#its like....they dont try to be 'better' even if they try to be better

[residentsweatgoblin]

I'm only coming from the perspective of Ireland and Spain (Just Cataluña really) but "golliwogs" (the racist dolls mentioned above) havent been a thing since the 80s (still recent enough to merit discussion but not something ive ever seen in my living lifetime) and while the dutch are definitely very weirdly defensive about their "Minstrel Shows" (the festive blackface) I cant say I'm familiar with any other european yuletide traditions that are still practiced today that are particularly racist/offensive (I am open and encouraging folks to challenge me on this with citation btw). Anway, let me share with you some actually good european winter solsticetime traditions. In Ireland we sit around and drink from dawn til dusk around a warm fire with friends and family because its too fucking cold out and most everyone has work off, and we watch prince of egypt / ben hur / high school musical. Theres not really a name for it, thats just what christmas day/stevens day is about. As for a more localised tradition, remember that bit where I said its too fucking cold out? Yea well aparently all the leaded fuel really did a number on us Dubliners because come christmas day, without fail you'll see folks congregate at docksides, launches and beaches all around Dublin for a 'Christmas Swim'. Now, diving into briny water in late december at the same lattitude as Hudson Bay (thats in Canada), should probably be a death sentence, but Irish waters are fed into by a series of warm atlantic currents, so while still being pretty cold, its actually not terrible to swim in. And yea, people just go do it, on christmas day, because there wasnt shit else to do on christmas day back in the day. I dont know if this tradition extends to other coastal areas of the country but it probably does, maybe not up north cus its fuckass cold up there.

Now in Cataluña, *smacks lips* oh theyve got the best shit ever.

First of all, the nativity scene, the iconic centrepiece of christmas, such a pristine diorama, youve got the iconic trio joseph, mary and joseph, the donkey that worked so hard to get them here, some gentle well kempt shepherds, angels, cherubs, a divine star, theres even three kings that happened to be passing through town...but arent you forgetting someone? Arent you forgetting the most important figure in the nativity? Arent you forgetting...

EL CAGANER

Or to roughly translate: the shiterrrrrrrrrrrr

This guys a little figurine included in the nativity scene, typically placed outside the stable (the guy has a sense of decency he just had to go is all) its a predominantly Catalan tradition, but its common down the mediteranean coast and even Portugal and Naples.

Traditionally its just a little peasant guy wearing a red catalan beretina but theres shops around Barcelona where you can get celebrity Caganers.

this shit is better than funkopops in literally every conceivable way

But you know whats also a classic scatalogical festive season tradition in Cataluña?

Tió de Nadal

Look at this jolly little guy! Originally he didnt have the face or the legs and wasnt so small, once upon a time he was just a big log that you dragged into the house and assigned some personhood to for the hollywood season. Starting from the feast of the immaculate conception, every night before bedtime you give the tio a little bite to eat, and is covered in a red blanket to stay warm, then on chirstmas day or christmas eve, the kids beat the tio with sticks while singing songs, usually with lyrics ordering tio to defecate. After all the song and dance is done, you lift the blanket up and low and behold, tio has shit you out a beautiful pile of presents! Typically comprised of nuts, torons, candies, dried fruits and small toys, what a swell guy! Anyway, to get back to the topic of the post, im not trying to detract from the broad points, but for real it was kinda making it sound like every European country is the Netherlands and we're all out here cheering on blackface on christmas day. Again, if anyone knows of any other sickeningly offensive european holiday season festivities let me know, Im open to education and not just making shit up about other peoples of the world.

my only advice is to BE CAREFUL posting about holiday traditions around europeans. you'll post something casual like "anyone else watch the old Grinch movie every year? what a classic" and a european will appear as if summoned and say some shit like "funny how USAmericans always CONVENIENTLY forget that Not Everyone On Earth is from The USA…….. no of COURSE we dont watch 'the grunch' or whatever the fuck that is…. our tradition is to attend a community showing of Glummdorf the Racial Stereotype"

[n0vazsq]

Yours | LN4 x Reader

pairing . . . lando norris x best!friend!reader

summary . . . You and Lando were best friends, everyone knew that. But Lando couldn't help but feel different when you entered the Mclaren hospitality with your new boyfriend

request . . . yes!! based on this request!

word count . . . 1.3k+

warnings . . . angst, jealousy, possesive-ish lando if you squint

faceclaim . . . N/A

alexavia yaps . . . neck injury still there dni </3 but i'm like limiting myself to writing 3-5 fics a day so pls no more requests guys i beg until i write that joao felix fic (im joking you can request all you want)!! also i dont like this idk why its just not fic-ing </3 also ily if you notice the refrences

taglist . . . @barcapix ,, @f1lover55 ,, @ilovebarcaaa ,, @httpsdana (lmk if you want to join the taglist!)

. . . Lando Norris never liked sharing you.

Not in kindergarten when you shared your animal crackers with Leo Thompson, not in middle school when you declared the boy from biology class 'kind of cute,' and certainly not in high school when you got your first boyfriend.

He tolerated it back then because, despite everything, you always came back to him. Always.

But now? Oh, now, it was Kygo. Kygo. The world renowned DJ with the perfect smile, perfect hair, perfect….everything.

Lando tried to brush it off at first, thinking it was just a fling.

"He's too busy," Lando told himself. "He won't stick around. She'll get bored of the jet setting life."

But months passed, and Kygo stuck around. Long enough for Miami to roll around, and suddenly Lando was living through his worst nightmare: seeing you two together, up close and personal.

The Miami Grand Prix weekend was a whirlwind of heat, noise, and flashing cameras, but nothing felt louder than Lando’s thoughts as he watched you walk into the paddock, hand in hand with him.

Kygo.

It wasn’t like Lando hadn’t been prepared for this. He’d heard from you weeks ago, your excited voice on the phone telling him about you two coming to the Grand Prix to watch him. He played it off then, made some snarky remark about how you could 'do better than a guy with a laptop' but now?

Seeing it? Watching you laugh, looking so effortless beside Kygo? It was unbearable.

He didn’t even know why.

Well, that was a lie. He knew.

"Quit staring," Oscar teased under his breath as they walked back toward the Mclaren garage.

"I’m not staring," Lando grumbled, eyes fixed on the ground.

Oscar shot him a look. "You’re boring holes into the guy’s head. Careful, mate, you’ll scare him."

Lando didn’t laugh. He couldn’t find the humor when Kygo had his arm slung casually around your shoulders. You weren’t his, Lando knew that, but there was something about the way Kygo looked at you. So relaxed, so….confident. Like he had every right to hold you that close.

It made Lando’s teeth grind.

The day dragged. Qualifying went well enough, but Lando’s mood was like a storm cloud following him around. He couldn’t focus, not when you kept popping in and out of the garage with Kygo in hand, the two of you looking like the most annoyingly attractive couple to ever exist.

"Your head’s not in the game," Lando’s engineer muttered at one point, earning a sharp glare in response.

Because how could it be?

When the sun dipped below the horizon and the city came alive with its neon glow, Lando found himself at the post qualifying party, drink in hand, leaning against the bar with a scowl he wasn’t trying to hide.

Across the room, you were dancing.

And Kygo, of course, was there, laughing, spinning you around like some movie cliche. You looked happy, your face lit up with a smile that Lando had seen a thousand times before, but somehow tonight it was like he was seeing it for the first time.

He didn’t even realize he was staring until someone bumped his shoulder.

"You’re sulking," Oscar said, appearing beside him.

"I’m not-"

"You are. And it’s pathetic." Oscar gestured toward the dance floor. "If you’re that jealous, do something about it."

Lando’s head whipped around. "I’m not jealous."

He snorted. "Sure."

You stepped off the dance floor for a breather, heading toward the balcony to cool off. The Miami night was warm and sticky, the party’s music muffled now that you were outside. You leaned against the railing, letting out a soft sigh as you gazed at the skyline.

"You’re having fun."

The voice startled you. You turned to find Lando stepping onto the balcony, hands shoved into his pockets. His expression was unreadable, but there was something….off about him tonight.

"Yeah, I am," you replied, smiling softly. "It’s a great weekend."

Lando nodded slowly, his gaze drifting out over the city. "You’ve spent most of it with him."

You blinked, surprised by the edge in his tone. "With Kygo? Well….yeah. He’s been great."

"Right." Lando’s jaw tightened. "He seems great."

There it was. That tone again.

"Lando," you said, frowning. "What’s going on with you?"

"Nothing."

"Bullshit." You stepped closer, crossing your arms. "You’ve been acting weird all day. You barely said a word in the garage, and now you’re out here sulking. Just spit it out."

Lando’s eyes flicked to yours, sharp and searching, and for a moment you thought he might finally just say whatever was on his mind. But instead, he looked away again, shaking his head.

"It’s nothing."

You huffed, annoyed now. "If it’s nothing, then why are you being like this? It’s like you’ve got some problem with me and Kygo-"

"I do."

The words cut through the air like a whip, sharp and sudden. You froze, staring at him. "What?"

Lando exhaled, his hands running through his hair as if trying to hold himself together. "I do," he repeated, quieter this time. "I hate it. Seeing you with him. Watching you laugh and dance and, god, it’s driving me insane."

You stared at him, heart hammering in your chest. "Why?"

Lando looked at you then, really looked at you, and the intensity in his gaze made your breath catch.

"You are jealous," you whispered.

He let out a shaky breath, his voice barely above a whisper. "Yeah, well….can you blame me?"

The two of you stood there, the night silent around you, his words hanging heavy in the air. For the first time, you looked at him, really looked at him, and saw something you hadn’t seen before.

And now, you couldn’t unsee it.

"Lando…"

"I can’t-" He cut himself off, shaking his head. "I can’t stand the idea of someone else being your favorite person. I’ve known you my whole life, and I’ve always been that guy. I don’t know how to- how to share you. I don’t want to."

Your heart twisted painfully at his words. "Lando, you don’t have to share me."

He let out a soft, humorless laugh. "Don’t I? You’re his now. Or at least… that’s what it feels like."

"I’m not his," you said firmly, taking a step closer. "I’ve never been anyone’s but my own. But you… you’re my favorite person too, you idiot."

Lando’s gaze snapped to yours, his expression vulnerable in a way you’d never seen before. "Then why does it feel like I’m losing you?"

"You’re not." Your voice was barely a whisper now, the space between you closing until you could feel the heat radiating off him. "You’re not losing me."

Lando’s eyes flicked to your lips, and suddenly, it was like the last thread of restraint snapped.

He leaned in, his hand coming up to cup your face as his lips met yours, soft at first, testing, until you kissed him back with just as much urgency. It was all the words left unspoken, all the tension, all the jealousy, pouring into one moment.

When you both pulled back, he met your eyes, full of guilt and pity. And who was it for? Fucking Kygo. Always him.

Then, when you said, "I'm sorry, Lando. I can't. It's not right.", he knew that he'll never be yours.

And as he watched you run off into the party, it all came crashing down on him. He will never be yours again.

He was just somebody you called when you're alone, somebody you used, but never owned. He knew he's not the one you really love.

And maybe that's why he's never given up.

[saturnianoracle]

I AM SO SICK OF POP CULTURE BS MODERN ASTROLOGY , LORD FREE ME FROM THE SHACKLES OF HAVING TO READ THESE SELF ASSURED MODERN TAKES.

If I have to see one more comment or post relying on the ABC house system or modern rulerships I'm gonna crash out fr. What a tragically bastardised ancient art astrology has become.

If you really want to understand and appreciate astrology, you must understand it's context and the richer symbolic meanings behind its foundations (e.g. thema mundi, trad rulership and by extension reevaluating your understanding of the planets and signs, dignities, whole signs, Egyptian terms, chaldean decans, lots etc). This is especially vital for predictive work e.g electional and horary astrology.

Not everything modern is bad, i use many modern things myself. But better discernment is needed in order to separate misinformation and deep misunderstanding from something that is genuinely pertinent, and learning traditional (e.g. hellenistic astrology) can help with this. You have to let go of overly subjective interpretations from 'working backwards on a chart analysis and seeking confirmation bias , and you have to let go of default modern premises which you probably never questioned. Trust me, I learnt the hard way. There are a few things which I didn't agree with in hellenistic astro when I first started just because I couldn't relate it to myself or others...rookie error fr💀🤡🤡

Nothing is more freeing than taking the long and initially confusing plunge into the "scary complex" og astrology that is traditional astrology. Especially when you're trying to unlearn so much bs which you dont even think is bs at first. But it is so worth it. Once you properly understand the foundations of it , it becomes so much clearer to see the implications of these nonsense modern takes.

I've been super busy lately and suffering from my lack of executive function so I haven't written as many posts as I'd have liked to yet. But more will come eventually🤞. In the meantime, some extremely helpful resources to get started:

- Chris Brennan / The Astrology Podcast (his books are also good apparently)

- On The Heavenly Spheres: A Treaty on Traditional Astrology by Helena Avelar & Luis Ribeiro (pdf of this is easy to find online. Very solid primer into trad astro)

- Astrology and the Authentic Self , and Ancient Astrology in Theory and Practice , both by Demetra George

- Sevenstarsastrology.com - an absolutely fantastic blog writer who deep dives into plenty of traditional topics. E.g. 12th parts , antiscia , arabic lots, and some more basic things too. Long articles/lessons but extremely extremely informative. Genuine goldmine.

- Patrick Watson, he alao writes some brilliant articles too. His article on the ABC house system was especially useful in getting me out those trenches.

- @/illuminiah , @/0degreestaurus, @/ellieremotigue, @/saturnandhoney, @/ilanastrology, @/bloodyjupiter_ are all just a few tiktok accounts off the top of my head which have been very helpful in helping me unlearn modern shit.

- www.skyscript.co.uk

- Nightlightastrology on Youtube / Adam Elenbaas

- Lee Lehman is especially good for horary and electional according to my horary-specialised friends

- Robert Hand

- u_StellaGraphia on reddit posts some amazing explanations (in comment sections usually) , really helpful stuff

- stop reading costar, cafe astrology, astroseek, etc interpretations :)

[dysphoric-bitch-boy]

OP men when you’re on your period

Doffy -lol good luck -physically couldn’t give less of a shit if he tried -wants to fuck -calls you gross

Crocodile -he’s been through this shit so he’s sticking with you -buys you fancy chocolates -gets you ibuprofen -if he has time he’ll watch a movie with you -god help him if it’s titanic -genuinely comforts you and stays by you as much as possible

Corazon -has heard of chocolate on your period so he gets you some -you ask him for pads and he’s wholly confused -“overnight? Light flow? Medium flow? HEAVY flow?” -“yeah I’m in the pad isle what size vagina do you wear?” -“so you DONT shed skin on your period?” -overall he has no idea what the hell he’s doing but he’s doing everything he can to make sure you’re comfortable -gently holds you like an egg and cries to titanic with you -“Laaaaaawwww it’s so sad join us pleeease!” -he eventually wears Law down enough to watch it with you two

Law -he’s a doctor who actually knows how periods and people who get them work -he knows to get you chocolates, pads, ibuprofen, heating pad, etc -kinda bad with emotions so if you’re super emotional he doesn’t know how to navigate it -lets you rest your head on his shoulder as you cry to titanic

Buggy -like Corazon, has no idea what to do -starts panicking about what happens if you get super angry at him or what if you’re so depressed you can’t even eat or what happens if you lose all your blood or- -does everything he can to help you, if the cramps are really bad he cuddles you until you feel better -walking on eggshells to not upset you even tho a lot of its unnecessary -treats you like royalty -you’d definitely save him from an attack or something and he’d ease up about most of his worries -he’d throw you a banquet in celebration and also in relief -“WHAT????? You’re telling me these come EVERY MONTH?????????”

Sanji -bro is already a huge simp -but on your period you’re not allowed to even lift a finger if he has anything to say about it -makes you plenty of protein-rich meals and chocolaty French stuff -gives you all the attention and love he can give and more, which may or may not get super annoying really quickly -knows nothing about pads so he just buys them all for you -literally every single product in the isle -it’s fucking expensive but he’d do just about anything for you especially since you’re the only one who’d date him

Zoro -wtf??? -doesn’t have the slightest idea of what a period is -thinks you’re joking -“okay, so you’re telling me once a month you bleed in your pants to prepare for getting pregnant? Nice try, everyone knows that the stork brings the baby-“ -don’t even bother with him

Franky -tries to invent you a device that captures the blood and gently heats your lower stomach -if you ask for ibuprofen or anything like that he might just bring you cola instead -“I don’t know about you but this stuff makes me feel suuuuper! I’m sure it will work on your cramps and get you back to your normal, energetic self!” -it doesn’t work

Brook -sad that you’re wearing the period underwear instead of panties



[silentstaresfanficandfanart]

*raises hand* if you want that you should check out anime it's specifically doing this! this is exactly why anime is so popular! if you *want* adult cartoons that are about meaningful stories, check out anime! It's not that no one makes cartoons that are actually meaningful and aimed at adults, you just have to look outside of america. hopefully with time we see more things like this crop up but until it does, it cant hurt to explore outside of western media if you want to escape it's normal trappings! Check out the classics of anime, check out new popular things, if you want an anime that will completely reshape how you view food? dungeon meshi, if you want to see a story about superheroes who are girls and don't have to be masculine to be impressive and important, Sailor moon! (plus its funny and cute too but also does get quite dark despite what you'd expect!) If you want to see a masterpiece, Watch spirited away or another studio Ghibli movie, if you want something artistic and fascinating and dark thats going to break your heart, MADOKA MAGICA! If you want slice of life comfort that still focuses on adult experiences, you might want to try the iyasheki genre, and specifically i'd suggest "my new boss is goofy" which is a deeply touching little anime about a man who just left from a deeply abusive job and his experiences healing thanks to having a very kind and sweet silly boss who actually cares about him and his interesting coworkers and yes its serious at times, yes its silly at times, but at its core it has a lovely heart that's very touching.

If you want romance? they've got it, fantasy, comedy, and even genres like iyasheki that don't exactly exist much in western media, cartoons CAN be fun and not childish! and childish isint wrong either, you can enjoy a lot of shows aimed at kids that are actually still really solid when you're an adult like my little pony, or bluey! They really are meaningful shows that can still connect with an adult in a way that's amazing. :) I really hope you'll give it a chance! (and if you still dont like that, you can also check out korean and chinese animation though i dont recall what those are called and i dont know as much about them, but they have a LOT of amazing shows too :) ) I hope maybe this helps some to anyone who's looking for cartoons for adults to enjoy! (also reminder: Anime and manga actually have specific genres aimed at adults as well as younger people, and you can look into those if you want something better aimed at those, also horror IS a thing in anime too, you can find some amazing horror anime! So, give it a try! theres no telling what cool stuff you'll find!)

hey quick question why are all adult cartoons like that 

[imkazz]

saiki k season 2 lore is insane

cant believe some of my moots said there was barely any lore or character development until the last 2 episodes because what the fuck is thissss (huge spoilers)

making this more organised than my last post about season 1 and the finale

teruhashi at first i really really hated her- of course, i loved and adored her as a character but as a person? no. she is a play on the anime trope of 'perfect mary sue girl' and its so fuckin weird becuase its both exactly that and exactly the opposite. she is perfect and looks beautiful and nobody can compare and basically everyone is falling in love with her or completely and utterly jealous of her- exactly like one of those stereotypical girls in those kinds of animes. but then at the same time shes not. teruhashi is intelligent, cunning, calculating, and puts up a delicate facade practically 24/7. she knows her abilities and utilises them to her absolute fullest, and i completely respect her for that. teruhashi recognises that she is 'gods favourite' and she is not shy in the slightest to manipulate that to ensure she gets the advantage. however, this knowledge of everyone else completely obliterates her own self-perception: she believes that she herself is the very role she is acting. teruhashi is determined that she is absolutely kind and perfect and is in no way wrong with anything she does. and with her lack of experience involving rejection and plainness, she completely overlooks saiki and is utterly confused with him as a whole. and at first, teruhashis obsession with saiki is about getting him to just become another guy- get him to say 'offu' to her. she bugs him, follows him, comes up with ploys, manipulates the world around her to try and get it to happen, uses all of her skills to her advantage, only for nothing. i didnt like her as a high school student to another because she painfully reminds me of a lot of girls i was friends with.

but then as the series goes on...... teruhashi changes. i think it was a gradual thing (such as teruhashi becoming friends with yumehara, even- i dont think she actually had female friends up until yumehara because of the amount of guys around her +the fact that all other girls near her would get overshadowed), but it really showed up for me in episode 17 of season 2. where teruhashi got jealous of aiura (fuuck i gotta talk about this diva). yeahhh it was not pretty. teruhashi began changing herself so that saiki could notice her (and i notice that before, teruhashi had only tried to use her own personal skills to get him to say 'oh wow' so this is the first time shes tried changing herself) and i found saikis attempts to dissuade her interesting too. typically, with all of his attempts, saiki would go into her mind and use his powers to try and turn her off, but this time, he actually told aiura to do it.

i think it was also very interesting that aiura was also changing around her appearance, as it really helped set things in for teruhashi. as they both changed what they were like (teruhashi for a boy (saiki), aiura for a girl (teruhashi)) so teruhashi was only getting more and more confused with that bit. 'if im getting more gyaru and aiura more kawaii then why isnt he reacting to either of us?'. and then saiki gets aiura to talk to teruhashi, and i also found what aiura said to teruhashi interesting. it was all that stuff about saiki and what kind of girl he liked. and i really think that she was telling the truth. i really feel that aiura was just saying things about saiki about a whole for all his relationships, romantic or platonic. he likes people who stay true to themselves. kaido is unafraid to feed his delusions/imagination (whichever you please), toritsuka is always honest with saiki (even if nobody wants to hear that pervy stuff), aiura is unafraid to be boisterous and stylish (even if she is a little bit freaky), kuboyasu is genuinely trying to become a better person (even if it sometimes doesnt work), akechi is determined and didnt let saiki sway him (despite all the obstacles that saiki put in his way), nendo is undoubtedly stupid but he is still kind (saiki watched him jump in front of a truck to save a kid thousands of times), on and on and on.

not only that, it is painfully clear to us the viewers that changing appearances doesnt matter in the slightest to saiki- he only sees it for like 3 seconds (i think he said) before it becomes muscle. curling hair or applying makeup or having more meat on the titties doesnt matter to him at all. what matters is what happens in their head, because while he doesnt get an extensive idea about their outside, he gets overly surrounded by everything on the inside. and thats probably why aiura saw that and said that to teruhashi (even if she cant explain the full reason). so teruhashi returns to normal and says that she will make saiki gasp with her own abilities.

but the strange thing is that shes already given that speech before. i cant say exact episodes from the top of my head but she has totally already said that she would use her charms and looks and sweetness to make him say 'offu' and he has always tried to dissuade her using his powers. but it was this one that made him gasp. and like. i was not expecting it in the slightest ok. but i think it makes sense- she has discovered that she can be confident in herself as a person rather than just her natural looks and is determined nonetheless. i think that saiki recognised around this area that she genuinely liked him as he was, even if she had thought he was 'gloomy and hard to read' (i believe she thought that when with his perv grandpa?) she still wanted to be around him and still had that crush. i love how when teruhashi is talking with other girls (kuriko too, but in this specific case im thinking about is rifuta) about her crush on saiki kusuo, that she would mention that at first, it was pure spite and disbelief that anyone could ignore her like that. and then, teruhashi wouldnt fail to continue and say that she grew to have a genuine crush on saiki that wasnt built upon annoyance at the fact he walked past her. and he discovers that he doesnt particularly mind being the object of her affection (unless her fanbase gets in the way oof) so i think that the offu from was a sort of embarrassed yet begruging acceptance towards this parasite of a girl who has attached herself to him lol

aiura shes sososo cool. i love the freshness(?) of her personality for the rest of the cast. finally a female psychic and i am in love with herr. at first i was a bit skeptical with the whole 'finding my soulmate' thing and i was cackling when saiki was just like 'ah yes she is legit but i am Just Better'. and then she continued to show up more and i love her. shes so quirky and very different from the other girls, who we see as much more feminine and in tune with romance anime tropes than anything, and then she comes in with the gyaru style and i love that so much. not only that, her slang and way of speech compared to the other girls (teruhashi, yumehara, mera) is also very interesting.

not only that, i really loved seeing the anime through her eyes and the auras of other characters including the shock-comedy of saikis. then, as she finds out about his powers and all i really loved how they worked together. i know a lot of other characters also saw that, seeing through teruhashi who commented that they were like the 'opposites attract' trope with 'boring' and 'flamboyant'. but then i also really liked how they worked even without any of the other characters opinions. aiura is still not giving up about the whole soulmates thing and saiki just lets it happen. because his ulterior motives is that she would ward off teruhashi so he begrudgingly accepts her to be near him as she pesters him to date/bang.

and then adding toritsuka into the paragraph, the pk psychic kids are golden. i love love love their dynamics. saiki has more respect for aiura only because he holds none for toritsuka. toritsuka sees saiki as superior and saw aiura as a pair of boobs in the beginning. aiura wants to be with saiki and just hates toritsuka because he tries to flirt. and for every mission they try to do together it always ends up in comedy. when saiki turned kaido and nendo to stone? holy fucking shit that really summed up what they were like. the psychic kids really are a weird band of teenagers with powers and it really showed their personalities in that meeting because. aiura stripping in saikis bed and toritsuka peeking through the door and saiki only sees a pile of muscles on his bed and a perv watching through his door. like cmon

i also want to dig deeper into her powers. she is completely ok with people knowing about her powers (like toritsuka but unlike saiki). she uses them to help people out (unlike toritsuka but like saiki). she uses her powers to her own benefit (like toritsuka but unlike saiki). she doesnt want to burden people with her powers (unlike toritsuka but like saiki). i find them soso interesting too because she questions why saiki doesnt use his powers more openly esp because he just has so many at his disposal. and then he sort of shows her why its a bad idea to so openly help people out by the result of mera and her father and i feel like she toned it down a bit after that too (at least publicly).

childhood lore this was insane. the buildup and everything and how it was presented. it first started with akechi being introduced as a new student and it was already unsettling to see saiki be actually a bit nervous about this guy. and then even more of a shock to see this guy blatantly ask saiki if he was a psychic because what- how the hell would this guy suspect, much less know?! and we learn that they were classmates in elementary school and we see a barely-there flashback to saiki standing in a classroom with childrens bodies scattered around him. so the suspense has started. and then we continue to get pestered by akechi but we know what he wants, but not why and thats the whole deal of it. he is the embodiment of those anime characters who are scarily good at deducing things and has a perfect memory too which makes it all the scarier because we know hes not an idiot unlike the rest of saikis friends.

and then to actually know what happens while saiki is going back in time to change it? masterpiece. we learn more about why akechi is pursuing this answer along with what actually happened to make that happen, along with why saiki cant change it without some sort of grave consequence. and the new knowledge that saiki as a kid without limiters is stronger than teenage saiki with limiters is even scarier because of course saiki wouldnt be able to stop himself.. truly an op main character. i also found it interesting how saiki k (the anime) manages to reuse powers over and over too and in such creative ways and in strange comebacks. he went back in time for his parents, he rewound the earth to one year prior because of the volcano, relived the same moment of nendo dying like thousands of times.. they really only ever hinder him.

and then to know what happens? i thought akechi was a creep for following/knowing everything about saiki but.. knowing everything that he knew at the moment? makes sense. definitely creepy, but much better understood. i feel like it was a good decision from saiki to tell him about his powers. if this isnt the first time theyve been like this, then it really does make sense. they were kids. they still are kids. and omfg saiki saying "i decided not to tell anyone about my abilities after that" because all it did was get akechi into more trouble from bullies. but they are now teenagers and have better cognitive understanding than when they were elementary kids so i feel it was justified for saiki to tell akechi because, after all of that trying with time travel, saiki couldnt stop the series of events unless he was making the world suffer. and akechi deserved at least a bit of closure about what actually happened and why saiki left.

and i feel like this series of events is also what makes saiki who he is in the beginning of the anime. he doesnt want friends at all because if they found out about his power they would be curious and want to know more and blab about it to others. and saiki knows the result from having lived it. because if he gets attached, people he loves get hurt. trying to make friends only causes suffering as akechi got bullied for claiming all those things and saiki hurt other kids using his powers because his emotions got out of control (rightfully!! he was like 8 and his best friend was getting bullied!!! of course he wouldnt be able to control any outbursts).

shipwrekced shipwrecked. i cant forget about this one but i was saving this. i realise i didnt write any notes for this one because i was wayy too focused on the actual happenings to comment. because what the fuck. 

yeah that about sums up what i thought at first.

the tropes. holy shit. they added so so many tropes into this one it was. the teenagers on a ship get shipwrecked on an island. all they have are the clothes theyre wearing and miraculously the pantry which washed ashore along with some supplies to build a raft. like all the typical anime things. and even when they suggest to build a raft, saiki agrees with them because its a good cover up. and i really loved the stereotypes that were put upon them: the loner (saiko), the cannibal (mera), pretty woman (teruhashi), leader (kuboyasu), idiot with good ideas (nendo), then saiki and kaido as the ‘followers’ or ‘helpers’.

then i found how saiki got them out genius, despite the fact he was panicking in the beginning about how to fix it. like of course he should be panicking because you cant see any rational way to get out of the situation without telling the rest of them about his powers. and so he tries to keep them alive for a little bit (going home and sleeping, buying food :sob holy shit bruhh), and then when he finally finds a way out (the raft) they play it off as stupid despite being such a stereotype of any shipwrecked movies. and even teruhashi realised that something was off, right? how his clothes were perfectly clean and all, but when he ‘went to work’ (i totally thought he was off to kill something with the saw helpp), he came back dirty. and of course! only saiki would make a whole new island near japan as a way of keeping his powers secret..

i honestly have no idea how to feel about this because.. how did they move on so quickly?! your students/classmates got trapped on an island for a couple of days. shouldnt this be a bigger deal- shouldnt saiki be known as ‘the kid who got trapped on an island’? like bro…. anime logic (if anyone else could. tell me what the hell was up with the shipwrecked episodes other than being satire towards other shipwrecked medias and being a bit of a comedy along with character development towards some characters like saiko)

friends+classmates so like. kuboyasu is a previous gangster and trying to become better/normal (anime trope). and kaido has middle schooler syndrome and thinks hes so cool (/affectionate). they are the two people you would least expect to become besties right. and yet they fit together so well. kuboyasu wants to become normal while kaido wants anything but. kuboyasu is actually strong and able to protect people while kaido can only dream. and it really shows during that mugging episode where kaido knows about kuboyasus past and yet still tells him to run. kaido is so weak and delusional that he probably gives kuboyasu a reason to remain calm and to 'protect his innocence' while kaido wants to be jet black wings and protect everyone no matter their pasts or abilities despite constantly failing and getting into danger and needing that saving himself. and even after that, they continue to hang out with or without others (such as building that fort or taking motorbike classes together??? or even may i mention when kaido trapped himself inside the coffin and kuboyasu was trying to coax him out). so then imagine my shock and delight when they started calling each other shun and aren like OMFGG?? calling people by their first names in japanese culture is a sign of being close with each other (such as chiyo and kokomi). theyre always in close proximity to each other and i adore themm

okok then saiki. and his friendssss. these episodes as a whole just show how much hes grown to care for themm. he follows yumehara and her boyfriend-sworn friend(?) to ensure that neither gets hurt from their misunderstanding. he warms up the classroom for all his classmates because he caress. he foils the plans of the news team to make teruhashi look bad. he stops hairo from getting killed during a robbery. he makes kaidos prank actually happen. he tries to throw akechi off in order to protect both of them from his power. he fucking saved yumehara from falling to her death. he gets beaten up by some fourth graders to help out yuuta. he gets everyone to return their gifts to mera on her birthday. he uses hypnosis to get his class to look better while they perform that play. he catches teruhashi before she falls and carries her to the nurse. he probably wouldnt have done half those things in the first part of season 1. so many of those require him to genuinely care for the people hes helping and not only that, some of those things draw attention to him and he would only let that happen if he truly cares for who he is aiding.

then to add to more about relationships between characters that arent saiki. kuboyasu and saiko. it definitly started as a hate-hate relationship. but then we see saiko crying in the bathroom because mean things were written on his desk and then we also see kuboyasu had tried to clean it off before saiko got there. my heartttt. not only that, but saiko who didnt care about peasants who went out of his way to redo his mansion to fit their tastes? and at first it was for his own ego (so similar to teruhashi omfgg) but then just like her, saiko began to actually care and didnt even understand it himself about why he was so focused on getting them to like him. and ofc he is an ass. he rolls down the window only to close it and drive away because its cold. he withdraws funding from the play just because the class was going behind his back. but its barely his fault. everything is handed to him on a silver platter and he doesnt know better. while kuboyasu had to work for everything. before he was working as a gang leader but now he is working towards being better. and aughh

world lore first off i need to say that the foreshadowing for this was INSANE. do you hear me. i am shaking you by the shoulders while i say that i am still utterly speechless by the implications and impact of episode.

the fucking volcano. holy shit. holy shit. there is so much i have to talk about considering the anime +worldbuilding +foreshadowing +buildup. this is a comedy anime. this is an anime that makes fun of anime tropes constantly. girl running to school with bread in her mouth. background characters. siblings who are a lil too freaky with their siblings. mary sue anime girls. the idiot friends. and then this???? the fact that saiki has been in a time loop for the same year for four years straight is. its literally mentioned by saiki himself when he says 'you might notice something off about this anime' and its poking fun at the fact that high school animes always loop around in order to continue publishing (like how its meant to represent just one year for the main character but theyve had seven winter episodes/chapters and three birthdays for a character). its poking fun at that bit and it uses saiki himself to do it.

the worldbuilding and foreshadowing come hand in hand. in the episode where kuboyasu was first introduced, toritsuka began talking to him about being a transfer student. when kuboyasu asked when toritsuka had entered he said 'second term of second year' so the same as kuboyasu. and we brushed it off as toritsuka being a dumbass. because of course we would, of course kuboyasu would too. but fuckk. we have four transfer students in one year all in second term?? we thought it was just a fucking anime trope thing again. but no. it was all purposeful. and then to add to that, we already knew that saiki had time travel powers. he could control time, we know from his restoration along with (later on from this episode) how he travels back through time for his parents. it was all deliberately set up in that way and so just holy shit.

and now i have to actually talk about that segment itself. the earthquake in the beginning was seemingly comedy and then we see saiki training. cool but not too big of a deal. and then he starts telling us about what the fuck is up just as he tries to stop the volcano. like excuse me?? i found it so very interesting that he continues rewinding time in order to build up his powers daily yet keep the volcano from exploding and intertwining both the time powers and mind control in order to achieve it. and hes gone through second year of high school four times, yet his parents know. it was crazy how nonchalant they were about it too, saying 'oh he can always do it again right' like he is saving the world. how much longer would he do it? how much would he be willing to do? i find saiki so very interesting because he could always just. let the volcano explode but it is in his core to be kind and to help the ones he loves (including the rest of japan). he tries and he knows his limits and yet he is still ready to try again with a new set of abilities.

final thoughts before reawakened too hyperfixated. OOF. anyways im so sad the anime is almost over (for me loll). its sucked me into its grasp because it has everything im looking for. as a high schooler i love all the shenanigans but then as an anime lover i enjoy the satire tropes and as a theatre kid i love the gags and commentary and as a person who looks wayy too deeply into things i love the implications and dark undertones of the series.

[icarusredwings]

I know we joke a bunch about mental health in the marvel and poolverine community esspecially with Wade but Im gonna share something super personal. Maybe someone will relate and feel less alone.

Tw: mental health episode.

Im native.

As a child I had very long thick lush hair.

Then it was shaved... by someone who didnt want to "deal with it"

It was also burnt off, fried off, chemically relaxed to the point of falling off, cut extremely short, and ripped out often.

I, now, as an adult struggle very very much with my hair. It never can grow very long and it makes me very upset. Like.. melt down upset.

I tried extentions this week hoping it would make me feel better but I couldn't even make it a full 24 hours with them in. They were nice dont get me wrong but they were very uncomfortable, they were too tight, they hurt my scalp when I tried to do any of my normal styles. It might just be me, because my head is very sensitive due to past injury but also mentally it was telling me it hurt even when it shouldn't.

Not physical voices telling me it hurt, rather then my pain receptors weren't working properly. I know this because my brain was claiming I was hurt even before they were fully glued in. I figured it was just the truama of other stylists burning my hair off at my scalp that was making my head scared and go into a panic mode. Maybe that was true. I don't know.

Well, tonight I wanted. No. I NEEDED them out. They hurt too badly and were pulling etc. Something about my mental health wasn't letting me enjoy what ive always wanted.

It was the longest ive had it as an adult recently, past my shoulders, but then I impuslively trimmed it because.. well I dont even know. I dont fucking know. But I just lopped a good 3 inches off to where it sat on my shoulders instead.

Well I just cut them out.

Riped them out.

All of the above.

I was told to wait and I couldn't. I just couldnt wait for the help. So I cut them out. I feel like, in retrospect this was obviously NOT the best thing to do. For OBVIOUS reasons. So now my hair is INCHES long instead of almost the entire foot of Length that I had. Its patchy, its short, Im literally crying right now trying to figure out how im going to fix this.

It dosn't feel right. It dosn't feel or look like how im supposed to look. I look like that kid who just walked out of the salon who is sobbing with a shitty lolipop in his hand and a bowlcut because thats the only thing my caregivers could handle.

As a man I wish we could stop this narriative of not caring what we look like and "oh its okay, boy hair is short"

I just want long pretty hair... without my brain panicing and causing more issues... is that too much to ask for?

My heart is broken. I really hate when im like this. When my brain is so mean to me that it sabotages my goals despite the YEARS of work ive put in oiling it, styling it, the routines, etc etc.

Im devastated.

I am literally crying on my bathroom floor because even without the extentions in my head STILL hurts. Like im getting PHYSICAL pain from how bad I feel about this. I just.. I can't. I can't.

I don't know what to do..

[phantasmatoucan]

I WAS TRYING TO PICK WHO IS MY FAVORITE VOICE BUT FAILED MISERABLY... RAMBLINGS UNDER HERE

I CANT FOR THE LIFE OF ME PICK A FAVORITE VOICE THEYRE ALL SO GOOD, EVEN THE 4 ONES I PICKED THAT I LIKED MOST ARE THERE LIKE BY A SMIDGE OF HOW MUCH I LOVE THEM AND CARE THEM

SMITTEN HAS BEEN MY FAVORITE VOICE SINCE BEFORE PRISTINE CUT CAME OUT WHEN I FIRST SAW THE GAME LIKE A YEAR AGO, I JUST LOVE CHARACTERS WHO ARE ASSOCIATED WITH LOVE IN A DETRIMENTAL WAY, HIS CODEPENDANCY WITH THE PRINCESS IS JUST SO GOOD, HE CAN NOT STOP LOVING HER EVEN IF SHE HURTS HIM, MANS BLINDED BY LOVE AND ALSO THE FACT THAT HES SO POWERFUL? LIKE THROUGHT THE POWER OF LOVE HES ABLE TO MANIFEST WHATEVER HE HAS IN MIND EVEN TO THE POINT OF CREATING A PLACE OF HIS OWN ACCORD WITHOUT TLQ'S INFLUENCE [to a point], HE NEEDS THERAPY SEVERLY BUT FOR NOW I WILL HOLD HIM IN PURSE

I ALWAYS HAD A SOFT SPOT FOR BROKEN, NOT BECAUSE OF HOW PATHETIC HE COULD BE SOMETIMES WHICH MOST OF MY FRIENDS FIND KIND OF ANNOYING BUT I MOSTLY THINK ITS FUNNY [also a fair stance i too would fold if a goddess told me to do whatever she tells me] BUT BECAUSE HE COULD BE SO SASSY AND BITTER TOWARDS THE OTHER VOICES WHICH OFTEN MADE ME SO INTERESTED IN HIM, HE WAS BROUGHT UPON BY TLQ BASICALLY GIVING UP ON STANDING UP TO THE PRINCESS OF COURSE HES GONNA LET HER TAKE THE REINGS SINCE TLQ BASICALLY GAVE UP HER POWER OVER HIM TO HER AND WITHT HE PRISTINE CUT HE GOT SO MUCH MORE FOR HIMSELF AS WELL, HIS EMPATHY IS SO POWERFUL THAT HE CAN USE IT TO HIS ADVANTAGE AND FOR BETTER UNDERSTANDING OF THE PRINCESS

I HAVE A THING FOR CHARACTERS WHO TRY TO COVER UP THEMSELVES FOR THEIR OWN PROTECTION AND OPPORTUNIST FITS THE BILL, HES A SURVIVALIST FIRST AND MOST OF ALL, HE WILL DO ANYTHING IN HIS POWER TO SURVIVE BE IT BY GIVING HIS CHOICES TO THE MOST POWERFUL PERSON IN THE ROOM OR USING WHATEVER CARD HE HAS IN STORE TO ONE UP WHOEVER IS WITH HIM FOR HIS OWN SAFETY, AFTER ALL HE CAN ONLY TRUST HIMSELF TO KEEP HIMSELF SAFE, HE LIKES TO BE PRAISED AND THE ATTENTION AND I THINK HE DOES WANT CONNECTION BE IT THE OTHER VOICES OR THE PRINCESS BUT HE HAS TO PUT UP A FRONT NO MATTER WHAT SO THAT HE CAN ALWAYS HAVE SOMETHING UP HIS SLEEVE, ALSO HIS GRIN IN PRINCESS AND THE DRAGON IS SO GOOD...

PARANOID! I ALWAYS LIKED HIM AND HOW FUNNY HE CAN BE WITH HIS BLUNTNESS, HE ALWAYS IS TRYING TO KEEP TLQ SAFE BUT WITH THAT COMES HIS LACK OF ACTION, AS IN USUALLY DUE TO THE CIRCUMSTANCES OF THE ROUTES HE CANNOT FIND A GOOD OUTCOME OF ANY OF THE CHOICES U HAVE, HE HAS A GOOD GRASP OF HOW THE SITUATION IN THE CONSTRUCT WORKS AKA BELIEVING AND THINKING IN SOMETHING CAN HAPPEN WILL HAPPEN, BUT THAT ALSO COMES WITH CONSEQUENCES OF BELIEVING BAD THINGS CAN HAPPEN DO HAPPEN [the nightmare in its entirety], HES ONE OF THE BEST VOICES IN TERMS OF SURVIVAL THO BUT WHEN IT COMES TO UNDERSTANDING OTHERS LIKE THE PRINCESS HES THE WORST AT SINCE HE ALWAYS WILL PUT HIS SAFETY FIRST AND WONT TRY TO TAKE A LEAP OF FAITH, his stress laugh in the cage is also very cute [heart]

I DONT WANT THIS TO BE TOO LONG SO I WILL SAY WITH THE OTHER VOICES I CARE THEM A LOT, HERO COULD ALSO BE IN THE TIER ABOVE SINCE HES THE BEST BUT HE GOTS HIS FLAWS [his lack of desicion making dont want to get into it this is long enough as is help] BUT FOR NOW THATS THAT

THE NARRATOR MOSTLY MAKES ME SAD SINCE WE SEE SO MUCH ABOUT HIM AND HOW BITTER AND AFRAID HE CAN BE ABOUT TRYING TO SAVE HIS WORLD AND HOW EVEN IF HE DOES HAVE A CHANGE OF HEART OR SOME UNDERSTANDING WITH THE PRINCESS IT WILL NEVER STICK AROUND BECAUSE HES JUST AN ECHO AND HE CAN NEVER GROW FROM THAT

AND THATS ALL I HAVE TALKED LONG ENOUGH THAT THIS TOOK ME LIKE HALF AN HOUR TO WRITE JESUS CHRIST 23ÑLRKMOPR21

[loycos]

How do you think Ekko feels about Caitlyn and Vi, separately and as a couple? Reed Shannon (Ekko's VA) stated in a post on how Caitlyn found her humanity and grace through her struggles; plus he resposted(?) a meme of Caitlyn alongside Ekko, Jinx, Vi and Isha from that gangster family meme; I don't know if you know the meme, it was the best way I could describe it.

again diving into personal headcanon territory, with a little bit of support from League lore (idk if its still relevant). i feel like i need to explain what my post canon vision for caitvi is to articulate what i think ekko would think of them. ramble incoming:

i think caitlyn and vi are gonna be enforcers again, caitlyn as the sheriff and vi her second-in-command (deputy). caitlyn will try to reform the enforcers with a stricter hand, and a watchful eye. theres a reason she didnt take her seat in the council- caitlyn is all about doing the hard job on location, seeing reality through her own eyes- she doesnt want to help by sitting in a tower and discussing things in theory, shes practical and realistic and she wants to experience the real thing. her job as sheriff will allow her to make that change while still giving her the access to do things on the field.

vi joining tbe enforcers will mainly be done to stay close to caitlyn and protect her if needed. vi never had a big direction in life other than the people she loves- she would jump on the opportunity to spend more time with cait and have the chance to punch people with her big gauntlets. her position as deputy is absolutely unearned in terms of experience or even commitment to the cause- but caitlyn is the sheriff and she put her there, so vi and her can stay close. which other enforcers, and pilties, and zaunites, are extremely aware of. it is corruption, even if relatively unharmful one. having a zaunite as the deputy made a lot of pilties upset, especially when shes so underqualified, and made them question caitlyn's ethics, for good reason. mega especially when vi is known to overall act out of line, cause unnecessary property damage, show overall disrespect to the reformed enforcer protocol and not bind herself to schedules, and yet get absolutely no punishment, let alone acknowledgement of her misdeeds by her boss, who turns a blind eye (wink wink) to her shenanigans.

so yeah, other enforcers are fuming, the pilties arent happy, and zaunites? well, despite caitlyn trying her best to solve the issues that ran years before she was born, there's only so much changing the protocol can do for her. she is harsher on enforcer violence and the prison under her watch has changed to be more humane, but its not like she can control every single enforcer personally. so its not perfect but its slightly better than what it used to be. caitlyn herself has the exact same attitude towards both pilties and zaunites- kind of cold, calculated, no bullshit taken, unapologetic, yet with a layer of empathy underneath the surface. kind of similar to what grayson was. this attitude doesnt win her people's favor on either side, but it does earn her respect- and especially in zaun, where her family status means nothing, that means a lot. she's definitely not a "champion of the people"- i think most people in the city actively dislike her, and the (true) rumors of corruption arent helping.

as for vi, zaunites see her as a traitor. she is known to be kind of a bulldozer that can be quite trigger happy, especially when it involves caitlyn (who we already discussed people dont really like) being in danger or disrespected. she has a dismissive "and what about that" attitude that is very zaun in nature, but since shes now wearing a badge, zaunites get annoyed with. pilties, of course, absolutely hate that attitude. so she isnt seen very favorably either, on either side of the river, just like her girlfriend.

the relationship between them is kind of an open secret. every enforcer in the force knows vi is only in her position cause she "gives caitlyn favors under the table", and those rumors reached topside and bottom as well. and again, they arent untrue, theyre just a relatively mean and shallow reading of the actual relationship between the women. neither caitlyn nor vi ever acknowledges these rumors. they stay at a 6 feet distance from each other while working, but the fact they are so interlinked really leaves no other answer. they know everybody knows, everybody knows that they know, and it's never addressed directly by either of them. their relationship is kind of an anigma to people on both sides- pilties think caitlyn settled for a street rat, zaunites think vi sold her soul to be with a rich pig. no one really knows the history or intimate details about their relationship, for obvious reasons, and thats what it looks like to them on the surface.

righttttt, this ask was about ekko. i got carried away. so ekko. how does he play into all of this? while he's not entirely on the average zaunite camp, he is reluctant to work with caitlyn, but does so anyway because ultimately they share similar goals. while he understands vi better than most people, and knows she always puts her loved ones before any political cause, he can't help but feel a little betrayed by her choice. i think he doesnt really see what vi sees in caitlyn, and since he doesnt "get" that, vi's choice to stay with her at all costs looks odd. especially since caitlyn on the surface just looks like a cold, authoritarian bitch. with good intentions! but still a bitch.

in the end, it all comes down to masks. i imagine post canon caitvi are both sporting masks for protection, and have their walls really high up in public. and can you blame them? they actively wear their weakest spot, their achilles heel- each other- on their sleeve. theyre in public positions, have a lot of eyes on them, and their "professional" relationship is extremely looked down upon. so caitlyn acts colder and harsher, and vi puts on a bravado of "i dont give a shit" and uses violence as a threat to deter people from seeing her as weak. the walls are there to ensure their safety. but like we saw in the series, when its just the two of them, all those walls crumble, and they allow themselves to just be vulnerable.

[mirkomos]

Been like this ~

Satoru Gojo x Fem!Reader ⋆𐙚₊˚⊹long distance put a strain on the two of your relationship, cw: a bit long distance, fluff, 0.5k wc

“You've been acting different.”

“What are you even talking about?” says gojo chasing you down the halls as you pack your things from his apartment 

Its been like this for months—him going on mission for days on end, forgetting to respond back to you. Paying less attention to you and most of all….putting things before you. You put up with this for month talking to him again and again about your strained relationship. Your tears wasted on something that was bound to fail. 

You've been warned from the beginning about getting into a relationship with gojo—how self centered he was now, think how stupid you were to not listened now. Of Course it wasn’t like this in the beginning, he was the stereotypical dream boyfriend, sweet, attentive, caring everything under the sun. Your long running 3 year relationship had suddenly coming to a halt.

The clothes which you have been packing in your suitcase were being simultaneously being taken out by gojo “you don't know what im talking about!?” you yell as you throw you shirt at him which took him aback. “ Im talking you you disregarding me like some one of your chores, Im your girlfriend for crying out loud and you cant even answer back one of my text!” yelling at him that you had completely zoned out only to see gojos' saddened expression but no answer.

Unknowingly tears streamed down your cheeks as you look at him—wanting to know so badly where it went wrong between the two of you on both ends.

 “ Listen i know that i've been distant lately and im sorry for that ive been so stressed with all the thing that the higher ups are putting on me, not to mention preparing my students— ive been trying to balance things but i forgot prioritize you, and im not trying to excuse my actions but i promise if you let me try…ill treat you better.” 

His hand reaches out to yours, the other to your face as he catches a glimpse of the tears running down your face—his thumb wiping away at the tear.

"hey, hey please dont cry...look—"

You let out a sigh “ you better not screw me over gojo or i swear—” you cut off by him pulling you for a embrace 

Pulling away from him only to be met with a soft kiss on the lips that felt like forever lightly bitting your lip till you both pulled back 

“I promise i wont.”

[poespetraven]

Hiiiiiii hellooooooooo hiiiiiiiiiiiiiiii so uh funny story I haven’t watched the new episode yet…

LET ME EXPLAIN

(!!!spoilers for both the X-tale comic and series below!!! (I’ve never tried using the “keep reading” line thingy ooh this is exciting! Heehee look at me being all tumblr proficient! (I still have no idea as to what I’m doing (shoot sorry I got distracted.))))

I DID REREAD THE X-TALE COMIC AND REWATCH THE X-TALE SERIES THO AND OH MY GOSH I FORGOT HOW MUCH I HAVE FEELINGS ABOUT THE X-TALE COMIC, ESPECIALLY THE 2ND HALF OF IT LIKE OH MY GOSH I FORGOT SO MANY LITTLE DETAILS THAT MAKE IT SO MUCH MORE DEVASTATING BRO WHY DO I NEED REREAD THIS MORE OFTEN WHAT AM I DOING?!?!

Anyways, that was fun! I guess in a way it was kinda fun having not read it in a while cause like I got to be surprised by some things I forgot. Like Cross almost killing Frisk in the very beginning and then panicking about it and feeling awful. The slow build up of his suspicion of Frisk. And the whole deal with Papyrus secretly protecting Cross from his blasters to make Undyne and Frisk think he killed Cross. I had been thinking that Cross saved himself for a while now. And you know what? You know what that does? YOU KNOW WHAT THIS MAKES EXTRA DEVASTATING?! YOU KNOW WHAT OTHER KNIFE TWISTING DETAIL I FORGOT?! CROSS INITIALLY SPARED PAPYRUS! DO YOU REMEMBER THAT?! DO YOU?!?!?!? CAUSE I DIDN’T! I FORGOT! BUT AFTER CROSS KILLED EVERYBODY HE LEFT PAPYRUS TOTALLY UNHARMED AND WAS LIKE “Papyrus wants me happy 🥰” AND PAPYRUS IS JUST LIKE STANDING THERE AND THEN HE’S LIKE HES LIKE “yeah but like maybe you went like a little too far-“ THEN BOOM HES FUCKING DEAD. CROSS KILLS HIM! LIKE URGHHHHHH IT HURTS IT PHYSICALLY HURTS ME! AND THEN LIKE WHAT HAPPENS DIRECTLY AFTER? LIKE I FORGOT ABOUT FRISK TRYING TO GIVE CROSS THE HEART LOCKET AND THEN CHARA ACCIDENTALLY KILLING FRISK!!! LIKE I HAVE I ROBBED MYSELF BY NOT REMEMBERING THIS ANGST! IT MAKES CROSS’ REALIZATION THAT HE CAN’T ACTUALLY BRING EVERYBODY BACK EVEN MORE DEVASTATING!

So uh yeah I had a very fun time rereading the comic. And then I rewatched the X-Take series like the next day and OH MY GOSH IT WAS EVEN BETTER HAVING JUST READ THE COMIC LIKE IT JUST HITS SO MUCH HARDER AND I should probably stop there before I jump into another rant. This post was not supposed to be this long oops. I’ll just summarize what I was going to say by saying that this series gives me Feelings and Emotions.

BUT I STILL HAVENT WATCHED THE NEW UNDERVERSE EPISODE! I’ve being holding off for a day when my family is out of the house for long enough for me to rewatch all of Underverse Season 2 plus the new episode cause I want to try and see if I can put it on our television. BUT GUYS I DONT KNOW IF I CAN WAIT ANY LONGER! I THINK IM GONNA CAVE! LIKE I DON’T NEED TO WATCH IT LIKE THAT! LIKE ITS A NICE IDEA SURE BUT LIKE WOULD I REALLY ENJOY THE EPISODE LESS IF I DIDN’T WATCH IT LIKE THAT? NO! WHY AM I DOING THIS! I DONT KNOW! WHY AM POSTING THIS ON TUMBLR? WHY AM I STILL TYPING? WHO IS EVEN GOING TO READ THIS? HEY YOU THERE! YEAH YOU! WHY ARE YOU READING THIS? WHATS GOING ON?

…well I think I have officially decided that I am not going to wait until the house is empty to watch the new episode cause that’s stupid. I’m going watch it on my laptop with my headphones and a cozy blanket on my bed the way it was intended and it is going to be fucking fantastic.

UNDERVERSE 0.8 PART 1 Premiere

[im-so-normal-iswear]

Had an idea of yandere sonic or tails x reader who can't read or mabye cant read good enough, mabye they get a love letter mailed and he tells you something entirely different to hid it from you, and youd have a level of dependancy you know?

I dunno sorta kinda new to requests and tumblr as a whole just a thought

A/n: sorry for taking long on this

Yandere Sonic/tails x Reader who can't read

Sonic:

Sonic is quick to notice that reading isn't your strong suit. It doesn’t bother him at first. You stumble over words, sometimes avoiding tasks that involve reading altogether, and it sparks his protective instincts.

At first, he helps you in small ways, reading menus, helping you write notes, and guiding you through anything that requires comprehension.

Slowly, Sonic realizes how much power he holds in this situation. You trust him greatly, relying on him to guide you through tasks and information. But he would never abuse that trust and use it for his advantage... Right?

When you receive a letter in the mail, Sonic is the first to find it. Opening it up and skimming through it. Upon realizing its a love letter, he immediately is not having it.

When you ask about the letter, Sonic laughs it off, holding it up like it’s nothing.

"Oh, this? It’s just junk mail. Something about a... uh, local discount or something. Don’t worry about it, I'll just toss it for you."

From that point on he is always trying to help you out, reading things for you, to be more helpful. Emails, messages, etc. You're slowly starting to rely on him more and more.

If and when you start talking about wanting to improve your reading, Sonic subtly discourages it.

"Hey, why bother? You’ve got me for that stuff. Besides, we’ve got more fun things to do than stare at boring books, right?"

If you push the issue, he’ll sabotage your efforts. He might hide the materials you need to practice or distract you with sudden outings.

"Come on, let’s take a run! Reading can wait."

If someone else tries to get close to you, he’ll intercept their messages and replace them with his own fabrications. He’s so casual about it too, you might never even question it.

He genuinely believes that keeping you in the dark is the best way to keep you safe, and to keep you his.

Tails:

Tails immediately notices how you cabt read. He pities it, and immediately goes out of his way to start heloing you out by reading things for you, planning on teaching yiu to read after a while.

At first, his help seems innocent. He patiently explains things, reads signs aloud, and even offers to help you with learning to read better himself. You find his kindness endearing, and at this point he is genuinely trying to help you.

When the love letter arrives, Tails spots it before you do. His sharp eyes catch the handwriting, and his heart sinks as he realizes someone is trying to steal your attention.

Tails doesn’t just hide the letter he carefully reads it, analyzing the handwriting and tone to learn more about this potential suitor. Then, he burns the letter in his workshop, making sure no trace of it remains.

"Oh, you got something in the mail? It was just one of those generic ads. Nothing important." His voice is calm, his face perfectly composed.

Tails begins to take over more aspects of your life, presenting it as acts of kindness. He offers to organize your schedule, manage your bills, and even write your grocery lists.

If you ever feel embarrassed about your struggles, Tails is quick to reassure you.

"Hey, it’s okay. You don’t have to do everything on your own. That’s why you have me."

He becomes your shadow, always there to help, because thats what friends do, no?

After sone time of becoming more attached tobyiu, he stops offering to help with your reading. Infact, like Sonic, Tails actually starts to discourages your attempts to improve your reading skills.

"Learning takes time, and you’re already so busy. Dont worry, I'll just handle it for now, okay?"

He goes a step further by subtly undermining your confidence. If you misread something, he’ll correct you in a way that feels condescending.

"Oh, that’s not what it says, like at all... Here, let me fix it for you."

Tails uses his engineering skills to keep tabs on you. He installs hidden cameras and microphones in your home, ensuring he knows exactly who you’re talking to and what you’re doing.

If someone else tries to connect with you, Tails will intercept their messages, deleting or altering them before they reach you.

"Looks like your friend canceled on you again. Don’t worry, I’ll keep you company."

[always-a-joyful-note]

I was just thinking again of Idolish7 and I think that the reason that the theme of legacy and carrying on the baton or becoming something better was done SO well was because it they approached it from that old adage about "paying it forward." It's like....yes, they are rivals and competing and doing this for themselves, but like Otoharu said in one of the story parts, the past isn't worthless because it gives us something to build off of and perhaps surpass (and it's good inspiration, too). And you can see that in addition to just being idols and creating music and making their own kinds of art for themselves, they're also doing this out of love for something from the past. Mitsuki with Zero, Sogo with his uncle, Tamaki for Aya, Iori for his brother, Riku because of his family and Tenn, Tenn for his family/Kujo, Momo and Yuki for the old Re:vale and Banri, Minami and Nagi for Sakura, also even Aya for the families that abandoned her and the new ones that gave her something, etc. Even people like Torao and Yamato, who kind of entered the industry purely out of "selfish" desires have an arc where they received kindness and now just want to pass it on.

To sum it up, by treating the past with respect and real appreciation, they can surpass it without trying to undermine its real impact and beauty.

[stemmmm]

more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great

[bitchkay]

This whole fic series altered my brain chemistry.

🎸 out of my mind ! 💿 track five: the battle of the bands

guitarist!ino x drummer!reader

summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.

warnings: language, alcohol, DOGGOS, yuji literally is just a ray of sunshine 24/7, mentions of drunk driving, so much fluff, ridiculous amount of kissing tbh, short time skip at the end, FINAL CHAPTER! || sfw. 8.8k words.

FOR THE FIRST time in a long stretch of busy days, you wake up not to the chirp of your alarm but to soft rays of Saturday morning sunlight seeping through the cracks in the blinds, painting your eyelids orange-gold. You crack an eye open and find Takuma stirring beside you. Right.

“Morning,” you whisper. For a moment, when Takuma opens his eyes, he looks surprised, and then he seems to remember why and how you got here and his expression melts into a soft smile.

“Morning, Skip.” He yawns. “Time’s it?”

You shrug. You’re pretty sure your phone is dead.

“Eh, it’s Saturday,” he mumbles. “S’fine.” You chuckle, daring to reach out and ruffle his hair. You don’t know what this is, the unspoken thing in the thin slice of air between you. You know what you want it to be, though.

For a while you both lie in comfortable silence, letting the sounds of the awakening house float up the stairs toward you. Murmuring, clattering around in the kitchen, the front door opening and closing, cars outside.

“Hey,” you say eventually, making eye contact. His eyes are a very deep shade of brown, dark but warm in a way that reminds you of old bookshelves or tree bark after the rain.

“Hey back.”

He’s relaxed, every part of him unhurried, and you take the image of it and stamp it into your mind over the memory of the night prior. “I’m glad you’re okay.”

Takuma smiles. “I’m glad you’re here.”

Maybe it should be more awkward, the fact that you’re here in his bed in his clothes and you haven’t named whatever it is that stretches out in the silence. But it’s not. It’s just… easy.

“Skipper?”

“Hm?”

“I really, really like you,” Takuma whispers. The words wrap themselves around you, warm when you didn’t know you were cold.

“Yeah?” You bring a hand up to his face, trace the line of his jaw. His cheeks are a little colored in the mix of light slipping through the window and the cracked door. “I really, really like you too, Takuma.”

He cups your face in both hands, pulls your lips to his, and your whole body responds, pressing up against him in the too-small twin bed. Your hand goes to hold the back of his neck, deepening the kiss, and this is what people write love songs about, you fucking get it now, all the metaphors and cliché words you thought were exaggerations but no, they’re not, because you’re feeling all of them all at once and you don’t ever want to leave this moment in time.

“Like” doesn’t feel strong enough, not for this. You’ve only known him for a month. Is it really possible he’s already become so integral to the structure of your heart?

You’re kissing in the early morning light and it’s hungrier than you thought your next kiss would be, because even though all the rest of your days are rolling out before you, you don’t know how many there are. He twists so he’s above you on his knees, one of them between your legs, and it’s like a reversal of that night on the roof, like you can feel the night air even in the golden midmorning hours.

“Kuma,” you murmur between kisses, and he grins against your mouth, takes your next breath and makes it his.

At some point you’re interrupted by the startled growl of your stomach, and you break apart, unable to stifle the giggles rising up in your throat. “Well.”

“Well,” Takuma echoes, grinning. He stands and offers you a hand. “Breakfast?”

Downstairs, the house is alive with idle chatter and the clinking of silverware. Kirara is seated atop the counter, legs swinging as she eats a plate of eggs, and Hakari stands beside her leaning against the cabinets. Megumi scrolls absently through his phone at the table, the dogs looking up at him expectantly from either side, and Yuji is digging through a bunch of take-out boxes. When he sees you, his whole face lights up.

“Morning!” he practically sings. “Here, eat food.”

“Where’d this come from?” Takuma asks.

“My friend dropped off breakfast,” Yuji chirps, pushing a Tupperware container of pancakes toward you. If it weren’t for the brace wrapped around his wrist, you’d have no idea anything happened. He’s his usual golden retriever self.

You smile, forking one of the pancakes onto a plate. “That’s sweet.”

Your phone buzzes, and it’s Tsumiki sending you the link to the news brief. You frown at the headline, not out of any disrespect for the writer who stepped up to cover it, but more at the fact that it’s unfortunately true.

JU senior issued DUI after crash on 34th and Olson Blvd Friday night

“What’s up?” Takuma asks, immediately noting your expression. You slide the phone across the counter, watching its screen catch the light from the kitchen window. Kirara leans over it as well and starts reading off Junpei’s story halfway through.

“Zenin, who according to a campus police report was driving under the influence of alcohol, was on the phone with an ex-girlfriend when he swerved into the opposite lane.” Her dark brows knit together in some combination of anger and disbelief. “Jesus.”

“That’s fucked,” you murmur.

Someone’s phone rings, and Megumi glances at his screen and blinks, seems to hesitate. Then he gets up and disappears down the hall. You glance at Takuma, but he just shrugs. It’s probably Gojo.

The rest of you eat and eventually make your way to the living room, scattering yourselves across the couch and carpet and chairs.

“That single last night,” Takuma says, letting Kuro jump up beside him on the couch. “Concept. Make it the title track of an EP.”

You blink for a second, startled. “Wait, for real?”

“Yes!” Takuma says, sitting up straighter. “Think about it. Cover art is one of those name tag stickers, you all sign it, wrinkle it up and crease it and take a grainy film photo. And you put the song on it with Next Fix and a couple of your older singles you and blow up.”

“Or you print one off that says hello, our name is,” Kirara pipes up, seeming excited by the idea. “Ooh, you can have an intro track like that.”

“All caps. Just to match the energy,” you say, picturing the EP cover in your mind. “HELLO MY NAME IS. No punctuation either.”

“I like it,” Kirara nods. Takuma’s got that excited shine to his eyes, and you realize he’s very in his element in this conceptual space—he really will be a good producer. He has the mind for it.

Megumi slips back into the room looking a little haphazard, disgruntled, looking anywhere but into anyone else’s eyes, and Yuji cocks his head in question. Not Gojo, then. “Who was that?”

“No one,” Megumi lies, waving him off and turning back toward the kitchen to avoid everyone’s questioning gaze. Hm.You know better than to ask, and it seems that’s the consensus, because nobody pushes it—Megumi will open up in his own time. You hope he figures it out soon.

For your part, it’s a lazy Saturday, hanging out with Takuma, Yuji, Megumi, Kirara, and Hakari, gaming and talking and generally just existing in each other’s presence. After the chaos of last night, it seems to be exactly what all of you needed.

It’s not until late afternoon that Kirara broaches the topic of the band.

She gestures at Yuji, a flapping motion that misses the mark a little because Kirara is sprawled upside-down in the beanbag in the corner. “Itadori, can you, like… drum with that?”

He shrugs, looking down at his injured wrist. “Yeah, probably!” You frown. So much of drumming is in the wrist, and you kind of figured Kirara’s question was rhetorical. You realize abruptly that Shibuya Incident is still going up against Black Flash in the finals on Friday, and if they don’t have Yuji, they’re fucked.

“Psh, don’t look like that, it’s fine,” Yuji insists, grabbing two Wii remotes and wielding them like drumsticks. He goes to bang them around, mimicking a rock beat, and you watch as his face twists into a grimace and he drops one of them. “Okay, so, update: never mind!” He grins sheepishly.

Kirara is the first one to look at you, and by the time you’ve processed what exactly it is she’s trying to say, everyone else has their eyes locked on you—including Yuji.

Oh, shit.

“Whaddaya say, girl drummer?” Kirara asks, pointing a finger gun at you.

“Oh, guys, I don’t… I don’t know, it’s your band. Yuji—”

But Yuji is the one who seems the most excited about it. He’s abandoned both Wii remotes on the floor and is now looking up at you with bright eyes and his eternal grin. “No, Skipper, please? It would be so fun! I can still do aux and stuff. But we could play together! It would be so awesome!”

“Is that even allowed?” you ask, glancing at Takuma, who’s trying and failing to hide a boyishly excited smile. “I mean, I already got eliminated.”

“Hang on,” Hakari says, pulling out his phone. It takes you a minute to realize who he’s asking. “Yeah, no, Panda says it’s whatever. Better that than not have a battle at all.”

Takuma nudges you with a knee, looking at you with steady eyes. It’s your choice, he seems to say.

“I think,” you say slowly, “I should talk to my band first. But… I’m not opposed.”

Yuji whoops so loudly you flinch a little and Takuma grins, putting his arm around you and squeezing your shoulder.

“I probably should head out,” you say, a little reluctantly. “Kinda left the roommates high and dry last night.”

Kirara salutes you, her face red from the blood rush of still being upside down, and Yuji chirps out a happy see ya!

“I’ll walk you out,” Takuma says, standing when you do. You say bye to the band and the dogs and he follows you to the front door, going as far as to step just outside with you. The door stays open just a crack as you linger, his hand coming to rest on the small of your back. He pulls you in and kisses you right there on the front step, and you smile against his lips.

“Are we, like…?” Takuma murmurs when he pulls away, cheeks flushed from the question or the cold, you can’t tell.

“Are we what?” you tease, shoving lightly at his chest.

“You know.”

“Well, if you don’t say it I’m gonna beat you to asking—”

This seems to zap whatever hesitation Takuma had right out of him, and he cuts in, “Willyoubemygirlfriend?”

“Sorry, what was that?” You know you’ve got a shit-eating grin on your face, but you can’t stop it. “Couldn’t really hear you—”

“Oh my god. Will,” he says slowly, drawing out the word, “You. Be. My. Girlfriend?”

You can see your laugh fanning out before you in a puff of warm air, and you tip your head forward into his chest, grinning. “Yes, Takuma, I would love to be your girlfriend.” You pull back and look up at him, lacing your fingers together. “I was kind of trying to get you alone all week so we could figure out what the fuck was going on. But it worked out, huh?”

“Yeah,” he grins. “It worked out.” He reaches up and ruffles your hair, laughing when you go to swat his hand away. “I was trying to get you alone, too,” he admits. “I like spending time with you, Skip. I’m pretty sure you’re the coolest person I’ve met, like, ever.”

“Ever,” you echo. “Those are some pretty lofty expectations to live up to.”

He shrugs. “You meet them all.”

Despite yourself, heat creeps up to your cheeks again.

“That was less scary than I thought it was gonna be,” Takuma confesses. Your phone rings in your pocket, and you glance at it and see Maki’s name sliding across the screen.

“Think that’s my cue.” You plant one last kiss on Takuma’s lips and turn around, throwing a “bye, boyfriend” over your shoulder. You glance back and catch him mid fist-pump, and he sheepishly shoves his hands into his pockets when he realizes you saw.

You’re still wearing his clothes, you realize as you answer your phone. Guess it doesn’t really matter, since they’re your boyfriend’s.

“Hey,” Maki says in your ear. “You comin’ home anytime soon? No rush, but we’re making lunch so we figured we’d ask.” In the background, you can hear Toge singing what you think is a dramatic rendition of Kristoff’s song from Frozen II, but you aren’t entirely certain because none of the words are right.

“Yeah, I’m literally walking through the door in thirty seconds,” you say, and Nobara’s face appears in the kitchen window. She waves excitedly and you raise a hand in return.

“Oh, sick.” The line goes dead as you open the front door. “Hey!” Maki shouts when she hears it click, and you slam it closed against the rush of cool air trying to sneak inside with you.

“Hi!” you call back.

Yuta pokes his head around the corner and grins at you. “Welcome home, our favorite breaking news reporter.”

“I didn’t actually report on anything,” you admit, kicking your shoes off and padding into the kitchen. Toge is somehow balancing cross-legged on one of the high stools, and Maki is making tacos. “Conflict of interest once I realized who it was.”

“Yeah, I saw the article,” Nobara chimes in, glancing up from her phone. “Yikes. Frickin’ Naoya Zenin. What an asshat.”

You snort. What an understatement.

“Hope he rots in jail,” Maki says in a sing-song voice, not even looking up.

“I love family,” Toge says.

You fill your friends in on the crash and the aftermath and Yuji’s wrist, leaving out some of the details about Takuma, because that feels a little invasive. And then Yuta asks the big question: “What about the band?”

“About that,” you say, taking a deep breath. You’re not exactly sure why this makes you so nervous. Maybe it’s just that these are your people, your band, and you all worked so hard and then went down together. It doesn’t seem fair that you get to go back on stage and try again and the rest of them don’t. “So. They asked me to fill in—“

“Yes!” Nobara shouts, pumping a fist in the air. “Oh, that’s so awesome!”

“Well, I didn’t say yes yet—”

“What? Why?” Toge asks incredulously. You laugh, feeling the weight lift off your shoulders. Of course they’re okay with it. These are your best friends. They’ll always have your back.

“I wanted to check with you guys,” you say, feeling silly about it now. “Just—I don’t know, to make sure. Since it’s not our band, and I didn’t want you guys to feel like I was, I don’t know, like…”

“Musically cheating?” Maki chuckles. “Skipper, this is great. You should say yes.”

Yuta solemnly puts a hand over his heart. “Avenge us.”

“Thanks, guys.” You grin as you hop up on the counter next to Nobara, pressing your shoulder to hers. “I love y’all.”

“Sap,” Maki says, which means love you too.

—

Using a drum set that isn’t yours is always a weird experience. You feel like everything is just ever so slightly off, and Yuji’s kit is an absolute patchwork of different brands of heads and shells and cymbals. You have to lower the stool because he’s taller than you. But it’s just for rehearsal, at least—you can use your own kit at The Fix.

It’s your first time in the shabby basement of Takuma’s house, and it looks distinctly different than your own. They’ve pinned old rugs to the walls as a type of sound deadener, not dissimilar to your own setup, but their lighting is a collection of Facebook marketplace floor lamps and a little disco ball that’s apparently Yuji’s. Your basement has string lights and a bunch of stools and beanbags, and this one has extra blankets all over the floor where Yuji and Kirara have made themselves at home.

Learning Shibuya Incident’s songs isn’t difficult—you’ve heard enough of their music to anticipate what’s coming, and Yuji’s there to give you pointers. Their three-song set for the final performance isn’t actually done, because they don’t feel like they have a good enough finisher, and after you’ve run the first two songs several times you mess around with potential chorus lines.

“What about that?” Kirara says after plucking out a new melody. “It’s hype enough, I think. Or it will be, once we add the rest of you.”

“I like that.” You tap out the rhythm on the snare rim, humming. “You have lyrics?” You look at Takuma, who’s staring at the ceiling like it might have all the answers if he just squints hard enough.

“Somethin’ about, like… losing your head a little bit because you caught feels,” he says. “Like, you’re down so bad you can’t function, to be dramatic about it. That triplet at the beginning of the chorus, Kirara—”

She plucks it out again, down-up-down. “On my own,” Takuma echoes, down-up-down. “Every little move I can’t pin down…”

The words tumble past your lips before you can stop them, because they’ve been circling your head for a week now. “Friends with all the dead in my ghost town.”

He spins around to look at you, a grin spreading across his face. “Yes! It’s like I’m going…”

“Going,” Kirara echoes, and they go back and forth—going, going, “out of my mind!”

“Whoo!” Yuji cheers, pumping a fist in the air. “Holy shit. That was crazy.” Takuma grabs the nearest beat-to-hell spiral notebook and starts scribbling.

Megumi starts laying out a bassline, subtly driving the beat forward a little, and you clamp the hat down on two and four to keep time. Kirara comes in with something that must be the verse, and Takuma reads off, “You left in the morning after eight, I got into work two hours late, I can’t see the sun without your face.” Bass, bass, bass. Megumi nods along and Yuji is practically dancing from his spot on the floor.

“One day and I run fresh out of light…”

Hm. You add, “Twelve hours without your hand in mine.”

“I’m dizzy and overworked and tired,” Kirara sings lowly. All three of you sing the chorus again, and you feel just like you’re at home in your own basement, writing a song in real time with Nobara and Maki and the boys.

“Oh, that slaps,” Takuma practically shouts. “Jesus. We’re gonna win.”

“Don’t get cocky,” Megumi warns, a wry quirk to his lips.

Kirara glances at her phone. “Food’s here. Break time, freaks.” She bounds up the stairs and Megumi follows to help her grab the bags—you DoorDashed Taco Bell, since Yuji never got his beloved crunch wrap on Friday.

You leave your sticks on the snare and move around the drum set, flopping down on the ground beside Takuma. “You’re good at that,” you tell him honestly, pulling the notebook away to read what he’s writing down. I met you across the darkened stage, you shook up my life, you got me made, you’re drivin’ me crazy night and day.

You can’t help thinking of the night you met him, locking eyes while he sang from the edge of the low stage at The Fix, lit up by purple-red stage lights and putting you in a trance. You scribble a few more lines after his and hand the pen back.

“You’re a poet,” he tells you, and you laugh.

“I’m a journalist.”

“Woman of many talents,” he says, echoing Maki’s words from that first night you met.

“Itadori!” Kirara shouts down the stairs.

“Coming!” Yuji leaps up and disappears up the rickety basement staircase, leaving you and Takuma alone.

“Hey,” he says, tapping the pen on the page. You glance up at him, nodding for him to keep going. “Can I take you out? Like, on an actual date?”

Something light and quick kicks around in your chest, a hummingbird loose in your ribcage. “I would not be opposed,” you say, as if the idea doesn’t make you want to kick your feet like a little kid. “When are you thinking?”

“Mm, you’re in night class prison tomorrow,” he says, tapping the pen against his lip now. “Tuesday?”

It shouldn’t make you so irrationally happy that he remembers your schedule, but logic seems to go out the window where Takuma Ino is concerned. “Tuesday’s good. Where do you wanna go?”

He shakes his head adamantly, tapping you on the nose with his pen. “Leave it to me.”

—

The only things Takuma’s told you about your date tonight are dress warm and bring your board. He meets you outside your place at four, his bag definitely bulkier than usual, his own skateboard under one foot.

You’re wearing a denim jacket over a hoodie and your favorite cargo pants with your boots, and you tucked a beanie and gloves into your bag just in case, but it’s surprisingly balmy out for late October. The wind is the worst of it.

“Hey, pretty girl,” Takuma says when you coast down the driveway and come to a stop beside him. The greeting makes you blush as much as his smile does, and he chuckles as he pushes off. “This way.”

“Where are we going?”

“Crazy,” he says. You roll your eyes. Sounds like the kind of dad joke Yuta would make.

“Well, then.” The two of you make your way down the street and around the bend, and you realize he’s taking you to the skate park. But at the entrance he keeps going, around the pit and a few of the ramps and to the largest one, back in the corner—not the one Sukuna deals under, but the one opposite. And you stop in your tracks, your longboard making a protesting schkk under your feet, when you see it.

Battery-powered string lights loop around the posts and down the underside of the ramp, and blankets and pillows are spread out across the ground. The area is sheltered from the worst of the wind, and you know your jaw is hanging open a little as you watch Takuma unload his bag—JBL speaker, two thermoses, and a bunch of food.

“Takuma,” you say, not knowing what other words suffice. “I—oh my god.” You did not peg him as being this romantic.

Then you think about his song lyrics and think maybe you should have.

He grins at you from where he’s sat down on the blankets, holding out one of the thermoses. You leave your board by one of the poles and sit down beside him, taking it and letting the warmth seep into your hands. “What is it?”

“Hot chocolate.”

“Mm.” You scoot closer to him, staring up at the layers and layers of graffiti and marker art covering the underside of the ramp. “This is maybe the sweetest thing ever.”

“I’m glad,” he says. “I had no idea what I was doing.”

“I wouldn’t know.” You take a sip of the hot chocolate—still warm. “It’s romantic. Big fan.”

“Really?” He points to where somebody drew a dick on the far side of the ramp.

“Okay, well, you didn’t have to point it out,” you smirk. “You ever done graffiti?” Looking at his mischievous smile and the beanie tugged over his head, the skateboard abandoned a few feet away, he does look like the type.

“Tagging?” He shrugs. “No. I would, though. Maybe we should.”

You hum, staring up at the arcing bubble letters and jagged black lines all over the ramp. You think you’d be horrible at graffiti, but you’ve always appreciated it, the way it sends a message and doesn’t ask for anything in return.

“This is like… alternative aesthetic stargazing,” you muse, lifting a finger and tracing the sharp lines of one of the illegible words in the air. You could stare at all this art for hours and never find all the intricacies of it.

Takuma digs around in his bag and produces a Sharpie with an “aha!”

“You’re gonna graffiti with a Sharpie?”

He throws it at you and you catch it in one hand, instinctively twirling it like a drumstick. “We’re gonna graffiti with a Sharpie,” he corrects.

And so you do.

The nearest part of the wall is covered in bright pink paint outlined in black, and it takes you a moment of squinting and tilting your head to realize it says LEAVEYOURMARK. Seems as clear of an instruction as any. So you do—scooting forward, you start to draw flowers into the thick bands of pink lettering, and soon they’re shifting to music notes, percussion notation, aimless squiggles. Takuma queues up a laid-back playlist with a few artists you recognize and many more you don’t, and you pass the pen back and forth, adding tiny notes to messages around the ramp, doodling in the empty space.

You’ve been on dates before, but this feels wholly different. With Takuma, you’re not stressing over conversation starters, worrying about commitment, wondering if you picked the right outfit, trying to gauge your shared interests with carefully planned questions. It’s just easy, existing with him like this.

After a while, you’re on your back in the mess of pillows and blankets, staring directly up at the massive painting of a skateboard with a face. Takuma is drawing something on the wall behind you.

Squinting, the green streaks under the skateboard look like that loss meme Toge sends you at least twice a week. You take a photo with the intention of showing it to him later, though maybe you shouldn’t—he gets way too proud of himself for versing you in what he calls Reddit culture.

You crane your neck to see what Takuma’s drawing and find the thick, dark strokes of a city skyline, towers and domes and boxy apartment buildings.

“Artsy,” you tell him, smiling when he appears in your line of vision upside-down. “You sure about this computer science thing? You’re too creative.”

“That’s what my mom said,” he chuckles, capping the Sharpie and sitting down beside you. As you sit up, he leans back on his hands and glances over at you. “I told her about you. She’d love you. I mean, I’m pretty sure she already does.” He hesitates. “Is that weird? Too soon?”

“No,” you grin. “I—that’s really sweet, actually. I would love to meet your mom.” Your gaze softens at the relieved smile that crosses his face. “Gotta thank her for raising a guy like you, anyway.”

You realize you want Takuma to meet your family too—you want to show him all the corners of your too-small town, show him the place you grew up. It made you who you are—it led you here, to him, after all.

“So,” you say, tilting your head. “When you say you wanna be a producer. Where do you mean? Like, LA?”

He shrugs. “Probably. But I’m sure it’s more competitive there than anywhere else. I feel like the major hubs are there and New York, but I wouldn’t mind somewhere quieter, either.” He loops an arm around you, and your head finds its way to his shoulder. “What about you, world-class journalist?”

You grin, thinking of all the places you haven’t been, all the places you want to go. “Anywhere and everywhere. I just wanna see it all. I wanna travel.”

“You should!” He sounds genuinely excited about the concept, and you lift your head, taking in the expression on his face—he looks the way he did when he was talking about making an EP, like the world is full of possibilities and he wants to see them all play out. “You’d be so good at it. Being a travel writer or international correspondent or whatever.” He clears his throat. “I read some of your stuff, y’know.”

“What?” Suddenly you’re racking your brain for every piece you’ve published in the JU Journal, overly critical of your own work in hindsight. “I didn’t know.”

“It’s good. Really good, Skip, seriously.” He reaches out and tugs a wayward strand of hair behind your ear, and you find yourself leaning into the contact.

You aren’t sure what to say, so you settle on a soft, “Thank you.” Somehow, the idea of Takuma going out of his way to read your work feels personal on the same level that writing a song together does. Taking in your words, your ideas, internalizing them. What is intimacy if not that intellectual exchange?

“I think you’re going to be a really good producer.” It’s his turn to blush. “I mean it. Not everyone has the perspective for it, or the ear. But you do.”

“Ah, well, I—”

“Am not good at taking compliments?” you cut him off, raising a brow. “Mm, we’ll fix that.” He laughs, and you’re leaning in to kiss him like it’s the most natural thing in the world. Maybe it is the most natural thing in the world.

It’s late October, and you are not the least bit cold.

—

Your hands need to stop sweating before you lose a drumstick or something.

Shibuya Incident has about twenty minutes before you’re all due on stage for the finals, and The Fix is alive with students and lights and drinks and music and chatter. You’re out on the floor tonight, off to the side for easy access to the stage once Black Flash clears out.

“We’re kicking off with the reigning champions of the Battle of the Bands,” Panda booms, throwing an arm out as the band takes the stage. “You know ‘em, you love ‘em, they’re every genre and no genre, covers and originals, brass and wind. Give it up for Black Flash!”

You whoop just as loud as anyone else here, grinning at Nobara’s animated cheering from closer to the center of the floor. Miwa walks right up to the mic and takes it off the stand, the neck of her white electric in her other hand. “Hey, folks!” She brushes her bright blue hair out of her face and shouts, “Y’all ready to hear some good music?”

She has the sort of infectious enthusiasm that could work on pretty much anyone, and before you know it you and Kirara are spinning each other around to the beat of a synth-heavy pop song that sounds like it came straight out of the 80s. The instrumentals are simple but tight, and Miwa jumps around, engaging the crowd, belting like she doesn’t have a care in the world.

“They’re good,” you catch Megumi saying lowly, probably to Yuji, but Takuma’s the one who answers.

“If I tell you the power of friendship will lead us to victory—”

“No.”

“Well, okay, you’re no fun.”

Kirara turns around and plants a hand on her hip, looking at Megumi. “Fushiguro, we’re fine. We’re going out with a badass new single and not one but two percussionists. We’ve never sounded this good.”

“Just being the token pessimist,” he sighs, cracking a reluctant half-smile. “I know we’re good.”

Yuji elbows him playfully. “Mr. Realist.”

Black Flash segues into a second track, an ABBA cover that has you dancing without thinking, and Takuma catches your eye and grins, moving along with you. And all too soon it’s over, a third song come and gone, and Panda’s back up on stage and the five of you are hopping up over the side to make your way to your places. Hakari and another tech have already swapped out the kits, and you settle yourself in the comfort of your own throne, your own pedals, flipping on the snare and pounding the kick a few times.

Yuji’s bouncing on the balls of his feet, grinning at you. “You got this,” he mouths, shaking his tambourine at you.

You truly have no idea where he got a tambourine.

“What happened in Shibuya? Who the hell knows?” Panda shouts, riling up the crowd. “Give it up for Shibuya Incident!”

That’s your cue. You look at Kirara, who nods with a conspiratorial smile, and then Megumi, who plucks out a few notes in answer. Yuji’s already giving you a grin and a thumbs-up. And Takuma… he’s already stepped into his on-stage confidence, all relaxed, easygoing performer, and the look he gives you has energy coursing through your fingertips like an electric shock.

You hold your sticks above your head, clicking them loud on the lower end of the shaft, and shout, “One, two, three, four!”

You are alive.

The first track is another pulled from their EP, and you’ve listened to it probably an embarrassing number of times—you know Yuji’s part down to the sixteenth note, the roll, the rest, but you don’t hesitate to put your own spin on it, and he’s alight with the same energy beside you, messing around with a tambourine and a few other aux instruments near a mic of his own, since he’s also doing backup vocals tonight.

Your hands are moving fast, your feet pumping the pedals of their own accord, an instinct, and it’s over before you know it, a sheen of sweat already forming under the stage lights. You grin, catching your breath, wiping your hands on your jeans as Takuma introduces the band.

From your place near the back of the stage, you get more of the low feedback than anything else, but you definitely hear when he says Shibuya Incident and the crowd responds raucously in kind.

“That’s Kirara Hoshi on guitar and vocals,” he says, pointing to her as she does her little riff.

“Yeah, Kira!” You have no idea where Hakari’s voice is coming from, but it’s unmistakable.

“We got Fushiguro back there on the bass,” Takuma continues, and Megumi gives the crowd an unbothered nod, showing off his own instrument for a moment. “Itadori’s back here on aux and vocals.” He pauses to let the crowd shout for Yuji and then adds, “And filling in for him on kit, we’ve got the legendary drummer from Cursed Technique. Everyone give it up for Skipper!”

You do a quick roll, laughing as your own band goes crazy—you can’t see them in the glare of the lights, but you (and everyone else) can definitely hear them.

“I’m Ino, we’re Shibuya Incident, and this next one’s gonna slow things down a little.”

This one starts with Megumi, a laid-back track with a similar vibe to the first song you ever heard Shibuya Incident perform, but a little smoother. It’s over before you know it, and then you and Kirara are launching into the new single. Even Yuji looks like he’s having the time of life on backup vocals.

“On my own,” he and Kirara harmonize, Takuma taking the lead, and you nail the next two lines with punchy cymbal-tom hits, “all the shadows look like a death threat, everybody’s waitin’ to get hit, it’s like I’m going (going) going (going) out of my mind!”

All your worries melt away as the beat drives your movements. You’re not thinking about dropping a drumstick, missing a measure, losing the competition. You’re doing what you love with people you love, and that’s all you’ve ever wanted to do.

“Think I’m seein’ double in one eye, startin’ to think this air is spiked, no one told me that’s what love is like.” Takuma lets the guitar hang and grips the mic in one hand and the stand in the other, leaning with it as he engages the crowd, and you definitely hear Nobara screaming. “You got me going (going) going (going) out of my mind, yeah, yeah.”

It’s over so fast you can barely breathe, and you’re laughing before you know what’s happening, Yuji throwing his arm around you and shouting, “You killed it!”

Takuma turns around and locks eyes with you, and you see that same adrenaline high in his gaze that you know is in yours, and when the band stumbles off stage in Panda’s wake, he grabs your hand and pulls you into a hug. “That was crazy!” he practically shouts, which is probably good, because your ears are ringing so much you probably wouldn’t have heard him otherwise.

“Guys,” Megumi says, deadpan as always, but you can see the effects of the performance even on him, his usually stoic expression unable to mask his own excitement. “I think… we might have a shot.”

“Holy shit,” Kirara says. “Skip, write the story. Resident pessimist breaks vow of negativity—”

“Oh, shut up.” Megumi elbows her as she dissolves into laughter. In the wings, you can hear the indistinct sounds of Panda’s instructions as he starts voting, and music kicks up over the speakers. Ten minutes. Ten minutes.

It’s the longest and shortest wait of your life, and then you’re back on stage with Black Flash and Panda, and it’s fucking time.

You wonder if everyone else can hear your blood roaring, too.

“Once again, an insanely tight vote,” Panda says, a hush falling over the crowd as they wait for the verdict. “Phenomenal performances from both of our final bands, but someone’s gotta win. Give it up for the champions of this year’s Battle of the Bands…”

You imagine Maki hissing under her breath for Panda to hurry it up, Nobara’s hands clasped together as she anxiously bounces on the balls of her feet, Yuta biting his lip and trying to get Toge to shut up.

Takuma’s hand is on your shoulder, Yuji on your other side, Megumi and Kirara behind you. You glance at Miwa, and she gives you a knowing look that you can’t interpret.

You almost don’t hear it.

“SHIBUYA INCIDENT!”

You don’t know which screams belong to who—maybe one of them’s yours—but you’re swept into a massive pile of musicians drunk off victory, and you’re laughing, and Miwa’s jumping up and down and saying how that was insane, guys, you were amazing, and even Mai nods at you in congratulations, and Yuji is abruptly on Todo’s shoulders, and as the stage lights turn down a bit you finally catch sight of your own band, losing their minds on the floor.

“That’s our girl!” Maki hollers, and Yuta whoops as Toge pumps a fist in the air. You realize you can’t see Nobara, and two seconds later your questions are answered when she somehow materializes on the stage, launching herself at you with a massive grin on her face.

“You did it!” she shouts. “Holy shit, Skipper!”

Everything around you is chaos and laughter and noise, but something in the center of your being is incredibly still, and you think maybe it’s contentment. In this moment, you would ask for nothing else. It is perfect.

Nobara detaches herself from you after more profuse congratulations, turning to Miwa, and the bands make their way gradually off stage. Takuma’s hand is in yours—you don’t know when that happened—and he pulls you past the band, past the wings, all the way into the drum storage room backstage.

“That was fucking amazing,” he says. “You’re fucking amazing.” His beanie is off, tucked into his pocket, his hair as wild as his eyes as wild as your heart.

You close the door.

It’s a pulse. That’s the only way you can describe it, the rush of living energy that comes with kissing Takuma Ino behind the stage of a shitty campus bar, the heat shooting through your veins in time with the throb of the bass from distant speakers. Breath on your teeth and hands in your hair, the warmth in your gut from skin-on-skin proximity, ears ringing with the sound of your name on his lips and love-blind eyes, you’re alive and addicted to a feeling you know you’ll chase forever.

—

TWO MONTHS LATER. DECEMBER 19.

The house is alive with laughter and chatter and Michael Bublé’s Christmas album spinning from the record player. The semester is over, and tomorrow you’ll scatter for winter break, home for the holidays. Nobara insisted on throwing a party before all the inevitable road trips and flights, and the main floor is strung with multicolored lights and tinsel—Yuta’s plant, Rika, even has a tiny Santa hat on.

In addition to the actual residents of the house, Takuma and the band are here, as well as Hakari, Panda, Tsumiki, Miwa, and a handful of other friends. Megumi’s even brought the dogs, who have both taken a liking to the loveseat by the window and claimed it as their own. You’ve informed Megumi that they’re going to stay here with you forever (he said no, but you don’t take orders from him).

“Okay, I’m dropping you off at ten, right?” Yuta quadruple-checks. You’re huddled in the kitchen with him and Maki—Toge was here a minute ago, but he heard someone in the living room mention Just Dance and ran off to assert his dominance or whatever.

“Oh my god, yes,” Maki answers for you. “Yuta. You wrote it down. It’s in your calendar. You live in the same house as Skip, you’re not gonna forget.” She bumps her shoulder with his and he sighs in admission.

“I know.” He smiles at you. “Just gotta make sure she gets home for the holidays. Can’t have you turning into a sad Christmas cliché on us, Skip.”

You salute him with half a gingerbread cookie. “Appreciate it.” He’s taking you to the airport tomorrow for your flight home and refuses to take your gas money, so you’re already planning on beating him to paying for the first grocery run when you get back.

“Things with Mai are good?” you ask, glancing at Maki. She shrugs noncommittally but doesn’t correct you, which is a good sign. She and her sister met up the week after the Battle of the Bands for coffee, which you genuinely thought was a joke when she told you about it. They’re both going home for Christmas and have apparently decided to try and like each other a little more openly. And she actually showed up tonight, which you have to admit you weren’t entirely expecting.

“Yuta!” Toge hollers from the other room. “You have to come do Rasputin with me!”

Yuta groans, looking pleadingly at Maki like she can get him out of this, but she just grins. “You heard him.”

“You hate me.”

“Yeah,” Maki says fondly. Yuta, defeated, goes to join Toge in the dance of death. Maki whispers to you that she’s going to record it for blackmail and slips out after him.

Tsumiki appears beside you, drink in hand, and leans against the wall. She tilts her phone screen toward you and you see it’s the Journal website analytics.

The top story right now is yours. You grin. “Oh, wow. I didn’t realize.”

“I expected it,” she admits, tucking her phone back in her pocket and gazing out across the room. “Look, I’ve been meaning to tell you. We won’t start the application process until spring sem, but, if you want it,” she glances at you, a grin tugging at the corners of her mouth, “I really think you should apply for editor-in-chief, Skip.”

Your mouth opens and closes without anything of use coming out, and Tsumiki laughs. “You don’t have to, but—”

“No!” you blurt, grinning. “I—I want to. I would love to. I was planning on it. I just didn’t know you… wanted me to.” Kusakabe’s just the advisor—when it comes to actually hiring the next editor, Tsumiki has the final say. Her endorsement is as good as a job offer. “I… thank you, Tsumiki.” You look down, suddenly overwhelmed by the words. “Big shoes to fill.”

“Aw, none of that,” she says, stealing a cookie from the tray on the counter next to you. “I literally can’t think of anyone better.” With a wink, she disappears through the doorway, where Kirara and Nobara are talking animatedly. Nobara gestures to you when she catches your eye.

“Dude, our listens are shooting up!” she says, shoving her phone into your hands. Your EP dropped mid-November, six tracks recorded in the studio with Takuma and Hakari, and you’ve performed better than you ever expected. The analytics show a sharp uptick that’s probably in large part due to Panda playing your stuff on the radio station.

You whistle, leaning on Nobara’s shoulder. “Awesome.”

Kirara leans against the wall, considering. “You guys thought about what you’re gonna do next year?”

Truthfully, you’ve really tried not to. The idea of Maki and Yuta graduating is so bittersweet. But graduation means Shibuya Incident will have a hole in their band, too. Kirara will be gone.

“You know, I’ve been thinking,” Nobara muses. “We could join forces. If we lose Maki and Yuta and Kirara, the only thing we’re doubled up on is drums and lead.”

It’s not a bad idea. And if Yuji is track captain next year and you get that editor job, neither of you will have as much time for the band—switching off could actually be very helpful. You hum, considering. You’ll have to talk to the others.

“Oi,” Kirara says, reaching out to poke you with a socked foot. “Your boyfriend’s in lost puppy mode over there.” You glance into the living room to see Takuma scanning the room next to Megumi and the dogs, probably looking for you.

“Dumbass,” you say fondly, and nod goodbye to Nobara and Kirara before making your way over to him. The boys are halfway through Rasputin and Yuta is, much to Toge’s chagrin, kicking ass. Toge looks like he’s just run a half marathon.

Takuma lights up when he sees you, a mischievous smile appearing on his face as he intercepts you by the hall entrance.

“Oh, wow, what is that?” he asks cheekily, and tilts your chin up to see a piece of mistletoe hanging from the ceiling. That was definitely Nobara’s doing. “Crazy that we just happened to—”

You cut him off, dragging him in by the shirt and kissing him, and makes a surprised sound that has you smiling against his lips.

“Crazy,” you repeat after you pull back, relishing the flush on his cheeks. Even after dating him for two months (as of today), every reaction you get out of Takuma makes your heart rate bump up a few beats. “Oh!” he says, suddenly remembering something. “Wait, c’mere, I have something for you.”

“Takuma!” You swat at him. “I told you not to—”

“Boo hoo,” he says, sticking his tongue out and dragging you toward your room, where he dumped his stuff earlier. You quietly close the door behind you as Takuma digs around his bag, standing up with his hands behind his back. “It’s Christmas and it’s been two months. You have no defense. Close your eyes.”

You do, giggling a little as he grabs your hand and presses something into it—something soft. “Okay,” he says, and you open your eyes to see a little stuffed penguin perched in the palm of your hand. It’s fucking adorable.

“Oh my god!” you cry. “Oh, he’s so cute! Takuma.” You cradle the penguin to your chest with both hands, grinning.

“It’s you!” he says, laughing. “Not official Madagascar merch, but I thought it was pretty cute. Your own lil’ Skipper.”

“I love it,” you say, making the penguin do a little dance in the air. You grab its tiny wing and poke Takuma on the nose with it. “Thank you.”

“Merry early Christmas.” His nose scrunches up a little in thought. “Early Merry Christmas? What’s the right way to say that?”

“Happy early nondenominational holiday of your choice,” you say teasingly, because the public university won’t actually say Christmas despite the decorations all around campus.

It’s a running joke among the entirety of the student body that the massive tree in the arts lobby is not a Christmas tree but a secular modern art installation. There are variations of insane alternate tree names on the school meme accounts. The knockoff JU Barstool page even got in on it, and the student groups hosting the Hanukkah and Kwanzaa celebrations.

Takuma’s answering laugh is bright and it follows you as you cross the room to your desk, pulling a box out of the second drawer. “Your turn.”

“What?” He has the audacity to look confused. “Skip—”

You hold up the penguin. “Objection denied!” The box is light and square, and you watch excitedly as he opens it.

“Oh my god,” he says when he realizes what’s inside. “No way. These are the exact ones—how did you even—?”

You had to do some investigating to figure out the precise guitar strings he uses, but what's your journalism degree for if not this?

“Who knows?” You shrug playfully. “Maybe it’s the psychic powers, maybe it’s the housemate I begged to sneak into your room and find out.”

Kirara was more than willing. “Good thing you came to me and not Itadori,” she laughed. “That kid can’t be subtle to save his life.” Takuma’s strings have been on the brink for a while, and you’re honestly shocked none of them have given out yet.

“They’re perfect,” Takuma laughs, setting the box back on your desk. “I love them. I love you.”

He says it so easily it takes you a moment to realize what just happened. He freezes, mouth opening and closing like he doesn’t know what words he’s looking for.

“I—uh,” he says eloquently. “It’s—I mean. I didn’t mean to—I mean, I didn’t mean to say it like that but I did mean it, you don’t have to say it back, if it’s too soon or you—”

Instead of cutting him off verbally, you grab him by the shoulders and press your lips to his. His eyes are wide when you pull back, despite the way he relaxed into the kiss on instinct.

“Hey,” you laugh, one hand trailing up to the back of his neck. “I love you, too.”

The excited smile that spreads across his face is slow and hesitant, like he can’t believe you reciprocate. You pull him back in and feel his grin against your lips, his hands coming to rest at your waist, warm.

“Thank god,” he murmurs between breaths. “Because I keep almost accidentally saying it, and it was gonna happen sooner or later.”

“Least it didn’t happen over the phone,” you grin, your hand skating down his arm and coming to rest in his.

Sheepishly, he admits, “Almost did. Yesterday.” Your laugh is bright and so is his answering one, and you perch your little stuffed penguin atop the guitar strings and tug Takuma toward the door.

“Okay, lover boy. Back to the outside world.”

“Lover boy, huh?” he teases. “Kay, pretty girl.”

“Couple of cheesy ass romantics we are.”

“Mm.” He presses a kiss to your temple, the action so casual and unthinking you want to melt. “Wouldn’t have it any other way.”

The second you step back into the living room, Yuta grabs you by the elbow and presses a Wii remote into your hand.

“Oh, no. Yuta—”

The song’s been chosen for you, and Toge has passed the remote to Maki, who looks like she’d rather die than give a rousing performance of TiK ToK by Ke$ha.

“Well, at least it’s you,” she says. Toge tries to discreetly pull his phone out, but Maki gives him a death glare that could send a grown man to his grave. He nearly drops it in his hurry to shove it back into his pocket.

You snort, patting Maki sympathetically on the shoulder. “Let’s kick ass.”

Three hours later, everyone has somewhat settled down, sprawled across furniture and countertops and the carpeted floor. Yuta’s grabbed an acoustic from the basement and it’s being passed around, goofy Christmas songs overlapping with the still-spinning record player.

You enrolled here with the intention of building a new life, finding a new purpose—new faces, new music, a new place to call home. And you feel like you’ve found it. This is the point of college. You’re surrounded by the best people you’ve ever known, and your heart is practically overflowing with how much you fucking love them all.

After all, your heart is not a finite thing. You’ve just got an endless supply of affection, and you’re not scared of it.

Love is the right word, you think, letting your head fall onto Takuma’s shoulders, legs tucked up beneath you on the couch.

“I love you,” you whisper, just to say it. When he whispers your name, your real name, in the shell of your ear, something in your chest sparks a little. He makes it sound like a song.

“I love you, too.”

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@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32 @gojodickbig @stargazing-with-choso @anonymity-222 @honeyyhuggs

a/n: that’s a wrap on out of my mind! ahh! i loved this one a lot, and it has so much spinoff potential i’m going a little crazy with it—keep an eye out for the megumi spinoff dropping soon. if you want to be alerted when it drops, lmk and i’ll put you on the jjk taglist. also, greta wrote a sukuna spinoff here—go read!

@bitchkay i need you to know your reblog tags give me life and you were fucking RIGHT ON THE MONEY with these developments

i’m not sure if i’ll start writing other fandoms or not—if y’all would want to see attack on titan or blue lock do let me know!

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus: