#its like mostly scooby doo

[madderruz]

weeeeee

[peanutworm]

O noooo i forgor my ipad at hoooome

How will i watch tons upon tons of scooby doo at work now???

[azureblooet]

How the fuck do reboots keep being bad like yall really can’t find one autistic person?

[hoama-au]

"Daphne? Is that you?" Fred can't help but hope. So he calls out.

It's been so long since he's talked to... Anyone really.

A scream.

And Fred finds himself waking up on the floor, tied up. Just what he'd come to expect from her after she started learning self defence.

"It really is you! It's me Fred!"

"Can you prove it?" She asks, voice cautious.

He cranes his neck awkwardly to look at her with eyes so different.

She looks like she's been through a lot, and really.

Fred has wanted to do this for a long time.

"I've designed so many cool new traps to make hunting easier and to keep animals from digging around where I've been staying! Let me tell you all about them-"

She lets him go on for hours.

As he talks, and continues to talk, her shoulders relax.

He doesn't even notice when she unties him until after he waves his arms in emphasis, long after he sat himself up.

"And- you untied me?"

"I did that about 2 hours ago Freddie."

"Oh. I'm just glad you're you."

"Me too, Fred. But... We need to talk."

"Yeah. Yeah we do."

"Wanna see if we can find the others after this? Things have really changed, but if you still have the Mystery Machine we can get anywhere."

"I made it solar powered even before that explosion, Daph."

"That's so you, Freddie."

[xecat]

played ds game from my childhood for a bit b4 goin to sleep. planning to stream a bunch of the games i have but like on an emulator . kinda related is there a way for a chat command to make a trigger warning list appear on the stream overlay

[peachyanime]

i think i am right

I wanna know who your favorite vinsmoke sibling is so bad actually please tell me 👀✨

My friend and my brother laughed at me when I told them my favorite Vinsmoke is Niji, and I genuinely was embarrassed that day because I didn't really know much about him at the time (I think I had only watched a few eps of WCI) and it's pretty clear in the show that he's, uh, the worst of the Vinsmokes. And by "the worst" I mean: The one who's portrayed as the worst because he's the most active one when it comes to abuse and supremacism within the family line. Unlike Ichiji (who's more serious) and Yonji (who's more playful, somehow) Niji is the one who has to actually fight for a role in his family and that's why I think he's so fucking annoying all the damn time. I hate him. I love him. I want to hug him. But also I wouldn't mind punching him very, very hard. I have mixed feelings, but yeah, Niji is my favorite Vinsmoke. And you haven't asked why, but I feel the need to do some sort of mini argument about this because I am a very resentful person and I want to show my friend and my brother that Niji is actually a very interesting character!! And my fiancé thinks I just like him because he's hot, and she's right but only like a 20%. Maybe 40%.

I will try to put my thoughts into words, but it's pretty difficult because I have a lot of things to say about this blue evil gremlin.

I like Niji the most because I think he is, between the three brothers, the one who shows feelings and ambitions outside their emotionless selves the most. I know they technically are the same, but I don't think so (btw, please assume I'm not including Reiju in this text because she's canonically different from them and I'm just referring to the brothers).

As I mentioned before, I think Niji is the one brother who is the most annoying and evil because he feels the need to stand out. Ichiji is serious, and calculative and has a secure place in the family. He is the number one, even if Reiju is the oldest (I would like to talk more about how Reiju, being a woman, even if she's the oldest, she's the number 0. Because she is the oldest but she's a woman, so she obviously doesn't and would not be able to wear the number 1 like a man would. She is the oldest and yet, she has less significance in the family line than Ichiji. But, yeah, this is something that has nothing to do with Niji, sorry). Ichiji, like all of his siblings, wants recognition from his father, but he doesn't have to try as hard as the others to be impressive because he is, after all, the oldest. The typical "older sibling in an abusive household who has to deal with all the bullshit to protect their siblings"? That's something Reiju took over. That's Reiju's responsibility as the oldest and the woman. Ichiji literally doesn't have to do anything besides leading the team and being the evil, emotionless machine his father created. That does not mean that I don't think he could be able to develop more feelings, because I think he could and I love the concept of him being the first one to protest against Judge's behavior, but you get me. When you're the oldest brother with an even older sister, your responsibilities are pretty limited. So he doesn't have to be anything but there and himself.

Yonji, on the other hand... He is the youngest. Even younger than Sanji. He doesn't have to try, because Niji and Sanji should be the ones to do so. Little siblings are not expected to do much besides existing because irl parents are usually tired of raising children and they end up either getting neglected or seen as decoration. As a little sibling myself I can confirm that these things affect really badly to your brain growing up, but I got a more Sanji treatment so I can't speak for Yonji here. The thing I can say, though, is that in comparison to Niji, Yonji is just there. He's silly and goofy. He's funny. He's dumb. He has the excuse of being the little one to act that way. Getting lost eating or doing whatever. Even the fact that his powers are more physically focused instead of power/intelligence centered shows that he can just punch away his issues. He's the gym bro of the siblings. Don't expect much from him. <- Thing that's often said about little siblings, btw, and affects real fucking badly in early teenage years. The fact that he's portrayed like that is so on point tbh but after all, they don't have high expectations for him, so little to no effort is everything he does.

Then there's Niji, of course. My favorite. Love him. Hate him. Whatever. Niji is the middle child. And God, do I have to say things about middle siblings.

The thing about Niji is that he actually has to try and make a name for himself in the family because otherwise he'll probably get forgotten. I often wonder if he had that fear of becoming the next Sanji once he "died" (he's the only one genuinely asking if Sanji died on them before Yonji and Ichiji say they don't care) because his role is not as noticeable as the others. Reiju is the woman, Ichiji is the successor, Sanji is the weakling getting bullied (being technically one of the little siblings but still being in a limbo of middle/youngest because the little one is Yonji), and Yonji is the little one. Then... What's Niji?

Niji needs Sanji way more than he's willing to admit, and I love that. I absolutely love how he's written because he constantly shows that he needs Sanji, through both words and actions. He needs him because without Sanji's existence -without Niji being his bully- Niji is nothing but number 2. And there's nothing more frustrating than being the number two when it comes to family hierarchy. Not going to mention every little thing he does, but as I said, I love how well-written he is. He's the sibling Oda uses the most to show the abuse Sanji went through, but that's only because Niji is the only one who needs to do that. Niji is the one to talk to Sanji first, all the damn time. He gets angry when Sanji doesn't respond. He gets angry because Sanji can't be bullied anymore. He gets angry out of fear, in my opinion, because if the weakling can't get abused anymore, then he's not worth anything. If Sanji isn't the third, the second one is left alone. 2 can't fight 1 because 1 has the protection of starting the line. And 2 can't fight 4 because there's a missing link that keeps 2 from 4. So Niji is mad at Sanji because Sanji isn't the same weak crybaby he used to be, and he can't use him anymore to be secure and safe.

That's fucking horrifying when it comes to family hierarchy.

I like Niji because, despite being an asshole, he has reasons to be like that. First of all, because his father literally made him this way. But also, the little feelings he has (selfish emotions, yes, evil. But they're feelings, anyway. Urges. He's supposed to be emotionless and yet he knows how Sanji feels enough to use that to his advantage) are used as a way to feel superior and safe because he feels inferior. I think he's the one showing more emotions out of the three, even if those emotions aren't healthy or good and it's just him being angry all the time. That means that if he has urges and needs like that, even if he doesn't fear his own death, he could end up developing more and more empathy. His type of empathy comes from a place of fear. He feels what Sanji feels. And it's not that he doesn't care (I mean, I am aware that he technically doesn't, but let me dream) but it's just convenient for him not to care and keep bullying him to secure his place in the family.

Also pointing out that I like Niji because, being the one who says he hates Sanji the most, he's the one to protect him with his own body when that scene of the siblings helping Sanji escape happens. The others only clear the way, Niji stays with him. There's a really cool post about this on Niji's tag somewhere!!! I personally think he does this because, as that post said: Niji keeps seeing Sanji as weak, instead of believing in him enough to just clear the way. He protects him because he thinks he can't protect himself. Because he's weak.

And yes, it might sound offensive and emotionless and it doesn't make Niji a better person. But it makes him an older brother. Believing in Sanji would be great, but thinking that he's weak and needs protection after years of projecting on him only shows that the weak one is Niji. That he wants and is willing to protect his brother, too. If he didn't care about his well-being he would've just cleared the way for him, not caring about what could've happened to Sanji. But he goes all the way to help him out and protect him longer than the others did. Idk. I find that a very beautiful way of ending their relationship.

All of this being said, I have to be honest with you: When I said I liked Niji for the first time I only did it because people around me kept saying he was the worst one and it bothered me because I found his design pretty fucking cool. And tbh when he started being an actual character? I loved him even more. Because during WCI he's a fucking asshole but the way he acts towards Sanji is wanting to get a response from him, and I just find that so curious and complex... Like, if he just wanted to be evil he'd be more the Doflamingo type. But Niji looks for a response in Sanji's eyes. He wants to feel powerful because he knows he isn't.

And also, well, he's very cute and I like his hair a lot and he makes me furious sometimes which is great because if a character doesn't make you want to punch him at one point, is he really a good character? Look at him! He deserves to get slapped in the face. But also, I would love to kiss him afterward. What's that Olivia Rodrigo lyric? Ah, yes: "I wanna break his heart, then be the one to stitch it up. Wanna kiss his face with an uppercut." That's how I feel about him.

I really hope it's obvious, with all of this, that "Succession" is one of my favorite TV Shows, because I could go on and on and on (and nobody would listen but idc) about how the Vinsmokes are just the Roy family. Both One Piece and Succession deal with family in which hierarchy is crucial in a very specific and accurate way. It makes me sick. I love it.

Anyway, have some pics of my blue idiot:

I want to hit him in the head with a baseball bat.

[libraryofgage]

Meddling Kids

Part of: Steve Deserves Good Parents, Actually

Debbie and Fester Addams One | Two | Three | Four | Five | Six Rick and Evelyn O'Connell One | Two | Three Harley Quinn One | Two | Three 10th Doctor and Rose One | Two Scooby Gang One (you're here!) Jedidiah and Octavius (from Night at the Museum) One | Two Queen Clarisse Renaldi One | Two | Three Leverage Crew One

From the girl that brought you that silly little Spicy Six Scooby Movie post (I've been thinking of making that post into one of those social media series things on Tumblr but imma let that cook a little longer actually lmao) is a brand new Stranger Things and Scooby Doo crossover

Anyway, we're here for good vibes and fluffy Scooby gang, so definitely don't point out any typos hfjkds

Have fun reading!

---------

People coming.

Steve freezes, looking at the possum that's scurried into the room and sidled up next to him. He takes a deep breath and forces his shoulders to relax. People have come to explore the abandoned lab before; usually, it's just older kids daring each other to stand inside for a few minutes. There's been that lady recently who likes dressing up as a weird rat-thing, but she hasn't bothered Steve or his friends. Actually, she may not even realize Steve is here.

"Is it the lady again?" he asks, his voice low as he places a hand on the possum's head. He feels its nerves flow through his palm, and it pushes its head against him, snout nuzzling against the 004 on his arm.

No. Four big ones and a beast.

Four adults and a dog, probably. Steve frowns slightly and gets up, carefully making his way across the dirty floor toward the window. He lifts the corner of the curtain and stares at the bright blue, green, and orange van parked in front of the building. Four adults are standing around with a big dog, which isn't looking too happy about being near the place. Steve can't blame it.

He slowly pushes the window open a crack, straining his ears to hear one of the adults say, "Okay, gang. Daphne, Velma, and I will look around downstairs. Shag, you and Scooby will take the second floor. We'll meet back in the lobby in an hour."

"Can't we just, like, not explore the creepy abandoned lab for once?"

Steve assumes this is the one called Shag, and he hopes the other man agrees to just leave. That would make his life so much easier. He hears the dog, Scooby, agree with the sentiment and hopes the other people can understand him, too.

Unfortunately, one of the women says, "C'mon, guys, the monster isn't real. Here, I'll give you some Scooby Snacks for the road."

And that seems to be the end of that. The man and dog accept the snacks, the people enter the building, and Steve resigns himself to hiding for however long they stick around.

He bunkers down, leaning against the wall beneath the window, and goes back to coloring the floor with markers. This entire room is covered in drawings that reach only a few feet up the wall. Steve isn't tall enough to go any higher.

Right now, he's drawing all the animals in the building. There are the ones that were there to begin with (mostly rats and rabbits) and the ones that moved in after the bad people left (possums and raccoons and cats and more rats). He doodles them marching across the floor, a relaxed smile tugging at his lips as he colors a cat purple.

He's putting the finishing touches on the final animal in the line (the very same possum that came to warn him about the people) when he hears a scream from down the hall. Steve blinks, looking up just in time to see Shag and Scooby throw open the door, slide into the room, and slam it behind them.

They lean against it, sinking to the ground, and finally notice Steve sitting against the opposite wall. "Like, Scooby, please tell me I'm imagining that kid over there," Shag says, his voice wavering and cracking near the end.

Scooby starts out looking as scared as Shag, but then he tilts his head. He hesitates for a few seconds before dropping low to the floor and slowly moving toward Steve. "Scoob, what are you doing?" Shag asks.

Not a ghost, Shaggy!

"Not a rhost, Raggy!"

Steve blinks, frowning in confusion. Scooby talked. Like, actually talked. He talked out loud and Shaggy (it makes as little sense as Shag in Steve's opinion) understood him. "There, like, can't be a kid here!"

By the time he says this, Scooby has reached Steve, looking up at him from the floor with hopeful eyes and an eagerly wagging tail. Steve holds himself back for all of two seconds before reaching out and scratching behind Scooby's ear.

The dog lights up and tries to squeeze into Steve's lap, licking his cheeks and covering him in slobber. Steve laughs, trying to evade Scooby's tongue and utterly failing. "Stop, stop!" he shouts breathlessly, still giggling even when Scooby finally gives him a break.

"Oh, man," Shaggy says, slowly moving from the door to approach Steve. When he's a few steps away, he stops and crouches. "What are you doing here, little guy?"

Steve blinks, glancing at Shaggy before turning his attention back to Scooby. He reaches up, scratching under Scooby's chin and trying to ignore his nerves about talking to another human after being alone for so long. "This is my home," he says.

Your home?

"Your rome?"

"Like, man, this is not a good home," Shaggy says, looking around at the dust and the cobwebs and the possum in the corner of the room. "Don't you have, like, parents or something?"

"Not really."

Can we keep him, Shaggy?

"Can re keep him, Raggy?" Scooby asks, his tail wagging hopefully as he looks at Shaggy over his shoulder.

"Gee, Scoob, I don't know," Shaggy says, frowning slightly as he finally sits down on the floor and hunches over. "A kid's a lotta responsibility, man. We gotta feed him and clothe him and, like, make sure he doesn't get sick."

Steve looks between the two and can't help a slight smile. Shaggy is nice, and Scooby is a dog, which automatically makes him good to Steve. He doesn't mind helping them out a little. "You're here about that lady, right?" he asks.

Lady?

"Rady?"

"Like, what do you mean lady?" Shaggy asks.

"The one dressing like a rat," Steve says, wondering how they didn't make that connection themselves. Haven't they already realized it's not a real rat-thing?

"Oh, man, I guess Velma was right," Shaggy says, a relieved laugh bubbling out of him as he slumps even more. "We gotta tell the gang, right, Scoob?"

Yeah, yeah!

"Reah, reah!"

"Are you trying to catch her?" Steve asks, looking between the two once more.

"Well, like, the rest of the gang's gonna want to."

"I can help with that," Steve offers, smiling reassuringly at the concerned looks that Shaggy and Scooby give him in return.

------------------------------------

Hawkins is supposed to be a vacation. Sort of. There's a possible mystery in the town, but even Velma couldn't confirm for sure, and Daphne had encouraged them to just relax.

Steve is inclined to agree with her, especially when she buys them a house with a pool that Scooby immediately launched himself into.

Still, he can tell that Velma won't relax unless she gets a chance to look around, so he finds her to go on a grocery run. "Oh, you're right," she says when he points out the lack of food in the house. "We'd better get something before Shaggy and Scooby start chewing on the walls."

"We'll set up the bedrooms while you get groceries," Fred says, grinning at them from across the living room. He digs in his pocket and pulls out the keys to the Mystery Machine. After making sure Steve is ready, he tosses them over.

"Please just don't put me in that plaid room," Steve tells him, catching the keys and passing them to Velma.

"I think that would count as cruel and unusual punishment, Steve," Daphne calls, her voice coming from down the hall where she's no doubt started setting up her room. She pokes her head into the hall, smiles at him, and adds, "Don't worry. We'll put Shaggy and Scooby in that one."

"Knowing them, they'd like it," Velma says.

As if he was just waiting for his queue, Shaggy leans over the second-floor railing and shouts, "Dibs on the plaid room! It looks groovy!"

Steve snorts as Velma rolls her eyes with an amused smile. "Come on, Steve, let's get going."

The drive to the grocery store is quiet, with Steve paying more attention to the town around him and Velma focusing on driving. He notes anything that looks weird, like the lack of people walking around. They pass other cars, of course, but even when they drive past what could be called Downtown Hawkins, he doesn't see anyone walking around.

He tucks that away for later, seeing nothing else of note until they park near a pile of bikes at the grocery store. "They're not locked," he says, nodding to them.

"It's a small town, Steve," Velma says, unbuckling as she turns the radio down so their ears aren't blasted when they get back. "They probably don't feel the need to."

"I guess," Steve mumbles, hopping out of the van and waiting for Velma to round the front. He walks next to her and holds the door open when they reach it. "Maybe we can get sandwich stuff."

"We'll have to wipe out their entire deli section," Velma says, sighing as she grabs a cart and pushes it towards the produce aisle. "At least we never have to worry about food waste."

Steve hums in agreement, easily falling into their normal routine of Velma calling out items and him grabbing at least five of them if there's enough in stock. "What do you think about that mystery?" he asks, placing a bag of apples in the cart.

"I think that forest out there is prime real estate," she replies, leaning on the cart's push bar. "Get a watermelon, too, Steve. Anyway, demon dogs aren't the weirdest we've run across."

"They were demodogs. Not demon dogs."

"I still think that was just a typo. Either way, I'm sure we can walk around the forest later and, you know, learn what the squirrels have seen."

Steve crinkles his nose, glancing at her as they make their way towards the deli. "You know the squirrels are too flighty. We're better off with the raccoons. Or, like, the sparrows."

He looks over to see her smirking and realizes she was just teasing him. Steve huffs and grabs as many sandwich meats as he can, getting everything but ham since Velma can't eat it and it gives Daphne migraines.

"Well, whichever animals you interrogate, I'm sure they'll clear up this mystery in no time."

Steve hums in agreement, follows Velma into the cereal aisle, and is about to say they should consider focusing on field mice when a voice from the other side of the shelf says, "Dude, spray cheese isn't gonna help us against the demodogs."

He blinks, pauses, and looks at Velma. She tilts her head, holds a finger up to her lips, and waves off the smirk he gives her at being right about demodogs not being a typo. "Yeah, I know," another voice says, followed by the clatter of grabbing a few cans, "but I want Cheez-Whiz."

"That stuff is gross," a girl's voice says, her tone flat in a way that Steve almost recognizes. He frowns slightly, tilting his head as he silently places a few cereal boxes in the cart. "It tastes fake."

"That's the point, El."

"Shouldn't we focus on lighters and hairspray?"

"I mean, this is technically a spray, right?"

Steve glances at Velma, raising an eyebrow before gesturing to the end of the aisle. She nods once and starts pushing the cart in that direction, huffing in amusement when Steve drops in a few more boxes along the way. "You'd think we're feeding an army," she says, tone dry.

"We might as well be," Steve replies, feelings his shoulders relax at the routine exchange.

They round the corner to see three kids down the aisle, two boys and one girl. One of the boys has curly hair and a baseball cap while the other is wearing a basketball jersey, and the girl has short hair that falls to her shoulders. They're all looking at the shelf, but the girl glances over when Velma and Steve enter the aisle.

She meets Steve's eyes, and he wonders if he's met her before. Her eyes narrow slightly, more in confusion than anything else, and her gaze travels down. He feels it on his arm as she lands on the 004, and her eyes widen as she steps away from the shelf.

Steve glances down at her arm in turn, sees the 011, and feels like his breath has been punched out of him. "Eleven," he whispers.

Next to him, Velma shifts closer, placing a hand on Steve's shoulder. "I'm here," she says, her voice low and more reassuring than she'll ever know.

"Four," Eleven says, walking up to him without another glance at her companions. "Are you here to hurt me or my friends?"

Steve blinks. "What?"

"Are you violent? Kali, Eight, was violent. And angry. Are you angry?"

As she talks, the two boys move to flank her, looking between Steve and Velma with something between suspicion and confusion. "Is this one of your siblings, El?" Basketball Jersey asks.

"Yes. Four. He was...transferred a year before the Upside Down. Four, these are my friends Dustin and Lucas"

"I go by Steve now. And, uh, no, not violent. We're grocery shopping," Steve says, awkwardly gesturing to their cart.

"Steve? You can name yourself and you choose Steve?" Dustin asks.

Steve blinks and frowns. "I didn't name myself. I asked the smartest rat I knew to name me."

The two boys blink as El nods in understanding. "The rat chose well," she says.

"Dude, how many people are you feeding?" Lucas asks, seeming to finally notice the shopping cart.

"Well, one of them is a Great Dane," Velma says. "Hello, El. I'm Velma, one of Steve's...guardians, I suppose. How would you like to come by for dinner? El and Steve can catch up, and you can tell us about those demodogs you mentioned."

"Were you spying on us?" Lucas asks.

"You weren't exactly being quiet," Velma tells them.

Before Lucas or Dustin can start arguing, El cuts them off, "We will come by for dinner. I am glad we met again, Steve."

"Yeah. Me, too," Steve replies, smiling at El and wondering if they'll have to explain how Scooby can talk.

----------

Tag List (please let me know if you'd like to be added!)

@romanticdestruction,

[oatmealdoodles]

My messy thoughts on the new episode

(spoilers for Ghostf**kers)

tldr I LOVED this one the animation saw POPING OFF the writing was great, it was well paced, everything. I just wanted to ramble so here i am talking to no one:

Ok right off the bat i had to pause this like 7 times in the first five minutes because the beginning of this is just packed with insane jokes, glass to see they havent forgotten about being a comedy show

It’s so sad to see Blitzo in this state, especially that it’s been over a month. Like look at this guy he is GOING THROUGH IT.

also this was uncalled for how can you do me like this?

ok like my one problem i don’t like this little Scooby-doo reference with old people. I just skipped it and lost nothing, i don’t know why this is here.

the fight between Blitzo and Millie in the vents was also really well done im so glad Millie is putting up boundaries on dealing with everybody elses Bullshit.

I also don’t hear anyone talking about this but Vivinie Williams (Millie’s VA) did so well in this. Like all the voice acting in this show is peak but I’ve only really heard praise for Brendon and Bryce. Their argument here specifically, the fury in her voice was so well done, bravo.

JESUS CHRIST THEY DID NOT NEED TO GO THIS HARD this scene has been stuck in my head for the past two days, Brandon killed it in he recording booth, the animation is also just so VICERAL. Also the way the fire starts from his hands because he blames himself for it, like Viv went too far with this one. That was not ok.

Bitzo’s panic attack was also done so well. Little detail but i love that when Blitzo screams “Don’t touch me!”, Millie respects this and doesnt, instead comforting him with words. They only touch when he’s calm and ready. Love that.

Bro i was NOT expecting a flashback on how Millie met Blitz, also Millies design slays so hard

the way I gasped.

I also didn’t realize how much I needed an episode focusing on these twos friendship until now. Like FINALLY a Millie episode that doesn’t suck!

Little thing i realized but notice how Blitzo doesn’t make a sex joke at this. Blitzo. Not making a provocative joke. Really just goes to show how UNCOMFORTABLE and SCARED he is. I physically recoil every time I see this it’s gross

Those flashback scenes were also just so brutal. Like chaining his horns so he’s FORCED to watch is so psychotic I can’t.

its kinda sad that Blitzo’s whole motivation for doing this is to distract himself from his feelings, when that’s what he’s literally forced to confront by Ronaldo.

Love a possession story. I can really appreciate how Millie does not believe Ronaldo for a second, she knows that Blitzo would never think that of her and she trusts him enough to be confident in it. Nice subversion, you go girl.

This was so needlessly brutal and funny, they really went all out with this one

Yeah I think that’s all I wanted to day, just again i loved this one and it was definantly worth the multiple-month wait. Though my Hyperfixation has mostly died im hopeful that it will resurrect soon. We’ll have to wait and see.

[bogleech]

the LOUSY LIZARD!!!!!!!!!!!!!!!!!!!

this was when some kind of demon in the 13 ghosts series trapped scooby doo in the sunday comics and the show had to make up its own copyright friendly comic characters and I've remembered this dumb song for decades. I also remember that I was like a tiny little kid and something about platypus duck inexplicably made me uncomfortable. Just felt wrong. I think I knew he was made up for the show and not a real comic? And for some reason that just bothered my brain. Also that he was mostly the same color as my skin perhaps. I didn't like that either. Don't like it now.

[howlsaur]

i actually wanted a mature scooby doo reboot, but NOT LIKE THIS. I didn't want edgy and spiteful, I just wanted the classic show but without the limitations of children's shows. I wanted Shaggy to openly smoke pot and the characters have more developed personalities and relationships with each other. (not just romantically, but mostly i wanted more developed friend dynamics.)

Scooby is such a classic and you could do really cool things with its foundation if you actually cared and put effort in.

[fictionalreads]

Hello do you think you could do this one the reader and Mike are married and she knew about Lockwood but Mike didn't believe her because of Rita, reason, and they had an argument he said something that he should never said and she got kidnapped while being months pregnant 😦😦😦😦

A/N: HIIIII!! I'm so sorry this took so long, I was out of town and then had to get back in the rhythm of things once I got back. Writing for Mike (where it's his story and he's not playing the role of narrator for the sake of Armando) was different. I included Rita but I just couldn't make her the reason he didn't believe reader, I just felt like she and the reader wouldn't have beef so that was changed but I tried to stick to the rest of your request. I hope you enjoy this! 🥰 Title from Forget How to Love by Meghan Trainor

I Know Your Words Shouldn't Hurt Me, But They Hurt Me

Fandom: Bad Boys Movie

Pairing: Mike Lowrey x reader

Warnings⚠️: Um... Relationship issues? canon typical violence even though its mostly talked around

You knew when you married Mike Lowrey that he was used to doing things alone, that moving as a unit didn’t come naturally to him. Sure he had Marcus and they were a well oiled machine, but it didn’t start that way and at the end of the day Marcus had a family that was his priority no matter how much he loved Mike.

But Mike was your priority, you’d go through hell for him.

He knew this, but after relying on himself for so long, he didn’t always come to you first. His initial reaction to anything was to internalize and figure out a solution, only coming to you after he failed on his own. You were used to it, but it didn’t make it less hurtful every time he did it.

You on the other hand, preferred talking it out with him. You liked to explain the issue to him, not looking for him to fix it, but rather to vent it out to someone you trusted, someone who would let you think through it all out loud, sometimes offering his own two cents. You usually were able to solve the issue on your own while talking it out, but having him as a sounding board made you feel less alone. Mike was good at listening to what you had to say.

Which is why you were so surprised when he was dismissive about your concerns.

“I’m telling you, something is off with Lockwood,” you insisted.

“The man is one of the best U.S. attorneys I’ve ever worked with. He’s part of the reason AMMO exists and has tried a lot of high profile criminals that nobody else would touch cause they were afraid of the blowback.”

You shrugged, having already thought of this too. “The best criminals hide in plain sight, gain your trust and make sure you’d never think of them.”

“This ain’t Scooby Doo, alright? This is the real world, let’s get back to reality please.” You knew he didn’t mean anything by it, not really, but it felt like a dig.

“You don’t believe me? You think I’m making it all up?” You were defensive, ready to 

“I never said you were making it up, I’m just not convinced. What proof do you have?” He placated.

He had you there. There was no concrete evidence, nothing specific that made you feel like Lockwood was hiding something, but you just knew he was.

“I don’t have any, it’s just a gut feeling. Intuition or whatever you want to call it.”

“Intuition? You want me to investigate a man who will probably be the next mayor of Miami cause you feel something?”

He was being dismissive at best, belittling at worst. It irked you, especially because you knew he had done exactly that for others before. So why not for his wife?

“Would you do it if it was Rita?” It was a bit bitchy to ask, considering Rita had been nothing but kind to you despite being Mike’s ex. You had thought she’d be a point of contention for the two of you when you first started dating and you found out he worked with her all day, but it wasn’t. You weren’t using her now to pick a fight, just to prove a point. You knew if any of the AMMO team had come to him with the same amount of information you had, he’d chase every lead until there was nothing left.

“What?”

His surprise was warranted so you clarified, “would you look into it if Rita came to you and said she felt something off about Lockwood?” 

“Why are you bringing Rita into this?” His evasive answer made the hairs on your neck stand up. Why wouldn’t he answer the question? You were prepared for him to say yes and for you to point out the hypocrisy of his answer, but him refusing to answer? It put you on edge.

“Why are you ignoring the question?”

“I’m not.”

“Then answer the question. Yes or no?”

“Where is this coming from?” Another avoidance.

“Yes or no Mike?”

“Yes! Okay? Yes I would.”

“Why?”

“Why what?” He knew exactly what you were asking and honestly you were almost afraid of what this was leading to, but you couldn’t seem to stop yourself, to diffuse and come back with a calmer head so you pushed some more.

“Why would you do it for her and not me?”

“Don’t do that.”

“Is it because she’s a cop?”

“Y/N,”

“Or because you’ve known her longer?”

“Y/N,”

“Is it because she’s dating him and therefore closer to him?”

“Because I trust her!”

And wasn’t that a slap in the face.

“And you don’t trust me?” You whispered.

“Y/N,”

“What are we even doing if you don’t trust me Mike? What was the point in exchanging vows and being together if you can’t trust me?”

“I didn’t mean that.”

“You still said it.” Mike was at a loss for words, staring at you, hoping you’d understand but you couldn’t. The man you loved just told you he didn’t trust you. You had never felt so unmoored in your life. Everything about your relationship had just shifted in your view. “I’m gonna go stay in the guest room for the night,” you managed before turning away from him.

That had been the last time you saw him before he became a wanted man and you were kidnapped by McGrath. What you wouldn’t give to go back to that night and talk it all out instead of allowing hurt feelings to run the conversation. Now you could be killed before you got the chance to fix things.

You had faith in your husband’s abilities but McGrath held you and Marcus at gunpoint, blocking Mike’s view of himself.

“What you don’t know is one of ‘em can’t die.”

What the hell? Since when did one of you become immortal? What the hell was he doing? You missed his and Marcus’ exchange because you were so confused by the first statement, only jolted out of your thinking by the gun going off. Mike had shot Marcus to get him down and then shot McGrath. It was over, and Mike was running to you.

“I trust you, and I love you. I’m sorry I didn’t believe you before,” were the first words out of his mouth. He cut your restraints, pulling you into his embrace.

Too high off the adrenaline of the past day, you couldn’t have a real conversation about it with him so you let him know it was okay with a joke. “Bet you’ll never doubt my intuition again.”

He laughed and went to say something when you both heard Judy over the comms saying she’d found Armando. He looked at you in a panic, clearly not wanting to leave you but needing to get to Armando. “Go, I’ll check over Marcus and get us back to the team.” He didn’t waste another second, running to find his son.

It was later when you were escorted to an ambulance that you saw him again, rushing to get to you.

“Everything alright?”

The medic looked at you for permission to speak. “It’s okay he’s my husband.”

The medic nodded, answering his question with, “Its just a precaution sir. We just want to make sure there’s no hidden wounds that are being masked by the adrenaline.”

You were helped onto the back of the ambulance and the medic began her examination, checking your head for wounds and asking if you were hit at any point, blacked out or fell into something hard. You answered in the negative, stating you were pushed around a bit but not hit or thrown into anything. Any falling was the result of trying not to get hit by a bullet or the chopped that crashed. When it seemed she was about done with her examination you spoke up.

“Is it possible to do an ultrasound?”

“Ultrasound?” “Of course.” Mike and the medic spoke at the same time.

You reached out to grab Mike’s hand, tears in your eyes. “Yeah, an ultrasound.” Mike looked dumbfounded and you continued to look at him even as you spoke to the medic, “My OB said I was about nine weeks.”

The medic noted the information and readied the ultrasound. Before long the sound of your baby’s heartbeat filled the air and the fear you’d been holding back burst through you in the form of relief. Uncontrollable sobs wracked your body knowing you had managed to keep your baby safe. Mike held you closely, trying to calm your breathing.

You knew the two of you had some tough conversations in your future but right now all that mattered was that your little family was safe.

[laundrybandit]

never posted something like this but im in a mood rn;

CG DEAN WINCHESTER

watching him struggle to put a car seat in the backseat of the impala because i dont think those have seatbelts (heas swearing and shaking it around angrily but its fine because hes mostly joking) ((bonus points if he calls sam and says ‘the damn thing’s haunted or something!!’))

sitting in the back on a trip and complaining about being cold (old cars yknow) and he just tosses back one of his jackets and its so big it just swallows you whole

a ridiculous amount of baby jokes, walking back to the car “alright kiddo, you driving?” or acting shocked at a bill and asking if you brought your wallet, “whadda you want? cheeseburger? nahh your too little for that-“

making dinner while you babble and play in the floor, occasionally chiming in with a “uh huh/ no way??/ tell me more!”

running around wearing his clothes and playing ’hunter’ (hes the monster and just tickles you when you get caught)

getting ridiculous matching accessories (big pink sunglasses, clunky bracelets, plastic gem ring)

[🫎: “uhh dude? what are you wearing?” 🐿️:*wearing the most obnoxiously large and glittery sunglasses with neon hair clips all over* ”its called fashion sammy, you could learn a thing or two🙄”]

headbanging/air instrumentals to childish songs (acting like the ABCS is the heaviest metal hes ever heard)

OBVIOSLY watching scooby doo with you. how could i forget that

[matan4il]

911 ep 710 first watch reactions

Ha, so Chris is upset, Eddie is distraught and his go to person is Buck, who drops everything else and comes over right away. And not for the first, or second, or third time. Yes, this is exactly how every platonic friendship I've ever had has played out.

The way Buck reads Eddie, knows him so well, that Buck can vocalize the part that Eddie can't say out loud right away... Soul mates.

"What you always do." Married soul mates.

LOL The way Hen and Chim don't even blink when Buck and Eddie show up at the hospital together, like the married couple they are. XD

This group of fire fighters being the best amateur detectives on TV since the Scooby Doo gang will never not be funny. Also, highly implausible, but that just makes it funnier.

"You go to hell!" "You first!" So 911 was having a western kink kinda month, and decided to set up this very likely storyline, just to be able to quote Tombstone? Hmmm.

"This one, we both walk out of." See, 911 is the show where I can roll my eyes 30 times during a storyline, but the climax moment still gets to me with its humaneness. That's the show's power. And the follow up reunion with Bobby! I had no doubt he'd live, but it was still very emotional to walk with Athena down the hospital hallway into his room and get to not only see, but also feel it.

"Bobby is the father I've never had." We know, but it was still nice to hear. "Your father's alive." Oh, Tommy. How little you understand Buck. "So maybe we both have daddy issues." "I don't." "But you think I do." "God, I hope so." lol Is this supposed to be flirting? If so, it's so off the mark for me, the dart ended up in outer space. I mean, Buck obviously has daddy issues, and I guess whoever needed that confirmed can celebrate (I'm sure there will be even more fics digging into this now), but pointing that out in the middle of a date is hardly the sexy move this ep's writer seems to think it is? IDK, I'm obviously a Buddie shipper, I like BuckTommy better than any other r/s Buck's had with a non-Eddie person, I do enjoy it as a part of Buck's journey (and I also generally believe in ship and let ship, even when something isn't my endgame), but even if I was a BuckTommy shipper, IDK that I would have liked that line. Especially when it treads a bit close to the issues I had with the BuckAbby r/s, which the show has never properly addressed. Oh, well. I'm still mostly amused that someone thought this was a great flirty line.

"He's 13, he should have a say!" To be heard? Yes. To have the final say? No. He's 13, not 18. There's a reason why at that age, we don't let kids make decisions for themselves yet. Also, the Diaz parents trying to pretend like the fact that Chris suggested him living with them for a while isn't their secret fantasy come true (or that they have no past where they hurt their son with this idea) is just crude. Also, hinting to Eddie that if he doesn't let Chris run away from his problems, then he'll be just like Ramon, is fucked up.

Also, kinda hilarious that Buck and Eddie's daddy issues are both brought up in the same ep. Sometimes being soul mates means exactly that, getting your partner perfectly because you have the same emotional baggage.

So, Chris is leaving, and the first one to talk to him on screen since the Kim debacle, and since he got the green light to go, is Buck? And Buck's also still there for the actual parting moment? Speaking of actual dads rather than bio ones...

I really liked Eddie just hugging Chris, using no words. There might not be anything he can say to fix this right now, but he still loves his son more than anything, and he can still let Christopher know that. And then when the message didn't get through, even though he's not a words person, Eddie managed to verbalize it. Don't mind me, I'll just be bawling quietly in the corner.

Buck's comforting hand on Eddie's shoulder is the real MVP. <3

I'm glad Mara's back in touch with Hen, Karen and Denny, but this feels a bit like a "deus ex machina" moment, even if it's just to wrap up the season finale, and not the final resolution of this storyline.

Bobby and Amir are actually so similar. They both lost everything, they both were at their lowest, they both chose to help others when they had nothing else left to live for. That handshake was a nice ending to their story, and it did feel more "earned" for not coming quickly or easily.

Ha, that ending. It's a good twist of events as a build up for season 8, it's just interesting because 911 doesn't usually do end of season cliff hangers. I also feel like, knowing the show, I can already predict more or less how it will turn out, so I'm not even feeling that much suspense. But it's not a bad turn of events, so long as it works for most viewers, I suppose. Overall, I enjoyed most of season 7, it feels revitalized, better paced and structured (despite being shorter) than seasons 5 and 6, and I have no doubt everyone will flock back to see how things unfold in season 8. Especially when this season was a nice reminder of everything this show can do right, and why we love these characters and fire family so much.

Thank you for reading! If you’re looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

[thefourchimes]

lots of encanto AUs i want to talk about so here you go

so uh, i've been brain rotting and hyperfixating on encanto for a bit now, and its been very fun

tho i've barely talked about some of the ideas and aus i have and want to share, so i guess i want to do that now in a way, so uh... (mirabel voice) lets go lets go

List of AUs here:

Time Travel AU

Big Hero 6 AU

[Redacted] AU (not the au's actual name, hidden for reasons)

Ghost Cocoon AU (fusion idea au i came up with of the cocoon au by @raefever and ghost grandchildren au by @jerseyk112, both found in @gamerbearmira's blog)

Giftless Grandkids AU (idea by anon, also found in @gamerbearmira's blog)

Undertale AU

Gravity Falls AU

P.S. some of these au ideas are not originally mine, but i've contributed to them in some way, and i've credited and tagged the creators

More information of the AUs found below

1. Time Travel AU

first au i've ever thought about, cool hue sisters centered, because i love them sm and i was still finding my footing in encanto and the fandom when i thought of this au, and yeah

its where isabela and luisa get sent back to the past after going after and protecting mirabel as casita falls

i gained the idea after seeing how the two older sisters were still so terrified of alma and disappointing her that they couldn't stand up for mirabel and for themselves, but as casita was falling, they weren't about to let their baby sister go, not after everything

despite this being the first au, its also still really vague and barebones in a sense, not much planned yet and its all just vibes, plus i just really wanted a cool sisters au because i love them sm

2. Big Hero 6 AU

ah yes, big hero 6 au, my beloved

came to be when i figured out bear aka @gamerbearmira's reference in one of her encanto one shots, the scooby doo one where they got arrested, and she used bh6's aunt cass' rant for alma's rant in said one shot, and then it led me to realize the potential of encanto big hero 6 au with bear, so that was fun

there's a post in bear's blog for the au, so you can check it out

there's a bunch more info that we haven't shared yet, but it's all written up in the docs for it, so yesyes

honestly been a bit since i touched the au personally, as i keep getting distracted by the other ones below

but yeah, planning on exploring of this au soon <3

3. [Redacted] AU

ah yes, this au, the 120 and counting pages one in my docs

and the 120 pages are mostly just details and planning for the au, not a single written thing yet

this au is not called redacted au, but the name itself is redacted because the word itself is a bit of a spoiler and im still trying to find a better name for it in general

i have no idea how to explain this au

first thing to mention is how its very much inspired by Take Back the Kingdom by @optimistic-violinist and @impossiblefangirl0632 (sorry for the tag, i can take it out if you'd like) and i really really recommend this fic, its so so good and it changed my brain chemistry on so many levels

so yes, i really got inspired by this fic, and it will very much be shown in this particular au with some things and tropes, but ofc im doing my own spin on stuff and the details, and from what i have rn, i think it really evolved and is still evolving as time goes on

another thing to note about this is how the idea came to be because of TBTK inspiration and a dream i had on the day i was taking a metaphysics midterms exam (this is completely unnecessary to mention but oh well, i still remember that moment so vividly)

the dream impacted just exactly how this au is going to go

what is the dream about? you'll find out whenever i get to write this au

all i can say without spoiling much is that there are lots of memory shenanigans and angst, plus the very fun trope of "your found family is your actual family"

also once more, read take back the kingdom, very good fic, 11/10, much recommend, will reread again

4. Ghost Cocoon AU

this au is the fusion of the Cocoon au and the Ghost Grandkids au, both still found in @/gamerbearmira's blog

ghost grandkids au is from @jerseyk112 and cocoon au is from @raefever, and ofc bear has a lot of ideas and thoughts for these aus in her blog

i was rereading bear's cocooned fic for the 17123723507 time and while i was at it, i remembered the ghost grandchildren au, so i decided it would be pretty fun to fuse the two aus together in some way

and so i did (first ask, second ask)

basic premise of this au is really just the ghost kids' healing and them protecting their younger selves and their family

this fusion au interested me so much that it got to the point where i actually wrote a 3683 word first chapter of sorts(?) for this fusion au already (bear has seen it but i havent posted it at all)

planning on continuing it when i feel like it tho hehe

so yes its been wild with this one

5. Giftless Grandkids AU

giftless grandkids au, my beloved

just as the name says, au where all the grandkids are giftless

all i can say is everything and nothing changes all at the same time with this

this au was sent and suggested by an anon in bear's blog

this is also the one where bear and i went wild on for the past few days

pretty sure bear is gonna be writing this au, if im not mistaken? so its very exciting

there's a lot in store for this au and it'll be fun

6. Undertale AU

undertale au yesyes

not the type where the characters are these characters tho

this idea is where we'll be throwing the grandkids into the underground for an adventure of a lifetime!

so basically characters of one media meet characters of the other media type

and the kids are gonna be going through the plot of undertale, technically in frisk's shoes here

this au is still very vibes and not much planned, there's lots of potential to play around tho, so im thinking of exploring this at some point soon

7. Gravity Falls AU

gravity falls au this time!!

now this au is the one pure vibes one, absolutely zero planning or thoughts, just vibes and aspirations for it

not even sure if it'll be like the undertale au where characters of one media will meet characters of the other media or if it'll be characters from this media are gonna be these characters of that media in this au

i just thought it would be fun to have an encanto gravity falls au idea, but still dont know where it'll be going in general

-----------------------------------------------------------------------------

So that's about it, there's actually a few more ideas i havent mentioned yet, but let's just say these ideas are exactly like the gravity falls au vibing no planning, except much worse in a sense, so i have no idea what kind of footing there will be at all with those aus

but anyway, i digress, these are some of the ideas and aus i have and would love to share and write and uh, yeah

if you have any questions on these aus, feel free to ask if ever, my asks are open (this is the first time im saying this in a post omg help)

but anyway yes the brainrot and hyperfixation is real

if you got here to the end, congrats have a pic of my dog for your effort and dedication <333 see you around <3

[edgy-ella]

Okay so this is mostly in response to stuff I’ve seen on Twitter but I have to get this off my chest

I hate this new discourse of like “oh no! <insert universally hated piece of media> was cancelled/sold poorly! Now everyone working on it is out of a job!” Are you serious?

Obviously, it’s important that artists, no matter what field they’re in, find work. I wish everyone who worked on stuff like Velma or Concord or whatever the best. I hope you can keep paying the bills doing what you love. But come on, you guys. Do you really think that keeping bad shows alive with pity points will do the industry any favors?

Studios shouldn’t hold animators/writers/game devs/etc. hostage to make us to consume their garbage. Taste is subjective, of course, and you can absolutely love and adore something that doesn’t land with critics or audiences. But if a show gets bad ratings, it gets cancelled. If a game sells poorly, they’ll stop selling it. If a movie doesn’t make back its budget, it won’t get a sequel. And that’s a good thing.

You want to know what the alternative is? Studios pumping out low effort, bad faith media that lives and dies by if they can generate enough shock value to drum up any initial hype and/or discussion. Then once those products launch, people continue to engage with them out of fear that the poor creatives that were forced to work on them will lose their jobs otherwise. Do you really think that’s a healthy path for any industry to go down?

As with most things, you’ll find that the issue here isn’t that the show was cancelled or the game didn’t sell well or, as I’ve seen some circles claim, that the writers behind these things are all talentless hacks. You can almost always point your finger at the producers, the CEOs, the fat cats that decided to invest in something that was realistically always a bad idea. Did anyone really want a gritty Scooby-Doo spin-off that seems ashamed to be a Scooby-Doo spin-off? Did anyone really want to see a Joker sequel where the Joker gets raped in prison? Stop pretending you did just because some studio executive is an asshole for firing their artists after these ✨masterpieces✨ don’t land with audiences.

I get that the entertainment industry is in a rough spot right now. CEOs are all too willing to shut down studios and lay off workers just to line their pockets, and it’s frustrating when projects get the boot, whatever form that may take. I’m still reeling over Coyote vs. Acme. But keeping something like Velma alive, a show that was promoted almost exclusively through hating its own audience, will just make the problem worse in the long run. Who’s to say the animators working on it wouldn’t have gotten fired anyways the second a cheaper alternative entered the scene?

You are the audience. Demand better. Don’t feel pressured to support a show or movie or game you don’t like for the sake of the people working on it, because chances are, they don’t like it any more than you do.

[anim-ttrpgs]

Clearing Up Some Confusion: Eureka: Investigative Urban Fantasy is Not Powered by the Apocalypse

There has been a little confusion cropping up here and there regarding our game Eureka: Investigative Urban Fantasy and its relationship to the Powered by the Apocalypse system, A.K.A. PbtA, which we would like to hopefully clear up in this post.

PbtA is a very popular system for indie RPGs lately, it’s safe to say most of the indie RPGs we see cross our dashboard use it, in fact, and since Eureka: Investigative Urban Fantasy is an indie RPG that also happens to use 2D6+Modifier dice rolls, we can see where this assumption might come from. However, Eureka: Investigative Urban Fantasy is not a PbtA game, nor is it a ‘hack’ of any other game. It is an original from-the-ground-up system that uses 2D6+Modifier because 2D6+Modifier is just a very good way to roll dice. It’s very predictable, and dice results that are randomized yet still predictable are beneficial both for players playing the game and for us designing the game.

Eureka: Investigative Urban Fantasy actually does take inspiration from other games, even PbtA games like Monster of the Week—though in Monster of the Week’s case, that “inspiration” often took the form of doing the opposite of what Monster of the Week does, because we actually found MotW far too restrictive and limiting in its character creation and other elements for the kind of game we wanted to play—but also Call of Cthulhu, Trail of Cthulhu, Gumshoe, Shadowrun, AD&D2e, etc, both in the “do what they do” and “do the opposite of what they do” sense. In fact, if your TTRPG doesn’t take inspiration from a good number of other TTRPGs, that’s probably a pretty bad sign.

Eureka: Investigative Urban Fantasy also takes a great deal of inspiration from non-TTRPG sources, some of which are probably pretty obvious and some of which might surprise you, such as Blood(1997) and Warhammer 40,000(the tabletop wargame specifically, not so much the lore). Other inspirations include but are not limited to: Kolchak: The Nightstalker, The X-Files, XCOM(the reboots, not so much the originals), Columbo, Hardboiled, Dracula, Sherlock Holmes, Scooby-doo, too many horror movies to list, etc.

That got a little off-topic, but this is supposed to be a promotional post for Eureka: Investigative Urban Fantasy as well, after all—plus, I get excited.

Anyway, the point of this post is that the 2D6+Modifier dice system is where the similarities between Eureka: Investigative Urban Fantasy and the PbtA system end.

To elaborate, here are some—but not all—of the biggest differences:

No “Classes” or “Playbooks”

All PCs in Eureka draw from the same list of Skills, and spread their skillpoints around them how they see fit; as well as a collection of 3 gameplay-altering Traits that can be mixed and matched in any way, rather than being a set collection of “moves” or “class features”. This does not mean that all PCs are the same, Traits can make them vary wildly in how they play mechanically.

There are what could be considered two or three “categories” of PC in Eureka: Investigative Urban Fantasy(Mundane, Mage, and Monster), but these are not “classes” or “playbooks” in any way, they mostly determine what lists of Traits the PC gets to draw from, and due to the wildly gameplay-altering nature of these Traits, two Monster PCs in Eureka are likely to be far less similar to each other than two PCs both using The Monstrous playbook in Monster of the Week, and far less similar to each other than two Fighters in D&D.

Making Multiple Rolls per Scene

In PbtA games, it is fairly common for a single dice roll and a single “move” to dictate the outcome of an entire “scene”. In Eureka: Investigative Urban Fantasy, this is not the case. PCs may make multiple rolls of different Skills or multiple subsequent rolls of the same Skill within a single “encounter” or “scene”.

NPCs Make Rolls Too

That brings us to our third big difference for this post, the fact that NPCs also make rolls. In most PbtA games, NPCs do not make rolls, only the PCs do, but in Eureka, that is not the case. NPC stat blocks are not as robust as PC stat blocks, but they do still make rolls in the same manner the PCs do, especially in combat, which brings us to the last point I’m going to make in this post because I’m running out of time.

Deep, Intricate Combat Rules

Eureka: Investigative Urban Fantasy is not a combat-focused game by any means, the party will probably only get into 1-2 skirmishes across an entire mystery, but when those skirmishes do happen, they will be played out using deep, tactical combat rules with multiple types of attacks and combat moves, including mechanical crunch for things like positioning and cover, multiple types of damage, environmental damage and effects, etc.

All of this should be telling you that Eureka: Investigative Urban Fantasy is not only entirely different in its core systems, but also an overall crunchier and less improvisational-ruling system than PbtA, with tons of freedom in its character creation as well as plenty of rules and guidelines to help GMs make fair and realistic resolutions on the fly. That is not to say that Eureka is a complicated TTRPG, nearly everything in the game runs off the same core 2D6 system, making it very easy to learn and memorize—the rules crunch just means that if the outcome or appropriate modifier of a roll is not immediately obvious, you can rest assured that you can find a solid answer or at least a guideline with just a quick flip through the rulebook, either during or after the session, whatever is your preference.