#jack castello edit

[ainasluv]

David Corenswet as Jack Castello in Hollywood (2020) S01xEP01

[blackthornluce]

David Corenswet as Jack Castello. HOLLYWOOD (2020).

[muirgenthefairy]

Jack Castello working at the Gas Station - Hollywood (Neflix show) 

[tveitz]

DAVID CORENSWET as Jack Castello in HOLLYWOOD (2020) & River Barkley in THE POLITICIAN (2020)

[dorothy16]

hollywoodnetflix The prints from Mr. Hurrell finally came in and all we can say is — PHEW, sweet beans in a basket.

[karolinadeanwrites]

DAVID CORENSWET IN HOLLYWOOD SEASON 1

481 gifs of David Corenswet as Jack Castello in Hollywood episodes 1x02-1x07 have been added to my season one gif hunt, bringing the total to 788 gifs. All of the gifs have been made by myself, and are under 2 MB. I would appreciate if no one claims them as their own if they use them in a gif hunt. Please, do not edit these gifs in any way, crop them, or turn them into gif icons. Thank you, and please like or reblog if you plan on using.

I work incredibly hard on all my gif packs so if you enjoy my work, please consider buying me a coffee

CLICK HERE

[myriadimagines]

Works in Progress Tag!

Rules: List all the things you’re currently working on in as much or little detail as you’d like, then tag some friends to see what they’re working on. This can be writing, art, vids, gifsets, whatever.

i was tagged by the super @justcallmesailor​ !!

so you can find my full works in progress/to-do list here, but under the cut are just a few more details on which ones i’m working on!

i’m going to tag @lotsoffandomimagines​ @imaginingthefandoms​ @imaginesbutgay​ @fantasyshows​ @purityimagines​ !!!

so i draft and prepare my drabbles in big chunks. usually i split them up by whatever gif imagines has been requested in between, and if there’s too many drabbles before a gif imagine i’ll split it up in half. that probably didn’t make sense at all. 

drabbles + the prompts: 

Star Wars: Jango Fett

“None of that matters anymore.”

Star Wars: Bail Organa

“Do you smell burning?”

Stranger Things: Eleven

“Is it supposed to look like that? Are you sure?”

The Maze Runner: Gally

“Don’t you ever do that again.”

Kingsman: Jack “Whiskey” Daniels

“Just marry me already.”

Kingsman: Jack “Whiskey” Daniels

“I just don’t know how to look forward anymore.”

Game of Thrones: Sansa Stark

“I waited and waited, but you never came back!”

Kingsman: Brett Huang

“Don’t give me that look! You started it!”

Stranger Things: Eleven

“You’ve got something on your cheek.”

Game of Thrones: Gendry

“Somebody’s in love!”

Game of Thrones: Gendry

“I’m sick of feeling useless!”

Star Wars: Jango Fett

“Are you… are you flirting with me?”

Baby Driver: Monica “Darling” Castello

“How about we put the gun down and talk about this?” 

“I came here to kick ass and chew gum... and I’m all out of gum.”

and then 1 gif imagine:

imagine being Darling’s younger sister and her teasing you about the crush Baby has on you

now i should probably mention when i was drafting this round of drabbles i realised i had received a request with dustin henderson from stranger things with a romantic prompt. seeing as these kids are only like 12 years old, i will not be writing anything romantic with them. i deleted that request, sorry!

and technically this is for my personal blog @prjnceoberyn but i’m also working on an oberyn martell graphic/edit for a game of thrones blog i co-run (@gameofdailythrones), which you guys should check it out if you’re interested!!

[thissunpoweredkids]

Editing as Punctuation in Film from Max Tohline on Vimeo.

In January 2014 Kathryn Schulz published an article in Vulture called "The Five Best Punctuation Marks in Literature." Link: vulture.com/2014/01/best-punctuation-marks-literature-nabokov-eliot-dickens-levi.html

It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation.

So, here it is: 20 minutes long, clips from 100 films (101 if you count that Woody Allen quotes Duck Soup in Hannah and her Sisters), and, I hope, an inspiration to anyone else who loves film on a formal level and believes, as Bazin did, that the language of cinema isn't done being invented yet.

Thanks to Kathryn Schulz for sending me down this wonderful rabbit hole of thought, and to the editors (in order of their cuts): Sally Menke, Buster Keaton, Abel Gance, Yelizaveta Svilova & Dziga Vertov, Michael Snow, Jonathan Amos & Paul Machliss, Harry Gerstad, William Reynolds & Peter Zinner, David E. Blewitt & Robert K. Lambert & David Newhouse, Sergei Eisenstein, Daniel Rezende, Valeriya Belova, Richard Pearson & Christopher Rouse, Lou Lombardo, Marguerite Beaugé & Carl Theodor Dreyer, George Tomasini, D.W. Griffith & James Smith & Rose Smith, Lev Kuleshov, Charles Chaplin & Willard Nico, Ron Fricke & Alton Walpole, Sam O'Steen, Edgar Adams & Edward L. Cahn, Ray Lovejoy, Siro Asteni, Anne V. Coates, Robert Wise, Susan E. Morse, LeRoy Stone, Ken Eluto, Spike Lee, Jerome Thoms, Lyudmila Feyginova, Peter Przygodda, Ferris Webster, Andrew Weisblum, Léonide Azar feat. Anton Walbrook, Alan Heim, Claudia Castello & Michael P. Shawver, Michal Leszczylowski & Andrei Tarkovsky, Ralph Rosenblum, William Hornbeck, Barbara McLean, William Chang & Kit-Wai Kai & Chi-Leung Kwong, Véronique Parnet, Kim Hyeon, Andreas Prochaska, Mary Sweeney, John Smith, Jolanda Benvenuti, Harold F. Kress & Argyle Nelson Jr. & J. Frank O'Neill, Florence Eymon, Nicholas T. Proferes, Marie-Josèphe Yoyotte, Mohsen Makhmalbaf, Yoshiyasu Hamamura, Cécile Decugis, Joe Bini, Robert Leighton, Milton Carruth, Jay Rabinowitz, Owen Marks, Ted Cheesman, George Tomasini (again), Blanche Sewell, Georges Méliès, Reginald Mills, Siv Lundgren, Thelma Schoonmaker (finally!), Kôichi Iwashita, Alex O'Flinn, Kirk Baxter, Peter Kubelka, Paul Sharits, Chris Marker, Jean Ravel, Roderick Jaynes (Ethan and Joel Coen), Sharon Rutter, Miroslav Hájek, Fernand Léger & Dudley Murphy, Melvin Van Peebles, Martin Arnold, Bruce Conner, Walter Murch & Richard Chew, and Yelizaveta Svilova & Dziga Vertov again. Plus unseen contributions from Jacqueline Sadoul, Jim Miller & Paul Rubell, Monique Bonnot, Ralph Foster & Stephen Perkins & Andrew Weisblum, Verna Fields, Jack Murray, Daniel Mandell, Françoise Collin, Solange Leprince, Patricia Canino, Nelly Quettier, Matt Chesse, George McGuire, John Seabourne Sr., Takis Davlopoulos & Giorgos Triandafyllou, and a few VFX teams, too.

For the full list of films featured, click here: 10oclockdot.tumblr.com/post/129417606958

NEW: Pablo Ferreira (vimeo.com/pabloferreira) has just graciously created Portuguese subtitles for this video!

Plus: Héctor Aguilar Rivas's (vimeo.com/user24306664) Spanish subtitles are still here and still great.

Also: Turkish speakers, please enjoy this TURKISH DUB of Editing as Punctuation in Film, lovingly prepared by Münif Çankaya: vimeo.com/146388456

And I'm still grateful that Editing as Punctuation in Film was named THRICE as one of the best video essays of 2015 by leading critic/curators in Fandor's poll. Thank you! fandor.com/keyframe/poll-the-best-video-essays-of-2015

[nofomoartworld]

Hyperallergic: Curatorial Activism and the Politics of Shock

Crowd in Paris after the 2015 terrorist attacks (image from the public domain)

Curatorial Activism and the Politics of Shock

Saturday, November 18, 2017, 10am–5pm SVA Theatre, 333 West 23rdStreet, New York, New York

Free and open to the public

The MA Curatorial Practice program at the School of Visual Arts presents an international summit on curatorial activism in light of the global rise of nationalism and radical conservatism.

Organized by Steven Henry Madoff, the summit features more than 20 curators and thinkers about exhibitions, including Defne Ayas, Witte de With, Rotterdam; Ute Meta Bauer, NTU CCA Singapore; Nicolas Bourriaud, La Panacée, Montpellier; Carolyn Christov-Bakargiev, Castello di Rivoli and GAM, Turin; Sofía Hernandez Chong Cuy, Colección Patricia Phelps de Cisneros, New York; Joshua Decter, independent curator and writer, New York; Clémentine Deliss, independent curator, Berlin; Elena Filipovic, Kunsthalle Basel; Boris Groys, New York University; Hou Hanru, MAXXI, Rome; María Belén Sáez de Ibarra, Museum of Art, National University of Colombia; Maria Lind, Tensta Konsthall, Stockholm; Antonia Majaca, IZK Institute for Contemporary Art, Graz University of Technology; Chus Martinez, Institute of Art, FHNW Academy of Art and Design, Basel; Gabi Ngcobo, NGO (Nothing Gets Organised), Johannesburg, and 10th Berlin Biennale; Hans Ulrich Obrist, Serpentine Gallery, London; Jack Persekian, independent curator, Jerusalem; Pi Li, M+, Hong Kong; Terry Smith, University of Pittsburgh; Mick Wilson, Valand Academy, University of Gothenburg; and Tirdad Zolghadr, Paul Klee Zentrum, Bern, and KW Institute, Berlin. Moderators: Adrienne Edwards, Performa, New York; Brian Kuan Wood, e-flux, New York.

To register, click here.

A publication will follow from Sternberg Press, edited by Steven Henry Madoff.

The post Curatorial Activism and the Politics of Shock appeared first on Hyperallergic.

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[ainasluv]

can i request some shirtless jack castello gifs pretty pretty please???? <333 :D

Of course !! here they are, I hope you like them <3

[blackthornluce]

David Corenswet as Jack Castello. HOLLYWOOD (2020).

[blackthornluce]

Samara Weaving and David Corenswet as Claire Wood and Jack Castello in HOLLYWOOD (2020).

[blackthornluce]

David Corenswet as Jack Castello. HOLLYWOOD (2020).

[tveitz]

being somebody doesn't mean a thing, unless you're somebody to someone.

[tveitz]

HOLLYWOOD (2020)

[dorothy16]

hollywoodnetflix Grab your seats. HOLLYWOOD arrives tomorrow.