#its super fucking nerdy i know but its also a testament to their writing
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fuckthatroomupgood · 2 years ago
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ok so i love best of the worst and half in the bag and all that but guys the plinkett prequel reviews quite literally changed my fuckin lexicon. i think or say "you didn't notice, but your brain did" multiple times a week. when my husband and i clean up we automatically go "where's my bin, my plastic bin". half-awake on sunday mornings trying to find the cat so we can snuggle her? "where's my cat, its time for breakfast". "you fuck that room up good charlie" "post an email on this webzone" "whats wrong with your faaaaaaaace" i do not think i have gone more than 3 days without making a plinkettism since i first watched them. like. i think it is a testament to their writing that I continue to use their words so often
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leightaylorwrites · 7 years ago
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Leigh Dissects YA Fiction: They All Fall Down (Chapters 9 - 12)
Chapter Nine
Levi certainly wasn’t grieving Olivia’s death…
Of course not. Why would he be grieving his ex-girlfriend? That would imply that he cares about anyone other than you and with this being a YA book, it’s unlikely that a romantic lead would be so complex. 
[...] his open varsity jacket making his shoulders look even broader.
A specific sport isn’t named. Does the author think all varsity athletes get the same jacket? There are emblems, symbols, and other things that are specific to certain sports. This is what happens when you base your YA book on your own nerdy high school experiences and don’t do basic research: you get things wrong.
“Why is everyone so certain Levi Sterling is going to jail?” I demand.
You can’t demand a question that has to be answered by multiple people when you’re only with one person. Also, didn’t you, like recently, say he might’ve been a murderer or rapist?
I nod sympathetically, supposing that’s a legit enough connection for a guy like Josh to shed a few tears.
Because for a masculine boy to cry, it has to be legitimized.
Was he kidding? Girls like Olivia and the rest of them on that list didn’t hang out with nerds like me. But guys don’t always know that.
Okay, even if we’re going with the ridiculous idea that people don’t have friends in different circles, the same would be true for boys. Geeky boys and jocks wouldn’t hang out. Why wouldn’t he know this?
“I missed you last night,” he says right into my ear, with a secret, sexy voice that should have every cell in my body jumping up and down.
You’ve spoken for a total of three minutes.
“I had…” Movie night with mom. “Something else to do.”
Why can’t she just tell him the truth? I get it’s geeky but it’s not like you were committing a crime.
A flicker of distaste crosses his expression as he conciders what could possibly have been more important than his game, and his gaze shifts in the direction where Levi had been. “Out with your parolee?”
Dora doesn’t tell him the truth about her whereabouts as a way for the author to throw in cheap tension. If she had a legit reason or given an explanation (like how I said spending time with her mom is ~geeky~), then it would’ve worked. Without that, this is just lazy writing.
“Good thing, ‘cause they're saying he was there and was having a deep and heated conversation with Olivia before she died.”
Did this book have an editor?
“Good thing you weren’t with him.”
He’s said good thing twice in the past quarter page. Either the author discovered a new phrase while writing this chapter, or someone stans NCT.
“Listen, I know it’s not going to be really fun under the circumstances and all, but a bunch of kids are getting together at my house tonight. Will you come?”
Y’all really about to have a party when someone just died. I get the popular kids are supposed to somewhat suck but there’s sucking then there’s being horrible people.
“We’re changing clothes, you freakazoid!”
Outdated reference is outdated. Most of this author’s demographic does not know that song. Has she ever spoken with an actual teenager? In this century?
“His parents passed away many years ago.”
Please be related to the cult I’m probably totally wrong about.
“I never got into the house but I’ve heard it’s amazing, with an indoor swimming pool and a ten-car garage adjacent to some of the prettiest parts of Nacht Woods.”
Good Lord. First, it annoys me when characters who are loaded go to public school with a bunch of people who are nowhere near as rich. School zoning doesn’t work like that, with only one megarich kid and everyone else being middle class. Second, why are we getting this awkward splooge from Generic BFF’s mom instead of having this description when Dora gets to the party later????? Why is this writing so bad? Where is the editor?
“The grandfather, who’s retired, of course, made a killing on Wall Street, as I understand it.”
What is this SENTENCE?! I suck at grammar and sentence structure and all those technical things but damn, I know I could do a better job at this editor who works for an actual publishing house.
“Really hit it huge in the go-go eighties.”
“Where’d they go-go?” Kayla asks, making everyone laugh.
Not me.
“It’s the idiots who can’t handle the peer pressure. But, okay, you girls use common sense.”
Fucking hell. If they’re pressured into drinking then they’re not idiots. That’s why it’s called PRESSURE. And why are we acting like people with common sense don’t drink? They’re not mutually exclusive.
“(...) I’d love to just sit around that table for house with a family that is so whole and happy. But I only have myself to blame for that.”
Shut your melodramatic ass up.
Chapter Ten
God save me.
(..) what feels like a half-mile-long driveway (...) At least fifty cars are in the drive and along the street.
Driveway. It’s called a driveway. You just used it in the last sentence.
She’s cute - and has to be freezing - but, really, nothing extraordinary to look at.
What a fucking bitch. Honestly, Dora, please die.
“We’re going into the woods.”
Yes, now it’s the point in the book where a Native American burial ground is invaded by drunk suburban white teens who literally have no respect for the land. This includes our protagonist. And if you’re thinking she’s going to mention how wrong and disrespectful this is, bring your expectations of this author down. No, further. FURTHER. Yes, that low.
“We’re at Meesha mound.” She leans closer and lowers her voice. “Indian burial ground, you know. Cool, huh?”
“Very.”
To be fair, Dora says her “very” is sarcasm but like?? Nothing is done or said about how horrible it is that they’re doing this. Or even the improper and offensive usage of “Indian.”
She misses my sarcasm and takes me down a dark path.
Obviously bad metaphor is obviously bad.
“I like Sisters of the List,” Kylie Leff says, leaning into Amanda. “We’ve been blood sisters since kindergarten.”
Can I return this book and get cult lesbians instead? Side note, if you want to watch something about a cult lesbian, AHS: Cult was AMAZING and its best season since Coven.
She holds up a single knuckle and Amanda meets it with one of her own in the most feminine and lackluster knuckle tap in history.
We get it. Fem = bad, hot fem = bad, weak fem = bad.
Why was Dora expecting some epic knuckle punch when Kylie only used one knuckle? Does she think she has super-strength?
It’s Candace Yardley, number ten, who up to this point has been virtually silent. Once again, I take a second to admire her dark good looks; she is runway perfect.
Why is this book so racist?!! Having the Asian character be silent until Dora is ready to comment on her ~dark good looks~?? And she has to be at the bottom of the list? What IS THIS?!
She smiles at her best friend.
How many times must we be reminded that Kylie and Amanda are gal pals, heteros, and that this book has no room for lesbians? Petition to save Kylie and Amanda from this hetero dumpster fire.
I take the vodka bottle and let a few drops touch my lips, the flavor like bitter grape cough medicine.
One, you can’t taste much with your lips. Two, that’s not what vodka tastes like.
“You bitches cray.” She sings the last word on a laugh. “But I need to get fried.”
Let’s play “spot the Token black character.” I think the usage of the word cray is a testament to how old this book is. Back when white authors thought it was fun to use cringe aave. You gon finna catch me is SHAKING.
“Thank god that chapter is over” - me after every chapter.
Chapter Eleven
“YOLO, baby girl. Which translates into ‘have some fun.’
Petition to have white authors never write black characters again.
I can smell beer, and the sound of rap is barely drowned out by loud boys and girls laughing. Really? On the night after the girl they all planned to vote for class president next year has died? They either don’t care or… they don’t understand death.
You fucking asshole, Dora. Some people have different coping methods. And, how would you know they don’t care or understand death? Do you think you’re the only person in your whole school who has lost someone?
They don’t know how permanent death is. But I do.
Earlier, we learned that Generic Good Boy is a fucking orphan. He lost BOTH parents. You lost ONE brother. Shut up.
“Like I said… YOLO.”
Stop. I’m begging.
“You know what I remember about you in middle school?” (...) “You were hydrogen in our Dress Like an Element Day in science.”
Listen, I like the fact that Dora and GGB have natural chemistry as characters whereas Dora and GBB are forced like hell. But could the author not think of a more interesting element? Why would GGB remember this in particular? Even if he thought Dora was cute, it would make sense for the element to be something less common and therefore more easy for the reader to see why it was so memorable.
“You’re the Latin expert.”
She’s a junior in high school.
“(...) he lives to meet pretty girls.” The way he says it makes me feel like I really am one of those pretty girls.
Because he just told you his grandfather likes pretty girls? An old man? That makes you feel pretty? Really? That?
“Wait--I want to kill her, er, say hi.”
Ignoring this horrible attempt at humor, Dora is upset with her friend for drinking at a party. I’ll point you to Dora’s weird grape cough medicine vodka from her cult meeting in the woods.
“I play on two travel teams--hey, Ryan--and lots of these kids are from all over this side of the state.”
They came all the way out here for one party? Are there no parties in their own neighborhoods?
“Kenzie.” The older man nods in approval. “Of course.” Flashing an easy, wide smile, he looks down--way down--at me. Instantly, I can see where Josh gets his gifts--his height, the build, the sort of raw masculinity mixed with charm that rolls off him. That’s hereditary, I suppose.
I just threw up.
This man is at least sixty, given that his grandson is a high school junior. And Dora just spent a paragraph lowkey lusting after him. I haven’t witnessed something so grossly uncomfortable since Throne of Trash the series we don’t acknowledge.
“You were absolutely correct, Josh. She is a refreshing change.”
Get it? Because she’s not like those other girls.
“You’ve taught me everything, Josh says, a respectful note in his voice. “Including how to pick quality girls.”
Women aren’t avocados.
He pats my hand and shifts in his seat. “Let’s change the subject. I understand you’re on that list that does nothing but objectify lovely teenage girls.”
You can’t call out the list for objectifying them when 1) you’ve done that since you met Dora, 2) you act like a fucking pedophile while you’re touching her, and 3) you follow up the fact that the list is objectifying the girls by calling the girls “lovely.”
“But his legacy lives on, right back in Nacht Woods.” He angles his head toward the back of the house. “He’s buried there, too.”
So not only has this author disrespected Native Americans with using their burial ground for horror aesthetic reasons, but she’s also allowed a white character to be buried there.
“Not him, per se,(...) but the things that mattered to him. I made a place to honor him.”
I know we need exposition but it makes no sense here. They’ve spent half a page talking about this dead dude, rather than the scholarship Dora wants.
“How do I apply?”
“No application necessary, dear. You just have to finish the ropes course Jarvis built in Nacht Woods (...) You look fairly athletic.”
Oh my god. How many ways can this author metaphorically shit on this burial ground?
“Quit hittin’ on my chick, Rex.”
Dora’s next thought is her freaking out about Josh calling her his girl, which okay, I get. But… shouldn’t she be a tad bit concerned about this creepy pedo man who just offered her a scholarship as long as she completes The Hunger Games?
“She’s a total brainiac (...) I think that’s hot.”
“Quite,” his grandfather agrees.
I’M NOT MAKING THIS SHIT UP
Chapter Twelve
I haven’t had anything to drink since my one sip of grape vodka, but Molly’s borderline tipsy(.)
We’ve got clarification that her vodka was grape flavored (ew) but what the hell is “borderline tipsy”??? Either she’s tipsy or she’s sober. Tipsy is the full in between of sober and drunk.
“But the weirdest thing of all was the texts disappeared about ten minutes after I got it. I can’t find it in my deleted texts, nothing.”
SHE TRIED TO SEARCH DELETED TEXTS AND WAS SURPRISED WHEN SHE COULDN’T FIND ANYTHING ASHJLDFASHLJL
(...) ready for dark looks from my list sisters(...)
We’re really using this name?
But I won’t tell these girls that. They’re wack.
I love 2001 slang.
Also, you guys don’t know how hard it is for me to not make a Malibu’s Most Wanted reference right now.
Having to post all my notes/opinions means I’m having to read over some of the book again and if you can believe it, these are considered the good chapters compared to what comes later.
Using my irritation as free entertainment? Enjoy my writing as free entertainment, too. I’ve got a freebie book called Epic here.
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