#its so hard to choose favorites considering the amount of characters i have

[taxi-trolls]

Also question to Razz! I'd love if you could make a post to introduce people who're new to the community to some of your favourite Fantrolls! I looked at the ones on your other blog but I'm hooked, thank you!

i have,,, so many trolls and my muses swing around like a potato on string attached to a ceiling fan and i gotta make more bios for the "main" muses

so far the muses that are awake the most are Pierro, Riicko, Okubi, Junnie, Starfy, Ollapy and Flufii

also anyone can dm me if they wanna learn more about my massive collection of both trolls and non trolls, beware tho i can and will make puns if we talk for a while

[magneticmage]

What are people's thoughts on a transgender Brosca or Aeducan?

Like we're told that Orzammar's caste system is based on one's same-sex caste, right? But, like, how complicated are someone's feelings towards their sex and how it differs from their preferred gender when the entire foundation of their culture is so sex segregated?

(Disclaimer; I'm cisgender so I'm not sure how to word all of this right without coming off as lacking understanding of nuances, accidentally coming off as rude and ignorant, or something, but I will do my best. Please be understanding that I am trying to NOT be rude, just might be a bit ignorant on phrasing things? Under a cut because it can be a bit ramble-y and maybe off-topic in some spots)

So transgender Brosca/Aeducan thoughts are hard to word, especially since I usually play my main ones as being cisgender, but even that is...a whole field of Thoughts.

Like I am aware that cisgender female Aeducan should actually be a different caste (probably some kind of noble or upper warrior caste, if I had to warrant a guess but your mileage may vary) than she is, but is considered functionally royalty in what probably amounts to no small part of her being her father's favorite child (because who cares about rules when your father is the king?). And that cisgender female Brosca is already defying some form of cultural expectation by being a casteless Carta thug rather than being a noble hunter like her sister Rica (nothing against Rica here, as I adore her, but Brosca not being one definitely seems to be a Choice, ya know?).

And if they are lesbian or any other orientation that isn't heterosexual, this also has added dimensions of its own as well. All of which is super interesting on how it comments on Orzammar society. Blah blah blah.

But like....what about transwoman Aeducan? Or transman Brosca?

Like how accepting is Orzammar society of such a thing? I'd assume not very much because of all the implications around potentially changing castes, which is socially frowned upon? Like it may not as big a deal for someone whose parents are roughly equal in terms of caste, but when there's a huge disparity between social ranks like, say, a noble lord and a servant caste mother? And, to digress slightly, it does make me wonder if some lower caste/casteless mothers have ever tried to pass off their assigned female children as sons, regardless of gender identity, all in hopes of a better life for their children. Like how Mary Reed's mom dressed her as a boy to keep getting money from her father's family. I mean, that's happened in our world to some extent as well. And how would someone whose intersex be viewed in this society? Do they just...like get to choose? Or is it a guess?

I don't have any answers.

Back to Brosca and Aeducan though.

How much does Trian's sexist comments about women being breeding flesh sting an Aeducan who views themself as a woman and choses to be one? Does their father most likely acknowledging them as his daughter publicly affect things? What about a Brosca that knows that their assigned sex at birth matching Kalah's is what cost them whatever caste their father was? How do they see those born the same sex as them that then go on to become noble-hunters wishing for a son, so their lives can get better? Does it make them angry or sad? Maybe a mixture of feelings?

Like I know that suffering and issues like these are not all that makes up a transperson's identity and I'm not saying it has to either. I know that some people face enough of these kinds of issues in the real world and would rather not have to deal with it in their video games and that's also okay. They can just decide their character is trans and not make it a big deal and that's a perfectly okay thing to do!

But I just...I have questions and am curious about how it might work in cases where they might want it to be a big deal? Is that a bad thing? That or maybe I worded things badly here or in a way that doesn't quite hit the mark because I'm not transgender?

If anyone else wants to weigh in here with their thoughts, like, please do? Or if there's better worded-meta out there, let me know because I'd love to read it.

Thanks for your time.

[intertexts]

OK OK SINCE U ARE PRETTY FAR INTO PD NOW. I NEED TO ASK. DO U HAVE A FAVORITE CHARACTER. do u have a favorite moment. whos backstory are u the most interested in seeing. what are u excited to learn about the world . I AM PUTTING UR BRAIN UNDER A MICROSCOPE AND DISSECTING IT IVE GOTTA KNOW. what villains are u most afraid of. write me an essay on ur feelings about mark winters. etc etc etc etc WHATEVER U WANNA TALK ABT RN im standing in the middle of a field like a scarecrow and just SCREAMING at the sky

OHHHHHH MAN DUDE LITERALLY IMPOSSIBLE TO CHOOSE A FAVORITE OF ANYONE. FUCKK. GOD.

ok putting all of this under a cut because its so fucking long???

ok ok ok. lets see. they r all so so so good it's impossible 2 choose but also iiiiiiiiiiiiiiiiiiiii really fucking like dakota dude..... i like him so much. so much. i will admit. i am a massive fucking fan of a character who stays silly. massive fucking fan of the emotional king dedede hammer that comes down when the silly guy drops the silliness. i love it when characters literally r incapable of processing their emotions. gebuinely i don't know what he put in that guy but it is cartoonish the way my neurons light up at him its not quite akechi from p5 levels of FUCKKK YEAH THIS GUY MY FUCKED UP LITTLE GUY!! but it is Getting Close!!!

whose backstory.... fuck. okay. Most interested in wiwi's backstory. of course. i AM really interested in vyncent's whole deal but i feel like his fucked up knife that possesses him (?????????) is slightly more of a specific thing than backstory. and i DO wanna know howww the jrpg protag isekai'd here but also like. consider... wiwi. also i wanna know if im right & ashe/ashes fucked up demon grimoire r responsible for his mom's death. ALSO I WANNA KNOW WHY MARK'S A LIZARD GUY.

FAVORITE MOMENTS SO FAR.... i LOVED the spirit world shit it was all so cinematic it was so lovely. usually im dogshit at like, visualizing descriptions in my head? but all of that was very much oh, yeah for sure, ive seen this cartoon! i know whats happening! that whole episode went hard as fuck. can't believe we got vyncent with a gun ashe going holy shit why am i fucking doing this imgonnadie william having a horrifying crisis over eating a fucking soul & dakota getting murked in one episode. & mal is just. on just. such a different level such a different world from Anything else they've experienced. its so good.

also i still really love the winding-down end of that amalgam island ep (5?) where they r exhausted & coming off so many huge emotions & stress & stuff & tide arrives.... that's really the scene that fucking hooked me i think. going ohhh yeah theyre just fucking kids and everyone at this table Knows theyre kids in a world where people will just fucking kill you. like,, yeah, it WOULD be fucked up if you were seventeen and ran into an island full of horrifying human and animal experimentation & abuse!! and theyre not playing it as a motw adventure where its just sillygoofy? ok. ok!! maybe these guys know where theyre taking it. like i can count on one hand maybe the amount of times ive been like "yeah im sure whatever the creators do will be good they've always done good & thoughtful work. i don't have to continually be delegating brain space to how im dissatisfied with this story." so i guess. i just like the show a lot!!

what am i most interested in about the world... ohhh man i love cape worldbuilding it's maybe like one of my favorite things. so i guess i'm interested in All of It?? in an overall probably-wont-be-answered-because-its-not-that-genre way i'd love 2 know what religion looks like in a world where JESUS IS A TRADEMARKED SUPERHERO & kids can come back from the dead. id love 2 know more ab the dynamic btwn politics & the cape world here thats always interesting? i really enjoy the approach they took 2 the kid heroes in the beginning, as in: these guys are literally still students they are not Supposed to be doing big hero shit. theyre not supposed to be doing teen titans or x-men shit & it is in fact a massive massive fuckup on their guardian's part when they Are in those positions. i'm a big fan of that i like it a lot more than the alternative. (unless yr like in a world like parahumans where there Is a narrative & in-universe reason why child & teen cape teams exist)

what villains am i most afraid of....... ok i kind of feel like being afraid of mal is like, being afraid of hurricanes or something. like sure i can be nervous about him but i can't fucking do anything if he's coming this way. so it's better i think to not think about it until it comes up & then pray. so i guess i AM really concerned about the overlord stuff. i dont know where it's gonna go but i know it'll be nowhere good & i know it'll end up getting people hurt. so.!!!!!!

[imsobadatnicknames2]

What are your favourite ttrpg mechanics that you’d like to see adopted by more systems?

Sorry for taking so long to answer!

Anyway, my answer is probably gonna be kinda boring because I very rarely play those artsy, high-concept rpgs with really out-there experimental mechanics.

I think some of my favorite mechanics are those that take elements of classic old-school roleplaying games but streamline and abstract them to juuust the right amount of crunch. For example, I've mentioned this before: I ADORE the initiative mechanic from games like Mausritter, Into the Odd, or The Black Hack: At the start of combat, every player makes a Dexterity check. Players that pass get to act before the group of enemies, while players that fail have to act after the group of enemies.

Similarly, I REALLY like the way The Black Hack handes inventory management through its usage dice system (which has inspired similar systems in later games): for stackable, consumable items such a arrows, rations, lantern oil, etc, instead of keeping count of the exact number, your represent the quantity of items with a die. Each time you spend the item, you roll the corresponding die, and if the result is 1-2, you downgrade the size of the die by one step (e.g. a d12 becomes a d10). When the usage die is 1d4 and you roll a 1-2, you run out of whatever item it was.

Both of these mechanics massively streamline initiative and inventory management and vastly reduce the bookkeeping involvd in those systems, but still keep the idea behind them crunchy enough that they still preserve an element of tactics. I tend to hack these mechanics into pretty much any old-school game that features initiative or inventory management, and I've yet to find a case where it wasn't a huge improvement.

Another mechanics that I love that I' think we don't see enough in games is 'd love to see used more often in games is risk-reward choices. One of my favorite examples is a magic weapon which I think appears in the second Mörk Borg Cult zine (Mörk Borg Cult: Heretic). When attacking with it, you can choose any number and apply it as a penalty to your attack roll, in exchange for getting to apply the same number as a bonus to your damage roll if you succeed. So the harder you choose to impair yourself with the attack roll, the bigger the potential damage you'll do if you manage to succeed. I think that's one of the best-designed magic items I've ever seen in a ttrpg and I wish more things in TTRPGs incorporated that kind of decision.

Lastly, another one that I love but I don't think it fulfills the "you’d like to see adopted by more systems" part of your ask: I absolutely ADORE the flashback mechanic from Blades in the Dark. Basically: at any point during a heist, you can spend stress to invoke a flashback to roleplay an action your character did in the past to prepare for the situation they're facing in the present (as long as it doesn't contradict or "undo" any of the things that have been established in the fiction so far). E.g. as you enter a party you get patted down and deprived of your weapons, you might choose to trigger a flashback to roleplay how earlier that afternoon you came by, gave one of your guns to one of the valets and, bribed him to hide it for you in one of the potted plants inside the ballroom. Just like any other action, depending on how hard or risky it is, it might automatically succeed, or it might require one or multiple rolls.

The reason I'm hesitant to say I'd like to see it adopted by more systems is because, as much as I consider it one of the most brilliant ttrpg mechanics of all time, it's also a mechanic firmly rooted in BitD's criminal theme and heist structure, and to me i'd feel pretty out of place incorporated into any system that doesn't mainly revolve around executing heists.

[just-spec]

Fear and hunger 2 is ripping me apart and spitting on my grave. I just spent the past several hours going to key locations over and over again and fighting god awfully hard bosses, using strategies that let me get by just barely to have enough healing items for the next area. Though eventually I did it. I beat the bosses and finally did the requirements I needed to unlock what I believe is the final location to reach some kind of resolution. I would have preferred saving before continuing (honestly I felt this whenever I made any kind of substantial progress), before I probably fight, what I guess is going to be the final boss, but through testing beforehand I have no way of saving that lets me keep my party members. I considered it but, the state I'm currently in, I think trying to go into the end game with just myself is straight impossible with the resources I have. On the other hand, the only other method of saving, I unknowingly cut myself off of hours ago by letting a certain character die and that making a certain shopkeeper that gives me a very expensive save item disappear for the rest of my run. So, going forward was my only option and I was at the point where I would be happy at least being able to attempt fighting the final boss. I go into the area, go into one off shoot room and immediately get burned alive by a a random soldier I both had no time to react to and had no way of knowing that he was there. My favorite part was how long it took me to burn to death. I just had to watch my character get burned alive for several seconds just blindly hoping maybe this is a scripted event from how long it was taking. It was not. Being brought back to the title screen I realize I now have about three options infront of me. Option 1, I go back to my most recent save, go through the previously mentioned hell again just to maybe hope I can skim by in the final section if I'm just really really careful (this will ultimately lead to me doing this several times). Option 2, I go to one of my several other later saves and just try to continue things from where I left off and make smarter decisions based on what I know now. These saves are so far behind of where I am currently, its not even funny but at least its something. Option 3 is to give up and completely restart with a fresh run. Yeah I can go back to any of my earlier saves but, throughout all of them I made mistakes that I now see are fixable/avoidable in one way or another. One of those mistakes being the amount of times I saved. I didn't realize how much I'd be pushing myself into a corner later by thinking I'm doing the opposite, thinking I'm saving myself so much extra time by saving over important accomplishments but, I didn't.  There was so many times I should've gone a little bit further before I saved so I wouldn't end up where I am now. The funny thing is, regardless of how much I think about it and where I ultimately choose to go from here I have to make up hours and hours of progress. Everything leads back to fighting just to get back to where I was before with varying levels of success. To an area honestly at this point I'm not even sure is the final location. Least to say, I cannot remember the last time a game has made me feel so stupid. When I look at everything I've done in this game, its my fault I ended up like this. As unfair and frustrating and for lack of better word just *mean* as this game is, I cornered myself out of fear of losing progress much earlier in the game.  Fear and hunger 2 Termina is a video game.

[webcomic-character-tournament]

what inspired you to choose a different tournament format rather than single elimination? do you know of any other accounts doing something similar?

even before tumblr polls were a thing, i thought it was interesting the conflicts presented when doing a single elimination tournament for voting based off of people choosing favorites when the options aren't equally known to all voters.

whether or not people seed multifandom character tournaments, there are still things that hamper my enjoyment. if you don't seed, then it can be frustrating to see a strong competitor knocked out arbitrarily early. if you do seed, then even if you get some strong matchups later on, its disappointing to me to just concede that some characters are meant to be eliminated even earlier than they might be able to make it (especially disappointing when you're a fan of a lot of relatively unpopular media!)

so within the couple weeks of tumblr poll tournaments being a thing,i was really itching to try out a different format!!

i tried to think about which aspects of tournaments were fun for me

it's fun to root for your favorite character and get really competitive about it! it feels good to see them go far!

it's fun to have intense matches where characters feel equally matched!

it's fun to see your lesser known favorites get further than you expect them to! and even if they don't get far, it's fun to bring awareness to them at all!

i pretty quickly decided that elimination tournaments were in conflict with some of my wants. nonetheless though, there's a lot to be said for the silly fun that can come from their fierce competition and surprise upsets

certain voting or tournament systems might not have the arbitrary eliminations of single elimination tournaments, but still didn't feel right for my purposes. for example, (beyond the other concern of popular vs unpopular characters) a full round robin tournament might get exhausting with the amount of competitors i'd want in any tournament i felt like hosting. and there's other types of tournaments/voting systems that would give "accurate" end results, but that i couldn't find a way to gamify in the moment so that each matchup felt like a unique thing worth rooting for with an obvious resulting benefit, which was important to me.

while not as much as other options, i still have a slight worry that even with a points system, a mcmahon style tournament might be a little too hard to follow for people to really have fun with the stakes of each individual match. but in the end i went with it because i thought it'd be really interesting to see how a skill-based tournaments system for determining skill level could be translated to popularity (in the known sense, not the liked sense), and i liked how it was dynamic enough to allow matchups not expected by the original popularity sorting if it turned out to not be as accurate, and how it could adapt to a wide range of contestants, and didn't necessarily need to have any set amount of rounds if it turned out it was more work to get more granular with the results than i initially expected.

but honestly despite having this in the back of my mind for months now, i havent done much active work until the past couple weeks when i finally started to have free time. i definitely still have a lot to consider when it comes to how many rounds i want to do and how many contestants or what exactly this is gonna look like! i'm simulating fake tournaments today to get at least some sense for whats realistic, but beyond that i hope you'll all have fun going along with this experiment with me! :)

and no i'm not familiar with any accounts doing something similar (let me know if you know any! i'd love to learn from them and participate!), although for other unconventional tournament formats, i'm really excited to see what @wlw-webcomic-bracket is doing for future rounds, and i think the special abilities in @funkylittlebaldcharapoll are an absolute blast (support the union!!!!)

[marmolita]

Tagged for a bunch of tag games by @tulakhord !

(1) shuffle your on repeat playlist and post the first 10 tracks

I don't use Spotify so instead I went for the "most played" list in the app I used and I'm skipping the ones that are only repeat played by my kids and not me. This list is kind of heavily influenced by me listening to the theme songs for a couple fics I wrote on repeat 🥲

New World - L'arc~en~Ciel

First Time - Lifehouse

Paris - The Chainsmokers

When I'm Up - Great Big Sea

TEXAS - Haloo Helsinki! ft JVG

Hide and Seek - Kodaline

Between the Raindrops - Lifehouse ft Natasha Bedingfield

Hanging By A Moment - Lifehouse

Walk On The Moon - Great Big Sea

dears - Gackt

(2) a questionnaire!

Tea, coffee, or soda? Water, tbh, but of these options tea.

Dogs or cats? Dogs 100%

Can you play any instrument? Violin and piano decently well (haven't practiced violin in a long time but I was concertmaster of my college orchestra; piano I quit in 11th grade but I'm decent at it). I can play the recorder a bit, and given a little while to refresh my memory of alto clef I could get by on a viola.

What's your sun sign? Virgo, though I never pay attention to it

First song lyrics that pops into your head? Brand new Lamborghini, fuck a cop car / with the pistol on my hip like I'm a cop [they were playing this at the gym yesterday lol]

Do you have any tattoos? Nope!

Favorite place you've travelled? Gosh this is a hard one! I'm gonna have to go with the UK I think, which feels like a cop out because I have been to many countries and places so picking one that speaks my language and has a similar culture seems silly, but I have been there twice and enjoyed it thoroughly both times.

What's the last movie you've watched? Uhhhhh I don't remember?

What languages do you speak? Fluently, only English. At one point I knew enough Japanese to reasonably get me and my husband around Japan for two weeks, but I have since forgotten most of it. I've been doing Spanish on Duolingo for two years but I would classify myself as a beginner still since I never actually try to talk to anyone.

Do you have any hobbies? Yes? I mean, depends what you consider a hobby, but: writing fanfic, reading, playing piano, jigsaw puzzles, going to parks, going to museums, shopping, and lately I've picked knitting back up and dabbled in embroidery.

You can hang out with one fictional character for an hour, who do you choose? 🤔 Trying to balance here between people I'm obsessed with and people it would actually be fun to hang out with. I think I'm gonna go with Sarah from Sarah and Duck.

Compliment yourself: I'm doing a pretty decent job raising my kids I think!

(3) ao3 first lines tagline

Rules: Share the first lines of ten of your most recent fanfics and tag ten people. If you have written fewer than ten, don’t be shy and share anyway (spoiler alert: rules are made to be broken…)

From newest to oldest...

"And how's my frock coming along?"

"Ah, yes, Tim, come in."

The Magnus Institute's library gets a decent amount of use by academics.

"They want us to do a Valentine's Day special. What do you think we should do? Chocolate?"

It's all a panicked blur: pushing Sasha to run for help, trying to escape to Jon's office only to find it full of worms attacking him, jumping out of the way and landing painfully in a pile of fire extinguishers.

He wakes in the middle of the night breathing hard, covered in sweat, but not from fear.

The door creaked open with its usual unpleasant squeak, drawing Jon's attention irritably away from the files he was paging through.

"You have two hours to get me an answer on what that thing is," Elizabeth says.

They lose the game, which maybe makes it even worse.

"Suomalainen on velho ja ruotsalainen on viikinki."

Tagging though ofc with no pressure to do this: @notthequiettype @ivorydice @footnotesandendings @shoujocowboy @helens-squid and/or anyone else who wants to do it!

[james-fun-in-the-sunderland]

1, 6, 8, 11, 14, 21, 22, 26, 28, 29, 30. maybe too many for one post but u can split it up as u like.

HIIII you always give me a billion qs from ask games i love u sm for it <3

obligatory link back to the npc ask game

1. What’s your NPC creation process like?

ALREADY ANSWERED FOOL!! (/j <3)

6. How do you pick names for NPCs?

same way i pick names for ocs of mine! if theyre not a one off npc or one off turned main npc then i search for a name that has a meaning relevant to who they are as a character! (swords's last name is lyon and her symbolic animal is a lion... winifreds name means reconciliation, giving her a fun ironic twist since she wants to KILL her ex husband soso bad lol) but if theyre a one off then typically i just generate the name using this american name generator and pick something i think fits the character at hand!

the only one that doesnt fit in either here is jacques who as i belief i said is named off of my old cat with the same name <3

8. What kinds of NPC (personality, class, culture, age, whatever occurs to you!) tends to be your favorite to make and/or play?

i really enjoy fucked up dudes!!!! if it werent obvious from my ocs... this was supposed to be a lighter campaign but i really love tragedy and making people have OBVIOUS issues and its fun to have stuff with those play out with the players, sometimes even being used to bounce off the players! also i like magic users. theyre fun. or people involved with the gods of this world! i think i really really enjoy making people who give off lore hints or just straight up tell you interesting stuff about the world c:

11. (which oc is...) Most unique?

oh this is a hard one... if we mean in context of the world itself like in that world then i would have to say speciallest girl ever henrietta but also not really bc theres also vanya.... hmmmmmmm but out of context i would have to say probably daggers, swords or dr. shi, i feel like those three have a good spread of not being too like many of my other ocs! (daggers having lots of image issues and being outwardly guilt trippy and feminine, swords being impulsive and almost like a shonen character, and dr shi being very monotone and intelligent (i like my dumbasses) plus all three have big as hell prides, they think they are HOT shit)

(putting the rest under a readmore so that people dont hate seeing me on their dash)

14. Most likely to be on a reality show?

HARD TO TELL... first instinct is to say daggers or swords bc those two interact with media enough to want to go onto a reality show (or henrietta bc shes. you know. leader of the old rebellion imagine the numbers that could do for the show) but i think final answer would be delilah bc not only would she LOVE to be on tv but she would like have an AWESOME time

21. Which NPC is the easiest for you to roleplay? Why?

ALREADY ANSWERED AGAIN!!!!!!

22. Which NPC is the most difficult to roleplay? Why?

ouhhh hard one here but id probably say first of all vanya bc my russian accent skills are NOT there. but in terms of personality and roleplaying in general not just speaking as them then probably wiz or daggers! both have to have an incredible amount of balance, in daggers's case its so that she is nuanced and not an annoying caricature considering my concept for her and with wiz its just . not revealing some things too early and not revealing some things too late, plus hes the quest giver and PLUS idk why but doing his voice gives me troubles. this is all ironic bc he is like. one of my favorite npcs lmao (hes better in writing IMO)

26. Which NPC is YOUR least favorite and why?

oh interesting... this is like having to say i hate one of my children i really never dislike any characters i create i just get agonies over them tbh but if i HAD to choose one..... hmmm probably vanya and/or richter, i really enjoy them conceptually but i feel like i fumble them too much and their story, while interesting and exciting in the beginning, became a bit more extraneous as time went on ! but really its not by much that i dislike them, i really love every npc i make

28. Is there any NPC you wish your party interacted with more?

THREE STRIKES YOURE OUT SIR !!!!!!!!!!!!!!

29. Are there any NPCs you wish you could play as a PC one day?

wiz probably fits most closely into the type of pc i would create for a game like this! however if i would want to be more fun more creative then i would actually really like to play jacques or vanya, mostly because they also are the types of characters i would make and they are easily translateable into a pc for this specific campaign (both in stat ways and in story ways!) as for a complete wildcard i think also playing as someone closer to the religion of this campaign (swords, rhys, etc) would be very interesting ! but im sure if i were to recycle a character concept from this game i would not expect who i would choose in the future...

30. Bonus question! Answer any that you haven’t been asked, or talk about any NPC you want!

oh god an open ended q ummm this is really the hardest question ever . i will give you a few little tidbits abt characters not on their toyhouse and not like fully really talked abt i tink...

Vanya is based on a character from dungeon meshi and originally followed this characters plot way more closely before i changed her up! not saying who tho

hook and rex came out to each other at the exact same time (as trans).... it was really funny and they almost immediately did a fun little clothes swap :)

even though wiz has his 50 ft vision, sometimes bc of habit when hes in his house he wont use it and if he has a guest he will often times get spooked by them... he feels silly after it happens every time lol

jacques is bisexual. also has never dated anyone ever. (he feels like its weird to date anyone from the village hes from bc everyones kinda like family there...)

rhys and the griffin god priest (mr hightower) have actually met once on occasion, they found each others company very enlightening but will not meet again ever

[2dgamesc]

Undertale

15 September 2015 Made by toby fox and Temmie Chang

Undertale is probably my most favorite game the music, Art style, Characters, humor. Everything is amazing in my opinion and the story is so good and how you can choose your own path of Pacifist, Neutral and Genocide considering which path you choose changes the story a massive amount.

The game always scolds you for doing something bad and remembers when you kill someone and reset and tells you it remembers. For example if you kill a major character and reset one of the two characters who know that you have that power talks to you about it which I think is so cool also if you do a genocide run you cannot do a pacifist run after and you get another bad ending the way to stop that is you have to delete all your data to get a good ending.

The art style in my opinion is really good its colorful and good looking the detail and music helps with the atmosphere. I also like when it goes into fight mode the colors go away which is the exact opposite to the underground which is very colorful I think that's cool.

The battle mechanic is really good as well I like the HUD of it and how you fight. The way you fight is turned based combat and you dodge attacks bullet hell style also the genocide route gets really hard making the combat even more fun and chaotic but a good chaotic.

[redpandaramblings]

The Art of Blind Dates. Deku x GN! Reader

This piece was written for @rat-zuki 's the deku agenda escapes no one collab. Happy Birthday to our favorite broccoli.

Content warning- This fic rated PG-13. Aged up characters, Allusions to sexual activity, swearing, gender neutral reader.

“You know, we really have to stop meeting like this.”

You jumped, the spray can you had been using left an unsightly streak of bright red across your masterpiece. You scowled behind your mask as you turned to face the man who had spoken.

“We do. You keep making me mess up my hard work!”

You smirked, pleased with yourself as you saw Deku, the number one pro hero, recoil at the sight of your mask. It had taken a few weeks to convert the All Might mask into an ahegao face, but it was worth it if it horrified your number one pain in the ass. Izuku blinked a few times, sighing and bringing a hand up to pinch the bridge of his nose. He was clearly choosing to ignore your choice of disguise.

“I wouldn’t have to mess with your work if you chose to do things that were, you know, actually legal? You’re talented, Brushstroke. You could get paid to do murals or something instead of…” Deku gestured towards your latest creation. You were rather proud of it. It had taken a good amount of planning to manage to paint a fifty foot tall mural of pro hero Dynamight mooning the city with the bold caption ‘The Hero Commision can kiss my ass.’ It would be perfect if not for the red streak from where Deku had startled you. With a contemplative hum you shook your spray can and quickly turned the offending mark into a cartoonish lipstick print. Midoriya sighed heavily. “I’m standing right here, you know.”

“I know.” You grinned behind your mask. The voice distorter you used did nothing to hide your chipper tone. “I also know you like it. And you can’t tell me Dynamight wouldn’t love it. He literally said that on live interview!”

“Yes, but not with his pants down to his knees.”

You bent over, throwing your cans of spray paint and climbing gear into your duffle bag. It wouldn’t do for your nemesis to get his hands on some of the tools you used. Mei’s stamp was all over it.

“Which is such a shame. The man’s got cake for days.” You chuckled as Deku pulled a face.

He observed you, hands on his hips. “And where do you think you’re going?”

“Away, obviously.” You said as you threw the strap of your dufflebag across you.

“And I’m just going to let you go?”

“Oh no. You’re going to chase me like you always do. And I’m going to escape like I always do. And it’s going to drive you crazy because you can’t figure out how I keep doing it.” You began stretching, exaggerating each movement.

“A teleportation quirk isn’t that hard to figure out.” Izuku began stretching as well, rolling his shoulders and popping joints.

“Guess again.” You sing songed, bouncing on your toes.

“Wouldn’t have to guess if you just told me.”

“But that’s no fun. Unfortunately, I do have to be going. Catch you later, hot stuff!” And with a sprint, you raced to the side of the building and jumped off before activating your quirk.

Time slowed around you. It was like you were hovering in the air instead of falling. Freeze Frame was a quirk you had learned to perfect over the years. Between the quirk and the assorted gadgets in your bag and on your person, it was definitely enough to baffle the number one pro hero. Speaking of, you better work quickly before your quirk wore off and splatted you across the sidewalk.

Freeze Frame was named after what your quirk looked like from the outside. It was as if you teleported, or you had frozen time around you for everyone except yourself. In reality, you were a speedster. When your quirk was active, you were able to move at speeds so fast you were undetectable to others, and to you it seemed like everything was paused in time. You probably could have been a phenomenal hero or villain if you wanted. But currently, it was much more fun to thwart a certain green haired man.

With a press of a button, you deployed a grappling hook, snagging it on the building across the alley. You swung over, keeping a countdown in your head. Would you be lucky enough and have time to…? Yes. There! A balcony door was cracked open slightly. You gracefully landed on the balcony and used the door to slip into what appeared to be someone’s bedroom, thankfully unoccupied at the moment. Taking no chances though, you slip into the closet just as the effects of your quirk wear off. The other reason you had never turned to heroism or villainy- no matter how much you trained, you could only keep your quirk activated for ten seconds at a time. It wasn’t a lot. Plus you could only activate your quirk a couple dozen times a day without getting seriously ill. But it still was usually more than enough to be able to give any law enforcement the slip. Just like now.

Deku curses as he runs to the edge of the roof. You’re nowhere to be seen. “Brushstroke! Get back here, you damn brat!” He shouted, running a hand through his hair in frustration. One of these days he was going to figure out your quirk and how to counteract it. And when that day comes he was going to take you over his knee and… No. He shook his head, blushing to clear his thoughts. What to do with you. Well, he wasn’t sure yet. You weren’t a villain, really. More of a public nuisance. The murals you did showed a lot of talent and a good chunk of the population agreed with the social commentary behind them. But that didn’t change that you had painted ten foot tall asscheeks on a building without permission. And, technically, it was within his job description to apprehend you. “Brushstroke!” Deku called again as he made his way down to the ground. There was no sign of you anywhere. Invisibility quirk maybe? Though it would be unusual if you could turn all the stuff you had been wearing and carrying invisible as well.

Meanwhile, as Izuku was getting lost in thought, you were getting naked. You stripped out of your gear and paint covered smock, moving as quickly as you dared while still remaining quiet in your hidden location. Just because the bedroom had been empty doesn’t mean the rest of the place was, after all. You shoved everything into your dufflebag, pulling out a clean set of clothing from a zippered pocket. Getting changed was a simple affair, as was ruffling your hair, messily getting it to look like a different style. One of your favorite tricks happened when you pushed a hidden button on the edge of your duffle bag. The previously dull gray bag quickly morphed into a loud riot of tye dyed color. Chameleon bags, Hatsume called them. Still in a prototype stage, your friend and employer would probably make a mint on them if you put them on the market. After a final brush off and deciding you looked acceptably civilian, you peeked out the closet door. The bedroom was still empty. You crept out slowly. The balcony wasn’t a feasible exit anymore. Not without the gear you had had to store away. You were going to have to sneak out the front door. You activated your quirk, feeling a little queasy at having to use it again so quickly in succession. It was simple to race through the apartment and out into the hall within your short time limit. In fact, with your speed, you were easily able to exit the entire apartment complex. You still had a few seconds to spare when you shot out the door. You grinned at seeing the number one pro hero standing in the middle of the street. You knew you shouldn’t do what you were thinking. Instead you should use your last few spare seconds to put some distance between yourself and the large, green haired man. Instead, you quickly dug around in your bag and found your tube of lipstick. You applied a nice thick coat as you waltzed up to him. With a giggle, you planted a firm smacking kiss on his cheek, leaving behind a clear and perfect lip print. With a grin, you hurried back to the apartment complex. It was easy to make it seem like you were just coming out of the door as time snapped back to its proper speed. You watched, hiding your smirk as you observed the clearly frustrated hero scanning the crowds for any sign of you. His eyes passed right over you, barely giving you a glance. You almost felt hurt that he thought your normal look was that unremarkable. But that was the point, after all. As Deku continued to call out for your pseudonym, you turned and walked away, blending into the crowd. You were almost out of earshot when you heard a loud cursing exclamation that would have been more in character for a certain blond hero. You bite your knuckle to muffle your laughter. Someone had informed Deku of the lipstick mark.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

You sipped from a bottle of water as you watched Mei work her magic. It was strangely relaxing to watch her in her element. Though it seemed chaotic the first few times you had witnessed your friend work, there was a clear method to the madness if you just knew where to look. And you knew exactly where to look now that you had been working with her for the past three years. You were simply listed as one of her assistants. Most days that involved a random jumble of cleaning, paperwork, schedule management, and coffee making. The real reason Hatsume loved having you around however, was days like this.

“Okay! Set!” She chirped happily. “You good to go now?”

You nodded as you slid down, and walked into the testing area. “Remind me what I’m looking for again?”

“Well, obviously the usual. Make sure it’s not lethal, of course. And then I want to make sure the grid is deploying at the right time. Should be about a quarter second after detonation.”

“As long as everything looks good, want me to be full blown dummy this time?”

Hatsume tilted her head, and considered a moment before nodding. “Yeah, should be fine. Have the explosive levels where they should be. If anything messes up it’s going to be the grid deploying too soon or too late and not restraining you right.”

You gave her a thumbs up as you got into position. She counted down, though that didn’t matter much to you, honestly. One of the best perks of your quirk was that it gave you insane reflexes. You waited until the moment you saw the detonation begin to happen and activated your quirk.

As usual, it felt like time slowed to a crawl around you. Hollywood directors would give a kidney to have access to the detailed slow motion you could experience every day for free. You walked around the device, looking it over. It was meant to be a capture aid for pro hero Cellophane, a small explosive that would shoot nets of tape in all directions. It had to be safe and effective. Better to have a few civilians stuck to the walls than to risk letting a villain escape, after all. You peered into the explosion that was slowly rippling outward. Everything looked good so far… Yep, there were the grids starting to deploy. Sure that everything was safe, you deactivated your quirk and instantly were thrown backward and stuck to a padded wall of the testing room.

“Looked great!” You called as Hatsume entered the room. “I think you’ve finally got it!”

While she cheered and began praising her baby for performing so well, you tried wiggling. No luck. You were stuck rather firmly. Apparently she had upped the strength of the adhesive. After a minute, Hatsume finally noticed your struggles.

“Oh good!” She chirped. “Looks like the new formula is holding up nicely. I mean, I still need to test it out against, like strength and fire quirks, but looking good so far.”

“Little help, please?” You ask, giving her a look.

“Maybe in a bit.” She said, turning her back and leaving you there, pinned. “Want to test how long it holds. Besides, I have some questions about your last escapade and how my babies held up.”

You let out a resigned sigh. Of course. Your friend had found out about your after hours hobby about a year and a half ago. Instead of discouraging you, it hadn’t surprised you that much when she blackmailed you. She wouldn’t tell the police or heroes…. If you used some of her experimental babies on your future excursions. You had been dubious. Hatsume’s babies could be a little dangerous in the prototype stage. But it ended up working great! Your pieces went from small tagging jobs to huge fifty foot murals. Though that had caught the attention of a few public figures, including a certain green haired pain in your ass.

“I didn’t use anything directly against Deku this time.” You sighed, going limp to test if the tape would hold your weight. It did. “Grappling hook works great. The painter drones are okay for filling in large areas, but aren’t able to do clean lines well. The gecko boots continue to be amazing, but the gloves need a lot of work. The control for when they release still isn’t great.”

Hatsume nodded, quickly making notes about everything you said. There was a bit of a quick back and forth where she asked questions and you answered. Though ten minutes passed and you were still stuck to the wall. She eventually sets her notes aside and turns to face you fully. “So,” she drawls. “You saw Deku again.”

“I always see Deku nowadays!” You groan. “I swear Mei, if I find out you’re tipping him off or something...”

“Aww, come on! He’s nice! Would you rather be dealing with Dynamight?”

You frowned, not meeting her gaze. “I mean, the variety might be nice?”

“You like that with the help of my babies you’re able to out fox the number one pro hero, admit it!”

“It might be a little satisfying,” you mutter.

“And it doesn’t hurt that he’s hot either! Heard you two get all flirty during chases. The tabloids loved the kiss mark, by the way. Enjoy finally kissing him?”

“Hatsume!” you groan. “Subject change, please! Anything else!”

“Anything?” she grins at you.

“Oh god, I’m going to regret this.”

“It’s not that bad, I promise! Just, would you be interested in a blind date?”

You blink. “A date?”

“Yeah! One of my friends from school has a lot of trouble meeting people organically. You know how the industry is. Ridiculous schedules, maintaining reputation, trying to make sure they like you for you and aren’t just a fan.”

“Yeah… I guess I can understand that.”

“Well, I just think you and him would be a great fit! He’s a huge nerd in a lot of the same ways you are, but a real good guy once you get past the awkward. Plus,” Hatsume dropped her voice to a conspiratorial whisper “I happen to know for a fact that he’s a fan of Brushstroke’s work.”

You sighed, rolling your eyes. “You know it’s extortion to try to get me to agree when you have me literally taped to a wall.”

“I know!” Hatsume chirped happily. “So are you going to agree? I made the adhesive pretty strong this time. Who knows how long it would take to wear off on it’s own?”

“Bitch!” You can’t help laughing. “Alright, alright, I’ll go. Just get me down from here!”

~~~~~~~~~~~~~~~~~

You fidgeted with the ring you were wearing as you stared at the building in front of you. Maybe it wasn’t too late to bail? You don’t know exactly what you had been expecting when Hatsume had told you about the somewhat shy, nerdy man she had set you up with, but you hadn’t expected him to choose the fanciest restaurant in town as your date location. You were wearing your best and still felt underdressed. Well, if the date was a disaster, at least you knew what building you were going to spray paint next. The glistening white exterior would make for a great canvas. You chuckled quietly at your own thoughts.

Squaring your shoulders, you took a deep breath and marched in. You could do this. You were an infamous tagger. You faced off against the number one pro hero regularly. Your day job was working with Hatsume. You’ve got this. With an air of newfound confidence, you gave your name to the maitre d. It was a surprise when you were led through the restaurant to one of their private curtained rooms. This guy you’d been set up with was apparently going all out. Maybe you were going to like him after all, you thought as you were ushered in. Then you looked up.

Fuck.

Standing to greet you with a stupidly flustered look on his damn stupid handsome face was your nemisis. The number one thorn in your proverbial side. The giant broccoli himself.

That BITCH had set you up with Izuku Midoriya!

You froze. In the back of your mind you were aware that your mouth was hanging open. The green haired man shifted his weight from foot to foot. “Hi,” he said quietly, scratching the back of his head.

You continued to stare.

He cleared his throat, glancing to the side. “Sorry about the secrecy, but I think it’s understandable.”

You nodded weakly.

Izuku bit his lip. You realized with a start that he might be even more nervous than you are. As much as you planned to murder Hatsume later, this wasn’t Midoriya’s fault. You could get through this date at least. Eat some expensive food, drink the best wines, make some meaningless conversation, say your goodbyes, and then go home to plot the demise of your former best friend. Long, slow painful demise. Good thing about being an artist, you had lots of traps, so clean up should be easy. Looking at the worried expression on Izuku’s face, you realize with a start that you still haven’t actually said anything to him. You open your mouth to offer some sort of generic greeting. But what comes out is-

“I’m going to fucking murder Mei!”

Izuku blinks. Blinks again. Then he starts laughing loudly. He leans one hand on the table as he cackles. You stare before starting to chuckle yourself. Soon you’re both wheezing with laughter. You both slump into your seats, trying to collect yourselves. Midoriya speaks first.

“Yeah, I… I get that. I’d think that’s a common emotion when hanging around Hatsume.”

You can’t help your smile. “Only at least half of the time. But that’s what makes it fun. No one else like her.”

“That’s for sure.” Izuku leaned back in his seat, looking you over like he’s studying you. “So, I suppose we should actually introduce ourselves. I’m Izuku Midoriya. I do hero work.”

You laugh. “Y/N Y/L/N. I work for Mei and freelance art when I can.”

“Art, huh? What kind of stuff do you do?”

You’re briefly interrupted by the arrival of the first course. After the waiter leaves, Deku apologies. “Sorry. Didn’t mean to order for you, but this is one of those places where you pay them and they tell you what you’re going to eat.”

“It’s fine.” You say as you stare at the delicate wisp of some sort of thinly shaved vegetable with a dollop of strangely colored foam on top.

“You were saying what kind of art you do?” Deku cautiously was poking at the tiny fancy appetizer.

“A few different things really, but my passion is mural work. Latest job was in a maid cafe. They wanted something cute and floral, but they let me do what I wanted within that theme.”

The night continued on and was surprisingly easy. The food was delicious, the wine was better, and you were pleasantly surprised by the company. Maybe it was the wine softening you up, but as you looked across the table where Izuku was animatedly talking about how influential All Might’s example had been for him, you admitted to yourself that the green haired man was very handsome. And funny. And interesting. And you were trying very hard not to think about the way Midoriya’s large scarred hand wrapped around the delicate wine glass. It was a surprise when the final course was finished and Izuku was quietly taking care of the bill. He escorted you out of the building and you both stood awkwardly outside. Deku cleared his throat.

“If it’s not presuming too much, I’m not quite ready for tonight to end. Is it alright if I walk you home?”

“I’d like that. Like that a lot, actually.”

He smiled at you, and it was like the sun. You walked and talked animatedly. The conversation was so easy and fun, and a little flirty. Somewhere along the way your hands brushed together and holding hands became the most natural thing in the world. Time flew by as you walked together, your true destination long forgotten. You were only brought back to reality when out of the corner of your eye you saw a massive mural of pro hero asscheeks. When Izuku saw what you were looking at, he groaned.

“Could you please not check out my friend’s ass while we’re on a date?” He joked, gently elbowing your ribs. You laughed.

“I mean, you can’t blame me. It’s hard to miss.” You made a mental note to tell Mei that her paint formula was holding up beautifully.

“It’s a little embarrassing. Brushstroke is talented and all, but every mural is a time I couldn’t catch them.”

Maybe it was the wine still buzzing through your system. Maybe it was the thrill of it. Maybe you just wanted to see those beautiful green eyes widen. But you couldn’t help the next words out of your mouth.

“Well you might have an easier time if you ever actually figured my quirk out.”

“Yeah I…” He stopped. Stared. “You…” He stared harder, pulling away slightly as he looked your figure up and down. “You!!!”

“Surprise?” You laughed, and grinned at him. He was always so handsome when he was angry. You weren’t scared at all as he hauled you close.

“Do you have any idea how infuriating you are?”

“Pretty good idea, actually.”

“You’ve been leading me on goose chases for months!”

You grinned “Yes, will be our anniversary soon.”

Izuku groaned as he wrapped his arms around your waste. “You irredeemable brat!”

You would have replied, but in the next second he was fiercely smashing his mouth against yours. The kiss started harsh and desperate. The results of months of teasing and flirting. It gentled as the two of you stood there in the night, soft and sweet and full of affection the two of you had yet to put into words. The thought occurred to you that you’d have to thank Mei later. Your eyes opened as the two of you pulled away for breath. You started giggling almost immediately. Izuku pressed his forehead against yours.

“What’s so funny, darling?”

You smirked. “I never thought we’d have our first kiss while being mooned by Dynamight.”

Izuku groaned loudly before sweeping you up into his arms. You squawked and clung to him.

“That’s it.” He rumbled. “I’m going to spank you when I get you home, you fucking brat.”

“Promise?” you giggled.

You didn’t mind in the least when he shut you up with another kiss.

[trainingdummyrabbit]

late for the ask game but if you're still doing it; molly blyndeff !

oh i am absolutely still doing it! lets see what we got!

> First impression  i actually didnt see her at all until i started watching! from the start it was kind of an ambient “oh whos this? cute design.” an overall positive!

> Impression now  oh i wanna give her a hug SO bad. genuinely so good. ok so, from a writing standpoint, she is SO good. love her little quirks, the way shes written is immensely solid and she fits in so well for the genre. capable of being both the “What Is Actually Going On Here.” role and the “Sillymode(tm)” role, sometimes at the same time.  also, as a kid character, that aspect comes across so well! shes never belittled or looked down on (by the narrative) like other series have a tendency to do-- shes just a person. and thats nice. and shes Written like a person! shes taken seriously, and still has those little quirks where she is Very Clearly A Kid, without hammering it in too hard! 

> Favorite moment  honestly... a really big sucker for the exchange she has when she first meets the banzai blasters. it tells so much about her character and the way she thinks, while seamlessly melding with the silly antics the other characters present! and she harmonizes so well with it, being Mostly the role of the Level-Headed one, but still so clearly dyed by the context of the narrative theyre in being... well, silly!  her craftiness and the blasters’ dumb villainy is just... utterly infectious to watch.

> Idea for a story [smacks hands on table] there are never enough museumtrio sleepover fics. on the other hand though, molly is another character that would benefit really well from an introspective-centered story, one where things are happening, yes, but the main focus is on Molly’s internal thoughts and feelings, how She chooses to act or react to things. it could be anything, honestly-- but itd do really well in a scenario like the banzaimeeting like stated above. let! her! SCHEME!

> Unpopular opinion  this is less of an unpopular opinion and more of something i try to be wary of reading or writing: babying her too much. she Is baby, yes, and she is. so so tired and so badly deserves a nap, but she is also Immensely sharp witted and quick to solve problems, and its very easy to fall into writing kid characters (especially like her) as cardboard cutouts: weak stand-ins for where a character could go. not to say ive necessarily Seen it (at least, not that i directly remember,) but i so badly want to exemplify Every Bit of her character. she is a kid and should Not be burdened with the responsibility of what so many other characters must-- but she isnt useless. she isnt some damsel in distress. she should kick someone in the shins if she has to. id clap.

> Favorite relationship  ok a little bit of a weird one. its kind of a tie right now but: giovanni or indus. her interactions with giovanni are genuinely so infectious to watch. they play off of each other perfectly, both of them enabling the other in silly shit while flailing around trying to make shit work. not to mention what a good emotional influence gio is on her, or the amount of level-headedness molly brings to the table. their balance is very very good and watching them mess around was very fun! indus... might be a little biased, but indus’ complete and total envelopment in the genre makes watching molly interact with him Immensely fun. and the fact that indus genuinely respects her makes me immensely happy! especially considering she does the same right back to him. whether theyre on the same side or not, the way their characters flow around each other is very fun. id love to see them talk to each other again.

> Favorite headcanon molly likes to feel tall. piggyback rides, tall stools, theatre seats wayyy in the back-- its fun! i think she would enjoy it. she likes being able to look over things and point to things in the distance she couldnt have seen otherwise. i imagine shed like to swing her feet if she gets one of those tall chairs at a restaurant or something. 

[Ask Game]

[hivequest]

Taking a Risk » Mallek Adalov/Reader

Wordcount: 2.3k words

Warnings: Swearing, fluff, stressed out reader, chillboy Mallek. TYping quirk only used when texting cause I could not be bothered lmao Originally posted on AO3

A/N: One of my favorite things that I’ve written, ever. I love Mallek and he’s for sure one of my favorite Friendsim characters. When I wrote this I was really feeling those Quarantine Woes

You didn't know what you were doing here. You felt out of place in the worst possible ways. It was a weird, squidgy feeling like stepping on wet grass. But not like the fun kind where you were running around in a sprinkler on a hot-as-balls summer day. No, this was the bad kind of wet grass that you stepped on without knowing it was wet. Why weren't you wearing shoes?

This analogy is stupid. The point is, you're feeling bummed out.

And what better way to not have to deal with that than hang out with someone you knew wouldn't push you into talking about all the ways crashing on this planet sucked! The point is, you're on your way to see Mallek. Mallek is absolutely the kind of friend who can tell when you just need to sit down and veg out. You had been so caught up in everyone else's bullshit that you weren't looking after your own damn self. So now you were doing that.

All it took was a quick text, asking Mallek if he had any company. He texted back only a moment later with a no, obviously not. You asked him if he wanted any. Not really. You ask him if you can come over anyway. Obviously.

You smiled at the palmhusk in your, well, palm. You could already feel the chill vibes of your hacker friend. Friend? Was that the right word for it? You didn't know anymore. When you first met there were definitely some sparks there. You could still feel them now and it made weird butterflies flutter around in your stomach. When you slapped his phone out of his hand and he sent you ass over applecart into the slimy depths of sewer water and he saved you, tits out and all.

You shook off the weird wistful feeling of maybe possibly crossing the friendship barrier and told him you'd walk to his hive. You'd been moping in some bookhive, not your usual hang-out spot with Tagora or Tyzias. This was some upper caste bookhive with purple bloods and some indigos and definitely not where you were welcome if the looks you were getting were any indication. They ranged from snooty to downright murderous. Yeesh.

Your phone -palmhusk, stupid troll names- beeped again. You got another text from him and those cheery fucking butterflies were back. God, you had it bad.

yeah were not doing that lmao;

im not going to let my robobuddy walk out in the sun

do you even know what time of day it =

just stay put ive already got your location ill pick you up;

And like a good little friendsimp. You park your ass on a chair and wait. You hadn't released your moping had taken up most of the night. But with the quick look around, yeah, no, this place was nearly empty by now. Just some older bluebloods trying to cram before their Ordeals and get shipped off-planet. Again: Yeesh.

You kept your ears open for the telltale sound of Mallek's limo. It was a sound you were getting used to these days. He always seemed ready to drop whatever coding shit he was working on to come to see you. You tried not to think too hard on what that might mean. No need to get your hopes up now. It's probably just your bad mood making you imagine some context where there's nothing. Yeah.

Damn, that shit hurted.

Just as you were about to add that to the reasons you were considering just screaming your lungs out who cares whose listening? you heard the wonderfully familiar sound of an approaching elongated scuttlebuggy. If that wasn't enough of a clue as to who the ride was for the quiet of the bookhive was very abruptly disturbed by a series of rhythmic beeps.

Holy shit was that the Tetris theme?

You shoved your palmhusk into your hoodie pocket and yanked the hood over your head. Even if the sun was only out a little bit you didn't want it anywhere near your freshly healed skin. You had no kind cowgirl to nurse you back to health right now if you got your asscheeks baked by the flaming death orb. You peeked your head out and even with the blinding light of Alternia's suns you could Mallek had opened the door and was waiting for you.

Aw. No, shit. You're in a bad mood don't get all heart eyes at him. Don't make it weird.

You took a few steps back into the bookhive, ready to make a run for it. You turn to a sitting indigoblood, who is just staring at you disdainfully for keeping the door open. You give her a two-fingered salute. Godspeed young cosmonaut. She gives you a one-fingered salute. Close the door you insufferable bulgebiter. Fair.

Taking a running start, you book it out into the heat of the Alternian sun and dive for the open car door. It's then that you realize he's halfway parked on the sidewalk to lessen the amount of time you'd have to spend in the sun. Aw. That also means that you came barreling like a cannonball at something that was like two feet out of the door. FUck.

Your face meets carpet and you can already feel the rugburn starting to set in. You hear a startled wheezy laugh from above you, a sound you know better than anyone else on this planet. You smile. It's not like you had any dignity to begin with.

You say hello to him as you peel yourself off of the floor of his car.

"Hey, there robobuddy. You stuck the landing this time," He smiles down at you as he reaches over you to shut the door, closing the space out from natural light and leaving you both lit by his colorful LEDs. You shrug and tell him you've been getting a lot of practice landing on your face these days. The look he gives you is still smiling but there's some level of disbelief at the dumbassery that is your whole existence.

"I know you can get yourself into it. Nothing too bad this time, though, right? No drones or broken bones?" He sounds concerned which is nice but he doesn't drown you with his concern. He leans back on the bench of his limo, keeping an eye on you as the vehicle begins to move on its own. You've been staying out of big messes but the little messes are starting to mess with you. He makes a sound of understanding the sounds as it comes from deep in his chest. Whoa. "Believe me, I've been there. Glad you're not cracking under it though."

He smiles and you can see his little fang and you can feel your heart melt a little. And also you're getting a bit teary-eyed and now Mallek looks alarmed. Shit. You try to quickly explain that you're fine, just, alien allergies am I right? He must be using some new air freshener to mask the musty smell of his limo. Since doesn't use it enough. Ha ha?

He isn't buying it.

With a rare show of cerulean prowess, he lifts you up off of the shitty car rug and sets you on the seat beside him. He feels uncomfortable and you can tell. Ah, goddammit you made it weird. You didn't mean to. Fuck. Fuck now you're feeling even worse. You thought you were starting to balance out. You're with Mallek now, shouldn't everything start to quiet down like it always does? Fuck. He doesn't say anything at first, just leans back against the seat and stretches his arms across it, letting you lean on him if you choose to.

...You choose to.

Your head finds itself somewhere between his shoulder and his collarbone, and you just. Shove your face there. Then scream.

To his credit, Mallek doesn't even flinch. He doesn't wince or shy away from you as you let out every bit of anger, sadness, and frustration out against his sweater. He just sits quietly, staring straight at the blacked-out windshield. You get the feeling he's needed to do this more than once.

Screw this planet. Screw everything about it that makes all of your friends suffer. Why can't you just get them away from all this bullshit?! Why do you have to deal with everyone's bullshit! You love them, you do but holy fuck they're looking to you like you can undo all the damage this place has done to them when you've got literally no god damn idea what's happening at any point ever!

And then, just like that, it fades into the background. Your throat hurts. Your head hurts and you think you might be crying. But it feels lighter. Better now that you've gotten some of that aggression out. You aren't like the trolls on Alternia. You can't kill people when you experience an Emotion™. But that doesn't mean you don't get pent up with rage.

Mallek realizes that now. He lets out a breath he didn't realize he was holding and his left hand slowly moves down from the back of the seat the rest against your back. His thumb brushes against your back, the claw drawing little patterns against the fabric of your sweater. His sweater. He tries not to think his sign your chest. This isn't the time.

"Feeling any better?" He asks and you don't know how to answer. You kinda don't want to. But you nod anyways, and you feel some tension leave his body. You knew he was worried about you. You apologize for making him witness your meltdown but he just makes another deep-chested hum. "Nothing to apologize for. I got the feeling you weren't feeling great. I could tell from the texts, you didn't use nearly enough ugly emojis."

You scoff and smack a hand against his chest and once again you hear that wonderful laugh from him. Hey! Your purrbeast emojis are adorable, thank you very much! And you'll not hear another word of it or else you'll send him pictures of rocks and rocks exclusively. No more memes.

"Jokes on you I'm into that shit." You laugh and thump your head against his collarbone. You thank him for being with you when were needed it. And picking you up to make sure you didn't deal with it alone. You don't want to make it weird but...yeah.

He doesn't respond this time, just letting you both enjoy the silence and the comforting sound of the engine. You should almost be at Mallek's apartment by now. It's as you're settling in for the last bit of the drive that you notice that the limo isn't moving. And hasn't been for a while. Your head pops up in confusion and the little GPS display on the back of one of the seats says... yep.

You're already at Mallek's.

But then why is the engine still on? That can't be good for the environment. Do these things even run on gas or is it bugs? Bug gas? Gross.

You notice then that the rumbling is coming from behind you. Like. From where Mallek is sitting. He doesn't look away when you turn to him, just kind of tilting his head to the side with a little bit of a cerulean hue to his cheeks. Oh. Oh, the sound is coming from him. He's purring. That's.

That's adorable.

You feel yourself soften even more when he lifts his arms, silently offering a hug if you want it. Is this platonic? Is this more? You've never had too much trouble identifying what people wanted from you. (Debatable.) If was overtly flushed you could shut it down or divert it to something very much friends only. (Like your every exchange with Zebruh.) But did you even want to do that to your hackerman? You could feel yourself screaming, no, absolutely not. But at the same time, you didn't want things to change. You didn't want to make his issues any worse than they already were. He didn't have too much longer on the planet and you knew it would tear him apart.

But then he turned those blue eyes to you. He looked just as unsure as you were but he was willing to take the risk. He shoved himself so far out of his comfort zone for you and was asking you to be selfish. To want something for yourself and do something for yourself. Not put him or anyone else's wants first. Just your own. And so you did.

You crawled up into his lap, pressed yourself as close to him as you could and clung to him. His arms didn't hesitate to wrap around you and you could feel a shuddering breath from above you.

"We don't have to put a label on this... not yet. Or ever. Either way is chill with me. I just... yeah." He gave up with a little shrug of his shoulders but you knew what he meant. Unless you could find a way to fight fate he was going to go off-world. He was going to leave you and you doubted you'd be able to go with him. You'd probably get gored by a drone for even trying.

But even if it was just for now, just for a moment, you were going to take it. You were going to let yourself have something, have someone who would care for you no matter how long or short your time was. You'd take it. You had stomached some of the most horrible things on this planet but Mallek had always been a constant. And you got the feeling he thought the same way about you.

So, you'd take it. Whatever comes next, you'd take it. You listened to the sound of his purring, in no hurry to move to get inside the apartment. Mallek felt the same.

You exhaled.

You would be okay.

[convenientalias]

2021 Kdramas I Watched, A Belated Summary

It may be March 2022 but I SAID I WOULD MAKE A POST ABOUT THE 2021 DRAMAS I WATCHED AND DAMN IT, I MUST.

SO. In brief. Here they are. In the order of how much they appealed to me personally.

INCREDIBLY GOOD, IN A TIER OF ITS OWN:

The King's Affection was fuckign wonderful. I was procrastinating watching the last couple episodes bc I didn't want to finish it, which is why this post is being posted in fuckign March 2022. It has my favorite kind of crossdressing--a combination of superbly tense identity porn and a woman being convincingly masculine both in appearance and in attitude. Lee Hwi (or Dam-i or Yeon-seon, as you prefer) was my favorite character by far. I loved the stern, cold way she presented herself, her general badassery (every time she swooped in to save the day I would just kind of squeal, and also every time she used a sword or a bow and arrow), but also her softer, more vulnerable side that she only showed around select ppl. Also loved the side characters! I had no idea from watching Beyond Evil that Nam Yoon-su could be so good, but I already loved Rowoon from Extraordinary You (which was a disaster, but Rowoon was one of the few consistently good things about it). The villains were interestingly villainous, the intrigue was popping, the pining was painful, and the pace only allowed for the smallest amount of filler. Also a lot of queer vibes--genderfuckery aside, you would have to try pretty hard to not see Jung Ji-un as bisexual.

DRAMAS THAT WERE PROBABLY WRITTEN WITH ME IN MIND:

Mine--Literally I am ALWAYS craving femslashy thrillers and Mine DELIVERED. Canon lesbians! Femslashy antagonists turned allies! Sisters-in-law who are closer to each other than to their husbands! The fashion in this show alone would have kept me watching but the characterization and plot also would have kept me watching if the aesthetics had been trashed. A guilty pleasure bc it's just so very much my thing it's a bit embarrassing. the only regret I have is that there are no whumpy men in it but I admit that this show's disinterest in men in general is part of the appeal.

Lovers of the Red Sky--Another show where I was half there for the aesthetics, though in this case it was the painting rather than the outfits. The paintings are just so lovely and so central to the plot, and I loved watching them get painted. Also a good amount of whump, and a very satisfying romance. I love an artistic yet practical career woman and her mysterious, angsty, intriguing boyfriend. Especially loved the lack of bullshit in their relationship, impressive considering the level of bullshit they have going on in their lives in general--yes they do a little star-crossed-lover-ing but in general they know they want to be together so they are together. Even when it's risking their lives or a distraction from their revenge schemes. They have Priorities, and you can debate with those priorities if you want but sometimes you just want to see two people choose each other.

MISCELLANEOUS THRILLERS:

The Devil Judge was my favorite thriller of 2021. It had a good level of whump and while I wish it had more stuck with the antagonistic homoeroticism of early episodes, you have to respect its sharp and decisive swerve into found family territory bc they really did commit (and it's still slashy, just in different ways). If I ever get around to writing a full review of this I will say its stance on justice and judicial systems is kind of fucked up, but its level of moral gray and distrust in any system is part of what drives it. Also Kim Min-jung did an amazing job as Seon-ah, many kudos to her. Of these three miscellaneous thrillers, I think the Devil Judge had the best female characters all around--the other two tried, and I think The Veil's better than Beyond Evil in that area, but they're basically very focused on their male protagonists, whereas The Devil Judge comes closer to an ensemble cast vibe depending on the episode.

Beyond Evil sometimes knocked my socks off and sometimes bored me to tears and sometimes made me grit my teeth. I wrote a couple posts on that so no need to go into detail. The acting was good, the pacing could have been faster. The view on justice was again kind of messed up and in my opinion too harsh but then that's true of many crime dramas. I have read some good fanfic and seen some nice fanart and am glad I watched it.

The Veil was a fun and easy watch but I don't think it's going to be a memorable one. The whump levels were high, the amnesia was very fun, and the fight scenes well-choreographed. In terms of message, I'd say it boils down to something like "espionage is a fucked up career and everyone who does it is some kind of morally questionable", which... seems a bit obvious. And kind of makes the conflict annoyingly gray on a level of "I don't care who wins here bc everyone kind of sucks" but oh well. At least I can root for the main character.

A WILD MOVIE APPEARS??

I also just the other day watched a Korean movie that came out in 2021, called Recalled, or Memories of Tomorrow. It's the type of thriller I really enjoy, with an unreliable POV character, amnesia, and a marriage apparently full of secrets and lies. The two main actors I knew from other shows and I love both of them--Seo Ye-ji from Save Me and It's Okay Not to Be Okay and Kim Kang-woo from Circle: Two Worlds Connected. I wouldn't have believed they would have good chemistry but they're very convincing both as people who care about each other deeply and as people who deeply distrust each other and are guarded against each other, which as ideal for a movie about a woman who can't remember if she should or shouldn't trust her husband. Would recommend :) kind of sad though.

So! that's my thoughts on 2021 dramas. I still intend to eventually catch up with some other ones, like The Silent Sea, but I figured I'd make this post now or else I'd just save it for when I'd watched every single 2021 drama I ever wanted to watch, in 2025 or something. In 2022 so far I've been watching more 2022 cdramas than kdramas... but that's a subject for another post.

[astaroth1357]

I love reading your how to guide they're fun to read and I was wondering if you do a how to be the brother's sugar mama 🤣

So I'm not going to lie, I'm pretty sure Lucifer would let you be his Sugar Mama over his actual dead body so... I did a Sugar Baby instead. If you really want me to write the Sugar Mama, message me and I wiiilllll but I think it’s more of a stretch then I was comfortable taking otherwise. But if we're doing this at all, we're going to have to do it NSFW people. It’s going to be sort of unavoidable either way, so strap in cause I sure did.

How to be a Demon's Sugar Baby

Make the Most of Your Bartered Soul!

Well, well, well this is quite the arrangement you've made with the forces of Hell now, isn't it?  There's nothing wrong with expecting a full return on your investment since you did give away your soul for this so it's time to enjoy that compensation! While we're sure that you're ready to be spoiled rotten by your beloved demon, there are going to be certain things expected of you in order to keep that affection flowing. In our guide, How to be a Demon's Sugar Baby, we will give you insight into what kind of actions you should expect to perform as well as the benefits you can receive when you start pampering your dearest demon! Always remember, love isn't material, but having good stuff is really nice regardless!

ATTENTION: This guide contains material not suitable for all workplaces. Reader's discretion advised.

Lucifer

What a wonderful selection for this kind of relationship because this demon is loaded! You need not worry about asking for too much. Whatever your heart's desire, Lucifer can provide.

HOWEVER… He's not a very generous demon. Every cent that he gives you, you will have to earn. The man isn't in the business of giving handouts, even to cuties like yourself.

Lucifer can be a demanding Sugar Daddy for sure. He will expect you to be ready for him at the drop of a hat. One text, one call, even a passing mention of your name, and you should be there. No questions asked or you will be punished.

It pays to be astute with Lucifer, too. If you're good, then he shouldn't even have to command you. One step in the room and you should know just what to do and how he's going to want it. Though remember, even if he doesn't say much, he's in control here.

There will be times where he's not looking for a little release and just needs some relaxation. You'll, of course, be expected to provide for that too: back rubs, tea, and pleasant conversation are all options you should get acquainted with very quickly.

Understand this now, anything short of perfection is not tolerated. If he's taking you anywhere, you're going to have to look/be amazing Every. Time. He'll make sure you'll have everything for it, but there's going to be no slacking off with him. Ever.

If you're looking to satisfy Lucifer, you won't just be a side piece or arm candy. You will be a trophy and he will spoil you like one.

Mammon

So maybe you don't like your Sugar Daddy with a lot of cash, but just the inability to say "no" to you in nearly any capacity…? Then Mammon's is your perfect pick!

True, it may not be wise to choose a Sugar Daddy who seems chronically without sugar to give but if there's any gambler in you then Mammon can be a near constant rush.

His highs are your highs, if he's out gambling then he'll want you on his arm or in his lap for good luck. Cheer him on and sprinkle in a bit of teasing because he's positive he makes better bets when he feels on top of the world.

If he makes a killing, then it's an all night celebration. He may even cover you in the Grimm just to enjoy how it looks. You won't stay like that very long though, because he'll need to have his way with you quite a few times before the sun comes up.

Don't fret, most of that money that he makes is going to go towards you anyway. You won't have to worry about him putting his bills over his Sugar (even if it's ill-advised).

Do remember that Mammon is a cheapskate at heart, but you shouldn't have any trouble bypassing that if there's something you want. Flash him some big, watery eyes and he'll cave every time until he goes broke again...

And then his lows are your lows… But if you still show him kindness and compassion even when he's flat broke, we guarantee he will never leave your side.

Leviathan 

Are you an otaku/gamer/geek who wants copious amounts of that sweet, sweet merch and a little love on the side? Then you also want Levi.

Just know that this demon is desperate for love in his life so you'll be busy on most days. Levi needs to be lavished in attention: cuddles, pets, kisses, and probably more sex than you can process. He's veeery pent up...

Thankfully, he stays in his room all the time so you can do whatever you like away from prying eyes! Which is good, because he tends to get adventurous when he's confident. There won't be a spot in his room you two have not been before.

Like Mammon, Levi's going to need a cheerleader as much as he does a lover. Nothing is quite like starting a competitive match with someone very vocally in your corner.

We do hope you like anime, video games, or general geekry because he won't tolerate indifference. You need not have memorized the entirety of the TSL Extended Compendium, but you should at least be able to identify his favorite characters or scenes in anything he watches. You won't last long otherwise.

If you can then consider the entirety of Akuzon's wares to be yours. You'll only need to ask. If there's any particular series that you enjoy, expect its merch to be gifted to you whenever he sees it. He'll have very little self-control (especially if it's all for you).

Truthfully, we have no idea where Levi gets his money so just don’t question how he keeps buying you so many things... It's probably some shady cryptocurrency or black market type stuff so we recommend you stay out of his finances, lest you learn something you regret...

Satan 

Ah, an intellectual are you? Not satisfied with just a fancy new car or a designer handbag? Do you need the very best that the world has to offer? The most beautiful, artistic, and thought-provoking goods you can find?? Then really your only choice is Satan.

… But do you like pets? We sincerely hope you like pets…

In truth, Satan will want two things from you: some stimulating conversation and a little pet play.

This is very much a "gentleman by day" arrangement. He'll be sure to treat you to very nice things all the time: wine tastings, art shows, even red carpet events thanks to his connections.

He won't mind taking you anywhere as long as you can engage that brain of his. Abstract conversations or discussions about hard topics will earn you even better trips the next time around...

But "by night" you will have a nickname, a collar, and probably a tail plug too. This man is bound and determined to have a cat and he does not care how.

If the idea of crawling for him makes you want to save face then don't worry. You needn't be an obedient kitty, not even for him.

In fact, he'd much prefer you act out from time to time because if there's one thing he likes more than cats, it's brats. Be cute for him and maybe he'll go easy on you if you like.

Asmodeus 

Do you like shopping? Just, the act of shopping in general? Do you want someone who won't just sign a check but shop with you? Asmo's the man.

He loves shopping and he loves shopping for you! He won't just stand outside the dressing room on his phone, he'll be a very active participant in making you happy.

A veeerrry active participant… Everywhere… Probably including that dressing room…

You need to understand now that Asmo is insatiable. Whatever you believe a high sex drive is, double it and then you will get Asmo on a Tuesday.

He's giving. Very giving in fact, in money and in bed, but that won't change that he is a monster. His stamina is unreal, his desire is unmatched, and assuming that you are not an incarnation of Aphrodite herself You. Will. Not. Keep. Up.

If you choose to be with Asmo it will be a hellish bliss. You will be pampered like royalty on a sea of euphoria until the tide overtakes you and you drown.

If this warning isn't enough to dissuade you, we wish you the best of luck. Asmo may bring you to the greatest highs of your life, but he very much can be the death of you too...

Beelzebub 

You know, food can be expensive. Especially if you have a bit of an appetite… If an endless food supply is what you're after, then you need Beel in your life!

He'll always be down to go out and try new foods or take you to whatever restaurant you like (provided he's eating there too, of course).

Considering the amount that he eats there's no way you can top his bill so order as much as you like! You'll get through what? Four? Five courses? He'll get cut off around 12.

Restaurants aside, food will be mostly what Beel expects from you so we do hope you like cooking. Cuddles and kisses are well and good but this demon needs to eat.

Speaking of which… Truthfully, being with Beel is almost just like a normal relationship but there's just one catch….

Beel is practically an oral addict. He will want to get a taste of you and once he does you ought to resign yourself to being his new fix. 

A session with Beel is not for the faint of heart. He can be down there for hours and won't stop even if you're a drooling, overstimulated wreck. His aftercare is sweet but it's a hell of a journey getting there. Be warned.

Belphegor

So maybe all these other options just sound like too much work... You want a Sugar Daddy, but someone who's on the laidback side, right? Introducing Belphegor.

Belphie is a man of simple pleasures. A quiet afternoon, a long nap, and maybe a game or some mischief in the middle of the night. You won't have to worry about doing very much because he won't be conscious very long...

He will, however, get his money's worth in the hours that he's awake.

Belphegor is a lazy soul, so don't expect him to put much work into things. His favorite tactic will be to get you so frustrated that you jump him. Then he can just sit back and enjoy the fun with a smug smile on his face…

If you're not riding him in some way then you're probably going to be his new pillow. He will find a way to sleep on you in every position possible until he finds a favorite and just sticks to that.

As far as what he offers, Belphie will pretty much just toss money in your direction and leave it up to you to spend it. He’s not a shopping man...

In the rare cases that he does go out and buy you a gift take it as a compliment. You’ve motivated him to leave the House for longer than twenty minutes so you must be exactly what he was after.

For more of my “How Tos...” check out my Masterlist!

[duckprintspress]

What is a Story?

When Duck Prints Press put out our call for applicants, we asked everyone to submit “a sample of their work (between 1,000 and 2,000 words)… [that] must function as a short story.” When we reviewed the 100+ samples we received, we noticed many areas where writers commonly struggled. Based on what we learned, we’ve planned a number of blog posts to discuss these challenging areas, and we’ve decided to tackle one of the most frequent issues first. Many otherwise strong submissions lost points on our rubric line regarding “plot and events,” and specifically, they scored a 1 or a 2 because “the story has no plot (for example, is a vignette).” 

So, this begs the question, what is a story, and, of course, what isn’t a story?

(note that throughout this post, I use the word “narrative” to refer to any amount of text that may or may not be a story, and I use story only in a more narrow, specific sense.)

What is a story?

The answer is deceptively simple: a story is any narrative that has a plot. But...what is a plot? There are many ways to define a plot, but at its most basic, a plot has a beginning, a middle, and an end, and by the ending, something has changed. If, at the end of the story, nothing has changed, then it’s not a story. However, even if something has changed, it’s still not necessarily a story, because characters and time-frame also influence the definition. A narrative without at least one character is not a story. Likewise, a narrative time-frame, if it’s discussing events at a meta-level (“this happened, then this happened, then this happened”) may show that changes occur, but it’s still not a story - it’s an overview or an outline. The lines, of course, can be blurry - and where any given author, reader, or DPP reviewer draws the line between “this is a story” and “this isn’t a story” will vary. 

How is a story communicated to the reader?

To function as a story, the narrative must include characters. Now, character doesn’t necessarily have to mean person, or even require sentience, but there must be some point of view being explored, and if the character is an animal or an inanimate object, writing it as a character will require a degree of anthropomorphizing. The key aspect is that the character has some form of agency - some ability to interact with and influence their surroundings. This character will have a point of view and a perspective that affects how they perceive the story’s setting, and by the end of the story this character should have either changed themselves, or changed their surroundings, or changed their relationships. The circumstances around this character must be different by the end of the story than they were at the beginning - or else it’s not a story.

What is change?

As part of the narrative, one or more characters in the story must engage in some form of activity that results in the world around them changing. Writing advice most oftenly calls this “conflict,” but honestly? I hate that word. The classic couching of “person vs. self, person vs. person, person vs. nature, person vs. society, person vs. fate” as the available types of conflict is tired. Defining the only kind of change as conflict and specifically describing it as “x versus y” is to automatically get a potential writer thinking in terms of antagonism. While antagonism is one available type of change, it’s not the only, and while many pieces of writing advice point out that these “versus” constructions don’t mean enmity by nature...why not simply choose a less confusing construction, one that doesn’t require addenda to explain the existence of narratives that clearly are stories but are less “versus” and more “and” - “person and self,” “person and person,” “person and nature,” “person and society,” “person and fate.” I’ve opted to use the word change, because one of the clearest ways to tell if a narrative is a story or not is to look at the nature of the character(s) are at the beginning, and look at the nature of them at the end, and say - what’s different? Maybe they’ve built something. Maybe they’ve reached a new understanding. Maybe they’ve conquered a challenge. Maybe they’ve altered their perspective. Maybe they’ve learned something. Maybe, they’ve changed the world, or maybe, they’ve just changed a light bulb - but something has changed.

Before some writing snob comes at me and says, “okay, fine, we dare you to come up with a plot that doesn’t fit into the classic five conflict types” ...of course we can’t. That model functions because all stories can be shoehorned into it, as long as very loose definition of “conflict” and “versus” are used. But because it’s described in oppositional terms, a lot of writers get distracted by that terminology and think there has to be, well, a conflict, in the narrow definition of the word. And that’s clearly absurd - many of our favorite fanfiction tropes, for example, are fluffy and comforting and soft precisely because they’re not about conflict, they’re about harmony. Yes, “enemies to lovers” is wonderful, but so is “friends to lovers.” Two people going on a date that ends with a marriage proposal is a story: they started out as a couple and ended engaged. Something has changed - their relationship status. But to call that “person versus person,” while perhaps technically correct, is ludicrous. Now, to keep it interesting, there might be some “person versus self” - “I’m not worthy of this love, omg do they really care for me, oh will society give us problems if we say yes?” which is how it can be shoehorned into the “conflict” model. But be it ever so soft, and their love ever so accepted, and their faith in each other ever so steady - if there really is no conflict, just those two people meeting up and having a nice night and ending in a proposal...it’s still a story. To say it’s not a story because there was no conflict, only an advancement of their relationship...yes, a story like that is borderline to being a vignette or “slice of life” narrative. Certainly, if there’s zero sources of tension, it may not be a very interesting story, but that doesn’t mean it’s not a story. 

What else does a story need?

Honestly - not much. Don’t get us wrong - a story is stronger if it has a setting so that it doesn’t just take place in endless blankness. A story with multiple characters but no form of dialog (verbal or non-verbal) may be a little flat. A story where something changes but some of the introduced plot elements aren’t resolved will feel incomplete to a reader. A story without any negativity could be boring. Stories lacking these elements may not be good stories...or they could be amazing, and innovative, showing how a tale can be told without elements we usually consider essential! As long as something or someone has changed, and the story is told in a narrative, descriptive format that includes a character - it’s a story.

What isn’t a story?

Things that aren’t stories fall into two broad categories:

Narratives that have description, characters, dialogue, setting, and other story elements, but nothing changes. Examples of this are “slice of life” narratives and what, in fandom-parlance, would be called an episode coda or canon insert - a chunk of narrative deliberately meant to make a bridge between two established events but in which nothing can change because the surrounding events remain established. (A coda or insert might be a story, it varies.)

Narratives that are either entirely “show” (for example, a vignette) or entirely “tell” (for example, a synopsis),  These can also be seen as relating to time - either there’s little or no passage of time (usually the case in vignettes) or far too much passage of time (usually the case in synopses). Narratives like this may or may not include a character, but even if they do, they’re still not stories. Why not? Because any story that is entirely “show” and involves minimal passage of time is unlikely to result in change, and instead will be an extended description of a moment. And any story that is entirely “tell” and depicts a large swath are overviews - there’s no element to actually grab a reader and no reason the reader should care about this dry relationship of events. That’s not a story - it’s a history textbook.

Drawing the lines between these categories can be difficult, and to some extent will come down to taste. Anyone who says there’s a hard-and-fast rule in writing is a liar. Just because a synopsis or a “slice of life” narrative isn’t usually a story doesn’t mean they will never be one. But, in general, if you’re looking at a piece of work and you’re trying to determine if it’s a story or not, there are some signs that will strongly suggest it’s not a story:

There are no characters.

There is no setting.

Nothing has changed between the beginning and ending of the narrative.

The entire narrative is an extended description of a single person/object/setting.

The entire narrative could easily be reworded into a sequence of, “thing one happened, then thing two happened, then thing three happened, then thing four happened.”

The narrative feels like a “pause,” or a “bridge” that takes place between two events that aren’t depicted in the narrative.

A central conflict or issue is introduced or described in details, but nothing is done to try to solve the issue.

Now, for the most important part of this discussion of what isn’t a story: writing something that isn’t a story isn’t a bad thing! Especially in fanfiction communities, we live for self-indulgent narratives that make us happy. We love to see those “moments between.” We live for a thought-out thousand-year history for some setting that didn’t originally have that much background. These kinds of narratives are fun to write, and especially when they’re part of an existing franchise, can be a delight to read. We are not saying that there is literally anything wrong with writing a narrative that isn’t a story. 

That said, Duck Prints Press’s applicant call specifically asked authors to submit a writing sample that was a story, with the eventual goal of selecting authors to write short stories for an anthology. Which is to say: there’s nothing wrong at all with writing “slice of life” stories, codas, canon inserts, vignettes, or synopses - it’s simply not what we asked people to submit in this specific case, and we’ve come to see that a lot of people submitted non-stories without an apparent understanding of the difference, and we wanted to explain that difference.

But, to everyone reading this: write whatever brings you joy, in as much detail or vagueness as makes you happy, and share it with whoever you want. Just also understand, that for many types of narratives, if you’re asked “is that a story?” it’s not. That’s not to create a hierarchy - they’re all equal as art forms, they’re just not the same.

Okay I kinda understand this in theory but what do these differences actually look like in practice?

In long-form works, it’s usually relatively easy to recognize what is a story and what isn’t. Almost every novel ever published has a plot, and has things change, and is therefore a story. (though there are exceptions - Wikipedia lists a few longer vignettes and, when done thoughtfully, it can be astonishingly effective.) However, in shorter works, it can be difficult to tell the difference - and, as previously mentioned, the lines can blur.

In the interest of giving an idea of what the differences are, here are a few examples I quickly cooked up to try to show you all, since I’ve done a lot of “telling” so far (this blog post: also not a story, ha!) and very little demonstration. These are each around 150 words, to show that even in a tiny word count, any of these narrative structures is a viable choice. (Sorry these aren’t high literature - I just threw them together for this post, so I’d have something that suited.)

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A story - a narrative with a beginning, middle, and end, where something changes:

The door slammed open. Looking up from her embroidery, Victoria blinked as Margaret strode into the room.There was an air of expectancy that was inexplicable to Victoria; she grew more confused when Margaret approached and dropped to one knee.

“What are you doing?” Heart pounding, Victoria attempted self-restraint, but she couldn’t rein in her hope, because it almost looked like...it seemed like...but--

“Proposing,” announced Margaret, pulling a velvet-covered box from her pocket and opening to reveal an emerald set in a gold band.

“But you can’t!”

Margaret tilted her head to the side and frowned. “Why not?”

Objections occurred to Victoria, but examining them...she couldn’t think of a one that Margaret wouldn’t demolish with her usual brilliance. “You know what? You’re right. Who’s to stop us? And...I accept.”

And as Margaret slipped the ring onto Victoria’s finger, she knew: there could be no objection. Nothing had ever felt so right in her life.

“Slice of life” - a narrative with a beginning, middle, and end, where nothing changes:

“What a day!” said James, dropping onto the couch with an exhausted sigh. 

“I know what you mean,” Tom agreed. He fumbled a hand across the cushion separating them, and James delighted in the simple comfort of threading their fingers together.

A beep, beep, beep sounded in the kitchen, announcing that the microwave had finished nuking their leftovers.

“You getting that?” asked Tom.

“It’s your turn!” James countered.

“But I don’t want to let go of your hand.” Tom gave his hand a squeeze, and a pleased glow suffused James’s chest.

It was Tom’s turn to retrieve their dinner.

But Tom was right - holding hands was wonderful.

“Let’s get it together,” James suggested. 

Hesitating, Tom remained still as James sit up and gave a tug on their joined arms, then he broke into a smile and rose at James’s side.

“I love the way you think.”

“I love you, too, darling”

And together - always together - they got their dinner.

“Bridge” scene, episode coda, or canon insert-style fic - a narrative with a beginning, middle, and end, where nothing changes:

Arriving home after the battle, Sandy opened the rough-hewn door and shed her damaged armor. Her dented cuirass had left an aching bruise across her chest; she carried it to the smithy out back for repair in the morning. A gash on her thigh throbbed where an arrow had pierced the straps holding her greaves in places; she brought them to her leather-working station. Nicks and fissures marred her once-gleaming sword blade. All Sandy wanted was to collapse in bed, but resisted the pull of relaxation, because blood limned the damaged places red, and repair to the damaged weapon couldn’t wait. Taking a seat, placed her feet on the treadles that set her whet stone to spinning and set about polishing out every imperfection.

Yes, she was exhausted.

But her sword must be cleaned, and smoothed, and honed, and prepared.

Sandy must be prepared.

There would always be another battle to be fought.

Vignette, a narrative without a beginning, a middle, or an end, which may or may not have a character, and nothing changes and in which the emphasis is on showing, rather than telling (but, as in this example, a combination may be used):

The wind blew chill down the narrow mountain pass. All was silent, save for the rush of the breeze. All was still, save where gusts stirred the tall grasses and the branches of trees that reached, claw-like, toward the sky. 

Once upon a time, a stream had carved this cut through the cliffs, forcing its way through soft chalk and hard shale, leaving jagged stones that emerged from the steep pass walls like teeth. The stream was long dry, now, only water-smoothed stones strewn across the ground to show where it had ever been.

Once upon a time, travellers had traversed the dried-up rill bed, pounding down the dirt, knocking the rocks aside, leaving scars where their fires burned. They’d lived, and laughed, and explored, and sought...and left, never to return.

Now, there was nothing: nothing but the storm.

And all was silent.

And all was still.

And the wind blew, chill, down the narrow mountain pass.

Synopsis, a narrative with a beginning, a middle and an end, which may or may not have characters, and where something changes, and in which  the emphasis is on telling rather showing:

Emperor Xiang Zhen was born in 9884 to Dowager Empress Luo Zexi and the warlord Xiang Yijun. After his birth, there was a long period of strife. Those who supported Xiang Yijun’s claim to the throne battled those who still supported the Dowager Empress’s deceased husband Peng Zhenya. Eventually, the factions found common ground when Xiang Zhen came of age, and he was enthroned in 9902. 

With his reign came peace and prosperity. The arts flourished. Scholarship advanced, and many great Dao masters arose, using cultivation to rid the land of evil’s left by the long war. Xiang Zhen longed to join a Night Hunt himself, but he was trapped by his political position. He didn’t dare risk the fragile stability in the Empire. If something happened to him, the results could be catastrophic. So he studied, and ruled, and adjudicated, and endowed, and endured.

Xiang Zhen did as he must.

But, oh...he wished he weren’t alone.

I know this is long, so we’ll leave this discussion at this point. Hopefully you found it helpful, and please do let me know if you have any questions! Duck Prints Press is always here to offer support to writers, and we love getting writing asks!

[sineala]

A Few Thoughts About Hurt/Comfort

I have been asked this month to make a post about hurt/comfort in Avengers comics. And I love h/c -- I actually have a massive number of WIPs right now that are h/c -- so I am very happy to talk about it! Anyway, this is not really all that planned out and this mostly turned into an excursus on Tony Stark's pain. I'm sure you're all surprised.

Like pretty much everyone else, I'm sure, I have found that everything lately has been... pretty tough. And the coping mechanism that really got me through last year and this year was reading and writing a lot of h/c, on the theory that, however lousy a day I'm having, I can absolutely make sure that Tony Stark has a worse one. And then I can make sure he gets hugs. Wish fulfillment? Why, yes. (Once at Hallmark I was trying to find a "get well soon" card, forgot what it was called, and described it to my wife as "a hurt/comfort card.") I think Marvel Comics -- the Avengers side, in particular -- is an interesting canon for h/c for a lot of reasons. Though, honestly, if you asked me to recommend you, a hurt/comfort fan, a new fandom, I would probably just hand you some Starsky & Hutch DVDs. Go watch "The Fix" and get back to me later. If you like that, there's way more where that came from. But there's still lots to love in Marvel! Superhero comics are really a goldmine as far as the hurt side of h/c. Because superheroes, and you probably have noticed this, get hurt a lot. They get hurt repeatedly, in fantastical ways that are probably impossible in real life both physically and emotionally (at least, I don't think anyone's invented mind control yet), and even the heroes without superhuman healing powers tend to get physically hurt a whole lot worse than actual people can take. Currently in Iron Man comics, Tony has a broken back and is dealing with this by locking himself into the armor as a backboard and injecting himself with massive doses of painkillers. He's busy! He's got stuff to do! He doesn't have time to lie around and heal! So, basically, if you name a kind of pain that you would like to see happen to a character, it's probably happened to superheroes. Multiple times. The downside, though, is that comics do not really deliver that well when it comes to the comfort part of h/c. They could. It's not inherent to the medium that they don't. But because of the serial nature of comics and also the fact the primary audience is dudes who want to read about people in spandex punching each other, a lot of the time they don't really feel the need to provide closure and write about people dealing with any of the hurt. (Raise your hand if you're still annoyed with the end of Hickman's Avengers run.) But at the same time, I think that's a quality that makes Avengers ripe for h/c fanfic. Because, generally speaking, fandom likes to provide the things that canon doesn't, and fandom is more than happy to provide the comfort. If you enjoy canonical h/c in comics, I think you really can't go wrong with Iron Man. One of the big innovations of modern Marvel Comics was the concept that heroes would also suffer from relatable human problems, and in practice what this means is that a lot of heroes start with a fully-loaded angst-ridden backstory and origin story, ripe for h/c. So Tony starts out by incurring a heart injury that he fully expects is going to kill him, which he responds to by vowing he won't get close to anyone so they won't be sad when he dies, and throughout the early Silver Age is constantly on the brink of death as his heart nearly gives out on him practically every issue. And then even after his heart gets (mostly) better, there are various plots involving his armor being detrimental to his health and him choosing to fight on anyway. It's hard for me to think of another superhero hitting that particular variety of h/c in exactly the same way. Sure, superheroes risk their lives constantly, because this is how superhero comics work, but Tony is the only one I can think of who is this constantly this badly off, physically. Like, think of all the other heroes who have had a continual solo presence as fan favorites across Marvel history -- Captain America, Thor, Spider-Man, Wolverine, maybe even Deadpool. You know what those guys all have? Healing factors! For the most part, they are not running around continually on the verge of death, and while there are certainly memorable arcs involving several of them being severely injured and/or dead, you really have to work at it. It's not their constant state of affairs, whereas Tony is the kind of superhero who shows up to a fight already bleeding out under his armor. Yeah, I know Extremis gave him a healing factor. But he didn't have it very long, and also he did some extremely dangerous things while he did have it; I'm pretty sure I've never seen Wolverine saying that he'll just solve a problem by cutting off his own foot. So, anyway, yeah, there are a bunch of good arcs involving h/c for Tony. If you're looking for physical injury, he has a whole bunch of heart problems over the years, gets several new hearts, then ruins his brain, et cetera. That level of hurt is basically the background pain of Tony's life; every so often, his heart will get damaged or he'll have to live in the armor or the armor will be killing him, et cetera. If you're looking for more unusual trauma, I am, as always, going to rec Manhunt, a relatively obscure arc in late v3 (IM v3 #65-69) in which Tony has an extremely bad week. His tech is stolen and used to bomb a building. Then he gets shot in the chest. Then while he's at the hospital a nurse tries and fails to poison him, and she then tries to beat him to death. Then he checks himself out of the hospital and a helicopter shoots missiles at him. Then he becomes a fugitive from justice. And then, oh, yeah, he has to fight the Mandarin. It is... a lot. (Volume 3 of Iron Man is pretty good as far as h/c possibilities. You've got a lot of physical pain, Carol's drinking arc, the Sentient Armor, both DreamVision arcs, and Manhunt. Manhunt is finally supposed to be out in trade this month, by the way.) There are of course the drinking arcs, which probably count as their own type of hurt. But if you haven't read the second drinking arc (IM #160-200), please do. Marvel likes to up the stakes on events (Fear Itself, Secret Empire) by making Tony drink, and it does work, I think. I feel like I've spoken at length about Tony's drinking elsewhere so I don't really want to rehash it all here. And then there's the emotional pain. Angst and drama is something that happens to a whole bunch of characters, yes, especially in comics, but somehow Tony seems to end up with possibly more than his fair share of it. Fandom likes to make a lot of Howard Stark's A+ Parenting, so much so that you might think, if you didn't know canon, that this was just fandom running with a throwaway mention of Tony's terrible childhood and making it worse. But, no, canon really does go there with a reasonable amount of frequency. Howard's actual first appearance is in a flashback where he's ordering teenage Tony to break up with his girlfriend because she's the daughter of one of Howard's business rivals. And then we get into the verbal abuse, and the physical abuse, and the time Howard made Tony take his first drink, and the part where Howard was a demon in hell who Tony fought while he insulted him. And more! Currently, in canon, Howard is alive again and is in league with Mephisto for the express purpose of ruining Tony's life. Also when Tony was a baby, Howard tried to trade him to Dracula. I think you can make an argument that fandom is actually showing restraint when compared to canon. Tony also has a whole lot of Terrible Exes whose presence and/or former presence in Tony's life can be used for a lot of hurt. If you've read any amount of fanfic, you probably know that the exes who get the most play in fandom are Sunset Bain and Tiberius Stone -- not that Tony and Ty were ever canonically a couple, of course, but fandom is definitely enamored of this idea. Ty and Sunset both have relatively similar interactions with Tony in canon, in that they are both liars and emotional abusers, heavy on the gaslighting, with the purpose of becoming more successful than Tony. They both also attempt to murder Tony, although this is after he figures out they're evil, at least. (Yes, I know, this is not how either of them usually appear in AUs.) Tony also has a bunch of exes who also have just straight-up tried to murder or otherwise hurt him, sometimes while they are dating, and sometimes before Tony dates them: Whitney Frost, Indries Moomji, Kathy Dare, and Maya Hansen come to mind. There are probably more I'm not thinking of! But, yes, if you want to write about a guy in a series of terrible relationships, please consider Iron Man comics. If mind control is one of your favorite flavors of hurt, Tony's pretty good for that too. We all know about The Crossing. I suppose when I say "mind control" I mostly mean "armor control" because there are an awful lot of plots where someone else makes Tony's armor do whatever they want it to do and Tony is along for the ride -- Demon in a Bottle, Sentient Armor, and Execute Program are the first things that come to mind. There is also a fairly obscure What If that is What If Iron Man Lost The Armor Wars in which Justin Hammer apparently really wants Tony in a mind control collar to take off all his clothes and lounge around in his underwear. No, really. I think a lot of pain for Tony often revolves around his issues with control, generally -- his alcoholism comes into play here again. The entire aftermath of Civil War is also notable for its propensity to hurt Tony over and over and over. Is he stoically soldiering on through his grief after Steve dies? Hell, no! He cries, like, six separate times. He 100% blames himself for Steve's death. It's great. Everybody loves The Confession and the funeral in Fallen Son, but one of my personal favorites is Avengers/Invaders, in which Tony is confronted with a time-traveling Steve from WWII and in order not to screw up the timeline, he can't tell Steve he knows him. He is clearly not coping well. He shuts himself in a room with a giant wall of pictures of Steve! Also there's a part where he has to try to convince Steve he can trust him and he ends up having to tie Steve to a chair to talk to him, and Steve looks at him and asks, "Who did you kill to get where you are?" and I feel like that is probably one of the worst moments in Tony's life. No wonder he gave himself amnesia. So now we might want to ask, okay, but why is hurting Tony in fanfiction so much fun? I mean, I can tell you why I think it's fun. I can't speak for anyone else. One reason is that he is very emotional and very affected by everything he does. Sometimes you will see people complaining that the heroes of m/m fanfic cry too much and this is not realistic. This is not a problem if you're writing Tony! He can cry as much as you want and it's perfectly in character. I don't think it would be as fun to hurt him if he didn't express so much of his pain. But he does. He also feels guilty, and for me that's a very satisfying character element. If he were well-adjusted and didn't blame himself for so many things, it wouldn't be nearly as fun as watching him blame himself for everyone whose death he thinks he is responsible for, whether or not he is. And then he just keeps going, and it's, y'know, nice to watch him be resilient, too. So, I guess, I think hurting him is interesting because it's easy to hurt him, his weak points are pretty obvious, and he reacts a lot. Steve doesn't hurt quite as much as Tony does, in canon. It's certainly possible to hurt him -- I mean, they did actually kill him after Civil War, after all -- but I don't think the canonical patterns of hurting him are as numerous. Obviously deseruming Steve is a fairly popular go-to in terms of physical hurt; he's been deserumed at least three times that I know of. I think's easy to see the appeal there of taking a character who is fairly physically resilient and making him... much less so. Certainly Marvel seems to see the appeal. But other than that I don't think he has any other really common way to get physically injured. Unlike Tony, whose origin story is basically "oh no, I've acquired a disability," Steve's origin story is "I drank a serum that cured all my disabilities." Which, I mean, great wish fulfillment but there's not really as much there to poke at. Pretty much all of Steve's pain is emotional, but, unlike Tony, his pain isn't often specifically in response to someone directly, purposefully hurting him. Hickman's Avengers run is a big exception, yes. His pain seems to come up most often as a kind of situational angst. He feels like a man out of time. He feels out of touch with the modern era, with people his own age. He feels guilt because he feels responsible for Bucky's death. He feels like he can't trust the government and therefore he can't be Captain America. He worries that he doesn't know how to have a normal life. And, yes, these are deep and important worries but it's different than, like, Indries Moomji dumping Tony with the intent to make him sad enough to start drinking. Very few of Steve's villains want to personally ruin Steve's entire life the way Tony's villains do; mostly they just want to do things like bring back the Nazis. In terms of Steve's potential for h/c, I think Steve is harder to hurt than Tony is. Physically, he is definitely harder to hurt. You can deserum him, sure, but unless you want everything you write to be a deseruming fic you're probably not going to want to do that more than a couple of times. And if you want to hurt him physically while he has the serum, you have to hurt him hard. Usually past the point where a regular human would ever survive it. He's also harder to break, emotionally, than Tony is -- which means it's very satisfying when you can get him to break, but this is a guy who's only cried twice (that I remember) in canon. So if you want to get him to cry, you really, really have to wreck him, and he doesn't have as many obvious weak spots. He also doesn't generally sit around blaming himself for things that aren't his fault, and the whole "stewing in guilt" genre of plots for him basically came down to "he was sad that he thought Bucky's death was his fault," and that's really the biggest regret he seems to have, and also Bucky's not dead anymore. The Steve/Tony relationship itself, I would think, is also appealing to h/c fans because canon provides a lot of ways for them to hurt each other. Some people only ship pairings who would never, y'know, take turns beating each other half to death in major event comics. (And for a lot of Marvel Comics history, that was also Steve & Tony, so if you want them to be BFFs who have never fought, you can just set your fic earlier.) They have definitely hurt each other both physically and emotionally, so if you're looking for something easy and satisfying as a h/c fan, you can just read or write something where they... make up. What about Marvel characters other than Steve and Tony? Surely some of them are angsty, yes? Well, yes, but also it depends on the particular flavor of angst that you like. If you like the way Tony hurts, you may very well enjoy Doctor Strange comics, because they have a very similar attitude towards life -- they are both former alcoholics whose origin stories involve physical disabilities, who routinely make tactical decisions that negatively affect their continued existence and/or happiness a whole lot. It's very much an "I must suffer alone in the dark and no one will ever know what I am doing to save the world but it's the right thing to do" sort of vibe. Like, you can read comics where Strange is lying in hell with two broken legs, hallucinating that Clea has finally come to save him. Strange's biggest fear, akin to Tony's control issues, is basically that one day he's going to be an asshole again, so he's out there trying as hard as he can to do good. Also, if you like tentacles, he has all of them. I mean that. Carol also occasionally hits similar angst spots, and her drinking arc is great. A lot of people like Natasha, too; I have read zero Black Widow comics but I get the impression many people enjoy her brand of angst. The mutant metaphor is a little different in terms of overall vibe, but some people really like it as a source of angst -- the whole "protecting a world who hates and fears them" thing. It may not work for you, but if you like your hurt to include things like systemic oppression, go pick up some X-Men comics. Start with something like God Loves Man Kills. I feel like I liked this sort of thing a lot more as a teenager but that I kind of aged out of liking the mutants quite so much. It's also worth mentioning that not everything that hits the spot in one universe will be the same in the others, and I'm mentioning this because I feel like I have to say something about MCU Bucky. MCU fandom seems to get a lot of mileage out of Bucky's guilt about being the Winter Soldier, everything he was forced to do, et cetera. I have definitely read my share of those fics, and FATWS sure went right for that angst too. But as far as I can tell, he doesn't hit the same way at all in 616. And I like him a lot in 616; I'm always pleased when he shows up on a team. (He was so good in Strikeforce. Everyone was so good in Strikeforce.) But the thing is, 616 Bucky is, basically, phenomenally well-adjusted, given everything he's gone through, and I'm including the time he wrestled a bear in a gulag. He gets over having been the Winter Soldier, and now he's just, y'know, a guy with a cool arm who likes to bring guns to every fight to horrify his teammates, and he snarks at Clint. If you're looking for that angst, that is really not him these days. He's all better. So pretty much all that is canon. So what do we do in fandom for h/c? Well, as far as I can tell, a decent amount of it is canon-based or very canon-close -- there are a whole lot of stories exploring the angst of Civil War or Hickman's Avengers run. Tony's drinking comes up a fair amount, and if one of Tony's Evil Exes comes back to haunt him, it's pretty much only Tiberius Stone. I don't think I've read a lot of fic with Steve getting deserumed; it doesn't seem as popular in fandom as in canon. When Steve gets hurt, he tends to just get physically whumped pretty hard, and there's a fair amount of that for Tony too, but of course Steve can take more. There's also a thriving, uh, subgenre of pain involving Hydra Steve doing terrible things to Tony, presumably the terrible things he would have wanted to do to Tony in canon if Tony had had a flesh body. There's the usual kinds of h/c setups that appear in basically every fandom as well -- sickfic, whump, dub-con/non-con. You get the idea. But since fandom in general likes to take specific inspiration from canon, there's a lot of fic where the hurt tends to resemble things that happen more in canon. Like, I feel like comics fic probably has more tentacle fic and more mind control than canons that don't come pre-stocked with those. Probably everybody has a whole lot of "tied up by bad guys," though. And then, of course, fandom brings the comfort that canon does not. This is true in pretty much every fandom -- I mean, you aren't going to find a lot of actual canons where Character A saves Character B from mortal peril and then there's gay sex -- but, like I was saying, comics don't provide a lot of closure before it's onto the next thing. Usually with a different creative team, who has no interest in wrapping up anything from the last team. Steve and Tony talked about the incursions exactly once after Secret Wars and nobody mentioned the part where Steve spent several months trying to hunt Tony down and kill him. Tony is never going to remember the events of Civil War. Hydra Steve died ignominiously in a fire and no one has ever talked about him again. Honestly, if you're looking for a way to get some comfort in your fanfic, picking an event, any event, and just having the characters talk about it will be way more than any of them get in canon. I feel like honestly that can often be a pretty satisfying to read. And even though comics canon physically hurts characters pretty often and pretty badly, they also often skip right past the recovery. Maybe you'll get one page of a character in a hospital bed at the end of the story arc. Maybe you won't. Demon in a Bottle has one splash page of Tony going through alcohol withdrawal and then he's all better. I think Manhunt skips to Tony getting out of the hospital at the end. That's just not a story that they want to tell very often. The second drinking arc is notable in that it devotes almost as many issues to Tony's recovery as it does to getting him to rock-bottom. Similarly, Steve is done with his Nomad angst way way faster than you probably think he is (though The Captain does go in for a fair number of issues). So one of the things we often want to do in fandom is focus on all the bits that canon skips over, both in the "why did no one ever mention this story arc ever again" way and the "wow, so how long are they in the hospital after that" way. That's really all I can think of about h/c! I'm off to write some more of it!