Have I told you I love you yet?
No?
I suppose I got too distracted,
by saying it in as many ways
as the dictionary allowed
yet perpetually missing the mark.
we writers -- we're strange in that way
where we make simple things complex
using odd verbiage, tricky tenors and shaky vehicles,
mindbending the reader trying to make sense
of it before they snap and say
the nonsensical was intentional,
bargaining with ostranenie,
pointing out details that don't matter --
that never did --
but that mattered to us
enough to write about them,
not caring how we may overwhelm.
We write whole poems
and paragraphs
and love songs
about that one insignificant detail.
It's our way of saying that
we see you.
But often, we stare
at the crook in someone's smile for too long.
They won't think you're admiring
the genuineness,
the unabashedness,
the softness of their sunset lips
curled upwards too much one way
making your own unique smile
feel much less insecure
and together you share happiness.
That is the detail you love;
the solar eclipse smile
that you write poems about.
But they will think you are staring at their teeth.
Maybe there's food stuck between them,
or maybe you want to kiss but
are too afraid to say it.
And as the awkwardness stirs,
you think, 'Maybe I should show you my poetry.
'Maybe I should explain that
'I am thinking of the best way to say
'that your smile is like the Sun
'and I am your Icarus.'
But all you do is stare, and you look dumb.
Maybe you should just
get it over with
and say:
'I love you.
It's as simple as that.
And I'm not going to write a poem about it.'
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