#jagannath temple hyderabad timings

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Jagannath Temple Hyderabad: How to reach, Location, History & significance

 Hyderabad lies a haven of serenity – the  Jagannath Temple. This magnificent structure, dedicated to Lord Jagannath, the embodiment of the universe, is a cultural and spiritual landmark for devotees across India.Lord Shree Jagannath Temple is a magnificent creation of Kalinga Cultural Trust to provide a sacred place for worship and to arouse divine thoughts in mind and hearts of people. This temple strictly adheres to the principles of sanctity, equity, discipline and cleanliness. The temple is an architectural delight and is a destination to experience peace and tranquility. The temple premise vibrates with the energy of the divine and renders an unique and unforgettable feeling. Enter the precincts of the Majestic Lord  Jagannath Temple  hyderabad at Road No.12, Banjara Hills, Hyderabad and you will like to visit again and again being drawn closer to the God.

A Historical Journey:

The story of the Jagannath Temple begins in 1992 when a group of Odia devotees in Hyderabad envisioned a place to celebrate their rich heritage. After years of dedication and perseverance, the temple was finally consecrated in 2009. Inspired by the iconic Jagannath Temple in Puri, Odisha, its architectural style reflects a blend of tradition and modernity. Constructed with red sandstone, the temple boasts a towering Shikhara (spire) that reaches 70 feet, a testament to the skilled craftsmanship involved.

A Celebration of Faith:

The  Jagannath Temple is a vibrant center of devotion. Devotees are drawn to the daily pujas (worship rituals) and festivals like Ratha Yatra (Chariot Festival). This annual spectacle, which sees the deities being paraded through the streets on ornately decorated chariots, is a sight to behold. Thousands of devotees participate in this joyous celebration, chanting hymns and seeking blessings.

Why Pray to Lord Jagannath

The Lord who listens and responds to prayers. His kripa and concern are unfathomable.

Lord who rescued the king elephant from the crocodile, saving him by killing the crocodile with the Sudarshan chakra when prayed to be rescued.

He responded to Draupadi’s distressed cries from the Kuru sabha/darbar, protecting her dignity and saving her from shame.

And also He gave shelter to Vibhishana, Ravana’s brother, and bestowed upon him the throne.

Jagannath is Jagat (the Universe) and Nath (the Lord). That is, Jagannath is the Lord of the Universe, does not belong to any caste, creed, sect, religion, or race. He is beyond space and time and not the Lord of Hindus only but the Lord of Suffering Humanity. He is the remover of sins and the giver of Mukti. and also the purifier of the fallen.

Jagannath temple Hyderabad timings:

Day

Timing

Monday

6:00 am – 11:00 am 5:00 pm – 9:00 pm

Tuesday

6:00 am – 11:00 am 5:00 pm – 9:00 pm

Wedesday

6:00 am – 11:00 am 5:00 pm – 9:00 pm

Thursday

6:00 am – 11:00 am 5:00 pm – 9:00 pm

Friday

6:00 am – 11:00 am 5:00 pm – 9:00 pm

Saturday

6:00 am – 11:00 am 5:00 pm – 10:00 pm

Sunday

6:00 am – 11:00 am 5:00 pm – 10:00 pm

How to reach the Temple:

 Jagannath Temple  Hyderabad Location:

The temple is situated on Road No. 12, Banjara Hills, Hyderabad. It’s close to KBR Park and opposite the Telangana Bhavan.

Reaching the Temple:

By Car:

If you’re using a navigation app, simply enter “Jagannath Temple, Hyderabad” as your destination.

There’s a reasonable amount of free parking available on the temple’s northern and eastern sides.

By Public Transport:

Bus: Several buses ply routes near the temple. You can take buses

Auto-rickshaw or Taxi: These are readily available throughout Hyderabad. You can simply hail one and mention “Jagannath Temple, Banjara Hills” as your destination.

Significant Structure:

SIMHA DWARA:

(Lions Gate or eastern gate) – It is one of the four entrances to the temple and is considered the main entry. It is named so that on either side there are two colossal statues of couching lions with crowns on their head. The gate faces east and therefore is also known as Purva Dwara or the eastern gate. The gate is intricately designed and carved and is of artistic finery and beauty. During Ratha Jatra, the idols of Lord Jagannath, Balabhadra, and Maa Subhadra are taken out to the chariot through this gate. The statue of Lord Mahalaxmi is at the top of the door. The door symbolizes the principle of Dharma and also the majesty of strength through the lion.

VYAGHRA DWARA: The Western door (Tiger gate) is guarded by two statues of tigers and is also known as Paschima dwara or Vyaghra dwara. It symbolizes Moksha and Vairagya (Renunciation) and energy by different schools of believers.

HATHI DWARA: The northern door, the Hathi Dwara or Uttara Dwara, is also symbolically indicated in this temple in view of the constraint of access to the temple from the northern side. This gate represents artha or prosperity different believers.

ASWA DWARA:

The southern gate is guarded by two statues of horses. This Aswa dwara symbolically represents Kama or Gyana (Knowledge) or military powers.

Navagraha statues are placed on all the gates in addition to small images of Shiva, Vishnu, Hanuman, Durga, and Narasimha.

 ARUNA STAMBHA: The pillar is named after Aruna, the charioteer of the Sun God. In Puri, it is a sixteen-sided pillar (Height 25′ 2”, circumference 6′ 3.5″) with Aruna in prayer mode. An elegant and master piece of art, it is placed before the temple as the Sun God is considered identical with Vishnu from Vedic times. An  Aruna stamba cladded with carved and designed brass plates adorns the Jagannath Temple at Hyderabad. Artistic and imposing, it stands tall at 20 feet.

BAISI PAHACHA

(Twenty-two steps): After entering the temple premises from the eastern gate, one needs to climb 22 steps to proceed towards the sanctum sanctorum of Lord Jagannath. In  Puri temple, each of these steps is 70ft in length, 6ft in width, and 6 to 7 inches in height. Here the steps are symbolic and do not conform to this measurement. The steps are given a lot of divine significance and considered auspicious for numerous holy activities. It is believed that during the car festival, several Gods, Goddesses, demigods, heavenly entities, souls of ancestors, Chitragupta, and Yamadootas descend upon these steps to witness the Pahandi of Lord Jagannath during the Ratha Jatra/Car festival.

BASI PANCHA significance

Madan Mohan, the representative idol of Lord Jagannath, offers pindadana on these steps to His ancestors—Nanda and Yashoda, Devaki and Vasudeva, Koushalya and Dasaratha on chaturdashi theethi of the dark fortnight in the month of Margasira. He also offers pindadana to King Indradyumna, who built the temple, and Queen Gundicha since they were childless. The steps are also called steps of self-control as these steps represent 22 kinds of faults and weaknesses in human beings.

Children are made to roll down on the steps to bring them spiritual bliss and happiness. Each of these sacred steps is named differently as: 1) Tidva, 2) Kumundati, 3) Manda, 4) Chalobati, 5) Dayabati, 6) Rajani, 7) Ratika, 8) Raohi, 9) Krodha, 10) Bajrika, 11) Prasavani, 12) Priti, 13) Marjana, 14) Khati, 15) Rakta, 16) Sandhipani, 17) Alapani, 18) Mandanti, 19) Rohini, 20) Gamya, 21) Ugra, 22) Khorini.

Crossing the 22 steps means crossing the 22 shortcomings to see the Lord. The shortcomings (Para Prakriti) are Kama, Sambhoga, Keli, Lova, Sancaya, Kosa or Panjikarana, Abhamaya, Himsa, Ersa, Kisunata, Kapata, Mithya, Hhuna, Ninda, Ajanta, Krodha, Raga, Dvesa, Ahankar, Mada or Parba, Uthkantha, Maithuna.

It is also believed that Baikuntha, the abode of Lord Vishnu, is situated above saptaloka, sapta patala, and asta baikuntha (22 stages); one has to cross them to reach the Lord. Thus, the steps in the temple take the devotees to the sanctum to have his Darshan. The  Hyderabad temple also has 22 steps leading to Garuda Stamba and to the sanctum thereafter, though not of the same specification as that of  Puri Temple.

Must know: Swarnagiri temple

GARUDA STAMBHA:

A cosmic column which joins heaven and earth, Garuda is a vehicle of Lord Vishnu. Garuda is ever ready to serve the Lord with exemplary devotion and extraordinary power. Garuda is constantly watching the Lord on the Ratnavedi. Garuda Deva is installed on the column made out of wood and cladded with intricately woven brass at the entrance of Nata Mandir. The devotees, before proceeding towards the sanctum, touch and go into extraordinary devotion and a state of surrender to the Lord. A mere touch is assuring and arouses a cosmic connection with the devotee. Garuda Stambha is of the same importance as Nandi in Shiva temple.

NILA CHAKRA:

The Neela chakra or the Blue Wheel adorns the top of the temple. The wheel symbolizes the Sudarshan Chakra, the most powerful disc weapon of Lord Vishnu. The wheel is made out of alloys of eight metals consisting of iron, copper, zinc, mercury, lead, brass, silver, and gold. The Neela chakra in  Puri temple weighs 2200 Kgs and has a height of 11 ft 8 inches with a diameter of 7 ft 6 inches. There are 8 wheel bars in the chakra.

The Neela chakra has eight Navagunjaras carved in the outer circumference all facing towards the flag post above. The Neela chakra in this temple is much similar but small in size and about 2’X3′ in width and height and weighs about 100 Kgs. A flag is flown tied to the mast attached to the Nilachakra. It is a pious and holy act to offer the flags to the temple.

Daily rituals in the Temple (Niti and Dhupas)

Morning (Sakala Dhupa):

Dwarapitha: The day begins with the opening of the temple doors and the sanctum sanctorum.

Mangala Arati: The first lamp offering to awaken the deities.

Mailam: Removal of the previous night’s dress and offerings from the deities.

Abakash: Ritualistic cleaning and bathing of the deities.

Besha Mailam: Dressing the deities in fresh clothes.

Sahan Mela: A brief public viewing of the deities in the sanctum sanctorum.

Besha Ulagi: Changing the deities’ clothes again.

Rosa Homa: Offering of oblations to the fire.

Surya Puja & Dwarapala Puja: Worship rituals dedicated to the Sun God and the guardian deities of the temple doors.

Gopala Ballav Bhoga: Breakfast offering to the deities.

Sakala Dhupa: The main morning food offering, consisting of various vegetarian preparations like black gram (kanti, enduri, etc.), rice, curries, sweets, etc. This offering is performed with 16 “upacharas” (ritualistic steps).

Midday (Madhyana Dhupa):

Similar rituals as the morning, including Mailam, Besha, and offering of a more elaborate midday meal (Madhyana Dhupa) with a wider variety of dishes.

Afternoon (Madhyan Pahuda):

Sandhya Arati: Evening lamp offering to the deities. (This might occur before Madhyan Dhupa if there’s no Madhyan Pahuda)

Madhyan Pahuda: A period of midday rest for the deities. (This might be skipped depending on the temple schedule)

Evening (Sandhya Dhupa):

Similar rituals as the morning, including Mailam, Besha, and offering of an evening meal (Sandhya Dhupa).

Chandana Lagi: Applying sandalwood paste to the deities.

Badasinghara Besa: Dressing the deities in special attire for the night.

Badasinghara Dhupa: A final food offering before the deities retire for the night.

Khatasejulagi and Pahuda: Putting the deities to sleep in their designated chamber for the night.

Types of Prasad:

Mahaprasad: This is the main Prasad offered to Lord Jagannath and then distributed to devotees. It consists of a variety of vegetarian dishes, including:

Rice preparations: Khechudi (sweet rice dish), Kanji (sour rice dish), Pukhala (rice cooked with vegetables) etc.

Dal: Mixed lentils cooked with spices

Sabzi (Vegetable Curries): A variety of seasonal vegetables cooked in different styles

Sweets: Gaja (flattened rice cake with jaggery), Peda (sweet milk balls), Laddu (sweet balls made with flour and sugar) etc.

Sukhilla Prasad: These are dry offerings that devotees can purchase directly from the temple counter. They include:

Khaja: A crispy sweet pastry made with flour and ghee

Gaja: As mentioned above

Laddu: As mentioned above

Distribution of Prasad:

Free Prasad: A limited quantity of Mahaprasad is distributed to devotees free of cost after morning and evening Aaratis (lamp offerings).

Paid Prasad: Devotees can purchase Sukhila Prasad from the temple counter. The cost is nominal.

Puja Name

Description

Approximate Cost (INR)

Abhishekam

A sacred bath for the deities with various auspicious substances like milk, curd, honey, etc.

₹500 – ₹2000

Archana

Offering prayers and chanting mantras specific to a particular deity.

₹100 – ₹500

Laghu Rudrabhishekham (Shiva Puja)

A simplified version of the Rudrabhishekham puja for Lord Shiva.

₹300 – ₹1000

Satyanarayan Puja

A puja dedicated to Lord Vishnu for blessings of peace, prosperity, and well-being.

₹500 – ₹1500

Griha Shanti Puja

A puja performed for peace and harmony in the household.

₹1000 – ₹3000

Vishnu Sahasranama Archana

Chanting of the thousand names of Lord Vishnu.

₹200 – ₹500

Special Pujas (Birthday Pujas, Marriage Anniversary Pujas)

Pujas performed on specific occasions like birthdays or wedding anniversaries.

₹1000 – ₹5000 (depending on the complexity)

Some pujas may require booking in advance, especially during peak seasons or festival

The temple might offer a wider variety of pujas on request. It’s recommended to inquire with the temple administration for a complete list.

[justwravel-blog]

Odisha (Orissa) - The Soul of Incredible India

Odisha (Orissa), which is largely popular all over the world for one of the renowned sacred shrines of Lord Krishna (Lord Jagannath) in Puri, is capable to offer you a very unique kind of experience and some unforgettable memories to the collection of avid backpackers. With numerous splendid temples, grand monuments, mesmerizing beaches, fantastic wildlife sanctuaries and the mind-blowing natural panorama of the state, Orissa is synonymous with natural splendor at its best.

Places to See

Odisha (Orissa) is an ideal destination for all domestic and international tourists, who are seeking a rich collaborative experience of nature, spirituality, culture, religion, and art. If you are planning for Odisha tour, then do not miss the true masterpiece of architecture - Sun Temple at Konark and the temple of Lord Jagannath at Puri (popular for the Rath Yatra chariot festival) along with mesmerizing beaches of Puri to experience nature at her beautiful best.

The Jagannath Temple of Puri is prime attraction among the devotees which belongs to the 11th century and also well-known as one of “Char Dham” for Hindus. Puri beaches are also famous for annual Beach Festival taking place in November and perfect for a quiet holiday maker due to paucity of the crowd here.

The next on the list is Konark Sun Temple, which is a true masterpiece of architecture and one of the most stunning monuments of religious significance, which is located at a convenient distance (35 km) from Puri. The name of Konark temple is an amalgamation of two words - Kona and Arka meaning corner and the Sun respectively.

If you are an avid birdwatcher, then you must visit Chilika Lake which is recognized as one of the most important wetlands in the world because it is home to a phenomenal variety of birds. The lake teems with birds over 160 species in peak season between November and February. Migratory ones fly from great distances, from Siberia, Iran and Central Asia. Kalijia Temple is also one of the famous attractions which are located on the island in the Chilika Lake. Another major attraction is Satpada Island for Irrawaddy dolphins.

There is an exciting place for Wildlife lover known as Bhitarkanika National Park. It is special due to the Mangroves, Giant Salt Water Crocodiles and numerous varieties of other animal species. King Cobra, Indian Python, and Water Monitor Lizard are also found out in the mangrove forests in the sanctuary.

Culture

Odisha (Orissa) is very rich and vivacious in the culture of blessed environments of Lord Jagannath temple, the medieval architecture of Konark's Sun temple, the incredible caves of Jainism, and the spiritual monasteries of Buddhism.

The Odisha culture comprises mainly three groups, the tribal, the folk and the urban population that lives side by side with utmost social harmony in different cultural dimensions. Odisha (Orissa) is having a rich and oldest culture of heritage, about a period of three thousand years. The people here are very hospitable, amicable, and jolly by nature.

Festivals

Rath Yatra or Car Festival (June-July) is the most famous Odisha festival which attracts pilgrims and visitors from all over the world. Other notable festivals which are celebrated by local people are Dola Purnima (Holi), Konark Dance Festival, Puri Beach Festival, and tribal festivals.

Food

Temple food is one of the well-known foods of Odisha which is purely vegetarian and prepared in desi ghee without even onion and garlic. It is offered as Prasada (offering to the God) and it generally consists of Khechidi (Odia version of khichdi), Arrna (rice), Mitha Dali (sweetened dal), Kanika (sweetened rice), Kheeri (kheer- Indian sweet dish) and Khatta (sweet and sour dish generally made of tomatoes, dates and other fruits).

Food in Odisha (Typical meal) is simple and relatively low on spices. The food is typically cooked using mustard oil which is an essential part of Odisha's cuisine. Rice is the staple carbohydrate in any Odia meal. It is typically accompanied by Dalma (slow-cooked vegetables with lentils), Dal, Bhaja (vegetables fried with light seasoning). They are also fond of Macha Tarkari (Fish Curry) and Mansa Tarkari (Mutton curry) with rice. It is always coupled with Bharta and Saaga. Bharta is prepared from brinjal and mashed potatoes mixed with Indian spices whereas Saaga is green leaves prepared with some garlic and dried red chilly.

Shopping

One who wants to take plenty of gifts for family and friends, shouldn’t be worried as one can have ample opportunities to shop in the form of myriad craft forms of Odisha. The markets of Odisha (Orissa) offer something for everyone.

You can shop for mementos and souvenirs made from an exquisite silver latticework of Cuttack, animated wall hangings from Pipli, intricate paintings from Raghurajpur, glorious hand-woven fabrics from Sambalpur. Sand sculpture from Puri or a patta Chitra is a kind of gift which someone can cherish for life owing to its magnificence. Many people buy Images of Gods and goddesses or animals and plants etc. from Puri, Bargarh, and Cuttack to be presented as small tokens of love to their family and friends.

How to Reach

By Air, Bhubaneswar is the only city which has an airport in Odisha (Orissa) and well connected to Calcutta, Delhi, Chennai, Mumbai, Vishakhapatnam, Hyderabad, and Raipur.

By Road, the state is well connected to its neighboring states through a good road network.

By Rail, many super express trains ply to and fro on a daily basis from Bhubaneshwar to major cities like Chennai, Calcutta, Puri, Mumbai, Delhi, Bangalore, Guwahati, Hyderabad, Tirupati, and Trivandrum.

Best Time to Visit

November to February is the most favorable time to visit Odisha (Orissa) as recommended by many travel experts as the temperature comes down to the bottom of the mercury level in winter.

Over to you

Are you planning to travel with your family but unable to decide where to go? Orissa could be a great option for you.

If you need any assistance with preparing the itinerary, JustWravel could help you out…

[chikucab]

Touring Hyderabad With Local Taxi Services

Table Of Content

Introduction

Travelling To Watch Scenic Beauty In Hyderabad

Conclusion

Introduction

Hyderabad is the state capital of Telangana, which is located in southern India. With the support of the Mulsi River, this lovely city, which is India's metropolitan city, is enhancing its beauty. This river runs through the city of pearls from one end to the other. Its historical views are another reason for visitors coming from all over the country to visit. Tourists arriving in Hyderabad can make use of taxi services in Hyderabad with Chiku Cab. It would be simple to book a car rental Hyderabad for a business or family trip at any time and from any location.

Travelling To Watch Scenic Beauty in Hyderabad

Hyderabad is becoming a big tourist attraction because it is the capital city of both Andhra Pradesh and Telangana. You only need to do an Internet search to get a cab service in Hyderabad. You may easily get services at the best and most inexpensive prices only with Chiku Cab. Taking a local cab in Hyderabad city for short trips may be the finest alternative. You only need to choose the taxi you need on the Internet if you want to visit the city or see the stunning locations,and the desired cab will arrive at your desired location in the stipulated time frame.

You can also rent an outstation taxi in Hyderabad for comfort purposes and visit local or nearby locations at ease. Luxury car rentals with well-trained and experienced drivers are available through Chiku Cab’s Hyderabad taxi services. Hyderabad has the most ideal sites to see whether with family or alone for historical views or enjoyment trips.

You can visit Birla Temple, ChilkurBalaji Temple, Ramoji Film City, and other surrounding attractions while travelling. With taxi services Hyderabad, you may also enjoy a tour of Taj Falaknuma Palace, Golkonda Fort, Chowmahalla Palace, Nehru Zoological Park, and many other attractions. Aside from all of this, you can see the Charminar, Buddha Statue, Sri Jagannath Temple, and many other tourist attractions.

Conclusion

You can get the best taxi services in Hyderabad at inexpensive rates and excellent deals with Chiku Cab. Hyderabad, known as the "City of Pearls" for its pearl and diamond trade, provides the best commercial prospects. You can also easily order a taxi from Chiku Cab for business purposes. It would also be easy to obtain assistance from Chiku Cab for Airport transfer taxi in Hyderabad or Railway transfer cabs. You may book the best local taxi packages and make your trip even more exciting.

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#History_Of_JagannathTemple 🏕️ The sea had demolished the temple of Jagannath five times and it was reconstructed. 👉Why did the sea demolish it? 👉Then who stopped the sea? There are a lot of mysteries behind Jagannath Temple. To know Must Watch 👀 🌷 Sadhna Tv at 7:30pm . . . . . . . #mumbai #hyderabad #andhrapradesh #chandigarh #pune #chennai #kochi #newdelhi #jaipur #kolkata #dehradun #indore #vadodara #jamshedpur #lucknow #visakhapatnam #nagpur #trivandrum #coimbatore #surat #guwahati #amritsar #madura #bengal #mangalore #noida #nasik #jodhpur #aurangabad (at Mangolpuri) https://www.instagram.com/p/CBx5P_uJT5a/?igshid=kduiid5pqyfk

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Hospitality in India: The Tides of Change

Hospitality in India: The Tides of Change From hypercompetitive markets, changing demography, oversupply of hotel rooms and an untapped religious tourism market, the Indian hospitality sector is set to see a big change. The hospitality industry got a shot in the arm when investments in the sector were booming between 2005 and 2010. With large private equity and bank funding, hotel and tourism infrastructure, the sector came to be defined as a separate entity from real estate. Subsidies and schemes were introduced to push hotel construction and tourism in India, and were hopeful about the subsequent growth in this sector. However, the sector has advanced rather unpredictably since then. Factors such as oversupply of hotel rooms, competition from shared economy models, a blind spot in events based tourism, and experiential hospitality to appeal to a new generation has changed the landscape of the Indian hospitality sector today. Oversupply of hotels, slowing demands With oversupply of rooms and slowing demands, a lot of hotels today are struggling to keep up. New brands entered the country which gave stiff competition to local hotels as well as established chains. Many hotels opened up venues at wrong locations in Tier I and Tier II cities. Some are now up for sale and even though investors are looking at buying, the yields don’t seem to be attractive. Low occupancy rates have made it tougher. With limited corporate travel and fewer overnight stays, the sector will need to research other avenues besides tourism to stay afloat in a price conscious market. On the upside, the sector will see a further rise in investment. According to a report released by Meraqi, a real estate advisory firm, the hospitality sector is likely to witness an annual investment of USD 0.5-0.6 billion during 2018-2022 and a total investment of up to USD 2.8 billion by 2022. Most of the investments are likely to be in midscale chains with multiple properties. They will eventually be eligible for REIT listings, acquisitions and buyouts of operational properties as well as follow-up investments from hotel room aggregators. Majority of the investment is likely to be in Bangalore, Chennai and Hyderabad as these cities constitute for almost 65% of the total demand for additional rooms. Competition Airbnb, Oyo Rooms and initiatives like CouchSurfing have changed the face of global hospitality. Pricing, location and convenience have converted many traditional hotel users to Airbnb and is preferred by price conscious young travelers looking for new local experiences. Shared economy and budget/value stays have cannibalised the demand from traditional hotels and disrupted the hospitality industry. Reduced startup costs and reaching the digital customer have allowed smaller companies to compete with bigger players for the same revenue. Larger hotels need to use their inventory in clever ways with the help of intelligent marketing while providing exceptional service at competitive rates. Silver lining with event-based tourism Visiting holy places is a must for a large number of Indians. This domestic travel category is seeing steady growth as the burgeoning middle class continues to travel for religious and festive reasons. Ticket booking sites often report that there are month-on-month, double-digit growth in hotel bookings for cities with religious connections like Puri which is famous for its Jagannath Temple, Varanasi, Tirupati and Shirdi. Wedding tourism also still remains a largely untapped market. There is a strong demand in this sector and has the potential to grow exponentially in the next few years. Almost 150 million people reportedly attend the Kumbh Mela in Prayagraj, which is close to the population of 100 countries put together. This is just one of the holy sites in India that sees such a large gathering annually. The Indian travel and tourism sector didn’t see any concrete provisions in the recent budget but with the INR 19,000 crore push under the Pradhan Mantri Gram Sadak Yojana, most rural and semi-rural locations will have better connectivity and easier access to popular spiritual destinations. Impressing the Millennial/Gen Z Millennials and specifically the Gen Z generation gravitate towards unique experiences and shared platforms, compared to baby boomers who are used to standardised and impersonal hotel rooms. International businesses are now focusing on this demography by introducing open lounges and social spaces for consumers who are tech-savvy, social media users and for those who are budget conscious. Some are even customising spaces and food to be Instagram friendly. Keeping up the long stays and staycation trends, West Asian countries have made it big in this sector. The hospitality sector, especially chain hotels, will have to innovate their offering to attract the spenders in this category. For survival, developers and brands will have to invest in design and tech innovation that appeals to the youth. Unpredictability in travel and tourism According to the ministry of tourism, India hosted 8.89 million tourists in 2016 compared to only 2.65 million tourists in 2000. But when compared with other countries, even those from our own subcontinent, India’s performance was not at par. Even though India hit an all-time high in tourism numbers in 2016, the numbers are nowhere close to tourist heavy destinations such France, United States, Spain, China and Italy. There is a large opportunity for India to perform better with its many diverse offerings. There is something for everyone, from our rich cultural and historical heritage to the variety in ecology, terrains, natural beauty and cuisine diversity spread across the country. We expect a boom in the Indian travel and tourism industry in the coming years. India’s increasing popularity as a medical tourism destination, steadily growing Meetings, Incentives, Conferences and Exhibitions (MICE) segment and an increasing fondness among millennials and Gen Z generations to travel to, will result in overall growth in room tariffs and may offset the current imbalance of supply and demand. There is a lot of scope for growth in India’s hospitality sector, but not without some necessary changes to keep up with changing trends. With the right targeting, brands can reach out to new audiences and target new sectors in the domestic and international travel industry.

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[vyshnavie]

Classical Dances of India that Define Its Tradition

India’s civilization is a historical one, and as such, it possesses a rich herbal legacy. A crucial part of this lifestyle is the performance of uncommon classical dances. The closing goal of this dance was spirituality. Despite the fact that the various dance forms in this country evolved from distinctive areas, they percentage the identical roots, which are the Sanskrit textual content – “Natya Shastra”.

With the passage of time, the classical dances of India received a speedy recognition round the sector or even nowadays, revel in international recognition. The onlookers of those dances are frequently hypnotized through the appropriate harmony of song and dance steps, frequently throwing them right into a trance. Maximum of all, they may be a magnificent display of emotions. In this weblog, we deliver you the traditional dances of India that have entranced humans and won uncountable admirers all around the global. Learn classical dance in Hyderabad with Vyshnavie Sainath.

Bharatanatyam, Tamil Nadu

One of the maximum famous classical Indian dances is Bharatnatyam. It's most famous within the south Indian states of Karnataka and Tamil Nadu. Nearly 2,000yrs old, it’s believed that this shape of dance turned into revealed by Lord Brahma to Bharat, a famous sage who codified his secret dance in a Sanskrit dance known as Natya Shastra. This dance combines various elements like bhav, ras, rag and taal, and is also known as “Sadir”. Initially achieved with the aid of devadasis, its performers are clad in great and charismatic make-up. The costume that is going in conjunction with the dance is the brightly colored sari. A number of the maximum famous Bharatnatyam dancers within the world are Yamini Krishnamurthy, Meenakshi Sundaram Pillai, Saroja Vaidyanathan, and Janaki Rangarajan, except others. Along with classical dance also learn Kalaripayattu training in Hyderabad with Vyshnavie Sainath.

Kathak, northern and western India

Kathak is one of the maximum famous classical dances of India, with its origins in north India. The issues of kathak commonly revolve across the stories of Ramayana, Mahabharata, and Krishna. The beauty of this kind of dance form is that its presentation touches upon a wide type of subjects.

Kathak is one of the maximum famous classical dances of India, with its origins in north India. The subject matters of kathak generally revolve around the testimonies of Ramayana, Mahabharata, and Krishna. The beauty of this type of dance form is that its presentation touches upon an extensive form of topics.

Kuchipudi, Andhra Pradesh, and Telangana

The classical dance kinds of India are famous for their harmonious track and frame actions, and Kuchipudi is one of them. This dance form derives its name from the Kuchipudi village of Andhra Pradesh, and recreates scenes from the diverse Hindu epics, legends, and mythological tales through a pleasing mixture of song, dance and performing.

Odissi, from Odisha

Watch the overall performance of Odissi with cultural excursions India, it'll be a thrilling revel in. Stated in the oldest Sanskrit textual content – Natya Shastra as Audramagdhi, this historical dance shape turned into historically performed inside the holy surroundings of Shri Jagannath temple. That is why, in the temples of Odisha, one unearths diverse sculptures in this dance shape. It’s a combination of lasya and tandav.

Sattriya, Assam

Every other famous Indian classical dance is Sattriya, the traditional dance-drama of Assam. Diagnosed in 2000 as classical dance through sangeet Natak Akademi, this dance shape is heavily inspired through Vaishnavism, while the modern dance form referred to as sattriya is attributed to the fifteenth-century bhakti movement pupil and saint srimanta sankaradev.

Manipuri, Manipur

When you explore the various points of interest of Manipur with India cultural excursion package deal, make sure to test out Manipuri, one of the six fundamental classical dances of India. Indigenous to Manipur, the maximum fascinating components of this dance form are its colorful decoration, lightness of dancing foot, a delicacy of abhinaya (drama), lilting track and poetic allure.

Mohiniyattam, Kerala

Mohiniattam, a classical dance shape of Kerala, is derived from the words “Mohini” (that means beautiful ladies and “attam” (which means dance). It employs a fashionable female style with surging float of frame movements. At first evolved within the culture of the devadasi system, it later attained a classical repute.

Along with classical dance also learn Kalaripayattu classes in Hyderabad with Vyshnavie Sainath.

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One rupee notes of Portuguese and French Occupied India

Tomorrow, i.e. 30th November 2017, we will be celebrating the 100th birthday of One Rupee note! Rupee as a denomination was known in India since ancient period, but its significance was noticed in the later medieval era. It was the time when India saw the most interesting changes on its administrative and political platforms. The distance between east and west was reduced through trade, Europeans like Portuguese and French came to India. Their influence is visible through their legacy in architecture, food and the monetary system that they left behind. So come, let’s explore the glorious journey of the One Rupee notes of the Portuguese and French.

The British were not the only foreign power to issue paper money in India. The notes printed by France and Portugal were quite fascinating, especially that of the smallest denomination, one rupee note.

The Indo-Portuguese One rupee note

In 1498, the Portuguese were the first Europeans to land on the Indian shores. They remained in power for nearly two centuries in India but due to the rise of the British East India Company, their dominion was confined to Goa and another region on the west coast of India

Portuguese issued first one rupee note in 1917, written as “Uma Rupia”. It was the second issue of ‘Banco Nacional Ultramarino’ meaning Overseas National Bank of New Goa. It was printed in London by Bradbury Wilkinson & Co. Ltd. This issue of one rupee note had two types:

The first type (image A) consisted of a blue seal of Nova Goa on the obverse, which is called as the blue type. The reverse of which was reddish in colour.

The second type (image B) consisted of a Brownish seal of Nova Goa on the obverse, which is called as the brown type with Brownish Maroon colour in reverse.

The reverse side of these two notes depicts Ornamental Guilloche panel on either side of a maiden resting on an anchor with ship and water in the background.

The next series of notes were issued with some fascinating changes. The majestic Tiger, found widely in the whole Indian peninsula, was depicted on the obverse of these notes and the famous Jagannath temple of Puri (Orissa) was depicted on the reverse side.

Type a

This note was issued in 1924 as the third issue of Indo-Portuguese note series. The note was printed by Thomas de la Rue press, London on watermark paper. The note depicts text in Urdu, Marathi, Gujarati and Kannada languages.

This note illustrates two signatories of different designations like a Governor and Vice-Governor. There is a micro lettering on its signature panel.

Type b

In 1929, the fourth issue of one rupee note was circulated dated 1st January 1924 depicting an overprint text and serial number in red ink.

The number of signatories on this issue was three. The third signature was abbreviated manuscript signature below the serial number on the left window. It was a short signature of Manuel Rodriguez Juniors- an administrator of the Portuguese territories in India.

Most of the design of the note remained the same as the previous ‘type A’ note, but a steamship in the left window was added in this issue.

These notes circulated in the Indo-Portuguese territories till 1961 until Indian currency became a legal tender.

The Indo-French One rupee note

The interest of French in India began after the establishment of the French East India Company. Their supremacy reached its peak in southern Indian politics around 1750-1770s. Eventually, the war between England and French saw the decline of the French dominion and influence in India. Later on, the French settlement was confined to the east coast of India only with its centre at Pondicherry.

The banknote issued in the French colonies was managed by the ‘Banque de L’Indochine’ from Paris. Eventually, an agreement between ‘Le Comptoir D’Escompte d’Escomte de’ Paris and ‘Credit Industrial et Commercial’ set a bank to operate the circulation of money in Cochinchina and French India.

In 1877, a branch office of this bank was also opened in Pondicherry in the Oriental Bank Building. This branch was responsible for issuing French notes in India. The entire banknote issued by Banque de L’Indochine’ from 1876 to the World War I, was printed by the Bank of France.

The first one ‘Roupie’ or ‘Rupee’ note was circulated in 1920 and was signed by two signatories as the Administrators in French colonies.

The French monetary system compared to the Indian circulation was different. The money in the French occupied India was based on the silver coinage, the rupee.

The above-shown note was brought in circulation in 1924 but the date illustrated in the note is 1923. This note also contains two signatories, but their designation is the Director in French India.

  The upcoming issues of one rupee also depict two signatories. The designation of these signatories was the General in the French Indian colonies. The promise text was also printed on the one rupee notes of Indo-French currency.

The vignette of this one rupee note was designed by Charles Walhain. The vignette window of these notes illustrated Marianne. She has been the symbol of France since the French revolution of 1789-99.

Marianne is the insignia of Republic of strong, proud people. During wartime, she was depicted as an aggressive woman in the battle dress.

The Banknote issued by Banque de L’Indochine ceased to be a tender from 1st November 1954, when the Indian currency became legal tender after the incorporation of French colonies into the Independent Union of India.

French and Portuguese both added great attributes to the India monetary system. The end of this currency didn’t stop the fascination but sparked the interest of the collectors and notaphilist from all over the world.

One rupee note was issued by nearly every authority or sub author reigning in India. This shows the popularity of one rupee note within the general populace. It was issued not only by the British Government but also by the Portuguese, French and Princely states like Hyderabad and Jammu & Kashmir. We will discuss the details of British India one rupee notes to the Issues of Independent/Republic India’s one rupee notes till date. So stay in touch and wait for tomorrow to explore the glorious journey of one rupee note on its 100th birthday!

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The post One rupee notes of Portuguese and French Occupied India appeared first on Blog | Mintage World.

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Manav Vaidyanathan of Grade III D shared the thought for the day.

Students shared their experiences of visiting various places during Dussehra vacation.

Manav Vaidyanathan of Grade III D and Aarushi Medisetty of Grade II A visited Dubai. They experienced the fastest roller coaster ride in the world, and visited beautiful beaches, islands, an amusement park and some shopping malls. They also talked of their visits to the Burj Khalifa, Ferrari World and IMG world adventure.

Anvi Shah of Grade III A visited Udaipur, a place which is best known for its lakes and palaces. She visited City Palace, Bada Mahal and Fateh Sagar Lake, and enjoyed the beautiful architecture.

Saideep Bhutiarai of Grade II C went to Cuttack, Puri and Dhenkanal. He saw the Jagannath Temple at Puri, Chandi Temple at Cuttack and enjoyed fishing for the first time in Dhenkanal.

Muskaan Kaur Malhotra of Grade II B and Araina Singh of Grade I C visited Visakhapatnam. They went to the beach, Visakha Museum and Kailasagiri. Araina Singh also visited Ramoji Film City in Hyderabad.

Abhilasha Paul of Grade I A went to Kerala. She visited the beaches, Periyar and Bandipur National parks surrounded by beautiful mountain ranges. She is looking forward to exploring many other places on Kerala during her next trip.

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One rupee notes of Portuguese and French Occupied India

Tomorrow, i.e. 30th November 2017, we will be celebrating the 100th birthday of One Rupee note! Rupee as a denomination was known in India since ancient period, but its significance was noticed in the later medieval era. It was the time when India saw the most interesting changes on its administrative and political platforms. The distance between east and west was reduced through trade, Europeans like Portuguese and French came to India. Their influence is visible through their legacy in architecture, food and the monetary system that they left behind. So come, let’s explore the glorious journey of the One Rupee notes of the Portuguese and French.

The British were not the only foreign power to issue paper money in India. The notes printed by France and Portugal were quite fascinating, especially that of the smallest denomination, one rupee note.

The Indo-Portuguese One rupee note

In 1498, the Portuguese were the first Europeans to land on the Indian shores. They remained in power for nearly two centuries in India but due to the rise of the British East India Company, their dominion was confined to Goa and another region on the west coast of India

Portuguese issued first one rupee note in 1917, written as “Uma Rupia”. It was the second issue of ‘Banco Nacional Ultramarino’ meaning Overseas National Bank of New Goa. It was printed in London by Bradbury Wilkinson & Co. Ltd. This issue of one rupee note had two types:

The first type (image A) consisted of a blue seal of Nova Goa on the obverse, which is called as the blue type. The reverse of which was reddish in colour.

The second type (image B) consisted of a Brownish seal of Nova Goa on the obverse, which is called as the brown type with Brownish Maroon colour in reverse.

The reverse side of these two notes depicts Ornamental Guilloche panel on either side of a maiden resting on an anchor with ship and water in the background.

The next series of notes were issued with some fascinating changes. The majestic Tiger, found widely in the whole Indian peninsula, was depicted on the obverse of these notes and the famous Jagannath temple of Puri (Orissa) was depicted on the reverse side.

Type a

This note was issued in 1924 as the third issue of Indo-Portuguese note series. The note was printed by Thomas de la Rue press, London on watermark paper. The note depicts text in Urdu, Marathi, Gujarati and Kannada languages.

This note illustrates two signatories of different designations like a Governor and Vice-Governor. There is a micro lettering on its signature panel.

Type b

In 1929, the fourth issue of one rupee note was circulated dated 1st January 1924 depicting an overprint text and serial number in red ink.

The number of signatories on this issue was three. The third signature was abbreviated manuscript signature below the serial number on the left window. It was a short signature of Manuel Rodriguez Juniors- an administrator of the Portuguese territories in India.

Most of the design of the note remained the same as the previous ‘type A’ note, but a steamship in the left window was added in this issue.

These notes circulated in the Indo-Portuguese territories till 1961 until Indian currency became a legal tender.

The Indo-French One rupee note

The interest of French in India began after the establishment of the French East India Company. Their supremacy reached its peak in southern Indian politics around 1750-1770s. Eventually, the war between England and French saw the decline of the French dominion and influence in India. Later on, the French settlement was confined to the east coast of India only with its centre at Pondicherry.

The banknote issued in the French colonies was managed by the ‘Banque de L’Indochine’ from Paris. Eventually, an agreement between ‘Le Comptoir D’Escompte d’Escomte de’ Paris and ‘Credit Industrial et Commercial’ set a bank to operate the circulation of money in Cochinchina and French India.

In 1877, a branch office of this bank was also opened in Pondicherry in the Oriental Bank Building. This branch was responsible for issuing French notes in India. The entire banknote issued by Banque de L’Indochine’ from 1876 to the World War I, was printed by the Bank of France.

The first one ‘Roupie’ or ‘Rupee’ note was circulated in 1920 and was signed by two signatories as the Administrators in French colonies.

The French monetary system compared to the Indian circulation was different. The money in the French occupied India was based on the silver coinage, the rupee.

The above-shown note was brought in circulation in 1924 but the date illustrated in the note is 1923. This note also contains two signatories, but their designation is the Director in French India.

  The upcoming issues of one rupee also depict two signatories. The designation of these signatories was the General in the French Indian colonies. The promise text was also printed on the one rupee notes of Indo-French currency.

The vignette of this one rupee note was designed by Charles Walhain. The vignette window of these notes illustrated Marianne. She has been the symbol of France since the French revolution of 1789-99.

Marianne is the insignia of Republic of strong, proud people. During wartime, she was depicted as an aggressive woman in the battle dress.

The Banknote issued by Banque de L’Indochine ceased to be a tender from 1st November 1954, when the Indian currency became legal tender after the incorporation of French colonies into the Independent Union of India.

French and Portuguese both added great attributes to the India monetary system. The end of this currency didn’t stop the fascination but sparked the interest of the collectors and notaphilist from all over the world.

One rupee note was issued by nearly every authority or sub author reigning in India. This shows the popularity of one rupee note within the general populace. It was issued not only by the British Government but also by the Portuguese, French and Princely states like Hyderabad and Jammu & Kashmir. We will discuss the details of British India one rupee notes to the Issues of Independent/Republic India’s one rupee notes till date. So stay in touch and wait for tomorrow to explore the glorious journey of one rupee note on its 100th birthday!

Share

The post One rupee notes of Portuguese and French Occupied India appeared first on Blog | Mintage World.