#jaan tammsaar
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Fairy tales by Estonian illustrator, Jaan Tammsaar (1946).
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Online
Class this week was the first online class for Comm Design Studies with Ben (class tutor) and my first online class ever. Iâm glad the class was organised and wasnât as chaotic as I expected. We went through elements & principles, something we all most likely did in vce, however it was the question Ben made after presenting each design that created interesting conversation, âIs this design good, or bad?â This led me to think after class about what design I like, currently Iâm more attracted to design that is colourful, detailed, noisy and sometimes obtrusive. But what I like is constantly evolving which is also what this blog documents, which brings me to next part of our online class.
http://50watts.com/Kits-Sarapikus
We looked at 50watts.com a blog dedicated to archiving interesting and historical illustration and design. We were told to look through 50watts and find something to share to the online class chat and talk a bit about why we like it. I never got a turn (my mic doesnât work anyway so itâs not like I wouldâve had a chance), however I found these illustrations by Jaan Tammsaar from Estonia, published in 1984. Itâs exactly what I love, the bold line work and how itâs used to create form, the interesting vibrant colour palette, and the overall composition of each illustration is incredibly captivating and well balanced against the type. Most of his work isnât like the illustrations featured here, because these illustrations are inspired from Russian Lubok, a style used in mid the 17th century and remained to be relevant for centuries as new technologies in printing, such as lithography, were being discovered.
Here are some links about Lubok if youâre interested:Â
https://russia.rin.ru/guides_e/7309.htmlÂ
http://russia-ic.com/culture_art/visual_arts/491/#.XoAKQW5xWqA
https://publicdomainreview.org/collection/d-a-rovinskiis-collection-of-russian-lubki-18th%E2%80%9319th-century
Lubok has been around for a long time so thereâs a lot of rich history about its importance during times such as the Napoleonic era and Russo-Japanese War. Here are some pieces of Lubok I find interesting that share similarities to Tammsaarsâ work.
Reference:
1. "Gromadnyi kot." [Big Cat], 1881 Anonymous (A lot of these works donât have the source on the artists, due to a lack of preserving the artists name throughout history)
2. An Animal Found in Spain Anonymous, January 27th 1775
3. The Book of Divination  Anonymous, 1881
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something i would love to add regarding berserk tho, is that iâm absolutely in love with some of its imagery
(spoilers? you know the drill)
one of my favourite scenes both conceptually and visually was Cascaâs dream (chapter 348):
i was stuck zooming in on this page for a while. i still canât get enough of how its mood is cultivated! this beautiful point in which horror bleeds into despair and makes a point to stand there. in some ways this page hit me harder than the scenes of the eclipse
but as i was looking at it i remembered once more a book i had in my childhood. it was a retelling of our national epic, Kalevipoeg (Son of Kalev), illustrated by Jaan Tammsaar:
these illustrations used to scare me, but in a very sad way. a feeling i can now identify as that very despair. curiously, i feel like itâs in the proportions even more than the colours. something about that unreachable height, unbearable weight... constant sense of futility.
the punchline here is that it was a children's book. it was a retelling of Kalevipoeg for children. with pictures.
iâve no idea what possessed them to believe this despair and hopelessness was âitâ, but... well, i kept coming back. anyoneâs guess whether this impacted me somehow, or if this longing for suffering is intrinsic. my favourite game is bloodborne, etc etc etc
#berserk#i reread the synopsis of kalevipoeg just now and jfc. quoting#...the sword cursed by the Blacksmith attacks and cuts off his legs. Kalevipoeg dies and goes to heaven. Taara reanimates Kalevipoeg#places his legless body on a white steed and sends him down to the gates of hell where he is ordered to strike the rock with his fist#thus entrapping it in the rock. So Kalevipoeg remains to guard the gates of hell#hello? berserk has nothing on this#my big tragedy is that the book was lost when we moved. i really really want to find a copy but so far no luck : (
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Illustration by the Estonian artist Jaan Tammsaar for Kits Sarapikus, a Belarusian tale ⢠via Bibliothèque Infernale on FB
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A 1984 Estonian book cover by Jaan Tammsaar. The book is on a Belarusian tale.
#estonian#estonian language#estonia#belarusian#belarusian language#language#languages#book#books#grammar#reading#langblr#linguistics#vintage
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đKing of Mushrooms ⢠Estonian folk tale illustration by Jaan Tammsaar. #estonia #estonianfolkart #estonianfolktales #jaantammsaar #balticfinns #finnicmythology #estonianmythology (at Estonia) https://www.instagram.com/p/CePriKFrD5j/?igshid=NGJjMDIxMWI=
#estonia#estonianfolkart#estonianfolktales#jaantammsaar#balticfinns#finnicmythology#estonianmythology
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Lubok inspired illustrations by Jaan Tammsaar (1984)
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Jaan Tammsaar "Kalevipoeg" 1989
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Illustration by the Estonian artist Jaan Tammsaar for Kits Sarapikus, a Belarusian tale ⢠Bibliothèque Infernale on FB
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