#its probably something Hardcore and vaguely new life or something

[wabbit--bunny95]

I'm so delulu that when I saw that Doc wasn't uploading till Saturday instead of Friday and then I saw one of Sausages teases for the new series he's starting tomorrow with Fwhip, Jimmy, Eloise, Owen and idk who else that I am now 30% legitimately convinced they're surprise joining Hermitcraft

[elizabethrobertajones]

summer scions!! I absolutely love the new portraits for all their smug happy expressions. Except Y'shtola, who is not going to deign to give a camera a proper saucy look because that's silly. Urianger is smirking twice as hard on her behalf.

Glam review under the cut!

I unlocked Alphinaud first of the twins and didn't know Alisaie had a little necktie yet, so I'm deducting a point from my first impression because the sheer delight that he had a silly little necktie of some sort no matter the situation delighted me so thoroughly. Since they're still engaging in matchy twin dressing to some degree, I have to assume they either like it and won't admit it after digging in so hard, or Ameliance sent them off with cute outfits and matching backpacks, and they still don't really shop for themselves.

He's got the practical watch/compass gloves which are good for a technically proficient Sage and probably the most practical gear he's ever worn except for when he was poncho Alphy, but wearing ankle-length jeans seem like the least weather-appropriate choice of the Scions if we assume their average skin coverage is a good weathervane for the temperature in Tural. I chalk it up to teenage awkwardness.

8/10 unless he and Alisaie chose their outfits themselves, in which case it's a 9/10

I think Alisaie is the only Scion to keep a single piece of their default gear, and those are her usual gloves. She's colour-matched around it.

Because of the gloves and boots, she looks the most ready for hardcore hiking, somehow, and her matching Alphinaud with a cute button down shirt with rolled up sleeves along with that particular choice of baggier shorts (when she normally wears more form fitting shorts) do give me the closest to butch vibes it's probably likely to get for main characters. So I'm giving her an extra point I stole from Alphinaud for the lesbian vibes.

9/10 or 10/10 if she made these choices all by herself.

Everything about this cracks me up, from his portrait above to the image of him tanking open shirted once he pulls mobs.

Believe it or not, he's getting an additional point for those shoes simply because the competition in practicality in tanking is G'raha.

I had a moment of excitement when I thought the necklace was pink because that's always a cute Ryne/Minfillia thing fanartists give him with ribbons and such, but once I got zoomed in on him it was red, so I guess he's just been shopping. Although, the turquoise shorts are her eye colour and the actual large diamond shapes are secretly Mothercrystal coded in those colours, which just cracks me up that you can pick out one of the worse days of his life (Urianger's grand Warrior of Darkness plan) in his Chill Summer Beach Vibes look.

Douchebag beach bro shell bracelet as well, which really makes me double down on him and Urianger spending way too much on tourist bait along the stalls in the Famous Turali Market. The hat and sunglasses are giving him one of the Most tourist-y looks thematically reflecting how a lot of the Scion guys were just here to hang out, narratively or literally. Maybe he's trying not to get such an intense tan again, which is the only reason he's not entirely topless.

11/10 I could not stop laughing when I got him and Urianger to 100 and Beheld The Brilliance in the same moment.

Please note the raised sunglasses in Urianger's portrait, which are not the model his character uses.

I am delighted that I had been incorporating that island watch into my healer glams on both the logic you need to know your clock positionals but also they're largely the smarty pants jobs (WHM being vibes only aside - it gets its own glams :P). And here's Urianger and Alphinaud both using watches.

Now, I had a moment of being vaguely disappointed he had trousers not a skirt or something else swishy and androgynous, but then I did realise that I, a nonbinary weirdo who relates to Urianger since he made me nonbinary, have actually gone to a couple of garden parties dressed in some variation of this exact outfit of light trousers and a nice button up. Plus, the earrings are in both ears, so no "Google, which ear is the gay one?", these are just straight up cute femme dangly earrings with his favourite little dudes on.

More importantly, the colours he's repping are those of Lopporit Radio. He probably tunes in every night for his broadcasts :')

Mirrored sunglasses for the guy notorious for keeping thoughts and plans close to his chest and choosing deliberately to be enigmatic even when it serves zero purpose except for I guess gender affirming care. (The gender is Weird Bitch.)

I can't tell how I feel about those dad sandals. I suppose it depends if he's wearing them like a fashion model (brand new and clean with perfect pedicured feet) or if those are REALLY dad at the beach-like and, since I'm not a foot person, this for me is only a choice between "not off-putting" and "AURGH".

9/10 the proximity to Thancred hauls him up several points of misgivings I had, and the lopporit shout outs are killing me :')

I unlocked Y'shtola last and holy fuck I am a lesbian. I don't even recognise where those boots come from, so either a really expensive glam or something I just have not stumbled on. She has toe rings I think? And painted nails? I have no idea if the garter (?) is part of the boots glam or a custom thing as result of not recognising the boots and how much of them is normal. I feel like they customised a lot on her anyway - the back of her top has purple beads that match her staff (not dyable on the real piece)

and I think the necklace has to be part of the top instead of a separate necklace piece with the way it hangs, AND the bracelets are a glove piece with the original summer glam, but I assume they're layered with the false nails, also in the glove slot. All in all it's giving the sort of effort which is starting to creep up to what I'd expect from the modding community not the game. I mean, not THAT good but getting close. Baby steps towards what fandom can make :P

She really is god's favourite meow meow.

Anyway I can't really judge this fairly because it's really hot and I love her so I'm just going to give it 100/10 and move on. :)

how did I get a picture where Estinien looks like he's stooping to get in the frame...

The fact he has Azure Dragoon Blue Top and then Violently Nidhogg Fuchsia shorts is the colour theory that absolutely killed me. When he lights up during his burst and starts glowing pink all over his shorts are like. Taking him over like the eye once did I think.

love a guy who can embrace his past trauma and dress to match all that has passed before and all that he intends to do now (kill something large and tasty, grill it on the beach, fall asleep with a beer in hand until the waves come in and wake him up).

I gave him that wooden bracelet in the glam he has on my desktop screen so once again I'm feeling weirdly vindicated.

Other details: no ponytail despite the warm weather because he's got enough ventilation. The fact there's cactaurs on his shirt when he's on record for eating them is amazing. We should imagine he's wearing his jobstone like that pendant (since he's one of the only guys with a confirmed jobstone despite being the Guy Without A Job notoriously that one time.)

Unlike Thancred's hat and sunglasses combo, which seems fun and boisterous somehow, he seems the most walled off of all the sunglasses wearers even though he's not the most mysterious. The visor really helps make it a sort of wall. Maybe just because his terse upfront personality and somehow despite his clothes horse habits THIS amount of whimsy seems the most out of character at first glance, but he DOES look uncomfortable to me.

Somehow I find everything about this outfit excellent for his character but also like maybe he was forced into it, everyone cornering him and telling him the Scion Beach Party was a mandatory work event and he was not allowed to beg off of it and he did put some work in expressing himself but also is going to go find a much quieter corner to lurk in for the day, when not competing with Thancred (can't grill, loves it) for the barbeque (Estinien can grill, would only do it because the threat of Thancred doing it wrong is too high).

confused 7/10 mostly because I think Krile is blackmailing him and not because I don't love everything about this.

Here's how G'reenha Tia can still win -

Anyway here's the deducted point for tanking in flip flops (PERFECTLY acceptable BLM gear btw but he's Mr Versatile.)

(I joke but the main character of my novels is a flip-flop wearing menace who could and would tank in them)

Between the padlock and key necklace and the woven bracelet right after we all went feral over the Thavnarian bracelets for couples thing so recently (and Corvos is just across the water!) he's absolutely dripping cutie pie love interest coding yet again.

(Also yes I know the lock and key thing is very funny because we were introduced to him learning he was a fancy key to a big door.)

Gains a point back because the other green g'raha thing is I'm pretty sure people use this shirt glam because it kinda looks like it has weed on it.

Don't quote me on that, vibes only.

Anyway he came colour coordinated (with his original eye colour and hair colour not the bright Allagan dalamud red dye that goes with his normal outfit) so so precise and neat, like he's going to some sort of formal event, and even with flip flops he really does seem incredibly put together like the twins or Y'shtola, just for full outfit cohesiveness.

As someone who would hold G'raha's hand on the romantic gondola vibe, 10/10.

3 out of 10 and a huge cringe if you would not. He's got to stop Striving.

Hey it's the star of the show!! Adorable hairstyle out, cute plot-important earring on, and wearing her exact character colours but adorable beach wear :)

I love that she looks kind of like she went to the girls for advice and got the top from Y'shtola and the shorts from Alisaie, and she probably was very serious and stressed about getting this right even though there's no rules and no one's judging her -

oops.

Anyway the ballet shoes are adorable and go with all the cute picto spins and twirls :)

I think the strict colour scheme does speak to the slight lack of fleshing out she got so far in the story (we don't really have any real character reason that picto in particular spoke to her and this glam isn't one of the many fun takes people had on how to dress to meet that brief ). I don't think DT did more than just repeat that she's serious and sweet and trying really hard to get out of her shell and be more fun and creative and also she's been practicing dodging really hard she shouts mid-Trust combat (bless her). But ALSO getting out of the shell is really hard and she only found out everything and got some closure in the final level 100 quests so there wasn't really much to do with her after that.

This is like her First Non-Plot-Critical Whimsy Moment and losing the hood or any cat ears entirely (and there are perfectly functional cat ears to wear in game) is a good step considering we know she wears it precisely because she needed a sort of advance PR campaign to make her look cute and approachable before she opened her mouth and started bringing down the vibe (serious scary children are SO funny though and i love that for her). Having the same top as Y'shtola is a good thing for trying to make her less childish and have her trying to show that now as she takes this huge step out from the background. I mean, it still has a slight sense of her costuming herself and pushing herself out of comfort zones as she always does, but it's 100% in character so I adore it.

1000/10 because Krile is great and there's so much going on here and it's so fun when a character's whole personality is a costume and then they're like aurgh wait do I even want that??

[votederpycausemufins]

idk how to continue this one but i also don’t want to leave it just sitting forever so it may be a mess but i’m posting it anyway. think up your own endings or continue it or something.

it’s essentially a timeline divergence from War in Hermittown, so its again watcher!grian, avian!grian, hermit!tommy and triplet au.

hermit!tommy is from @petrichormeraki and this triplet au is mainly based on @strawberrylemonz ’s work.

For the first time since Tommy’s death, Tubbo finally had something to hope for. After some begging and pleading and proving he wasn’t going to do anything bad, Techno agreed to help the teen out with attempting to summon Tommy’s ghost.

Ghostbur was there as they worked as Tubbo thought having a ghost helping out would make things more likely to work. They set up a type of summoning platform, not quite sure how it would work and troubleshooting as they went. They all froze as Philza walked in, just coming to visit Techno. “What’s going on here?”

“Uh, we’re trying to summon Tommy’s ghost.” Tubbo answered feebly under Phil’s gaze.

He looked around at the mess they had made and the summoning platform they had created. “Really? Did you think this was going to work?” Philza asked, making Tubbo look away, feeling ashamed. “Obviously you need soul torches instead of regular ones. And the center should be cobble since it’s his favorite block.”

With the four of them working together, then managed to complete the platform and Tubbo activated it. The torches suddenly blazed taller, the blue flames nearly turning white. Energy filled the air and in the center of the platform, purple magic swirled until Tommy was there, curled up in a ball in the middle.

Before any of them could get out of the shock of Tommy being there, he shifted and grumbled. “Ugh… fucking put your wing back G. this place has no fucking insulation.” His hand blindly grabbed the air before he finally sat up. “Wait, what the fuck?”

Tubbo was the first to break the silence. “Tommy!”

Tommy looked over and his eyes lit up seeing his friend. “Tubbo?” He was hugged by his friend. “Where the hell are we?”

“We summoned you back! And I guess it went pretty well since it also brought you back to life.”

“Back to life? Tubbo I didn’t di- wait we?” Tommy pulled away from the hug and saw Ghostbur, Techno and Philza. “Oh. Tubbo, did you bring me back to the smp?” Tubbo nodded. “And do you have a way to send me back?”

“What? No! Why would you want to go back?”

“Tubbo, I didn’t die, I ran off. Some people found me and took me in. Fuck, when G realizes I’m missing things aren’t gonna go well.”

“Tommy.” Philza started to speak but Tommy stopped him.

“No, you don’t get it. If he realizes I’m gone, he might come here and overreact and might hurt you guys.”

Tommy watched as they all glanced at each other. “Tommy, what kind of person did you end up with?” It was Techno that spoke. And before Tommy could answer his oldest brother, more purple magic swirled, though not at the summoning platform. 

Tommy gave out a slight curse and Philza spread his damaged wings to protect Techno and Tubbo as someone appeared. Philza immediately recognized the signs of a Watcher, though the lack of a mask was different. “Tommy.”

“Heeeey Grian. Let me explain. No one’s at fault. I’m fine.”

“You disappeared.”

“Yep, just some people worried about me. Thought I was dead or something.”

Philza readied a weapon the moment the Watcher moved but wasn’t able to do more. Tommy was suddenly captured by the Watcher and he didn’t even try to escape which worried Phil even more.

“And you think I wouldn’t assume the same when you were suddenly gone?” The Watcher then looked down at the summoning platform and broke it. “Now let’s go home, ‘dad’ is going to be worried when he notices we’re both gone.”

“You’re not taking him anywhere Watcher.” Philza spoke, now ready to fight and not just protect. Techno also looked prepared for battle though his dad still tried to keep him back. “Tommy’s my son and he’s going to stay here.”

The Watcher looked over at Philza and the three behind him. They looked familiar. Possibly from the MCC tournaments. “Ah, so you’re the ones Tommy has mentioned. Well, even more of a reason to take him away.”

“Please, don’t take Tommy!” Tubbo managed to push past Philza. The hardcore player tried to stop them, but the teen managed to dodge his hands. “He’s my best friend. I don’t want to lose him again.”

The Watcher looked down at Tubbo, tilting his head slightly. “Tommy?”

“Yeah, he’s telling the truth. He’s big T.”

Philza managed to pull Tubbo back when he saw the Watcher’s eyes glint. “Don’t you dare try to take anyone else. I know what you Watchers do.”

The Watcher frowned. “I don’t think you do. Or you do and you deserve what’s happening to you. Based on the horror stories Tommy has told, I think it’s the latter.” Tommy tried to complain about what the Watcher said but was shushed. “Now, we can always change things, but it looks like Tubbo should be coming with me. You’ve lost your rights to children.”

Philza could do nothing as magic pulled Tubbo next to the Watcher. But he was still able to attack. It was timed just right and as the Watcher tried to leave, he was right there and it pulled him along.

Techno tried to follow along but was too late and just stood where the four now missing people had just been.

When they arrived on the other side, Grian was the only one with a graceful landing. Tommy did okay, but wasn’t used to it. Tubbo and Philza ended up completely face planting on the ground though.

“I didn’t mean to bring you along.” Grian addressed Philza. “I’ll have to take you back before-“ his communicator started ringing. “Nevermind. Hiiii X. No everything’s fine. Tommy just got vaguely kidnapped back to his old world. Yeah. Well I brought a friend of Tommy’s with me. Well they just managed to come along. Yes of course I’ll take him back. Xisuma are you actually asking me to abuse my Watcher powers?”

Before Grian could say anything more, Philza grabbed onto Tommy and Tubbo and started pulling them into the nearby jungle. He gave a shout and started to run after them, but was distracted by the call he was on and was easily tripped up.

“Phil Phil Phil Phil Phil!” Tommy repeated as he tried to pull away. “Phil c’mon we can’t just wander through the jungle! I’m sure if you just talk with Grian he won’t take you back, though X might need convincing.”

“No Tommy. That’s a Watcher. I don’t know how much it’s told you, but they’re dangerous and-”

Tommy dug his heels into the ground. “Dangerous? What? No Grian is, well he’s maybe a bit more dangerous because he’s a Watcher but he’s a pretty chill dude. He doesn’t really use his powers or anything even though he probably could.”

“And what about the other Watcher? You said it was named X?” Philza managed to tug Tommy along a bit further.

“X isn’t a Watcher, he’s an admin. Grian’s the only- look can we just go back and explain it when we’re not running?!” This time Tommy stopped harshly enough and pulled back enough that the avian lost his grip and Tommy was able to get away. He started back towards where they had come from, causing Tubbo to also pull away from Philza.

Phil attempted to grab Tubbo, but he was already running off. He tried to follow along, but ended up moving too fast and tangling himself up in vines. By the time he was free, neither of the teens were anywhere in sight and the hardcore player had to wander aimlessly in the jungle.

He was in a place with absolutely no landmarks and at this point Philza was sure he was just going in circles. The place also had enough shade that some mobs spawned, and dealing with them made him feel even more lost as the small fights left him turned around. Finally, he started going perfectly straight, ignoring any mob he saw and mining away anything in his way. There was no way he could get lost doing that.

It worked perfectly until he broke through a hill instead of going over it. Phil mined right into a cave and there was the surprised shriek of someone who seemed to be hiding there. The hardcore player’s eyes met with the screen of a computer monitor, a face displayed on it. Before he could really react to that, it moved away, making him notice it was attached to a body. It turned a corner and there was the sound of it colliding with something out of Phil’s view.

“What’s going on?”

“Someone broke in!”

Philza paused at the young voices. The first sounded like they could be around Tommy or Tubbo’s age, but the second one sounded much younger.

“Who was it? Scar? If so he probably just crashed a few too many times and needs a place to rest.”

“No! That’s the problem! I don’t know who it is!”

Philza paused, having been slowly approaching the voices. He reached the corner but didn’t look around it just yet. “Then perhaps they are dressed up. I’m sure there is a reasonable ex-” they stopped speaking as they turned the corner and saw Philza. Phil blinked upon seeing another screen faced being and it responded similarly. “Oh, I see. This really is someone new.”

The first one came around the corner and immediately clung to the second. “Who are you!” It spoke, seeming much more confident while next to its larger twin.

Philza stared at the two of them, thoughts about why they were here, what they were and what they knew ran through his head. But he did eventually answer them. “My name is Philza. What about you two?”

“My name is Grumbot and this is Jrumbot.” The taller- by their names Phil assumed they were robots -spoke. “May I ask what you are doing in here now?”

“Well, got a bit lost. Me and my family were kidnapped and brought here and I’m trying to find them again so we can go home.”

“Kidnapped?” The smaller robot asked before he lit up with an idea. “Evil X! He probably did it!”

The hardcore player gave a small sigh of relief. It seemed these two were against the Watchers in this world. “Yeah, I remember that name. Now we got split up in this jungle. There were three of us. Tommy ran off first and Tubbo went after him.”

“Wait, Tommy and Tubbee?” Jrumbot asked, now looking very confused. “But Tubbee’s here and Tommy’s with dad.”

Before Phil could ask more questions, Grumbot made a sound akin to clearing his throat. “Jrumbot, a diamond if you would? It should help us.” the hardcore player watches as a diamond was handed to the taller robot and he placed it into a slot on his monitor. “I see. You are Philza, a former king and father to a total of four sons, adopted a fifth, and have three grandsons.”

“I- wait three? Wait no how do you know this?” Philza asked, stunned, but he got no answer as Grumbot turned to Jrumbot.

“Can you call dad? I’m sure this is much more important than whatever he’s doing.”

Jrumbot nodded and pulled out a communicator. Philza wanted to move or speak but he just felt frozen. Was their information wrong? They didn’t know who he was a minute ago and suddenly they claimed to know more than he did. Or were they really right and- his thoughts were cut off as Jrumbot started to speak.

“Daaaad. Grum and me were playing and someone broke into our cave and we’ve never seen him before but Grum knows stuff about him and says you need to come here cause it’s really really really important.”

“Oh! Perfect! I’m actually looking for some new people!” Philza recognized Grian’s voice coming through the phone. It shocked him and he almost yelled at the phone but then a second voice came through it.

“What do they look like? And don’t say they’re wearing green since they both wear green. Do they look old or young, what color’s their hair, tell me stuff like that?”

“Tommy?” Philza spoke and the phone was quiet for a few seconds.

“Okay, Grian, you head there, I’ll keep looking for Tubbo.”

“Tubbee is here!” Jrumbot spoke into the phone, earning a laugh from Tommy.

“I’m sure he is, but someone else named Tubbo instead of Tubbee is lost in the jungle.”

“Oh, okay!” the small robot said happily before hanging up the phone.

Philza suddenly grabbed the two robots and pulled them towards the opening he had made. “Come on, we can’t stay here. The person you just called is the one who kidnapped us and for some reason Tommy thinks they’re safe to be around. It seems like you two think the same.”

“But he is safe.” Jrumbot said, letting himself be dragged, though he did pull away briefly to untie a lead and hold it, a bee now following behind them. “He’s our dad! And he didn’t kidnap Tommy!”

“I’m sure that’s what he wants you to think.” Phil continued to pull them along, glad at least for the lack of resistance from the two of them. “He’s a Watcher, and those are dangerous. They mess with worlds and-”

He wasn’t able to say more as Grian landed in front of him. He was surprised to see the Watcher wings looked more natural like an avian’s wings, but the rest of him looked similar enough for Phil to recognize him. “Dad!” Jrumbot pulled his arm away, leaving Phil trying to grab him again, but instead he grabbed the lead holding the bee that was being pulled along. The sudden tension made the small robot fall over.

Philza pulled Jrumbot back to him and pushed both him and Grumbot behind them, once more using his damaged wings as a shield.

“What are you doing with my kids?” Grian spoke, sounding serious.

“Protecting them from you.” Philza spat out.

“Prote- You’re the one they should be protected from. Tommy didn’t mention a lot of people he thought he could trust. And I’m sure you’re not one of those people.”

“Then he forgot or was scared to tell you.”

“No, you’re just one of the people he wanted to trust but instead hurt him so much none of us could approach him for the longest time without terrifying him.”

It looked like the two avians were going to argue more, but Jrumbot managed to sneak under one of Phil’s damaged wings and run to Grian. “Dad, he doesn’t seem that mean. He just thinks Watchers are bad or something.”

Grian glared once more at Philza before sighing and looking down at Jrumbot. “Well you’ve seen how Tommy can get sometimes. In fact, he might really need Tubbee for a bit soon.” Jrumbot frowned and crossed his arms, making Grian laugh a little bit.

“Dad, I believe there more-” Grumbot started to speak, but there was suddenly a shout from the trees nearby.

“Grian! I found Tubbo again!” Tommy emerged from the trees pulling Tubbo along. “I explained the gist of things to him and he seems okay with it.”

“Dad really this is-”

“Great. Meanwhile I caught up with the bots and this guy. He was trying to take them away from me.”

“Dad please his name-”

“What the fuck?! Phil these are his kids!”

“Da-”

“Do you want Tubbee now?”

“DAD THIS IS PHILZA MINECRAFT!” Grumbot finally had enough and turned his speech volume to its highest level. Tubbee flew around in shocked circles, Tubbo pulled themself closer to Tommy and Grian and Philza’s feathers ruffled in shock. “As I’m sure you’re aware he is also the king of the former Antarctic Empire.”

“Oh, well that changes things.” Grian said in a matter of fact tone before pulling his sword out. “Now I’m even more upset. This is what you became?!”

Philza drew a weapon of his own. “Oh, so you’ve been watching me for a while, have you?”

The three others looked at Grumbot with a range of expressions from concerned to confused. “Grum what the fuck is going on?”

The older robot just gestured to the two avians staring each other down, each waiting for the other to make a move or let their guard down. “Dad is upset at learning that this is Philza.”

“And what does that have to do with anything?” Tubbo asked, not sure how much of this was brand new and how much of this he didn’t know from not being with Tommy.

“Oh, because Grian is one of Philza’s sons.”

“G’s what?!” Tommy yelled, surprised. At the same time, Philza looked over in shock at Grumbot, having heard what was said. Grian took that as a chance to knock Philza down to the ground.

For a full minute, everything was quiet and no one, except Tubbee, moved. Then, Jrumbot seemed to process the information. “Yay! A grandpa!” And he jumped on top of Phil, easily winding him from the weight of simply being a robot.

Grian pinched the bridge of his nose. “Okay, fine. Let’s go to my mansion and talk this out. We can get X and Mumbo to come too.”

[camilliar]

recs for someone new to omgcp

[February 2021.]

Reading, or not reading, OMGCP fics has come up in a couple of conversations I’ve had recently with artists newish to the fandom (ie. @jovishark; @decafffff), who are making OMGCP art (!!!) but haven’t started exploring fic -- but maybe want to? Which of course reminded me that I’ve never bothered to make an actual, concrete recs list for this fandom. So, I mean. Here is one.

The approach is, what do I think about when I think about OMGCP fanfic? What comes to mind, what stands out to me? I have excluded some very popular fics. Some of these I just don’t think are very good, and others I do think are good, and/or I enjoy them, but I don’t see why you’d need me, specifically, to recommend them. I am thinking of a story like maybe i’m waking up, which I discuss below because I link to a podfic of it. It has a lot of merits, to be sure, but it’s the second-most-read fic in this fandom by hits, and it’s got thousands of comments, and it’s by an author whose work is relatively widely praised and circulated. I am not sure what telling you more about this fic will add to the conversation; if you want to find and read it, you inevitably will. I’m happy to, say, answer asks about these kinds of fics, or talk more generally about them via DM or whatever. Feel free.

Also, I don’t think there’s a point to pretending to be objective about fanfic; this list has a perspective and that perspective is mine. In this fandom I largely read stories that navigate the tension around Jack, Bitty, and Parse, in various permutations. This is not to say that I’ve never read fic about the frogs, or that I have no interest at all in other pairings, but I am by no means an expert on Dex/Nursey and can really only speak to the one fic about them that sticks out to me because it goes beyond being merely Dex/Nursey and does something else. This is just to say that I am sure there are great and interesting fics about other things and ideas--but I’m not the person to hear about those from.

Likewise, I’m not super interested in stories that really reproduce that which is already in OMGCP. I like Zimbits--albeit maybe not in the ways or for the reasons most fans would--but I do not really need to see endless iterations of the same story about them falling in love and being cute together. I don’t think these stories are bad or they shouldn’t exist or that they have no merit by default. Still, I don’t need fanfic to give me more OMGCP. I need fanfic to complicate, to comment on, and to transform OMGCP. Many people don’t work like this! Totally okay! But I can’t rec you fics that do that.

What I have noticed, however, is that over time there appears to have been a shift in how people do write fic for this fandom. (Other than, you know, increases and decreases in activity pending the status of the comic, pairings going in and out of vogue, and so on.) Early on, say during Y1 and Y2, the comic was about the group of friends having a cool time at college together; about whether the burgeoning attraction between Jack and Bitty would manifest and, if so, how; and, especially, Jack’s past coming into fuller view for Bitty and how it would have to be dealt with in order for a relationship between them to work. YMMV on how great the comic executed there, but as Y3 went on these themes increasingly disappeared from the story. I think this means a lot of fic written over 2015-2016 or 2017 has one kind of tone, and was written mostly around these questions; after that, it feels like a new crop of writers and a new crop of ideas started circulating, that is, either embracing Jack and Bitty’s canon relationship and accepting its relative straightforwardness in text--or deconstructing it, imagining what readers aren’t seeing, or how problems not dealt with in the comic would manifest later. People who have read my fic know which of these I’m mainly interested in exploring.

All of which is to say, looking at what I’m reccing here, when the fics were posted or when I first read them probably has a lot to do with why they stick out to me so much. Because there’s no real culture of fanfic criticism--and I mean that in the positivist sense of broad evaluation not explicitly for fault and merit but rather, for context--I think it’s really hard to keep this in mind. But I’m obnoxious and I can’t just be easy about things.

Fic recs

In alphabetical order, somewhat unsorted; if a stand-alone fic has a summary I’ve included it, but in other cases I’ve recced a couple of conceptually related fics or series, which I’ve tried to just describe or explain as opposed to copying the summary off AO3.

There are so many more fanfics I think are great and worth reading! In an ideal world I’d come back and add more later, or create a secondary list that’s more along the lines of “if you like this, read these,” or whatever. But, being realistic, this is a starter kit. I’m open to talking about fanfic.

- - - - - - - - - - -

7-0-2 by Idday; Friends in Low Places and Sorry for the Blood in Your Mouth; I Wish it was Mine by blue_rocket_frost | I’m not sure it would be correct to say that I don’t like Parse/Tater, or that I’m not interested in Parse/Tater. I’m not interested in Patater a priori; I think it could be interesting, with teeth. These fics stick out to me when I think about this pairing, because they feel different. Accusations of a preference for just linking any two white men who happen to be hanging around have validity, but because of what hockey is and how it works and who’s hanging around it, it’s not exactly a leap to imagine what kind of gritty spark the friction between two closeted NHL players would create. A little violence in your sex? A little sex in your violence.

A Sight Worth Seeing by sadtomato | A four-fic Jack/Bitty/Shitty/Lardo explicit BDSM series. Either you want that or you don’t. It’s nothing hardcore, and not properly a four-way, really; more properly a kind of voyeuristic round-robin. There’s a more open and egalitarian view of sex here than I really get from the characters in the back end of the comic. It’s an expansive, propulsive view of sex and relationships that’s really nice to see. I love Lardo's detached coolness, and Bitty as a smooth operator; if you’re looking for some kind of Dom/sub dynamics world, this really isn’t it, but it’s a lively exploration into the sexual dynamics in a group of friends that’s super close to the good-times vibe you get from Haus scenes in the first couple years of extras.

call me son (one more time) by Summerfrost, Verbyna, and blithelybonny | This is a series, incomplete, and you will love it or be massively put off by it. I mean that as a compliment. I love it. The premise is, Bob Zimmermann and Kent Parson have been having sex since Kent was, like, 19. Everyone in this story has been chewed up: by themselves, by each other, by hockey. Plainly, this is a pretty bleak view of what OMGCP, as a story, is supposedly offering. If you want fic that is dark and glamorous, treading the toxic melange of substance abuse, sex-as-sublimation, and so much money you can’t possibly throw all of it away without trying, this series has that sick-inducing shimmer to it. But, again, its strength is its examination of Kent Parson, textually and meta-textually, as someone to be projected onto. Bob, Alicia, Jack, and Bitty all impute certain feelings of their own onto him, displacing their own issues to a character who’s centralized in every fic but defies neat or total comprehension. Some critiques I’ve read of this series feel it’s too dark, and I’ve also seen it argued on FFA that an overwhelming amount of praise heaped onto these stories has made it tough for other writers to make headway in writing Bob/Kent fic. But I’m also not sure you could engage with Bob/Kent fic without going down this road at some point? I’m sure there are ways to scale it back, but ultimately it’s a story about how hockey’s violent, homophobic, old-guard gatekeeping has continued to set the terms for a younger and ostensibly less toxic culture. I fully embrace PWP fics that tread on the power dynamic without fully excavating it, but buried within any PWP is the fact that a 53-year-old man is ensnaring a 19-year-old, no matter how much the latter is, realistically, into it, and legally empowered to consent. Not to mention the dynamics of it being a 53-year-old man who is the father of the 19-year-old’s ex-boyfriend, and a 53-year-old man who is an eminence grise in the field the 19-year-old is trying to make a career in  The sexual element--the vaguely incestuous nature of it--is making textual the subtext of how hockey works, actually: objectification of teenage bodies as older men’s capital.

Coach Z by thistidalwave | Just before the 2009 NHL Entry Draft, tp prospect Jack Zimmermann overdoses on his anxiety medication and is admitted to rehab. His future turns from a clear-cut road to the top into an uncertain path filled with therapy appointments, ignored text messages, a group of boys who aren't there to teach him a lesson about himself, and, of course, hockey. | I keep reccing this fic because it has 360 comments on AO3 but nobody, as far as I can tell, has ever read it; it never appears on rec lists. This isn’t the kind of fanfic I usually go in for, but I can’t help being charmed by it. This is a character study in the truest sense, a kind of Mighty Ducks-but-better view on what Jack’s time coaching peewee hockey might have been like. I have no interest in kids and my own aesthetic is maybe a little darker than this, but I admire this story because it injects vibrancy into a period of Jack’s life that OMGCP has left largely unexplored, and so has the fandom. We know nothing about what made Jack want to go to college, nothing about how he spent his days in between juniors and Samwell. It posits a very sympathetic and patient Jack/Parse dynamic, showcasing the exact kind of ragged teenage push-and-pull that would have led to the circumstances we see in Parse I-III. The outside perspective Jack needs is largely present in an OFC who’s not a love interest. Super unique, somehow both engrossing and low-key.

#dirtbags by angularmomentum | A series that is a Kent Parson/Claude Giroux fuckfest with feelings. I’ve long suspected that Parse is popular in part because he is the character who most easily elides OMGCP with the actual NHL, or rather, NHL fandom; I think he made it appealing to write OMGCP fics where the NHL is a factor. Case in point, this series, which is basically “what if Kent Parson was a real hockey player and therefore part of NHL RPS”? I have only read some NHL RPS, so I’m not the person to assess accuracy, but what I do know is superstar IRL hockey players take turns here as the caricature fanfic versions of themselves, and since Kent Parson is already that, it’s great how seamlessly he integrates into their social fabric. Rambunctious energy peppered with regret and loss, but ultimately this series is farcical, and it doesn’t take its sentimental ending too seriously--which, good.

fated to pretend by nighimpossible | 5 Jack/Kent fics that Ransom and Holster dramatically reenact for the Haus + the truth. | As a fic format, 5+1 doesn’t usually work for me, but this one isn’t just front-loaded with five too-knowing vignettes; it then wraps up by using its +1 better than you might expect. Sometimes I talk about economy of fic, and this one exemplifies it. A zero-waste fic.

go ahead and move along by originally | "Leave, Parse," Jack says. Again. Or: Kent finds himself stuck in a time loop. | Kent Parson is trapped in a Groundhog Day scenario on the day of Epikegster. I’m sure you can imagine, just from that, what happens. And yet I think this fic is super entertaining, reserving some key surprises. What this story is doing is something a lot, and perhaps even the majority, of great Jack/Parse fic wants to do: digging into the question of just why this can’t work in comic canon. Most often this is approached from the past, by writing teenage Jack/Parse deep-dives that examine their lives mid-juniors, or by writing AUs where enough circumstances are shifted that it does work, or via future fics that posit enough growth has happened, and enough things have changed. But this fic makes Parse live the same bad day again and again, testing multiple theories about just how dependent on circumstance and incident real life actually is. Another day, another tone, 10 minutes sooner, not at all--you just can’t know why it didn’t work until you exhaust every possible variable. I worry that this rec has sucked the life out of the story, though--it’s so fun!

I Saw a Life and Strange Lovers by @bluegrasshole | Most AUs in this fandom seem to retell the story in a new setting or with some big detail change, following OMGCP’s rhythm beat-for-beat. I think of this as, “It’s the plot of Check, Please, but” -- they’re doing high school football? They’re acrobats? They’re a/b/o? They’re in a DIY punk band? And so on. These two stories are not that! They’re both 1950s AUs, each deeply felt, and yet hugely different from each other. I Saw a Life is about displacement and fragmentation, two sides of a similar but incongruent social critique; Strange Lovers is a finely wrought social drama about coal mining in Nova Scotia in the 1950s, centered around historical events. I suppose a theme on this rec list is something like, “I don’t even like this, but” -- yes, okay, I don’t even like Dex/Nursey, but--! This fic is so overwhelmingly complete, the AU laid out so carefully that the story breathes with all the background details informing the writing that aren’t actually, in the story; you just know they’re below the surface. (With the exception of one investigation of Jack’s character in a short, separate fic.) I Saw a Life, meanwhile, really tests the limits of the notion that Jack and Bitty are soulmates--not by calling it into question but by asking, rather innovatively, how the setting and place of the comic itself activates that.

Les Hivers de mon enfance by staranise | What do you do when hockey is the language of prayer for your soul, and also the toxic thing that almost killed you? 2009: Jack Zimmermann takes a mental health year. God knows he needs it. | Here’s a fic by someone who’s no longer around so much, but she felt ubiquitous in 2016-2019 OMGCP fandom. Before any of that, though, she wrote this one lovely fic about Jack’s pre-Samwell recovery. The author is Canadian and really irritated by hockey culture, and I think this fic benefits greatly because she is clear-eyed about Jack’s being caught in an exploitative system; it’s hockey he’s in recovery for, in a way. There’s an epistolary element that works for me, too. I read this early on in my time in OMGCP fandom and it really stuck with me.

Lysistrata? I Hardly Know Her! (by which I mean everything) by @tomatowrites | It feels somehow like cheating to recommend OMGCP fanfics by my OMGCP BFF with whom I make an OMGCP podcast where we talk about OMGCP. You know the fics I really want to rec, like truly the ones that speak to some kind of shared depravity, are the ones where Jack is miserably mpreg for the second time and accidentally lets his kid see Kent Parson’s Long John Silver’s shrimp scampi promo spot, which obviously would get twisted into a self-hating three-way. How many times do I have to rec this fic? As many as I need to, is my feeling. If you don’t know, Long John Silver’s is an American fast-food chain that sells, like, fried pollock sandwiches; it is nautical-themed; I have never eaten there; I don’t know where there is one; I don’t eat fried fish. (Shrimp, on the other hand?) All of which is to say that it takes a real genius to investigate a premise that far out. And while a lot of people almost certainly will start reading this humanity’s depths-themed sex scene and back the fuck out, readers with refined taste will note that Kent, the point-of-view character, is right there with you, despairing that he can’t help himself. And so long as you’re in that story collection, honestly, you’ll love petite gems like Jack is transmasc, Jack and Shitty play hockey in 18th-century England, and oh, right, he’s from Georgia. Tomato holds the distinction of being probably the gamest author I know in this fandom, just really like fearless in her pursuit of any range of concept she’s pushed to. (I can push her to?) See, for example, a sublime bandom AU; Bitty is cancelled for buying a maybe-unethically exported Roman fragment of a youth’s torso; or, god, the masterwork that is this future fic series where Jack keeps relapsing and Bitty exiles him to their guesthouse. Do I think you need to read a fic where Bitty is snide about the teen prostitute whose baby they’re adopting? Yes, I mean, he would be snide, don’t tell me he wouldn’t. I could go on, but my main thing here is, if I have to pick just one, I’m going to pick this Lysistrata fic. The premise, literally, is that Bitty reads the Lysistrata and it gives him ideas. Like most of Tomato’s OMGCP fic, it’s a stripping away of the comic’s polite fiction that Jack and Bitty could possibly attain the ideal it reaches in the comic without some kind of messy, efflusive breakdown. Life is like that, you see! Tricky. Like a lot of people, although it’s tough to say precisely how many, I have always intuited that maybe Bitty is kind of a natural top? But obviously when you meet him, as a literal virgin, it’s hard to see how he’d go from zero to self-actualization so neatly. This fic floats a theory, and it has a fun little side plot for Whiskey, something I never thought about or needed before Tomato built it out herein. In conclusion, BONUS: Dex’s gay lobster novel.

only fools rush in and the light of all lights by decinq | This person wrote of the nature of the wound, one of the early, formative Jack/Bitty fics that was oft-recced when I was getting into the fandom in 2016. It forms part of a larger series that deals deeply with how Jack has been shaped by his struggles (? I hate this word) with homophobia and his own mental health. It’s a picture of the character as you might have imagined him much earlier in the comic’s run. The formatting is atrocious and he author’s flair is what Tomato would call “AO3 house style.” It’s a voice that works great for her writing. I think it’s at its best in these shorter fics; the former is about Parse and Shitty stumbling into a relationship almost accidentally; the latter, an eerie PBJ vampire fic. I had begun writing a fic where Parse is a vampire early on in this fandom, only to read this and immediately quit, because you only need one, and this one’s all I need. The Parse/Shitty rare pair fic shares its exuberance with hockey RPS when it’s good: here’s how fun it can be when you’re young, rich, and jocular. And I don’t even like accidental marriage AUs, they’re usually boring, so that says a lot. By all means, read the wound fic; read the entire series. But these are highly unusual.

OVERDOSE and Oomph and a little spin-o-rama by jedusaur | None of these are long, or plotty, and they’re all a little experimental. OVERDOSE is an AU set in a world where you know how you’ll die, but no details; Oomph, a little fic where Jack hears hockey pucks talking to him. This is the kind of stuff I used to think I’d find in fandom forever, coming out of Lotrips lurking in the 2000s: short, zany bursts of energy that surprise and delight. a little spin-o-rama peers at Kent’s character through the grim reality of being the hypertalented superstar stuck on a dead-last team. All three are sparse and stylish in a way that’s really smart, practically economical.

Sowing Season by @agrossunderstatement | Parse and Zimms, Zimms and Parse. Kent Parson's life, from the Q, through his early years with the Aces, to Jack's senior year. Canon divergent. A story of love, loss, moving on, regressing, hockey, and found families of all kinds. | Effectively a novel, digging into Kent’s personal history, mostly concerning his life in juniors but expanding into his present, overlapping with the plot of OMGCP. I think there is room enough for endless speculations on what went down pre-canon; this one offers a fuller life for Kent than nearly any others, digging into him as a whole person rather than as a satellite to Jack or the plot of the comic. Which isn’t to say that the Kent/Jack stuff isn’t dealt with here; it explicitly is. But the fact of Kent Parson’s life, if we can begin to imagine it beyond mere text, would exist before, after, and alongside Jack; he gets to juniors without Jack, presumably, and he is the captain of a hockey team without Jack, and Pinkerton lays the foundation of Parse’s character within a junior hockey that Jack also inhabits, more so that Parse existing for Jack, so to speak. And I’m not implying this latter tactic is wrong; I have certainly employed it, and others have employed it to great impact and effect. But, still, the title of this series tells you what you ought to know: Kent and his story are the potentiality of OMGCP, up to a point; seeds being planted. Young hockey players, similarly. The question implied there is, what will be reaped? And the answer to the latter, in a sense, that reaping is a sort of violence. Which makes this series sound pretty heavy, but it’s not -- more like, realistic.

(tell everyone) you were a good wife by @queerofcups | The biggest problem with pretending that he doesn’t know that Kent Parson is fucking his husband is that Jack can’t tell Kent how grateful he is. | The ne plus ultra of PBJ triangulation; I’ve been squealing to the writer about how good it is since August, begging for behind-the-scenes insights, and I’d only do that if I really meant it. The precarious social fabric stretched across these three chapters is fraying before the reader’s eyes. The details are delicious, and I don’t want to spoil them, but they sing in chorus with the plot. My favorite OMGCP fics, honestly, remove the romance narrative guardrails that keep things in the comic itself humming along. I think Dann’s take is to ask who in this comic has power and what they would end up doing with it. (Or not doing, from another angle.) At one point, early on in its telling, OMGCP looked like it was going to be a story dealing with the compounded traumas of hockey’s discontents. Then, of course, it wasn’t. This is a fic that steps back and asks what the fallout of that oversight would be. But that’s just the moldering core of this fanfic; it’s actually embroidered, like I said, with glittering detail. The color of the suit Bitty wears to his wedding is burned into my brain. The gray manicure of a woman Jack knows. The ingredients in a cake. This is one of those fics I still haven’t reviewed because the thought of stacking everything I could say about it into mere AO3 comments is inadequate.

when you’re ready by megancrtr | The Aces’ director of communications gets the call at 3:13 a.m. Jack Zimmermann has withdrawn from the draft. | “What happened at the draft” is so mythological it gets asked in the comic proper, and I’ve never counted how many fics attempt to answer this question--from Kent’s point of view, even--but it’s gotta be, oh, hundreds. This story replays the situation from the perspective of an Aces staffer who just wants to do her job, and gets at the jarring discordance between the plot of OMGCP in its quest for social justice and the business of actual hockey. Important context is that this story was written around the time the comic was playing out the end of Y3 and start of Y4, and Bitty pointedly asked Jack the question, “why can’t we?” This story reframes the question as literal, rather than rhetorical. A sterling example of fanfic being a gloss on its source.

BONUS, podfics

hockeyed up | There are many things on Jack's mind. Namely: hockey, hockey, Bitty, hockey, anxiety, hockey, hockey, anxiety, Bitty, hockey, hockey, anxiety, and hockey. | A fic read aloud by its French-Canadian author. Also a relatively early OMGCP fanfic; composed while the first semester of Y2 was posting, the story suggests a version of OMGCP that was in some ways more and in other ways less complex than what it would turn into not long after. The real power of this podfic, however, is that it’s read by the writer, so you can hear the intended emphasis in every line. Also, because she’s French-Canadian, Sophie’s intonation is what I picture when I read or write dialogue for Jack.

maybe i’m waking up | It’s almost funny. All he ever wanted was to play hockey, to play in the NHL, to win the Cup. This—Samwell, the team, the Haus—was supposed to be just a detour, but now it feels more like a destination he failed to realize he’s already reached.(Or: Jack signs with the Falconers, graduates, and leaves. It's the hardest thing he's ever done. What comes after is even harder.) | Don’t get too excited; this isn’t finished. A podfic of probably the best-known, most-recced fic in OMGCP fandom. Striking for its use of metatext woven into the story, this is one of several early longform Jack/Bitty fics that posits that maybe Jack has a lot more development to undergo before he can really, truly, be okay--or be okay enough to be with Bitty? To be honest, this story strikes me now as too long, but the parts in it that work are effective beyond that which fanfic demands. Meanwhile, this audio version only covers six chapters, but it’s so slick, so well-realized, so true to the story. Podfic as art.

my own dear friends | Ever since the day he met Jack Zimmermann, Shitty has seen it as his solemn duty to aggressively love him. (He just didn't know how aggressive the love Jack needed would be.) | There’s previous little Jack/Shitty in this fandom and a lot less quality BDSM,

the city’s ours until the fall | Kent has been, historically, good at this—forgetting about things until suddenly he doesn’t, and then it’s like the scar has never been there in the first place, just the wound. (Or: Kent Parson lets himself be happy, after all this time.) | I’ve never read this fic and I never will. I cannot imagine how, no matter how good it is, it could compare to the version that lives in my head, with Kent’s voice so totally realized. Vocal fry and pathos, a languid energy that I still think about when I think about Parse.

the model home | It’s going to be better, and that’s great, but sometimes Jack thinks, why can’t it be good right now? | j/k j/k, this is a self-reminder to finally one day review this.

[tigerdrop]

king u gonna elaborate on virgin benrey

 listen i have kiryu “is 100% a virgin at the ripe old age of 37, and this is appealing to me instead of fucking hilarious″ kazuma disease and it has followed me here. also this kind of branches into a completely different kink at the end b/c i am diseased

so you know how i write "obviously fucks good and hard all the time" benrey. well........you know.......like..........what if......................he didnt. what if he was. what if he had never fucked before in his life and his incessant flirting finally works and hes like "i did not expect to get this far."

envision, if u will, the delightful awkwardness of virgin benrey + "has never had sex with a dude before" gordon

ive definitely brought up the possibilities of gordon going all science-brain on null benrey before but i think it works just as well on virgin benrey too. its a learning experience for both of them and if theres one thing gordons good at, its research. and gordon probably gets way too up in his own head about making sure he does this shit right and spends a lot of sleepless nights googling "how to have sex with dudes" and, you know, researching, 

if benreys not the one fucking babying him thru his first gay experiences he is probably going to bungle it so fucking badly and i think it would be really funny 

alternatively please consider gordon being so fucking neurotic about benrey never having done this shit before that he avoids the subject as hard as possible, thinking that hes gonna dick it up hardcore, but the whole time benreys just thinking "bro i havent had my dick touched in [however long hes been alive]. come on". the tension

furiously making out with him behind a fucking crate in black mesa and then realizing this is Going Places and gordons voice breaks as he says, way too loud, "I GOTTA UHHH GO RELOAD MY SMG. RIGHT NOW"

you think gordon is touch starved ? no. Hell with this 

Im just tsying theres no evidence hes been touched at all by another human being in his life before this. if hes video game in real he benrey noclip out of being touched 

what if he like, chooses not to noclip/not feel....ON that time gordon catches him. just cuz hes curious, a gay impulse. or maybe hes so surprised (and gay) he forgets to avoid it

and oh, to be in gordon freeman's gentle grasp. makes him into an unholy annoyance of awkward gayness for the rest of the series

YEAS.......also he has definitely thought hard about sucking gordons dick but doesnt actually have any idea how he would go about it. hes just heard its cool

giddy thinking about the scenario where its actually benrey whos terrible at sucking dick b/c hes never done it before and gordon who actually does suck dick like a champ

i know that this is literally the plot of the very first serious nsfw fic in this fandom but still. virgin beney. benrey getting sucked off for the first time in his entire life and shaking like a fucking leaf......

Power trip of Gordon realizing this guy whose been hitting on him the whole time has no idea what to actually do 

Gordon Freeman Gives Benrey A Prostate Exam

its a joke but its not a joke. virgin benrey being vaguely aware that being fucked by gordon freeman would be cool, in theory, but not fully conceptualizing of how you actually get a dick in your ass until gordons like "what?? no, dude, you cant just stick it in there" and gives him a demonstration and thats how benrey discovers he has a prostate 

benrey like "idgi man this just feels weird. when do we get to theohhh my god what. what that" and gordons like "what, u mean this?" (curls his fingers again) mean smirk hours

i want him to make a squeaky little noise when gordon says that and curls his fingers again, and gordon's like "ha- knew he'd like it" and keeps kneading him a while; but oops, suddenly benrey's coming with an even squeakier noise 

gordon's so surprised he just keeps going, hes like, not comprehending until benys whining at him to stop

a thought: benreys not good at "being human" and probably doesnt actually know whats supposed to happen when u nut so every time hes been jackin it he just does it until it starts to be Just A Little Too Much and then hes like "mission accomplished" and stops. imagine his fucking surprise when  gordons jerking him off and he doesnt stop and hes like "wh ha hu what the fuck i already got off bro" and gordon just stares at him and the distinctive lack of cum on his hand and s like ".......did you?  you sure about that one." 

tl;dr benrey squirming and babbling and digging his fingers into gordons back as he begs him to keep going, he doesnt know whats gonna happen and hes feeling totally overwhelmed b/c gordons pushing him further than hes ever been pushed and he keeps inadvertently trying to wriggle away b/c its So Much but gordon, maybe, pins down his hips so he can get benrey off For Real....... 

even better if its when gordons sucking him off for the first time so he can wrap his arms and hands around benreys thighs to keep them spread wide open and firmly in place 

knees shaking and thighs jumping constantly 

and benrey has no idea when its supposed to be over so he cant even warn gordon properly. he just keeps getting louder and louder....... 

maybe even.......completely hunched over gordon......pushing him down on his dick with his hands in his hair....... 

alternating between babbling "stop" and "dont stop" b/c hes stupid 

eventually gordon gets so sick of benrey not being able to decide whether he wants to shove gordon onto his dick or yank him off that he just pulls off and says "look, man, do you trust me?" b/c he would really like to just get benrey to stop edging himself here 

UNINTENTIONAL OVERSTIMULATION.......THE TEARS........HHHHHHH

and he eventually gets benrey to nod furiously at him that he trusts him and gordons just like, okay, im not gonna stop then. im gonna keep going. and.......he does 

eyes glazed, hair sticking to him with sweat, hips all twitchy, dick all red, face also all red 

sucking benrey dry until hes over sensitive....... 

He started off spasming then he’s rocking into Gordon’s face by the time he’s wailing his name. Panting and gasping like he’s fucking DROWNING 

gordon meanwhile almost nuts in his pants from the fuckin show that benreys puttin on for him and hes not even trying. hes just Like This. gordons got jerkoff material for the next month just thinking about the way benrey wails his name and clutches his hair tight 

benreys like (slurred) 'u gonna jack off or sumn.......was it not hot'. gordon fighting with every cell of his body not to scream "WAS IT NOT HOT?"

trying to decide what would be hotter: gordon jacking off while hes on his knees with his head resting on benreys thigh or jerking off on benreys stomach and.....r.......rubbing it in

benrey watching gordon cum and feeling a whole new context for it cause now he knows how good it feels and gets turned on again faster-

thinking.......about.......th. next time. now that benreys figured it out. he gives it a try on his own time and hes so surprised that it works that he goes up to gordon like "yo. check this out. i figured out how to jack it" and gordon has the most unimpressed look on his face imaginable 

"proud of you, buddy. am i good to go back to watching storage wars, or" "you wanna uhhh.....wanna see it maybe?" and that changes his entire tune

imagining benrey being so fucking bad at it still that he keeps doing the start-stop shit b/c its so intense and hes not used to it and the thing that actually gets him to finish is gordon, pants down to his knees and fisting his own dick like he might die tomorrow, leaning forward and telling him that hes got this, benreys gonna come for him, right? come for gordon? 

gordon fucking telling him "dont stop" WRT jerking himself off and benrey just listening to him and pushing himself is ruining my fuckin mind 

its a really good thought......i love how it plays into non-human benrey having to figure out human stuff........makes me crayz

probably keeps being sensitive for a long while too........ (mumbling very very quietly) and if hes so sensitive from never being touched before......maybe hes kind of........uhhh..................ticklish

new layers to the whole "oh my god its too much stop it" + "i actually dont want you to stop touching" thing .. . . .. . . . + gordon powertripping when he realizes whats going on with him and why he keeps jerking away and trying not to laugh when gordon touches him like on his stomach or his sides

benrey accidentally jerks too hard and knees gordon in the dick from how ticklish he feels just from like, hands on his sides or something

i was actually thinking about......like.......gordon laying on the ground and suffering (because why wouldnt i be thinking about gordon suffering) and deciding that enough is enough and offering to.......desensitize benrey. you know. for his own health

you know. uhhh. tying up his arms and legs, perhaps, and. you know. "do not noclip through these. i swear to god, benrey, if you kick me in the dick again" 

i'm think about benrey begging gordon to stop, so he does, to check if this is a Forreal stop or a "hahah nooo~" stop, and benrey asks him through gasps to keep fucking tickling him (except he just says smth to the effect of ."gh.. ....keep doing it dude wuhdah hell...") and gordon gets an evil fucking grin and just feels on top of the world "yeah?? think you can handle it, huh???" and just destroys him. benrey thinks about gordon's horny manic face for weeks 

neither of them had a thing for this before this point but the combination of feeling like hes being tickled and gordons hands on him for the first time making him mad horny gives benrey a brand new fucking fetish. gordons manic fucking face im so glad we are on the same wavelength about that

i truly hate my own posts. incurable. diseased

[pertinax--loculos]

Weekly Update 29/08

Note: shaking up the format this week, mostly because I just can't stop talking. These updates are gonna become purely about draft progress -- I'm going to include the titles of the books I've read/am reading at the end, but will post my thoughts separately as something of a 'review' (which will likely just be a collation of my stream-of-consciousness thoughts. Or just those thoughts unedited, depending how I feel). I'm also going to post the excerpt in a dedicated post of its own, so keep an eye out for that! ;)

Currently Writing Absent That Night (tagged: WIP: ATN)

wordcount this week:  19,981

total wordcount: 58,127(note: I know this jumped; it's because I realised that I was a week behind with adding to the total ooops)

[new addition] total time writing: 9hrs 10min

re: the above point -- I think this is a much more productive way of tracking my progress. As I've mentioned, I'm an egregious overwriter, so wordcount goals really don't motivate me too much (I could get 1000 words down and only be like a quarter of the way into the scene dear god help editing this is gonna be hellacious). So I think by scheduling time instead, it's going to force me to be a lot more productive and hopefully get me well on my way to my goal deadline!

re: deadline -- need to do a proper recalculation of where I actually am, because I think I'm a little bit behind. Something to do for next week, however!

I've also started pretty hardcore scheduling this week. It's kinda a mess due to my ridiculously inconsistent work schedule (and the way they often ask me like three hours beforehand if I want to take a shift), but it's great to have time blocked out for certain things. Definitely gonna continue it until this draft is finished, and then reassess whether I like it or whether I'd prefer something more flexible/any other adjustments

briefly considered/considering swapping to google docs for convenience's sake, but I am a) Wary of The Cloud and b) I am not using a writing app where I have to hit two buttons to get italics. I use far too many goshdarned italics to goshdarned do that fucking bullshit. The fact that text colour is still easily accessible but italics is not also makes me unreasonably angry

so instead I'm trying evernote. ^_^ Seems okay so far...?

[deleted a rant about evernote as well given that I figured out what was annoying me and we’re all good now 😅]

work is legit fucking killing me, man. The work itself is not too hard, but being essentially on-call (because I still don't have a roster so need to take the shifts in case I don't get others) makes scheduling so damn hard. I was literally halfway through a scene the other day when I had to stop and do Life Things before my unplanned shift. I'm thankful I have a job I can go to during lockdown, but dear lord I cannot wait until I know how many shifts I have and can a) plan around that and b) say fucking no if I want to

seriously considering dropping one of my suspect subplots. I keep forgetting about it, and the plan was always to dead-end it at the midpoint anyway. Plus I think including that one I have... seven? serious suspects, so could probably go with some simplifying. 😅 At the moment I'm thinking I'll leave it out, and if I think the next section needs the extra tension or anything I'll write as though it's there and add it in later if needed

honestly the difference between writing a scene I've had planned/been looking forward to and one which is only a vague notion/I've added because it's 'required' is stark. I just absolutely blow through the former, and sometimes it's like pulling teeth with the latter. But I am getting them done! They just take a right chunk of time sometimes. -.-

related to this, I really need to get my ass in gear with some scene-by-scene planning of Act II. Goal it to at least get some ideas for scenes jotted down for the first half this week!

think I do actually dislike writing at night. I've been forced to by work a couple times this week, and the problem is I stay up too late, and even then sometimes don't complete the scenes (which is generally my aim). But also, it puts my brain in Writing Mode, which not only makes it harder to sleep, but also generally results in my crafting beautiful sentences and even whole scenes whilst I'm trying to sleep that I promptly forget upon waking the next morning. Ugh

this week I also managed to stumble over some books that seem to fit the same genre as ATN. Not 100% on what that genre actually is (still) but there does seem to be a (niche?) area of paranormal/fantasy/crime/mystery-that-is-not-set-in-a-contemporary world (ie not exactly urban-fantasy/mystery). Definitely have added all the ones I've found so far to the reading list!

clearly I have hit the middle of this draft, because I've been hit hard by a Shiny New Idea. Amalgamating all the advice I've read on the subject, I've jotted down all my thoughts and put it to the side until I finish this damned draft first

ultimately, still having fun, still loving this world and all the characters, still loving attempting to work to a deadline. Everything is shiny and happy this week. ^_^ Let's hope it stays that way ahaha... ha.

 This week's goal: complete minimum five scenes; map out scene-by-scene guide for first half of Act II

As far as reading... current read: Midnight, Water City by Chris McKinney

finished Survive the Night by Riley Sager

[oneweekoneband]

Vacation

There’s a lot of clichés about artists burning out just as they come through with their brightest work, and in some people’s version of this story, that might be the frame for Vacation, BTMI!’s final album before breaking up. Personally, I’ve never bought into those monomyth-esque narratives about bands’ inherent career arcs, and so I’m not inclined to view the album this way. I will say that while I absolutely love it, I don’t think it’s necessarily the band’s best album. It’s also just not accurate to think that this was a point of “burning out” for BTMI!, since Jeff started writing for his solo career almost immediately following the band’s dissolution.

Still, Vacation does hew eerily close to a lot of these rock ‘n’ roll archetypes. It was a momentous album, it was probably the most publicized release the band had seen, it represented a new musical direction that seemed to present itself as the summary of Jeff’s experimentation with genre and songform over the rest of the band’s career, and the band very much did break up after its release (although, as with ASOB, it took a few years for that to become official).

About that publicization: while I’m somewhat sad that I missed out on most of BTMI!’s career (being, you know, too young to go to shows or even think much about punk for the first 5-ish years), I’m still glad I found them when I did, because the build-up to the release of Vacation was a really interesting time to be a fan. In 2010, almost a year before the release, the band began a roll-out of singles to get people excited about the new material, and it worked like a charm on me: the boisterous first single “Everybody That You Love” seemed like a sign of great things to come if its electrifying lead guitars and dizzying vocal hook were any indication. “Hurricane Waves” and “Can’t Complain” showed even more diversity to look forward to when the band released them in 2011 ahead of the album. In addition to that, Jeff launched a whole new label to sell Vacation (and much of the other stuff released through Quote Unquote) through, Really Records. Clearly, he was trying to communicate something about the step forward he wanted Vacation to represent.

And fans like me, despite knowing that “Side Projects Are Never Successful” and that Jeff was never in it for the fame, had reason to believe not only that this might have been the band’s big shot, but that they might actually make it big – or at least to become big enough to continue to exist as a full-time touring band that played music for a living. The Vacation singles were getting media coverage like no other previous BTMI! release had, and they marked a direction for the band’s music that, while retaining the punk integrity and musical ambition of the earlier albums, also proved more melodic, cleanly-produced, and accessible to a broader audience. While previous albums got recognition in the punk scene, Vacation looked like it had “crossover potential.” And when it finally arrived, there were even more positive signs: within half a year of the release, “Can’t Complain” made an appearance in “The Office.”

Of course, for all this to work, the album had to be good, and thankfully it was better than that – despite what might have sounded like my talking it down, it definitely represents a new high for the band. It’s Jeff’s own favourite BTMI! album, and I can see why: its complexity is something to be proud of. He had always been influenced by artists falling outside of the punk spectrum, but here those influences are more pronounced than ever, and the band finally breaks free of its ska-punk chains with a sound wholly its own. Brian Wilson-esque harmony arrangements and multi-part songs abound, and in a similar fashion to To Leave Or Die In Long Island, a couple motifs from individual songs (“Campaign For A Better Next Weekend” and “Sick, Later”) turn up in multiple places on the album for thematic cohesion. If SMiLE was Wilson’s “teenage symphony to God,” Vacation might be Jeff’s “adult symphony to punk rock.”

Many of my favourite songs off Vacation stand completely alone in the BTMI! catalogue, with little stylistic precedent. “Why Oh, Why Oh, Why (Oh Oh Oh Oh)” is a brash, thunderous fusion of Elvis Costello’s melodic sense and Bruce Springsteen’s maximalism, with a wealth of memorable melodies and lyrics that are all Jeff’s own. “Can’t Complain” is that rare song that manage to “rock quietly” – it’s both hushed and urgent in its muted acoustic chords and slide guitar lines, panicking at the pace of everyday life while simultaneously realizing how much there is to be thankful. And of course there’s the glorious, dynamic opener that slowly builds from a nostalgic piano riff accompanied by subtle, emotionally-charged chord changes into an explosive hardcore-punk charge, with vocals ranging from Jeff’s cleanest, quietest-ever singing to his more characteristic shouting to a group chant at the end.

But even when Vacation retreads familiar territory, it still feels like it’s moving forward. “The Shit That You Hate” stands in a long line of 3/4 5-6-minute slow-burn songs appearing on BTMI! albums, but it feels like a perfection of that particular type of song rather than a simple revisiting. Jeff’s weak, warbly falsetto note when he sings “Hold onto your hope” always gets me a little choked up. “Hurricane Waves” might recycle a melody from To Leave Or Die In Long Island during its bridge, but the rest of the song is all new, providing that melody with a fascinating recontextualization to great effect. The aforementioned “Sick, Later” has a zig-zagging riff in an unusual time signature combination that still manages to be incredibly hooky, as well as some of my favourite lyrics on the album:

The first time that I took you to the hospital,

I was tired and you wanted to die,

I drove off, and I couldn't understand at all

Fuck, I didn't even walk you inside,

I thought we all wanna die, we all wanna die,

And I thought that was fine, I thought that was fine.

One of the album’s most instantaneous joys comes from “Vocal Coach,” the shortest true song on the album. Jeff’s vocals were probably the most consistently difficult factor in terms of getting listeners outside of punk to take BTMI! seriously; they’re somewhere in between the traditionally-expected “bad” vocals of classic punk and the cleaner, more melodic style of singing dominant in pop-punk. Either way, they definitely don’t play to mainstream ears (perhaps this is why “Campaign For A Better Next Weekend” starts the way it does, and for that reason, Vacation might be the best place for a listener that’s not well-versed in punk to jump into the band’s discography). On “Vocal Coach,” Jeff takes on this problem with a healthy dose of irony, penning an ode to the imperfections he loves in music, the “dirty covers, dusty grooves and deep scratches.” But with a melody reminiscent of Pinkerton-era Weezer, he also expresses his own frustration with his inability to transcend the ugliness of his own singing: “I get embarrassed when my voice pops out and it’s not like in my head, / If I got a new vocal coach and I could hit the notes, you’d fall in love again.”

I understand that frustration – I’ve sung in more than one band, but before I even started playing in a band, I never thought I could be a singer because I thought I wasn’t good enough. But over time, I slowly realized that the reason I thought that was because I was comparing myself to singers who were already considered to be superhumanly-gifted, and that not every singer needs to be that way; there are thresholds of “good-enough,” and realizing where you fall in that can be a very freeing experience. I learned to sing by imitation Johnny Rotten and Billy Corgan, singers with definitively “bad” voices that nevertheless managed to communicate pretty much exactly what they wanted to in their songs. And Jeff Rosenstock was another big inspiration to me in that respect: he was a “bad” singer who nevertheless sang his songs defiantly, against popular tastes, because who else was going to do it for him? (Not to mention that as a “rock ‘n’ role model,” Jeff seems like a much better guy than Johnny or Billy.) But like Jeff, I know that there are times when singers wish we could do more with our voices than what seems to be within our natural ability, and we start wondering if it’s just a matter of putting in the right amount of work to “perfect” that voice. “Vocal Coach” brilliantly captures the nuances of this feeling in under two and a half minutes in an unforgettably catchy tune.

It couldn’t last, though. Even Jeff seemed to know it, as he sang on “Vocal Coach”: “ I'm aware that I'm kind of getting scared the love that I thought had no bounds is coming to an end.” Vacation proved that BTMI! could be made more accessible and reach a wider audience, but there were limits to that growth. Just what reasons lay behind those limits will always be a bit obscure, but after a while, it became clear that despite being their most successful album to date, Vacation wasn’t going to be a true “commercial breakthrough.” To be fair, I don’t even know if that’s what Jeff wanted. I haven’t been fully clear on why the band broke up, and strangely, Jeff even seemed a little vague on it in this interview, citing one member’s moving to Australia as part of it. It didn’t have much to do with a lack of commercial success (Jeff claims the band wasn’t even on as much of an upswing in popularity as fans had come to believe at the time), and I doubt he would have soldiered on with his solo career the way he did if it had. In fact, I suspect his solo career is probably more well-known by now than BTMI! was even at their peak.

In the end, I’m just happy the band go to do what they wanted to for as long as they did, and that BTMI! brought so much to my life and the lives of other fans like me. I’m also incredibly grateful I got to see them at least once, on their last tour before they broke up in what turned out to be my first real punk show. It was, in some ways, kind of a fluke: I was 16 and the band had planned some tour dates in Canada, including Ottawa, which was truly shocking, considering that almost no one big (outside of the Wu-Tang Clan – look that one up, it’s a strange story) comes to Ottawa. But it was even flukier than that, because it turned out that my parents had planned a road trip to Toronto for our family over the date BTMI! was playing! Of course, I checked the tour dates and sure enough, they were coming to Toronto too, so I got the tickets for that show instead and saw them for the first and last time at the loft above Sneaky Dee’s with my sister. It was an amazing experience, and I can’t think of a better way to have been introduced to live punk. I was caught off-guard by the mosh pit, but it was a friendly one, and I ended up spending most of the show in it. The band played almost every song I could have hoped for (“25”! “I Don’t Love You Anymore”! Every great song on Vacation!) and I ended the night a sweaty, dehydrated mess. As Jeff came down from the stage into the crowd after the show, I gave him a big hug and told him how awesome I thought it was. And while I hadn’t brought a blank t-shirt for the band to spray-paint their name on (a tradition from the early days they were still doing at that time), I bought one of their special “bilingual shirts” that I assume were made specially for the Canadian leg of the tour. I still have it:

[justphilia]

More Claw!Teru, its all I've been thinking about for hours (Nap)

HI I’M JUST GONNA WORD DUMP

(ooohhhh I have italics and bold this is funnnn oh MAN focus focus okay here we GO)

Alright so Teru went with Claw when they first showed up - well and good, I like this, of course he would! His parents don’t want him and Claw thinks he’s special, worthy of joining their cause, so Teru’s got just. a massive ego, huge, astronomical ego. 

Something I thought of: Teru as a Scar. Muraki’s a Scar, right? It serves to reason that Teru would be too, which means he definitely picked a fight with the Boss, and I’ll touch on that later for sure

Where’s his specific scar, though? Teru is strong, he’s smart, but he’s got too much pride for his own good. He probably picked a fight with all the 7th Division Scars and, even as a kid (9-10yrs old? Not sure tbh anyway) I’m willing to bet that he outwitted several of the less experienced Scars. That’ll get him sent right up to the top, or even if it didn’t go down that way -

(let’s say that Touichiro made the rounds to all the Divisions, he stops at the 7th and wants to see the new “recruits”. Teru’s told that he’s the Boss, but surely if this guy’s the boss, and he’s already beat up the other adults, he’d be able to take him on too, right? 

I’d like to think he put up a good fight.) 

- Teru’s got a Scar that runs the length of his scalp, from his hairline, up and over, back down to the base of his skull. In canon, his hair getting shaved was covered up by a wig, and the same happens here. Naturally, its the exact same wig as canon (taller, perhaps? Claw certainly wouldn’t care) although I’m a bit fuzzy on how he loses it. (Reigen, maybe? After the power transfer, that would make sense) 

Skipping way ahead here, closer to Mogami and World Domination. 

Reigen’s taken Teru in, and he’s (reluctantly) sticking around. Reigen forces him to enroll in school, or else he’d have to stay and work at S&S all day. Teru adamantly refuses, only on the grounds of “the commoners don’t deserve my help, besides, they all stared at me the one time I stayed all day with you." 

But twist: Teru doesn’t live anywhere near Black Vinegar now (since he’s with Reigen) and ends up going to the same school as Shigeo. 

This works out, in a weird way, because Teru knows how strong Shigeo is. He fought him once and very nearly lost (cue big ramble abt how losing to Touichiro wouldn’t have humbled him in any way bc Claw literally runs on being a bunch of smug dorks and how it was losing to Reigen instead [Reigen had the full force of Shigeo’s 100%, and while not ???%, it certainly is quite a lot of power regardless] that kickstarted Teru’s humbling process) and the biggest question on his mind is the one that HQ’s little redhead lapdog brought up. 

Why didn’t Shigeo use his powers?

So Teru spends his time at school following Shigeo around, trying to understand. He’s decided to become his friend - if friend is even the word he can use.

He tutors the Awakening kids at Ritsu’s insistence (because for all of Ritsu’s own flaws, he recognizes when someone is stronger than him), because Ritsu was barely able to keep them safe on his own, and Teru intimately knows what Claw can do. Ritsu wants to make sure his friends can protect themselves, just in case. Teru uses it as an excuse to flex his powers a bit. 

Ritsu’s still bitter about the kidnapping, and it makes Teru feel a little guilty. He’s apologized, kinda, because Reigen’s been slowly knocking morals and ethics into his head and Teru does sorta feel bad for causing so many problems, but he’s still struggling with the empathy of it all. 

I want Teru to go with Reigen and Shigeo to confront Mogami. I don’t even know what that would entail, but he goes along because Reigen’s logic of "two psychics are better than one” has merit. Shit happens. The aftermath is that Teru is right there when Shigeo wakes up, and presses much harder than Reigen did to find out exactly what happened while Shigeo was stuck in Mogami-land.

Lots of vague plot bunnies later, Shigeo confides in Teru and somehow it finally clicks for Teru exactly why Shigeo is the way he is, and why Teru wasn’t really so different from Minori in the beginning (just in a different environment), and how badly he needs to change if he’s ever going to really become Shigeo’s friend. 

(Joke’s on Teru - Shigeo’s considered him a friend for awhile. Teru gets along well with Tome, and helps him workout, and with his homework, and agrees that Captain Musashi is cool [Teru is still a helpless gay, let him have crushes], and is helping his Shishou with work - of course he’s his friend, what else would he be?) 

WORLD DOMINATION TIME 

Teru’s at home (Reigen’s apartment) when Claw attacks. The biggest difference is that it’s a much bigger fight - instead of four, they sent a dozen, because they already knew (even moreso than before) what he’s capable of. 

I’m torn between Teru staying and fighting tooth-and-nail for this new life he’s created (because it’s so much better than Claw - he’s fed, has hobbies, he has real friends, a home, even a kinda-dad in Reigen) or the mess of Claw agents shows up, and Teru goes with them.

Teru knows how strong Touichiro is. He knows how strong the Ultimate 5 are. He fought them. So instead, we have a Teru who’s weighing his self-preservation (and fear of failure) against his anger towards these adults who thoroughly traumatized him. (I have ideas, but they’re scattered and would take awhile to make even remotely coherent) 

Long story short, at the end of it all, Teru kicks Shimazaki’s ass with minimal help, and it’s only when his pride catches up to him (because it does - that’s something Claw!Teru has a much harder time with) that he starts to lose the fight. He gets backup in the form of the 7th Division and Ritsu  (who’s lowkey begruding about it, but Teru’s protecting them, he can’t just not help) (OR instead Ritsu actually goes with Shou to confront his father because Teru’s got it under control - gimme that scenario, hit me with an instant 100% Shigeo because Ritsu got hurt again and this needs to stop now.) 

idk that’s all I got for now, thank u for listeninggggg time to go run errands and work on some hardcore angst that’s distracting me from all my other projects againnnn~~  ≿━━━━༺❀༻━━━━≾ Happy noises because look I can finally use a boarder.

(Side note: Apparently when you use the submit box, I can see your email, it won’t show when I post this but I just wanna drop a heads up)

Teru going back to Claw during World Dom would be a big OUCH if it happens, which gives me an idea; Teru going back to Claw so he can destroy it on the inside. He pretends he’s joining back but ends up betraying Claw.

So he’s told to keep watch at the front with Shimazaki right, and Ritsu’s there and Ritsu’s just: “TERU WE TRUSTED YOU.”

Plot twist, it’s okay, because right when Shima’s about punt my emo son, Teru immediately does his betrayal.

And when Shige comes over, for a moment, he thinks Teru’s back to being bad so he gets angsty until Teru looks up and he’s like; “You’re here!”

[gunnerpalace]

And I’m 💯 sure that you’re blocked and you can eat it.

But I would like to talk about this idea a little, actually. So, here are a couple of points:

The thing that a lot of modern-day “Bleach fans” don’t get is that as far as Japan is concerned, the only thing that really sells Bleach to the mass-market general audience is Ichigo and Rukia interacting. The hard truth those “Bleach fans” refuse to accept is that most of fights sucked, most of the mysteries sucked, and other than the two of them (and maybe Toushirou and Byakuya) most of the characters aren’t interesting to the average person. If you liked Bleach for any of those three reasons (or any other minor reasons), then you are in the absolute minority of nerds.

The cold, iron truth of economics is that you sell media properties in one of two ways: either by drilling down to a highly dedicated fanbase (e.g., moe-blob anime with extremely jacked-up Blu-ray prices) or by appealing to as wide and shallow an audience as possible (e.g., the Marvel Cinematic Universe). The interesting thing with Bleach is that those two audiences, by the numbers, are actually interested in the same thing: Ichigo and Rukia, and more particularly, IchiRuki.

Bold claim, I know. But you don’t have to look hard to see it. This is why the musicals were focused on them. This is why the LA movie was focused on them. And this is why both of those deemphasized other ancillary characters, especially Ichigo’s human friends like Chad—or Orihime: because they are essentially irrelevant to that largely singular fixture of the series and are forgettable other than to some hardcore nerd. (The only other thing that comes remotely close to being as iconic are the Soul Society fights, especially Ichigo vs. Byakuya.)

This is also why every time the property has been reinvented for a new market (again, e.g., the musical and the LA movie) the focus has always been on early Bleach: because it most showcases their interactions and establishes their foundational emotional connection. This is in large part why arcs that more and more deemphasized their interactions suffered increasingly worse sales, to the point that Bleach was consistently ranked 20th out of 20 in Weekly Shounen Jump’s ratings on a week-to-week basis. Less Ichigo and Rukia, and especially less Ichigo and Rukia together, means less sales. This is why TYBW and WDKALY sold abysmally, and I’m willing to bet that CFYOW’s numbers aren’t too great either considering it features neither of them at all.

This is furthermore why Studio Pierrot gave them so many moments, like the ice-skating and fireworks date that they used to send off the anime: because IchiRuki sells. And not much else does.

So, having established that, let’s talk about your idea.

Ichika and Kazui don’t make sense, because their existence in TYBW isn’t established. They simply appear, like the rest of the ending, with no buildup or explanation. In other words, there is no reason to invest in them as characters; they are simply designs walking and talking on a page. (And surprise, the only people who cared “about” them at all were people like you who were pleased as punch that it was evidence that Ichigo and Orihime, and Rukia and Renji, fucked. And even you lot don’t care about them, because there is nothing about them to possibly care about. You care about them as symbols and nothing more.)

However, what would make even less sense is to introduce them without having TYBW at all. For the anime to jump from Ichigo and Rukia having an ice rink not-date to having Ichika and Kazui running around in their places would be a bit like jumping from Star Wars: Episode V - The Empire Strikes Back in 1980, to Star Wars: Episode VII - The Force Awakens in 1983, instead of having Return of the Jedi. It really isn’t possible to overstate how much that big of a leap would lose an audience, whose reactions would be, “What the fuck is this? What happened?”

As I have previously calculated, animating TYBW would take about 4–5 seasons and about 3–4 years of production. So, unless you wanted to pull one of the strangest continuations ever in media history, you’d be waiting for that to wrap first, and presuming its financial success (which is dubious, for the above outlined reasons, and its relative historical print failure which got the manga cancelled).

Setting all that aside, Ichika and Kazui are not photocopies of Rukia and Ichigo; they are genderflipped photocopies of Renji and Orihime. There is a reason why, despite the best efforts of IH here on Tumblr Dot Com, the IR community has never warmed up to them: why would you take a cheap clone knockoff that can’t even trace the original properly when you could just have the original? This will likewise hold true for a general audience. If a random-ass person in Japan knows anything at all about Bleach, it’ll be Ichigo and Rukia. Going, “This isn’t them, but here’s the same great taste but less filling!” is going to get you a response of, “No thanks.”

Setting that aside, what exactly would be the premise? The Espada were retconned in from the aether and people were fine with them, since they were basically just the inverse and mirror of the Shinigami. But people didn’t much care when Xcution were retconned in from the aether. And they didn’t like it when Yhwach and the Sternritter were retconned in from the aether. And they really don’t care now that Tokinada, Hikone, and Aura were retconned in from the aether. Are you really going to have a fifth group of baddies we never even vaguely heard of before showing up? Or are you going to just recycle a set? “Oh, no, Aizen has escaped Muken and has made the Super Fullbringer Espada…” Please. The concept is tapped out: it either has to keep inventing new bullshit and pretending it was always around, or it has to recycle the same ideas but in a less exciting way. Or it has to be rebooted.

It is clear that something or other is happening with regard to Bleach for this “anniversary” event, but the evidence, in my eyes, doesn’t match what you would see for TYBW being animated, let alone for some kind of Boruto-style series.

The event has been marketed in a rather low-key fashion, which is weird considering the 2020 Olympics are a once-in-a-generation event which provide the perfect hype vehicle (and which Shueisha has been using to push other WSJ properties). If you were working on a large or risky project, you’d want a lot of hype—either to prepare the audience, or to maximize your initial buy-in and returns if it’s going to flop (e.g., Anthem). Being cautious indicates both the scale and risk are small.

The emphasis on the voice actors who are appearing at the event are all for classic and popular characters: Ichigo, Byakuya, and now Rukia. You know what fans don’t like? Having a bait-and-switch pulled on them where their classic faves are affiliated with something, only for them to be radically deemphasized in the actual final product. (Just look at the three recent Star Wars movies for some proof of that one.) It is far more likely to be something focused around them.

MegaHouse is making new Bleach figurines this year. But the designs they’ve chosen so far are… Fake Karakura battle Armored Yoruichi (who I’m excited for), and Hueco Mundo style unreleased Grimmjow. If you were going to make merchandise for TYBW or a next-generation show, it’d make a lot more sense for that merch to be… actually related to those events, rather than “classic” designs, now wouldn’t it? To go to the Star Wars well again, they weren’t trying to sell Qui-Gon Jinn or Lando Calrissian toys with The Last Jedi.

To me, all the evidence indicates that whatever it is will be some sort of “Greatest Hits” OVA or something like that, with a focus on the Aizen era of the series. Maybe a lot of the “best” battles redone in really high quality. Maybe a video game. Maybe a reboot of the series from the start. Hard to say. But it doesn’t look an awful lot like TYBW, let alone a next-generation effort.

Now, I’m not saying that either of those things are impossible. I’ve been wrong before in this life (for example, I didn’t think Putin would invade Crimea), and I will be wrong again. I could be wrong about this too. I can only speak in probabilities.

But what I will say with confidence is that committing to TYBW would be fairly dumb as a business decision given everything that is evident about what makes Bleach sell.

And committing to a next-generation series at this stage before doing TYBW would be even dumber.

And doing a next-generation series without doing TYBW would be even dumber still.

Now, stupid people are in ascendancy worldwide in all kinds of endeavors, so it’s not outside the realm of possibility that someone greenlit something so dumb. But if they did, I don’t think it’s going to do so hot.

So, good luck, I guess.

[renaroo]

Ooohh how about 10 + spiderfam (I'm thinking mainly the kids like annie and may but I'm flexible)

A/N: I think, anon, you’re the first person to ever prompt me with Spiderfam and I am forever in your debt

Crackle Boom

May had been sleeping in her own room for nearly five years.

At first, Peter hated it. He would wander from their bedroom into hers throughout the night, slightly off-balance and still new to his prosthetic, pushing against the walls and furniture each step of the way. Then he’d watch her from the doorway and feel every solitary instinct primed to protect her. To keep her safe.

Even as a baby, Mayday proved to be fiercely independent. She got that from MJ, of course.

She was crawling early, walking early, teething early.

For reasons utterly beyond Peter’s comprehension, his baby girl was on the fast track to growing up. Each day she was more beautiful, more articulate, more passionate.

And, so often, it felt like beyond those things, she was fearless.

If anyone asked May if she needed help, the little girl was determined to say no.

She never asked for help, never asked for accommodations. She was bullheaded and never gave up.

Peter took credit for that part.

So it was surprising, if not completely shocking when one summer night he woke from his sleep to a familiar cry.

“Daddy!”

Immediately, Peter was tense. Every muscle in his body snapped forward into action.

He would have leaped straight out of the bed had it not been for Mary Jane’s patience and soothing. Without rolling over or opening her eyes, she reached out and placed a firm hand on Peter’s chest.

“It’s probably a nightmare, Peter,” she said softly.

As always, she grounded him, brought him back down to reality.

They were home — the same, safe home that Peter had grown up in his whole life in Forest Hills. It had been years since he was Spider-Man, let alone since any of his former foes came after him or the ones he loved.

There was a phantom ache below his right knee, the pressure dull and unmoving. It told him it was raining long before he heard the familiar patter on the roof and window.

Evening his breaths, Peter looked down at his wife’s hand and reached up, clasping both of his own hands over hers. He kept her against his chest for just a moment longer, wondering if she knew his heart was calming down again all because of her.

“Daddy!”

“I’m going to check on her,” Peter determined, reaching over to the nightstand where his prosthetic rested.

“Of course you are,” MJ mumbled, already drifting off as her hand snaked its way back to her side.

Peter walked through the darkness of the house, more steady on his legs than he once was but still keeping a flat palm on the walls where he feasibly could. He was halfway to May’s room when the thunder boomed outside.

He could make out the soft gasp of May in her bedroom, and suddenly the picture was all coming together.

“Mayday?” Peter called gently, pushing her door open just a bit, enough to get a picture of the eight-year-old’s room.

Against the very faint lights peeking through her window, May was sitting up in her bed, sheets and comforter pulled up to her chin as she looked toward the window. She wasn’t trembling, but she was still nervous enough to be biting her lip.

“May?” Peter called again, just before she flinched and cowered from the window.

“Daddy!” May cried out again, making Peter’s chest feel like it was in a vice grip.

“Honey,” Peter attempted to soothe. He put away pretense and walked straight into the room. By the time he reached her bed, he was scooting onto it to sit.

Instinctively, May folded up against him, curling into his side and burying her face against his ribs.

Once again, every fiber of Peter’s being was assured that he would do positively anything for his little girl. A leg was nothing for the sake of her safety and security. And the fact that she was scared even for an instant felt like he had marked a failure in that somewhere somehow.

“May, sweetheart,” Peter continued. “I’m here. Daddy’s here. What’s the problem?”

Thunder boomed and May finally broke into shivers against him.

Peter smiled down at her, affectionately threading his fingers through her coarse brown locks. There was no denying where May got her hair from — it was pure Parker, tangling easy and ready to stand on end. Peter was near his forties and he still hadn’t found the best way to work it.

“Come on, Mayday,” he said, his affection weaved into his every word, “it’s just a little thunderstorm. Those never scared you before.”

She shook her head, her forehead a little damp against Peter’s skin. She sucked in a few breaths tightly together — huff, huff, huff — and didn’t exhale.

“Alright, let’s put an end to that,” Peter said softly, gently shifting himself onto the bed more and pulling his leg over the corner. He could feel the catch of his prosthetic against the frame but ignored it for the moment. His arms swept up May and he cradled her against him as he laid back on the bed. He kept her close and kept her secure.

Mayday was pliable, seemingly comforted by Peter’s security.

The moment May was comfortably against his chest, Peter leaned to the side and reached with one arm to unhook his leg and guide the unfeeling plastic up onto the bed. It dropped to the bed with a thud and Peter let it remain. He had more important matters to attend to.

“Okay, kiddo, you’re shaking like a leaf,” he said, using his right hand to brush some hair from May’s face.

Tear tracks had made cool, wet splotches across May’s cheeks. Peter hated that, and immediately tried to rub them away with his thumb after he unstuck the loose hairs from them. “May, baby, what’s wrong? It’s just a storm.”

“I know when it’s coming,” she mumbles against his chest. “It hurts my head.”

Confused, Peter tilted his head to the side. “What hurts your head?” he asked.

Before she could answer, an apparent chill went down May’s spine and left her trembling with new fervor. In the back of Peter’s own spine, he felt a vague tingle, but nothing that would have really gotten his attention otherwise.

A moment later, lightning crackled outside the window followed by a shaking boom. It was enough to make Peter glance away from his daughter and toward the window, but May did not react as much. She trembled more acutely just before it.

Quietly, deep down, a notion — a scientific proposal — came to Peter about the connection. But he buried it quickly. It was too painful to think about at that moment. Every instinct in Peter was honed into protecting his family, and especially his little Mayday. The idea that he could give her something so dangerous and life-changing was beyond what his heart could take for one sleepy, stormy night.

Still, he liked to fall back on science. It comforted him. And he liked to think it comforted May, too.

“You know, spiders talk to each other through vibrations,” Peter informed her.

Surprised by the topic, May looked at Peter’s face curiously, then scrunched up her nose in confusion. “Huh?”

Smirking, Peter wrapped his arms around her and began to shimmy them both, shaking her little body enough to get a giggle of surprise. “When your body shakes, or when the neighbors play music so loud it makes the walls move? We call those vibrations,” he explained.

“D-Daddy, y-you’re v-vibrating-ing me-me!” May giggled excitedly, the fear temporarily gone from her eyes.

“Sure am,” he laughed back. He stopped shaking them and the bed both and held her firmly to his chest. “Spiders don’t have mouths like ours, they can’t make voices and talk like we do. So they have to talk in other ways. So they make vibrations.” He brought up one of his hands and began walking his fingers up May’s back and onto her head. “So they use their toes to make little tiny vibrations. And that’s how they talk to each other.”

May shivers under Peter’s hand, but it is not the full-body tremble she had before. It’s full of giggles and amusement. “Ew, daddy! You’re spider-talking!”

Grinning ear-to-ear, Peter used his hand to bop May on the nose. “You don’t know the half of it, kiddo.”

Once May seemed more settled, Peter took his hands and began rubbing soothing circles into her back, rubbing her tiny shoulders and watching as she leaned into him with complete faith and trust.

“I think,” he continued, more softly, “when storms are bad and close, you can feel them vibrating. Even before the crack of lightning or the boom of thunder, you can feel storms in your bones sometimes. I know I do. But they don’t have to be scary. You just need to remind yourself that it’ll be okay. That you’ll be safe.”

“Because of daddy,” May murmured against him, her eyes closed and her body flattening against Peter’s.

Peter ached with love as he looked down at her. “Because of daddy,” he agreed.

The dull tremble at the back of Peter’s spine sounded off, and he couldn’t help but notice how May trembled again. But she didn’t stir, her breathing soft and matched to Peter’s own.

Lightning crackled then, after a few seconds, thunder boomed.

The storm was moving away.

Shutting his own eyes, Peter felt relieved and contemplative. Another storm for his family down, and he couldn’t have been happier.

[sing-in-me-oh-muse]

List All the Titles of Your WIPs Challenge!

Image credit.

Aaah, thank you, @ladyofthenoodle for tagging me with the List All the Titles of Your WIPs Challenge! I have... so many... I’ll be listing them for like, an hour. Apparently I’m starved for attention, so here we go!

Published WIP Fics:

These are the fics that already have a chapter or two up. The titles will link to the chapters on Ao3.

Breaking Bread (crack) (1/??? chapters done) - Tom and Sabine drug front AU based off of a cracky chapter from my Choose Your Own Adventure story, The Startling Souffle. I have literally nothing past the first chapter, even an outline. I am also writing a Breaking Bread (hardcore) version that focuses on Luka as Tom and Sabine’s drug mule which I have the first few paragraphs for and half an outline. 

Chat Loaf (2 out of 3 chapters done) - Adrien and Marinette pre-reveal make out where Adrien has cat tendencies and kneads Marinette’s belly, revealing himself. That was all this was supposed to be, but then Rikka had to go and say “oh, by the way, cats knead because they were improperly weaned from their mothers,” and the angsty second chapter and the cute third chapter outlines were born! 2/3 chapters are published, but I have nothing on the 3rd but an outline in my Fics to Write list.

desperation, there’s danger in frustration (5/??? chapters done) - This is my current huge multichapter fic. It started out with a post-Hawkmoth defeat make out session where a 22-23 year old Adrien and Marinette just... went after each other because they were so desperate to be alive. And now it’s ballooned into something angsty and keeps getting worse for our heroes. I’m on chapter 5 out of ???.

I want you I need you I love you (help me) (1 out of 4 chapters done)- Also titled Lovesquare Pining, this fic starts out with Chat thinking about how much he wants/needs/loves Ladybug. I have plans to explore mutual pining on all sides of the square. I have 1 out of 4 chapters complete.

The Song of Silencer (1/??? chapters done) - This is a crack-treated-seriously fic that started as a one shot, but exploded into a massive, multichapter monster. Basically, rather than saying Lucky Charm and helping Ladybug, Silencer uses Ladybug’s voice to say “De-transformation.” Seeing he has hurt Marinette, Luka fights off his akumatization. Song of Silencer turns canon completely on its head. I have 1 chapter and a full outline.

Non-Published WIP Fics:

These are the fics which I have some chapters/full outlines for.

Chat Gets Therapy (working title) - A multichapter fic in which 23-year-old Adrien, suffering from depression and the inability to care for himself, seeks out a therapist. Unfortunately, the doctor is a bad one. I have an outline and a 1 1/2 chapters. 

CYOA: I only have pies for you - This is a multichapter sequel to my Choose Your Own Adventure: The Startling Souffle where a pre-reveal Adrien and Marinette bake pies and can’t keep  their hands off each other. Tom and Sabine are highly amused by the couple. I have a full (very complicated) outline and a few chapters.

Gaslit Marinette (working title) - This multichapter fic came from a prompt from @ladyofthenoodle: “ When the Order of the Guardians show up in Paris and ask him to relinquish his miraculous, Chat Noir refuses, and assumes Ladybug will do the same - after all, with her memory attached to the Guardianship of the Miracle Box, she has a lot to lose. But he’d underestimated her sense of duty, and now he has to contend with a new ladybug holder that refuses to work with him, escalating pressure from the Order, and the fact that Marinette Dupain-Cheng doesn’t remember anything about him. Or anything about the last year and a half - and he’s pretty sure that’s not a coincidence.” I have a half an outline written and a lot of enthusiasm. *sweats* 

Get you a man who... - A cute one shot for my Domestic Cavities series, which involve fluffy domestic scenes at all stages of life for Miraculous Ladybug characters. This fic is all about Adrien being sweet to Marinette and his family, and Marinette telling her toddler things like, “get you a man who will let his baby daughter paint his nails.”

rose-tinted glasses - This is a protanopia one shot. Protanopia is a condition where the person or creature affected cannot see the color red, or anything along that spectrum of colors. In short, cats have protanopia > Chat has protanopia > The more time he spends transformed, the faster Adrien starts losing his ability to see the color red. I have an outline and the first few paragraphs.

Lovesquare Makeouts - This multichapter fic was a group project that never got off the ground, so I begged asked to take the project over for myself. It’s just what it says on the tin: pre-reveal pre-relationship make outs on all sides of the square. I have the first chapter written and an extensive outline.

must be the season of the witch - This multichapter witch AU started as a typo of all things. Rikka meant to curse out Gabriel, but said “Duck Gabriel” instead, leading me to write a first chapter and an outline of a witch Marinette turning Gabriel into a duck for Adrien’s sake. Once again, crack treated seriously, as the two teens take the newly-minted canard and go on the run. I have a first chapter and a vague idea as to where the story goes next, but no full outline.

my bones are shifting in my skin (and you, my love, are gone) - Dead Ladybug fic. Hawkmoth gets ahold of both miraculous and makes the wish, choosing Ladybug to pay the price. Emilie is resurrected, Gabriel goes to jail, Ladybug dies, not in that order. The fic covers Adrien’s journey through grief and anger and pain and healing and letting go of his partner--and of Marinette. I have half a chapter and a single, huge bullet point in my outline.

Fics to Write List

I also have a Fics to Write list of bullet points, which is extensive. Some of the bullet points are stream of consciousness, half-formed outlines themselves. If I were to list them all, I’d probably be here all night, haha!  

People I’m Tagging 

I’ll tag @dramatic-daisies​, @celestialtitania​, @leo112358​, and @torilovesmiraculous​!

[daggerzine]

Ray Farrell on music and his time at SST, Blast First, Geffen and many more.

Ray Farrell has had a lifetime surrounded by music. First as a fan as a young kid and then eventually working for a series of record labels. He’s obviously a fan first and foremost as you can tell by reading below. It also seemed like he was there at the beginning of some major music scenes happening.

I had met Ray very briefly at one of the A.C. Elks hardcore shows that Ralph Jones put on in Atlantic City in the Summer of 1985 though Ray doesn’t remember it (honestly, a bunch of us were standing in a circle and chatting so I’m not even sure if any proper introductions were done).

Anyway, knowing some of the record labels that Ray had worked for I wanted to hear the whole story. I contacted him and shot him some questions and he was more than happy to elaborate and let us know where he’s been and where he’s going.  Take it away, Ray!

 Where did you grow up?

RF-Jersey City and Parsippany, New Jersey in the 60/70’s. I have two younger brothers.

What did you listen to first…classic rock or stuff earlier than that?

RF-Rock wasn’t classic yet. My earliest memories of music are my parents’ modest collection of 45’s and grandparents’ 78’s. My mom had a handful of singles on Chess and Satellite (pre-Stax)  that she said fell off a truck. We rented our house from a family connected to the mob. The records probably came from them. My mom and her sisters often sang Tin Pan Alley era songs at family gatherings. Harmony was encouraged!

Some records I heard as a toddler stayed with me forever. Lonnie Donegan’s “Does Your Chewing Gum Lose Its Flavor?” is a skiffle classic. Chuck Berry’s “Guitar Boogie” and “Last Night” by the Mar- Keys are still favorites.  I remember being spooked by the overblown production of the “Johnny Cash Sings Hank Williams” e.p. on Sun Records. In the mid 60’s, my mom had top 40 radio on in the house unless my dad was home. When I was in kindergarten, a high school neighbor in our building babysat me for a couple hours after school a few days a week.  Her girlfriends came over regularly. They listened to a lot of doo-wop, which I still love today. The babysitter and her friends taught me how to slow dance, even though I wasn’t nearly a full grown boy. J

My best friend in 7th grade was a Beatles fanatic and we immersed ourselves in decoding clues to the “Paul McCartney Is Dead” gimmick. That was a brilliant scam and a fun short term hobby.  It was a deep dive into The Beatles music as a junior music detective.  By the time I started buying records, The Beatles were on their way out.

I happily lived for many months on only three albums-

CCR’s “Bayou Country”, Iron Butterfly’s “In A Gadda Da Vida” and the Beatles “Sgt. Pepper.” I joined the Columbia Record Club. I got the first twelve albums for one buck. That was a popular scam.  Those first twelve records shaped my taste because they were the only records I had. I didn’t know what to order but I chose very well in retrospect. After that, I bought a lot of records. I didn’t smoke, but many of my friends did. A carton of cigs cost the same as an lp- 5 bucks.

I learned in 7th grade that if I knew the songs that girls liked, we would have something to talk about. Girls loved Tommy James and The Shondells and The Rascals. I still do! I had a wider range in music taste than most of my high school friends. Everyone in my extended circle loved the Stones, Neil Young and the Allman Brothers. In a tighter circle we were into David Bowie, Lou Reed, Sparks, Todd Rundgren etc. I loved Mountain, Led Zep, Hendrix, Budgie, The Kinks, Alice Cooper, Sabbath. At first, The Stooges seemed too deep and serious for me. A little scary because I thought if teenagers felt like this all over the world, I’m doomed.  I bought the album with “Loose” and played that song for weeks before listening to the rest of it. The girl next door had Iggy’ s “Raw Power” album the week it was released. When glam rock was happening in England, there was a weekly NYC radio show that played the Melody Maker Top 30 singles. I was fascinated by T.Rex, Slade, Hawkwind.  I don’t recall if prog rock was a tag yet, I knew that I didn’t like songs that rambled on for more than 7 minutes. There were exceptions of course- some King Crimson, Yes, Mahavishnu. I was impressionable. Radio station WBAI hosted “Free Music Store” concerts with local acts. One show was a keyboard  group  called Mother Mallard that had banks of synthesizers on stage. They were similar to the music of Phillip Glass and Steve Reich, who you would only hear on that same radio station. I talked myself into buying their records, but it took years to comprehend them. I was too young to be listening to such serious stuff. I played soccer and ran track for a couple years. During meets at other schools, I made friends. At parties I heard Issac Hayes, Bohannon and James Brown records. Brown was all over top 40 radio. Rhythm guitar was my jam! Soul and funk records were best for that. I spent many nights listening to AM radio. The signal travels farther at night, so I’d listen to stations far away. It didn’t matter what kind of music it was. Some of my relatives had short wave radios. I was more interested in radio production than short wave content. The production quality has not changed much since then.  It often sounds like broadcasts trapped in the ether for the last 30 years.

 While I was in high school, it was common for local colleges to host rock and jazz concerts for low prices, sometimes free. The schools had to spend the money sitting in the student union coffers.   There was a live music club in my town called Joint In The Woods. The venue began as a banquet hall that doubled as a meeting hall for Boy Scout Jamborees and the like.  When it became the Joint, it was a disco. The first night of live music was a show with Iggy & The Stooges. The regular disco patrons were pissed!  The guys were mostly goombah’s in Quiana print shirts and bell bottoms. Three or four guys smacked Iggy around after his set.  Sure enough, he played Max’s Kansas City the next night as if nothing happened. Because of this club, touring bands were suddenly playing in my town. Badfinger, Roy Wood’s Wizzard, Muddy Waters. The NY Dolls were scheduled but didn’t show up. Springsteen was often an opening act. The N.J. legal drinking age had just lowered to 18. It was a great time. I was still in school, so I wasn’t staying out on weeknights.

I was determined to learn NYC music history by hitting all the Greenwich Village clubs and talking to the owners and bartenders. It didn’t matter what kind of music they specialized in- I was into the vibe. There were occasional scary nights parking near CB’s or jazz spots in that neighborhood. Folk music was on FM radio at the time. A high school friend booked a local coffee house called Tea & Cheese. Mostly locals and ambitious tri-state artists. Martin Mull, Aztec Two Step, Garland Jeffries. Some of Lou Reed’s touring band, The Tots, played there.  I went to all kinds of record stores, mainly those that sold rock imports and cutouts. I was fascinated by the street level buzz of a record. In ’74, I heard dub reggae for the first time. The only stores to get that music were in Queens because there was a strong West Indian community there. It may have been the “Harder They Come” soundtrack that got me started. There was a “pay to play” radio station in Newark - WHBI. DJ’s had to buy their airtime. Arnold “Trinidad” Henry had a weekly show playing new calypso and reggae. He was more into calypso than reggae.  A lot of calypso was political and comical. Arnold was fascinating! There was often a personal crisis he’d talk about on the air. My favorite incident was when he said that his life had been threatened during the program, so he locked himself in the studio.. Someone called the cops. They convinced him to unlock the door. He just wanted more airtime.  Arnold played the first reggae dub track I’d heard- full dub albums were a new concept at the time. Most dub was found on the flipsides of reggae 45’s. One of the shows sponsors was Chin Randy’s Records in Queens. I trekked out there by train to buy my first dub records. That was a trip! Randy Chin’s family went on to start VP Records.

 What was the first alternative/independent music you got into? How did it happen (friends? older siblings?)

RF-The term “punk” as a music style hadn’t been coined yet.  I vaguely recall equating “punk” with the great “Nuggets” compilation or something Greg Shaw might have writ in Bomp Magzine. I didn’t identify labels as independent. I knew that if the label design was simple and the address was listed, it was probably a small company.  There were plenty of record stores carrying obscure stuff.   I bought import records from a few NYC stores. I took the bus in until I was old enough to drive.  One store Pantasia, was up in The Bronx. I went there one Christmas eve day to get the import of the second Sadistic Mika Band album. The clerk talked me into buying the harder to find first album as well. He said it sounded like Shel Talmy produced it. I knew who that was and it was a revelation to talk to somebody in a record store at that level. That is what a record store should be! I read Phonograph Record magazine, Bomp and Trouser Press regularly.  Patti Smith and Television self released their debut singles- those are the first “indie” records I bought, followed by the first two Pere Ubu singles.  I remember hearing the Modern Lovers’ “Roadrunner” from the Bezerkley Chartbusters comp on WFMU and thinking that there must be more music like that. It was refreshing.

Seeing Patti Smith and Television perform at CBGB’s changed my life. I connected the dots. I had BÖC albums on which Patti had co-writes.  She had a poem insert in Todd Rundgren’s “A Wizard, A True Star” album. She read a Morrison poem on a Ray Manzarek lp. She wrote for rock music mags with distinctive style. I read a brief story about her in the Voice and went to see her do her annual Rock N’ Rimbaud show. Shortly after that she and Television played CBGB’s for six weekends in early ’75. Both bands were really great. Patti didn’t have a drummer yet. Richard Hell was a big inspiration to me.  He looked cool. He played bass like he just picked it up the month before. That was a new concept.  Television changed bass players in the middle of the residency. Television was the first band I saw with short hair and they dressed like teenage delinquents circa 1962. The CBGB’s jukebox had a good number of 60’s garage records. In my head I conceived Television  to be inspired by that music.  Made sense to me- Lenny Kaye, who assembled the “Nuggets” comp,  is in the PSG. When I went back to see Television headline, The Ramones opened. Seeing The Ramones again, Talking Heads opened. It seemed like the streak of seeing great new bands would not end. They were distinctly NYC sounds. They could not have merged anywhere else.  I remember avoiding the band Suicide because I didn’t think the music could be good J. Bands like Tuff Darts, Mumps and The Marbles opened shows but I wasn’t thrilled by them. A CBGB’s band that doesn’t get mentioned much is Mink DeVille. They wore matching outfits like they were playing a low budget Miami dive in 1962J.  The club still had the small corner stage. The p.a. was ok and the bands had small amps. The music wasn’t loud in a “rock” way. You could sit at a table right in front of the band. Although we consider the club a birthplace of punk, the club showcased local bands that had been around for a while. I think the club upgraded the p.a. once before building the big stage. I realized at that point that when a band was great or at least interesting live, the records were basic documents of the band’s sound.

What was your first job in the music scene/industry?

RF- Before realizing I wanted to be in the business, I hounded import mail order guys on the phone about non-lp b-sides and albums that weren’t released stateside.  I was fascinated by the process.  Why were some records not in stores even though they had local airplay? My dad did not listen to much music, but he had an army buddy that made a living in Al Hirt’s band. He came to our house once. He gave my dad a copy of John Fahey’s “After The Ball” album, which he played on.  I liked his stories about the session man side of the business.  Fahey treated him well.  I was generally shy, but when it came to music I would approach anyone I thought I could learn from.  I heard horror stories about the music biz in NYC but learned later that those were a mob related labels. At the time, I thought the entire NYC music biz might be that way. I planned to move to California anyway. �� In high school, I go-fer’d at local Jersey radio stations and talked my way into meeting a few top FM radio dj’s. I thought I wanted to be a professional dj, but my dad wisely talked me out of that. The itinerant radio jock life would not be for me. It was a racket.

In ’76, I took a long low budget cross country trip with my high school sweetheart.  Along the way, I stayed in Memphis for three weeks with a cousin who was stationed at the Millington naval base.  Got a job at a hip movie theatre that served liquor.  I found Alex Chilton in the phone book and spent an afternoon talking with him. I wasn’t yet legal drinking age in Tennessee. It amused him that a fan showed up in his town who was not old enough to drink.  En route to Cali, Tulsa, OK was on my route to find Shelter Records and studio , but it  shut down and the label moved to L.A. At the time, Dwight Twilley’s “I’m On Fire” was a radio hit. I didn’t think there were still bands like that. Twilley was from Tulsa, but had moved to L.A. by that time.

When I arrived in L.A. I visited small label record company offices. A few offered me jobs or references. I spent two weeks crashing at the Malibu house of a distant family friend. I didn’t want to live in L.A. but I was encouraged by the opportunities. I got a job at the famous record store- Rather Ripped in Berkeley, CA.

 Patti Smith told me about Rather Ripped before I left Jersey. In ’75, she and her band went to California for shows in L.A. and Berkeley. The northern Cali shows were set up by the store. She did a poetry reading there. This is well before “Horses” was released.  I bought a couple records from the store’s Dedicated Fool mail order service. They had a monthly catalog on newsprint. Thousands of records in tiny font.  Every record was described with a few words. This is 1976 and punk rock was just getting started. I worked as a prep cook in a charcuterie associated with Alice Waters’ famous restaurant Chez Panisse. The proprietor knew the record store owners. I wasn’t actively looking to work there, but I talked about music all day every day. They fast tracked me for an interview. Because of a scheduling mistake, Tom Petty interviewed me for the job. His first album just came out and “American Girl” was close to being a hit single. The band came to the store before a local show. Tom overheard the owner apologizing for not being able to do the interview, so he offered to conduct it.  It was great. I knew all about his label, Shelter Records.  I deliberately avoided talking about The Ramones and Patti Smith because punk was new and against the grain.  At the end of the interview Tom told the owners that if he lived in Berkeley, he’d buy all his records from me.  The store owner still had to interview me formally the next day, but I knew that I nailed it.

 It was owned by two dynamic gents that were connected to Berkeley society and Bay Area journalists. They weren’t typical record store guys. They celebrated the 70’s in the moment. They held court with well known music scribes, musicians, dj’s. They were good friends of The Residents. Perhaps my strangest story is meeting The Residents with the Rather Ripped owners at a S.F. Irish bar that specialized in Irish Coffee’s. I had only recently heard of the group, so I was not cognizant of their marketing myth.   At the bar, we were with our girlfriends and wives. One of the Residents tried to convince me and my gf to go back their place for a hot tub session.  I laughed out loud and said “geez, what a bunch of hippies”! We didn’t go. In retrospect, I should have gone on the condition that they wore eyeball heads in the tub. At that time, The Residents rarely performed live, but they did in 1975 for the store’s birthday party. The early Bezerkley Records (Jonathan Richman, Greg Kihn) was distributed to stores through Rather Ripped. Their office was a few blocks away. At the store, each employee had unique music taste and expertise. Pop music was changing rapidly with a new energy. Some of us were tapped into it.  We all had to know the key new releases in every genre because we were tastemakers. Major labels would beg us to do window displays for new releases. But if they could not find a store employee that liked that artist, it was no go. So, no Pablo Cruise window display.  We weren’t against major labels, but we put a lot of energy into selling the ton of music that we loved. Our focus was on imports, indies, promos and cut outs where we could get a good price mark up.  We had a rare record search service with customers all over the world. We’d find rare records through trade-ins and by combing record stores all over the state.

There were a few import distributors, but they weren’t hip to many small run U.S. independent releases. That was understandable because bands didn’t often press enough records for a distributor to get excited about. In other words, why spend half your day hunting down records that were only pressed in small quantities. Just as they start selling, you’re out of stock. There gonna sell a hell of a lot more Scorpions’ picture discs!   As always, some distributors financed exclusive re-pressings of records that had momentum. The only way to get records like Roky Erikson’s “Two Headed Dog” single or The Flamin’ Groovies’ “You Tore Me Down” 45 was directly through mail order.  I wrote to label addresses listed in Trouser Press and fanzines to buy direct in order to sell them in the store with no competition. Major label sales reps didn’t prioritize us  because we didn’t shift bulk units of the hits. However, we were so plugged in to the lesser known artists that we were a good place for record companies to try and start a buzz. We could swell 50-100 of a record that all the other stores sold a handful of. Bands showed up at the store while touring.  Springsteen bought Dylan bootlegs from us by mail order. Patti Smith’s manager Jane Friedman used the store as a home base when Patti and John Cale came through the area.

Berkeley is in the East Bay of the S.F. bay area. A few months after starting at Rather Ripped, I realized that the city had a rich music scene well before punk /new wave started. There was Fantasy Records, a well known jazz r&b label but best known for CCR;  Arhoolie, Solid Smoke, Metalanguage;  the contemp classical labels- Lovely Music and 1750 Arch; folk and blues labels like Takoma and Olivia. Of course, bands like Chrome and others started labels to release their own music. Ralph Records was started by The Residents, and they began signing bands.  Rather Ripped was also a center for improv, electronic and meditation records.

In ’77 or ’78   I joined the nascent Maximum Rock N Roll radio team. This was well before the magazine. In the early days there were weeks when we didn’t have enough new punk records to fill the two hour weekly show. Tim Yohannon was all about energetic, real rock n roll, so he filled in the program with records by Gene Vincent, The Sonics etc. BTW, Tim applied green masking tape to the three closed sides of every record he had. He gave me a Mekons double single  he decided he didn’t like. It was in a  gatefold sleeve that he sealed shut with his green tape!  Sometimes he re-designed the cover art…never for the better. He made his own pic sleeves for 45’s that didn’t have them. Bands would stare at their own records in bewilderment. Tim was archiving the records of the entire punk and hardcore movement worldwide.

Eventually, Tim brought in Ruth Schwartz, and Jeff Bale as co-hosts- both great people.  Jello Biafra was a frequent guest. Tim assembled the “Not So Quiet On The Western Front” lp and later organized syndication for the radio show. I remember hearing the first Disorder ep and thinking -this is the future! J  It was exciting. But soon, most hardcore records sounded alike to me. It was like- “Do you want more fries with your fries?” I went to plenty of live shows without knowing a lot about the bands playing them. I was happy when the fashion trended away from jackboots to sneakers…getting a boot kick to the head in a stage dive could be brutal.  I didn’t see a lot of skinhead violence at shows, but I know it was changing the scene.

San Francisco and Berkeley were important music centers, activist meccas as well as creative artistic and intellectual hubs.  Yohannon had history as an activist. He identified with public protests for causes & social issues.  For many teenagers, punk rock was a rite of passage. I think it changed a lot of kids’ lives for the better.  The overriding message was to be civically aware of what is going on around you and what affects your life.

 Tell me about your time at Arhoolie Records. Where was it located?

Rather Ripped’s owners had a falling out and the remaining owner just wanted to sell records and antiques with his wife. He moved it to a nearby city. Just before the store closed, he told me of an open position at Back Room Distribution, a division of Arhoolie. It was in El Cerrito, a small town north of Berkeley. Chris Strachwitz, the owner of Arhoolie is a legendary record man. He recorded many of his early blues albums with a tape recorder in his car.  He owned the legendary Down Home Music store in the same building.  Separated by partition behind the store was Back Room.  It was an indie label distributor for blues, folk roots music. Rounder Records was still a new label at the time. I gotta admit, when Rounder issued The Shaggs “Philosophy Of The World’ I was in seventh heaven. I worked primarily for the distributor, grooming to be a sales rep but I spent a lot of time in the store.  At first, I didn’t yet relate to blues and country music. But there were a lot of touring artists in those styles making a living. It was a strong network of clubs, fans, radio shows and press that fueled it. The store had an incredible selection of obscure 50’s/60’s rockabilly and garage band comps. The Cramps were my favorite band at the time.  The rockabilly comps  mostly on a the Dutch White Label, were treasure troves of insane songs.  My heart was in new music- whatever you wanna call it, punk, new wave, art music. That’s the business I wanted to be in.  I used my time to learn more about distribution operations. The people that worked at Arhoolie and in its community were fun music heads. There were a lot of good musicians among them.  It was a great time to live in Berkeley.

What was next, Rough Trade and CD Presents? Was that in San Francisco? I went to that Rough Trade store a few times and it was an amazing store.

I knew folks from Rough Trade UK because I bought imports from them to sell @ Rather Ripped. When they wanted to open in the U.S. they contacted me, but at the time the wage was low and there wasn’t enough space to work. I was interested in working in the distribution division, not the store. They speiled something about it being a socialist business.  I stayed at Arhoolie for a little while longer.  In the meantime, I was offered my own weekly late night radio show on Pacifica’s  KPFA in Berkeley- same station as Maximum Rock N’Roll. I took over a show called “Night Sky”, an ambient music program. My interim program title was “No More Mr. Night Sky” until I settled on “Assassinatin’ Rhythm”. The station’s music director was a contemporary classical composer closely associated with avant -garde and 20th century music. A major segment of my show was for industrial, post-punk and undefinable music. I hosted a few live on- air performances with Z’ev, Slovenly and Angst among others. Negativland’s “Over The Edge” program started on KPFA around this time. KPFA was 100,000 watts of power with affiliate stations covering the Central Valley down to Fresno and Bakersfield.

 When the time was right, I moved to Rough Trade’s U.S. distribution company in Berkeley. The record store was in San Francisco. We distributed a lot of British records sent by Rough Trade UK, often in small quantities.  Rough Trade US was set up to press and distribute select RT and Factory records by Joy Division, ACR, The Fall, Stiff Little Fingers, Crass. It was cheaper and more effective to press in the U.S and Canada. I also distributed some U.S. labels but there was one Brit on the staff that hated most American music.  On top of that, it could be a dangerous place to work. One of the staff was importing reggae records and weed from Jamaica to our warehouse. The local connection was shot on his porch shortly after he picked up a shipment! I was lucky to spend a few days travelling with Mark E.Smith of The Fall. He loved obscure rockabilly and garage band records. I was able to return to Memphis for a while to prep the first Panther Burns album for release. Tony Wilson of Factory put up most of the money to keep RTUS going. He was a brilliant character, but I learned from talking with him how not to conduct business. I often got sample records from bands that wanted distribution. Pell Mell’s “Rhyming Guitars” e.p.  was the start of my long association with the band. I enjoyed selling records to stores all over the country. I learned about local scenes, records, fanzines, clubs and college radio stations everywhere. Making these sources connect for touring bands and record sales was exciting. Because Rough Trade is British, we had the benefit of connections with club dj’s. We pressed and promoted New Order’s “Blue Monday” single on a shoestring budget.  For a long time, it was the best kept secret from the mainstream.  I left Rough Trade for Subterranean Records ( Flipper etc) for a spell while working in a record store. The guy that put up the money for the record store ran guns to Cuba through Mexico. Thankfully, not through the actual store.  I booked Cali shows for Panther Burns, The Wipers, Sonic Youth, Whitehouse.

Who owned the CD Presents label? I remember that Avengers compilation.

It was owned by a lawyer, David Ferguson. He had a recording studio as well.  I didn’t understand why he wanted to run a label. He did not have an ear for music. But we did release a Tales Of Terror lp!  He almost released a DOA album that I thought the band would kill him over. Many years later I got into a fist fight with one of David’s employees in a limo ride shared with Ferguson and Lydia Lunch. We fought through the window separating the driver from the passengers. I would love to recreate that for a film. Good times!

My main role there was to set up the first Billy Bragg record in the U.S. Billy’s manager was the legendary Peter Jenner and both were great to work with. They were using CD Presents as a stepping stone to a major label. In the meantime, I knew a few people at SST. Joe Carducci is an old friend. He was pitching me to move to L.A. and work there,  but I resisted for a while. I had just met the woman that I knew would be the love of my life. I didn’t want to move to SoCal. Joe gave me an ultimatum. He sent three advance cassettes that convinced me to go- Meat Puppets’ “Up On The Sun”, Minutemen’s “Double Nickels” and Huskers’ “New Day Rising” That’s an excellent recruiting strategy. I later married the love of my life.

On the side I booked shows for bands I loved. Gerard Cosloy asked me to book Sonic Youth first northern Cali shows. I also booked shows for The Wipers and noise band Whitehouse

Was SST Records next? How long did you last there and what was that like?

I was there for three years. “How long did you last there?” sounds like I was biding my time :)   I’m often asked about my time with SST.

Carducci hired me to do PR. That meant publicity, college radio, regional press. Video was a valuable promo tool. MTV’s “120 Minutes” program was a great way to promote our records.

In 1987 we put out more records than Warner Brothers. By that time, I hired people to help.

I’ve done a number of interviews about SST. If you have specific questions, shoot. I recall that my social life was almost entirely with my co-workers and bands on the label. I was nearly oblivious to music from other labels. I was a big fan of Dischord and Homestead. Metallica, COC, Voivod and the Birthday Party/Nick Cave were my non-SST staples.

I think around this time I had met you briefly in NJ at one of the Elks Lodge shows that my old friend Ralph Jones put on. Were you living in NJ at that point or just visiting?

You’ve mentioned that before and I don’t recall the specific show. I moved out of NJ permanently in ’76. I came back for annual summer visits to NYC, north Jersey and Philly. Some high school friends went to Upsala College, then the home of WFMU. On my first visit back in ’76  I met Irwin Chusid and R. Stevie Moore. Some high school friends were connected to Feelies before they took that name.

Was Blast First! next? I met Pat Naylor once and hung out with her at a show and she was really sweet.

Yeah around the time I left SST, the folks in Sonic Youth called saying that they had left as well. They wanted me to be involved with Blast First! in the U.S. I knew Paul Smith because he released their albums in the UK. Blast First UK released a number of Touch N Go and SST records. The label was a division of Mute which had a  U.S. deal with Enigma. My job was almost entirely “Daydream Nation” promotion. It was so much fun to be able to go deep  with one album. We issued Ciccone Youth shortly afterward, which augmented the overall Sonic Youth story.  The only other active touring band was Band Of Susans and on a limited level, Lunachicks and Big Stick.  It was only one year of work before Enigma cut Mute/Blast First loose. I went on Sonic Youth’s Soviet Union tour and I had a few memorable meetings with Sun Ra. David Bowie called a few times asking about recording studios that Dino Jr and Sonic Youth used.  Bowie had a brilliant idea to record Suicide’s “Dream Baby Dream” with Glenn Branca’s large guitar group. We tried following up on it but Bowie was immersed in Tin Machine and other projects.

Was it on to Geffen then?

Yes, Sonic Youth had good meetings with the label. I had recently met Mark Kates who was championing the signing.  He suggested that I come in to meet the entire company. He brought my name up with David who said, “we need someone like that here”.

I had fleeting thoughts that working for a major was “selling out”...punching corporate clock. I wanted to apply what I knew on a larger scale.  

What was that like, working for a proper major label? Was David Geffen still involved?

On my second day there, David called me into his office. He is down to earth, street smart. Like many of the best in the biz, he didn’t have an attitude.  He had met with the Meat Puppets. He sensed that Dinosaur Jr. was important. I reminded him that I was not hired for a&r.

He said- “I don’t assign job titles. If you find something else you’d like to do here, you can pursue it ‘after 5pm’ ”. I found reissue projects like the Pere Ubu box and Raincoats catalog. I recorded a new Raincoats album.  I signed Southern Culture On The Skids, Garrison Starr, Skiploader. I assembled and recorded Rob Zombie’s Halloween Hootenanny comp. With Sonic Youth, I pondered making records with John Fahey and Townes Van Zandt. After ten years, it was time to move on.

Tell us what you do now, didn’t you get involved with digital music at some point?

Geffen Records was folded into Interscope in 1999 and I was bored with the limitations of the business as it was.  Digital music was gaining ground solely through illegal file trading on Napster. I knew there would be a major shift in the business moving to digital. I worked for the download site. eMusic.com, signing distribution agreements with labels. This was years before iTunes and YouTube. Major labels would not work with us because mp3 files are open source files that could be traded freely without control.  They saw eMusic as a facilitator of illegal file trading. Like marijuana use leading to hard drugs!  In the big picture, I knew that digital downloads weren’t “sexy”.  But at some point, digital music would develop into something easier to track and use. We skipped the major labels. The bigger independent labels understood that digital music would be the future.  It was a great place to be. I knew a lot of music, but I had no idea there were so many labels in every country. One label owner told me that I had the best  job in the world. I knew that to explain this new unproven music format it could be an uphill climb. So I took the time to research label websites for song samples. That way I could find common ground with label owners. There’s surf music in Brazil? There’s a young female cellist duo in Prague that make energetic music? There’s archaic royalty rules connected to opera arrangements? Bring it on!  It certainly changed how I listen to music.

It was a time when business rules and legal rights had to change in order to deal with digital income disbursement. For example, digital downloads could be sold by the song while royalty payments were based on album sales. eMusic was at the forefront of those changes. When iTunes launched, digital music was “legitimized”. Borne out of eMusic was RoyaltyShare which provides a royalty accounting platform for labels. It is now a division of The Orchard and I divide my time between The Orchard and RoyaltyShare.

Who are some current bands you are into?

A loaded question! I listen to a lot of new music. I spend a lot of time listening to records and cd’s in my collection. Of current artists,  I really like Steve Gunn’s music. I listen to the projects involving members of Sonic Youth.  Bill Nace, Kim’s partner in Body/Head is a guitar genius. Body/Head’s music is a cathartic experience for me.  London is lucky to have Thurston Moore living and working there. I think the music they make separately is far more exciting that what Sonic Youth would’ve made if still together.

Lately I’m digging Melenas from Spain, Hayvenlar Alemi from Turkey. Quin Kirchner is a Chicago based  drummer that put out a great jazz record in 2018 called “The Other Side Of Time”. I think he plays on Ryley Walker ‘s records.

Because I’ve spent so much time with the music of Sonic Youth, Branca and Rhys Chatham, I crave the occasional dive into instrumental symphonic guitar army and tonal stuff. Current favorites in that vein are Bosse De Nage, Pelican, Sunn O)))

Given the chance I’ll see any performance by Mary Halvorson, Ches Smith, Marc Ribot or Mary Lattimore.

It took me years to get it, but I’m now a big fan of Keiji Haino’ music.  Dean McPhee is a British guitarist I really like. I just bought a couple of Willie Lane lp’s on Feeding Tube.

I research music history and the development of the industry. There are historical and social components of every type of music by culture, country, time period. I love stories about riots at premieres of new avant garde works. I read a book about famous classical composers in the 18th Century playing home concerts (salons) where people are talking the entire time…but they are paid handsomely for the performance.   Streaming music sites and YouTube are vast repositories of music and cultural documentation.

Do you still make it out to many shows?

I go to two/three shows a month when I’m home and more when traveling especially NY/London. I start work early in the morning so I’m not out late often.  I understand why people see less live music as they get older. I’m done with music festivals. The Big Ears Festival is the only Stateside event that might inspire me to stand for eight hours.

I always hear music by new artists that I really like. I don’t always go to see the live show. Sometimes I hear a new band that sounds like a band  I liked 20 years ago.  I wouldn’t deliberately see a band that uses another band’s sound as a template.

 What are your top 10 desert island discs?

I cannot do 10. It’s 20 or nothing. If you say sorry Ray, it will be nothing. FineJ If I’m on an island, I’ll listen to the ocean waves and sounds of nature. If I’m relegated to a desert, I’ll listen to the blood coarsing through my veins.

Miles Davis- Kind Of Blue

Television- Marquee Moon

Peter Brotzmann- Machine Gun

Sex Pistols -Never Mind The Bollocks

Rolling Stones- Let It Bleed

Soundtrack – The Harder They Come

Billy Harper – Black Saint

Kleenex/Liliput- First Songs

Patti Smith Group -Easter

Hound Dog Taylor & The Houserockers- Houserockin’

Led Zeppelin- Houses Of The Holy

Sonic Youth – Daydream Nation

Elvis Presley- Sun Sessions

The Cramps- Songs The Lord Taught Us

Pell Mell -Flow

Procol Harum- A Salty Dog

Sibelius- Complete Symphonies

Lou Reed -Coney Island Baby

Meat Puppets- Up On The Sun

The Kinks- Kinks Kronikles

 “Hmm....Flow or Star City?”

 Any final words? Closing comments? Anything you wanted to mention that I didn’t ask.

I’ve been involved off and on with the artist Raymond Pettibon for a music project called Supersession. He has made records under this moniker before. This project began in 1990 and stalled for many years. We revived it a couple years ago. I play bass. Raymond wrote many pages of words and lyrics that he passed to the band, encouraging us to write music behind them. It’s different from Raymond’s other records because it is not improvised. Rick Sepulveda, our guitarist is a great songwriter and he wrote music for Raymond’s words. Rick sings a bunch of the songs because Raymond loves his voice. We did a  NYC performance in November that was really fun. So now of course, I’m thinking we should play monthly in L.A. We are nearly finished with the album that we recorded at Casa Hanzo, the San Pedro studio Mike Watt owns with Pete Mazich. Raymond is a brilliant man; fun and inspiring to work with. When I practice with Rick, he’ll often break into a cover song deep in the recess of memory. Like John Cale’s “Hanky Panky Nohow” ,Kevin Ayers’ “Oh Wot A Dream” or the Doors “Wishful Sinful”. We may cover a Harry Toledo song. It’s a blast.  I hope to have the album finished in July.

 Tav, Bobby, Pell Mell and Ray 

[lampmeeting]

since i can now do this ldsfk 1-Metalocalypse (obvi) and 2 Chickles back at you :3

oh HELL yeah *rubs hands together* okay this’ll be long so i’ll do a cut

Favorite character: PICKLESSSSS

Least Favorite character: everyone says rockso and like I GET IT he’s revolting, but my ultimate least-fave is toki’s dad. fuck that old man.

5 Favorite ships (canon or non-canon): CHICKLES, HAMMERTOOTH, uhhhh (what else is there?? i’m kidding) nathan/abigail, charles/magnus, nathan/toki

Character I find most attractive: oh fuck don’t do this to me. i have too many types!! i can’t pick! fuck. i’m just gonna say charles. even though it’s magnus. wait. no. it’s pickles. charles. toki. fuck. magnus. i can’t do it dfkgjhf

Character I would marry: realistically?? like, i would say charles but unless i’m a member of dethklok i’m gonna be getting like .02% of that man’s time. honestly i would pick toki or nathan. toki would be so sweet and attentive, all the huggings and kissings, awww. nathan i feel would be the same, but only in private. you gotta kinda work on him a lil bit haha.

Character I would be best friends with: my heart says pickles but my soul says murderface. i would FOR SURE laugh at one of his off-hand under-his-breath comments because that’s just what i do, i fucking laugh at everything, and he’d be like OH? someone thinks i’m funny?? and then my life would never know peace (in a good way)

A random thought: i wanna hear all the dethklok albums from before the show started. like that album where their abs were airbrushed, wtf did that sound like?

An unpopular opinion: season 4 was good. :O i feel like i hear the sentiment from quite a few people that season 4 on the whole was bad. i love all the seasons equally actually.

My Canon OTP: CHICKLES. may i present to the court, exhibit A *points to my icon* (shhh no, let me dream)

My Non-canon OTP: toki/magnus :’) i think this is just about as non-canon as you can get, really. but the heart wants what it wants.

Most Badass Character: DEFINITELY charles.

Most Epic Villain: sorry, mags... salacia.

Pairing I am not a fan of: i think i’m willing to at least entertain most any ship. i’ve read some interesting things for sure. i draw the line at seth/pickles though (i’m glad that doesn’t really seem to exist anymore? it was around more back in the day).

Character I feel the writers screwed up (in one way or another): aside from magnus and abigail, who both needed WAY more screen time?? i would say dr rockso in a sense. he was sort of that kooky rascal you wave your finger at when he gets in trouble, and then they had to go and do the whole dory mclean thing. and i get the point of the episode, but after that i wasn’t rooting for rockso anymore and he kinda became more of this sinister kinda figure? i dunno. i think that whole angle could’ve been done away with and it would’ve been a lot better. also him trying to fucking drown toki in the christmas episode. 8( ouch, man.

Favourite Friendship: probably nathan and pickles, since they’re the lynchpin of the whole outfit.

Character I most identify with: pickles with some toki on the side. :’) ahhh.

Character I wish I could be: i wanna be that girl that nathan was dating for a while, the one the boys end up befriending and playing scrabble with. i want to be their friiiiiiiiiend

OKAY CHICKLES TIIIIIIIME

When I started shipping them: WELL....okay so i actually just went back and looked at my old deviantart account and the first drawing i did of them (yes i’m linking to 14-year-old art pls don’t judge me) was on Oct. 18, 2006, so like...the dethfam episode hadn’t even aired yet. god damn. there was someone in the sausage festival livejournal community who had drawn the two of them, and then i fucking went ravenous for it real quick and it became like the only thing i drew for months hahaha. i had been nickles up until then. :O

My thoughts: MY THOUGHTS??? this is so vague. i have many thoughts. uh, for one? they’re perfect together? the straight-laced workaholic and the lazy degenerate? yes please, gimme. they’re like yin and yang, opposites attracting. and yet i feel like, once they get past that, they realize they’re both so similar at their cores. and pickles helps charles loosen up, and charles gives pickles some structure. they both give each other someone to lean on when shit gets bad. pickles can be a surprisingly good caretaker when he wants to be. :’)

What makes me happy about them: everything?? i really don’t know how to adequately describe just how much i love them and just how much that means hahah... you ever ship something for 14 years?? i know some of y’all have. it gets in your blood. that’s like over a third of my life right there. not to be dramatic or anything hahaha but they’re important to me. that ship helped get me through some rough months back when i lived alone in a crappy apartment, and it’s hilarious to me that i’m getting back into it hardcore like i was back then considering everything that’s going on right now, just current events-wise and personal stuff-wise.

What makes me sad about them: god damn, anything about those 9 months charles spent “dead”. anything post-doomstar. anything snakes ‘n barrels where they’re together for a short time and then never see each other until charles becomes dethklok’s manager. pickles pining after him for like a decade after the band forms. or charles pining, having to watch pickles party and do drunks and sleep around. or BOTH of them pining and not realizing it, or REALIZING IT and not acting on it because what if it hurt the band somehow? maybe charles wouldn’t want to jeopardize it but pickles would be okay with it, and charles would have to be the one to say no. ahhhhhhhHHHHHH

Things done in fanfic that annoys me: oof, i agree with you here, Ash. i’ve read a couple fics where, like, the bdsm aspect wasn’t even fun. i probably know the exact fic that left a bad taste in your mouth because there’s one specific one i’m thinking of that left a bad taste in mine (actually two...). like i had to actually get up from the computer and go do dishes hahah... uck. but yeah. don’t like charles being abusive to pickles. i think pickles does like some punishment from time to time, and he definitely has some daddy issues. but i don’t want it to get fucking sinister haha y’know? pickles, at his heart, is a good-times guy. he likes good feelings. he wants to feel nice. and charles, at HIS heart, is all about service.

Things I look for in fanfic: are they in love or just hooking up?? i mean i’ll take either at the end of the day, but i’m a romantic and i need the love, i crave it.

My wishlist: give to me all the fics about snakes n’ barrels chickles. how i haven’t written one baffles me (though i did have that huge plot write-up from months back haha...i should turn that into a real fic sometime). would also love a huge fic about their marriage, complete with canon-typical buffoonery. fics about them retiring together. ;0; fics about them just having nice peaceful moments. literally just.....any fic haha...

Who I’d be comfortable them ending up with, if not each other: my soul literally begins to shatter apart if i consider them ultimately ending up with anyone else hahaha... other relationships can come and go, but at the end of the line i need those boys to be together. <3

My happily ever after for them: after galaktikon II, dethklok has kinda run its course. the band uses their near-infinite resources to help rebuild the earth. shortly after, it’s pickles who proposes in a surprising turn of events. shaken after the battle, he doesn’t wanna waste any more time. they get married barefoot on the beach probably in like fiji or something (pickles’ idea) with friends and family present (the okay ones haha, also magnus is there with toki because this is my dream, damnit). pickles has white flowers in his dreads in lieu of a bouquet. T~T everything goes well, no one crashes the wedding. they have a lovely honeymoon there when everyone else leaves. pickles says he’s decided to retire from music, but it’s not long before he’s working feverishly on new music in the home studio at their new place. some real expansive stuff. he’s kinda doing it as a weird therapy, coming to terms with some stuff. he never gets clean but he’s not using drugs and alcohol as a band-aid for his problems quite so much anymore. charles retires from managing bands (he doesn’t have the heart for it if it’s not dethklok) and ends up doing the adjunct professor thing whenever he gets bored. but he practices guitar a lot, pickles teaching him some advanced stuff, they jam together sometimes. he takes up sailing because it’s something he’s always wanted to do but never had time for. after pickles releases his first solo album, charles takes him on a long, romantic sailing trip. everything is perfect, everything’s gonna be good forever. 8′) forever. the end.

[dreadnought-dear-captain]

‘Til the End of the Line (or Not) OR: See? We TOLD You “No Homo.” Love, Markus and McFeely

*****WARNING: 99.9% SALT!! Contains spoilers for Avengers Endgame!!****

I guess this is part two of my personal processing of Endgame. @pitchforkcentral86 was not satisfied by my timey-wimey Endgame post, which centered on Steve’s choice to go back in time to be with Peggy and the implications of that choice. She remarked that yeah, it’s great that Steve might not be a total piece of crap, Pym particles, yada yada, whatever, but it still didn’t make her feel any less despair over this ending.

The source of her agony: Steve and Bucky’s relationship and its utter lack of satisfying resolution. So I shall address that now, because I think I feel worse about that than anything, and I can’t explain it away with Pym particles.

Anyone who has any investment at all in the relationship between Bucky and Steve — whether you are a Stucky person or whether you view them as platonic but deeply connected best friends — has probably had to spend the last two movies scraping around the floor, searching for crumbs, signs, any hints that these two people care about each other. We have been begging the Russos, the screenwriters Markus and McFeely, anyone who would listen, for anything to suggest that they are even on the barest of speaking terms, let alone that they have the intensity of relationship that the MCU spent 3+ movies explicitly convincing us that they have. I’ll even come out and say that although I ship Stucky in fandom and fic hardcore, I am not an MCU canon Stucky person per se. I’m 100% fine if the MCU wants to treat this as a deep, fraternal friendship. In fact, I see some benefits to this interpretation. How wonderful if men could love each other so deeply and have it NOT be sexual or romantic. But I’m also 100% fine with people interpreting this as romantic love, and there were times throughout this franchise where the actors, various parties in production, and Marvel itself has been agnostic on the subject, if not encouraging of gay interpretations of their relationship. Let it be what you want, fans have been told. Or just flat out post a pic of Steve and Bucky on #National Boyfriend Day like Civil War comic writer Mark Millar. Sure. At times, it almost felt safe to ship them. As soon as Civil War drew to a close, however, it started becoming... inconvenient for Bucky and Steve to be together. Steve needs to go to the Raft. Bucky needs to go into cryo. Steve needs to become Nomad and go secret avenging. Bucky needs to do his Vibranium Brain Magic (TM)/goat herding complex PTSD recovery program. Side note: Complex PTSD (C-PTSD) is my provisional diagnosis based on virtually nothing, because Bucky’s character has gotten so little substantive screen time that we can only guess at his psychological state, save what can be conveyed through glistening eyes and woobieface and “... but I did it.” Wow. Bowl me over, you really got me right in the McFeelys. Though +1000 to SebStan for working what he got to work with to the max. That motherfucker can act. We know for certain approximately jack shit about Bucky’s internal experience post-Winter Soldier. And so, like pretty much everything with Bucky and this friendship/ship arc, I will just guess at what is actually wrong with him. But after 70 years as a POW being tortured and possibly gaslit and definitely brainwashed, that is almost the textbook recipe for complex PTSD, so imma go with that. Returning to this distance. Now, it first appears to be largely logistical in nature. Steve is over here, Bucky is over there. Golly, just too busy to hang these days. All this secret avenging without you. And when we pine — pine — for the meaningful reunion of these two in IW, instead we got a “Hey brah, how's it hanging?” “You know, old and traumatized lol” exchange and a “let’s make sure our dicks don’t touch” back-slappy hug that lasted two seconds. This is without any hint as to whether these two have seen each other yet after Bucky’s de-thawing, leaving us to wonder whether this is really the big reunion we have been waiting for. 

(If we had audio, the sound would be 70% slapping.)

I’m going to pause here, because for many of us, this was devastating. After all, we were left with this shot of Steve as Bucky made the choice to go into cryo, a choice that seemed only somewhat justifiable on the vague grounds of “I can’t trust my own mind.” (Me either, pal.)

Ugh.

Perhaps this was also an avoidance strategy — easier to go back on ice than deal with the emotional fallout of what just happened. And who could blame him? He is probably still relearning how to cope effectively with things after his entire coping system was destroyed by his time with Hydra. But Steve was clearly disappointed or, at the very least, saddened by this. He gets something back just to lose it again. Enter distance. He leaves and goes avenging. Emotionally, perhaps this move to cryo created distance as well. Their relationship was on such fragile ground at this point, mostly an artifact from the ‘40s, and their chance to deepen it was taken away by the writers because Bucky wanted to go on ice for reasons and Steve needed to do Steve things. And so when IW rolled around, oh, did we want them to have a substantive reunion. But alas, we did not get that. We saw equally substantive exchanges between Bucky and Sam or Rocket and far more substantive exchanges between Steve and pretty much anyone else. And then we got the ultimate separation — (fake) death. Again. A traumatic, unplanned loss that costs another five years from their timeline, all before they even got the chance to properly re-establish a friendship. Again, I’m going off of what we actually see portrayed, not off of what we assume or would like to see. We have absolutely no idea how much Steve and Bucky interacted in Wakanda. But Steve busted Sam out of the Raft quite early, early enough that he still had a messed up face from the time Tony went in (unless he was getting beatings on the reg, which is possible). So if he was hanging with Sam since before Bucky went on ice, and Sam just visited Wakanda for the first time in IW, either Steve was borrowing the Quinjet to secretly visit Wakanda on his own to hang with Bucky, or he hadn’t been back to Wakanda since he left the first time. 

Regarding Steve visiting Wakanda between CW and IW — I found this bullshit from Markus and McFeely on the subject of whether Steve and Bucky met or talked prior to IW. The writers could not even agree about their own characters, with one saying that Steve and his crew probably visited Wakanda and hung out with Bucky and the other saying, eh, the two of them “maybe Skyped.” As to the former, this is not at all supported by the narrative or by logic. Infinity War is clearly Sam’s first time in Wakanda, with all that drama about “zomg you’re gonna hit those trees, bro!” as they are flying into the city. And why would Steve  leave his team alone and vulnerable, probably taking the Quinjet, their only form of reliable and safe transportation, so he could go visit Bucky alone? He’s not there for a booty call, y’all, because these guys have barely even rekindled their friendship. Moreover, the other secret avengers know how important Bucky is to Steve. This isn’t a secret. There would be no reason to go alone and no reason for T’Challa to forbid Nat, Sam, and Wanda from coming to Wakanda. So it makes no sense that Steve has visited Wakanda prior to IW, and thus, that would make IW their first meeting, which is… utter and heartbreaking garbage. But at least they had motherfucking SKYPE. MAYBE. Fuck. You. Very. Much. 

So, in the face of this shit reunion and Bucky’s subsequent dusting, some of us kindled hope for the upcoming Endgame. Perhaps we would get flashbacks. We knew there would be flashbacks or time travel because we saw stuff in the trailers and sneak peeks from the set. So maybe there would be something there to account for the utter lack of attention to their relationship in Infinity War. Again, this was the mere request that Markus and McFeely and the directors acknowledge wholeheartedly what they have been building for these characters since the beginning of their time in the MCU. This was not even strictly about Stucky. This was about doing justice for these characters as humans. But there were no flashbacks. Who knows what happened in Wakanda. We will have to fill in the blanks on our own. Not a single comment could be spared to even signal whether the IW Wakanda scene was their first time seeing each other since cryo.  “How’s that new arm treating you?” or “God, it’s been so long”/deep emotion would be all it would have taken to not keep us wondering one way or the other. This suggests a lack of consideration to the fans of these characters and this relationship — which, again, Markus and McFeely slaved to get us to pour our hearts into. So… Endgame. What was that? Bucky and Steve didn’t stand next to each other at Tony’s funeral. Okay. Bucky is not an A-list Avenger. He did kill Tony’s parents. Awkward. Bucky was comforted by Sam, his… guy he sat behind in the Volkswagen in Civil War and fought next to in IW, and he needed comfort apparently (?) because he… killed Martha and Howard Stark (??), which was sweet, and much more spontaneous affection than we’ve seen from Steve in an age, but what the actual fuck??? Was that Mickey Mouse standing behind the Iron Man 3 kid wearing a “Falcon and Winter Soldier” miniseries t-shirt?

And that ending. This was maybe the one implied nugget of friendship between them visible with an electron microscope. They obviously had at least one deep conversation about Steve deviating from the plan to go have a life, and they obviously had a discussion about who would succeed him as Cap. My dreams of Bucky Cap were dashed into dust, but as @pitchforkcentral86 said, it would have been cruel to give it to Bucky. Bucky would possibly have taken it if Steve kicked the bucket in EG, but it makes the most sense to be passed along in a planned way to Sam. So maybe they had at least one good conversation. Way, way off camera. Bucky said he would miss him. Recycled TFA line. Thank God it was not involving the words “jerk” and “punk.” Glistening woobie eyes. Steve leaving to go be with the one person who can make him feel like a whole human being, apparently, because there is nothing and nobody tethering him to this time in history anymore.

Whoa— wait— WHAT??? These are the moments where I literally double check the credits for the Cap movies to make sure that it says “Markus and McFeely.” Then I check the latest Avengers movies to make sure they also say “Markus and McFeely.” And they ALL DO!! The same two men painstakingly crafted the story of Steve Rogers and Bucky Barnes, two men who — let’s be literal in the narrative here, for the sake of making a conservative argument — are best friends from childhood. They hammered on this story HARD, making sure that their relationship was so strong that by the time 2016 rolled around, the depth and intensity of their friendship and Steve’s commitment to it would tear the Avengers apart. And along the way, something else happened.

When you put two people in relationship like this, you have to know that there will be consequences. People will grow very emotionally invested in their relationship, because that is exactly what the writers were asking the audience to do. These dudes did their job, all right! And then something else happened, quite easily, even though these things will also happen under much harsher conditions: Stucky. Winter Soldier alone probably launched a hundred thousand ships for these two — gay, gay ships, so very gay, the glitteriest, gayest of cruise liners — from a hundred thousand ports around the globe. This ship has permeated pop culture even outside the fandom (some dumb gross man jokes from Screen Junkies within, but the Stucky shenanigans start at around 3:15).

And perhaps that’s when Markus and McFeely realized what a monster they created, one that would clash in ugly ways with their forthcoming (heterosexual) narrative, — their endgame for Steve. And so what did they do? Overcorrect. Wildly. Pull the plug. Bucky and Steve can’t fall out as friends completely, but what’s the next best thing? Give them almost zero screen time together, lest anyone be tempted to think they have a serious relationship — and again, I’m just talking friendship at this point, let alone anything else. Make their lines devoid of substance. Keep us wondering about the nature of their dynamic. Did the distance grow too great? Is Bucky not able to reconnect with anyone? Is Steve too busy? Too salty?? Who knows! These are possibilities, but none are explained. Then just poof Bucky off the face of the earth for 5 years to create existential distance. And in the meantime, ensure that Bucky is shown as not even a passing thought for Steve Rogers. Ensure that his name is never once uttered by Steve until he is about to leave him to go be with Peggy — oh except when, in a real dick move, when he emotionally whumps his past self with the news that Bucky is alive for the sole purpose of getting out of a stranglehold. At the same time, ensure that Steve is seen becoming single-mindedly fixated on Peggy Carter, and make sure the audience — including all those pesky Stucky shippers — knows that he considers her the “love of his life.” Ensure we see the compass with increasing frequency and with maximum longing. Insert Steve finding the absurd photograph of himself on the Director of SHIELD’s desk, facing the door for any junior colleague to see her pining over him like a schoolgirl long after he died, which is just about the least Peggy Carter thing I can ever imagine (and these people created and wrote for the Agent Carter TV series!!!).

Then give us our first openly gay person in the MCU. And drop him in the same scene that you confirm once and for all that Peggy Carter is the love of Steve Rogers’ life. Have Steve be so fucking cool with it that he makes us proud and relieved that he’s not a homophobe. Whew! Only… it makes us feel kind of gross, and maybe we can’t quite figure out why at first. But maybe it’s because it feels  personal, like a concession, like the writers and director knew exactly what they were doing to a lot of people who feel a very specific way about Steve’s sexuality and about his relationship with Bucky Barnes. It feels like a tone deaf nod to the fandom. Sorry, guys. No homo. We really did try to warn you with the whole Sharon Carter thing. (Sharon Carter, in an act of gross and misogynistic misuse, remains one of the most criminally mistreated characters in the entire MCU, arguably serving almost entirely as a “no homo” device before being completely discarded, never to be heard from again.)

Which got me thinking — was this move to distance Steve and Bucky so abruptly a reactive move? The divide between Steve and Bucky that happens in IW and EG feels so cold and inorganic. It does not feel at all driven by the natural arc of the characters as established by the creators themselves. It feels rushed and confusing, like it just needed to happen for plot convenience (though not even clearly that), and once again, we are left trying to figure out what the fuck is actually going on.

Part of that is probably needing to lay the groundwork for Steve’s feelings of alienation, which lead him to his ultimate choice to go back in time. He can’t feel too connected to Bucky or he won’t want to go back to be with Peggy. But could part of this also possibly be a reaction to how strongly Stucky was adopted by the public? Did Markus and McFeely realize how much more strongly we love the idea of Steve and Bucky — as friends or lovers, who cares? — rather than Steve and Peggy, which was probably their ending for Steve all along? Did they realize their terrible mistake of bringing them so close, endearing them to us so much, and then realize “OH SHIT,” and then slam on the brakes? Is that why IW and EG felt like absolute shit for their relationship, even for those who are not total endgame Stucky people?

Okay, but what if their friendship just ran its course? Friendships do that, even really deep ones. These two have had a huge chronological and experiential rift that never was really healed (thanks to our dear writers). Steve saved Bucky’s life thrice but they never really reconnected. Presumably. As far as we know in the narrative we are given by the writers. Okay. Let’s say you need to get Steve back with Peggy and for Bucky to become pals with Sam instead because contracts and actors. Whatever. Fine. But if you are going to play the “our friendship has come and gone” card, you need to fully PLAY IT. You can’t make it some vague option that might be true because we can’t figure out what the hell is going on. They need to have an actual conversation. For fuck’s sake, if we have time to fuck around with Korg and Miek on the couch and time to have Banner take selfies with kids and do stupid time gags and a bunch of other little shit, there is enough time to have a brief conversation somewhere to imply that “things have changed” or “people change” or something to imply that the writers were even thinking about the course of Bucky and Steve’s relationship as more than just a platform to launch Steve back to Peggy and launch Bucky toward Sam for their spinoff series.

There was just no depth. How can they give us three movies composed almost entirely of Mariana Trench levels of depth between these two men and then give us virtually nothing in IW and then next to nothing in EG to “round out” their entire storyline? The shape of the emotional momentum in this relationship is so wonky and dissatisfying, and the lack of comment on the dissolution of their friendship in the narrative, the fact that it isn’t even being acknowledged, is one of the worst parts. This relationship died without being honored or even attended to at the most basic level, after being told that it is perhaps the most important relationship in Steve and Bucky’s lifetimes and being shown evidence of that fact.

Moreover, let’s get real — calling Peggy the love of Steve’s life should do nothing to diminish his friendship with Bucky Barnes. That’s not how love works. You don’t just get one person. You can have a best friend — hell, you can have two best friends — and a woman you love. (And even moreover, you don’t have to leap back through time to find closeness just because you can. But that’s another matter with Steve’s character that I will address in a future speculative character analysis on Steve in an effort to explain how he got to this point, because I have a super depressing head canon about it involving traumatic grief and loss.) 

But just like comic book science, perhaps there are comic book rules about love and affinity. You only get one person, and Steve gets Peggy. And apparently Bucky gets Sam. Because contracts. But as I said before, I would have been okay if they had a dissolution of their friendship because that was the course of their friendship. Just tell us what is happening. Have the decency to respect your characters by giving their relationship a true arc, whatever it is. You can’t just recycle a TFA line and call it an arc. That is not an arc. Markus and McFeely goddamn know better and we know they know better, because we just saw a beautiful relationship arc closing with Tony and Pepper and, on a smaller scale, with Tony and Peter fucking Parker.

By the way, the small in-person and symbolic interactions between Tony and Peter in EG? Those are what high quality, emotionally salient, brief interactions between people who care about each other look like.

1. Tony’s picture of Peter in his kitchen: He can see from where he does his dishes. He looks at it meaningfully and thoughtfully before making a major plot-essential decision that risks his way of life.

2. Tony and Peter’s reunion hug: It starts off with some humor and classic Peter rambling. Becomes a full-ass, real hug. Nobody slaps the other’s back. Peter remarks, very sincerely, “oh, this is nice.”  <3

3. Tony’s death scene: Peter is visibly and truly wrecked. Tony looks at him in a heartfelt way. Words are unnecessary. It is perfect.

Bonus IW moment, because it is one of the most moving images I have seen in the MCU: Tony has Peter’s ashes in his goddamn mouth, eyes closed. Defeated.

Jesus Christ. Don’t tell me Markus and McFeely don’t know how to write characters and brief, powerful interactions, even when the characters are not together. They most certainly are very, very capable of this.

So why did we get the lifeless, quippy drivel and lame physical contact they gave Bucky and Steve in IW and EG? Which, regarding their last convo, was Bucky spilling his guts and Steve being like “Yeah brah, you’ll be fine, don’t be a fucking idiot while I’m off being happy with the only person in the universe who can make me complete #surprisesoulmates.” Bucky offers his quippy mandatory TFA callback retort so that the audience remembers that these two once gave an actual fuck about each other at one point in the narrative.  Cue slappy-back-no-dick-touch hug. And please don’t tell me that this is just how men from the ‘40s hug. I would buy that for TFA, but after everything they’ve been through in Winter Soldier and Civil War? I am not buying it.

**Slap-slap**

So we get a Steve Rogers who exits the MCU permanently by making a contentious, questionable final choice with questionable implications that take a graduate degree and/or a hive mind to questionably figure out (or else I’m just a fucking idiot and I’m the only one who needed those things). And we also get the profoundly dissatisfying demise of a relationship that we invested a tremendous amount of emotional energy in because that is what the screenwriters and directors asked us to do. 

I am not writing this as a diehard Stucky shipper. I love Stucky, don’t get me wrong. It’s all I read and write in fandom. And I can certainly buy a world (at least, in Caps 1-3) where canon Steve’s love for Bucky is the gay kind and vice versa. Sure. But I am writing this as a person who loves good characters and good story, and this is such a hard fail that even if I had no emotional investment in these two characters, I would wonder what Markus and McFeely had against Steve and Bucky that they let their garden succumb to drought while they tended so considerately to Tony and Peter and Tony and Pepper and Steve and Natasha and Steve and a dead woman and Thor and Bruce and Thor and fucking Rocket, pretty much all of whom (with the exception of Tony and Pepper) have had so much less at stake, so much less time invested, and so much less of a reason for the audience to give a fuck.

But more importantly, I am writing this as a lover of Steve and Bucky, two people who have a well-established, rock-solid, indisputable human relationship that deserves so much more than what it got, especially given all of the unspeakable suffering these men have experienced separately and as a byproduct of their separation. Canonically. This is not made up fandom shippery superimposed upon Markus and McFeely’s precious creation. This is the truth of these two men as determined by the hands of the creators who also neglected them into nothingness, which is arguably a fate far worse than one or both of them dying an actual, final death.

I am left feeling disappointed and betrayed as a fan, wishing, as others have confided in me, that I was more of a Tony person and had been all along. Because then I would be walking away from this still grief-stricken, but at least it would be for the right reasons.

--

--

I will leave you with this, arguably one of the last in-character moments for Bucky and Steve in the MCU. 

[arecomicsevengood]

More Quarantine Movies

Going to put up this log of what I’ve seen now, as some of the stuff I liked the most is leaving The Criterion Channel at the end of the month. I really don’t know if anyone gets anything out of these posts, these are mostly synopses and they’re maybe spoiler-heavy. Let me give you the gist of it now: Otto Preminger’s a really good filmmaker whose movies are really interesting, Jean Arthur’s a great actress who enlivens everything and is also in a bunch of good-to-great movies. Also, I didn’t write about it but I rewatched Death Race 2000, that movie rules, feels relevant to today’s politics, and is leaving Criterion Channel at the end of the month.

The Pawnbroker (1964) dir. Sidney Lumet

Based on novel by Edward Lewis Wallant, whose The Tenants Of Moonbloom was reprinted by NYRB Classics with a Dave Eggers intro. Also some of the earliest nudity in a mainstream American film. About the misanthropy of a holocaust survivor, living in New York City, and interacting with black people who vaguely feel like racist caricatures, in part because it’s a movie about a misanthrope told from his perspective. A ton of movies about race from this era feel dated, this feels legitimately edgy, which is a term that gets thrown around somewhat ironically now or viewed as a pejorative, like something trying to offend, this does feel like a genuine attempt to be honest and push things forward (I really was not expecting that nudity) but also doesn’t feel totally successful, definitely not particularly enjoyable.

Shockproof (1949) dir. Douglas Sirk

I haven’t seen Sirk’s later melodramas, this one intrigued me in part because the screenplay was written by Samuel Fuller, and it’s sort of a pulpy noir thing. A woman, fresh out of jail, ends up living with her parole officer who is trying to keep her on the straight and narrow and away from her criminal ex, but they end up falling in love. There’s a thing where the male lead’s younger brother talks about how the lady is beautiful that I sort of wish wasn’t in there, feels creepy to me. There’s a bit of a shift in the narrative with the third act, where the lovers end up on the run, the once-upstanding man now a criminal on account of love, but they are having the endurance of their love tested by circumstance, is one of those things where a story which felt somewhat unique over the course of its telling shifts into something more recognizable.

…And The Pursuit Of Happiness (1986) dir Louis Malle

I have watched most of Louis Malle’s feature films at this point, I believe, and had a vague curiosity about what his documentaries were like. This one, made shortly after he’d moved to the U.S. and married Candice Bergen (something that comes up in Susan Seidelman’s Smithereens, in that some prostitutes read aloud from a fashion magazine that discusses it) he made a film talking to various recent immigrants. He covers a lot of ground, covering people working as doctors, large communities living in housing projects and causing racial tension with black neighbors (who both resent the smell of the food they cook but also suspect they don’t know their rights as the property developers plan to evict everyone and have the projects demolished). By and large everyone spoke to believes in the notion of the American dream of working hard to get ahead. Malle also speaks to anti-immigration think tank people and border patrols. Nothing too surprising but a lot of ground gets covered in a short amount of time. If I didn’t learn anything I at least admired that it felt non-didactic. Anything with more of a point of view or an argument would probably be disingenuous were it to present itself as enlightening.

The Baron Of Arizona (1950) dir. Samuel Fuller

Based on a true story, although with fictionalized elements, about a dude (played by Vincent Price) who becomes a master forger to falsify land grants and claim the entire state of Arizona as his own. Not a great movie, though that’s an interesting story. I bet I could guess what elements were made up for the sake of making a movie out of it, it has this tension of being interesting and unbelievable (although unbelievable by way of rote moviemaking formula), but also the story takes place over an extended period of time and so has some of the structureless feeling of a biopic.

House On Haunted Hill (1959) dir. William Castle

I’m going to confuse this with The Haunting Of Hill House for my entire life, that’s just the way it is. This stars Vincent Price, who’s always great, doing the famous premise where a group of people meet up to spend the night at a haunted house to win money. Vincent Price has a contentious relationship with his wife, who’s openly contemptuous of him and wants his money. There’s a moment where everyone at the house party is given a gun, each in a coffin. There’s a few “twists” all sort of being of the “there was a rational, non-ghost reason for everything” although any of them individually sort of strain the limits of credulity as something that works as a hoax. Vincent Price is basically not the villain, so much as his wife is, although he’s such a ham that loves being creepy that this again strains credibility in that the conclusion of the movie plays against the style with which the previous action has been presented. An enjoyable viewing experience.

My Name Is Julia Ross (1945) dir. Joseph Lewis

This one’s about a woman, looking for work, who falls into a scheme that kidnaps her and puts her up in a mansion, where she’s kept drugged and basically is told to assume the identity of a woman who was killed. I found this one pretty nerve-wracking, as it’s pretty nightmarish, basically about psychological torture. I found this one under Criterion Channel’s Columbia Noir collection, but before these films were considered noir, they were thought of as melodramas, but it’s also sort of a horror film about being gaslighted. There’s a part where they remove a stairwell and try to trick her into falling down? What’s funny is that one of the things that sort of separates this from horror is how quickly it resolves, whereas later work would I think give the audience the satisfaction of seeing the villain be punished in some way, the ending that just goes “then everything worked out alright” ends up making the structure feel more like the whole movie’s reason for being is just to see the protagonist suffer.

God Told Me To (1976) dir. Larry Cohen

Did I write about this already? I watched that a few months ago. Pretty wild basis in seventies grit about people going crazy, committing murders, then goes to a weird/confusing place involving some sort of holy entity in human form, the police procedural aspect butting up against this strangeness which doesn’t feel entirely thought through, and is in fact sort of incoherent, makes for a movie that is, in fact, still pretty good and worth watching although a bit tedious by the end.

Zombi Child (2019) dir. Bertrand Bonello

This I guess just came out in America this year, to the extent that anything came out this year, in theaters, it coming to streaming is basically its release. The zombies in this are of the old-school voodoo sense, taken seriously as a system of belief juxtaposed against French colonialism, as a Haitian teen feels at odds with her circle of friends, flashbacks to Haiti occur. When you watch a bunch of older movies new movies just seem to be not as good. Bonello’s not a bad filmmaker though, he’s able to capture a sort of sensual aspect of particular moments and moods, just not in a way where they then coalesce into a narrative of shifting emotion.

Anatomy Of A Murder (1959) dir. Otto Preminger

This movie is close to three hours long.  It has a Law And Order procedural quality, taking up much of its second half with a courtroom drama, where Jimmy Stewart does a proto-Unfrozen Caveman Lawyer routine. He’s protecting a man accused of murdering the woman who raped his wife. The subject was surely shocking for its time. It becomes pretty clear, extremely quickly that the husband is an abusive piece of shit, but the main thrust of the narrative is still tasked with following the lawyer trying to get him off. Lee Remick, from Experiment In Terror plays the beautiful and doomed wife, who flirts with Jimmy Stewart. Some of these interactions feel weird from a modern perspective, because Stewart’s reaction is like “Yes, you’re a beautiful woman and any red-blooded American male would enjoy looking at you, but it is my duty as a lawyer to paternalistically insist you cover up!” Preminger is sort of known for pushing the envelope, and this one has a lot more talking about sperm and Lee Remick’s vagina than you’d expect. One of the things that’s meant to be a “quirky character detail” is that Jimmy Stewart is into jazz- The score, by Duke Ellington, is great, but there’s also a pretty corny cameo by Duke Ellington where Jimmy Stewart sits in with him, a second pair of hands on the piano. Still, I guess it’s better that he physically appears in the movie than there just being a scene where it implies Duke’s music is played by Jimmy Stewart, as the music is way too good to just be a lawyer’s quirky hobby. George C Scott, from Hardcore, plays the legal expert on the other side. After being pretty long, there is this sort of abrupt, (although well-foreshadowed) downbeat ending, where the jealous and abusive husband flees town to avoid paying his lawyer and to go somewhere quiet he can beat his wife to death, but said ending is played for this “you can’t win them all I guess, shame about the lower classes” quality from Stewart, who is dead broke all movie but seems like he just enjoyed being able to do work for once, even if it’s for a total shitbag. Good movie! Feels thorny and interesting.

Bunny Lake Is Missing (1965) dir. Otto Preminger

This is even better. Great Saul Bass credits sequence too. A psychological thriller where the disappearance of a child gives way to the police not being able to confirm the child is real, and doubting the mother’s sanity, becoming pretty nightmarish, dreamy, and exhilarating by turns. Gets to a place of “huh, I wonder what is going on” and then when that finally resolves there’s a pretty extended sequence of silent escaping/hiding, which is, one of those things that films do really well and is super-satisfying. It plays out amidst this background filled with interesting supporting characters, who all, for the first half of the movie, feel like moving parts in this somewhat inscrutable narrative machine.

The Man With The Golden Arm (1955) dir. Otto Preminger

This one I don’t like. Stars Frank Sinatra, who I find annoying, as a recovering heroin addict who relapses again. While I normally like the sort of scenery-chewing supporting cast that shows up in Preminger things, I really didn’t Sinatra’s nerdy best friend, or his wife with Munchausen’s syndrome. While with the other Preminger movies there’s this feeling of a slow reveal of what the plot is with this one I feel like as soon as you know that Sinatra is out of rehab (which you learn pretty quickly) you can guess the movie will be about how he relapses and then tries to get sober for real.

The Human Factor (1979) dir. Otto Preminger

Preminger’s final movie, based on a Graham Greene novel, featuring Iman making her film debut. Movie is mostly about intelligence agencies seeking out the mole in their mist, with intentions to kill whoever it is once they’re certain. It stars Richard Attenborough, as the source of the leaks. Halfway through the story becomes interspersed with flashbacks about Attenborough and Iman’s romance upon meeting in Africa. Continues the habit of ending on a moment that maybe feels like it should be expanded upon or made more resonant.

Bonjour Tristesse (1958) dir. Otto Preminger

This stars Jean Seberg as a teenager being raised by a single father, David Niven, who’s kind of a cad/ladies man who’s very permissive with his daughter, who seems likely to grow up rich and spoiled and find another rich man to take care of her. Deborah Kerr plays the woman who Niven ends up falling in love for real with, and the conflict is then between this woman taking on a maternal role and a daughter who is resentful of this. Deborah Kerr is in Black Narcissus, a movie I love, and here she comes off as smart, the voice of reason. Seberg destroys her father’s relationship by taking advantage of his sort of innate desire to flirt and be liked by women, driving Kerr to commit suicide, and the whole film is then told in flashback by Jean Seberg a year later, as she flirts with boys but has a great sadness and emotional distance about her, which is both inherited and self-inflicted. I’m partly just writing these plot summaries as my way of remembering what these movies are about, but this one is nice because I get to account for complicated characters who are both pretty eminently understandable. I keep getting hung up on the fact that movies today now have a much dumber idea of what a female character is. Maybe it’s something as basic as the fact that, as people read less, it’s rarer for literary novels to be adapted? As I talk in terms of “less good roles for women nowadays,” which is a cliche, it’s obvious enough that bad roles for men follow, as everyone is only as good or interesting as who they’re playing off of.

It’s also funny to think, in this era of “comic book movies,” that very few artists can make a character come to life with body language and facial expression the way an actor can. “Literary” cartoonists like Dan Clowes or Tomine play into the mask quality drawing creates, generating inscrutability as part of their effect. Many of the biggest names in “noir” comics are removed from the melodrama elements of actor’s performance in favor of an aesthetic based on paperback covers, which makes for something far less lively. Meanwhile, Blutch is an amazing artist who would probably do a great job telling lively character studies in a genre form, but he’s way more preoccupied with these Godard-style interrogations of film’s cultural meaning.

Separate Tables (1958) dir. Delbert Mann

From the same year as Bonjour Tristesse, and also featuring David Niven and Deborah Kerr. Deborah Kerr’s good in this- while she is sort of uptight in a maternal way in Bonjour Tristesse, here she’s sort of crippled by repression her mother imposes on her. It’s a totally different character, but she remains defined by various manifestations of repressed energy; I would say she’s most known for playing a nun in Black Narcissus. She’s again opposite Niven in a sort of romantic context, though Niven’s character is meant to be a neurotic freak and he’s not really convincing in that capacity. I couldn’t really work out what the deal is with Niven’s character, he gets arrested in a theater, seemingly because he takes his dick out to show women? Or that’s how I interpreted what was being discussed, but he’s mostly defended by everyone except this lady you’re supposed to hate for how domineering and judgmental she is so maybe it’s something less bad. I honestly couldn’t figure it out because it seemed like the thing I was guessing they couldn’t talk about. This movie also features Burt Lancaster and Rita Hayworth as a couple that broke up once before and are reuniting now. This movie is pretty dull in a way I didn’t know whether to attribute to it being British or it being based on a play, as it feels extremely both.

Seance On A Wet Afternoon (1964) dir. Bryan Forbes

This one’s British too, and features the quality I recognize from British television, where the stars are not attractive, which always feels surprising. This one’s got a pretty great title, and a great premise. This woman, a professional psychic, convinces her husband to kidnap a child so she can comfort the parents and get publicity. The cinematography’s great. I got pretty nervous watching this, I think I am feeling more sensitive to movies as of late, way more willing to find things upsetting and nerve-wracking than usual. I can partly attribute this to the feeling of taking something in from a different cultural context, that leaves me unsure what to expect, but it’s also true that nowadays I sort of constantly have this feeling of “I don’t know how bad things are going to get” about the world in general, and it makes sense that I would apply that to films.

Only Angels Have Wings (1939) dir. Howard Hawks

Jean Arthur’s amazing in this - saw her the first time in The Devil And Miss Jones and then there’s this whole Criterion Channel featurette video running through what her whole deal is: This vulnerability/innocence crossed with an attempted toughness that really is very charming. Here she plays an entertainer just stopping briefly in town who gets hit on by some pilots, and develops feelings of impossible love for a man (played by Cary Grant) whose insistent toughness and refusal to show fear (despite having a dangerous job, of a pilot, that makes everyone who cares about him fall to pieces with nervousness). It’s this very universal type of entertainment, where there’s all these special effects shots of planes flying and a drama of men being men that’s nonetheless anchored by this love story, carried by the fact that Jean Arthur is very real and complex. She’s also a legit comedic actress, which I think makes her feel richer and more watchable than someone without a sense of humor would be. Rita Hayworth plays Grant’s ex, a woman who couldn’t take his daredevil ways but is now married to another pilot who has to do dangerous flights essentially to make up for an act of cowardice that got someone else killed. She’s got her own charisma obviously (and Cary Grant’s equally solid, in this sort of old-Hollywood glamor way) but Jean Arthur feels very alive in a way that carries the movie.

The Talk Of The Town (1942) dir. George Stevens

This one also stars Jean Arthur opposite Cary Grant, but it’s less interesting, partly because of a domestic setting and some stale-seeming comedy. Cary Grant plays Lionel Dilg, (great name!) who breaks out of prison and hides out in Jean Arthur’s attic, with a hobbled ankle, while a preeminent legal scholar moves in. There’s a love triangle between the three of them, and a friendship between the escapee and the scholar. Grant’s been unfairly framed for arson for political reasons by his boss for pointing out the factory where he works is a death trap. The people of the town are easily turned against this sort of leftist agitator  by a last and biased judge. Insanely enough, there’s a movie called “The Whole Town’s Talking” also starring Jean Arthur but it has no relation to this one.

The Ex-Mrs. Bradford (1936) dir. Stephen Roberts

Upon realizing that many of these Jean Arthur movies were leaving the Criterion Channel at the end of the month, I started taking more in. This is a murder mystery, with screwball comedy accents, and again I’d say it’s really good, although the “comedy” premise wherein a woman sort of plows through the life of a man with no real respect for personal boundaries is the sort of thing that works in a movie even though it seems totally nightmarish when looked at from a certain angle. She writes mysteries, he’s a doctor, people are getting murdered. He is played by William Powell, from The Thin Man movies, which maybe these resemble. I guess the bickering couple that solves mysteries is a trope but it’s one that I don’t think has had any currency in popular culture since Moonlighting, which was in my lifetime but before I would have had any awareness of it. (I would probably enjoy it up until the point where I got bored of the formula.) I thought this was great and would make a good double feature with L’Assassin Habite au 21.

History Is Made At Night, 1937, dir. Frank Borzage

This has Jean Arthur in it too, but the reason I became aware of it was Matt Zoller Seitz tweeting about it. Partly this is because the description on the Criterion site is so bare-bones it barely seems like anything, but it turns out this is because the plot is completely insane and has a ton of twists and to talk about them very quickly veers into spoiler territory. It is, in brief, a love story. The first totally insane in it is the handsome male lead does the “drawing a ventriloquist puppet on his hand” thing and the woman’s totally on board. An element that doesn’t spoil the plot, but does seem somewhat incongruent with the tone, is there’s a French chef character for a comic relief. It’s really good. I’m pointing out the lightest element but the story’s villain is believably sociopathic.

Secrets (1933) dir Frank Borzage

Not nearly as cool or good. While History Is Made At Night feels like a cohesive story that’s just pretty crazy, this one feels divided into acts that have nothing in common with each other. First act is romance, between a rich man’s daughter and his banker. They run away together. I’m basically unsure of when this movie takes place timewise, the rich lady is wearing massive layered gowns I know would’ve been out of fashion by 1933. The second act is a western where they make a home together and have to fight off bandits! But the action is shot in a a pretty disinterested manner. Third act, I’m pretty on edge and bored, but the banker is now the governor of California and is having an affair with another woman, and they’re at a party together, and then the ending feels epilogue style as they’re both old as hell and they have fully-grown children and they’re talking about how they’re taking their leave of the kids to discuss their secrets. Female lead is Mary Pickford in her final film role. I guess this is a remake of a silent film, which was itself based on a play. Yeah this movie sucks basically.

Bitter Moon (1992) dir. Roman Polanski

Sure, I’ll watch a sex criminal’s erotic thriller that’s way too long. Hugh Grant is a married guy on a boat who has a French dude talk about all the sex he and his wife have because he knows Hugh Grant wants to fuck his hot wife. Said wife is played by Emmanuelle Seigner, Roman Polanski’s actual wife since 1989. This is a bad movie by pretty much any metric. It kinda feels like the social function of erotic thrillers is not to be a more socially-acceptable form of pornography, but rather to be pervy enough to remind the audience why you shouldn’t talk about sex publicly and have that be your whole thing. The French, of course, misunderstand this.

The Burglar (1957) dir. Paul Wendkos

Another noir, written by David Goodis. This one is a little formulaic, in terms of what you think of crime movies as being “about.” A burglar, who learned the trade from his adopted father, works with that man’s daughter to commit heists. His gang doesn’t like her. Once the two of them are separated, a corrupt cop seeking to steal a burgled necklace for himself tries to pursue a relationship with her as a means to an end, while a woman allied with him works on the burglar. A drive to New Jersey gets stopped by cops, violence quickly escalates to make the situation more dire. Members of the gang die. Not a bad movie but by no means essential.

My Brother’s Wedding (1983) dir. Charles Burnett

Criterion Channel removed the paywall for a bunch of Black-made independent films, this is one of them, Burnett’s follow-up to Killer Of Sheep. Seemingly starring non-professional actors, it’s about the conflict a guy feels as his brother is planning to get married to a rich woman he resents, and the loyalty he feels to a guy who just got out of prison who everybody hates. The main character is a good dude who wants to help out this pretty dangerous friend the best he can. The film captures his pride and resentment.

Dial M For Murder (1954) dir. Alfred Hitchcock

A few iconic-seeming shots of Grace Kelly in the role of a Hitchcock blonde, i.e. her standing at a phone while someone looms behind her about to choke her, and later standing traumatized. Suffers a bit from clearly being based on a play, with a ton of dialogue, particularly in the second act. The first act is able to provide this very particular type of satisfaction, where someone outlines a “perfect crime” in dialogue and then we see it play out and it falls apart and happens completely differently. It’s funny the criminal gives themselves away due to mistaking one key for another, because this sort of structure really does feel like a key fitting into a lock, things perfectly designed for one another, parceled out at the right time.

[eldritchsurveys]

846.

1. have you ever worn bright red lipstick? >> I don’t think so. Pretty sure I wouldn’t be fond of how it looked on me.

2. do you smoke the ganj? >> I don’t. I’m in the “weed makes me incredibly paranoid and anxious, and enough of it will phase me completely out of consensus reality” camp, unfortunately.

3. do you eat a lot? >> Nah. Like, sometimes I feel like I do, but then I remember that compared to the typical American portion sizes, I eat like a bird. So I guess I eat the normal amount (since American portion sizes are in no way normal, lmao).

4. do you care much about your health? >> I care enough, I guess. I try to do more good (or neutral) for myself than ill, when I can. It balances out the fact that my badbrains are probably shaving years off my life with every passing week, lmao.

5. do you know who sid and nancy are? >> The uh... Sex Pistols guy or whatever, and his lady, right?

6. do you know who bonnie and clyde are? >> More or less.

7. who do you like better? >> I don’t care about either couple’s stories, as I’m sure is obvious from my vague answers.

8. do you listen to the misfits? >> I do! Love ‘em.

9. do you like punk music? if not, you should. >> I like some of it. Not the hardcore, really fast shouty song that’s over in a minute kind of punk music, though. Horror-punk like Misfits is probably my fave, and pop-punk like Green Day is good, and whatever it is the Distillers have got goin on is good too.

10. are you christian? >> Nope.

11. if so, have you ever read the entire bible? >> I’m not Christian but I have read at least 80% of the Bible. I mostly skipped the “here’s a list of like 200 laws” and “here’s an entire genealogy” bits.

12. are you a sucker for big, blue eyes? >> No.

13. are you generally attracted to more outgoing and loud people or quiet and mysterious people? >> Well, quiet and mysterious people I relate to, and outgoing and loud people provide a balance for my own self, so I like both for different reasons. I just spend less time around the outgoing people because 1) I don’t provide enough energy exchange for them so they get bored of me and 2) it’s not often that I have enough social energy to spare for them in the first place.

14. do you listen to that hardcore shit? >> Like, hardcore, the genre? No.

15. have you gotten a new computer since 2006? >> Of course. I got a new computer just this year.

16. have you ever cried because you couldn’t be with someone? >> I don’t know. No time in recent memory, that’s for sure.

17. do you plan on going to college? >> No.

18. could you ever see yourself going to those college parties, getting drunk, fucking some random person and getting an std? For fuck’s sake…I don’t think anyone sees themselves getting an std. <-- lmao for real...

19. do you even drink? >> I do.

20. what do you like most about the opposite sex? >> ---

21. don’t you hate it when things are amazing in other people’s lives and you’re stuck in a hole alone? >> I hate it when it feels like this, yes. It’s a fallacious train of thought, because what we see of others’ lives is usually just what they’re willing to show us, and people don’t really tend to share the awful bits of their lives. So of course other people’s lives look amazing when all you see is the amazing stuff. Also, depression makes everything in my life feel worse than it actually is, so... extra fallacy.

22. do you have problems with one - or both - of your parents? >> I have problems with all of my parents.

23. do you like cheez-its? >> No.

24. do you sleep a lot? >> No.

25. do you like drinking water? >> I don’t always like it, but I do drink it more than anything else. Most of my variation in beverages comes from either kombucha or sparkling water (so, also still water).

26. what is your view on the war going on right now? >> Well, before I answer... what year was this survey made...

27. do you like george w. bush? >> Ah, there’s the time frame.

28. who do you want to win the 2008 election in november; hillary clinton or barrack obama? >> And here we are in the 2020 election season, and all I can hope for is that somehow Trump gets voted out. I’m sick of his ass.

29. who do you think will win? >> At this point, I can’t even bother to speculate. I didn’t think Trump would win the first time, and yet here we are...

30. have you ever been to a funeral? >> Yeah.

31. can you play drums? >> No.

32. can you play guitar? >> Nope.

33. what’s your passion in life? >> I don’t have one of those.

34. do you like writing? >> I do.

35. are you doing/did you do good in school? >> ---

36. do you think moths are bad luck? >> I’ve never heard that one. I love moths :(

37. or do you not believe in supersitious stuff? >> I’m just not interested.

38. are you in love with anyone? >> No.

39. if you’re in love, do you wish you weren’t? if you’re not in love, do you wish you were? >> I’m not interested in being in love.

40. if you’re in love, do you care about what anyone has to say about them, if it’s only bad news? >> ---

41. when you date, do you care about what your best friend[s] or good friends think about them? >> ---

42. will you date someone that’s not your race? >> I’m married to someone that is not my ethnicity.

43. i hope you aren’t racist… are you? >> As if I or anyone would answer this with “fuck yeah, I’m racist, what are you gonna do about it?” Like. Get real.

44. have you ever made yourself throw up? >> Yeah.

45. have you ever purposely starved yourself? >> No.

46. do you think you exercise enough? >> I would never think I exercised enough. I would always assume that I’m not doing enough. Rationally, I guess the fact that I try to take brisk walks at least 3 times a week and do short reps of various exercises throughout the day is a lot better than doing nothing at all.

47. have you ever pierced something on your body, yourself? >> Yeah, I’ve done my ears a few times. All those holes are closed up now, though.

48. have you ever listened to the band lars frederiksen and the bastards? >> No.

49. if so, what do you think of them? >> ---

50. what do you often do on saturday nights, if you’re not out somewhere and/or with friends? >> I’m usually not out somewhere on Saturday night. I’m usually at home doing whatever.