#its so interesting how hes so judgemental to her

[neodiekido]

danganronpa fandom sucked so bad in 2018 that even 6 years later if i think too long about ouma i start getting a headache and feeling annoyed. sucks because he is an interesting character and i feel like his similarities to maki are underexplored in the fandom but alas

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.

[good-beans]

I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting

Incoming tag rant because I need to yell about this, feel free to yell back

[spock-adoodledoo]

oh my god i just finished the dark forest finally. 7/10 i suppose, i went through the first half or so of the book being really annoyed by luo ji but also enjoying the chapters where he shows up because unfortunately he was entertaining. still don't understand the imaginary girlfriend thing, it just feels like he needs someone to protect from the world which like ??? ok sure i guess, it just rubs me the wrong way personally. for the second half and especially the end i became luo ji's number one defender it's fine. for the rest, holy crap—the droplet, the microcosm of the universe on those runaway ships, the wallfacer project, luo ji drawing from rey diaz's plan, the attitude of the world towards him, the entire theory... wow

[apollo-zero-one]

Man I can't believe I had the chance to go to a performing arts school up through middle school and I fuckin quit after 6 months just because I got bullied. BRO YOUR HOMEWORK WAS POETRY!! YOU HAD TO PRACTICE DANCING TO COTTON EYE JOE AS YOUR BIG UNIT TEST. GYM CLASS HAD A CIRCUS UNIT!! YOU HAD A WHOLE DAILY CLASS ON IMPROV!!! YOU FOOL!! YOU ABSOLUTE IMBICILE!! YOU COULD HAVE BEEN A YOUTUBER!!! YOU COULD HAVE BEEN ONE OF THOSE TWEENAGERS GETTING LOADED BY MAKING SHITTY YOUTUBE SHORTS IN 2008-14!! But noooOoooOOOoo little miss Noellie (who WANTED TO GO!! who worked SO HARD and sent in an application essay and did an INTERVIEW to get in!!) couldn't handle disruptive classmates or little scuffles and petty grudges and general Attitude of the other students and cried to mommy to put her back in public school. I am EATING MY HAIR over what Could Have Been. I COULD BE SOMEONE'S ANNOYING YOUTUBER!! I could be a DISGRACED DISNEY CHANNEL STAR!! I could be an America's Got Talent winner! A mild to moderately successful comedian! I could be making short films!! But no no no precious thin skinned baby me heard a few new cus words and watched a teacher get heckled and begged to give up The Dream in favor of?? Quiet math tests?? I am such a fucking quitter I quit everything the second it gets too hard I always take the out as soon as it's offered what's my fucking damage.....

[misstycloud]

Shapeshifter x fem.reader

“Please stop.” You whimpered, shaking like a leaf.

The creature crouched down to your level and whispered in a soothing voice- it didn’t have the desired effect, though. “Why? Don’t be scared, I would never hurt you. There’s no need to be so frightened.”

“….just leave me alone..”

“No I can’t do that. I love you (Y/n). You’re everything to me. You don’t understand the depth of how much I need you.” He- it- pleaded.

You scoffed despite the inner turmoil. “Well, feelings not mutual.”

He sighed and shook his head slowly. “Why can’t you understand? I just love you so much.” He caressed your hands while staring straight into your eyes. It felt like he was unveiling your soul, like you couldn’t hide from that look, no matter what. “I,” he started, “can be whoever you want me to be. I can be whatever you wish.”

Suddenly, he started changing. It was like something was alive underneath his skin, that wanted to move and reshape the shell it was inside. Slowly, but surely, its features morphed into someone else.

This new shape was clearly tall, even when he was still couching. He looked a little rugged, wi the jet black hair and also at as equally dark grey eyes. He was muscular, too.

“Would this be better?” He asked in a deep voice, tilting his head in wonder. “Would you like someone like this- someone who can protect and care for you? Someone who wouldn’t hesitate to get into a bar fight to defend your honour.”

You looked away and shut your eyes.

“I see.” He said. “So this is not your type, then?”

Once more, you heard the familiar sound of flesh and bones. And against you better judgement, you glance his way again.

This time, he was not as muscular. In fact he was quite thin, but still tall. Messy brown hair shot in all directions, coverering his forehead, it almost shielded his face entirely from view.

“Or is this better?” He gave you a dorky smile. “A nerd? Someone who can relate to your interests and become just as engrossed in them as you. Wouldn’t that be nice? We could talk for hours about the things we like.”

You shook your head hastily. Rejecting his suggestion.

“Or maybe not.” He sighed.

The sound of flesh moving followed and you looked away, not wishing to see the peak of the gruesome transformation, before facing him again.

This new body was considerably shorter than the previous two. It was one of a mousy young man, appearing to be in the beginnings of adulthood.

“If you like being the one in control, I wouldn’t mind. I think this form would fit for that, you see. I’d be nice to be dominated by you. You wouldn’t have to hold back from anything, you could be completely in charge if that’s what you desire?”

You remained silent.

“I take that as a ‘no’, then.” He stopped for a few seconds, thinking, then the smile retuned. “Wait, I can’t believe I didn’t think this.”

Suddenly the young man disappeared and a woman took his place. She was gorgeous by all means. Her long blonde hair flowed in waves down her back. Her curvaceous form would have any person staring.

“I apologise. I should have asked if you would prefer a woman instead, my mistake. Now, finally, is this desireble?”

“I told you to stop. I don’t want any of this- I don’t want you. I don’t want to be near you. Leave me alone, please.” You cried in desperation. Hoping it would be able to push away the creature for good. But you knew it was a foolish dream for it to become bored with you.

The woman hushed you and took you into her arms. “Shhh, shhh, it will all be fine. No need to worry about anything. You’ll be good, I promise. I will take care of you.” She tried comforting you by patting your back like a mother consoling her crying child. “And don’t worry. It doesnt matter how long it’ll take, but I will find the right form eventually. You will just love it~.”

::::::::::::::::::::: ::::::::::::::::::::: ::::::::::::::::::::: :::::::::::::::::::::

[blueberrypancakesworld]

Calming the Emperor God

Geta x wife! reader

warning : hurt/comfort, kissing, cuddling, mention of murder and sickness

Summary : Rome seemed to turn on their rulers, what Caracalla compensated with more Colosseum fighting Geta had to face reality as much as he thought he was divine, he alone couldn't control everything. The demand of his head was only the beginning as the emperor sought advice and care in the arms of his wife.

info : A work for Geta I just wanted to give him a long hug, enjoy reading ;)

masterlist

~~~~~~~~~~~~~~~

Marriage, when you were a ruler of a empire, it was important to have a wife after your appointment, someone you loved or not, someone who could give you an heir.

He had even less regard for his father than his brother, a man driven by empathy and kindness as well as hope, a weak man whose only great deed was to father him and Caracalla with his mother, nothing else. That was the only reason for his damned father's last acts, a marriage.

A marriage three years ago, on his twentieth name day, he took her as his wife, a young lady of his own age from a noble house of the united kingdoms under Rome.

He hadn't thought much of her then, but when he looked at the sitautioon now, she was more than just his love, she was his shield, the judgement of the people and a light that all kinds of people looked up to so that the people wouldn't rise up in revolt.

She was a pillar at his side who could lead Rome, advise Caracalla and be there for him at the same time…the only thing that had not been created in all this time was an heir.

An inheritance that in theory the two emperors had in each other, but with each passing day Geta saw how bad things were for Caracalla, ,,The Holy Roman Empire will belong to the world, but three deaths would mean its end" he had said shortly after their wedding, at first still indifferent to her, even disgusted by her failure to conceive and paranoid that she would betray him.

But none of this mattered when he saw how gentle she was with his brother, how good she was at managing the senate and how understanding she was towards him every day.

,,My doubts were never about you, my husband, a marriage of the dead is beyond our influence and your circumstance worries me more than my own" she had admitted when she realised how bad things were for the emperors.

Who ruled a world empire, how easy she had had it, several siblings, no illnesses, her parents a long life and security, everything Geta and his brother didn't have.

Both had hardly received any training in warfare, politically she hardly knew what to do and they had no connection to the people.

From the moment they were born, they had already come too close to the sun and would never raise their wings again. She was a woman, a princess, aware of her role as a mother, but if she couldn't even be that, she would do anything to support her husband.

Taking her eyes from the marble floor that lay cold beneath her sandals, she looked back at her husband Geta presenting new proposals for the military, improvements and enhancements to a Senate that seemed barely interested.

They were strategies and proposals for which Geta had spent hours and nights in the library with her, he was trying so hard for his people, or at least for the world for now, the dream of a Rome that covered the world, it wasn't fair that the senate consisted only of fake snakes, but you couldn't kill them either.

No one is interested but us she thought and sat down again on Geta's throne when she heard a giggle next to her.

Caracalla was once again more than just bored by all this and began to play with his fingers, seeing that Geta gave her a quick glance and an unsaid ‘thank you darling’ seemed to come from his eyes, she rose to take care of Caracalla.

As much as the presence of both emperors was required, Caracalla was disturbed by the introduction of the laws the blond was probably about to rise herself, she put her hand on his shoulder, ,,We should leave Geta alone, how about a game?" she asked in a whisper and saw the grin widen. Already sending Caracalla forward.

She bowed to Geta who had paused in his speech, allowing everyone a brief moment to think, ,,I'm already longing for your liberating kiss of my sorrows" he murmured to her before placing a kiss on her cheek, a face with a ‘divine’ countenance looking back at her before she withdrew from the senate.

Once again, her god had to try to cope on his own, an event that occurred weekly and took its toll on him, for what was an emperor without preparation since childhood?

He was nothing.

Footsteps followed Caracalla, who was already pulling out his favourite figurines from a wicker basket, ,,The conquest of Rome with the crucifixions of the Christians!" he announced and she clapped as he told her everything in meticulous detail.

Not a game in the sense, but something amusing for him, especially when he could stab the little figures and she had to make the death noises that he always found extremely sweet, ,,Your memories are unfathomable and fascinating," she said and tapped him on the forehead.

He could hardly remember what was served for dinner yesterday, but he seemed to know such a battle going back hundreds of years completely by heart, it was the madness you couldn't control.

But that didn't matter because, apart from the battle, they played together with Dundus and in the afternoon she had to sing Caracalla a lullaby because otherwise he wouldn't go to bed, otherwise he would only cause more ‘problems’ like a small child.

One thing that hardly bothered her anymore she knew it would give Geta less to worry about and she had a few more hours of peace and quiet in which to organise her own things, ,,Sleep well little king" she whispered as she closed the door to his room and with a sigh made her way back to her own room.

Knowing that the meeting in the senate would take a long time she returned to her art of the gods, knowing that only they could help her and her family Appolo I pray to you for healing and beauty over my brother-in-law Caracalla and husband Geta she heard her own praying voice in front of her altar to Appolon the model for Geta.

In all the golden clothes he wore, even the make-up was dedicated to the god, but the gods seemed to have abandoned the brothers since the birth and not given her a blessing.

She spent the next few hours embroidering, writing and reading books, hoping to get advice from former emperors on how to cultivate fields to increase yields, which were getting lower and lower.

This was bad for the population of Rome, the army and the imperial family itself, who had to cope with all this without falling into the madness that Caracalla was making worse and worse.

The goblet of water next to her was refilled every now and then and the lamps and torches in her room were turned on by the servants when the sun had long since reached the horizon, she knew that the discussion in the Senate had to come to an end.

She was about to roll back the parchment and place it on the table when someone knocked on her door.

,,Yes?” she said, but instead of her beloved she only found a servant who bowed and replied, ,,Emperor Geta wishes to see you, he insists that you dine with him. His brother Emperor Caracalla has already been taken care of” the message read.

She sent the servant away with a wave of her hand and rose herself more hastily than she had intended and immediately headed for his chamber, which was only a corridor away.

So Caracalla is sleeping well it flashed through her mind casually as she realized that he had probably taken care of him as well. Geta was once again doing a lot more than he was supposed to, another reason why she loved him so much.

Stopping in front of the large double wooden door, the guards bowed before they opened the door for her and she was finally back with him, ,,Geta dearest I see you again,” she said happily and automatically went to the table where she had expected him to be for dinner but he wasn't there.

Turning around as she heard a sniffle she saw a golden curly head standing on the balcony, he was overlooking the city but ewa san his posture made her falter ,,Geta? Is everything alright?” she asked as she stepped out into the cool night and stood behind him, her fingers carefully resting against his back.

He was tense, trembling slightly but whether it was from the cold or the excitement she couldn't tell, ,,No one...none of these philistines listened, it led to nothing,” he finally said slowly as he turned to face her, the moon shining above him, the cold god watching over God's representation on earth.

The make-up on his face smudged, the golden light clothes wrinkled and not smooth and his blond hair completely disheveled. He did not have the madness of his brother, but as the sole ruler of an empire, such a burden lay heavily on him alone. ,,My husband, you know I couldn't be prouder, don't you?” she asked the superfluous question but knew he needed it.

The next moment he turned to her with a sigh and grasped her hands, she could see the watery eyes even in the faint moonlight, ,,The feelings are the same...but an emperor without his senate only with enemies and no support as it seems...is neither god nor man he is nothing” he finally spoke the truth and embraced her a little more strongly, slightly painfully and yet seeking help.

She understood him, understood him from the bottom of her heart, a pain, a helplessness she knew only too well.

Putting her hand on his cheek and looking at him for a moment, he entangled her in a kiss, she felt his hand at her side running over her hip, ,,Love you” she heard the murmured words as they broke away, as this wonderful fallen god looked at her so full of grace and love.

Her heart was bound with his as the brass rings made a soft muffled sound as their hands met again, the small smile on the god's lips as he looked at his love.

,,You are the most important thing to me and to Caracalla and I as your beloved swear to you that this will not be the end,” she assured him and saw the love that showed in the darkly painted eyes.

She saw him look away at Rome, the city behind him, his home and the empire that belonged to him, saw the nod, heard the intake of breath as he pulled her into another kiss. he may be destitute but he would never lose his family, his love, Geta knew that.

,,We'll show them together," he promised and led her next to him, leaving his hand linked with hers and seeming to promise her not only Rome, but the whole world, because together the imperial family of Rome would be able to do anything.

~~~~~~~~~~~~~~~

@potatoesenpaii , @thatnerdliv , @scorpiongirlsthings , @pxnx-kk

@the-a-word-2214 , @peakygirl1919 , @k-yurieee

[http-shield]

whatever you say, old man- bucky barnes

~ bucky barnes x fem!reader ~tags/cw: post endgame but no one is dead and life is good, think 2012 Avengers fandom where clint is in the vents yeah that is where I'm at, established friendships, pining, yearning, bucky is not used to new age dating rituals, explicit language, sexual tension ~ wc: 2.6k ~ not proofread

You: Hey, are we still on for tonight? Rita’s at 7?

Him: ye

“So you’re telling me this is normal?” Bucky’s tone is judgemental as he quickly reads over the words on your screen.

You nod, wordlessly confirming that situatuonships are a staple part of the modern dating scene.

Bucky’s brows furrow, eyes flicking from the lack of effort text message to your face as you lean over the bed, phone gripped between expertly manicured fingers. He blinks once, twice, as if taking the time to formulate a response that will rebuke your earlier confirmation without hurting your feelings. This is new for him. A habit he has only recently picked up upon developing his friendship with you. He usually isn't as careful with his words, not caring enough about the recipient's opinion or emotional well-being to warrant enough time and consideration when responding, but with you. It was another ball game entirely. Bucky doesn't want to hurt your feelings, to see you frown because of something he has said; in fact, he wants the opposite. To see you smile and laugh and blush because of him. For you to want to talk to him about anything and everything, share thoughts about your day and how things make you feel. Bucky wants to know everything that happens in that pretty little brain of yours, even if he doesn't necessarily agree with it. Normally he would take the time to sugarcoat his words, sweeten his tone and make it easy for you to swallow but this is a situation where he couldn't, doesn't, want to mince his words.

“There is no world where that is normal.” He stares at you, expression bored and a little annoyed. At you? Never. At the man on the other side of the phone? Incredibly so.

You groan at his very true statement and pull away, slipping the phone into the pocket of your cargos as you turn towards your open closet.

He’s right. You know he is.

There is nothing remotely normal about two grown adults being in a relationship that is defined by the amount of time the other left the first one on read, or how much emotional vulnerability there could be put on the table before the other got too scared and ran. There is nothing normal about being in your late twenties and having a grown man introduce you to his friends as a 'buddy’ despite having an entire draw dedicated to you in his apartment but you can’t admit that, refuse to admit that you know its wrong and desperate and frankly, demeaning. If you can't own up to your own patheticness, how are you supposed to admit it to the man you are secretly interested in. There would be nothing more humiliating than confessing that the only reason you are with and putting up with bullshit efforts from this other guy is to hopefully distract yourself from the desperate need you feel for Bucky. This new guy is mediocre at worst yet attainable at best and that is something you will live with until your crush on the super soldier is dead and gone and you can finally focus on something other than him.

——

You had spoken with Natasha about Bucky last night, her voice a soothing purr over the phone as she encouraged you to disclose your concerns about pushing the boundaries on your friendship with the super soldier.

“The worst thing that can happen is he says no and then you both move on.” She croons, voice laced with comfort and reassurance.

“Wrong.” You shake your head despite being on a voice call.  “The worst thing that can happen is he says no, I lose him as a friend and then I’m stuck pining after someone who wants nothing to do with me” You place another dish in the washer before continuing with your point. “Or I push him before he is ready, again losing him as a friend, and now I’m left with the guilt of possibly taking advantage of a war veteran.”

“You take advantage of Steve all the time, how is this any different?” 

“I take advantage of Steve to get someone to carry in the groceries. I’m not trying to date Steve.”

Natasha huffs a laugh. “What if he is interested in you as well?”

Your hands stop scrubbing at the pan in the sink.

“I can find out.”

Heat fills your body, your stomach twists at the idea of having that information. It would put an end to the constant yearning you feel, but the thought of finding out he doesn’t like you that way, that he sees you as no more than a friend will destroy you, humiliate you beyond all logical reason and you would be forced to cut off the friendship out of pure self-preservation.

You shake your head again. “I’m good.” And return to scrubbing your pan. “I'll just wait out the crush and then move on.”

——

“This isn’t the 1940’s anymore.”  You sigh and completely shift your attention from Bucky to the mess that is staring back at you.

Endless outfit options are strewn about the small closet but so far none of them have come together, just single shirts, skirts, and pants all muddled in a heap of black.

“I know it's not the 40s but I doubt relationships and dating have changed that much." Bucky grumbles from behind you, the bed creaking as he shifts.

Another sigh, this one long and exaggerated as you will the frustration to leave your body. You want to turn to him and explain that you know all this, and are very aware of the fact that nothing about your current predicament is what you want. You want to be wooed with flowers and preplanned dates and soft kisses on hands and longing looks but that’s not the reality of life anymore and having to be reminded of it is getting annoying and your heart is starting to ache at the lack of effort given to you by your current choice of dating partner.

“You know if I was taking..” Bucky starts but you quickly cut him off with a whine of his name.

“James, please.” You don’t turn to face your friend, afraid to even glance at him because you know you will crumble. “I need help picking out an outfit so help me or go back to your room.”

--------

“You know if I was taking…” You don’t let Bucky finish but, God did he want to. His name on your tongue was enough to shut him up, to send a flush rushing to his face in a way that no man his age should blush, but he can’t help it. There is something about the way his name falls from your lips that has his mind racing to thoughts that should not be there, should not appear when the picture of you enters his mind.

“You know if I was taking you on a date, you’d get flowers and chocolates and champagne and those little baby dolls you like” is what he wanted to say before you shut him up with an annoyed grumble.

His intention wasn’t to display how things were different back in his day but to indicate exactly what you’d be getting were you about to go on a date with him, to explain the reason why you should go on a date with him and not some loser who couldn’t even formulate a fully fleshed out text message. How if you were to drop that kid, and say yes to Bucky he would gather the moon on string for you, pick every flower in every field, find every single little Sonny Angel there is and give them to you each and every day for the rest of your life, you would never be sat wondering why he isn’t calling or responding, if you were even going out the next day, if he even liked you. Bucky would make his feelings for you so abundantly clear that even a blind man would be able to see the signs, but you are his best friend and best friends don’t feel that way about each other. It’s all platonic hugs and hair tussles, cheeky jabs at each other over coffee, shared trauma and secrets over whatever dinner you bring to his apartment and he yours. There will be no dates, or long hugs that turn into kisses that turn into you beneath him, whimpering his name as he makes you feel oh so good.

Fuck.

Bucky’s entire body is on fire, and he needs to stop thinking about the way you would feel wrapped around him, his mouth on yours, the taste of you sweet on his tongue.

“Okay, what about this?” you announce as you walk into the bedroom from the ensuite. “Too much?”

You stand in the doorway, dressed in plain jeans and a black shirt.

“Too much?” Bucky is confused. “This is the outfit you wore to breakfast this morning.”

He is right about this too. You had worn a very similar outfit this morning, but tonight isn’t a full-on date, a semi-date, where things shouldn’t be that fancy so why shouldn’t you recycle your outfits. Bucky stands from the bed, readying himself to dig through the mountain of clothes that had formed at the entrance to the bathroom. He crosses the small space and squats before the clothing, fingers expertly rifling through the material, quickly brushing over the lace of bras and panties, before finding purchase on a black dress he thinks he has seen you in before. It might have been the dress you wore to a funeral or press conference, either way, it was not alluring in the slightest, not that you weren’t stunning in everything you wore, hell you could come out wearing a garbage bag and Bucky would be in awe of your beauty. It was just that he didn’t want your date to ogle you, to think of you the same way Bucky does so he is being a little selfish and conniving in his choice of garment.

“Where is he taking you?” His question is disguised as interest in the dress code but his real curiosity is far from an outfit.

There are two reasons why he needs to know where you will be tonight. The first is to judge whether this manchild is even worthy of a date with you, second if he knew the exact location and time, maybe he could show up and show out your date, make you realise what you deserve and how Bucky could be the one who gives it to you.

 “We’re meeting at Rita’s down the road and then might see a movie, maybe something else. I’m not sure yet.”

“He hasn’t planned anything?” Bucky whips his head around to you, finding you standing there looking incredibly embarrassed at the lack of effort. What the fuck happened in the years he was gone?

The defeated shake of your head is enough to have Bucky’s chest aching. He sits back on his haunches; the dress discarded back in the pile and gives the outfit another look as he decides on where to go from here. “Yeah, I think it’s too much.” He nods and stands up, brushing his hands as if he had just completed an excavation on some ancient site.

“Go change back into your sweats ‘cause there is no way I’m letting you go on a date with a guy who can’t even plan something.” He nods his chin towards the bathroom, more of an order than a suggestion.

He watches you tilt your head back as you groan in frustration. “I’m not going through this again, old man. This is how it works now.”

Now it’s Bucky’s turn to get frustrated. He takes a step towards you, hulking 6’0 frame rising to tower above you with a somewhat menacing glare, but you know he will never hurt you no matter how much you push his buttons.

“I’m not talking about what it used to be like, little girl.” The jab at your age/generational difference comes out before he can register it, but he notices how your eyes widen. “This is about getting what you deserve.”

He pushes in on the space between your bodies, now chest to chest as you square your shoulders, not ready to back down from an argument despite knowing you will not win.

“And what’s that?” you stare up at him, brows raised in anticipation of his answer. You aren’t sure where this is going. If you are going to receive another lecture or maybe even a verbal beatdown as to why your standards for men are so low, a common topic of conversation between you and Natasha, but instead you are met with a soft smile as his Vibranium hand is raised and brushes against your cheek.

“You deserve flowers and preplanned dates and wine and jewellery and everything you could ever want.” Bucky’s voice drops into a whisper, cold fingers trailing soothing lines against your heating skin. “You deserve a man worshipping you, to be on his hands and knees begging to take you on a date. Not some punk who can barely put together a sentence.”

You hold his gaze, blue eyes staring intently as you shudder in a breath. “Who’s going to do that, huh?” your voice is small, no longer filled with the same bravado you had not a minute ago. “You know anyone who wants to do that for me, you send them my way Bucko.”

His metal hand slips to your cheek to your jaw, fingers pressing into your pulse points so he can feel the speed at which your heart is racing.

“I’d do it.” He states matter-of-factly, eyes dipping to your lips. “I’d do anything for you.”

Breathing becomes a little bit too difficult as his human hand traces up your bare arm.

“Anything?”

Bucky nods and dips his head until his face is mere centimetres from yours. “You didn’t let me finish before, but I'd give you anything you’ve ever wanted.” Fingers move to cup your chin and tilt your head up. “You want flowers, I’m a florist. Moon? Stars? I’m getting Stark to build me a rocket. Anything you want, you’re getting it.”

“And if I want you on your hands and knees barking like a dog for me?” You smirk, the mental image of Bucky on his knees panting like a puppy has your stomach twisting.

“Put a collar on me and call me Spot 'cause I’m yours, doll.”

The confession has your eyes widening.

“I’m all yours, from now until whenever you’re done with me.” Bucky whispers, breathless.

“And what if I want you to kiss me?” you ask, knowing he is waiting for your permission to do just that.

Bucky crumbles, his expression falling from that of teasing into one of pleading.

“I want you to kiss me, James.” You whisper.

His resolve breaks and he presses his lips to yours. Softly and timidly, closed mouth and restrained but as your hands reach out to grip his waist, a delicate gasp slipping past your lips, does he deepen the kiss. His mouth opens over yours, lips slotting against your plush ones, tongue darting out to test to waters only to be met with your slackening jaw. Bucky’s grip on you tightens as he continues to kiss you, afraid to let you go in case this was one of the many, many dreams he had where he woke up alone and confused, but as you bite down on his bottom lip, he is brought back to reality. Your hands on his waist, pull him tighter against you, the softness of your body had Bucky’s mind wandering to places it should not be. You pull back, pupils blown wide and lips parted as you pant. Bucky is just as breathless, hands cupping your face with a gentleness he doesn’t think you’ve ever known from the way you stare up at him.

“You’re not going on that date.”

“Whatever you say, old man.”

｡ﾟ•┈୨♡୧┈• ｡ﾟ

a/n: eee this is my first avengers fanfic since like 2018 pls be nice I just need something happy to think about clint living in the airvents, thor eating poptarts era was my happy place

[ace-and-the-rpg-horrors]

i absolutely adore how open Edwin is to learning. there's a sort of expectation that characters from older eras would be very set in their ways and close-minded. however, Edwin, an Edwardian ghost, is not.

people have pointed out that in episode two, he told Crystal to ask Niko if the women in her family have a history of "hysteria." and then, in episode five, stopped himself from referring to Shelby's condition as such. he must have been told that it wasn't acceptable to claim women have that anymore, and he bettered himself.

Edwin was initially judgemental about Monty's interest in astrology, and told him so to his face. yet, we soon see him willingly reading the book that Monty gave him. he even offered to talk to Monty about astrology when attempting to reconcile with him.

naturally, he doesn't know much about modern technology, but he doesn't look down on it. during the Devlin House case, Edwin listened when Crystal explained something he didn't understand, even though he wasn't fond of her.

he respects Niko's interests greatly and wants to learn more about them, such as when he watched Scooby Doo with her, paying full attention and enjoying it rather than putting it down for being "childish" or whatever we may have expected. Edwin also accepted the sea glass from her, asking about its meaning.

Edwin is extremely clever, but also very humble about it. he doesn't feel insecure at all when someone else knows more than him when it comes to certain things, and i really love that.

[chocolatepot]

Hi! Can you elaborate on "Fuck GRRM's committment to 'historical realism' without knowing anything about medieval social history"? I would love to know about what GRRM gets wrong about medieval gender roles, specifically.

So Cersei learns at an early age that she has no agency, her only value is producing heirs and is barred from traditional routes of power so she has to use underhanded methods such as influencing men with sex or using underhanded magical means. I would love an explanation on why this doesn't reflect medieval queen consorts and noble women irl.

Sure! The basic summary is: GRRM "knows" the things that everyone "knows" about the middle ages, which are broad stereotypes often reflective of a) primary sources that deserve a critical reading rather than being taken at face value and b) the judgements of later periods making themselves look better at the medieval period's expense.

As Shiloh Carroll argues, building on the work of Helen Young, “readers are caught in a ‘feedback loop’ in which Martin’s work helps to create a neomedieval idea of the Middle Ages, which then becomes their idea of what the Middle Ages ‘really’ looked like, which is then used to defend Martin’s work as ‘realistic’ because it matches their idea of the real Middle Ages.”

Since you're mainly interested in Cersei here, I'd strongly recommend a book: Queenship and the Women of Westeros: Female Agency and Advice in Game of Thrones and A Song of Ice and Fire, edited by Zita Eva Rohr and Lisa Benz. It's an excellent read and speaks to exactly what you're asking about. The tone of the book is very positive and non-judgemental when it comes to GRRM and his depictions of women on the whole, but I think some of this is rhetorical positioning to not seem like "mean angry academics jumping on fiction for not being accurate," as the actual content turns the reader to thinking about how much agency and power medieval queens had in different European societies and how little of that worked its way into GRRM's worldbuilding.

It's true that women typically didn't inherit titles and thrones in their own right, and that they were usually given in marriage for political/dynastic reasons. However, they weren't seen as brood mares whose only duty was to pop out sons: both queens and noblewomen had roles to play as household managers, counselors, and lieutenants, actively participating in the ruling of their domains and in local and international diplomacy (women in political alliances were not just pawns sent to a powerful man's bed, but were to act as ambassadors for their families and to pass information back and forth), and they had to be raised with an understanding of this so that they could learn to do it. Motherhood was very important, don't get me wrong, but it's a mistake to assume as pop culture does that a wife's foremost duty being to provide heirs for her family meant that she was ONLY seen as a mother/potential mother.

Catelyn is a great example of what was expected of women in these positions. But in the books, Catelyn is basically the only woman who inhabits this role, and the impression given is that she's exceptional, that she's just in charge of the household because she's so great at it that Ned allows her to be his partner, and that he listens to her advice because she happens to be a wise person in his orbit - and also that Ned is exceptional for giving so much power to a woman, because in the world of ASOIAF, it takes an especially good man to do this. In GRRM's view of the medieval world, realpolitik and the accumulation of power are the most important things, so men in Westeros are extremely unlikely to give up any authority to their wives, even though this is historically inaccurate.

Cersei, on the other hand, is supposed to be a more realistic depiction of what would happen to an ambitious medieval woman. There's a chapter titled "Queen of Sad Mischance: Medievalism, “Realism,” and the Case of Cersei Lannister" in the book I've rec'd, and it deals with why this is problematic extremely well. (This is the source of the quote at the top of this post.) In it, Kavita Mudan Finn argues that Cersei embodies pretty much every medieval trope for the illegitimate wielding of power by a woman. She underhandedly gets people killed for opposing her, she seduces men into doing her bidding, she advances her family's interests and her own at the expense of the realm. She's made sympathetic through fannish interpretation and Lena Headey's performance, but in the text she's an evil woman doing evil things. Even when she gets to be regent for her son - a completely legitimate historical position that allowed women to handle the levers of power almost exactly like a king - she continues to do shitty things and not be taken seriously because she's just not good at ruling.

But even before then, from a medieval perspective she had access to completely legitimate power that she didn't use: she'd have had estates giving her a large personal income, religious establishments to patronize (giving her a good reputation as a pious woman and people she'd put in high positions being personally loyal to her), artists and writers to patronize as well, power over her household, men around her listening to her counsel. That she doesn't have that is a reflection of GRRM either deciding these things don't really exist in Westeros in order to make it a worse world than medieval Europe and justify Cersei feeling she had to use underhanded means of power, or not knowing that they were ordinary and unexceptional because he has a good working knowledge of the politics of the Wars of the Roses but little to no knowledge of social history beyond pop culture osmosis, and, imo, little to no interest in actual power dynamics.

There are a lot of books I'd recommend on this subject. There's a series from Palgrave Macmillan called "Queenship and Power" and nearly all the books in it are THE BEST. Theresa Earenfight's Queenship in Medieval Europe is a very readable introduction to the situations of queens in European societies across the continent. She also has a book, Women and Wealth in Late Medieval Europe, that also addresses non-royal women's power. I'm also a huge fan of English Aristocratic Women, 1450-1550: Marriage and Family, Property and Careers, by Barbara Harris, which really emphasizes the "career" aspect of women's lives as administrators and diplomats.

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[stheresya]

"I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight […]" (Sansa III, AGOT) “Wed?” Sansa was stunned. “You and my aunt?” “The Lord of Harrenhal and the Lady of the Eyrie.” You said it was my mother you loved. But of course Lady Catelyn was dead, so even if she had loved Petyr secretly and given him her maidenhood, it made no matter now. (Sansa VI, ASOS)

I find that these little passages reveal something interesting about sansa's personality. specially when you juxtapose how she's characterized in the text and her worldviews here, and how at first glance they may seem contradictory. but first, let's take two things into account:

the patriarchal society of westeros is very strict on women's sexuality. which means that not only is female virginity held in great value, but also female adultery is very firmly condemned by everyone, unlike men who are allowed to maintain public mistresses and flaunt their bastards everywhere.

sansa is characterized as the conformist, the one who internalizes her society's rules. she's very religious, she's a proper lady in every sense of the word and she often says and does exactly what she's told.

and yet, in these passages we can see that sansa does not care much about societal rules when it comes to intimate feelings. she often hails aemon and naerys' (supposed) forbidden love without a single care that queen naerys was bound by duty to a husband and aemon was meant to be loyal to his king. but most astonishing of all is her nonchalant response to petyr's (false) information that her mother was not a virgin when she married. on one hand it may speak on sansa's views towards women's sexuality, since her current friends (mya and randa) are girls who engage in sex out of wedlock, and she never judges them, just like she doesn't judge her mother for apparently doing the same, and catelyn continues to be the person she admires the most. sansa also doesn't view her parents' relationship any differently because of this, the marriage between ned and cat is still as happy as she remembers, because all that matters to her is that there was love in the home she grew up in. the thing about sansa's character is that she plays by the rules up until a certain point, but on the inside she always prioritizes emotion over societal norms, and that's why she looks more upset at petyr for marrying someone while claiming to love another, because in her mind he's being unfaithful to his heart by marrying out of practicality. we have examples that showcase sansa's prioritizing feelings in AGOT when she, the good daughter, disobeys her father for the first time because she thought she was in love with joffrey, and in ASOS where she never thinks she owes tyrion anything just because he's her husband. so it comes as no surprise that she's so infatuated with the love story of an adulterous and incestuous relationship like aemon and naerys'. one of the main themes in this series is that feelings don't care about honor. and if love is the death of duty then sansa seems more than happy to see duty killed for the sake of love.

of course this doesn't mean she'll stay that way, specially when she's already lost her so much of her innocence and is now tangled in petyr's schemes where she must set her own feelings aside in order to act on his plans. and despite her silent judgement of petyr marrying someone he didn't love, her current betrothal with harry is an entirely practical union on her part since she feels nothing for him and only sees him as a means to an end. there have been many instances since book 1 where she was able to turn off her feelings in order to withstand certain situations. so... what even is sansa's mind? an interesting universe on its own for sure.

I just think sansa's romanticism is one of her most interesting traits (for better and for worse), something that truly contributes to the distinctiveness of her character, and I really hope petyr or anyone else are unable to completely kill that in her.

[ripleyslover]

Rhea Ripley Nsfw Alphabet

Warning NSFW that should really be it

A = Aftercare (what they’re like after sex)

Rheas very soft after sex she immediately makes sure she didn't go to hard or hurt she gets you anything you need water, food, new clothes, cuddles she'll make sure your all cleaned up and ok before cuddling for the rest of the night.

B = Body part (their favorite body part of theirs and also their partner’s)

Rhea likes her ass she always trys to show it off in her gear and she teases you at home either by bending over or rubbing against you.

Rhea loves every thing about you but if she had to pick it would be your lips she loves to kiss them and bite them, she also loves to feel in them on her tits and everywhere else

C = Cum (anything to do with cum, basically)

Rhea loves making you cum she says its her speciality, she loves when you cum on her tongue or her finger she loves tasting your cum it's her favorite thing.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Rhea will rarely admit but shes interested in having a threesome with someone from the judgement day, except jd he's never touching you, she likes the idea of telling them what they can and can't touch, but she does have a little bit of a soft spot for Dom so he could get away with more stuff than the others if you ok with it.

E = Experience (how experienced are they? do they know what they’re doing?)

Rhea has quite a bit of experience under her belt she knows how to use her tongue and her fingers to the best of your pleasure, both of you had to learn what you guys liked but since Rhea had some experience it didn't take long.

F = Favorite position (this goes without saying)

Rhea tries all kind of positions with you but she likes the regular position when she goes down on you but when she has a strap on her favorite is probably doggy and cowgirl.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Rheas more serious in the moment she likes taking it in and focusing on pleasuring you,but not that she can't be she has her goofy moments but most of the time she stays serious.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Rheas usually shaved because of her job of course, even if you have the same job as her she doesn't mind if your shaved or not she will fuck you and go down on you not matter what.

I = Intimacy (how are they during the moment? the romantic aspect)

Rhea can be romantic in the right times, she makes sure you feel loved all the time and it's definitely more noticeable during sex she loves being sensual and showing you how much she loves you.

J = Jack off (masturbation headcanon)

Rhea doesn't really masturbate that often if you both have the same job or you travel with her but if she away from you she will most likely use a toy until she can fuck you again.

K = Kink (one or more of their kinks)

Mommy kink

Praise

Degrading

Choking

L = Location (favorite places to do the do)

Rhea likes to be home or in a hotel but sometimes she'll eat you out or fuck you in the judgement clubhouse, the thought of getting caught turns her on.

M = Motivation (what turns them on, gets them going)

Anything you do turns Rhea on she loves watching your match's seeing the way your body's moves just turns her on, she always loves when you tease her and purposely turn her on then act innocent (which usally lead to her punishing you for being a tease).

N = No (something they wouldn’t do, turn offs)

Rhea doesn't like the thought of hurting you she wouldn't do anything to hurt you besides gently choking you, she also doesn't like the thought of sharing you with any woman she's ok with sharing you with the boy but she doesn't want to share you with the girls in fear that they might steal you away from but she'll never admit it.

O = Oral (preference in giving or receiving, skill, etc.)

Rhea is the queen of oral, even though it took a little bit to figure out what you both like when you first started dating one thing was for sure and that was that Rhea had a lot of skill when eating you out She mainly eats you out wanting to pleasure you but when you ask she will 100% let you eat her out

P = Pace (are they fast and rough? slow and sensual? etc.)

Rheas pace can differ from how she feels usually she goes slower and sensual, but if she has had a bad day she will usually be rough and fast but if she has won a match she will be faster but not as rough like she would be when she's had a bad day.

Q = Quickie (their opinions on quickies, how often, etc.)

Rhea isn't opposed to a quickie, she usually likes to have her time with you but if she really wants you she will pull you into the nearest free space and eat you out and then act like nothing happened after while giving you knowing looks.

R = Risk (are they game to experiment? do they take risks? etc.)

Rhea is down to do anything you want and will experiment different things with you, she will be especially happy if you wanted to experiment with the rest of the judgement day.

S = Stamina (how many rounds can they go for? how long do they last?)

Rhea can usually last about 1 to probably 3 rounds just wanting to make sure both of your needs were taken care of, Rhea could probably go a few more rounds but she doesn't want to overwhelm you and she wants to make sure that you've came at least once.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Rhea owns a variety of toys, she has vibrators, strap-ons, nipples clamps, plugs and probably more.Rhea uses the toys on you and her self, sometimes she lets you fuck her with a strap on but thats usually her thing.

U = Unfair (how much they like to tease)

Rhea loves to tease you its one of her favorite things to do. She likes when you tease her and try and turn her on she finds it cute but sometimes your teasing gets you a punishment but your usually ok with that.

V = Volume (how loud they are, what sounds they make, etc.)

Rhea isn't super loud but she does make noise she whines and moans a lot she usually moans when she eats you out knowing it gives you more pleasure, and she whines when you either don't give her want she wants or are tease her to much.

W = Wild card (a random headcanon for the character)

Rhea likes to have videos of you on her phone of either her fucking you or eating you out or of you going down on her or riding her, she also has some videos of just you two cuddling in bed together.

X = X-ray (let’s see what’s going on under those clothes)

Rhea of course has a vagina she's waxed, she has a smaller clit that you might have to play around with to hit just the right spot when you go down on her or play with her.

Y = Yearning (how high is their sex drive?)

Rhea has a fairly high sex drive, most of the time she wants to make sure you both are well taken care of and she always makes sure you cum at least once but if you've been bratty she will either make you cum where ever and whenever or will deny you until you begging making that drive go higher.

Z = Zzz (how quickly they fall asleep afterwards)

Rhea falls asleep fairly fast once she's made sure your all cleaned up and comfortable she will cuddle you until you fall asleep and she will fall asleep shortly after you.

[aesthetically-dying101]

Law of Attraction. (part 1)

A/N: this is part 1 of a series (gonna be three or four i believe), inspired by irl events.

Other parts: Part 2 ; Part 3 ; Part 4; Part 5 ; Part 6.

SO, couple things to know: r. is in her second year of psychology, Nanami is in his third year of law. R is definitely very anxious, not used to being out of her element.

Warnings for this chapter: Angst, reader can be seen as annoying and a bit pathetic, frustrating all around.

Do not copy nor translate my work.

You slip into the classroom, late as usual-to be fair, your eyeliner wasn't cooperating this morning, and then the bus to campus was late, so a 6 minute tardy wasn't the end of the world in your book.

The door creaks as it closes behind you, and all eyes turn. 

Great.

Just what you needed on the first day of class- you almost want to shrink away and sprint out of there.

The professor, a middle-aged man in a stuffy suit, squints at you over his glasses. He's got that "I-know-you're-not-supposed-to-be-here" vibe. You can almost see the judgement radiating off him.

"Uh, excuse me," he says, pausing the lecture. "Are you... in the right room?"

"Uh, I'm not lost, I'm just late," you say, forcing a smile-whyyyy must he speak to you. "And I'm definitely in the right class. I checked the schedule, like, five times- apologies for my tardiness."

You made a beeline for the empty seat at the back. Your boots make a soft clomp on the polished floor, your bracelets clinking together. He still watches you like you might steal something—maybe the textbook on the desk, or the air in the room. 

You're just here because it's a graduation requirement.

 A requirement you absolutely cannot avoid. Because of course, your major in psychology doesn't cover "basic law" in the slightest.

Perfect. Just the vibe you need to kick off a semester of law school with zero chill.

"As I was saying," he drones, clearly trying to regain control after the tiny disruption you caused, "the fundamentals of law—"

*-*

A little while later it's finally break time- coffee time- cigarette time- whatever you want to call it. Anyways you finally get to breath fresh air after an hour in that room.

You could really use something to wake you up, but you're pretty sure that if you drink one more coffee today, your heart might start skipping beats in protest. 

Still, it's a necessary evil.

You stepped out after the rest of the students, and ironically, followed them to the coffee machine. As you waited in the small line that had formed, a girl and her friends-your classmates- turned to look at you.

"So.. how many of those d'you have?" She asked as she gestured to your face- you had snakebites, eyebrow piercings, tongue piercing... ect.

"Huh?" You glance down at yourself, trying to pretend you didn't know exactly what she meant. "Oh... like, twenty-five? Overall."

She opens her mouth again, clearly working through some internal monologue. "That's... a lot."

You smile, your smiley piercing peeking and catching the light a bit, you can tell she zeroed in on it. You decided to be nice today-good impressions to make- and its not like your anxiety was through the roof just because she was talking to you. Nahhh, not at all.

"Yeah, it's not for everyone, but I like it." You shrugged. 

 "It's just, well, kind of intense." She said. Her friends share amused glances. You know its at your expense. Of course.

"Intensity's good," you replied. "Keeps life interesting."

You finally reach the machine, ready to make your decision—coffee or death by caffeine overdose. The coffee's already in your hand, steam rising from it like a beacon of your need to function today. You act as if it doesn't bother you that these people look at you like a freak.

It was easier anyways, to act as if it didn't matter, that their looks and comments didn't matter. 

They did.

But you could never allow them to know. 

*-*

It's two days later when you get the email: "Group assignment – Nanami Kento and Y/N, please meet to discuss your project." 

Fun. 

A couple minutes later your phone buzzed- an unknown number:

-Hello Y/N, I saw the email. Shall we meet tomorrow to discuss the project?-

You can almost hear the smugness in the message. So you replied back quickly, your fingers tapping out the message. 

-im free after 3 pm tomorrow. Lmk if that works for you-

Almost imidietly, your phone buzes again:

-3 pm works. See you tomorrow.-

Just cold, efficient, business-like. You feel a knot in your stomach, you're not always a fan of social interactions, especially with people you didn't know.

It made you nervous. 

*-*

The next day, you were sitting in the not so comfy chairs right outside the library, in the hall. Your Marshall headphones absolutely blasting some metal- Silvera by Gojira- because of course. You were waiting for Nanami, your leg jumping up and down, the chain on your pants jingling ever so slightly. And you were toying with your tongue piercing, which you probably shouldn't be doing in public, but it's a nervous habit at this point.

You've got a few minutes before Nanami shows up for the first official group meeting, and you're already wishing you could just skip the whole thing.

The music helps. 

Sort of.

Just make it through this, and it'll be over before you know it, you tell yourself. Just try to be normal. Don't screw this up.

You took a deep breath, trying to calm yourself down. You hate these awkward situations. It's like your brain goes into overdrive the moment you're forced into a new dynamic.

The minutes crawl by. You check the time. He's late. By three minutes? You tap your foot faster, frustrated.

Finally, Nanami strolls into view. Of course he looks like he's just stepped out of some glossy magazine, perfectly composed, hair looking like it belongs on the cover of Vogue- you wonder how sharp his damn jawline is. He doesn't even rush to get to you. He walks calmly, his steps measured like he's not even in a hurry.

"Sorry I'm late," he said. 

"No worries." You pause your music, turning off the headphones as you put them in your book bag. 

You grab your bag, and the two of you stroll into the library, and sit at a table near one of the large windows. The sunlight streams in, making you squint just a little.

"Okay," you say, forcing yourself to speak first. "So... what do we need to do for this project?"

You're not the best at these things—social interactions with new people tend to make you feel like you're doing everything wrong, like every word that leaves your mouth could be the wrong one.

He doesn't respond imidietely, he flips open his notebook with that same deliberate calm. It's like he's prepared for everything already, and you're just the last-minute addition. You're not used to working with people who act like they already have it all together. It makes you feel... out of place.

Your eyes flicker from his notebook, his hand, to his face.

"I've already got some notes down," he says, finally breaking the silence, his voice smooth and even. "I think we should focus on how law impacts psychological theories—specifically criminal psychology."

"Right," you reply,trying not to sound too weird. "Sounds... good. I mean, I know some stuff about criminal psychology."

You both look down at your notes. A weird silence settles for a second..

"Okay, so we'll split the work then," he says finally, without even asking what you think. "I'll handle the legal side. You can focus on the psychological theories."

You clear your throat. 

"Sure. Sounds like a plan."

*-*

The first few weeks were rocky as hell.

On the outside, you're organized. You've got all your notes neatly compiled, timelines marked down in your planner like some kind of model student.Notes neatly compiled? Check. Timelines drawn out in your planner with color-coded pens? Check. A folder labeled in precise Sharpie handwriting—Nanami Kento because, apparently, you were feeling extra that day? Check. 

You're efficient. You're capable. 

But beneath that layer of outward control, you're a mess.

Your brain didn't stop. Ever.

Every time you sit down to work, you feel the weight of it all—the pressure to do things right, to not mess up, to make a good impression. You can't help it; you always feel like you're walking a tightrope.

A walking bundle of stress.

But still, you power through it. You're smart enough to know what you're doing. You get the work done. You turn in your sections on time, all carefully researched and well-written. It's just the part where you have to interact that's the problem.

Nanami. Quiet. Distant. 

Annoyingly perfect Nanami, who never said anything more than he absolutely had to.

One day, you decide to push past the anxiety and just talk. Just talk. It's so easy in your head. You'll just ask him something random, maybe about the topic, maybe something more personal. Anything to get him to engage. You approach him after class, nerves humming in your chest.

"Hey, Nanami," you say, trying for casual. "I was thinking we could—uh, maybe—grab coffee and brainstorm? You know, to get ahead on the project?"

You'd rehearsed it in your head a dozen times. This wasn't supposed to feel like walking into an active volcano.

"I'm fine with just working through the notes," he responds, voice flat and detached.

Oh. Okay. Cool. Sure. Great.

You nod stiffly, smiling like it's not eating you up inside. 

"Right. No problem."

You weren't exactly a loner. That wasn't the problem. The problem was that you were stuck in this godforsaken law class for six months. Six. Whole. Months. And all your friends? They'd already knocked this requirement out of the way semesters ago. You were the last one, the straggler, the odd one out.

The law faculty was 24 minutes away from the Psychology and Health building. You'd timed it. Twice. It meant you couldn't pop over to see your friends between classes, and they couldn't come to you. Even during breaks, you were stuck wandering the halls like some kind of ghost.

So, yeah. You were alone. Completely, totally, painfully alone.

*-*

You tried.

You really did.

For weeks, you made a conscious effort to bridge the gaping chasm between you and Nanami. You complimented his organization skills, because seriously, the man's planner was like something out of a productivity cult's fever dream: color-coded tabs, clean handwriting, even sticky notes aligned with ruler-like precision.

"Your notes are impressive," you said once, hoping it sounded casual and not desperate. "Like, borderline superhuman. Mine look like a crime scene in comparison."

He'd glanced at you, his expression unreadable, and replied with a flat, "Thank you."

That was it. No follow-up. No "oh, let me see yours" or even the faintest flicker of interest.

Just. Thank you.

So you tried a different approach. One day after class, you threw out an idea: 

"Hey, I was thinking—we could study together sometime? Maybe go over the readings or brainstorm ideas. I mean, two heads are better than one, right?"

He adjusted his bag strap and responded in his usual, maddeningly polite tone. "I think it's more efficient if we continue working independently."

Efficient. He'd said it like you were a factory line. Not like two human beings trapped in the same unfortunate group project.

You plastered on a tight smile. "Right. Efficient. Got it."

So that was it. From then on you kept things strictly professional.

Or tried to anyways.

*-*

And it got worse the third week of class.

Not Nanami specifically, but the others. You thought you'd been keeping a low profile—sitting at the back of the lecture hall, barely making a sound, trying to just coast through it. But even in the back, you still managed to stand out. You couldn't help it. The piercings, the eyeliner, the mismatched layers— only for them to all stop and stare at the girl in the corner with the combat boots and chaotic hair.

They weren't the kindest, not to you anyways. 

You kept to yourself, staying in the back of the lecture hall, even though you still stood painfully out.

You weren't stupid. You saw it. You felt it. You just... couldn't do anything about it.

And then it happened.

"Can you imagine having to work with her?"

That voice. One of the guys from the row in front of you. The one with the crisp suit and the perfectly combed hair. "Poor Nanami. That's gotta suck, huh?"

You froze. Nanami. The name hung in the air like an accusation.

"She's a freak. I mean, have you seen her?" Another voice. This one higher-pitched, feminine. She had that smug tone. The one that made your skin crawl. "You'd think someone would tell her to tone it down before she completely ruins her reputation here."

The words hit harder than you'd expected. They weren't even directed at you. They were about you.

"Yeah, Nanami's probably just trying to get through it. That project's already doomed."

"Poor guy. He's too nice to just flat-out say it, but I bet he's wishing he got paired with anyone else."

You couldn't breathe for a second. You wanted to shrink into your seat and disappear. A freak? Ruining his reputation?

Your stomach churned. This wasn't just judgment. It was pity. Pity that tasted worse than anything else. You weren't a freak, you were just... a bit different. And anyways, you fit in perfectly with your crowd, these people weren't said crowd. You weren't doing anything wrong. You were just trying to survive this godforsaken class.

But in their eyes? No. You were an obstacle to their perfect little law world.

You bit down on your lip, hard enough to taste blood. Don't cry. Don't give them the satisfaction. Don't show weakness.

You could still hear the murmur of their conversation in the background, distant but sharp.

"I don't know how he puts up with her," the guy said again.

Your hands were shaking. You couldn't even look up.

The professor's voice rang out then, snapping you back into the present.

"Alright, everyone, back to the material."

You just wanted to go home.

--

A/n: the reason that this is "short" is that i got a ... rud-ish anon ask telling me that my posts were too long so.. i hope this is better haha. Part two will be posted within the hour i think (and linked on this post)

:)

[periwinklemoonlight]

little sunshine ⋆ boatem knights au

my second short story set in bee @applestruda 's boatem knights au and canon to the plot written by zera @hopepetal !! also make sure to check out bee's bkau gem and etho designs <3 !

cw: decapitation, murder, blood

if you prefer, you can read it on ao3!

⋆⋆⋆

“-And you’re sure this is the man responsible?” The room was spacious, more than big enough for hundreds to fit in, yet the tension in the air filled it with an undeniably claustrophobic atmosphere. Precious artefacts lined the walls and occupied the floors, meticulously positioned in a perfect pattern to suit the path of a would-be museum goer. Now, however, one was missing. And only the most ancient and irreplaceable of the lot, of course.

“Completely.” An odd chill ran up the spine of the curator as she spoke. It shouldn’t have been possible, she thought, she had barely taken her eyes off of that corner of the room for a second before the amulet had vanished into thin air. All she had caught a glimpse of in the aftermath, she was sure of, was a man with stark white hair and a mask darker than the deepest night sky, fleeing the scene with a swiftness she could only ascribe to a seasoned thief.

She had only ever seen that man once before, yet something in her gut was absolutely sure it was him. A few years back, she had stayed at an inn just out of town on a business trip. Her stay had been all-around pleasant, the owner undoubtedly a delight to talk to, full of cheerful stories and helpful advice for travel. The same couldn't've been said for their companion, however. 

He had brooded in the corner of the inn, shooting her occasional unreadable glances as she conversed with the owner, any emotion beyond ice cold eyes concealed by a mask of blackest night. His back to the wall, practically blending in with the shadows around him, she had nearly cancelled her stay the minute she spotted him. 

The only thing that had convinced her to stay despite her better judgement was the owner’s utmost insistence that that man was nothing to fear, that she’d be completely and utterly safe at the inn. Something in their tone had been so, so earnest, she couldn’t help but be inclined to believe them. They were right, she had been entirely safe after all, yet she never could quite shake the cold chill that permeated her body every time the man passed her by. 

“Then it seems we’ve got a bounty on our hands.” The guard concluded with a severe nod.

“Bounty, you say?” A cheery voice asked from across the room. The curator whipped her head around to watch as polished hooves clicked onto the museum flooring. 

“How did you-?” The curator asked, before cutting herself off to fully take in the person before her. There stood Gemini Tay, adorned in finely crafted emerald silks and lightweight armour, wild red hair expertly contained in a sweeping braid, and absolutely armed to the teeth in various weapons hanging lazily across her waist. It wasn’t a bad look for the most notorious bounty hunter in the land, all things considered.

“Word gets around,” Gem replied with a grin, absentmindedly twirling an intricately carved knife in her hand as she approached. “And I’m always down to lend a helping hand!”

She paused, then eyed the curator’s own ostentatious outfit. “...For a fair price, of course.”

“Of course,” The curator repeated, a keen smile worming its way to her face. 

⋆⋆⋆

If there was one thing she relished in being known for, it was that once she had her target in her sights, Gem wasted no time.

It wasn’t hard to spot him, after all. The description the curator had given her was one of the most interesting she’d gotten in a while. A man known only as “Etho”, with a harsh red scar blinding him in one eye and never once seen without a dark mask obscuring half his face. During her journey, Gem had learned that nobody in the area could quite recall when he’d started working at the inn, or even if he actually worked there at all. In fact, it was a popular local rumour that the man was simply a vagrant that the kind innkeeper had taken pity on during one particularly frigid winter and never thought to kick out afterwards.

Regardless of whatever his backstory might have been, Gem couldn’t really care less. All she really cared to know about him was that he was the only thing standing between her and a ludicrously lavish payout. 

It was only a lucky coincidence that the innkeeper wasn’t in when she arrived. There was her target, standing far too nonchalantly behind the counter and looking as if he was preparing to greet her. She wasn’t about to give him the chance. Instantly she swung at him, hard and fast, looking to get a clean kill. To her astonishment, however, he suddenly disappeared within a blink of an eye, reappearing once more just as fast and now on top of the counter. Gem watched as a dark, smoky substance wafted off him as he jumped down and dissipated as quickly as it appeared. 

When she looked at Etho now, it was as if he were slightly transparent, blurred at the edges. She blinked, and he was whole again, no trace of anything amiss. She growled and swung again with impossible force, heaving as her sword broke the floorboards where it landed. Again, she could have sworn that some dark substance was following him, aiding him in his escape. 

“Hey, hey! I don’t know what I did but, uh, I’m sure we can settle this some other way?” Etho offered as he slid backwards on the wooden floors like they were an ice rink, smoke trailing off him and weaving through the air. 

“No can do sir!” Gem replied as she swung once more, again missing him by a fraction of a centimetre. “You got a hefty bounty on your head, and I intend to take it!”

The fight escalated with Gem’s frustration. She spun herself around and leaped at Etho, sword high in the air and aiming to plunge it deep into his skull. Instead, she hit the inn’s counter, splitting the wood and knocking several small objects astray. Her hooves skidded against the floor as she reeled backwards, and wasted no time forcefully wrenching her sword free. 

Wood chippings now scattered across the floor, Gem paid them no mind in her pursuit. The action seemed to distract Etho somewhat, discontent flashing across his heterochromatic eyes, and she took the opportunity to strike. 

Finally, with a lucky stab, she managed to pin him down against the inn’s wall, plunging her sword into his shoulder with a devastating crack and watching as what must have been blood seeped out from it. He gasped, eyes darting to the wound. A wild grin found its way to Gem’s face.

“You’re a tricky one, aren’t you?” She asked, using the moment to catch her breath before unsheathing a second, smaller sword from around her waist. The sharp blade glinted in the deep, warm light of the inn. The reflection didn’t make it to Etho’s eyes. “Shame I’m gonna have to take you out like all the rest of ‘em. I’ll make it quick, though. You’ve earned it.”

It was odd, she thought briefly. Despite the sword driven straight through him, he didn’t appear to actually really care about it all that much. His breathing was as steady as ever, and he barely moved at all beside a futile effort to scoot away from her intense gaze. His eyes were calm, watching her every move in something almost akin to silent fascination rather than the fear she had grown accustomed to. No matter, though, Gem decided as she made clean work of him, lopping off his head in a single swing. 

It fell to the ground with a solid thunk, rolling slightly before making its stop like any old head should. A tenseness she didn’t know she was holding finally released, and she breathed again. Blood was splattered all over the inn’s floors, and she grit her teeth as she imagined the cut from her paycheck she’d have to give the keeper to get it cleaned. All this for some measly priceless artefact? Still, it was over. 

She picked up his head by the hair, and stepped back in shock as she felt just how cold it was. Instantly, it called to mind the way it felt to grab a fistful of snow with no gloves for the first time, fingertips fully immersed in the unadulterated icy chill. For a brief moment, it reminded her of… home. Gem had never considered herself the squeamish type, especially not with an occupation such as hers, but the realization gripping hold of her in that split second was enough to make her gag.

Her grip on his hair loosened for a second, but she caught herself before the head could drop. On a second examination, she noticed what looked like snowflakes scattered in his white hair and decorating his long eyelashes. It was then she finally heard the faint crackling sound that had been slowly spreading around her. The blood that had been flowing freely from Etho’s body was freezing up, and fast.

Gem could do nothing but watch in horror as the blood on the walls and floor turned to thick ice, cracking and shattering into pieces around her as soon as it solidified. Within no time it had spread to his severed head, and she gasped as the blood that still dripped from his neck froze midair and fell to the floor, fragmenting into dozens of tiny pieces. 

She broke her gaze from the head in her hands just long enough to witness a mountain of ice emerge from what remained of his body’s neck, accompanied by a low hissing noise that made her stomach churn. Gem realized then the shape that it was forming. Fractals of ice packed in and around each other, working in tandem to sculpt out a new head identical to the one in her hands. The only difference being, there was nothing to cover the lower half of his face. If she could even call that half a face.

Once the hissing had stopped, that same dark substance she had seen swirl around him in their fight began to seep out from the wound, covering the newly formed head in a thin black layer and obscuring his features. Her heart dropped as she watched the shadowy liquid be absorbed into the ice, revealing a brand new head on Etho’s shoulders, indistinguishable from the first and complete with a new mask. His eyes fluttered open. 

“That wasn’t very nice of you, now was it?” Etho asked as he turned his head to look over at her, an amused smile painting his voice. Gem screamed.

⋆⋆⋆

Gem had never fainted before. With the amount of blood and guts she spilled with a smile on a daily basis, she hadn’t thought it was even possible for someone like her. Evidently, though, everyone had their limits. 

More confusingly, though, was that she had awoken tucked nice and neatly in a warm bed, with at least a dozen pillows cushioning her head and antlers. With a slight turn of her head, she could see a still-warm cup of cocoa resting on the table next to her and causing a sweet scent to waft through the little room she now found herself in. 

She groaned, sitting herself up in the bed and trailing her hand up her forehead, where she could feel a piece of gauze sticking out. Another glance around her surroundings revealed that her weapons were nowhere to be seen. Gem cursed under her breath. 

Her eyes darted around the room. It was quaint, with wooden walls and flooring and a decorative carpet in the center. Faint light streamed in through a window, accompanied by the warm glow of a candle. Must be early morning, she thought. 

Oddly though, the corner across from her seemed to be completely wrapped in shadow, defying the soft sunlight that should have illuminated it. Gem found herself unable to tear her trembling eyes away as the shadowy corner suddenly warped in her vision, the dark matter collecting and solidifying together as a familiar figure materialized before her. 

Etho drifted nonchalantly towards her, stopping by the table to eye the mug, something almost disappointed flashing in his expression as he noticed it hadn’t been touched. Gem faintly spotted a stitch in the shoulder of his tunic. He turned his attention to her.

“How’re ya’ holding up?" He asked, his tone both concerned and casual at once. “You took a pretty nasty fall back there! Never seen anything like it, it was crazy.” A small laugh punctuated his last sentence.

She blinked, then blinked again, but found herself unable to erase the image of what she had just seen from behind her eyes. It was the kick she needed to jog her memory though, and she leaped backwards away from him, nearly hitting her head on the wall behind her. 

“You… What in void’s name are you!?” She squawked. Etho furrowed his frosted eyebrows quizzically. 

“Well, I was hoping maybe you’d be a little bit more appreciative of the setup you’ve got going on here. I even made you a hot cocoa! I thought you guys love that stuff!” There was something genuine in his voice that made Gem calm somewhat, even if his words only added to her bewilderment. She turned back to look at the mug, and slowly reached a hand out to grab it.

Pulling it close to her chest, she spoke, “You made this? For me? Why? I tried to kill you! I did kill you! At least, I think? I’m… still not entirely sure what happened back there.” She stared down into the mug, feeling a weird sense of shame bubble through her. Having the man she’d killed standing right there in front of her, it felt like talking to a ghost. The bounty hunter wasn’t used to having to think about the aftermath of her career beyond what minor property damage could ensue from a struggle, nevermind like this. Her grip on the handle tightened.

“What, this old thing?” Etho asked with another laugh, pulling up his own severed head from the ground next to Gem’s bed. “I left it here for you, since you seemed to really be after it. Figured it could make a nice souvenir from your stay here, you know?” Etho seemed to pick up from Gem’s appalled expression that she did not, in fact, know. 

“Okay, okay, uh, well, you can take it with you when you leave if you want.” A pause. “This… is what you’re after, right?” Gem could make out tiny frozen droplets still connected to the head’s neck, suspended in time and ice. Momentarily, she considered being alarmed at the notion that she’d been sleeping soundly next to a severed head, or grilling him on why exactly he thought putting said head in her room was a normal thing to do in the slightest. The thumping pain rattling around in her skull made the decision for her.

“Partially,” she replied curtly, evidently still attempting to win her staring contest with the mug. Finally, she broke the one-sided tension, and dared to take a small sip. 

It tasted… cold? No, that wasn't right. The liquid was sweet, if a little watery, and at a comfortably warm temperature. It was more as if the ethos of the mug itself refused to be hot. Like it had reluctantly taken to the liquid, yet refused to be any more than a temporary vessel for its warmth. Or, perhaps even more strangely, as if the liquid itself wasn't quite sure it knew how to be warm. 

Despite Gem’s own lukewarm reaction, Etho lit up. 

“Do you like it?” he asked, his normally chill and steady voice brightening with excitement. An amused look found its way to Gem’s face at the sudden change. 

“It’s nice,” she replied simply. She took another sip, then paused to close her eyes. She swore she could hear a triumphant noise from beside her as she tried to calm her searing nerves. Having the head as proof was good, sure, but the curator had expected — and promised payment for — much more. Gem needed that artefact back. She turned back to face him.

“To be honest, Etho,” She began, “Your head’s not all I’m here for. You don’t just get a bounty on your head for nothing, you know. I’m also here to retrieve that artefact you stole.” 

Etho blinked. “The what?”

Now it was Gem’s turn to furrow her brow. 

“You know. The amulet of the ancient Sun people? The last surviving of its kind? You took it from a museum just a few days ago.” She tilted her head, not even trying to hide her bafflement. Etho squinted at her. He tapped his fingers on the nightstand beside him thoughtfully.

“Ancient amulet… ancient amulet…” He mused. “Oh! Is that what that shiny gold necklace was? It was just lying around on a shelf at that ‘museum’ place I went to! I don’t know why nobody else thought to take it, to be honest. Here, check it out!” He tugged at something unseen underneath his mask for a minute, before producing the very artefact Gem had been seeking. He handed it to her casually as her shaky hands returned the mug to its nightstand. 

“You’ve been wearing it this whole time!?” She exclaimed, yelping when the item made contact with her skin and reeling backwards at the sudden burst of heat running through her fingertips. 

“Ah, yeah.” He didn’t appear too upset at its departure, though Gem couldn't help but notice his lively attitude had faded somewhat. She brushed her thumb over the deep amber pendant, briefly fascinated by the perpetual heat emanating off of it. 

“It’s neat, right? I’ve never seen a necklace like it. I wasn’t planning on taking it, at first, but I really wanted to figure out why it made my fingers melt like that.”

“You really are something,” Gem muttered. “But, I’m afraid I’ll have to take this back. A job’s a job.”

He gave her a nod. “Yep, yep, fine by me. Is that all you need?”

“Oh, I have one more thing, actually,” Gem replied, tucking the amulet away safely.

“Yeah?”

“Yeah. I want my weapons back.”

⋆⋆⋆

The curator grinned and clasped her hands together as she spotted Gem, a full-looking satchel and small brown bag now decorating her waist alongside her clanking swords and knives. The bounty hunter approached her desk with a matching smile, untying the smaller bag and placing it before the curator.

“I see you’ve returned! Remarkably fast as well. This is?”

“The amulet, back safe and sound without a scratch. Very pretty, might I add. Anyone would be able to see why it’s the prized jewel of your exhibit. And why a rotten thief would want to take it.” Gem placed the satchel next to it.

“And this…?”

“That deplorable thief’s head, just as you asked. I can assure you, he won’t be any more trouble for you now.”

“Excellent. Then, I believe you are deserving of your reward.”

“Yes,” Gem repeated. “Excellent.”

[aticklishpercivalwriter]

Home (is wherever I’m with you) -fic

For Artists Who See Their Art on My Fics Link to Art (chosen by Perz): credits go to @buffkagome (anby ˚ʚ♡ɞ˚) on Twitter!) Sethos/Scaramouche

Summary (by Perz): Just them being lovey dovey, ticklish boyfriends :)

Perz: Another submission by @vaporized-dimsum! This time a fic! I want to express my gratitude and deep thanks to her for this gift and allowing me to post it here for all of you to enjoy! Couldn’t stop kicking and crying at how cute this was, so aah!

Word Count: 2609

Also on AO3!

—

The Temple of Silence, as one might expect, is a quiet place. Wanderer is quick to grow fond of it compared to the racket of The Akademiya. And of course, seeing Sethos in his home and amongst his friends and family was a pleasant sight too. Not that he would ever tell him that though.

The elders adored him and were always fussing over whether he was eating enough, and the kids never seemed to leave him alone. Since Wanderer was to remain in Sethos’ presence for the duration of his stay, that meant he was fussed over and never left alone either. It was… nice.

Playing with children was like a muscle he hadn’t stretched in a long time. Still, even after centuries it felt as though it was second nature.

Sethos’ heart swelled watching Wanderer interact with the little ones. Letting them play with his hat (no, he wasn’t jealous at all), bringing him things to levitate with his Anemo Vision, chasing him as he hovered away at a slow pace. The cherry on top was the sweet sweet smile on Wanderer’s face that he managed to hide pretty well until the very end. Sethos likened it to catching a shooting star for witnessing it himself.

“What’s that look for?” He muttered when the elders called the children to them.

Ah. He’d been caught staring again. Sethos chuckled. “You’re good with kids. It’s real cute.”

“Hmph. They’re simple creatures, easily entertained. It’s not difficult to manage them.”

Sethos opened his mouth to quip but a little one had called his name. He turned and got down on one knee as they approached him. Wanderer let himself stare now that his back was turned. The intricately styled braids in his curly hair. The gold accessories and freckles. Down past his broad shoulders to his spine where his clothes parted into a tasty back wind—

Oh?

Sethos patted the child on their head as he graciously accepted the golden Sumeru roses they had gifted him. One for him, and one for their guest. He was pretty sure this little one had developed quite a puppy crush on Wanderer too. Sethos grinned watching them go. He totally knew that feeling.

“Wow, Hat Guy. You’re popular wherever you g- IIEHEHE—!”

The squeal bounced off the four walls and left a deathly silence in its wake. Both green and indigo eyes were wide with surprise, but Wanderer’s were quick to narrow deviously.

“What was that all about?” He asked with the innocence of a kitten despite his curled fingers.

Sethos cleared his throat and stood up clumsily, “A-Ah, well one of the little ones entrusted me with gifting this to you. Pretty, isn’t it?”

He shows Wanderer the gold rose and to his relief, it actually does distract him. Temporarily anyway. Enough that Sethos, against his better judgement, comes closer to tuck it behind his ear.

“It looks good on you with your dark hair.”

Wanderer feels his face grow warm, “If you say so.”

Like magnets, they draw closer to each other until their lips nearly brush.

“Was that you I heard laughing, Sethos?” Said one of the adults in passing.

The two of them broke away swiftly, cheeks burning. “U-Uh, yeah! Just me!”

The woman in the doorway chuckled, “It’s been awhile, hearing you get all giggly like that. Your grandfather loved to tickle you and cuddle you when you were small. It was so cute!”

“Really?” Wanderer echoed.

Oh no.

“Tell me more. Sounds pretty interesting.”

Sethos waved his hands wildly, “H-Haha! Okay well that’s nice! You can go now, Aunty!”

“Alright, alright, I’ll stop embarrassing our great and glorious leader.” She bowed to them and as she walked away, she looked over her shoulder, “And to our kind guest, do be gentle with him. He really never outgrew how ticklish he is.”

Sethos gawked at the absolute betrayal by one of his own people. Desert aunties didn’t mess around. Sure she probably changed his diapers and bathed him but—

But he didn’t have much time to dwell on it with Wanderer’s eyes pinned to him. “Never outgrew it, huh?”

“Yeah yeah, laugh it up. Can’t we talk about something else? Or… finish what we started?”

Wanderer’s hands instinctively tug his shirt to pull Sethos closer for the kiss he didn’t get but he stops him halfway, “Not here. We can go to my room.”

“How scandalous.”

“Well if you don’t want me to kiss you, you’re welcome to not come with me.”

Wanderer rolls his eyes and follows after him. The living quarters are like a labyrinth of hallways but Sethos navigates them with no troubles. His room is full of leathery books, a few TCG decks, colorful handmade quilts, and a blooming mini succulent garden- courtesy of his friends, no doubt. It’s a bit messy, but full of life and an irresistible coziness. Wanderer feels right at home here despite this being his first time stepping foot in it.

Sethos now tugs on his wrists and sits him on his bed before diving in to kiss him silly. Wanderer can’t get a word out about how desperate and hot and bothered he’s acting but he doesn’t mind one bit. Being caged between his arms and eaten alive has never felt so wonderful.

Wanderer laces their bodies as close together as possible, and eventually, his fingers trail down his back to that sweet patch of exposed skin and—

Sethos all but squeals in his mouth. When he breaks away with wide crescent eyes, there’s a thin string of spit connecting them.

“Oh, I’m gonna devour you.” Wanderer growls playfully, licking his lips.

He doesn’t know how but Sethos quickly finds himself hoisted onto the bed and pinned under him. He hardly gets any protest in before that awful fluttery sensation runs all over his exposed lower back. And with Wanderer seated on his legs, he’s not going anywhere anytime soon no matter how badly it tickles.

And it’s bad.

“GYAHAAHAHAH- wait- wait! Not there! Not- baahahahah!”

He muffles his laughter in his pillows and blankets. Wanderer doesn’t know if he likes that or loves it. Sethos flails his limbs uselessly when he switches from fluttering to pinching and spreading the skin along the knobs of his spine. And when he scoots down to press into what’s practically his tail bone— that gets him howling.

“AHCK- oh SHIHIHIIHIHHIT! Hat- Hat GAHAHAAHAHAAHUY! I can’t!”

“Can’t what?”

“CAHAHAHAHAAHN’T TAHAHAKE IHIHIT! PLEHEHEEHHEHEASE, IT’S BAHAHAD!! IT’S SO BAAHAD!!!”

“Is it?”

“YEHEHEHES!”

“That’s a shame. I quite like this spot. You’ll just have to deal with it, little bee.”

“Nohohoho! Ihit’s really —KYAA!! WHAT IS THAHAAHAHAHAT?!”

“A dusk bird feather that I found in this book.”

“Jeheherk! I was using thahat as a bookm- MM! Mhmhmhmhm, stohohohop ihihihit! Lehemme tahahahalk! Honeehehey!!”

The soft plume licked and curled against his back, and his giggling was sickeningly sweet when it came to feathery tickles… Wanderer scoffed, “I’m barely even touching you.”

“Bahahaharely touchihihing is still touchihing!”

“Hah. That aunty of yours was right. What would your followers think if they heard their dignified leader giggling his pretty little head off, hmm?”

Sethos whined as he pressed his face further into his pillow and hugged it tightly, shaking his head in protest. The curves of his ears were burning up.

“No point in hiding it, little bee. I’m about to make you buzz nice and loud.”

He’d hardly processed what Wanderer said, let alone how it made him feel. Actually, that happened a lot faster. Because suddenly, his fingers were scribbling viciously into his armpits and Sethos screeched.

“NAHAAHAHAHAHAHHA! OH, MERCY!! HONEY!!! MERCEEHEEHEEY!!!!”

“I’m afraid I’m not much of a merciful guy.”

“ARCHOHONS! PLEHEHEASE!! I’LL BEG- IHI’LL BEHEHEG!!!”

“Oh? I do like the sound of that. Go on then. Beg me.”

He thrashed from side to side, pinning his arms down and trapping Wanderer’s hands in that tortuous spot. No matter where he went, the sensation followed. Unbearable and so so good, although he was pretty sure whatever words he did manage to get out weren’t in any intelligible language.

For all his bucking and twisting though, Wanderer decided to sit up just enough so Sethos flopped bonelessly onto his back before he locked him in place beneath him once more. He squeaked in protest as Wanderer stole the breath right out of his lungs. His tongue against his, his teeth tugging on his bottom lip, he felt like he truly was being devoured.

And he never wanted it to stop.

If he wasn’t human, would he be able to kiss Wanderer forever too? Without needing to breathe?

Sethos weakly clutched Wanderer’s wrists as his hands cupped his face, pulling with no strength whatsoever, “Hah- Hon’- please… air. Ngh— air. Can’t bre…hah…”

Wanderer pulled away and was convinced he could get off on just the sight of him. The dizzied and delirious look on his face. Warm brown skin and teary green eyes glittering like emeralds. That stupid stupid smile, shiny and red with spit and bites. His chest heaving.

What a sight to behold.

Sethos hiccuped, “Now w-who’s the one sta-aring?”

Wanderer caressed his face gently, thumbing over his cheekbone and puffy bottom lip until Sethos swiped his tongue against his skin playfully. Then hiccuped again. Cheeky brat.

“Looks like you’ve still got some fight in you.”

Even the buzz of his words against his lips tickles. Sethos licks the seam of Wanderer’s mouth, hiccups, and grins.

“I could do this all day, honey.”

“Figured you’d say that. Now let’s do something about those hiccups.”

Wanderer’s hands slide down his face and along the rise and fall of his chest. The hills and valleys of each rib under his coasting thumbs makes Sethos chortle desperately. And when Wanderer presses into the dimples of his hips, he all but melts.

“You like this spot, little bee?” Wanderer asks playfully with his spidery scribbly touch.

“Noho-HIC —I lohove ihih—HIC- it!”

Oh it’s awful. Sethos’ hips jitter and jump the more his hands draw inward towards his crotch. There’s a pulse point on an artery there. Humans, Wanderer knew, were chock full of weak spots.

And Sethos is endearingly human.

“Aww, thahahanks, honey. Tha—HIC—t’s real sweeheet.”

Wanderer blinked, he must’ve said that last part out loud. He stills his fingers and finally lets Sethos catch his breath.

Soon enough, Sethos crawls into his lap and plops his head on his thighs like a spoiled kitty cat. He sighs so contently, like Wanderer was the comfiest spot in the whole wide world. He nearly purrs when Wanderer runs his fingers through his hair.

“Mmm… that feels so good. Keep going please.”

“Pfft. This is how you treat your guests? Shouldn’t you be spoiling me?”

“Was obliterating me not enough? You’re the spoiled one.”

Wanderer rolls his eyes, continuing to massage his scalp and caress his face. He scoots back so they’re both more comfortable and now also blanketed. The boy in his lap might as well be a sentient pile of slime condensate.

“Honey’s skin’s so smooth…” Sethos coos, “And cool to the touch, too.”

He nuzzles Wanderer’s inner thigh with his cheek before humming a pleased sigh. In an instant, the sensation makes Wanderer clip his face between his legs, making them both yelp.

“I was so comfy…” He whines, “What’s wrong?”

Before Wanderer can even answer, to his dismay, Sethos puts the pieces together all too quickly. “Wait a minute-“

“No.”

“Are you?”

“I’m not.”

He’d responded too quickly both times, telling Sethos everything he already knew.

“You are, aren’t you! You lied! I knew you were lying!!”

Wanderer backs away to the foot end of the bed but it doesn’t put much distance between them before Sethos squishes him beneath his torso. Those green eyes are sparkling with a newfound discovery and revitalized mischief.

“You lied.” He states confidently.

“Like I’ve never done that before.” Mutters Wanderer, “Get. Off. Don’t you DAHARE—“

The weight he put in his elbows topples Wanderer the moment Sethos’ hands slide under his shorts and squeeze. The tingling ripples out from his thighs like his laughter in the room.

“FUHUCK! Sehethos!! Get ohoff! No- HYAH!”

He bonks his head against the footboard and then Sethos’ head too when he wedges his way into the crook of his neck. So close to the Electro mitsudono on his nape. The raspberry Sethos planted sparked his nerves into haywire.

“You keep your secrets close to your chest, huh?” Sethos grins. “Lucky for you, I’m great at keeping secrets!”

“Pihihiss ohohoff! Get your lips ohoff of mehehehe!!”

One raspberry twines into another all along his neck. And as it turns out, that weak spot on Sethos’ hips is just another thing they both share, his fingers climbing higher and higher into his shorts to scribble at it.

“Who’s got the most kittenish little meow meow laugh? Honey does! Honey does!” Sings Sethos, blowing gentle puffs against Wanderer’s ears.

“Shuhut uhup! Stuhupid little BEEHEEHEE!! NAHAAHAHAHAHA!”

“Huh, never realized your shorts have cutouts here.”

His hands felt so nice gripping his little waist, and yet all Wanderer could do was throw his head back laughing helplessly, “SETHOS! Dohohon’t! STOHOHOP IHIHIHIT!!”

“Don’t stop it? You know I’d never deny my honey anything.”

In addition to the warm glow of his cheeks, Sethos noticed certain patterns on Wanderer’s skin began to glow as well. Up his arms and legs, converging at his chest and even twining around his neck too.

“So pretty…!” He murmured enchantedly.

His fingertip traces along the patterns of light on his skin, following them everywhere they led. They seem to shine even brighter as he did so. And Wanderer’s giggles so adorably, Sethos almost stops.

Almost.

“Cuhuhut it ohout! Whehere do youhu thihink youhu’re touchihing?”

“Just when I thought you couldn’t get any cuter!” Cooed Sethos, “Do you light up when you’re feeling something intensely?”

“Ihintehense annohoyahahance, maybeheehee!”

“Aww but you seem like you really love being touched like this. You get all giggly and kittenish.”

If Sethos didn’t know any better, he might’ve briefly thought Wanderer was glowing pink. It seemed that this was Wanderer’s fear because he was quick to wriggle just enough out of Sethos’ arms to flop onto his stomach. In his worming away though, Sethos spotted the source of all his enchantment. The mitsudono on his nape.

“Ohh, is this where all the light comes and goes from?” Ponders Sethos, “Can I touch you here?”

“Haven’t you touched me enough?” Wanderer grumbles.

He spots Sethos move his hands away from him and even begin to give him some space. So his shit eating grin makes him want to forcibly remove Sethos from his own bed when Wanderer drags his hand back to his shoulder.

His hair covers some of the mitsudono, and Wanderer shivers when Sethos gently brushes it to the side. He’d always been aware of how the mark branded him. Sometimes it even felt like hot iron pressing into his skin. So when Sethos gently pecks it, Wanderer can’t help but jolt.

“Did that hurt?” Asks Sethos worriedly.

Wanderer buries his head in Sethos’ blankets. The scent of him nearly drowns out his boyfriend’s voice. He shakes his head.

“No, it didn’t. It… felt nice.”

Sethos sighed with relief, “Oh good. I’m glad. In that case…”

Wanderer’s shoulders jump as Sethos spoons him and smushes his lips against his nape. “Mwah mwah mwah!”

He clearly has no intentions of letting him go with how tangled together their limbs are. “Quihihit it!” Wanderer scoffs, “Araharen’t youhu tired of thihis yet?”

Sethos hums happily against his skin, “Of you? Never.”