the country. It’s funny how they’re always second best, or as they are at this moment in time third best….

The Rangers supporters are well known for going overboard, especially when it comes to exaggerating their players abilities. From £40 million rated Alfredo Morelos to Barcelona bound James Tavernier, we’ve heard and laughed at it all. The latest player to get that treatment is John Souttar after his decent displays at international level. Admittedly I’ve been impressed by Souttar as he’s…

[imvges-football]

>>>

[gurutrends]

Rangers edge to victory against St Mirren as fans voice frustrations

Rangers put their fans through the wringer again before running out 2-1 winners against a spirited St Mirren side in the William Hill Premiership at Ibrox. After recovering from last week’s defeat at Kilmarnock with a convincing 4-0 Europa League win over Romanian side FCSB in Govan on Thursday, Philippe Clement’s side, with captain James Tavernier starting on the bench, could not find their…

[jogodorealcartagena]

¿Cuál equipo ganó la última temporada de la liga de Escocia?

🎰🎲✨ ¡Obtén 500 euros y 200 giros gratis para jugar juegos de casino con solo un clic! ✨🎲🎰

¿Cuál equipo ganó la última temporada de la liga de Escocia?

Equipo campeón Liga Escocia 2021

El equipo campeón de la Liga Escocesa en el año 2021 fue el Rangers Football Club. El equipo, con sede en Glasgow, logró conquistar el título de la Scottish Premiership bajo la dirección del entrenador Steven Gerrard.

El Rangers FC tuvo una temporada sobresaliente, demostrando un excelente desempeño en cada partido disputado. Con un equipo sólido y una estrategia de juego bien definida, lograron superar a sus rivales y posicionarse en lo más alto de la tabla de posiciones.

Los jugadores clave del Rangers en esta temporada fueron figuras como James Tavernier, Alfredo Morelos y Connor Goldson, quienes destacaron por su liderazgo, talento y determinación en el terreno de juego.

El título de campeón de la Scottish Premiership significó un logro significativo para el Rangers FC, que celebró con su afición este importante triunfo. La última vez que habían conseguido el campeonato de liga fue en la temporada 2010-2011, por lo que esta victoria en 2021 representó un momento histórico para el club.

Los seguidores del Rangers FC se mostraron orgullosos del desempeño de su equipo y celebraron con entusiasmo la obtención de este título tan ansiado. Sin duda, el Rangers Football Club dejó su huella en la historia del fútbol escocés con su victoria en la Liga Escocesa 2021.

Último ganador liga Escocia

El Celtic Football Club se coronó como el último ganador de la Liga Escocesa, asegurando su título número 51 en la historia del club. La temporada pasada fue emocionante para los aficionados del Celtic, ya que el equipo mostró un desempeño excepcional en el torneo, demostrando su dominio en el fútbol escocés.

Con un rendimiento destacado en el terreno de juego, el Celtic logró mantenerse en la cima de la tabla de posiciones durante gran parte de la temporada. Los jugadores clave como Odsonne Edouard, Callum McGregor y Scott Brown desempeñaron un papel crucial en la victoria del equipo, mostrando su talento y dedicación en cada partido.

La afición del Celtic celebró con entusiasmo este nuevo triunfo en la Liga Escocesa, demostrando una vez más su apoyo incondicional al equipo. El Celtic ha construido una rica historia de éxitos en el fútbol escocés y este nuevo título refuerza su posición como uno de los clubes más exitosos del país.

Los seguidores del Celtic están ansiosos por ver qué deparará la próxima temporada y si el equipo podrá mantener su dominio en la Liga Escocesa. Sin duda, el Celtic continuará siendo un rival formidable para los demás equipos y seguirá brindando emocionantes encuentros a los aficionados del fútbol en Escocia.

Resultados temporada Escocia

La temporada en Escocia ha llegado a su fin y los resultados de los equipos han dejado a los fanáticos del fútbol con muchas emociones encontradas. Con Celtic coronándose una vez más como campeón de la Scottish Premiership, demostrando su dominio en el fútbol escocés, seguido de cerca por su eterno rival, el Rangers.

En la Scottish Championship, el Heart of Midlothian logró asegurar su regreso a la máxima categoría del fútbol escocés tras un año complicado en la segunda división. Por otro lado, el Arbroath y el Greenock Morton no lograron mantenerse en la categoría y descendieron a la League One.

En la League One, el Queen of the South se consagró campeón y logró así su ascenso a la Scottish Championship. Mientras que el Forfar Athletic y el Clyde descendieron a la League Two tras una temporada difícil en la que no lograron mantenerse en la categoría.

Por último, en la League Two el Queens Park dominó la competición y logró el ascenso a la League One como campeón indiscutido. El Brechin City y el Albion Rovers no tuvieron la misma suerte y descendieron a la Highland/Lowland League.

En resumen, la temporada en Escocia estuvo llena de emoción, sorpresas y momentos inolvidables para los aficionados al fútbol, quienes ya esperan con ansias el inicio de la próxima temporada para seguir disfrutando de este apasionante deporte.

Clasificación liga Escocia

La Liga de Escocia es una competición de fútbol que cuenta con un sistema de clasificación ��nico y emocionante. El formato de la liga consiste en 12 equipos que se enfrentan entre sí en cuatro ocasiones a lo largo de la temporada, lo que da un total de 38 partidos por equipo.

La clasificación en la Scottish Premiership se determina por el número de puntos que cada equipo acumula a lo largo de la temporada. Un equipo recibe tres puntos por ganar un partido, un punto por empatar y cero puntos por perder. Al final de la temporada, el equipo con más puntos se corona campeón de la liga.

Además del campeón de la liga, los equipos que terminan en las posiciones de clasificación más altas también tienen la oportunidad de participar en competiciones europeas, como la Liga de Campeones de la UEFA y la Liga Europa de la UEFA.

Por otro lado, los equipos que ocupan las últimas posiciones en la clasificación de la Scottish Premiership están en riesgo de descender a una liga inferior, lo que añade emoción y tensión a cada partido.

En resumen, la clasificación en la Liga de Escocia no solo determina al campeón de la liga, sino que también tiene un impacto en la participación en competiciones europeas y en la lucha por evitar el descenso. Es un sistema competitivo que mantiene a los aficionados al borde de sus asientos durante toda la temporada.

Datos finales campeón Escocia

El campeonato de fútbol de Escocia llegó a su fin, y finalmente se coronó un nuevo campeón. Tras una temporada llena de emoción y competencia, el equipo que logró alzarse con el título fue el Glasgow Rangers. Con una destacada actuación a lo largo de todo el torneo, el Rangers se consagró como el mejor equipo de Escocia, demostrando su calidad y dominio en cada partido.

Los datos finales del campeón Escocia muestran la excelente campaña realizada por el Rangers. Con un rendimiento sobresaliente en cada encuentro, el equipo logró acumular la cantidad de puntos necesaria para asegurarse el primer puesto en la tabla de posiciones. Su sólida defensa, su eficaz ataque y el trabajo en equipo fueron clave para alcanzar el tan ansiado campeonato.

Los aficionados del Glasgow Rangers celebraron con entusiasmo la victoria de su equipo, demostrando una vez más su apoyo incondicional. Las calles se pintaron de azul y blanco, los cánticos resonaron en el estadio y en cada rincón de la ciudad se pudo sentir la alegría de la hinchada.

Ahora, el Rangers se prepara para afrontar nuevos desafíos, representando a Escocia en competiciones internacionales y buscando mantener su nivel de juego para seguir cosechando éxitos. Sin duda, el campeonato obtenido es el resultado del esfuerzo, la dedicación y el talento de todo el equipo, que seguirá trabajando arduamente para seguir sumando triunfos en su camino hacia la gloria.

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Sheffield United vs Everton - Áp Lực và Cơ Hội

Cả hai đội đều đứng trước bức tranh khó khăn của mùa giải, khi mỗi chiến thắng trở nên quan trọng hơn bao giờ hết kèo bóng đá trực tuyến.

Trận đấu giữa Sheffield United và Everton vào ngày 11/5/2024 đang là tâm điểm của mọi sự chú ý trong Ngoại hạng Anh, nơi mà áp lực và cơ hội đang dấy lên mạnh mẽ. Cả hai đội đều đối diện với thách thức lớn,  khi mỗi chiến thắng trở nên quan trọng và cấp bách hơn bao giờ hết. Tuy nhiên, chỉ một đội mới có thể vượt qua được áp lực và tận dụng hết cơ hội. Hãy cùng điểm qua những điểm nổi bật và dự đoán cho trận đấu này.

Sức Mạnh và Thách Thức của Sheffield United:

Sheffield United, biệt danh "Những Lưỡi Dao", đang phải đối mặt với một chuỗi thất bại đáng lo ngại. Họ đứng trước nguy cơ rớt hạng và cần một sự thay đổi ngay lập tức. Vấn đề lớn nhất hiện tại của đội bóng này là sự yếu kém trong hàng phòng ngự, điều mà Everton có thể sẽ tận dụng.

Sức Mạnh và Tính Ổn Định của Everton:

Trong khi đó, Everton vẫn giữ được sự ổn định, đặc biệt là ở hàng thủ. Họ không phải là đội bóng dễ bị đánh bại, và điều này đồng nghĩa với việc Sheffield United sẽ phải đối mặt với một thách thức lớn.

Lịch Sử và Ưu Thế Đối Đầu:

Everton đã thể hiện sự ưu thế khi đối đầu với Sheffield United trong quá khứ, đặc biệt là trên sân khách. Điều này có thể tạo ra sức ép tinh thần lớn đối với Sheffield United.

Dự Đoán và Kỳ Vọng:

Dù Sheffield United sẽ thi đấu trên sân nhà, nhưng Everton vẫn được đánh giá cao hơn trong trận đấu này. Trận đấu có thể diễn ra sôi động và đầy kịch tính, và Everton có thể sẽ là đội giành chiến thắng.

Đội Hình Dự Kiến:

Sheffield United (4-2-3-1): Neto (GK); Smith, Zabarnyi, Mepham, Kerkez; Christie, Cook; Tavernier, Kluivert, Semenyo; Solanke.

Everton (4-4-1-1): Jordan Pickford (GK); Ben Godfrey, James Tarkowski, Jarrand Branthwaite, Vitaliy Mykonlenko; Jack Harrison, Amadou Onana, James Garner, Dwight McNeil; Abdoulaye Doucoure; Dominic Calvert-Lewin.

Những dự đoán và phân tích trên được xây dựng dựa trên cơ sở khách quan và sự phân tích sâu sắc, mang lại cái nhìn tổng thể về trận đấu giữa Sheffield United và Everton.

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