#jacques sternberg

[fidjiefidjie]

“Je pense, donc je sue. De trouille, évidemment.” 🧙🧹🦇

Jacques Sternberg

Gif de Sonnette /Hilda de Duane Bryers

[if-you-fan-a-fire]

"Romanticism is outmoded, symbolism disused, surrealism has always appealed to a small elite but kitsch is everywhere. Even more pervasive and indestructible now that it is fused to a civilisation based on excess consumption."

- Jacques Sternberg

[abdou-lorenzo]

Si on te pelote le sein droit, tends le gauche......💞✨

Jacques Sternberg

[pauline-lewis]

Hier j'ai vu pour la première fois Je t'aime, je t'aime d'Alain Resnais (co écrit avec Jacques Sternberg, sorti en 1968) et c'est un film que j'ai aimé avec passion.       Ça raconte l'histoire d'un homme qui se remet d'une tentative de suicide et accepte de participer à une expérience scientifique autour du voyage dans le temps. En théorie, il devrait retourner le temps d'une minute dans son passé. En pratique, la machine s'affole et il revit toutes les dernières années de son existence en fragments décousus. Des instants de tendresse, de colère, d'ennui, de discussions philosophiques, des instants qui n'ont pas toujours de sens mais ont existé dans sa vie et il faut bien faire avec. C'est un film sur la manière dont nous nous construisons malgré nous en puzzles éparpillés, un film sur la dépression, la tristesse qui prend comme une vague, sur le temps perdu au travail (il y a une scène géniale dans laquelle le personnage principal compare à l'aide de deux montres le temps du bureau et le temps du dehors), sur l'écriture et les jobs alimentaires. C'est un film sur l'humour qui émerge à des moments inattendus.       Il y a des dialogues qui resteront avec moi pour toujours comme quand Claude Rich dit, le visage impénétrable, à quel point il est "flou" (et ce n'est pas un personnage particulièrement aimable, notamment à cause de son rapport aux femmes mais il m'a bouleversée malgré tout).       C'est peut-être ça d'ailleurs — c'est un film sur le flou étrange d'une vie humaine, impossible à résumer et pourtant fascinante à regarder. Ça tente mille choses et ça les réussit toutes (je vous avais dit que j'avais aimé ce film avec passion). J'écrirai peut-être plus longuement dessus mais je voulais archiver ça là. Vous dire que s'il croise votre chemin, vous pouvez sans crainte aller à sa rencontre.

[aurevoirmonty]

Aventuriers ?! On pourrait en coller des définitions à cette épithète ! Une chose au moins peut mettre tout le monde d’accord sur ce qui caractérise ce genre de fripouilles célestes : l’aventurier, c’est celui qui repousse les limites.

Les Aventuriers de la Vie, ou les épopées de quelques hurluberlus, certains renommés et d’autres bien plus délaissés par l’histoire. Avec eux, direction les lointaines expéditions et les frénétiques embardées. Au plus loin des continents parsemés de déserts et de jungles, des horizons maritimes et des montagnes au firmament, embarquez-vous avec ces frénétiques forbans, ces toréadors de l’existence, honorant de leurs coups de sabre et de leurs coups de reins la petitesse de nos vies d’homme.

Amateurs de gangsters des limites, de personnages impétueux et de destins grandioses, vous voilà servis !

François-Xavier Consoli, essayiste et journaliste, auteur de l’essai La République contre la France aux Éditions du Verbe Haut, signe son deuxième ouvrage avec cette galerie de destins d’exceptions.

Liste des aventuriers, par ordre d’apparition :

Albert Spaggiari, braquage, cigare et sans haine

Jules Brunet, le vrai dernier samouraï

Richard Francis Burton, gentlemen explorateur

Vincent-Yves Boutin, l’espion de Napoléon

Ungern-Sternberg, l’enragé dieu de la guerre

Démétrios de Pharos, l’opportuniste magnifique

Eustache le moine, le premier des corsaires

Robert Sexé, motard de l’impossible

Jean Bart, l’invincible corsaire

Arthur Cravan, artiste sans œuvre et boxeur des mers

Robert Surcouf, le dernier des corsaires

Jacques Balmat, par delà les sommets

Charles-Louis Du Pin, l’incorrigible colonel

Cizia Zykë, pour l’amour de l’or et ne rien prendre au sérieux

Antoine de Tounens, noble roi d’opérette

[iranondeaira]

" Pourquoi chercher désespérément la clef du bonheur alors que, de toute façon, la serrure n'a jamais existé ? "

Jacques Sternberg

[thesludgeofbabylon]

Top 100 Films

Just wanted to put this somewhere for the sake of documentation, might do this once a year to see how much the overall list changes.

Not ranked, but the list is done by release date, earliest to most recent. Includes short and feature length films (plus one TV series, and two serials, if you want to be specific):

• The Musketeers of Pig Alley (1912), dir. D.W. Griffith

• Fantômas (1913), dir. Louis Feuillade

• Les Vampires (1915), dir. Louis Feuillade

• The Doll (1919), dir. Ernst Lubitsch

• Foolish Wives (1922), dir. Erich von Stroheim

• Sherlock, Jr. (1924), dir. Buster Keaton

• Die Nibelungen: Kriemhild’s Revenge (1924), dir. Fritz Lang

• Greed (1924), dir. Erich von Stroheim

• The Last Laugh (1924), dir. F. W. Murnau

• The Gold Rush (1925), dir. Charlie Chaplin

• The General (1926), dir. Buster Keaton, Clyde Bruckman

• Sunrise: A Song of Two Humans (1927), dir. F. W. Murnau

• The Passion of Joan of Arc (1928), dir. Carl Theodor Dreyer

• The Docks of New York (1928), dir. Josef von Sternberg

• The Wedding March (1928), dir. Erich von Stroheim

• Man with a Movie Camera (1929), Dziga Vertov

• M (1931), dir. Fritz Lang

• Vampyr (1932), dir. Carl Theodor Dreyer

• I Am a Fugitive from a Chain Gang (1932), dir. Mervyn LeRoy

• Gold Diggers of 1933 (1933), dir. Mervyn LeRoy, Bubsy Berkeley

• L’Atalante (1934), dir. Jean Vigo

• The Scarlet Empress (1934), dir. Josef von Sternberg

• The Thin Man (1934), dir. W.S. Van Dyke

• The Only Son (1936), dir. Yasujirō Ozu 

• Citizen Kane (1941), dir. Orson Welles

• Now, Voyager (1942), dir. Irving Rapper

• Meshes of the Afternoon (1943), dir. Maya Deren

• Day of Wrath (1943), dir. Carl Theodor Dreyer

• At Land (1944), dir. Maya Deren

• Ivan the Terrible, Part I (1944), dir. Sergei Eisenstein

• Notorious (1946), dir. Alfred Hitchcock

• Sunset Boulevard (1950), dir. Billy Wilder

• Monsieur Hulot’s Holiday (1953), dir. Jacques Tati

• The Wages of Fear (1953), dir. Henri-Georges Clouzot

• The Big Heat (1953), dir. Fritz Lang

• The Inauguration of the Pleasure Dome (1954), dir. Kenneth Anger

• Rear Window (1954), dir. Alfred Hitchcock

• Ordet (1955), dir. Carl Theodor Dreyer

• A Man Escaped (1956), dir. Robert Bresson

• Ivan the Terrible, Part II: The Boyars’ Plot (1958), dir. Sergei Eisenstein

• La Dolce Vita (1960), dir. Federico Fellini

• L’Avventura (1960), dir. Michelangelo Antonioni

• La Notte (1961), dir. Michelangelo Antonioni

• L’Eclisse (1962), dir. Michelangelo Antonioni

• The Exterminating Angel (1962), dir. Luis Buñuel

• Mothlight (1963), dir. Stan Brakhage

• Red Desert (1964), dir. Michelangelo Antonioni

• Gertrud (1964), dir. Carl Theodor Dreyer

• The War Game (1966), dir. Peter Watkins

• Au Hasard Balthazar (1966), dir. Robert Bresson

• Daisies (1966), dir. Věra Chytilová

• Lemon (1969), dir. Hollis Frampton

• The Conformist (1970), dir. Bernardo Bertolucci 

• The Discreet Charm of the Bourgeoisie (1972), dir. Luis Buñuel

• F for Fake (1973), dir. Orson Welles

• Lancelot of the Lake (1974), dir. Robert Bresson

• A Woman Under the Influence (1974), dir. John Cassavetes

• The Texas Chain Saw Massacre (1974). dir. Tobe Hooper

• House (1977), dir. Nobuhiko Obayashi 

• Stalker (1979), dir. Andrei Tarkovsky

• Nostalgia (1983), dir. Andrei Tarkovsky

• L’Argent (1983), dir. Robert Bresson 

• Blue Velvet (1986), dir. David Lynch

• Heathers (1989), dir. Michael Lehmann

• Kiki’s Delivery Service (1989), dir. Hayao Miyazaki

• Baraka (1992), dir. Ron Fricke

• Satantango (1994), dir. Béla Tarr

• A Confucian Confusion (1994), dir. Edward Yang

• Chungking Express (1994), dir. Wong Kar-Wai

• Ed Wood (1994), dir. Tim Burton

• Whisper of the Heart (1995), dir. Yoshifumi Kondo

• Showgirls (1995), dir. Paul Verhoeven 

• Neon Genesis Evangelion: The End of Evangelion (1997), dir. Hideaki Anno, Kazuya Tsurumaki

• Gummo (1997), dir. Harmony Korine

• The Big Lebowski (1998), dir. Joel Coen, Ethan Coen 

• Outer Space (1999), dir. Peter Tscherkassky

• Beau Travail (1999), dir. Claire Denis

• Julien Donkey-Boy (1999), dir. Harmony Korine

• Yi Yi (2000), dir. Edward Yang

• Dancer in the Dark (2000), dir. Lars von Trier

• The Piano Teacher (2001), dir. Michael Haneke

• Mulholland Drive (2001), dir. David Lynch

• What Time Is It There? (2001), dir. Tsai Ming-liang

• Memories of Murder (2003), dir. Bong Joon-ho

• The Matrix Reloaded (2003), dir. Lily Wachowski, Lana Wachowski  

• The Village (2004), dir. M. Night Shyamalan

• Caché (2005), dir. Michael Haneke

• Southland Tales (2006), dir. Richard Kelly

• Inland Empire (2006), dir. David Lynch

• Zodiac (2007), dir. David Fincher

• The White Ribbon (2009), dir. Michael Haneke

• The Turin Horse (2011), dir. Béla Tarr

• Five Broken Cameras (2012), dir. Emad Burnat, Guy Davidi

• The Master (2012), dir. Paul Thomas Anderson

• Spring Breakers (2012), dir. Harmony Korine

• Song to Song (2017), dir. Terrence Malick

• Twin Peaks: The Return (2017), dir. David Lynch

• The Favourite (2018), dir. Yorgos Lanthimos

• Portrait of a Lady on Fire (2019), dir. Céline Sciamma

• We’re All Going to the World’s Fair (2021), dir. Jane Schoenbrun

(10/4/23)

[nordleuchten]

24 Days of La Fayette: December 11th - Jean-Louis and Jacques-Alexandre Romeuf

Jean-Louis Romeuf (and his younger brother Alexandre) have a special place on this list, because they are thus far La Fayette’s only aide-de-camps that served him during his commands in France. None of the two has ever been to America, neither during the War for Independence nor later on.

Jean-Louis Romeuf was born on September 27, 1766 to Barthélemy Romeuf. He had three brothers, Claude Romeuf, the oldest of the brothers, the l’Abbe Romeuf, the second oldest, who long served as the canon of the cathedral Saint-Flour, and Jacques-Alexandre. The Romeuf’s hailed, just like the La Fayette’s, from the Auvergne in France. It appears as if there had been more children and possible more brothers, but the book Nobiliaire d'Auvergne by Jean-Baptiste Bouillet served as my main source and only featured these four children.

Jean-Louis first entered the army in 1789 when he became an aide-de-camp to General la Fayette who had just been elected commander of the newly formed National Guard. Romeuf had been commissioned a captain in September of 1791 but continued on his current post until he left France alongside La Fayette and a number of other officers in 1792. He was among the unlucky man captured by the Austrians. Adrienne de La Fayette wrote a letter to George Washington in French on October 8, 1792. Tobias Lear translated the letter for Washington and John Dyson made three copies in French. One copy features a postscript that is not found in Lear’s translation or in one of Dyson’s other copies. It reads in parts:

Messr Maubourg, M. Bureau de Puzy et M. la Colombe qui a l’avantage d’avoir servi les Etats Unis meritent d’être distingués parmi les Compagnons d’infortune. Messrs Romeuf, Pillet, Masson, Curmeer les deux jeunes frères de M. Maubourg sont au nombre des Prisonniers, et ont tout le droit possible, à l’interêt le plus tendre par leur attachement à Monsr Lafayette depuis le commencement de la Revolution.

Endnotes of “To George Washington from the Marquise de Lafayette, 8 October 1792,” Founders Online, National Archives, [Original source: The Papers of George Washington, Presidential Series, vol. 11, 16 August 1792 – 15 January 1793, ed. Christine Sternberg Patrick. Charlottesville: University of Virginia Press, 2002, pp. 204–207.] (02/10/2022)

My translation:

Messr Maubourg, Mr. Bureau de Puzy and Mr. la Colombe who has the advantage of having served the United States deserve to be distinguished among the Companions in misfortune. Messrs Romeuf, Pillet, Masson, Curmeer the two young brothers of M. Maubourg are among the number of prisoners, and have every possible right, to the most tender interest by their attachment to Monsr Lafayette since the beginning of the Revolution.

While Jean-Louis Romeuf was imprisoned alongside La Fayette and some of the other officers, I struggle to determine the exact duration of his detention. It is possible that Romeuf even was held at Olmütz. He was however released long before La Fayette because Romeuf managed to play an important part in the Marquis’ release. Jules Germain Cloquet described the scene in his book:

Louis de Romeuf formerly, aide-de-camp to Lafayette, arrived, after some difficulty, from the army at Vienna. He had been sent by Generals Bonaparte and Clarke to have a direct explanation with the Baron de Thugut, the prime minister of Austria. After much negotiation, the minister at last consented to the liberation of the prisoners on condition “that the American consul at Hamburgh would promise to do his utmost to engage them to quit the territory belonging to the imperial jurisdiction within ten days after their arrival at Hamburgh, to which city they were to be escorted.“ Romeuf gave an account of his mission to Generals Bonaparte and Clarke, and also to the Director Barthélemy. He obtained the promise asked of the American consul and was at length enabled, after fresh difficulties to announce that on the 23d September 1797, Lafayette and his friends had been set at liberty.

Jules Germain Cloquet, Recollections of the Private Life of General Lafayette, Baldwin and Cradock, London, 1835, p. 58.

After La Fayette’s release, Romeuf spend the winter of 1797/98 with the La Fayette’s in exile in Danish-Holstein before returning to France. La Fayette rote to George Washington on August 20-21, 1798:

Among the friends who Can give me Minute information is My former Aid de Camp Louïs Romeuf who after Having past the winter with me is now in Bonaparte’s Staff.

“To George Washington from Lafayette, 20–21 August 1798,” Founders Online, National Archives, [Original source: The Papers of George Washington, Retirement Series, vol. 2, 2 January 1798 – 15 September 1798, ed. W. W. Abbot. Charlottesville: University Press of Virginia, 1998, pp. 539–545.] (02/10/2022)

When La Fayette returned to France, it was Jacques-Alexandre Romeuf in his turn, who helped his former General out. Virginie wrote in her book:

She [Adrienne] wished him [La Fayette] to return ere time had brought the slightest change, and without any other authorization than the liberal intentions then proclaimed by the new government. She obtained a passport for him under an assumed name, and M. Alexandre Romeuf one of his former aid de camps brought it to him.

Mme de Lasteyrie, Life of Madame de Lafayette, L. Techener, London, 1872, p. 381-382.

Jacques-Alexandre was born on November 19, 1772 and just like his brother joined La Fayette’s staff in 1790 as a capitaine aide-de-camp. He was not imprisoned along with La Fayette and his brother.

After the end of the French Revolution, the career of the two Romeuf brothers began to prosper. Jean-Louis participated in the expedition to Egypt with the rank of a Chef d’escadron and worked as an aide-de-camp to General Matthieu Dumas. He fought with the Army of the Reserve and served under Generals Brune and Macdonald. He then went on to serve under Maréchal Davoust in 1802 at Bruges and Boulongne as an adjutant-commander. Napoléon I created him Commander of the Legion of Honor and appointed him Governor General of the Duchy of Warsaw in 1808. In May of the same year, the King of Saxony awarded him the Order of Saint-Henri. He was created a baron in 1809 after the Battle of Regensburg. He was commissioned a Brigadier-General and worked as the Chief of Staff in the Army of Germany and then in the First Corps of the Grand Army, commanded by the prince of Eckmulh.

Jean-Louis Romeuf went with Napoléon I to Russia and was killed by a cannon ball during the Siege/Battle of Moscow on September 7, 1812.

La Fayette wrote to his friend Amé Thérèse Joseph Masclet Masclet on April 7, 1813:

The Russian campaign has been particularly fatal to me. You have no doubt shared my regret for the loss of my dear Louis Romeuf, -- a misfortune which I shall never cease to deplore. We have also lost my nephew Alfred Noailles, to whom I was attached by so many feelings and recollections. Victor Tracy has been taken prisoner, as well as my poor friend Boinville, who was obliged to undergo the amputation of all his toes. My cousin, Octave Ségur, was also taken prisoner at the commencement of the campaign.

Jules Germain Cloquet, Recollections of the Private Life of General Lafayette, Baldwin and Cradock, London, 1835, p. 41.

Since Jean-Louis was unmarried and childless, Napoléon I allowed that his titles were transferred to his oldest nephew, Jules Romeuf, the son of his brother Claude.

Jacques-Alexandre Romeuf joined the newly formed Army of Naples in 1806 as a Squadron-Commander and was chosen as his aide-de-camp by general Dumas. By 1807 he was Chief-of-Staff to General Donzelot and was awarded the Royal Order of the Two-Sicilies. In 1810 he was commissioned Adjutant-general and became a Commander of the Order of the Two Sicilies.

Joachim Murat chose Romeuf as his aide-de-camp to accompany him to Russia and so Jacques-Alexandre was with his brother Jean-Louis, when the latter died on September 7, 1812. On December 5, 1812, Jacques-Alexandre was named an Officer of the Legion of Honor. He left the Army of Naples in 1814 and returned to France. He was made Chevalier de Saint Louis on August 20, 1814 by the government of the First Restauration and quitted the army on September 9, 1814.

Just like his brother, he was made a baron, but this time by King Louis XVIII in 1817. It was also King Louis XVIII who appointed Romeuf as a Commander of the Legion of Honor.

Unlike his brother, Jacques-Alexandre had married, a woman by the name of Françoise Gosselin. The couple had one surviving son. Romeuf died on April 26, 1845 in Paris.

Jacque-Alexandre’s Acte de Décès is in the État civil reconstitué (XVIe-1859) of the city of Paris:

Paris Archives, État civil reconstitué (XVIe-1859), Cote 5Mi1 1330, p. 40-41. (10/03/2022)

[lamilanomagazine]

Bologna: per nove giorni sarà il paradiso dei cinefili, dal 22 al 30 giugno con 480 film torna 'Il Cinema Ritrovato'

Bologna: per nove giorni sarà il paradiso dei cinefili, dal 22 al 30 giugno con 480 film torna 'Il Cinema Ritrovato'. Con 480 film in 9 giorni, Bologna apre le porte del paradiso dei cinefili. E lo fa con la 38^ edizione del festival 'Il Cinema Ritrovato' che si svolgerà sotto le Due Torri dal 22 al 30 giugno. Nove giorni di proiezioni, da mattina a sera, in 8 sale e 3 location all'aperto in città: al Cinema Modernissimo, Sala Scorsese e Sala Mastroianni al Cinema Lumière, Auditorium – DamsLab, Cinema Jolly, Cinema Arlecchino, Cinema Europa, Sala Cervi. E poi tutte le sere in piazza Maggiore, anche all'Arena Puccini e quattro serate speciali, sempre all'aperto, in Piazzetta Pasolini. Alla Biblioteca 'Renzo Renzi' si rinnova l'appuntamento con la fiera dell'editoria dedicata alle pubblicazioni cinematografiche, che quest'anno raccoglie 70 editori. E poi incontri al Mast.Auditorium. Quest'anno, per la prima volta, Il Cinema Ritrovato sarà anche al Cinema Modernissimo, la sala "ritrovata", uno scrigno sotterraneo nel cuore di Bologna, sotto piazza Maggiore, restituito alla sua originaria bellezza primo-novecentesca: qui proiezioni già dal 18 giugno per vivere l'emozione dei grandi film restaurati in piazza Maggiore fino al 7 luglio. Il Cinema Ritrovato è promosso dalla Cineteca di Bologna nell'ambito di Bologna Estate 2024, il cartellone di attività coordinato da Comune e Città metropolitana di Bologna - Destinazione Turistica e sostenuto da Ministero della Cultura e Regione Emilia-Romagna, diventata negli scorsi mesi socio sostenitore della Fondazione Cineteca di Bologna. L'edizione 2024 è stata presentata questa mattina a Bologna da Cecilia Cenciarelli e Gian Luca Farinelli, co-direttori festival Il Cinema Ritrovato, con la partecipazione di Mauro Felicori, assessore regionale alla Cultura e Paesaggio della Regione Emilia-Romagna ed Elena Di Gioia, delegata del sindaco alla Cultura del Comune e della Città metropolitana di Bologna. Ospiti e grandi restauri Tra gli ospiti stranieri Damien Chazelle presenterà a Bologna Les Parapluies de Cherbourg di Jacques Demy (che ispirò La La Land) e il suo più recente Babylon, omaggio all'epoca mitica del cinema muto; Wim Wenders con i suoi Paris, Texas, I fratelli Skladanowsky e Buena Vista Social Club e i classici di John Ford, Anthony Mann e Yasujirô Ozu; Darren Aronofsky e Amadeus di Miloš Forman; Alexander Payne con il suo The Holdovers e il film di Marcel Pagnol che lo ha ispirato, Merlusse; Volker Schlöndorff con il suo Homo Faber e L'angelo azzurro di Joseph von Sternberg con Marlene Dietrich. E ancora Costa-Gavras, Nicolas Seydoux, Juho Kuosmanen, Mohammad Malas. Proprio Marlene Dietrich sarà al centro di una delle tante retrospettive, tra cui anche quella dedicata a Pietro Germi a 50 anni dalla scomparsa, e quella a un'altra grande figura femminile, Delphine Seyrig. Un programma dedicato anche alla scoperta di importanti registi come lo statunitense (ma di origini ucraine) Anatole Litvak, capace di attraversare, con la sua lunga filmografia, 40 anni di storia del cinema, e lo svedese Gustaf Molander, scopritore di dive come Ingrid Bergman.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[oreilletendue]

Accouplements 239

(Accouplements : une rubrique où l’Oreille tendue s’amuse à mettre en vis-à-vis deux œuvres, ou plus, d’horizons éloignés.) Sternberg, Jacques, l’Employé. Roman, Paris, Éditions de Minuit, 1958, 216 p. «— Cette flèche ne vient pas du corridor, dit l’autre père en signant l’acte de décès domestique. Regardez-la de près. Regardez surtout l’angle de tir. — Et alors ? — C’est une ruse. Cette n’a pas…

[artcordfilmscult]

Je t´aime, Je t´aime (1968) dir. Alain Resnais, Jacques Sternberg

[fidjiefidjie]

"Un jour, on aura besoin d'un visa pour passer du 31 décembre au 1er janvier." 🍾🥂

Jacques Sternberg

Gif de Flying Bee Animations

[dianphrine]

La Rencontre

Je le croisais tous les soirs à la même heure, au même endroit. Lui passait toujours sur le trottoir de droite, moi je passais toujours sur celui de gauche. Fait d’autant plus frappant que nous étions toujours les seuls à longer cette ruelle des faubourgs. Je le croisais ainsi depuis des années. Jamais je ne lui avais adressé la parole. Je ne le saluais même pas.

Puis, un soir, en arrivant dans ma rue, je me rendis compte d’un fait, insolite peut-être, qui me frappa avec une force certainement insolite : malgré moi, par distraction sans doute, j’avais pris le trottoir du passant ; j’allais donc le frôler pour la première fois depuis tant d’années. J’entendis son pas à l’heure habituelle. Je vis son ombre d’abord, sa silhouette ensuite et, fait étrange, lui aussi avait changé de trottoir. Je le croisai comme d’habitude, au même endroit, un peu avant le réverbère, je vis son visage et je me sentis m’étouffer : l’homme avait incroyablement changé, c’était certain. Il avait, à n’en pas douter, les traits de mon visage et je compris que moi, finalement, je devais avoir les siens.

Jacques Sternberg, « contes glacés », 1974.

[abdou-lorenzo]

Si on te pelote le sein droit, tends le gauche......💞✨✨

Jacques Sternberg

[mysteriis-moon666]

« On avait souhaité qu’un sang impur abreuve nos sillons sans savoir qu’un jour un déluge de sons impurs abreuverait nos microsillons. » Jacques Sternberg, Les pensées, 1986.

[nicolasbaudoin]

https://fr.wikipedia.org/wiki/Jacques_Sternberg

Avec plus de 1 500 textes répertoriés à ce jour, Jacques Sternberg est le nouvelliste le plus prolifique du xxe siècle[réf. nécessaire].