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they-lived · 27 days ago

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The FMA 03 Post

Welcome to the FMA 03 Review no one asked for lol it’s 6 pages of rambling and barely making a point y’all can definitely keep scrolling

TLDR - there’s a lot to like about this series and while this story delves more into tropes and storytelling themes that I am personally not a fan of, I’m glad I watched it! It’s a little convoluted and even though I wish they’d focused on some parts more than others, I overall enjoyed this chaotic binge session.

I’m breaking down my review into four sections: Things I Really Dig, Things I Wish They’d Explored More, Things I Didn’t Vibe With, and Final Thoughts

Keep in mind that I did not grow up with this series, I watched Brotherhood for the first time last year as an adult and had no exposure to the manga or any FMA content beforehand. I went into this bitch basically blind and did so very deliberately. Having said that, in this review I will try to talk about the series in a way that is divorced from Brotherhood as much as possible because they’re stand alone series as far as I’m concerned - I will probably fail at this but I’m going to try.

Also quick disclaimer: if the more negative parts of this post end up longer than the positive it’s because I feel the need to over explain myself. I’m not trying to be a negative bitch I just feel like if I’m going to be critical I need to come correct and thoroughly explain why I feel that way lol.

Things I Really Dig:

I enjoyed how much backstory everyone got. I feel like Trisha especially got much more fleshed out as a person and I liked getting to see more instances of her being such a present figure in the Elric’s childhood. I also loved getting more side adventures before we dove dick first into the thick of the main story, all the side quests were entertaining and were generally really fun little romps with the boys. The first half of the series is entertaining and introduces really fun side plots that build up the world and the characters in interesting ways.

I loved getting more time with a few background characters! More Maria Ross and Sheska was a huge win for me personally and having more episodes with Hughes and Nina before the horrors was a treat. I also enjoyed Winry getting involved in investigating Hughes’ murder with Sheska which I was very skeptical of at first - that turned out much more fun than I was anticipating.

Jumping off of the above point - I really love what they did with Shou Tucker. What a concept to make him in to a recurring villain who was so unsettling and so fucked up! I think they could have used him more but that’s a minor gripe because anytime he showed back up I was really invested. Very impressed by where they took his character.

While I can’t think of any specific lines that really got me, I enjoyed the dialogue in this show a lot. I had some laugh out loud moments and some moments where I actually audibly said ‘damn that’s a sick line’. Yes, I did watch this show alone with my cat and still talked to myself about it, I like having fun lol. Some sequences were hokey but in a way that leaned in hard to its cheese that I personally really like. I’m a simple girl with simple needs, give me over the top banter and lean into it and I will probably like it lol.

Things I Wish They’d Explored More:

While I think the idea of the homunculus being a result of human transmutation is an interesting concept, I feel like they didn’t delve into this idea as much as I would have liked. Lust’s backstory and integration was by far the most well done in this regard but most of the other homunculi did not get the same level of investment as her. Envy’s backstory is fascinating but they didn’t do much with it and I would have loved to see more of it. I also like the concept of Sloth being the boy’s mother but wish she had been utilized more and honestly weaponized against them. Bradley was the most disappointing in this way but we’ll get more into my thoughts on him later. Also RIP Gluttony, you’ll never get a backstory buddy and that’s rough lol.

They mentioned a few times that the homunculus are a result of ‘failed’ human transmutation which implies that it can be successfully done. It would have been super interesting if we found out there was a way to do it successfully and what that would look like. I think it’s implied that’s what Dante and Hohenheim were doing but I was honestly unclear about that… I think it’s also implied that Nina at the end is successfully transmuted but once again I was unclear about that so my question still stands lol. Would it still make a homunculus? Would that person know they’d died? Would the alchemist still see the gate? Then that could lead into one of the alchemists we know (probably Ed lol) goes mad scientist for an arc which could be super cool. It’s something I would have been interested to see.

I felt a distinct lack of political machinations going on in the background in this series. I assumed that there were some things going on behind closed doors because of my familiarity with the world but I wish we had gotten to see more of it. When Mustang and co were doing their thing I really enjoyed it but it was too few and far between for me. What we got was great. I just wanted more of it.

Jumping off of the above I missed team Mustang shenanigans. I love that team of losers and I wanted more of them because they were written in really fun and interesting ways.

Things I Didn’t Vibe With:

I feel like generally the characterizations of most of the core cast were weaker than I was expecting. I really didn’t like how they used Bradley, I never found his presence very threatening or interesting, we didn’t get to see him engage with the plot much, and I generally felt like he wasn’t involved in anything going on until his fight with Mustang at the end; Wrath had an interesting set up but I felt like his character never really went anywhere nor did I feel like he was presented in a way that intrigued me, I was mostly left feeling ambivalent towards him at best and annoyed by him at worst; Scar wasn’t particularly engaging and I felt like I got lost in the sauce with his character more than anyone else, I felt like a lot of his arc went unspoken or was meant to be internal but as a result I didn’t feel connected to him - also I’m straight up begging for us to stop having character be secretly in love with their sibling’s partner I have never been able to get behind this and it did Scar no favors here; something about Izumi in this iteration rubbed me the wrong way, I think it’s because she had a lot of big plot pieces in her back pocket that she didn’t tell the brothers and her lack of empathy upon learning that the boys did the taboo rubbed me the wrong way; I’m sorry to say it but I really didn’t like Al in this version, I felt like he would swing wildly between being active and passive (biggest offender of this was ‘we need to do something to stop the homunculi!’ and then we start trying to address the homunculi and he’s mad that we’re killing them… when we have no reason to believe there’s any other way of dealing with them because at that point we know the philosopher’s stone takes human lives to create and even if we did have one we don’t know how to use it to help the homunculi become human… which what does that even mean are we going to be sapping souls out of the ether? I digress) and beyond that he often got relegated to hanging out with side characters I already didn’t particularly care for (Martel is the main one who comes to mind). I think this issue is a consequence of the more sprawling story because everyone has so much to do in a given episode, let alone the whole story, their development is either quietly lurking in the background or never fully addressed. I found more of the characters to be less intriguing and their arcs to be harder to follow. I’m still not sure why Scar decided to run off to make a philosopher’s stone or why Hoenheim didn’t do anything during his confrontation with Dante. Ultimately, this cast has more stuff to do but as a result I felt like they weren’t as well defined or explored.

I really didn’t vibe with Dante as a villain, while I understand her motivations and I think she was serviceable for the story being told - I didn’t find her threatening or enjoyable to watch (which in my humble opinion you need at least one of those things for a villain to work). It might have been because she really isn’t around much but even when she is I felt like she didn’t add a lot to the scenes she was a part of. I’m thinking of the arc in Liore specifically, because yes she’s there and grooming Rose to join her but it’s never a major focus. By the time we reach the end and she is revealed to be the mastermind she is extremely powerful, yes, but I weirdly never questioned how we were going to defeat her. I just kind of vaguely assumed she would be the source of her own demise and that’s exactly what happened. Even her confrontation with Hoenheim left a lot to be desired, especially considering their shared history; which we find out about in the same episode that she sends him to the other side, so any emotional weight we could have had with her is thrown very quickly out the window.

This show suffers from the overuse of a trope I personally can’t stand, which is the ‘I’ll tell you about this plot point at another time’ - and yes most anime, books, and movies do use this trope including Brotherhood - trust me it bothered me there too - but it came up a lot in 03. Izumi gets saddled with this the most consistently (which probably contributed to me not enjoying her) but much more egregiously the Elrics themselves do this a whole lot to each other. There are so many times between the brothers where they should be having a conversation to propel the story forward, but instead, we stall for time with an attack or a completely different plot point that makes the show take a sharp detour for an entire episode or more before we get back to that conversation. This is a personal pet peeve of mine in general, but especially in this story where there is so much going on that every diversion muddied the waters more than it needed to. There were many times I felt like I was missing something or that I hadn’t kept up with the story only to find out at the end of the episode that a conversation which should have been at the start of the episode hadn’t actually finished and we were finally getting back to it.

I don’t like how the Ishbal War was handled in this version. It’s very referential to a lot of characters' backstories and it comes up in conversation often but something in the way that it is presented isn’t as engaging or emotionally impactful as it should have been. I think this comes from less of our core cast being involved in the war (only Mustang, Kimblee, Armstrong, and Bradley were there as opposed to Hawkeye, Hughes, Mustang, Armstrong, Kimblee, Envy, and Bradley) and thus we have fewer perspectives on what went down. Yes the chimera being the ones to start the war and recontextualizing it was an interesting concept but I feel like it weirdly made the whole thing less engaging. I think this is a case study of my biggest qualm with the series as a whole. There were so many moving parts that I found it difficult to keep up with and as a result was less engaged with it and started more passively consuming whatever they threw at me next. The story of the war starts with us being fed the ‘a child was shot and as a result uprisings started’ narrative but the chimera are actually the ones who started it pre-chimera transformation, but then how did that story about the child being shot get started? Who’s the real Juliet Douglas and why did the homunculus re-use her identity? That seems like a weird slip up for these otherwise very smart competent beings to make in their master plan. Are we expected to believe they didn’t think anyone would notice because they simply think they’re better than humans? Because otherwise they waste a lot of effort covering their tracks in other ways if they think it’s pointless. Also it seems like only the state alchemists were sent in to deal with the Ishbal war but I might have just gotten that confused because we don’t know of any non-alchemists who were there. Then we have the Dr. Marcoh of it all and the war kind of seems like violence for violence’s sake? Like Dr. Marcoh did make the stone presumably from the casualties from the war but I don’t think we ever get confirmation of that. And he does have a philosopher’s stone and the military does seem to have them but Marcoh’s is the only real one - I assume - which begs the question how did he get away/why wasn’t searching for him priority number 1 for Dante and co? Why did they just start trying to make a new one instead? Also Scar's brother made a stone and we never get an exact number on how many souls need to be used to make a stone so presumably Dr. Marcoh could have made dozens of them but only he had a single real one? Or did he have multiple and he stole all of them and this is the only one left? Since Marcoh is eaten by Gluttony like two episodes after we meet him his story never gets fully explored or explained beyond Mustang helped him escape, but that leaves open a lot of unanswered questions. We see from Al’s disintegrating body that even the real philosopher’s stones take something from their host so have the other stones disappeared? Does Dante know this? Then to muddy the waters further we never get a proper ending for the Ishbalans because all of the attention goes back to Liore and unless I really missed something none of these threads link up by the end. It’s just kind of hand waved off as we move into all the other things going on. It just felt messy and weirdly impersonal even with meeting those two kids who were actually there and it honestly feels tangential to Scar’s character as well, which is pretty unfortunate as the war arc is so impactful to me as a viewer. I can’t exactly pinpoint why this version of the war was less engaging for me but something about it felt oddly impersonal, like no one was trying to right those wrongs or pay homage to the past, it was just… background noise.

The overall theme and messages - now as a disclaimer I prefer happy endings and hopeful stories so if I had been forewarned about 03’s ending (which I actively avoided as previously mentioned I went in blind and I did so on purpose) I probably wouldn’t have had a problem with it… however, this series didn’t end in a way that satisfied me, even excluding the real world/parallel universe stuff which I will not be touching in this review. The end debate boiling down to whether or not equivalent exchange is a fundamental rule of this world translating into ‘does hard work pay off’ isn’t inherently bad or poorly executed - they do spend a lot of time building into the concept and I think Dante’s monologue was well done - but they also just don’t answer their own question. The cycle kind of perpetuates itself with Al and Ed separately trying to figure out how to reunite. It’s unsatisfying not because it’s morally ambiguous or not traditionally ‘happy’, but because it presents a story without a conclusion. I’ve heard that Shamballa is the true ending of 03 and maybe that’s true but the series concludes in such a way that I felt like pieces of the puzzle were still missing. Dante gets killed off screen by her own creation, two of the homunculi are still at large, and our main characters are in the same situation they started their story in. Yes, the world is better off because of everything the Elrics did but my emotional investment as a viewer is in the brothers and their journey, which feels incomplete. The show asks us directly ‘does hard work pay off’ and then kinda shrugs its shoulders and I did have to google the ending just to make sure I didn’t miss anything. I’m not saying the show needed to hand its thesis to me on a silver platter and I’m not saying I couldn’t draw my own conclusions based on what they gave me, it’s just that the conclusion I come to is unclear based on this ending. Al having no memory of the last four years and being in his ten year old body only to pursue alchemy all over again to find Ed feels like an incomplete story to me. Ed going to research rocket science to get back to Amestris made sense but still feels odd. I’m left feeling unsatisfied because the brother’s story isn’t over yet and that’s the story I felt like the series was trying to tell.

In addition, this story was clearly more open ended and just generally didn’t answer many of the big moral questions it presents. And ambiguity is fine to have in a story and I am once again not saying I need everything spoonfed to me. However, I feel this show didn’t really take a stance on any of its big questions and I think this also contributed to my feelings of being dissatisfied with the conclusion. This story has a whole host of moral questions that it explores but those questions are mostly left unanswered. Lust’s ponderings on what happens when she dies and what would actually make her human; Does equivalent exchange (and therefore hard work) fundamentally drive this world; Are the sacrifices we make for the betterment of others worthwhile. These questions are interesting and 03 does a really good job of exploring multiple angles with each of these ponderings, but by never taking a stance on even one of the above it leaves multiple arcs hanging. I think this also contributes to a lack of satisfaction at the end of the series because it ultimately feels like the show’s not done talking when it’s over and that’s disappointing. Does the movie answer these questions and take a firmer stance? Maybe but I haven’t seen it yet sooooooo guess we’ll find out.

Final Thoughts:

I think that 03 was extremely ambitious and I applaud the writers for really going for a complex story with a lot of ambiguity. However, I think that there were too many threads and the story gets caught up in itself a lot. I think that if a few stories were cut or at the very least simplified it would have greatly improved my overall enjoyment of the series. I’m sure they had no say in the amount of episodes we got but I think that if they were going to go this big with the story they needed more episodes to really get the full impact of their storylines. I understand why 03 is iconic for a lot of people but it’s ultimately just not the type of story that I personally enjoy.

All of this having been said, as a new FMA fan I’m glad I’ve seen it and definitely don’t feel like I wasted my time or anything like that, it’s just not something I’m likely to revisit.

#fma #fma 03 #Jess watches fma 03 #the conclusion #probably skip this one if you love 03 I had a lot to say #throws this and runs

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thewickerking · 11 months ago

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sorry for the essay in your asks I’m just studying child development/psych and I Have Thoughts

nonono ur so fine! i enjoy conversing abt it :] im a psych major so were in similar boats! i keep being disappointed in my fellow students ways of talking about children, especially in childhood development focused classes, and there was a particular instance i will never forget of describing a a case study of a young child who was being violent to others, and the first and only question another student asked being "is this disorder often found in serial killers? cause this sounds like what ive heard abt serial killers" and my jaw fucking dropped. I was wearing a mask so no one really noticed but MY first reaction to the case study was "hey a lot of these behaviors were present in MY BROTHER and while he's doing a lot better i wonder if there's anything i can learn from this study that might help him" and we didn't get even close to that. i didn't need psych classes to be appalled at the way adults think of and treat children, but it was certainly not fun. these things are also deeply personal to me because of my own violent behavior as a child due to an amount of trauma that would easily quadruple the length of this post. luckily for me, my mother had similar experiences and reactions to them, and was able to meet me where I was at and found outlets for energy and stress even before she knew about all of the things that were happening to me. getting into martial arts (and later therapy) was not a cure all but was incredibly effective in stopping me from attacking other children and feel more capable of expressing what i was feeling. I was still a kid so its not like i became perfect lmao but it helped a lot. my mom didn't have the same treatment and to this day will get comments about people who knew her as a child that are "just glad she's not a serial killer" and it very much affects her to this day. i know friends who have been told BY TEACHERS that they seem like they could be a serial killer when they grow up. my uncle, who died by suicide, was the son of a serial killer and his family refused to raise or help him because they were afraid he'd "turn out like his father" of whom he never met due to being born in prison. in turn he was extremely abused by the foster care system and relied on intensely unhealthy coping mechanisms and struggled to raise his children and died as their sole provider and leaving them behind. My brother has also displayed violent behavior and made violent threats to other people and struggled with a lot of things because of that. people frequently express they're glad he's not in prison. i may have clung to specifically the serial killer comments a bit longer than necessary because of personal association, but while it's something i study, it's also deeply close to home, and i know how awful long terms affects can be. while that context is not necessary to know why i care so heavily about this, it does make insensitive off hand comments from my alleged peers cut deep.

SORRY this got tangenty and heavy and complaining abt psych majors is not targeted towards u anon lol its just exhausting to have been around unforgiving teachers and adults and seeing its negative affects on me, my family, and my friends, and then seeing similar mindsets in my generation that claims to want to be better than our predecessors. psych is genuinely interesting to me, and due to my early intervention and good luck with therapists, ive seen what benefits people can glean from experiences with the psychiatric field. unfortunately, ive also seen countless ways its failed countless people, and being able to see the start of harmful thinking in my peers makes it incredibly difficult to be optimistic and also pisses me off lmao. as much as this is my choice of career and it matters to me, there are extremely harmful ideas that make up the foundation of modern (and obviously past) psych and seeing people take this at face value makes me spectacularly miserable. 🫠🫠 but its very nice (and refreshing) to talk to other ppl abt these topics from a shared pov that kids aren't evil. Which sounds so much simpler and more common than it actually is 😮‍💨

#rhis got so off topic its kind of embarrassing for me but um yeah. i like talking abt these things a lot :]#asks #anonymous #suicide mention #ask to tag further!! im saying this a lot lol but this is heavy stuff

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foolish-edworm · 3 months ago

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Hi, im asking this fully out of confusion and curiosity. I have been American my whole life, all 3 odd decades of it, and have never heard of "usamericans" till this year.

I'm asking this as I see you use the term so maybe you can point me to the answer: Where the hell did that come from? Are there other people who call themselves Americans who need to be differentiated from us who have used it, as far as I'm aware, exclusively for well over 2 centuries?

This is fully confusion cause like. I've never been usamerican just. American. And as far as I was aware no one else used American exclusively, as the south and central Americans I know use the names of their country's to identify themselves.

Basic internet search doesn't really give me answers and either I live further under a rock than I thought or this is an extremely new term?

Why are people specifying something that was already specific. I'm inclined to dislike it as it always tends to feel derogatory and not in the usual making fun of Americans way about our spelling and hard Rs ya know? It sounds like the pretentious bastard that is "well actually"ing a conversation into the floor.

Or is this just a tic toc trend?

Idk I hope this isn't weird, im just so confused. Im pretty sure ive been on Tumblr longer than you've been able to read. And mean that in the same tone as an old person complaining about the rain and their knees, I'm glad there's younger people on here, its just the Internet I grew up with is very very different then the one you have and it turns me around backwards cause I thought I knew my way around here but all these weird useless things show up that apparently mean things to people.

Idk, I guess im just asking are people actually being derogatory or are they just following a new trend or what?

Thanks for your time. And hopefully a consideration for an answer. And dont feel nervous voting. It's your right and I'm proud of you for exercising it. It feels weird every time but very good and I've voted every year I could.

🥔- for the long ask

Woah. Okay! So I honestly don't remember when I first saw people using "usamerican" but it's just a combination US and American. It's absolutely a semantics thing as far as I know, like, "America is actually the continent so technically American includes the US, Canada, and also most US Americans don't specify they're talking about North America so it also includes Central & South."

I once shared a post about it (but knowing me I likely won't be able to find it.) If it's a tiktok trend that's definitely not where I got it from lmao, I only have tumblr at this point. I think it's just an easy way to be clear about which North/South American country you're talking about! I've never seen it as a derogatory thing or anything negative like that lol.

It's consistent. If you're talking about a Central American country, you say it's from Central America, same for South America. So it only makes sense to do the same for North America, right? But NA is the US and Canada, so when talking about the US specifically, US America is a good way to do that. And on Tumblr it just makes sense to shorten it to "usamerican" for tagging purposes. I've honestly never checked if anyone else tags it that way, but it's mostly for me anyway lol.

I hope that was a satisfactory enough answer, and I hope it made even a shred of sense lol! I'm not used to answering questions like this :D

And thank you! For the voting reassurance (I'm really gonna need it :D) and for putting the time to want to learn about something new! I wish I could've been more smart about it, but it's not something I ever really thought deeply about. Have a good day!

#the worm speaks #long post #anon ask #should i tag this usamerican #might as well #usamerican

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raytorosaurus · 2 years ago

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hi Raytorosaurus, in the beginning of your post you said Ray has done interviews, podcasts, and blogged in recent years, can you please link me to those things? I would be extremely and eternally grateful <3

yes ofc!! this one by tom bryant (author of not the life it seems) is my favourite! and not just because ray talks about how much he loves being a stay at home dad doing chores while his wife gets her master's degree. it's just sweet, and goes a little more in depth into remember the laughter's concept than some of these other interviews.

this one isn't remember the laughter related, but tom bryant also did this interview with him the year before, after he released for the lost and brave dedicated to leelah alcorn (cw non-graphic discussion of suicide). it's really fucking sweet. ray talks a lot about his family and about fatherhood and about how he wants to raise his kids to be as kind and socially conscious as possible in pretty much all of the interviews i've linked here, but i really fucking love this thing he says in this one in particular:

"If ever my son was having a rough time I would just hope that he would trust me and allow me to be there for him. It’s common for parents and older people to look at youth in a negative way and to not respect the young as people. My wife always says that a lot of parents treat their kids like property – the whole, ‘this is my house, these are my rules and you must abide by my law’. You have to put yourself on the same level as your kid, you have to relate to them as a person. I hope that there’s more understanding about the differences between people in the future that my son grows up in.”

at the risk of sounding like a broken record, this one is also really fucking sweet. again he talks about the values he wants to impart on his kids, and how his son is featured in the lucky ones playing his child's percussion set :'''')

this one is a bit longer and just rly cute lol like just fun vibes

there's a couple of shorter ones here and here that are also worth a read. there's also this review that i like - it's not 100% positive but the writer does make a point of saying he's shocked the album didn't get much attention despite ray having been in mcr. yeah me too dude :(

this is a podcast he appeared on - he did at least one or two others but i think sadly they've been lost to time :(((((( but god this one is so sweet he's just sooooo. so <3. ray also says the band broke up a few weeks after his son was born in september 2012 which is interesting lol.

sadly a bunch of his blog stuff has been lost to time because the wayback machine has done a spotty job of archiving it but you can try to explore around the archived pages a bit. if you click around to different dates or subpages you can see some of his photography (tho sadly a lot of it hasn't been saved :((( ) and a few blog posts. you might even come across his shitty vent poetry lol <3333

and then i love this interview sooooo much too like this writer really gets it. ray talks about how he got obsessed with this free climber after watching a mountaineering documentary which inspired the great beyond, so the great beyond actually features a fucking chalk bag as a percussion instrument because he's insane and i love him. it also has the line "enthusiasm leaking from him like a punctured capri-sun" LOL. and then it wraps up with this statement that i really love:

Mixed, engineered and almost entirely performed by Toro, ‘Remember The Laughter’ is very much this man’s pride and joy. Every nuance of the record is explained with intricate detail and the subject matter held within comes straight from his heart. Whether you like it or not remains to be seen, as its influences are often drawn from well outside the My Chemical Romance sphere. Whether you listen to it or not, though, really comes down to this: do you want to hear some honest music?

because honestly that's the one common thread through all of mcr's discography and every single one of their solo projects. they are all 100% earnest. they all access that honesty in different ways and ray's definitely not a super accomplished lyricist so some of the lines on rtl verge on corny or schmaltzy sometimes but they never, ever sound fake or inauthentic. he wrote the album imagining he was speaking the lyrics to his son to instill a sense of hope in him about the world so he'd grow up with the belief that he was capable of making it a better place and he fucking means every word of it bro. he's ray toro :( i like him :((((

#reread a bunch of these while i was putting this together and now i'm down so fucking bad for him this happens every time #like why are you the most lovable man in the universe huh #anyway sorry this took me a while to get to life is crazy huh #answered #ray toro #rtl #interview #ref

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alleyskywalker · 2 years ago

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this might be blasphemy to a war & peace fan such as yourself (in which case, i apologise) but the only war & peace content i've come into contact with is the bbc mini series from 2016 and i was just wondering what you thought of that? i remember thoroughly enjoying it (i do love james norton, aneurin barnard, and callum turner), but i have no idea how faithful/good the adaptation is. i was just curious about your thoughts :)

Oh boy. Ok, well first, I'm really flattered that you're asking, honestly. I'm just one person with an opinion after all lol. But ok, if you're up for a longer read (and don't mind negative reviews too much) I did reaction/review posts as I watched. That will give you a pretty detailed overview of my thoughts, though mind that they're definitely coming from the POV of someone who loves the book and is watching an adaptation as an adaptation not it's own independent thing.

I was always so into the book that I really couldn't imagine how watching this show as an independent thing would feel. As an adaptation...I didn't hate it entirely? But it my second-to-last favorite adaptation, maaaybe tied with the 1970s BBC adaptation. The only one I like less is the 1950s US movie. (The ones I always recommend are the Soviet one, if you want something super faithful but don't mind something very is Very Clearly An Old Movie In Every Way or the 2007, which takes a lot more liberties but is relatively modern and fun as it's own thing, and I think is faithful in spirit and characterizations for the most part let's not talk about 2007 Anatole despite not always being super plot-faithful.)

The 2016 does have it's virtues I suppose, but everything I can think of, I can think of another adaptation that did it better. Faithfulness to plot isn't really it's problem, granted. It's actually quite faithful to actual plot points/beats and has some minor characters other adaptations skip (Boris, Berg). But it's baffling to me in its many instances of re-writing canon scenes that didn't need to be at all. The casting is very meh. The only actors I think fit their parts truly well from the major characters are the ones for Pierre, NIkolai (despite being blonde), Sonya and Marya. Granted, Middleton wasn't so much a badly cast Helene as just the part was poorly written and maybe directed. I like Turner and he's not a bad Anatole either, tbf, but again....this was not the right casting decision, especially when you have Norton as Andrei Bolkonsky. But it's not just the casting. The characterizations also often felt off in a really weird way that can be hard to articulate and describe overall??

The pacing was way too fast. Let's not talk about the costumes.

hnjdgl So yea tl;dr: it's not the worst thing I've seen and if I hadn't read the book I'd probably enjoy it fine, but as an adaptation, while hitting a lot of plot points and being relatively accurate in terms of those, it leaves a lot to be desired imo.

#war and peace #war and peace bbc #war and peace 2016 #i don't remember what my tag is for this #asked and answered #op

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sannasruins · 2 years ago

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sanna ♞ 21 ♞ infp ♞ request are: open

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10-5-24: so it took me longer than i thought to get that out, i just don't have the energy to write during the weekday's bc of my job. but yay just posted my first invincible fic, honestly, i wasn't really feeling it at the beginning and wasn't sure how to end it, but i wanted to write something for mark and that something i sure did write.

9-29-24: hey guys, i went through a breakup last month, not very fun and so i haven't really been on, that being said it gave me a ton of negative feelings to channel into angsty fanfiction, I'm starting to write one today, so that will be out soon

8-7-24: so i was later posting than i planned on, but in my defense, it is a totally different fic from the one i was talking about lolol. its a total vent post <3 love those

8-3-24: hiya blogosphere, just reached 100 followers! only two years in lol. realistically, it would have been way sooner if i posted more often than once every 8 months but what can you do about it. anyways i am currently working on a gojo x reader fic, i think i will have it posted tomorrow? who knows, definitely not me

7-31-24: just posted my first jjk x reader, yippee! i'm not to sure of myself writing for those characters yet so this one felt weird, as well as the fact that i made sukuna a cephalopod so we will see how this does lol

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i do not currently write anything that would warrant my blog being 18+

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bigskydreaming · 4 years ago

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Brain topic du jour is reflecting on the frankly weird as fuck pattern in Dick’s life where....he barely ever experiences losses one at a time. Most of the loss he’s experienced in his life is compounded by him losing multiple people and other elements of stability all at the exact same time.

1) When his parents died, in some continuities this is coupled with him losing his extended family of his aunt and cousin as well, with his uncle left comatose and on life support for years before he eventually died as well. Even in continuities without Richard, Karla and John, the loss of Dick’s parents is compounded by the additional loss of his circus family in the sense that he was taken away from them by the state and their constant reassuring presences in his life were no longer comforts he was able to rely on.

2) When Jason died, Dick didn’t just lose his brother, as the tragedy was compounded by Bruce’s reaction. I’ll never be able to gloss over the effects of NTT #55, personally, because I think its too key to Dick’s entire characterization and the specific direction his character took in the years that followed this, to like....disregard that Bruce however unintentionally, while lost in his own grief, added to Dick’s own sense of loss for Jason in probably the worst way possible. As by kicking Dick out and telling him to leave his keys, Dick - having no way to know or guess that they’d ever reconcile, just like he never actually went back to the circus being a regular presence for him - to Dick, this was in essence the equivalent of his childhood tragedy all over again. Losing not just one family member, but his whole family in one sweep, and all the comforts and stability offered by a home he was forced to leave. Even Dick’s contact with Alfred was minimal for awhile, because why would the guy who basically JUST saw history repeat itself and was like, well I know how THIS tends to play out.....why would he think that if Alfred felt forced to actually choose between his loyalties to Bruce and Dick respectively, that Alfred would pick Dick over the man he’d known and raised from childhood himself?

3) Titans Hunt. I know I harp on this one a lot, but you can’t deny that it fits the pattern. Dick didn’t just lose one friend and teammate.....he lost Joey, he lost a good four or five lesser known Titans who nevertheless were people he viewed as directly HIS responsibility to keep safe. With these tragedies compounded by the fact that though comics played out a lot more slowburn and extended stories over years back then, like.....the aftermath of Titans Hunt was still everpresent and directly died into Dick’s reactions and emotions during the Mirage storyline and everything that happened with the failed wedding and his breakup with Kory AND the fact that he was literally forced off the team he’d basically founded, by the government agency that took over the team and appointed Roy as its leader in his stead.

3) Graduation Day. The second time the Titans disbanded it was again not due to a singular loss, because Dick didn’t just lose Donna at this point, but also Lilith died in the exact same story and though Lilith is criminally underused, like, she’s also one of Dick’s oldest friends. She was literally the first Titan to join after the original five. This then led into the Outsiders era, where Dick was shown to still be reeling from the losses of this story for an extended period of time, and in a fun parallel to the Titans Hunt aftermath, Dick was also ousted from his leadership of THIS team by essentially a vote of no confidence by his teammates (and uh, Bruce too, literally).

4) The Blockbuster arc. Where Dick’s emotional state was due to a continued string of multiple losses. He lost his apartment building and almost every one of the neighbors he’d built a community out of, as we’d been shown him actively involving himself in their lives and vice versa for YEARS before this point. Then he lost his circus, his childhood home, burned to the ground and with dozens of deaths - both spectators and actual performers Dick had known and loved as a child. Then he lost his relationship with Barbara, his sense of self-security and autonomy to Tarantula, he lost another teen vigilante who died in his colors, the mantle HE’D created, when Stephanie was believed dead in War Games, and it all culminated in losing the city he’d invested himself in as his CHOSEN home, the place he dedicated himself to protecting, when Chemo blew it up.

Oh just for the record - my nonexistent passport to the magical kingdom of Narnia for a fic that raises the point when bringing up Tim’s losses in the Red Robin era, that like.....ALL of the above happened at literally the EXACT SAME TIME as all Tim’s referenced losses occurred. Obviously Steph meant more to Tim than Dick on a personal level, but I also included her largely as an anchor point to the timeline, to show how that death, and not long after that Jack Drake’s and then Superboy’s.... occurred right smack in the middle of one of the absolute WORST periods of Dick’s life. To be clear, I don’t intend this to suggest that no actually, Dick had it harder than Tim - nah.

No thank you. Hard pass. I hate that sort of thing even in support of my own faves over other characters. No, instead the thing I’d love to see explored more is just in light of the SPECIFIC angle fics take here - that Dick’s actions while Bruce was lost in time showed an obliviousness to everything Tim had lost lately - for literally ANYONE to bring up or introduce into the timeline here an awareness of everything Dick had lost AT THE EXACT SAME TIME PERIOD. To establish that actually, Dick didn’t just ‘not understand what it was like’ - rather, its more accurate to say that nobody in universe around this time ever shows an awareness of Dick’s own losses and says oh wait, that doesn’t track then.

Because obviously, with this stuff put in proper perspective, Dick understands VERY VERY WELL the exact thing we’re accusing him of not understanding by being oblivious to Tim’s losses that he’s not actually oblivious to because he tries to talk to Tim about them all the time, while meanwhile its everyone else who has absolutely mum to say about the fact that Dick’s emotional state is compromised to hell and back at this point, not JUST because of losing Bruce, but also because *gestures wildly* literally ALL OF THE ABOVE in the exact same time frame Tim’s extended losses happened in.

And okay I am going to indulge in slight tiny itty bitty pettiness and point out my ire that so many fics set during this time tend to recite listicles of Tim’s losses, with Steph, Kon and Jack Drake at the very top of said list....while paying no attention whatsoever to the fact that STEPH WAS LITERALLY BACK BY THE TIME THE RED ROBIN SERIES HAPPENED. She’s LITERALLY a person Dick sends to check up on Tim after Tim turns Dick away when he tries himself. How are you gonna stress the impact Steph’s loss has on Tim when you’re not even acknowledging STEPH’S RIGHT HERE IN THE EXACT SPECIFIC CANON STORY YOU’RE CITING??? I just. afhioskhflafhlafhklfahlfa.

And not to put too fine a point on it, but you know who ELSE was also back at the same time? CONNOR. Superboy LITERALLY was already back to life by the time the Red Robin series even began. Like, the issue where a resurrected Kon and Cassie (Wonder Girl) have a heart to heart about the fact that Tim and Cassie ‘connected’ during his absence and Connor stresses that this doesn’t bother him or make him feel negatively towards either of them at all, because hello, he was literally dead at the time, why would he mind that two of the people he loves most in the world sought comfort in each other? Yeah, that issue? Literally came out BEFORE Tim even became Red Robin.

I MEAN. I’m just saying, when people constantly take shots at Dick’s choices during this period because of how much Tim had lost before Bruce already, in order to shift focus away from the fact that Dick lost Bruce every bit as much as Tim did......and you repeatedly emphasize the SAME three names as the focal point of Tim’s losses while paying no acknowledgment whatsoever to everything Dick lost at the exact same time Tim lost these three.....it quickly becomes kiiiiiiinda relevant in my opinion THAT TWO OF THE THREE NAMES CONSTANTLY MENTIONED AS BEING TIM’S LOSSES ARE NO LONGER EVEN LOST BY THE TIME THE SUBJECT COMES UP. Again, I’m just saying! Pettily, mind you! I am aware of the pettiness, I just beg awareness of like *again gesticulates wildly at all of the above* ALL THAT!

LOL.

But I digress.

5) When Bruce was believed dead while he was lost in the timestream. Again, Dick didn’t just lose the father who had been the only parent in his life for almost TWICE as long as his first parents......this was coupled with the loss of numerous other sources of stability in Dick’s life. There’s the matter of his personal sense of identity and self-expression....Dick FOUGHT against becoming Batman, trying to handle Gotham in Bruce’s absence as Nightwing for as long as he could, because he knew being Batman was very much NOT going to be good for him. He put so much of himself into building his identity as Nightwing, establishing himself in that role, that self-image, that yes, I maintain it was an actual LOSS for Dick, to feel like he had no choice but to give that up and everything it meant to him and his own life, in order to essentially live Bruce’s life for him in his absence.

Because it wasn’t just being Batman that Dick was struggling with at this time....he also had to act as the patriarch to the Wayne family, essentially raise Bruce’s ten year old son, step into Bruce’s old role in Wayne Enterprises, all while getting no acknowledgment for any of this, for literally LIVING his father’s life instead of the life Dick had worked so hard to build for HIMSELF....because of course Dick’s actions and struggles couldn’t even be advertised beyond the family and close friends, because the whole point of him doing all this was so that nobody else even realized that Bruce wasn’t really there anymore. Dick didn’t just assume Bruce’s responsibilities. Dick assumed Bruce’s life, so thoroughly that most people didn’t even put together that Bruce was ‘dead,’ between Dick handling Bruce’s actual roles and responsibilities while Hush made public appearances as him.

Like, when you’re living someone else’s life so completely that nobody can tell they’re even gone....how on earth does that leave any time or space for you to have ANY kind of life of your OWN, y’know? Not to mention the fact that like in so many times previously....all this meant that Dick couldn’t even afford to let his grief for his own losses show, because he wasn’t supposed to be grieving any losses in the first place, that was the whole point of the con!

Additionally, couple this with the fact that throughout this time period, Dick didn’t have Tim to lean on at all, because it was never that Dick kicked Tim out or neglected him or didn’t care....he’d actively stressed how much he needed Tim, because the partner Tim was convinced Dick chose ‘over’ him - Dick was the first one to admit back then that he DIDN’T trust Damian yet, couldn’t afford to, because he was all too aware that Damian didn’t give a fuck about him yet and couldn’t be guaranteed to step in to have Dick’s back - because that required mutual trust that Dick literally just hadn’t had time to build yet. And add to THAT the fact that during this time, Jason was actively antagonizing the family and Dick in particular at every turn, trying to bring them all down and basically write over what all of them saw as Bruce’s legacy with Jason’s own version of what he thought that should look like.

Also also, take into account that unlike how often we see fanon depict Dick as just too stubborn or proud to ask for help, there’s the fact that he actually had very few avenues TO ask for help! As already established, he DID ask Tim for help. Not like Jason was an option at this time, and Dick’s friends weren’t actually just sitting waiting in the wings and groaning about the fact that Dick was trying to do all of this solo....nah, they kinda had their own problems, which Dick was all too aware of?

Like the fact that in the wake of Final Crisis, it wasn’t just Bruce that was believed lost. Many other key Leaguers like Martian Manhunter were dead or lost, with others struggling to fill the gaps left in their absence. Cry For Justice happened right after Final Crisis too....that story where Lian was murdered? So it wasn’t like Dick was remotely going to try leaning on Roy when Roy had just lost his freaking DAUGHTER and very much wasn’t handling it well (and not to overshadow Roy’s loss at ALL, but please let’s not act like Dick - who had literally been the person to put a baby Lian in Roy’s arms for the first time and had known that girl for pretty much her entire life - like, it shouldn’t be used to detract from Roy’s loss at all, but it shouldn’t have to, to just acknowledge that Lian’s loss right at this exact time was painful as fuck to Dick, who’d loved his niece like crazy.)

The pattern of compounding, concurrent losses in Dick’s life. I’m just saying. Its there.

And it extends into the New 52 as well, where Forever Evil came right on the heels of Dick losing his circus in THIS continuity to the Joker, just as a way to hurt him in Death of A Family. And with the aftermath of Forever Evil and Dick’s own literal death, being like....the complete loss of Dick’s entire life, even though he was revived quickly. That didn’t mean he got to live HIS life though, since Dick Grayson was believed dead and he was told had to remain so, so its like fuck whatever he actually wanted to do as he went about on the Spyral mission aka something that pinched his own sense of morality and personal agenda at every turn and was kinda the last thing a therapist would recommend for a trauma recovery period, lol. And like, for all the focus that was paid to how Dick’s family were hurt because they believed they’d lost him when he was actually alive, let’s not forget that for all intents and purposes, Dick DID lose his family in the wake of his resurrection because he was flat out told over and over that due to what ‘he’d LET happen to him’ he was an ACTIVE danger to them, and thus wasn’t allowed by Bruce to contact any of them or lean on them to any degree, until Bruce got amnesia and stopped blocking Dick’s pleas to return home by just not being there to pick up the secret phone line at all.

(And omg, the obliviousness that just EMANATES off the hot takes that Dick had a ‘choice’ in all this and he still CHOSE to do what Bruce told him....like. LOLOL, stop being pissy about me bringing up the term abuse apologism when its literal victim blaming to paint the guy who had to be beaten into ‘agreeing’ to the Spyral mission in the immediate wake of the trauma of DYING, all while his father vocally blamed him for his own suffering and the ‘threat’ he now posed to his family, keying directly into the guilt complex Bruce knows damn well is at the core of most of Dick’s motivations.....fucking please. There’s no choice in all that. That’s active emotional, mental and physical abuse aimed at directly manipulating Dick’s actions, delivered by the guy who knows Dick best in the world and whose approval - particularly when Dick is at absolute rock bottom aka Current Location - matters more to Dick than just about anything because his sense of self-worth has more in common with dog shit than actual dog shit does. Or something. Idk. That analogy got away from me. But like. You get it.)

BUT. I. DIE. GRESS. (I guess).

Aaaaaaanyway, so yeah! That repeating pattern throughout Dick’s life of ‘loss? What loss (singular)? My losses only come in groups, lolol, fuuuuuun’ - mmmm. Yeah. So that’s what’s on MY brain right now. Thoughts?

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miraculouscontent · 4 years ago

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*rubs hands together*

The first thing to talk about with this episode is the pacing, and I think this might contribute to why people think it’s the best/least bad of Season 4 (personally, I’d rather watch “Furious Fu” but that’s just me; also, this isn’t the only contributing factor as to why I think people might feel this way, but I’ll get there later).

The episode has a very serious pacing issue, particularly with its more intense scenes. There’s only one minute of time dedicated to Ladybug landing on her bed, de-transforming, and her snapping at her friends plus them leaving. More time was spent on Chat Noir and Ladybug in the movie theater and Ladybug storming out.

I particularly remember watching the episode and getting eighteen minutes in, at which point I had the realization of, “It feels like nothing’s happened?”

This episode is supposed to be a big gut punch, but the season has been going by at the speed of sound, like they’re trying desperately to play all their cards at once (Lukanette break-up, Adrimi break-up, then Alya is told Marinette’s secret identity). Instead of letting things build and play out for a while in the interest of suspense, the show just throws whatever will get a big reaction out of the fandom (whether positive or negative) and it doesn’t care how shoddily put together everything is. The first two episodes feel like hastily put together drafts, and while this one is technically more put together, it still feels like a draft.

Let’s just start with Chat Noir, who feels completely out of place in the episode. Not only does he imply that he intentionally calls Ladybug “Bugaboo” (which she has told him to stop doing) in order to get a reaction out of her, but when Ladybug insists that she doesn’t want to talk, he tricks her into thinking that he has a good location to do so (and my heart breaks a little at how readily she trusts him) only to then take her to a romantic movie, then shush her when she calls him out for it because she “said she didn’t want to talk.”

Gee, and people wonder why she didn’t tell him her secret (even outside of “Chat Blanc” existing)?

And... look, I know it’s a joke, but I do not find it funny. The “joke” is basically that Chat Noir is taking advantage of the situation to flirt with Ladybug, and though I find it at least mildly cathartic that Ladybug is unaffected by all the people staring at them while Chat Noir is embarrassed, this episode is coming right after the one where Kagami broke up with Adrien, and here Chat Noir is getting his flirt game on. I already talked about all my problems with “Lies” so I won’t do it again, but I’ll just say that it’s not a mystery why Ladybug doesn’t want to talk to him and would rather avoid her problems.

(Not to mention that Ladybug knows that Chat Noir likes her, so talking about her romantic problems with him is awkward to say the least and would come off as insensitive.)

Honestly, at this point I feel like they must be building to something with Chat, like Ladybug finally going off of him with no mercy and that forces him to give up/fall out of love for her because reverse love square, but if that’s what they intend to go for, then that means Marinette is going to fall for this guy who’s repeatedly disrespected her feelings for multiple seasons, almost abandoned her and let Paris drown because she wouldn’t tell him a secret that wasn’t hers to tell, and just generally all the other things he did????

Ugh, I don’t wanna think about it. Let’s just move on.

Talking about Ladybug and her rant next, it basically summarizes the whole show in a nutshell, but simultaneously casts a shadow of sorts over “Truth” for people who maybe missed the episode entirely (which is also sort of the show in a nutshell). I mean, Ladybug confirming to the audience that she was genuinely in love and happy with Luka (you can’t watch how depressed she was over the break-up and not think that) was great, but Ladybug’s dialog implies that Luka “hated secrets” and that’s why they broke up, when Luka was more just... hurt that she couldn’t be honest with him, and he didn’t actively hate secrets. Marinette broke up with him because she felt like she had to; because she had to keep ditching and lie to him.

In addition, what she says also hints to the audience that they’ve both held and kissed each other, which not only indicates cowardice on the part of the staff (”yeah this happened but--um--off-screen; we’d still like credit tho plz”), but may perhaps go back to the theory I had about how Adrimi and Lukanette were supposed to last longer in Season 4 but their arcs got cut (based on the Adrimi kiss having supposed to have gone off). This could mean that Ladybug’s statement was originally accurate to canon but the scenes got cut and the scriptwriters just awkwardly left it in, which is made more awkward by the cinema scene in “Truth” that felt like Luka and Marinette were kissing for the first time (again, alluding to the whole, “this entire season has been a draft” thing).

Also, if you think about what that actually means - that Luka and Marinette did have successful dates and kisses but they were off-screen - then all it adds up to is that showing Marinette happy and comfortable was something that the series didn’t deem as “interesting/fun enough” to show, because Marinette being happy isn’t something they want to see; only watching her be miserable, which is exactly what Ladybug says, along with how everything was “almost too simple, too easy,” because Marinette isn’t allowed to have nice things without being jammed through the wringer first.

And... sure, let’s say that Chat Noir thought the movie was genuinely a good idea; let’s assume that it could be a joke, him wanting to flirt, and him believing that it’d make her feel better somehow.

If that’s the case, then where’s the apology when it fails miserably? Ladybug goes from her semi-anxious state at the start of the episode (a little scatterbrained but ultimately just looking for a distraction), to outright enraged by the movie, and then to this upon leaving the cinema.

She just got her heart broken from being forced to break up with a boy she genuinely wanted to be with and there’s not a single, “Okay, maybe coming here was a bad idea, I’m sorry,” (which could’ve been seen as another joke with the audience like “lol no duh Chat Noir” so there’s no excuse not to have it) or, “My bad, that was insensitive of me. I really thought this would’ve helped but I wasn’t thinking about what you would’ve wanted.”

No. The only people Chat apologizes to are the other people at the theater because he’s embarrassed by Ladybug’s reactions, yet he himself feels no remorse for taking her there and has the gall to go on now about how he’s “there for her if she wants to talk.”

Again, it’s no wonder Ladybug doesn’t want to open up to him.

And I’m sorry, I just don’t buy that Marinette suddenly has all this free time. It’s one thing for her to have a little more time now that she’s broken up with her boyfriend (likely avoiding spending time with him altogether now), but “Truth” went out of its way to talk about all of the emergencies she had to deal with and how she doesn’t have any spare time. which is causing her to become forgetful and lose track of certain events (patrols with Chat, dates with Luka, etcetera), yet Marinette spends most of “Gang of Secrets” simply sulking on her bed. It’s so jarring to go from “Truth” where she was doing “too much” (which I called them out on for not describing what the “too much” she was doing was) and now “Gang of Secrets” where she’s not doing anything.

It’s almost like they invented that plot point to break Lukanette up and it served no purpose outside of it.

Furthermore, the scenes of her finally talking to Tikki and then deciding to live as Ladybug does nothing outside of making the plot more predictable, the latter because of the “Alya almost sees Ladybug” moment (an obvious indicator that Marinette is losing control and is struggling to maintain her secret identity due to her emotionally breaking down) and the former because of Tikki herself and what she doesn’t say.

Because, really, think about what actually goes on in the scene. Marinette (eyes rimmed red and filled with unshed tears, as she is for a good chunk of the episode) is venting to Tikki about - yes - her love life, but also that she has to lie to everyone in order to keep her identity a secret. The fact that Tikki focuses solely on the note of Marinette’s love life and not say a word about the identity/lying issue or even consider telling Marinette, “hey, this is clearly too much for you, you should tell someone, I think the benefits outweigh the risks right now,” really proves that the episode tried to avoid the topic altogether to try and make the ending more shocking (which ironically made it more predictable).

So yeah, not only does Tikki’s dialog with Marinette provide nothing except for a line about how she can’t help Marinette with love issues due to kwami not falling in love (alright, I guess aros can’t give good love advice then or have any input whatsoever), but Marinette’s line about lying to everyone being why she can’t pursue Adrien nor Luka is repeated in the very last scene of the episode. The only reason that scene and the scene after exist is because the writers needed Marinette to be emotionally devastated enough to leave for her balcony as Ladybug for the almost-reveal to Alya and so Rose would get close enough to the dollhouse to have an almost-reveal with the Miracle Box, making the scene feel further contrived because the emotional punch of Marinette wanting to live as Ladybug lasts for barely any time at all.

And it could’ve served a purpose, like if Ladybug had genuinely left and Alya finds her goggles and towel, recognizing them from a news story about how Ladybug had gone to the swimming pool after losing her temper at the cinema, which could’ve led to Shadow Moth making the girls believe that Ladybug was no longer heroic and had kidnapped Marinette, or... heck, Ladybug coming back inside would’ve been so much less jarring if she came back because she heard the girls’ voices talking about the dollhouse and had to hurry (but of course, then they’d have to point out the ridiculousness of Ladybug not hearing Alya calling her and the girls not hearing Ladybug literally shouting for Shadow Moth to come fight her, even though the kwami heard the girls calling for Marinette from the balcony).

But instead, the entire scene feels off and unnatural, forcing every part of it in order to get to where Marinette has to snap at the girls to make them leave.

(Oh, by the way, just a little detail to add to the annoyance: they bothered putting Tom and Sabine in the episode when the girls are leaving, clearly saddened by something that happened, and neither parent even bothers to go and check on Marinette to see if she’s upset or just to see what might’ve happened. They’re such a “blink-and-you’ll-miss it” moment in the episode and it’s not like I’m surprised because they’ve done this multiple times by now but really?)

As for the girls themselves... oof, where do I even begin?

Alright, first off is the annoyance that they assume Marinette’s problems relate only to lovesickness. Marinette has been an anxiety-prone mess throughout the entire series, and suddenly now the girls care about Marinette’s love problems on an emotional level rather than “we’ll meddle sometimes unless we don’t feel like it and be wholly inconsistent on how much we push for it.”? It’s not that I don’t see how they came to the conclusion (hearing that Luka and Marinette broke up and now seeing Marinette is depressed, it checks out), but considering they bothered noting that Marinette hadn’t told them anything, one would think they’d come to the conclusion of, “okay, we haven’t talked to her, we have no idea of what’s going on, maybe we don’t know her as well as we thought then and shouldn’t make guesses.”

Secondly is the “eternal friendship bracelet,” which comes off as a copy of the “Secrets” game from “Syren” extremely manipulative. Mylene goes on to explain that one is supposed to give a secret to the pearl “mentally,” yet when the girls actually show up to see Marinette, they expect to be told the secret directly. I’ve already talked at length about peer pressure and the mental stress Marinette goes through when they mock her and/or meddle for her, but this idea of, “well we all used this friendship bracelet after we mutually agreed to it so now it’s your turn because we said so!” just comes off really bad. I know the episode is going for this idea that their hearts are in the right place, but they’re really not. It feels like they’re the ones in denial and are trying to compensate by forcing Marinette to prove that they’re friends, unable to handle the idea that they might not be as close to her as they thought.

Thirdly, the show acts as if the girl squad are her only friends when we know that’s not true because we’ve seen episodes like “Befana” (the guys in the class), “Reverser” (Marc), “Ikari Gozen” (Kagami), and “Silencer” (Ivan) that all established Marinette having more friends than just them, but for the sake of “drama” and the depressing line of, “at least I don’t have any more friends to lie to,” the episode just pretends like Marinette’s friends are limited to Luka (who she had to break up with) and the girl squad (who she forced to leave and refuse the friendship of).

Fourthly is the actual set-up and the sheer grossness of it all. The girls call Marinette and leave a message about how they much they love her and how she can talk to them “where and when” she wants, and then - immediately afterwards - decide that they’re going to go straight to Marinette’s house completely unannounced, go into her room completely unannounced (not even knocking, by the way), and when Marinette begs them to leave, Alya basically tells her that she’s overreacting. When Marinette demands that they leave, Alya refuses and makes demands right back that they won’t leave until she tells them what’s wrong.

So much for “where and when” she wanted, right? It’s already one thing for the girls to invade Marinette’s privacy and demand/guilt-trip answers out of her, but it’s another thing to give the illusion of respecting her feelings and personal space only to actively plan to go back on it. I can’t tell if it’s a bad draft that they didn’t catch in quality check (you know, the quality check that they definitely don’t have) or just an intentional way to make them seem more sympathetic so Marinette looks worse for driving them out, but either way, it’s awful and I hate it. I would’ve rather had them be all in on invading Marinette’s privacy and learn a lesson in the end than outright contradict themselves.

There are also little nitpicks I could make (like Juleka’s constant mumbling despite Luka’s crush on Marinette playing a role in the episode, Horrificator getting sidelined due to being mute, and the girls’ akumatization ultimately being for spectacle and nothing else, serving no purpose to the plot and being furthered by the fact that Timebreaker goes after Marinette despite it being a bad idea and Reflekta’s power clearly not lining up with any sort of plan), but the real issue issue here comes down to the fact that these are Marinette’s so-called “friends” and the episode refuses to address their actual issues.

Alix, who is known for making rude comments at Marinette (”Gigantitan,” “Chat Blanc,” “Miraculous New York”) and then gives mixed messages by going along with meddling anyway.

Mylene, who is the closest thing to a background character in the girl squad but nevertheless finds her way into being definite voice against Marinette in “Chameleon.”

Juleka, who blamed Marinette for things she didn’t do in “Reflekdoll” and got huffy with her until Marinette apologized for said things.

Rose, who outright screamed at Marinette in “Chat Blanc” over a freaking stuffed animal, which pressured Marinette enough that she snuck into Adrien’s room to deliver her gift which nearly led to the end of the world.

And, of course, Alya; freaking Alya. I don’t even have to go into every single thing she’s ever done because I have a history of giving her absolutely no mercy.

...But let’s go through some anyway because I want to.

“Copycat” - Alya gives Marinette a script and tells her to memorize it, then immediately pushes the “call” button when Marinette hesitates after Marinette had just told Alya that she’s awful at improv.

“Darkblade” - Alya takes a jab at Marinette when Marinette says that she’s too busy to be class representative, implying that Alya thinks that Marinette does absolutely nothing with her time.

“Gamer” - Alya is busy recording the gaming competition when she and Marinette were supposed to be researching for a term paper. Alya then scolds Marinette for wanting to use the competition to get close to Adrien only to do a 180 and put up a fight about it when Marinette decides to quit.

“Animan” and how “The Puppeteer 2″ follows up on it - oh, I’m not going to touch that particular point right now, but keep those in the back of your mind, because I am going to absolutely go off later

“Simon Says” - Similarly to Marinette’s parents, Alya gives zero damns about whatever might be going on in Marinette’s life that's causing her to miss classes.

"Despair Bear” - Alya laughs at Marinette being forced to kiss Chloe’s cheek and then outright compares Marinette to Chloe after knocking Chloe multiple times during the episode (sure, just compare your “best friend” to her multi-year bully, how "hilarious” of you).

“Gigantitan” - Alya has no qualms about mocking Marinette’s over her failures, even if it embarrasses her and she’s been through enough already.

“Frozer” - Alya tries to find ways for Marinette to prevent herself from third-wheeling for Adrien, but when Marinette tries to show character growth by wanting to go, Alya gets into a shouting match with the other girls over how Marinette has “liked Adrien forever and isn’t going to give up now”.

“Catalyst” - Alya claims that Marinette is only salty over Lila out of jealousy when “Frozer” exists and literally is the prime evidence of Adrien liking another girl and Marinette telling Alya outright and very genuinely that she’s not jealous.

“Chameleon” - Alya doesn’t care about her best friend sitting in the back by herself while Alya herself get to sit next to her boyfriend and everyone else in general gets to sit where they want (Alya even acting confused at the mere suggestion that she’d tried to engineer things to let Marinette sit next to Adrien), then not only believes Lila over Marinette but contradicts herself twice (asking Marinette for proof when she has none herself, then claiming that she wouldn’t let her best friend sit by herself).

“Christmaster” - Alya leaves Marinette to babysit so she and Nino can go out on a date.

“Desperada” - Alya suddenly is for Lukanette for literally one episode and doesn’t know how/doesn’t even try to cover for Marinette’s Adrien blindness despite mocking her for multiple seasons over it.

“Reflekdoll” - Alya invites Adrien to something that’s crucial for Marinette to focus on after Marinette has already told her not to and continues meddling to the point where it gets Juleka akumatized (she also doesn’t get punished for it and the blame gets thrown onto Marinette).

“The Puppeteer 2″ - Alya pushes her luck with Nathalie to try and get Marinette to come with her, Nino, Adrien, and Manon to the museum, then traps Marinette in a room with Adrien to force her to spent alone time with him, even abandoning and forgetting about the child that she offered to watch for Marinette so she and her boyfriend can go off alone.

“Miraculous New York” - Alya is told directly by Marinette that she needs help seeing Adrien as a friend, which leads Alya to do the exact opposite throughout the entire special, at one point shouting at Marinette and pressuring her to chase after a car, in the rain, while there’s a supervillain rampaging through Paris, and all of this right after the scheme that Alya had set up caused both Marinette and Adrien to go missing.

And just saying, as Marinette’s supposed “best friend,” Alya sure doesn’t know how to handle her. It was acceptable back in “The Bubbler” when she asked Marinette about signing the gift too late and the same goes for “Dark Cupid,” but by the time we get to late Season 2/3 and Alya refuses to learn Marinette’s weak spots (unless it’s to mock her) and adjust accordingly (like if she’d already made sure the gift was signed in “Chat Blanc,” which would’ve prevented Adrien seeing Ladybug at all due to the time difference), it starts getting infuriating.

A best friend is supposed to cover for their friend’s weaknesses. Alya doesn’t do that; she meddles and often drives Marinette’s anxiety even further up a wall with absolutely no consideration for Marinette’s feelings (”Dark Cupid,” “The Puppeteer 2,” “Reflekdoll,” “Miraculous New York”).

And here, she and the other girls are rewarded for it. Luka actively resisted his akumatization whereas the girls gave in immediately, yet Marinette still opens up to them in the end, likely because they had pressured her and made her feel bad for the secrets she was keeping while Luka was willing to actually wait for her to be ready to talk to him. I can’t put into words how frustrating it is watching these girls trample all over Marinette’s feelings, not have their worst actions called out, and then jump cut post-deakumatization to Marinette telling them exactly what they wanted to know about her love life.

You know what this entire episode is really missing, outside of a coherent plot, properly-paced development, and a basic understanding of rewarding a character for things they’ve held firmly to?

It’s missing the apology. Chat Noir apologizes to a bunch of moviegoers and Rose apologizes for the broken dollhouse, but no one apologizes to Marinette for how they treated her, especially not the “friends” who got rewarded in the end.

“Sorry, we shouldn’t have told you that we’d respect your feelings and then showed up unannounced to make you talk about them.”

“We’re sorry we came into your room and invaded your privacy. You were right to be mad at us.”

“Oh my gosh, Marinette, we got akumatized and we’re so sorry for literally all five of us going after you and probably scaring the living daylights out of you.”

And as if that wasn’t enough, guess what else this is missing? It’s kind of important and brought up directly in the episode, yet the episode simultaneously goes out of its way not to bring it up again.

It’s the reason why Marinette didn’t tell the girls about her relationship with Luka. It’s not there - it’s missing - and the girls never try to pursue the subject. They talk about how Marinette didn’t tell them but don’t think for a second that maybe it’s them who have failed as friends. Instead, they don’t guess anything about why Marinette wouldn’t tell them (which is already strange considering how much they already assume about her) and jump straight to, “well clearly we just need to push for her to talk to us.”

Gonna just go out on a limb here and say that maybe - just maybe - Marinette didn’t tell them because they are habitually pushy in everything they do.

Because they would’ve teased her relentlessly about, “ohhhh you’ve got eyes for Luka? what about Aaaaaadrien~? aren’t you sooo tooorn between both of these cute guys?”

Because they would’ve meddled to force her and Luka together and gotten on her case when/if she ever had to bail on him.

Because their intrusion on her feelings for Adrien had caused her nothing but problems and she just wanted to be with Luka in peace without them forcing their way into things.

Because--hey, wild thought--maybe they’re not really friends???

But the episode completely avoids it, because that would’ve meant addressing it; it would’ve meant acknowledging that they messed up, which - fun fact - they actually don’t do in the episode.

They invaded Marinette’s privacy, insisted that she tell them how she feels (not about them of course because that would imply that they felt like they screwed up), and in the end it’s Marinette who gives them exactly what they asked of her, and the closest thing we get to acknowledging anything is Alix telling her/joking with her that they’ll help her confess to whoever she likes as soon as she tells them she’s ready.

That’s not an apology. That’s not an acknowledgment of wrongdoing. Even when the five of them are about to get akumatized, it’s not a circle of them saying, “here’s how I screwed up, I could’ve done better but I didn’t and I lost Marinette because of it.”

No. It’s just them talking about how sad the situation is. Mylene has the closest thing to remorse in saying, “I hoped it would work,” but where does it go? A grand total of nowhere, especially because Marinette still takes the bracelet in the end instead of the girls mutually deciding, “okay, maybe the bracelet was a bad idea; how about we all agree on making something together instead, no requirements attached?”

And then the episode has the gall to act as if Alya has gone through character growth when all they did was put Alya through the same thing that Chloe did. I’ll explain that last bit momentarily, but first let’s talk about the whole “growth” thing.

Because there’s no apology or acknowledgement of wrongdoing, all Alya does when she’s finally alone with Marinette is do a 180 from where she was at the start of the episode, going from, “friends have to tell each other everything,” to, “hey, if you don’t want to tell me, then that’s your right.”

The crucial part that’s supposed to go in the middle is missing. Instead of acknowledging her failures, Alya just cuts straight to “””being a better friend,”““ but storytelling doesn’t work that way.

It literally would have taken zero effort to fit an acknowledgement into that scene. “You don’t have to tell me everything, I get that now. All my meddling’s done is hurt you and I’m so sorry. I wouldn’t blame you if you didn’t trust me.”

In a world where Marinette has to apologize for everything, has to learn lessons and suffer because the narrative says so, I will not accept anything less from other characters who are trying to develop and improve. That’s not fair to Marinette, nor has it ever been.

Instead of properly developing Alya, the show does whatever it can to get its audience to root for her as Marinette’s “best friend” (ugh) without having to put in the effort of admitting that Alya hasn’t been Marinette’s “best” friend.

Remember when I brought up Chloe? Yeah, “Malediktator” did a similar thing, showing Chloe doing something awful, then being sad (while not actually acknowledging the thing she did wrong), and in the end she was rewarded with a miraculous prematurely.

One show of character from Chloe and Marinette gave her a miraculous. One show of character from Alya and Marinette told her that she was Ladybug.

(Also, for the record, I think Chloe is far worse than Alya character-wise and I’m not comparing their characters; this is just the simplest comparison I can draw here from a narrative standpoint.)

“Miraculer” is another apt comparison, perhaps even more so. Chloe got Hawk Moth in her head after an akuma landed in her photo of her and Ladybug, but Chloe resisted and fought back, ultimately forcing the akuma out of her and freeing herself from Hawk Moth’s control.

But it wasn’t to develop her character; no, it was to convince the audience of Chloe and Sabrina’s friendship so they’d feel something during Sabrina’s happy flashbacks, then lay the foundation of tricking viewers into believing that Chloe might not go to Hawk Moth’s side.

At the end of the day, it was doing something that’s “never been done before” in order for the character to earn brownie points for something that the writers can just have them do because willpower is an easy thing to just write in. “Gang of Secrets” does the exact same thing when Lady Wifi breaks free from Shadow Moth, with Ladybug even hammering it home by talking about how no one’s ever done it before.

And the pacing is - again - awful. Not only is Ladybug banking on this working when she herself says that it’s never been done, but the conversation between her and Lady Wifi where Ladybug tries to convince her doesn’t even take a minute.

It also has nothing to do with Marinette herself; Ladybug relies on Alya’s adoration/friendship with her as Ladybug (you know, after Alya took a photo of LadyNoir kissing and posted it online without Ladybug’s consent, betrayed her by putting information on the LadyBlog that Hawk Moth was able to take advantage of, and is the only hero outside of Chloe to resist returning a miraculous) in order to break from Hawk Moth’s control, because talking about Marinette with Lady Wifi didn’t even work.

(Ladybug also uses her yoyo as a portal to the Miracle Box when this has never been pre-established to be a thing despite Ladybug acting as if she knew it was; further proof that this episode was rushed.)

And of course talking about Marinette didn’t work, because that would’ve meant convincing Alya that her reason for getting akumatized was “wrong” and the episode didn’t want to do that. It didn’t want someone else actually learning something and feeling bad; surely, this is just Alya being manipulated by Shadow Moth and having the power to break free because Ladybug “needs Rena Rouge” and not because Lady Wifi and her friends are chasing after their supposed best friend and that’s--you know--wrong???

Rena Rouge’s reappearance is also yet another thing the episode refuses to address because it avoids the topic of “but my identity--”. At least “Heart Hunter” had the tact to have Kagami question why Ladybug was giving her the dragon again, but “Gang of Secrets” treads as lightly as possible on any discussion of identities outside of Marinette saying that she can’t, as if it were Marinette who made the choice of concealing her identity and not the basic idea of heroing that has been stressed over and over for the whole show.

Even Plagg of all kwami stated back in “Origins” that no one is supposed to know about secret identities, a rule that continues becoming flaky and muddled with each passing season, almost like they kept attempting to retcon and make the audience dulled to the idea so that the reveal in “Gang of Secrets” would be more acceptable.

But now, with the way they did it and how they don’t even have Tikki comment on the matter, it once again has it look like they’re making it - say it with me, everyone - Marinette’s fault.

Alya says that Marinette has a choice in telling her secret, Marinette insists that she doesn’t and goes on and on about how it’ll change everything, and then just... tells Alya her secret in the end.

And remember all the way back in Season 2? “Sapotis”?

Alya: What were you saying about her secret identity?

Marinette: Ladybug needs it to protect her family and friends. Otherwise the villains could use them to get to her.

Alya: Well, if I knew who Ladybug really was, I'd keep it a secret. I would even help her! Like say, if you were Ladybug, I'd cover for you — when you needed to transform in school, go fight the "baddies", you know?

Marinette: Oh yeah? Well, if I was Ladybug I wouldn't even tell you, to protect you from the "baddies", you know?

Alya: You serious? If I was Ladybug, I'd totally tell you! Because I tell my best friend everything.

And now here we are in “Gang of Secrets,” as if the narrative is saying, “See, Marinette? Alya was right all along, you were just being ridiculous and making yourself suffer for no reason!”

Yet Marinette had a right to keep her secrets. When Alya and Nino learned each other’s identities, Alya took a hit for Nino in “Catalyst” and both of them fell to Scarlet Moth’s akumas. Chloe was a mess and a half because of Hawk Moth knowing her identity. Fu had told Marinette that her miraculous would get taken if she and Chat Noir learned each other’s identities.

The only ones who received no consequences due to someone knowing their identity were Pegase (who Chat Noir and Markov knew), Ryuko (who Chat Noir, Ikari Gozen, and Hawk Moth knew), and Viperion (who Adrien knew). “Chat Blanc” also exists where Marinette got the impression that people discovering her identity would be a disaster, and even all the way back in “Lady Wifi” insisted that not telling anyone her identity was “listening to her head and not her heart,” and the narrative has relentlessly humiliated her for going with her heart, so yeah, probably for the best.

I hate that the episode avoids talking about anything identity-related outside of what comes out of Marinette’s mouth to make it appear like it was her choice all along. I hate that they had Tikki fixate on Marinette’s love problems instead of having her actually support Marinette and admit that Marinette should tell someone before she has a mental breakdown. I hate that the episode inserts Rena Rouge into the plot as if to brush all identity issues away so as to make Marinette’s identity reveal seem less jarring.

Now, of course I’m glad Marinette told someone. Of course I want her to get love and support from someone. Of course I think the benefits outweigh the risks, or I wouldn’t have written multiple fix-its where her identity gets revealed in some way or someone already knows.

But I didn’t want it to be Alya, because I knew how they’d do it. I knew they’d do it wrong and I knew that they wouldn’t have the courage to address Alya’s issues properly.

Those familiar with my blog will know that I’d been taking negative predictions for future seasons for a while and adding them to cards whenever they were proven right. Does anyone remember the Season 4 predictions that were proven correct for “Gang of Secrets,” specifically these ones?

- “Alya will suddenly be portrayed as a good/worthy friend to Marinette in/if there's an episode where Marinette tells her that she's Ladybug”

- “Alya resisting Shadow Moth/fighting back against him will be used to excuse telling Alya Marinette's secret identity“

- “Alya will know that Marinette is Ladybug first because "BFFs" despite being one of the worst candidates for it“

- “The secret that broke Lukanette up will be resolved in episode 3 when Marinette tells Alya“

Each and every one of those were mine, because I knew that whether Season 4 had a proper chronological order or not, the writers would not have the guts to develop Alya first and then have Marinette tell her in a future episode after Alya has properly earned it.

I knew that they wouldn’t take time to develop Alya. I knew that they would have Alya resist Shadow Moth to make Alya look “worthy” of the secret. I knew that Alya would swoop in during the last minute and a half of an episode, insisting that Marinette “didn’t have to tell her anything” when Alya had been pushy and insistent for the entire rest of the episode and the whole series in general, and would ultimately be rewarded with the big secret simply because she’s “the best friend” and that’s it.

The Alya at the end of the episode isn’t the Alya I’ve known for the entire rest of the series before this, or at the very least they turned her into an Alya I don’t recognize.

Alya claims during the ending scene that she knows that Marinette is hiding something beyond her love problems because she - as a reporter and “her best friend” - can sense such things, and all I’m left wondering is

w h e r e ?

Where and when has Alya been suspicious or worried about Marinette keeping a secret from her? What, back in “The Pharoah” where she didn’t immediately disregard Marinette for the role of Ladybug, or “Simon Says” where she vaguely teased Marinette about having a double life, both Season 1 episodes?

Where was Alya in “Truth” saying that she didn’t know Marinette’s secret but knew that she was keeping one? Where was Alya anywhere in Season 3 being concerned that Marinette hasn’t told her something? Where was this “supposedly very observant” Alya when Marinette needed her to out Lila because Lila got her expelled--oh wait, Alya “observed” that Lila did nothing and Marinette was just jealous.

What, is it only now that Alya suddenly “knows” that Marinette is hiding something else? Now, after Alya has already not known that Marinette was literally dating someone, even when Alya had multiples pictures of Marinette and said someone giving each other heart eyes and saw Marinette leaving school with said someone riding on the same bike together, you know, like normal, typical, average friends would?

Where’s the line where Alya acknowledges the problem? Where’s Alya sitting down with Marinette and admitting, “hey, I’m sorry I haven’t noticed this stuff, but I promise I’ll do better starting right now, and that’s how I know now that you’re hiding something else, and I’m sorry it took me so long to realize that it’s been hurting you”?

I can’t tell you where it is, but I can say that it’s certainly not in this episode. 60% of the episode features the Alya we knew from the rest of the series and then switches her out the second she’s de-akumatized for another Alya who hasn’t done anything that the old one has because she pretends like it didn’t happen.

You know how I know? Because of this absolute gut punch of a line that showed that the series wanted to handwave everything away.

“I know how to keep a secret.”

...Really? Does she now? Well, I hope everyone remembered my point about “Animan” and “The Puppeteer 2,” because I’m bringing it right back.

Considering that “Truth” has been burned into all of our memories, we all definitely remember when Truth shoots Alya and questions her on Marinette’s secret, to which Alya states that Marinette’s secret is, “She’s in love with Adrien Agreste.” Now, at the time of Season 4′s airing, this is very much not a secret, as most characters already knew about Marinette’s crush, to the point where it’d been broadcast on television during Season 2.

But do you know when it was actually a secret? Back in Season 1, specifically in the episode “Animan” where Alya told Nino.

And not only did she tell Nino, but she lied to Marinette by claiming that she didn’t, acting as if Nino knew that Marinette had a crush but didn’t know who she was crushing on, which is then directly proven false as Nino accidentally implies that he does know who it is. This is also after Alya had gotten on Marinette’s case for trying to set her up with Nino, and then she had the gall to say that she wouldn’t spill Marinette’s secret because she, and I quote, “doesn't go around making decisions for other people,“ a statement that is directly contradicted by this little thing known as everything Alya has ever said and done in the entire series.

And while Marinette meddling in Alya’s love life actually ended up working out for Alya, Alya meddling in Marinette’s by telling Nino who Marinette is crushing on comes back to bite Marinette - not Alya (because of course) - in the infamous episode of “The Puppeteer 2,” where Marinette realizes that Alya really did tell Nino that she was crushing on Adrien.

Marinette: You told me you wouldn't tell Nino!

Alya: I haven't told him. Right, Nino? I didn't tell you anything. (elbows him)

Nino: She didn't tell me. And besides, I told her I wouldn't tell.

Then, when she’s called out on it, Alya lies again, and shamelessly so.

Marinette: Why did you tell Nino everything? You promised you wouldn't!

Alya: I didn't, I swear! Besides, even if I had told him everything, he would still be clueless. Ugh, who cares anyway? I've set everything up with Nino, who doesn't know a thing, so you can finally pour your heart out to Adrien, girl!

And now, here we are one season later - and not even half of a season if you go by production code order - and Alya claims that she knows how to keep a secret.

No. No, she does not. In fact, she does even worse because she won’t even admit when she’s spilled said secret. I absolutely refuse to accept that Alya is “worthy” or “deserving” of learning that Marinette is Ladybug when she couldn’t even keep a basic secret like who her friend was crushing on.

And no, it didn’t matter that Nino was her boyfriend, or that maybe she thought it would work out because Nino was friends with Adrien. By that logic, Alya would tell Adrien that Marinette is Ladybug if she heard that Ladybug is who Adrien was crushing on and we all know how that would’ve gone.

Marinette has a right to tell her secret to whoever she wants and I’m glad that a burden has been lifted from her, but that doesn’t mean I have to be happy that it’s Alya. That doesn’t mean I have to be happy that, after so many moments of Alya disrespecting Marinette’s feelings, she is the one who gets to hear the big secret that the fandom has been waiting for someone to find out about since the very start of the series.

Luka said it best in “Truth” that the truth is meant to be shared, not taken by force, but Marinette was forced to tell Alya by the narrative because Alya is her supposed “best friend.” It pushed Marinette to her breaking point, forced her to break up with the guy who has respected her agency and feelings since the day they met, and gave her a version of her “best friend” with the same name and face but with none of the responsibility from previous events so that said version was there at the right time and the right place to hear what had to be heard.

And in the end, I end up feeling nothing. Marinette doesn’t even have a “Marinette” reaction to saying it as one would expect; for her to blurt it out and then immediately start panicking until Alya hugs her to calm her down. Instead, Marinette just says it and stares silently at Alya - after blabbing this huge, very big deal of a secret - until Alya goes in for a hug (the “happy/hopeful” ending of which is why I feel like this episode also gets less flak, as the previous two ended off rather depressing/upsetting).

It’s off. Everything is off. The pacing, the delivery, and the logic that the episode uses. The emotion in Marinette’s voice when she’s rambling about how hard it is to keep her secret is so powerful, but then the ending hits and she just says it, breaking the momentum they had going. They pulled the card of Alya walking away too soon when they could’ve saved it, having Marinette go quiet and letting Alya take a few steps away in order to let the moment build before Marinette finally blurts out the secret she’s been painfully holding in.

But they didn’t, and I’m so many levels of dissatisfied. I wasn’t against the idea of Alya learning Marinette’s secret at some point (though honestly, Alix would’ve been a better pick considering that Bunnyx will know eventually anyway, and I say that not even liking Alix!), but not now; not when Alya had so much to work towards.

And now what? What happens now? Now Alya will turn against Lila, not because she learned to have faith and believe in Marinette, but because Marinette is Ladybug, which disproves Lila’s ultimate lie that got Alya’s attention in the first place? Now Alya will be supportive and less teasing/mocking whenever Marinette will be late, not because she understands that Marinette isn’t perfect and has so many other things on her mind, but because she’s Ladybug and has “hero stuff” to take care of? Now Alya will be careful about what she puts on the LadyBlog, not because she respected Ladybug and what Ladybug would want, but because Ladybug is now her best friend and that changes everything?

Because now, Alya has a free pass to all of that, the show making her spontaneously “developed” now so they won’t have to develop her later, and disappointing doesn’t even begin to describe it.

#category: salt #episode: Gang of Secrets #other: ml spoilers #category: long post #word count: over 7000 #other: ask and answer #((I know this is long so I did what I did in ''The Puppeteer 2'' where I had pictures to break it up.))

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syubub · 4 years ago

Text

Yoongi birthday reading/energy check!!

It's sweet sweet tangerine bois birthday!!

I wanted to do a cute little energy check up to see what's up and ask some fun little questions!!

I'm excited so let's just do this shit!!

Disclaimer: this is for entertainment purposes and not to be taken as fact!!

---

I want to apologize for the absolute shit pictures but what's new lol

So, let's start with the platform. First thing I noticed was the blue was brighter but the platform was darker? It was like someone cranked up the contrast to 100. Ngl it looked pretty cool. Yoongis platform doesn't typically have a barrier like some of the others do so I just kinda walked in and did the whole, "happy birthday, I have questions" His energy seemed a lot more... vibrant? And playful I guess? It was really nice. Now. The actual connection was intresting because the cord was blue again and like, real thick. (I don't think my perceived thickness of the cord has and real correlation with how strong the connection is. It was just thicc) this time though, the cord was connected at the chest instead of the third eye. So i was like, ??? But my guide didn't give my any sort of helpful input (my guide likes to watch me suffer in my confusion. I'm sure of it)

Anyway, cord like that and then yoobi gave me a headbutt to connect at the third eye. Idk why he gotta be like that :( istg next time he's gonna flick my forehead or something.

I was like "cool cool cool. I want to do the reading now pls" and idk how to explain the energy other than sassy. You know? Blah blah blah I'm thinking, "I don't remember him being so cheeky but maybe I've been gone long enough for him to level up into his final sass monster form"

Anywho, this was intresting because after the little strings were connected and stuff, we plopped down on the floor. And it was like everything I was doing irl was being mimicked infront of yoons energy? So we were sitting facing eachother and I was putting the cards down between us?? Usually that doesn't happen but it was kinda fun!!

Moving right along. I first asked if there was anything he wanted to say or needed to get across and it was 11. Now, 11 has come up before and I'm still not to sure what it's in reference to? My best guess is possibly he's been seeing 11:11 or that it's 2? Idk let me know if you have any clues lol. Other stuff was just kinda banter and stuff.

So so so.

The reading. First thing I asked was how he was doing. And I shuffled his preticular way (when I ask a question I always ask for the energy to tell me how much to shuffle or when to stop. For yoongi it's always 2-2-2. So 2 bridge shuffles, 2 hand shuffles and then split the pile in 2. That's why I think 11 might be 2 to him?)

The cards we got are ace of swords rev, justice,the heirophant rev, the empress.

So based off this I was like okay. I want to pull clarity cards for the two rev cards to get a better picture so I pulled the emperor rev for ace or swords rev and strength rev and wheel of fortune rev for the heirophant rev.

Starting with the ace of swords rev, and the emperor reverse. It seems like yoongi has been re thinking his relationship to control in his life. That's he's possibly noticing any unhealthy needs to control his life and the situation around him. It could also refer to his judgment being clouded by a rigid approach.

With the justice card it makes me think that he's possibly considering a big choice in his life or that he's really doing some deconstructing of his own views. This second idea fits in well with him getting clarity on some possibly unhealthy control issues in his life.

Now. The heirophant rev, strength rev and wheel of fortune reverse. This was intresting to me bc they are all major arcana. The heirophant rev can really talk about no longer needing outside approval and making your own way in your own time bc you are your own teacher. Strength in rev I kinda read as self doubt and feeling down in this case. Like a lack of confidence in himself and his abilities. And the wheel of fortune in reverse I took to mean as his breaking cycles. All together these cards kinda paint a picture about wanting and trying to break a cycle of self doubt and self limiting beliefs and learning more about himself and why he think what he does about himself and searching through everything for truth. It's really good!! In short he's doing some nice soul searching and trusting himself to guide his own way through this self discovery!

The empress! This card seems to pop up for yoobi a lot and I think it really speaks to the abundance that surrounds him! Not just money but the abundance of creativity, love, friends ect.

Now now now. I asked him if there was anything that he wanted to tell us about himself or bts or what's happening in the near future. For that I got 2 of cups, king of wands and 3 of coins.

So the 2 of cups is partnership. Usually romantic. Could be pertaining to the may 13th thing that is ever present lol but I'll get to that later. With the 3 of coins talking about teamwork, this could definitely hint at collaborations coming up!! That's the vibe I get. No one crush my dreams. And for the king of wands it could be talking about taking the reigns on a new project and starting to get it done. Like a new opportunity. This could be a new bts project like starting a new campaign or new venture or maybe personal like the a mixtape or doing more songs for other groups ect.

I had to ask him how he was feeling about the grammys. I had to. Had to. The cards were ace of wands, 2 of wands and death reverse. When these came flying out I could help but smile. Yoongis energy was almost giddy too!

Witht he ace of wands

It's that spark of creativity and inspiration. It's that feeling when you get super excited over some new thing. I think this is the perfect example for feeling reinvigorated. The 2 of wands takes that spark from the ace and tries to funnel that excitement and newness into something directional. Using that burst of creativity to start planning for future progress!! Its so nice to see that! If they don't win (IF) you bet we're gonna get some bangers about a corrupt system. If (WHEN) they do win we'll get bangers about how thankful they are to have gotten where they are in spite of a corrupt system. I just want to hear an uncensored version of yoongi being like, "HOLY FUCKING SHIT, WE DID IT BITCHES. FUCK ALL YOU BASTARDS THAT SAID WE COULDN'T."

I can dream....

What a nice dream.

Now I asked if there was anything yoobi wanted to say to us as in advice or comfort or anything like that and I got, Clearing negativity, make time for self care, when I'm tuned into the energy of abundance I become abundant. when I'm in a state of appreciation im in vibrational alignment with my true love nature. The world rev, 2 of swords rev and that project, that person, that idea is waiting.

Awe. Take care of yourselves!! Make sure to take time to enjoy what you like and try not to let any negativity get in the way of you enjoying your days. The world rev to me seems to be talking about seeking closure on the things in your life that have been impacting you. Tie up those loose ends so you can move foward without triping over yourself and 2 of swords rev I think talks about information overload and being kinda indecisive bc of that. Take a sep back to evaluate the situation at hand because sometimes it's so close you can't see what you're looking for. Those of you who are studying and getting frustrated because you just can't seem to get it, try taking a step back and doing something to take care of yourself and come back to it so you can approach with a clearer mind. Try not to get stuck or paralyzed by choice but if you do get stuck, take some time to detach yourself from the situation and come back later!

A fair few people wanted an update on yoobis soulmate as well. If you need a refresher here's the run down. Yoongis soulmate is impossible for me to read, yoongi is a smug ass and I'm nosy and probably a little dumb.

Now that that's cleared up

I asked, "am I missing something?" (As to why I can't connect and why yoongi won't give me answers.)

I got queen of cups, magician and the high priestess. I read this as him being like, "yeah dude, you aren't woke enough"

YOONGI just give me answers pls. The high priestess is intuition and sacred knowledge, the magician is manifestation and the queen of cups is also intuition.

At this point I was like, okay you little shit, can you at least tell me how your soulmate is doing? Can you do that for me?

2 of cups, 2 of pentacles, 9 of wands and knight of wands. 2 of cups is partnership usually romantic, 2 of pentacles is priorities and managing them, 9 of wands persistence, knight of wands motivation for a new thing. His soulmate last time was in the process of going through some shit and figuring it out and it seems like now they've got a better clue of how to move foward and are currently heading towards good things/ important things in their life (possibly like working towards dream career or had an idea for a business the want to start or field they want to go in.)

I was thinking about the next question when this popped into my head, "if you know about your akashic book, do you know about your soulmates? Have you read it?" I used my pendulum. No movement at all. What so ever. "Are you listening to me?" Yes. "So answer my question please" No. "Do you like to watch me suffer?" Maybe. "Do you know the answer to the question" yes.

YOONGI WHY

This cheeky son of a bitch.

Now I was like, fuck it. Imma ask him the big boi question.

"Is your soulmate present when I do these readings?" Yes.

WHY THE FUCK CAN I NIT PICK UP ON IT???

I had to take a deep breath dude. Yoobi is testing my nerves.

"Are they hiding their energy?" No.

I was actually gonna combust. This makes no sense.

I asked yoongi if he would tell me what I'm not getting. Silence. So i ask my guide.

"lol ur dumb"

Watch me Google "how to fire your spirit guide"

Istg this feels like some dumb prank. Maybe I'm just genuinely oblivious to his soulmates energy or maybe I'm just doing something.

What do you want to bet that his soulmate is just hiding under the platform and I'm too stupid to notice or some dumb thing like that.

yoobi, sir, why must you do this?

I decided to continue.

"What message or thing have you learned from your soulmate recently that could be valuable to us?" I got healthy communication in relationships and deep replenishment.

Good to know you can have a nice communicative relationship with your soulmate bc I CAN'T.

I'm petty about it, sue me.

The message does stand though. Good communication and taking proper rest to replenish yourself.

Now I had to ask yoongi directly what he thought of may 13th.

I got the lovers, 7 of swords, the magician and judgement. The seven of swords was intresting and it makes me think there's some extra stuff at play here too. 7 of swords is about getting away with something and deceit. The clarifier was the magician.... this could mean a lot honestly. It could be that maybe yoongi will have his relationship exposed or possibly that maybe him and his soulmate meet but yoongi is disguised? Idk how that would work at all but I'm stumped. There's a lot of variations that this could be. The magician is about manifesting and having everything you need to create what you want. This could possibly mean that maybe he gets a sudden idea that's like, "oh I have to go here right now. Its super important" eventhough he has practice scheduled. So that would let down his team but he would be following his path and it might lead to him meeting his soulmate? Maybe vice versa? Idk let me know what you think??

With the judgement its about inner calling and kinda like the peak. Like shit has been leading up to this moment. With the lovers too it does seem like a union?

I asked him, "but like what's gonna happen on the 13th thought and I got the 10 of cups. Divine love, bliss, alignment, happy mushy gushy shit. This is why I'm so inclined to think that they'll meet on the 13th or things will get serious or their paths finally cross. The cards seem to heavily suggest that.

My dude. Yoongi is really sappy, pass it on.

For the last question I asked yoomgi if there was messages/ advice he had given to his soulmate that we might benefit from.

First step, open your third eye, open your heart, sign from heaven, open your arms to receiving.

A lot of opening lol.

It's good advice though learning to be open and receptive and taking that first step in tackling life or any situation.

Oki. Now for the disconnecting. It was not nearly as strange as it has been in the past. I was just like thanks dude. Again, happy birthday blah blah and I got up to leave. I noticed it looked like we were in sitting in one of those old plastic hoola hoops? Like the pink and yellow ones lol. As I was looking at and and like??? Off to the side the numbers 13, 28, 54. Obvi 54 isn't a date and then I the last yoongi check up there was book pages and I feel like 54 and 28 were the pages?? I'm not actually sure as I'm writing this so I'm gonna check.

Yep I checked. They are the page #s.

So that's intresting.

Other than that though I just kinda left and he was like, "bye" and that's all.

Not as cool as other yoongi adventures but equally as frustrating.

TLDR

Yoongis doing pretty okay and he's a cheeky little shit. My guide like to watch me suffer and yoobi is mushy gushy squishy.

Happy day of birth Syub!!

#bts #bts tarot #yoongi #bts reactions #bts imagines #yoongi imagine #bts rm #seokjin #bts suga #min suga #park jimin #hoseok #taehyung #jungkook

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smilingperformer · 3 years ago

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Ok but I need to talk about JN108 a bit more, under the cut!

I am not gonna lie, I had quite a laughing episode after the episode because I just fricking knew that they wouldn't show Satoshi Gekkouga or even hint at the form, they even made sure that a flashback that included ALAN and his MEGA CHARIZARD-X didn't have Satoshi Gekkouga like, wtf sjhfgsfhsgfsf.

Say what you will, that IS a retcon. Indirect one at least. Because the flashback to specific event involving Satoshi Gekkouga doesn't involve it. They specifically avoided even mentioning it. They even had Satoshi do Satoshi-Gekkouga like bond movements WITHOUT the form! THAT NEVER HAPPENED! It always needed the form. Semi-perfect or perfect. A normal Gekkouga was never enough lol. It probably can be explained as their bond being stronger than ever but ajfsljfssfklsf. Nah.

I'm glad that it ended up that way thou, because now Lucario won't have anime-only form to follow up on Gekkouga. Like, phew. It did seem like Satoshi did indeed compare the bond he has with Gekkouga feeling like the bond he currently has with Lucario, so the similarity to aura is somewhat confirmed? Not directly, but strongly suggested. Makes me happy!

But like.... hm. I liked everything that involved Gekkouga. He felt like who he was, and his bond with Satoshi was super nostalgic. But Lucario indeed felt like a jealous puppy who was annoyed at Satoshi having someone who's bond is stronger than his lol. Or that he was weaker than Gekkouga. Really thou, I just kinda flashbacked to Pikachu and Wanpachi asfkjshfsjklsf. JN, stop doing jealousy plots. Please.

Luckily it didn't last long and there was a... weird scene between the two were they just, practiced moving water by an inch. I have no fricking idea what that was. Focusing practice? But like, even if Satoshi's Lucario is my least fav atm (and I hate that y'know), Gekkouga's mentoring with him was kinda nice.

But.... where's Puni-chan. No fricking mention of Puni-chan 😂 Gekkouga is just cutting weeds and never free from that job like, c'mooooooon. My dream episode plot was for Puni-chan and Gekkouga to return together and for this negative weed plot to end but nooo. Not allowed it seems. Fricking hell lol.

But cough. I may sound like I'm critisizing the ep a lot, but I actually enjoyed it still. It was VERY fanservice-y with the flashbacks and Gekkouga moments (except for Satoshi-Gekkouga semi-retcon cough) and I had fun time. I liked how Satoshi chose to go see Gekkouga at the sight of seeing Gou's Keromatsu evolve, like he got nostalgic at seeing Gekkouga again.

Koharu also had the best face, like:

*stare*

How can you not like Koharu when she has the best faces in the whole show ajhsgfhfgsfhgsf.

(Also that's a perfect meme format-)

Anyway. Those are my longer thoughts before subs. Thou I checked with others on stuff like if Satoshi Gekkouga was mentioned at all. And it wasn't. :--D Gosh do I hate being right on that. Even my twitter poll that I did before ending up becoming less active feels sad now:

Oh you sweet dear buffoons~

So yeh.

I don't care about next ep one bit, I don't like how Kibana is depicted to be so serious when he's, really not. Then again, this series did a bad job at showcasing Galar to its full potential so I don't care lol.

PS: even if Gekkouga somehow had another ep later on his Satoshi-Gekkouga form is STILL, as of now, semi-retconned out of existance. Just like JN103-JN104 pretended that Serena didn't exist. That's just bad build-up writing. For real.

Anyway. That's all I gotta say on this ep. Toodles!

Edit: Oh yeh, the ep had tons of callbacks to flare arc somehow, so that was fun!

#aleira watches jn #post commentary more like from afternoon live watching #pokemon #pokeani #anipoke #pokemon jn #jn108 #discussions

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the-volume-is-astronomical · 4 years ago

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The Crown, The Sword, and The Gay

Meant To Be Good News

A/N: ... heyyyyy- its been a bit. I got rapped up in exams and i felt like being productive today so u get a chapterrrr and i wrote another one so u have about two chapters guaranteed ill try to be more consistent lol (also long chapter as compensation)

(also let me know if you wanna be added to the taglist!)

First | Previous| Next

words: 2286

summary: Virgil doesn't want to deal with this mess but he was sent to deliver a message so, theres not much he can do

pairings: eventual prinxiety, eventual intrulogical, eventual moceit, Remile

warnings: some potty language (not much), stress, anxiety, negative self talk, food mention, worried for a characters safety

(let me know if there's any other)

They went up the steps in silence.

As they entered through the door, Roman grabbed the basket that was abandoned during the argument. He left it on a table near the entrance, he headed towards the corner with shelves, grabbed a brown book, nothing interesting in the cover, just a plain brown book and headed towards the window seat to read.

Virgil was struggling to decide if he should try to speak or not, he absolutely despised small talk but if he didn't talk he didn't want it to get awkward. He looked over to Roman because if he did decide to talk to the prince, what in the hell would he even talk about?! Virgil saw the royal glance up from his book to look at the small table near all the shelves that had a single red book, it was simple like the one he was holding, it just had a title, yet it caused more intrigue than the other.

When Virgil took a good look at Roman he looked somehow defeated, like he had lost- no, given up on a 100 year long fight. The monarch glanced once more at the table with the red book, this time however, he caught a glimpse of the stormy knight, “ You should sit down, the trip back alone takes a few hours, it's gonna be some time before you get to go back.” Virgil looked up at the prince who had resumed his reading, “Uh… yeah” he took a seat near the desk Roman kept glancing at.

Virgil decided to take a glance at the book. It seemed to be a fictional adventure book...seems interesting. Roman looked at the table again and spotted the tall knight carefully opening the book. “It’s an adventure book. Just a fairytale.” Roman’s voice seemed to startle Virgil as he immediately slammed the book shut.

“Y-yeah sorry, I didn't mean to open it without permission, that was so rude of me and-” Roman stopped him mid rant “It's alright, you can read it. One of my personal favorite books.” The prince smiled at him to show he didn't mind “I’m not much of a reader. I just uh… got curious, I guess?” Virgil didn't seem sure of his answer. “Well, I can give you a small summary! If you’d like me to, of course.” Roman backtracked pretty quickly, snide comments about how excited he got over meaningless things forcing themselves into his head. But Virgil’s “Sure, Why not?” Made him a little less apprehensive.

“Ok! So, the story is focused on this boy named Aaron. He is a poor farm boy living with his family in a village that was overthrown by the guards, they became corrupted and betrayed the royal family and took control for themselves.” Virgil just nodded along.

”They treated the least wealthy of the kingdom the worst, they didn't have money to bribe them with so to them they were useless, it got to the point where they were becoming the robbers, they would never steal from people with money because they were cruel people. Aaron and his father wanted to make a change but his mother didn't want them to, she wanted to play it safe and just gather enough money to leave for a better place.”

Roman rambling about the story not realizing how little of a summary it actually was since he definitely wasn't being concise, “I agree with the mom. Her plan sounds safe and effective.” Virgil didn't really mind, at least he wasn't going to be bored while he waited, “Maybe so! But where's the fun in that, dear knight?” Roman didn't really get the knights perspective “May not be fun but at least they'll get outta there without a problem” Virgil thought he was in the right and that the main character would make stupid reckless decisions for the drama and suspense.

------------------------------------------------------------------------

“Aha! They went back to the mom’s plan anyway! There was literally no need to try and do all that heroic shit.” Virgil was now fully invested in the story, he probably wouldn't have been if Roman wasn’t such a good storyteller.

“Well yeah... But it was worth it! If they didn't try they would have never known the outcome of that situation.” Roman was happy the knight seemed invested, he was mostly happy because he finally got to discuss the book with someone, and that someone had very different opinions than himself.

There was a knock on the door.

They both looked at each other, It didn't feel like they had been talking for that long. So, who in the hell was at the door?

Virgil stood up, hand fidgeting with the hilt of his sword. Roman stood as well, they both walked towards the door. Virgil opened the door, only to find Ruth on the other end of the door. “Oh, it's the lady from earlier.” Virgil turned to Roman as he let her in.

“Nurse, how did you get back so quickly?” Roman spoke up. “I wouldn't say it was that quick, it's been a few hours. But we found someone along the way so that did speed up the process.” Ruth talked as she noticed the untouched basket and started nearing it.

Roman and Virgil on the other hand looked at each other with confusion. It didn't feel like they had been talking for more than half an hour. “I'm sorry, I must have been talking your ear off.” The royal felt a need to apologize, “Hey, at least you made the wait entertaining.” the knight did not deem it necessary.

Ruth turned and glared at Roman. “So, you haven't eaten?” Roman glanced at the untouched basket and cursed under his breath, he completely forgot. “ Well…” Ruth was not having it “You brat.” She walked behind him and started pushing him towards the table.

“I had an excuse!” Ruth stopped pushing him “And what is it?” Roman turned to meet her eye and said, “I get nauseous when I eat too early.” Ruth looked unimpressed “I'm fully aware Roman. But it's almost noon.” Roman’s brain scrambled for another excuse “I was reading and I lost track of time.” She was still very much unimpressed. “As long as it wasn't the book you always read, fine by me”

As Roman’s nurse made sure Roman ate she noticed Virgil standing a few feet behind them. “I wasn't able to introduce myself earlier. I am Ruth, the brat’s nurse.” She extended her hand with a smile. Virgil shook her hand while he chuckled, which was interrupted by Roman’s overdramatic offended noises. “Nurse! You’re making him think I'll be a nightmare to care for!”

Ruth turned to him “Was I supposed to lie to him and tell him you’re a delight? My apologies, sire” Roman put a hand on his chest and gasped. “Now I understand why Trent called you a witch!” Ruth laughed, “You’re just basically proving my point.” Roman could only grumble and go back to eating.

Ruth took a look around the tower and spotted the red book on a table. “I see you've decided to become a liar huh?” Roman turned to her “Whatever do you mean?” She walked towards the table and picked up the book “Seems like someone was reading the same book they always read, I don't understand why they read it if they've memorized the whole book!” Roman knew Ruth was only joking but he didn't appreciate being called a liar “I wasn't reading it this time it was just out in the open! You can ask him!”

Roman pointed at Virgil, Ruth just looked at Virgil expecting an answer, “He wasn't reading that book, he was reading the one by the window” it wasn't a lie. “You better not be covering for that devil.” Virgil noticed there wasn't any malice behind her voice, her words portrayed something different. “Are you accusing me of being a liar? I thought that was reserved for the prince.” Ruth started laughing “Hey! You’re supposed to be on my side!” Virgil just chuckled.

------------------------------------------------------------------------

Roman’s nurse sat next to the window, looking out worriedly. Roman knew his nurse fairly well, “Has Remy not gotten back yet?” Ruth sighed and turned “My son and his tardiness again”.

Roman went over to his nurse, giving her a hug “I’m sure he’s just a little late..” Ruth tried to smile at Roman “I know Roman. I'm just a worried old hag.” Roman rolled his eyes and sat by the window

Ruth looked out the window one last time and took a deep breath. “Well I have to get going so we get there some time before sunrise” Roman stood up to say a proper goodbye to his nurse. “See you in a few days…” Roman really didn’t want to let go but he didn't have much of a choice.

Ruth started packing what she had brought in silence, once she neared the door she spoke “Roman, his and her majesty will have to be informed about this incident..” Roman was obviously not content because this would surely somehow be put partially on him. “Yes, I understand.” Ruth smiled sympathetically and turned to the storm eyed knight only a few feet away.

“Virgil, you’ll have to stay with Roman for a while longer. Commander Arlott sure didn't expect the need to find a replacement for Trent and truly not a day after being stationed here.” Virgil just nodded, he understood the circumstances and was glad to be able to witness such a sight. “The Commander insisted it would take quite some time to take someone off their post, he insisted he wasn't worried.” Ruth opened the door ready to leave, while Virgil was just trying for the pressure to not get to him.

Ruth said her final goodbyes and exited the tower.

Virgil then turned to the Royal, who went back to the same spot he had been before Ruth arrived, and just stared out the window as his nurse left.

------------------------------------------------------------------------

As Roman sat near the big window just looking out he started wondering why Virgil had even come here in the first place. He vaguely remembered Trent mentioning him being a messenger but that could just be some Knightly insult he was unaware of. So… he asked “Virgil, if you don't mind me asking...why exactly did you come here?” Virgil looked alarmed for a second as he had just zoned out for about 20 minutes “Commander Arlott, wanted me to deliver a message to Trent” Roman just responded with a simple “Oh” and resumed his staring out the window.

“So… how did the book end?” Virgil felt a little embarrassed to interrupt the silence to ask but he got extremely invested, to the point that if the Prince refused to share the information he might just read it himself. Roman just laughed, he knew how intriguing the book was “Well… In the middle of the mother’s plan being in motion they actually got word of a rebel group that had been inspired by their attempts to take the crown back.” Virgil sat down right across from the Royal nodding for him to go on.

Roman continued speaking but he kept getting distracted by a tapping sound. At first it was nothing, but then it got so prominent he couldn't ignore it anymore. Mid-rant he stopped himself and started looking around to see where the sound could possibly be coming from.

Virgil was confused as to why the heir had stopped speaking but then he started to hear taps. They didn’t sound like just a regular forest sound and they would surely not hear minuscule noises from such a height.

“Dear knight, are you hearing that?” Virgil nodded and stood up to see what could possibly be causing the ticks, Roman stood right along with him and then suddenly pointed towards the balcony doors. “Virgil, it's coming from the balcony.”

Virgil stopped to listen carefully “Yeah, but what's causing it?” They then saw a little pebble hit the glass doors of the balcony and make the tapping they had been hearing.

Roman went to the balcony with no hesitation and opened the doors.

Virgil started having his thoughts race a mile a minute, what if this was to lure the prince out to assassinate him? If the prince died on his watch he would be hung no doubt.

As these thoughts crossed his mind, he moved forward to follow the prince. He then quickly realized the prince was leaning over the balcony having a casual conversation with his possible murderer.

“Remy, what are you doing here? Ruth is going to kill you if you don't get there by sunrise!” Roman screamed down to the man in a black cape with dark tinted glasses covering his eyes. “Well yeah! But I had to make a stop here! I have something for you!” That made Roman start jumping with anticipation as to what Remy could have brought him from his trip

“What is it Rem? Is it something fancy? Is it food? Is it a book?” Though his eyes couldn't be spotted, not only because of his glasses but due to the height, it was very apparent he rolled his eyes. “No! It's a letter.” That got Roman even more excited. Could it actually be him? Roman haven't received anything but it could actually be! Finally some good news!

“Who’s it from?!” Remy looked down at the letter as if inspecting it “I don't know.” That caused Roman’s excitement to dull immensely. He would have surely marked it. There’s still a chance it could be him, right? Roman’s anticipation quickly turned into more of an anxious feeling.

taglist:

@meowthefluffy

@shade-romeo

@pattonsmile

@sevencreepycatsinacoat

@mychemically-imbalanced-romance

@innerpostturtle

@queenof-hell

@joyrose-fandomer

@vpow

#prinxiety #remile #ts roman #roman sanders #ts virgil #virgil sanders #roman angst #prinxiety fic #platonic remy n roman

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lessonsfrommadamexmas · 4 years ago

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EREN JAEGER AND THE ENNEAGRAM TYPE 6

First of all, to my followers, please excuse me. This account isn’t for SNK but it’s the one I have and I wanted to write this.

Secondly, I hope this post finds the fandom lol. But if you’re expecting this to be another meta to judge Eren’s actions, don’t waste your time. The enneagram is a tool of understanding, not judgement, and I just wanted to share one thing I appreciate immensely about Eren’s characterization.

Well, why don’t we start with chapter 137? There, Zeke states that life’s purpose is to propagate and it’s core fear is to be extinguished. In other words, from the moment we are born, our organisms need to survive. As humans, we are on our own: suddenly, you gotta breathe on your own; the food is no longer provided. Everything is scary. A baby cries because everything is hard and far away and something in their biology tells them to keep fighting to survive.

Now, onto a more spiritual approach. In El Eneagrama de la Sociedad, Claudio Naranjo says that several cultures have their own ideas and tales regarding a disconnection from a primordial state of wholeness. Once born, we become individuals and are separated from the Universe, as if we’re no longer in sync, and something is lost in the process. How can we survive? Our defense mechanisms start with that question. We need love, we need resources and we need to stand our ground in this cruel, but beautiful world. This, on the enneagram, is called “childhood trauma”.

What I want to do in this post is to break down Eren’s character development through the lens of the enneagram, but for that, I need to give you an overview of the system. It is cruel and beautiful, just like the SNK world. It sees us with care and understanding but it also exposes the harsh truths we don’t want to see.

The enneagram, first and foremost, is an ancient symbol, a figure of nine points connected within a circle. There’s a lot of fascinating history to it, but I’m gonna focus on what matters to this post. The enneagram is a personality system that encompasses nine essences of the Universe, and once our childhood trauma sinks in, we attach to one type which defines our worldview. Here’s how each enneatype manifests itself:

Type 1, the reformer: this person seeks to not make mistakes. They are principled and meticulous in everything they do but highly critical of themselves and others.

Type 2, the helper: this person seeks to be needed. They are proud of their independence and helpfulness but believe they can only receive love if they give first.

Type 3, the achiever: this person seeks to be worthy. They are motivated and ambitious but shape themselves around what is expected of them.

Type 4, the individualist: this person seeks to build their identity. They are sensitive and creative but reject the ordinary and focus on what is harder to reach.

Type 5, the investigator: this person seeks to be a specialist. They are perceptive and curious but withhold themselves and their resources and worry they’re never prepared.

Type 6, the loyalist: we’ll talk about it in a moment.

Type 7, the enthusiast: this person seeks to avoid pain. They are joyful and spontaneous but afraid of facing hardships and being swallowed by negativity and sadness.

Type 8, the leader: this person seeks to be strong. They are fierce and protective but don’t allow themselves any vulnerability and need to be on top.

Type 9, the peacemaker: this person seeks to be in peace. They’re kind and their inner stability is unshakable, but have a hard time asserting themselves.

So what does it mean to be a type 6?

Some of you might not believe if I told you that Eren is moved by fear. But that’s what it is. The type 6 represents fear itself. It’s our search for safety and support. The person who is a type 6 has disconnected from their inner guide and they don’t believe they have the same capability to make decisions as everyone else. That is more of an unconscious state, which manifests through an overly alert stance. Sixes are always on the lookout for threats and danger, their minds work predicting things that can go wrong, so they can be prepared. In other words, the type 6 fears how imprevisible life is, because they truly don’t find in themselves the compass to the answers they need “in this very moment”. They have to be one step ahead and they have to find outside structures for support, people in whom to trust and who’ll give them the guidelines and sense of balance. Fellowship and loyalty are essential to the type 6 as they look for reassurance in their concerns.

In Personality Types: Using the Enneagram for Self-Discovery (1996), Don Richard Riso has described nine levels of development for the enneatypes. They are the path from our healthy, healed state where we’re closer to wholeness again (Level 1) down to our most broken state where we’ve abandoned ourselves (Level 9).

When we start Attack on Titan, Eren is on Level 6. Here’s what Riso says:

“In its innocent forms, counterphobia is well employed by people to master their fears — for example, children who are afraid of the dark might purposefully go to a dark room to overcome their fear.”

Eren, too, wanted to overcome his fear since he was a kid. He wanted to go outside and face those faceless titans. He wanted people around him to be prepared, but since the Garrison was incompetent and lazy, he needed to be prepared. Grisha seems to be Eren’s first authority figure. From what we know, Grisha allowed Eren to have his own thoughts and didn’t impose anything on him, which is a kind of reassurance. Thus, with his father, Eren felt more understood.

Carla, on the other hand, wished for Eren’s immediate safety and cared about him living a quiet life. But that also means she couldn’t understand his concerns, and the type 6 interprets that demeanor as vulnerability — his mother is more exposed to the threat. If the type 6 is a room where nobody is vigilant, the only option they see is to step up and become hypervigilant.

This relation to an authority is very specific for the type 6 as they search for people and systems in whom to rely on. Since the Garrison aren’t the most reliable soldiers around, Eren turns to the Survey Corps. That section of the military consists of the rebels, those who want to explore the unknown, understand the titans and figure out the best way to fight the enemy. The SC wants to be free, so they become Eren’s next “authority figure”.

Riso also says that the type 6 in Level 6 has a more aggressive stance and wants to prove to others that he isn’t indecisive and can’t be pushed around.

“They blame and berate whatever threatens them. They become rebellious… and are desperate to latch onto a position or stance that will make them feel stronger and dispel their feelings of inferiority.”

The type 6 feels inferior because they feel lost inside. Eren, too, knows that the threat lurking behind those walls is much bigger than him and a single human doesn’t stand a chance. And he berates people around him for not seeing what he sees, or for disrespecting his “heroes”.

Eren will be back to Level 6 later, embodying other aspects of it, but let’s talk about the moment he joins the army.

At this point, Eren reaches the stable position he has been eager for. He is part of a group and working towards his goals, he feels more confident because he’s preparing for the next attack. He has climbed to Level 4:

“The security which groups and institutions provide far exceeds the strength of any individual members...”

As we know, Eren sees his mission to eradicate all titans also as a social responsibility. The type 6 can easily fall into “us versus them” mentality where they are putting effort into something and will trust only the people who understand the importance of it. Eren’s bickering with Jean, as well as his admiration for Reiner starts from there.

“And even within their own group, average Sixes make it their business to find out who is pulling the weight and who is not... If others are not loyal or committed, it not only makes them angry, it threatens them.”

Eren talks over and over about how he’s going to join the suicide squad, to the point people start making fun of him. But he is testing everyone’s commitment to the cause of “fighting titans” and he finds people like Jean, who only really want their safe life, as well as Reiner, who is dedicated and understands him immediately. Reiner becomes his new “authority figure”: whenever Eren’s failing, Reiner is there to understand him, to offer help and to remind him of why he’s there.

“The loyalty of average Sixes for the people with whom they have identified is almost without bounds. They find it extremely difficult to break their emotional bonds, even should they desire to do so… Their love may, in time, turn to hatred but never to indifference.”

That one speaks for itself. It’s exactly how Eren felt upon RBA’s betrayal. He’s in total denial about Annie, while for Reiner/Berthold all he has left is rage.

Choosing who to trust is part of the type 6 identity. All of their beliefs, all their inner world is shaken if they are betrayed, because the network they build is how they find a safe space for themselves in the world and how they orient themselves. Annie was Eren’s parameter of fighter, Reiner was Eren’s parameter of leadership. The first backstab is too hard for him to process, we see it all unfold. He can’t admit she’s a traitor, and he doesn’t even have the will to transform and fight her.

The second one, however, is embraced somewhat faster and he’s even able to contain himself and play along. But it doesn’t change how deeply it affected him and how vengeful he gets. Years later, that hatred would dissipate, but never to indifference — Eren still feels a need for some closure between them.

I got ahead of myself on the timeline, so I’m going to rewind to the moment Eren joins the Survey Corps, which is his childhood dream. Erwin is his main authority figure now and you see that, even though Erwin locked him up, he trusts the guy. As Don Riso explains, the type 6 on Level 4 plays by the rules of his group because he strongly believes in those rules and they bring comfort to their minds. In reality, the SC doesn’t really know what they’re doing. Erwin himself doesn’t know how he’s gonna cross the walls and find out the truth. But Eren is devoted to them. Their cause is his cause and he knows how hard it is but what matters is they’re trying. Besides, they embrace him. They want to reach the basement and want to defend him on the court and want to investigate/use his titan power. Thus, for Eren, the SC is the most solid and welcoming place to be. He’ll do whatever they want from him.

However, Eren was about to find out that things were far from glorious out there. Although the Survey Corps work under strict “plans” that soldiers are supposed to follow blindly, Eren can’t just watch people being sacrificed to protect him. Especially when he has enough power to act in a more significant way than those individual humans. But how much control does he have over his own power? Eren can’t answer that, and he feels immensely conflicted as soldiers continue to drop dead.

In that moment, Levi could’ve forced him to follow his orders, and perhaps that would’ve eased his mind when he chose not to transform. But the captain is a different kind of leader than Erwin, and he challenges Eren instead:

And I really appreciate how fitting that is to the type 6 conflit. It’s very difficult for them to accept it, sometimes there simply isn’t a clear path, sometimes it is okay to trust yourself and act on your own. But this is what Eren’s thinking:

That didn’t turn out very well, did it? At the end of the expedition, Eren is forced to admit that the SC don’t have all the answers and that all his power and training can’t always keep everyone safe. He’s once again reminded of that after activating the Coordinate — not even the power to control titans can avoid sacrifices.

Ideally, the type 6 can only reach the safety they seek once they allow themselves to move in the chaos with the courage to face it step by step, instead of predicting it. This may sound easy for others but not for them, especially if they are inserted in a reality where the cost of a mistake is lives.

So we get to the Uprising arc. It starts with the Survey Corps planning the retake of Wall Maria while they put Eren through hardening experiments. Time is not on their side and Eren’s determined to go beyond his limits during the tests.

“They consequently try to further strengthen their ‘social security’ systems by working harder to be accepted and approved by their allies and authorities… Others wonder if they resent the workloads and pressures they seem to be under, yet Sixes seem eager to fulfill their obligations and duties...”

Eren’s entire world would fall apart again once he’s kidnapped by Rod Reiss and discovers the truth of his father’s sin. Like I said earlier, Grisha was one of Eren’s authority figures, and even though he was absent, the basement key and the promised truth kept son and father connected. Wherever Grisha was, Eren could still count on the answers he’d left behind.

That is, until he is hit by a trainwreck of a revelation that his father killed an entire family and sacrificed himself to pass on the titans to him. Eren’s left completely lost, he no longer knows what to think of himself, of the world, of his father.

He falls from Level 4 to Level 7:

“Sixes become trapped in an unhealthy pattern of self-disparagement and massive insecurity which reinforces feelings of inferiority and worthlessness, a marked deterioration from the indecision and evasiveness we saw [before].”

This shift to a much more confused and self-loathing state doesn’t last long because Eren has his friend’s support for now. Historia chooses to see his worth and let him live. Levi once again challenges him to make his own decision, and Eren manages to save the day.

As Eren becomes aware of those destructive feelings, he tries to get rid of them by “fighting” himself, in an attempt to put himself back up.

He realizes he isn’t alone and he doesn’t have to do everything on his own, people around him are also strong enough to stand up for themselves. That helps him return to a more average stage and it could have been the beginning of his growth...

Well, if only life wouldn’t have a surprise waiting for him at every corner.

I hope you’re being able to follow and understand that we all have ups and downs in life. The levels of development represent exactly that, so it is common to find yourself in the same stage in different periods of your life. Nevertheless, after Eren learns the truth about the world and sees his future memories, it all goes downhill for him, no turning back anymore.

Here is what Riso comments on the ambivalence of the type 6 on Level 5:

“Sixes begin to follow the narrow path between the expectations of their allies and authorities and their need to resist having any further demands placed on them.”

Eren is overwhelmed by the view of the outside world. He has experienced his father’s memories first hand and it’s nothing like what he expected. No one around him has the same perspective. A lot of self-awareness and self-doubt emerge from the future memories he saw through Historia. Riso explains that on Level 5 the person starts to become more worried about how their allies feel about them.

“They become skeptical of new views and ideas, feeling that they have already put a lot of effort into understanding the perspectives and approaches they already know.”

Eren went from “I HATE TITANS ALL TITANS ARE MY ENEMIES DESTROY ‘EM ALL” to “titans are my people and they haven’t chosen this horrible outcome”. And that’s A LOT to process when you wrapped your life around that initial idea. But things are changing even faster, and his friends are talking about how the enemy could be reached out too. This thought needs to coexist in Eren with the clear image he has of the enemy, one that only he has accessed. Add to that how Eren was kept away from the Marleyan prisoners as Paradis also feared some kind of betrayal. As long as there’s people out there against them, he can’t so easily rest.

Who knows at what point Eren returns to Level 6. The time skip is covered very loosely. But probably when he is feeling so lost that he actually comes to Historia to vent.

“As in other types, to be functioning in this Level or lower usually indicates that there were extremely dysfunctional elements in the child’s environment.”

Self-explanatory. It’s even hard to talk about Level 6 because it is a point where Sixes start to overthink threats that aren’t that big, but in Eren’s case, the threat is 100% REAL and there’s a world isolating them and wishing for his people to die and throwing gigantic creatures at them. No big deal at all.

Eren turns to the people who actually understand the urgency he feels. Floch is eager to follow him, while Zeke and Yelena have an actual plan. Eren says he’s acting out of his own decisions, and he sure is, but he has also left it in Zeke’s hands to set the course. At this point, it no longer is a positive thing for the type 6 to have reassurance instead of a grounding support, it’ll only leave them trapped in the current mentality.

What would be more appropriate would be a balance between rejection…

…and full acceptance.

(By the way, I can’t even know where Historia stands, since she let him do his thing, but I’m still using her here because of how immediate her reaction was, which could lead Eren to think he can’t risk telling anyone else. Unhealthy Sixes are just that paranoid.)

Zeke could have been Eren’s new “authority figure“ if their goals were the same. But more and more the only thing Eren is starting to rely on are the future memories.

Riso talks about how a violent environment would lead to violent actions and “they end up using the same aggressive tactics on others”. And I can draw a parallel with how Eren has been facing titans for so long and watched them take people from him, that he just feels aggression arise whenever he thinks of all the injustice he has witnessed. Same would happen later on, when he sees Ymir’s memories and finally decides to unleash this pain on the world.

“It’s hard for Sixes to work for something. Instead, their energies are galvanized by being against people and things.”

Despite being highly conflicted and problematic, Eren so far has waited. It’s too hard at this point to fully engage with those dreams, but he has watched things unfold and allowed the Survey Corps to do their stuff and try to contact the outside world. On Level 7, the type 6 is just going through the day with little hope. When the SC reaches Marley and Eren meets the boy of his memories, he can no longer escape from facing himself.

“Tearful and obsequious, they are disgusted with themselves for not having been tough enough to stand on their own two feet, to defend themselves, to be independent.”

Not only Eren, but Paradis as a whole, have been unable to be independent in a much bigger world, or this is how he sees it after Kyiomi monopolizes the resources and the pro-Eldians group rejects the island. Finally, Eren recognizes in himself the person who would be capable of trampling the kid he currently wants to save, and that leaves him disgusted.

“They do not necessarily deceive others maliciously, but to escape punishment or abandonment. They believe they may be able to repair the damage they have caused...”

What Riso is saying here is that the type 6 feel the need to hide (themselves) so their loved ones won’t abandon them. And again, in Eren’s case, he has a damn good reason to think his loved ones might not be super happy if he said he was going to destroy the whole world. Let’s not forget they are the people who counted on him to save the world this whole time, and he is the person several people have been sacrificed for.

All this pressure has brought him this low, but Eren reaches rock bottom when he allows himself to admit he wished for it all to be destroyed. Now, he can no longer face his family (as he would tell Falco) and he has little faith in himself.

Again, Eren’s paranoias aren’t so far from reality because there is, indeed, a world against them, and that keeps feeding into his anxiety. Paradis’s progress is little and the future is uncertain. When the type 6 reaches Level 9, they can no longer get out of this spiral. They know it’s only a matter of time until the threat comes to them. So they call the threat upon themselves.

Eren allowed himself to go as far as understanding his enemies and accepting that they’re the same, but with the declaration of war, he can’t wait anymore.

I already told you the reason: the type 6 needs to be able to predict. That’s the very core of their beings, their minds seek to control events. Striking first is their final attempt to make sure they won’t be taken by surprise. Ultimately, they are lost and desperate to find support again. Here’s what Riso says about the type 6 on Level 9:

“They may drop out, abasing themselves as vagrants and living in skid row conditions, thus allowing their health and minds to deteriorate to the point of no return.”

It almost feels like Isayama has read this book, I swear to God. Yeah, that’s word by word what Eren does. He goes to enemy territory, injures himself and throws himself in war. Despite resisting for so long to a new perspective of his enemies, Eren allows himself to see them with his own eyes. All because he’s desperate to understand his enemy, desperate to understand himself (and what would lead to his decision) and desperate to run away from his friends. He is ashamed of choosing those future memories as his new authority figure, get it? They are the most certain thing in his life now. As much as he waited and as much as the SC tried, they don’t have any guaranteed future and it’s just too hard for the type 6, especially unhealthy Sixes, to wait. It’s impossible.

Remember I said that Sixes want to feel understood? Well, I think Eren feels understood, to some degree, when he’s among those broken soldiers. They are relatable, more than anyone else.

“Neurotic Sixes bring disaster of some sort upon themselves not to end their relationship with authority figures, but to reestablish a protective one. [...] It is also important to notice that neurotic Sixes are masochist not because they take pleasure in suffering as such, but because they hope their suffering will bring someone to their side who’ll save them… as if to say, ‘Punish me, because I’ve been bad. Then you can love me again.’”

In the mind of the unhealthy type 6, if he can’t find the answers, he can’t be there for his allies. If he fails his allies, he doesn’t deserve their support. But even when he feels he doesn’t deserve it and feels they won’t forgive him, he desperately needs it — the type 6 doesn’t know how to live without support. He is completely aware of his cowardice, he may unleash his despair in innocent people, he seeks punishment for his behavior and hopes for someone to end his pain.

“Unhealthy Sixes are self-defeating persons who are their worst enemies. If they persist in their masochist behavior, neurotic Sixes will drive away everyone on whom they depend. They will be abandoned and alone, the very things they most fear.”

Eren pushed everyone away, but deep down he waited for them to come to his rescue. He knew he was a lost cause, but still couldn’t let go of what he saw as a compromise, a duty to them. His completely cruel and extreme actions are, in enneagram terms, his way to not leave his allies adrift. But aren’t all his actions for his own freedom? I don’t think so, not entirely. There’s a reason the type 6 has been named “the loyalist” — they always, always see themselves as part of a group. And in the end, he saw himself in Ymir, someone who was trapped and waiting to be rescued, understood. Don Riso says the worst part of coming this low is how much Sixes hurt others while they hurt themselves, both because they want to harm everyone who doesn’t understand and to show people the worst in themselves; they want to punish and be punished at same the time.

That is what I wanted to break down — Eren’s inner process. Yes, the type 6 is an ambivalent, contradicting personality type, precisely because that’s how they feel inside. Other enneagram types don’t escape from their own personal conflicts, that’s also important to point out. The enneagram does not define integrity, people capable of causing great harm exist in all types and no one from type 6 is fated to destroying the world — just in case that isn’t obvious.

This post is heavy, I know. One of the things I love about SNK are the emotions it evokes and how human characters are. I’m so thankful to have followed Eren’s fascinating journey. He has never hit me as a one-dimensional character as some people claim. To me, Eren is not a chad, he’s not a monster, either. He’s just human.

I’m thankful for this fandom as well. We’re a total mess but the monthly wait would’ve killed me without the crazy theories and the heated discussions.

#snk 137 #snk 138 #snk 139 #Eren Jaeger analysis #attack on titan manga and anime #enneagram #LONG post #eren jaeger #snk analysis

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whentherewerebicycles · 4 years ago

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You seem to be really amazing at executing planned changes with food and exercise (and also generally better psychological habits) - can i ask for advice on this? I’ve finished up studying for now and realise my body has turned into a twisted up, pudgy, weakened wreck! Exercise hurts and sugar/processed food feels so cosy and I can’t seem to get through this part where i have to feel discomfort for a while before i feel better!

What works for you? Should i read that atomic habits book you mention? I saw another one recommended - the Kindness Habit - do you know anything about it?

(I tried journaling btw - but it didn’t get me anywhere)

hello!! i can share some things that have worked for me when it comes to implementing longer-term changes in diet and exercise. these seem really simple but i think that actually making big lifestyle changes is much less about summoning up colossal amounts of willpower and much more about making small but important tweaks to the way you think about/approach diet and exercise. here are five things that have been helpful to me.

(1) don’t think of diet changes in terms of restrictions (i.e., “what delicious cozy sugary things do i have to deprive myself of today to be Good”). instead, approach diet changes as a fun little game of adding in as many good things as possible (fruits, veggies, leafy green things, nuts of all kinds, whole grains, beans, etc.). every single time you are preparing a meal or looking for a snack, describe it to yourself as a chance to be creative and resourceful, as you think about fun ways to add in small good things every time you eat. especially in the early weeks, don’t restrict foods from your diet at all. focus solely on finding a creative way to add in something healthy and delicious every time you eat. (i really liked using the daily dozen checklist when i was starting out—they have an app and it’s very satisfying and fun to see how many things you can check off the list each day.)

(2) narrate this “adding-in” game aloud to yourself. for example: “oh—what if i eat a big handful of berries on top of that ice cream?”, or “i’m hungry—ooh, there are carrots in the fridge, aren’t there? i’ll eat three carrots with hummus before i switch over to pita chips”). and every time you figure out a creative way to add in a good food, stop and observe yourself doing it, and let yourself feel a little spark of delight at how clever and creative you’re being. this sounds silly, but i swear it works! part of changing your habits is changing self-talk & especially changing the kind of running narrative you have in your head about who you are and what you do. you can change that narrative in part by repeatedly reframing the way you tell it to yourself, ideally aloud (or aloud in your head) to help you can better “hear” and internalize the new story. instead of “ugh... i ate ice cream again. why don’t i have any self-control? why am i someone who just eats like crap?”, you’re offering your brain an alternate story, one that focuses less on things you perceive yourself as lacking, or on things you ‘failed’ to do, and more on the creative, positive things you did do (“i wasn’t going to eat any fruit today, but wasn’t it great that i remembered we had those frozen berries in the fridge? that’s pretty creative and resourceful of me, and plus it’s a good way to use up something i’d forgotten i even had”).

the “noticing and feeling delighted” part is just as important. to successfully change a habit, you need to find creative ways to make the new habit pleasurable in and of itself. the more pleasure you feel when you do it, the more self-reinforcing the habit itself becomes. you might not experience eating healthy foods as intensely pleasurable (at least at first, especially if you are comparing them with the intense brain-hacking pleasure that super sugary foods give us). so don’t try! instead, focus on making the choice a source of pleasure and delight. "look at how clever i was! look at how creative i can be! look at what a good choice i made! look at how good i am at this game of adding in!” that act of stopping, narrating, and letting yourself feel genuinely pleased with what you’ve just done makes the choice to add something in pleasurable, which in turn can help fuel your sense that this isn’t about having iron willpower or about cruelly depriving yourself of delicious things, but is about playing a fun little game with yourself, creating little challenges or puzzles for yourself throughout the day and then giving yourself positive reinforcement when you figure them out.

(3) manage your environment to set yourself up for success. to paraphrase the atomic habits book: the people who seem to have the best willpower are the people who have to exercise it the least. and they have to exercise it the least because they’ve very effectively managed their environment, arranging things so that the desired choices are easy and “frictionless,” while the undesired choices or habits are more inconvenient or introduce more friction (it’s harder to get to them).

the easy starter version of this (from atomic habits): put the things you want to eat in highly visible places and/or in appealing arrangements, and put the things you don't want to eat in places that aren't visible or that are inconvenient to access. ice cream goes in the very back of the fridge, buried behind all the other stuff. nuts go in a bowl on your desk so that you can idly snack on them while you work. apples and bananas go in a big brightly colored bowl right on the counter, so that every time you pass through the kitchen your eyes are drawn to them. chips go in the bottom cupboard, the one below eye level that you don't use very often, and when you get them out you pour some into a bowl and put them right back in there (instead of leaving the bag out on the counter). make the choice you want to make easy, and make the choice you don't want to make harder to get to.

eventually, the most effective way of managing your environment is just to exercise total control over what comes into your own living space. for me, if i don’t want to eat it, i don’t have it in the house. i typically also place a curbside delivery grocery order so that i don’t have to go into the store—anything that comes into my house is something i made a deliberate choice about ordering, not something i wandered by a shelf and added to my cart because i wanted a treat. something i’ve learned about myself over the years that moderation is just not in my vocabulary—i’m an all-or-nothing person, and it’s SO much easier for me to just not have stuff i don’t want to eat in the house. no ice cream in the house. no alcohol in the house. no fried things, no chips, no candy, etc etc. if someone kindly brings me baked goods that i did not ask for, i genuinely appreciate the gesture, but as soon as they leave i give them to my next door neighbor or dump them in the trash. (SORRY TO PEOPLE WHO BAKE FOR ME!) if it's in the house i'll eat it. if it's not, i won't, and i also won't miss it.

i did do this pretty gradually at first, though! when i switched to a primarily whole food plant-based diet, i focused on playing the adding-in game for a couple weeks, and then when i started getting competitive about it i decided to use my grocery order as a way of creatively boosting my fruit/veggie/etc consumption even more, and in the process i started winnowing out things that took away chances to add in a good thing. i would say it took about three or four weeks to get to my personal ideal state of Nope I Don't Have It In The House.

it takes time, but i’d say that within a month of having only things you want to eat in the house, your cravings will be gone, at least within your own managed environment (going to restaurants or traveling DOES require you to exercise willpower, but there are ways to prepare for this in advance). the good news, though, is that 6-8 months or so of eating like this usually brings with it such improved sleep, mood, energy levels, skin, hair, GI function, etc etc that you start to be like oh my GOD why would i want to eat that horrifying thing?? I KNOW HOW BAD IT MAKES ME FEEL!! I WANT TO POWER MY BODY WITH PLANTS!!!!! in other words, the pleasurable side effects of eating well becomes positively reinforcing in its own right, while the negative effects you experience when you reintroduce sugar or fried things tends to reinforce the idea that those foods Feel Bad.

(4) it's not exercise, it's movement. i too used to hate exercise and found it extremely painful and tedious and horrible. so instead of exercising i just started moving. i canceled my membership at the local dog bar, where i had been taking my dog almost every day to let him run off excess energy, and started talking short walks with him twice a day instead. if you don’t have a dog, offer to walk your friends’ dogs—trust me they will lose their MINDS with joy lol. i think that starting to build in regular walks is the best way to get active again, because walking is typically quite pleasant and it becomes positively reinforcing to like, wave at the same neighbors every day, and see the cute kids next door running around, and notice all the ways that the trees and flowers are changing, and so on.

if you do not find being outside inherently pleasurable (sometimes i do not lol esp if i’m grumpy about having to walk the dog), tie another pleasurable activity to your daily walk. i listen to about six hours’ worth of hockey podcasts a week and i am only allowed to listen to them on my walks, so i end up looking forward to the walk because i’m desperate to hear people talk about My Guys. you can also walk with friends, or call a friend while you’re walking, which is even better than podcasts!! social walks are so much fun and go by so much more quickly. i started out just doing daily 15 min walks, and over the past couple years have built up to walking between 60-90 min a day when i’m at home. sometimes i hate/dread my walk; sometimes i love it and look forward to it. but regardless of how i’m feeling, i do it every day and if i miss it once, i don’t miss it a second time.

as far as activity goes, i think it’s totally ok to just be a person who walks a lot! but i’ve found that becoming someone who walked a lot helped change my own narrative of myself—I started to think of myself as a walker, an active person who moved a lot every day. and that made it easier to pick up other forms of activity too, or at least to adopt a curious, exploratory attitude towards other forms of movement. also once you start tracking your active minutes you tend to get quite competitive about it! or at least i do, lol. i keep a note on my phone where i write down the date + type of activity + total number of minutes I did after every burst of activity, then at the end of the week i add it all up and compare it to the previous weeks. it makes me want to do more, to beat my own numbers—or it makes me want to keep up a streak (like, if i have a five-week period where i’ve consistently hit a certain level of active minutes every week, i don’t want to break it!!).

my biggest suggestion for exercise, though, is to figure out what kinds of things you enjoy and what kinds of things you don’t, and then to spend all your time doing things you like. i HATE structured fitness classes and workout videos. i hate them so much!!!!!!!! but i love being outside, i love doing solo activities (as opposed to group workouts), and i love doing any form of movement that doesn’t feel like a Planned Workout, capital w. also becoming a hockey fan got me really interested in skating, so i picked up rollerblades and found that to be amazingly fun too (something i can do outside AND something that feels like gliding around effortlessly AND something that makes me feel closer to My Favorite Guys!!!!). you may not have passionate feelings about hockey fandom as i do, but i think it’s really just about being creative—finding a creative way to link something you don’t love to something you do love, or find pleasurable, so that you can start forging those positive associations.

i spent my first couple years of being more active just walking walking walking, and then this past year during the pandemic when i really ramped up my movement i added in longer walks, hikes, and rollerblading, and i also looked for ways to “habit-stack,” ie attaching an activity i don’t much care for (running; exercise biking indoors; doing squats and lunges) to one i do enjoy (i take my tennis shoes when i go skating and then go for a run immediately afterwards, before i have time to talk myself out of it). there are still all kinds of things i don’t do—i really don’t love strength training + bodyweight exercises yet, and i hate stretching even though I Know I Should, and i know that if i want to get stronger and faster, or build up my endurance, i will eventually need to introduce some element of structured training into my daily movement.

BUT the idea of making those changes seems kind of cool to me now, instead of Horrifying and Dread-Inducing! i feel like all the positive associations i’ve forged have made me more curious and open to ideas i would’ve resisted with my whole being not all that long ago. i found a way to make movement pleasurable, and then (thanks to sports fandom + my tendency to go down research rabbitholes) i found a way to get myself intellectually and emotionally engaged in the general concept of being a highly active person. for me, that combination of real pleasure + intellectual/emotional stimulation is what i personally need to build & maintain good habits.

(also, just shoehorning this in at the end because i like it: the “it’s movement, not exercise” mindset shift was also really helpful to me because it stopped me from thinking of exercise as like, this highly structured, regimented, torturous thing you forced yourself through for a set period of time each day, and helped me instead think of movement as something that humans are designed to do & to naturally enjoy. instead of Forcing Myself to Exercise, i looked for more natural-feeling forms of movement that didn’t feel so artificially divided from my “real life.” i think that helped with reframing my self-narrative, too! it made being active feel more integrated into my daily life, which in turn made it easier to think of myself as an active person, someone for whom movement was just a normal part of daily life and not a thing i had to psych myself up to do every day.)

(5) it takes time to build good habits, but not nearly as much time as you might think, and eventually you stop thinking about how long you’ve been doing something and you just start enjoying it (ie it becomes a genuine change in your lifestyle/thinking, not an artificial thing you have to work hard every day to maintain).

i am not yet AN ATHLETE and may never be, but i often remind myself that it took me a little under 30 years to build up a PROFOUND aversion to exercise, so it’s actually kind of miraculous that in just two years i’ve become someone who genuinely, earnestly, enthusiastically enjoys being active and feels antsy/weird/restless when i can’t get out of the house and move. every small stride i’ve made has strengthened my trust in myself and helped me reframe the narrative i tell myself about what kind of person i am and what i do/don’t do. every time i do the thing (whether it’s exercising or making a delicious healthy dinner) & happily notice myself doing it, i reaffirm to myself that i’m the kind of person who takes care of my body and mind by eating well and spending lots of time moving outside. (as a side benefit, when i spend a lot of time happily noticing things and speaking encouragingly to myself, i also reaffirm to myself that i am a happy person who treats myself kindly and who is always eagerly seeking out experiences that feel joyful and life-affirming.)

plus, the more often you do something, the more opportunities you have to have positive experiences while doing it! not every walk is AMAZING, LIFE-CHANGING, DEEPLY FULFILLING, but like, if i am walking seven days a week, that’s seven opportunities for something cool or fun to happen on a walk (not to mention seven opportunities to reap all the physiological & emotional well-being benefits of exercise!!). and if i am really conscious and intentional about noticing and actively delighting in those positive experiences, i help wire in those positive associations more deeply, and my brain/body increasingly comes to associate movement with happiness, joy, and fulfillment. as the habit of being more active becomes fulfilling in and of itself, i don’t have to expend as much energy tricking or cajoling or bribing myself into doing it.

i hope this helps!! i am literally always happy to write extremely long essays in respond to simple anon questions, lol, so if you want to talk more about your own ideas for building better habits please do share!! i can also rec you specific books that i’ve found really useful—both for just like, helping me figure out how to make big changes, and also for providing that intellectual stimulation that gets me more engaged in wanting to eat well & be more active.

(also, on the extremely slim chance that you are also a hockey fan: over in my fandom sphere, we are organizing a fun summer thing inspired by one of our fave hockey players, where we’ll be planning lots of fun fannish community things to get ourselves moving this summer. it’s going to be a good time!!)

#food #movement #mw

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