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soo-doe-nim · 1 year ago

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SLUGBLASTERRRRR YEAHHHHHHHHHHH

What's a game/some games you wish you could talk about more?

THEME: Mint’s Favourite Games. (Part 1/2)

Dear friend, I do not know if you know how much pain this causes me because…there are so many games! Games I’ve run, games I haven’t run, games I’ve purchased, games I want to buy… narrowing it down is so so hard. It’s like asking to choose which child is your favourite. So first things first I’m going to drop a link to the Games that Intrigue Me collection that I’ve been fostering on Itch, because that’s where you’re going to see games that I really really want to talk about and play in the future. (There are currently 148 games in there, and that’s just what’s available on Itch!!!) With that out of the way, let’s talk about some of my highlights.

There are 12 games in total that I managed to narrow it down to, so let's take a look at the first 6!

Changeling: the Lost 1e, by White Wolf / Onyx Path (Played)

The most trad game on this list, Changeling: The Lost was the reason I stepped into roleplaying games. It was advertised as a fantastical allegory for healing from trauma, which is exactly the kind of hard-hitting, emotional depth that got me interested when it came to roleplaying games. One of my favourite ways to sell it is to tell you this:

Imagine your favourite piece of media and pick a particular character from that media. Now imagine that the entire story that this character experienced was a lie: a story they were put in, in order to fulfill the whims and wiles of an inhuman, eldritch Fae. Now imagine them clawing their way back into the real world only to find out that nobody missed them, that their parents and girlfriend never realized that they left because the thing that took them left behind a shell of a copy. What’s more, they still feel the pull of the magical world - they can’t forget it, even if they want to. How do you heal from a magic that you can never leave behind?

Changeling: The Lost has a lot of drawbacks. It’s clunky. It requires an unhealthy amount of d10s. It’s got two editions, and most folks prefer the one edition over the other. It requires a lot of prep. The “beautiful madness” can definitely lead into some negative stereotypes about mental health (which is why I recommend re-working the Clarity mechanic into a mechanic about how trauma affects your emotions). White Wolf cannot write a fucking index. But the combination of personal horror with the glitter around the edges has got me in a choke-hold and I don’t know how to let it go.

Bones Deep, by Technical Grimoire. (Played)

I cannot emphasize how well-formatted Bones Deep is. The bookmarking on the PDF for this game is the best I’ve ever seen, and I’m an avid player of Numenera. This is a Troika game about freshly-hatched skeletons travelling the ocean floor, tussling with a cephalopod invasion, cursed wizards, a crab cabal, and the Skeleton War. Each location in this book can naturally lead to others, and there’s roll tables that allow for you to generate a number of story prompts before you run a session. It’s heavily improv friendly, and allows combat but so much more than that.

You need the Troika handbook to run this game, but honestly, Troika is such a great, gonzo system that I don’t even consider that a drawback, especially because the Skeleton characters from Bones Deep are 100% compatible with the larger game as a whole. I’m not going to say that this is a combat-free game, because it certainly isn’t, but I was surprised at how many problems the players could solve without having to resort to combat

External Containment Bureau, by Mythic Gazetteer. (Played)

This game introduced me to the concept of an open-ended mystery that the players kind of put together as they play. The idea of leaving a few possibilities for a whodunit is not exactly new, and ECB is definitely not the first game to embrace a generative style of play, but it implements it very very well. This is an adaptation of Forged-in-the-Dark that speeds up character creation and makes one-shot play more viable than some of the traditional hacks of Blades. The setting also fucking slaps. Its X-Files meets SCP meets the Office. It has the ability to alter how serious or goofy you want the tone to be. It has mechanics for supernatural powers and drawn-out conspiracies.

It also has a cult-flavoured hack called Congregation, which is just as good and you should also check out.

Subway Runners, by Gem Room Games. (Played)

A hella-fast game with a character generator that lets you pick up and play in minutes, Subway Runners is extremely online friendly, extremely reasonably priced, and extremely funny. You’re subway maintenance crews dealing with magical problems in the underground of a fantastical metropolis. It’s a gig economy. It’s got stations built out of buried giants. It’s got traumas like “nervous”, “romantic” and ��brave to a fault”. It’s one-shot Forged-In-The-Dark.

Your online-generated character sheet reads like a Contractor File, complete with side hustles, custom inventories, your Lunch Order and your Demerits. Fix train lines, find missing passengers, and send eldritch monstrosities back into the inter dimensional portals from whence they came. All so you can pay rent. This game is off-the-wall and it’s only three fucking dollars. Please, I’m begging you to check out this game.

Slugblaster, by Mikey Hamm. (Bought, not yet played).

I was so excited for this game that I managed to get on the proofreading team! And gosh I am stoked about that. This is another Forged-in-the-Dark game (I think I’m sensing a theme here), this time about teenagers hoverboarding through the multiverse. This game is so kooky and has such a unique take on FitD, with mechanics that really emulate the idea of cobbling together gear and tech to make your kit personalized. It’s a game wholly about teenage self-expression and self-discovery, in a world that's doing its best to limit your independence.

The layout for this game is also wonderfully fun and evocative. It’s brightly-coloured, with contributions from around the world, and suggestions for playing in towns other than Hillview, Canada (although as a Canadian I am also deeply fond of the built-in setting). I wrote an add-on for this game, called Charlock, and you can get it, as well as a whole bundle of goodies in the Slugblasting for Teen Mental Health Bundle here, until the end of July!!!!

i’m sorry did you say street magic, by Caro Ascersion. (Played)

This is a city-building game that I adore playing as a set-up to a one-shot or a campaign. I’ve used it to create a superhero city, as well as a Ghibli-inspired city, and there are resources for making gothic cities, cyberpunk cities, and so so much more. There’s a supplement that I adore called there are names here more powerful than our own, which is pay-what-you-want but makes play more accessible for folks who have trouble coming up with ideas on the spot.

The art for these games is by Shannon Kao, and it’s whimsically mundane. It perfectly communicates the vibe of play. The city generation helps you create neighbourhoods, as well as landmarks and characters located in those neighbourhoods, but it doesn’t stop there. It also helps you generate story hooks that you could pick up for an upcoming game. Finally, the mutual element of creation gives players ownership and investment in the city they create, so when it comes to character creation, you should find that the players will easily be able to anchor themselves in the world.

If you want to hear an example of this game, I recommend @partyofonepod ’s episode, which was recorded with the creator of the game.

#slugblaster #ilovethisgame #imrunningthisgameactually #itssomuchfun

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fatgirlproblems321 · 8 years ago

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avalentour · 6 years ago

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Do you think you don't need one?

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littlepinkneko · 8 years ago

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