#its just that season 2 is the weakest to me

[stuck-in-the-ghost-zone]

MAC. MAC. MAC. I'M ON HANNIBAL S2E9. WHAT THE FUCK MAN. this is gettign insane. i don't have much else to say except whaaaaaat the fuckkkkk dude. "i sent a man to kill you, you sent a man to kill me. i suppose we're even." I'M GOING TO START GNAWING ON FURNITURE. wagh. hannibal isn't lying to will anymore, he's just not saying anything because will already KNOWS. he KNOWS. he doesn't HAVE to say anything it's all unspoken. i thought will was either gonna become his partner in crime or hide his crimes from the fbi while feeling conflicted about it but no. it is a secret third thing. and i don't even know what the fuck that thing is but BOY IT SURE IS SOMETHING!!!! also it's getting quite gay?? there may have been straight sex scenes on screen but that is nothing compared to the eroticism of whatever the FUCK is going on between these two. what the fuck man. i gotta go lay facedown on the floor for a bit. i'll start ep10 soon. hopefully finish the season either tonight or tomorrow morning. very looking forward to the season finale. WHAT THE FUCK MAN!!!!!!!!

ITS A SECRET THIRD THING !!!!!! god. season 2 is so. ugh. i think season 1 is my favorite overally but s2 has some absolutely fucking banger moments. yeah. whats gayer. gay sex or whatever the fuck those two have going on etc. god i CANNOT wait for u to see the finale. im not gonna give u any hints but i promise you. You Will Know the scene im talking about when it happens. good lord.

[nomairuins]

we had fun tho the whole family hung out and we did some sporclee and chronophoto and then globle me n lamp nd father did globle bc mein mamma went to sleep. yay :]

[sharksandjays]

I think something that Dragons Rising is doing so so well is making the ninja cooler.

I know that sounds weird. But listen. The ninja aren't the main characters anymore! Wanna know who the main characters are? Arin and Sora. Two 15 year olds. Two kids, one of which was raised learning about the ninja and how cool they are.

And the thing is, they are cool! But in the older seasons, the ones focused on the ninja themselves, we focus on the flaws (because the whole point of their seasons are character development.) We don't see them as cool as they are because the narration is from their point of view. Everything that they do is just day-to-day stuff. And, honestly, we get desensitized to all the things we'd normally think is cool because to them its normal!

I think my first epiphany of this was back in season 2 i think when Jay, who is generally perceived to be the weakest of the ninja, easily judo flips Darreth like its nothing, and we know that guy isn't the lightest of people. I saw that and went "huh." because if it wasn't him interacting with a normal citizen i wouldnt think anything of it. If it was him sparring with lloyd or something id be like "yeah whatever ninja do that." but it wasnt until i saw it from outside the ninja's perspective that it really made me think wow these kids are cool.

And thats exactly what dragons rising is doing. Arin is the main character. Our narrative point of view is coming from his eyes. We focus less on the ninja's flaws and more on what makes them awesome. We are looking at them through an inexperienced, child based, point of view. When seeing Lloyd do fancy sword maneuvers would have been normal because pshaw everyone does that is now really cool because wow you dont see that every day.

Dragons Rising allows us to go huh. These are ninjas that have been training and fighting for more than 10 years together. They are really freaking COOL for that.

So Arin, i'm behind you kid. I get your ninja fandom too.

[absolutebl]

This Week in BL - I'm Late, I know

Organized, in each category, with ones I'm enjoying most at the top.

Feb 2024 Wk 2

Ongoing Series - Thai

The Sign (Sat YT) ep 12fin - we waiting 2 weeks I guess? Bah.

Pit Babe (Fri iQIYI) ep 13fin - I wasn't impressed by the last ep at all. Trash watch happened here.

My final thoughts:

Based on alittlebixth's omegaverse novel #พิษเบ๊บ’ set in the world of car racing omegaverse. Thailand brought us the world's first omegaverse BL but then failed to lean into the courage of its a/b/o convictions by not emphasizing the difference between our world & theirs, adding & subtracting characters & allegiances + a weak ending. With earnest performances, enthusiastic sex scenes, a fantastic side couple, and some delightful scenery chewing - the actors tried… poor things. It's just the story failed both them and their parent genre. Frankly? I just wanted it to be more outrageous and trashy, since I never expected it to be good. Instead, it was just… meh. 7/10

(Imma remind all the newbies that this is not unprecedented from me with hugely popular BL.)

Cooking Crush (Sun YT) ep 10 of 12 - I like it but there’s a high % of this show that doesn’t interest me. Anything to do with the side couple, or the friend group, or the cooking competition drives me into a comatose state of UGH. That means that in this episode, I paid attention to about 5 minutes worth. 

For Him (Thurs iQIYI) ep 11 of 12 - I'm ready for this to be done. I think they were trying to be this year's Big Dragon, but they just aren't good enough. I really didn’t need a third couple.

City of Stars (Fri iQIYI) ep 2 of 12 - I'm warming up to FueangKrom a bit. It’s cute. I am finding the pacing interesting. That pacing might be bad, but right now it’s simply different. 

Ongoing Series - Not Thai

Love For Love's Sake (Korea Weds iQIYI) 5-6 of 8 - I still love this show a lot, but this 2 ep installment felt a little disjointed. I’m not sure if that’s the narrative structure or the subs. The captions are shockingly bad for a KBL and I don’t have enough Korean to make up for their clear failings. 

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 5 of 10 - Oh the return of the manic pixie dream ex. This is all very high school drama for purportedly grown-up adults. But them both being jealous and then kissing was sweet.  

AntiReset (Taiwan Fri Viki/Gaga) ep 3 of 10 - They remain adorable and the sunshine robot is very sweet. But it is a little slow. 

Perfect Propose (Japan Fri Gaga) ep 3 of 6 - I prefer the episodes when we get more of them onscreen together. But this was fine. 

Happy Ending (Korea Tues YT) 3fin - The ending disappointed me (are you surprised?). What can I say, not Strongberry's best as far as I’m concerned. High school besties that many could be sweethearts. I don’t like an ending that’s left up in the air. 6/10

It's Done but...

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master - from Vietnam, it's on YouTube. I will give it a try when I have a window of time.

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will give it a watch.

It's Airing But...

[NO INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… probubly not. I won't be watching this. I disliked Season one and actively hated the follow ups. No thank you.

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

7 Days Before Valentine (Weds WeTV) 12 eps - Gave me Luminous Solution vibes. It finished, is it worth it?

Dead Friend Forever (Thai Sat iQIYI) 12 eps - finished, horror, supposed to be very philosophical, I think I'll give it a go.

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Next Week Looks Like This:

Starting Up

2/16 My Strawberry Film (Japan Gaga) - not quite sure how much BL this one is, because... Japan, but we shall see.

2/17 A Secretly Love (Thai WeTV) - Khonprot, a third-year head hazer of the engineering faculty, has a secret crush on Pluem, a tsundere fourth-year head hazer. Over the years, he's seen Pluem cycle through many girlfriends. Recently, after a public breakup, however, Khonprot thinks maybe a boy has a chance. Unless this is really good I probably won't I hate the WeTV interface...

Still Coming in Feb

2/24 Unknown (Taiwan Youku) 12 eps - Older brother tough guy criminal breadwinner looks after his sister and defacto adopted little brother. Little bother falls in love with him and is sent away after a stolen kiss. But when he comes back…

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

We gotta talk about LFLS this week. Look at Korea go!

Talking about a dead fish kiss, how meta! This will end up on one of my best of the year moments. I could not have been more gobsmacked.

Also something rarely directly addressed, particularly for same-sex firsts.

And then, a claiming trope, a personal favorite of mine.

Thank you Korea!

I just love them. (Pit Babe)

(Last week)

[ineffable-endearments]

Exactly what are the different exactlies?

During this season, it's pretty clear that Aziraphale and Crowley both adore each other and humanity and want very much to be together. It's also pretty clear that, even before Heaven came and made Aziraphale an offer he probably couldn't refuse, he and Crowley weren't quite on the same page regarding...well, just what they are.

What the heck? How can their feelings be so mutual and so out of sync?

Well, I always said Aziraphale was the collectivist and Crowley was the individualist, and Season 2 has only made me more certain of it. These sound like such boring and dry concepts, but they get to the heart of even their most extreme issues - for example, Aziraphale's denial about Heaven as a dangerous place originates with his incredibly deep-seated need to believe in and belong to a collective.

At his worst, Aziraphale can subsume Crowley - jumping so enthusiastically on the "our car" bandwagon that he changed a bunch of things about the Bentley is an excellent example of how he was basically ready to assimilate Crowley into his own identity. And, of course, had he actually brought Crowley back to Heaven, that, too, would have taken away everything that makes Crowley himself. This is Aziraphale being a "rebound mess," feeling at loose ends because he's lost his sense of belonging with Heaven and wants Crowley to meet all these newly-dangling emotional needs.

But at his best, Aziraphale helps connect Crowley to others and to the world. He's usually the one introducing individual humans to Crowley. He gives Crowley excuses to be helpful, both to him and to others. He pulls Crowley into fun, more pleasurable human activities, like eating oysters at Petronius's and watching Shakespeare plays, when Crowley is having trouble seeing anything but work. At the end of both seasons, Aziraphale has been the one who insisted on actively pushing for a greater cause.

Of course Aziraphale was drawn back into Heaven. Whether you're considering his weakest points, like his need for approval from anyone he believes has authority, or his strongest, like his genuine wish for things to be Better For Everyone, he leans into collectives.

At his worst, Crowley can isolate Aziraphale. Aziraphale is sort of Crowley's one major interpersonal commitment, and while Aziraphale enjoys this, it does create a lopsided situation where they're each focused on different things. And Crowley loves humans conceptually, but because he wants to avoid the pain of getting attached to mortals, he is pretty quick to let his connections to humans go. While influencing Aziraphale away from Heaven is a good thing, Crowley doesn't have another very strong community to influence Aziraphale toward.

But at his best, Crowley has helped Aziraphale develop himself outside of the corrupt institution that has tried so hard to crush every ounce of conscience and individuality out of him. Many of the Earthly pleasures that Aziraphale tries to draw Crowley toward are things that Crowley introduced him to in the first place! Crowley's individualism encourages Aziraphale to try things that he's been conditioned not to try, and then Aziraphale's instinct for getting attached to things he enjoys can take over.

Of course Crowley has to think of himself and Aziraphale as an isolated unit. That's a clear-eyed view of what they really are in the world of immortal beings.

Now, I've argued before that Heaven is all about the Collective and Hell is all about hard-scrabble individualism. We have these two Sides, one of which demands its angels give up all individuality and follow the group at all costs, and the other of which demands its demons constantly fight for their own survival with a desperate scarcity of space and resources.

It's through time on Earth and the things they admire about each other that Crowley and Aziraphale have become different from Heaven and Hell, respectively. Aziraphale is thrilled to have discovered himself, someone who exists outside of Heaven. Crowley, meanwhile, is thrilled to connect with someone else in a gentle, intimate way that Hell would never allow. But Aziraphale still has that need to Belong baked in, and Crowley will always need to be his own boss with his own priorities.

Fortunately, there is a "side" that is really very good at creating smaller, more intimate groups within larger societies, fulfilling both needs, and that is Humanity.

[dangerousblizzarki]

🎬Total Drama Action🎬

Episode 7: "The Chefshank Redemption"

"Sorry Bowie, you're not the winner. You lost, so you're a loser. Its just logic!"

-----

Okay time for me to post the other elimination edits here on tumblr. Damien's and Ripper's will be posted within the next couple of days but they're posted on reddit weeks ago if you wanna check them out right away.

-----

Okay, time for some context.

At the last elimination, Priya got voted out by the grips in a 4-2 vote orchestrated by MK because she didn't want Team Captain Priya to gain too much power. MK was able to rally up the desperate Nichelle after her performance last season and Ripper, but had trouble with Caleb and Raj. Caleb decided to side with Priya because he wanted to buddy up with the strongest grip, while it took a little convincing from Bowie for Raj to vote alongside MK against Priya.

The Bowie-Priya feud started way back when they were still deciding the teams. Bowie was able to choose first and he chose Millie to separate her and Priya. The latter then retaliated by choosing Raj.

Now at the Gaffers' elimination, the main targets initially were Axel for her overbearing attitude towards Millie's performances, and Millie for being the weakest link of the team. Millie found out that Bowie indirectly had something to do with Priya's elimination and has had enough of his schemes.

She was able to wrap in Zee quite easily because it's Zee, talked to Damien about his chances of winning if he lets Bowie stay when he's allied with Emma and Wayne, and offered Axel safety because it was clear Bowie's alliance was more irritated with her.

So in the end, it was Bowie who got eliminated in a 4-3 vote. With Raj feeling awful about it.

-----

References:

[somenerdfromwhatever]

I haven’t seen The Owl House but can we just talk about how Disney did this show dirty?

Let me preface this by saying that, as of the time of me writing this, I have NOT seen The Owl House in its entirety l yet. I could be in the progress of it after posting, but honestly as an outsider looking in given the entire Season 3 fiasco, Disney did this show dirty.

Like three specials only? Nothing more nothing less? With that happening due to outcry because originally it was going to get canned after the release of Season 2?

I don’t think it was a fair deal to end with three specials. Season 3 should’ve gotten the fanfare it deserved even with the outcry. Like, it is the weakest compromise possible even with mass support.

I’m going to paraphrase some bits of what I addressed to people on discord and additional information I learnt.

I’m surprised there wasn’t more of an active effort to fight back against the cancellation since it first blew up upon announcement. Like “doesn’t fit the branding?” Didn’t Gravity Falls face something similar? By that logic, this doesn’t make sense at all. I feel like Disney’s “brand theming” excuse is really dodgy, and it seems like there was some foul play involved. But I didn’t see the fandom actively pushing back, even the creator, who did speak out about it. (Note: I haven’t been on Twitter for over a year and a half, so I might not be fully aware of everything.) If I watch it and it’s as amazing as people say… given how I am passionate about things in this world, I won’t let Disney live this down. It’s like treating art as a joke just to fill their pockets and the corruption the industry has over artists. We saw this last year with the strikes and given the current state with the companies running the industry nowadays (the streaming bubble, and that the whole cartoon mass purge thanks to Max)... artists are now having their creativity die out because of industry folk like Disney.

If there was pushback, I’m glad there was at least some effort to score these three specials. But if this is how far it went, it feels like an unfair compromise. Three specials aren’t enough, honestly. Even if they’re good, it doesn’t negotiate anything at all as it still feels like Disney did this show dirty. Let me be clear here as well: I am NOT beating down anyone who has taken the effort to get this. Why the hell would I do that? I'm happy you guys managed to get your voice out there and left and impact. Those three specials were hard fought, I just wish there was more because honestly, it isn't enough. And if the resentment I'm seeing is anything to go by a year later, I say keep fighting. I am also not beating down Dana, the showrunner. Dana is an amazing creator, and the fact that she stood her ground at all with her cast and crew is incredible. My problem is with the corporation, with Disney, and how they put her in a position where that fight couldn’t be won in the way it should have been. I understand the fight it takes to get your foot in the door of the industry. If I were to turn around and beat down someone like Dana, who fought for her vision just like I’m fighting for mine? I would never live that down. It would stain me for life. Considering the industry itself is small and how I am going into it in post-production, sometime down the line, I will be faced with working with her. The last thing I want is burning a bridge inadvertently. I can understand why she acted the way that she did with her crew, it's just with a lot more vocality and support, things might've been different.

Like I don’t get Disney’s thought process here. You have a big, popular show, and then you “old yeller” it, giving it this slow death and then dragging it out with this… in my honest opinion; weak compromise. That is scummy and why us artists and creatives need a reform to the entertainment industry where we drive the vision and what Disney and others do come second.

At best, it did what it was supposed to do. At worst… it’s not enough.

With everything that the fanbase done including the cast, crew, and even Dana, while I'm happy they managed to end it, I feel like there should have been more active effort. I do notice there is still a lot of resentment and I mean A LOT OF RESENTMENT. I noticed a lot of the fandom got a hashtag trending, some fanart mailed into Disney itself, but I'm surprised there isn't like a full on physical protest. Online can only do so much. Like imagine a D23 but everyone is in their cosplay of the show with signs having references to whatever the show has going on. I mean, sure, it is unheard of, but consider the compromise, how it was censored in other countries, maybe even how mistreated it got during the making of Season 3. Go to the heart of where decisions are made. If you feel strongly about the compromise, take that energy and turn it into real action. As an outsider who is about to come on, I feel you so much. I hope the show is really good when I watch it, but in case if I don't, you guys really deserve better. Honest. I could be wrong in all this there's more to the story then I realize, so please go easy with this. Thank you.

[batmanisagatewaydrug]

reading roundup: May 2024

you guyssssss you guys you guys you guys I've been reading so much this month :)

sometimes my brain gets the itch to just DEVOUR books and it's really been on me, probably thanks to the burst of energy + free time that comes with the semester ending and summer getting started! the days are longer, the last of my season depression has been kicked to the curb, and I can spend hours reading on the porch every evening. the ideal!

right now, as the month ends, I'm feeling a particular hankering towards nonfiction and juicy new summer novels; I reblogged a Lit Hub roundup of new books the other day that got my brain buzzinggggg with excitement for the coming months. we'll see if that ends up manifesting in the June roundup, but for now, here's what kept me busy in May:

Paris Daillencourt is About to Crumble (Alexis Hall, 2022) - this month I read two romance novels picked by my beautiful patreonites; I did a compare/contrast between the two over on Patreon and I'll leave the majority of my thoughts there, but suffice to say that I am not a fan of Paris. definitely the weakest of the three Alexis Hall novels, and a real disappointment since I found the other two delightful. the story is straightforward enough and has some potential for sure, but Paris as a protagonist is a sodden mess who I found just insufferable. thumbs down from me, gang.

Chef's Kiss (TJ Alexander, 2022) - hi, it's the other romance novel. this one is a lot goofier than Paris Daillencourt, which is fitting since it's BA Test Kitchen rpf starring a bisexual Claire Saffitz and a nonbinary Brad Leone. it's frustrating because the story is definitely stronger than the one in Paris but the romance is piteously undercooked, although I was at least fine with the protag and her love interest getting together - they were boring but unobjectionable, unlike Paris and his love interest who I really thought would have been better off as friends. now that I'm thinking about it, you might get a perfect queer cooking show romance novel if you somehow mashed the two of them together. they're both, like, so close to working, but ultimately fall flat.

Delicious in Dungeon Vol. 4-6 (Ryoko Kui, 2018) - I don't even know what to say except that I'm still loving everything about Dungeon Meshi. the craft and thought that Kui puts into every facet of the world, from the big picture politics between fantasy races to the individual thoughts and feelings of each character, shows so much love for the world without ever being overbearing; it never feels like exposition is being hammered down my throat so much as little details are being tastefully arranged to be enjoyed at whatever speed and to whatever extent the reader likes. the world is getting bigger with each chapter and I'm looking forward to exploring more, especially now that Falin's hottie monster form and that good good catgirl have entered the chat.

Earthdivers Vol. 2: Ice Age (Stephen Graham Jones, Riccardo Burchielli, Patricio Depeche, Emily Schnall, Joana Lafuente, 2024) - once again I've done the worst thing that you can do as a comics fan, which is get invested in a series that's just starting out and is still releasing individual issues. the third trade paperback won't be out until December, so I guess I'm either going to have to go on hiatus with Earthdivers or start chasing down new releases on comic pirating sites, which feels shitty - that's how I read Batman comics that are the same age as me, not new stuff from authors I actually want to support! but Earthdivers might just be worth it. the second installment takes us to a wildly different setting than the first, Columbus-killing collection, dropping fearsome mother Tawny in a prehistoric North America. but while the setting changes, the series is still grappling with the question of what its protagonists are willing to sacrifice and who they're willing to become to change the past and save the world. we're starting to see bigger hints about how much history can be altered and catching some clues about the series' antagonist (???); I gotta know what happens next.

Prairie Fires: The American Dreams of Laura Ingalls Wilder (Caroline Fraser, 2017) - here it is, the book that got nonfic so powerfully on the brain! this is a riveting history whether you grew up on Little House on the Prairie or not (I didn't), tracking Laura Ingalls Wilder from an impoverished girl constantly imperiled by life on the prairie to a beloved icon of American propaganda. for me, personally, this hefty book really picks up when it gets to the endlessly complicated and frequently nasty relationship that Wilder had with her daughter when said daughter was grown; Rose Wilder Lane is a FASCINATING figure in her own right and I'm kind of obsessed with what a shithead grifter girlboss she was. fascinating stuff all around.

The Brides of High Hill (Nghi Vo, 2024) - Vo's series of Singing Hills novellas has always woven from one genre to another, exploring new types of stories just as our protagonist, the cleric Chih, explores new lands. this installation takes us straight into a gothic horror that pulls out all the stops: an isolated manor, an enigmatic madman roaming the grounds, the strangling snares of social conventions, and a blushing bride who isn't exactly what she seems. I read it in one sitting, it's delicious.

Superfreaks: Kink, Pleasure, and the Pursuit of Happiness (Arielle Greenberg, 2023) - a poppin' primer for anybody who wants to learn more about the world of kink and what the fuck is going on out there. at one point I did catch myself thinking that I was a little underwhelmed and that Greenberg wasn't really putting forth anything that radical, but then I realized that speaking extremely candidly about and validating interest in basically any kink or fetish imaginable, and yes I do mean straight up any of them, is actually A Lot for many people to handle. so, yeah, good book, check it out for a friendly and enthusiastic intro to the wide world of kink.

Sex Criminals Vol. 2: Two Worlds, One Cop (Matt Fraction and Chip Zdarsky, 2015) - the first volume of Sex Criminals left me feeling a little meh, but I decided to keep going because Matt Fraction's Hawkeye run was lifechanging and I know this series is pretty widely acclaimed, so I want to see where we're going with this. (plus it's free via the library, so what do I have to lose?) this volume really sold me on the series and particularly on Jon, who I was pretty lukewarm on initially. he really stole the spotlight in this one, and I like the way that the story is ratcheting up the stakes.

The Stone Sky (N.K. Jemisin, 2017) - GOOOOOOOOOD what a book! what a trilogy! in a series shaped by empires and natural disasters, the story ultimately ends with a quit confrontation of clashing ideologies, a young daughter determined to end the world and a mother equally determined that one of her children should live. and that shit hurts! I read the series a couple of times when I was younger but I was never before able to fully appreciate the work Jemisin does in crafting Essun and Nassun, showing us the way cruelty and fear have shaped both of them into the people they ultimately are and the choices they make. absolutely masterful, a legend.

From Here to Eternity: Traveling the World in Search of the Good Death (Caitlin Doughty, 2017) - this was another reread, and while N.K. Jemisin was blowing my mind, Caitlin Doughty was giving me a warm hug. I don't know what to tell you, reading about the ways that people all over the world care for their dead and take comfort in their memories makes me feel all warm and fuzzy. death can be really beautiful and comforting, if you're not a coward.

The Big Reveal: An Illustrated Manifesto of Drag (Sasha Velour, 2023) - listen, I'm not really a Drag Race girlie. I first heard about this book when Velour was a guest on Nicole Byers' podcast, and while I was very charmed by her I was not expecting to be blown away by her book. it's just a little cash-in for a Ru girl, right? all she needs to do is slap together some cool pictures of her in drag and a few platitudes about being yourself and boom bang, that's a book. but readers, I owe Sasha Velour an apology: this book was so much cooler and smarter than it needed to be! Velour brings an impressive eye to forces of colonialism and capitalism that shape art and conceptions of queerness, and keeps this framework firmly in place while keeping the tone of the book bubbly and lighthearted. she also goes out of her way to spotlight a huge variety of drag performers and gender nonconforming figures throughout history, celebrating all the different means of expression that make up the tapestry of contemporary queerness. a great read, and one that I've already shelled out for. a friend and I are working on a documentary exploring the nuances of queer style, and I know I'm gonna want to pull heavily from Velour's thoughts and the history she's curated.

[toffeeanddragons]

10 Fandoms, 10 Characters, 10 Tags

Thank you so much @idle-brit for tagging me!This was lots of fun :) 💖

My tags: @delyth88, @elymusplant, @galaxythreads, @chemical-processes. No pressure to answer, of course :)

1. Loki (MCU)

As much as I love everyone on this list, there is absolutely no competition for number 1. Loki has been my favourite character of all time for nearly 6 years now (because clearly the best time to join someone's fandom is after they've just been murdered), and is showing absolutely no signs of being replaced anytime soon. I have a Loki blog, for god's sake. The brodinsons are my favourite relationship in any kind of media, ever. I love them so, so much. Loki's a million different things and feelings, all at the same time, all fighting with each other, which makes for a wonderfully complex and nuanced character. Also, he's hilarious. Look at that eye roll. This is a man who hates his life, which makes me feel better about mine. Thanks, Loki.

2. Klaus Hargreeves (The Umbrella Academy)

As will become obvious throughout this list, I love me an emotionally traumatised crazy person. Klaus is that. One of the characters who makes me laugh the most, ever, show-stopping dress sense, and a bucketload of unresolved trauma which goes largely ignored by Klaus, the other characters and the narrative itself? It was love at first sight. Their banter with the other characters, especially Ghost Ben (rip) is one of my favourite aspects of the show. Here's to hoping that Klaus won't be getting the Allison treatment in season 4!

3. Pippa Fitz-Amobi (A Good Girl's Guide to Murder)

I binge-read the entire AGGTM series earlier this year, and instantly fell in love with it. Pip is one of my favourite protagonists ever. Impossibly clever, compassionate, obsessive, badass, and a teensy bit unhinged. What's not to love? I would die for her. I'd say that I'd kill for her, but I think she's got that covered. I think she's written in a very realistic way, firstly as a genius 17 year old girl who doesn't really know what she's getting into, and later as a haunted individual who wants to stop investigating but can't. The way she politely knocks on people's front doors to dig up their traumas, accuse them of murder and all-round ruin their lives is everything to me. She is my blorbo. I am so, so excited for the show to come out, and I'm sure that Emma Myers will do a wonderful job as Pip!

4. Katniss Everdeen (The Hunger Games)

One of the best-written characters, in one of the best-written series ever. Reading from her perspective is such a delight- she's endlessly suspicious of everyone around her, constantly on survival mode, trusting very few people and relying on exactly no one (to begin with, at least). She's a random teenage girl, from the poorest district, and she wins the Hunger Games. She's so mentally unstable that she has to be sedated, and still she's made to be the face of a rebellion. She's rude, and kind of unlikeable. She adopts all the weakest tributes, at risk to herself, knowing that they won't win. She's doomed to fail by the narrative. She's the it girl of 2010s dystopian YA fiction. Jennifer Lawrence is an amazing actress, who does a beautiful job portraying the depth and conflict of Katniss in the films. The themes and social commentary of the Hunger Games is one of its (many) strong points, and I am so so glad that people are talking about it again, because it is my favourite book series out there.

5. Mitchell Pritchett (Modern Family)

I have no idea what to say about this man, I just love him. He just like me fr. What an icon. Impeccable music taste. I've started saying, "no my god" now, and nobody understands what I'm talking about. Even in a sitcom, my favourite is the one with issues that he refuses to talk about or fix. The episode where he's trying to hide that he dressed up as spiderman makes me cry-laugh. Claire's speech at his wedding makes me just cry. He's not a perfect man, but he's certainly better than everyone else.

6. Shin Tsukimi (Your Turn to Die)

My favourite cringefail loser! I said Katniss was doomed by the narrative in a metaphorical way. This idiot is actually doomed.

No but in all seriousness, I do really love him. Before the beginning of the game, he was just a relatively normal young man- but, when confronted with the inevitability of his own death, he made himself into a monster to survive. He has a violent vendetta against the local badass teenage girl, who is traumatised as hell already and does not need Shin chipping in as well, thank you very much. I love his relationship with Kanna, his biological sister; how he uses her, manipulates her, and still cares for her so much that he dies for her with a smile on his face in the Emotion route. Conversely, in the Logic route, his actions are a direct cause of her death, and I just love how much YTTD hates siblings. I hope that his past with Midori is explored more in either a mini-episode or the final part of the game, because I find it sooo interesting. I'm super excited to see whether he actually has no chance of survival, or whether he makes it out, against the odds, on one of the routes. He's a bit useless, so I won't get my hopes up.

7. Rue Bennett (Euphoria)

I think it goes without saying that Euphoria has its issues, lol. Sam Levinson is an idiot. While a lot of the show (especially season 2) feels shallow and like it doesn't care about its characters, Rue's storylines always have heart and depth and I am so invested in her arc. It's no wonder that Zendaya won 2 Emmys for this role, because her acting is phenomenal! Rue feels so real to me, in the way that she's trying so hard to stay sober but she falls down and relapses time and time again. Recovery isn't linear, but she's getting there, and I adore her with all my heart. Her relationships with Lexi, her mother, her sister, and her sponsor, Ali, are my favourites, and the healthiest for her, in my opinion. Her brief friendship/ romance with Jules may have kept her more solidly sober than anything else in the show, but Jules (understandably) cracks under the pressure of Rue's mental health, and can't be there for her. Rue needs to heal for herself, which she appears to be doing at the end of S2.

8. Max Mayfield (Stranger Things)

Duffer brothers, please just let her be happy.

Despite only being introduced in Season 2, Max has, in my opinion, had the best character development out of everyone on the show. Her growth from someone standoffish, rude, and uninterested in the group (maybe I'm being a bit harsh. She was, like, 12) to someone who is willing to risk her life to help her friends and Hawkins means so much to me. The scene in "Dear Billy" (S4, Ep4) where she escapes from Vecna remains my favourite in the whole show and will probably be burned into my brain forever. Her relationships with Lucas and El are very sweet, and some of my favourites in Stranger Things. Her final line in S4, after all her struggles over the season, being that she doesn't want to die literally breaks my heart. I hope she gets some degree of a happy ending in the final season. She was my first profile picture when I joined this hellsite, and I love her a lot.

9. Anne Shirley (Anne of Green Gables)

The shenanigans that this girl gets up to never fail to make me laugh. The bit where she accidentally dyes her hair green and then has to hack it all off makes me feel awful for her, but. it's hilarious. Sorry, Anne. Her friendship with Diana is so sweet but also so funny to me because they really are the most chaotic duo of the 1880s. The scene where Anne accidentally gives her alcohol instead of fruit juice is so mortifying but so, so funny. Amidst all of the insane situations that Anne gets into are a lot of really heartwarming moments and relationships. Matthew and Marilla adopting Anne, even though they wanted a boy, because she's so endearing and alone in the world is probably what made me who I am today. I still haven't gotten around to watching Anne with an E, but I've heard it's amazing. I look forward to watching it when I have the time :).

10. Daphne Blake (Scooby Doo)

My first ever favourite character! Another one who I don't have a tonne to say about. She's an icon, she's a legend, and she is the moment. She has done nothing wrong, ever. She knows martial arts, so watch out.

Honourable mentions: Thor (MCU), Finnick Odair (The Hunger Games), Gretchen Weiners (Mean Girls), Jake Peralta (Brooklyn 99), Maurice Moss (The IT Crowd), The Eleventh Doctor (Doctor Who), James (The End of the F***ing World), Ali Abdul (Squid Game).

If you read all of this then thanks, and have a great day!

[ckret2]

Actually, that other anon makes me wonder how that whole plot line will be effected when everything is edited for compatability. If it's not to spoilery would you be willing to share what you have in mind? Will it be a significant change?

Nah, barely changed at all. For the statue, only a couple small things will change:

In earlier chapters i'll insert a couple mpments of Bill thinking "i can get out of this if i can find my statue, wherever it is, and get my soul back into it"; that way in ch 44 i can change his outrage from "you knew [that it exists]?!" to "you knew where it was?!" with only slight wordinc changes; plus it'll punch more if people remember he was holding onto that as his guaranteed escape just to find out it doesn't work

MAYBE, insert a stinger line to the effect of "Ford tries not to feel guilty about the unicorn hair barrier he and Mabel put around the statue last year, since that's prob why Bill can't get into it but he's totally not about to tell Bill that." There's a few issues with that though:

We know ford wrote about this incident in a journal. It probably wasn't J1, 2, or 3, because they're probably mostly full. I wrote that ford's J4 got stolen by Shmebulock in the fall and he started writing J5 then; next summer Bill stole J4 from Shmeb and has been using it since. So this incident CAN'T have been written about in J4 or Bill would know about the unicorn hair barrier & that Ford knows where his corpse is. Did Ford write it in J1 or J2 before tossing them into the void? (Can't be J3, i think we're all out of Secret Lost J3 Pages thanks.) Did Mabel (and Mabel's brother) take a trip back to GF in the fall after Ford had lost J4, and that's when Ford & Mabel made the barrier? This is an annoying detail i'll need to resolve.

when Bill finds out about the unicorn hair barrier, obviously he's gonna wanna go back and break that barrier and try shaking his hand again; and like, that's just gonna result in exactly the same thing we already did in ch 44, with him trying to shake and being devastated it didn't work. We only need that scene once. It's not heartbeaking the second time, it's just tedious. Gotta figure out how to make it non-tedious.

I can't NOT have him try again though, because if I don't, then readers will go "ooOOoo the only reason it didn't work is because of the barrier, so we're obviously building up to the big moment where he tries again and this time it works!!" Which we aren't, obviously. My original writing plans never included the unicorn hair barrier because it didn't exist yet, i'm not building up to the reveal that the statue actually works.

And I'm not interested in making people think it'll work the second time, 44 was MEANT to be the It Totally Doesn't Work scene. A red herring is only a red herring if you put it there on purpose; otherwise it's just a dead fish distracting everyone with its dead fish smell.

So the barrier's annoying. I'll solve it when I get to it.

For the overall plot arc (not just the statue chapter), the only thing I need to change is rewriting "Bill's scared the Axolotl's coming for him because maybe he wasn't supposed to come back to the 21st century even though he wasn't told not to" to "Bill's scared the Axolotl's coming for him because he escaped Theraprism." Which is WAY WAY BETTER. Honestly I thought Bill's motivation for thinking the Axolotl was gonna Get Him was the weakest part of the eclipse arc, so I am deeelighted that the Theraprism gives me something so much more frightening to substitute in. It'll also give me an opportunity to begin working in some info about the Ax's own character & motivation that otherwise I wouldn't be able to include until way into season 2.

This will require me to substantially rewrite Bill's conversation with the Ax—for the better—I've already rewritten like 70% of it. And... basically rewrite nothing else.

That's it. A tiny tweak to Bill's wording in ch44, MAYBE throw in a single line about the unicorn barrier once I decide how I'm going to handle it in the rest of the fic, rewrite his conversation with the Ax, the end.

All the other edits will be fluff from TBOB plumping things out and tiny nudges toward better TBOB compliance—slide in a hint of medical trauma to Bill's refusal to let Ford call a doctor, make a mention during the chess scene that sometimes Bill used to let Ford win, that sort of thing.

[d0not-disturb]

Art reqst

Human grumbots

But its all the different grumbots

Oldest is ofc the first, maybe the mentally ill one (cause mumbo and grian locked him up in an island)

Buddy I already posted all the human Grumbot designs dawg

But might as well drop some lore while I’m at it

Oldest- Grumbot (OG from Season seven) “human” name: Luan Ronnie Jumbo (dreamslayer)

For his middle name I picked Ronnie because it means ruler (he pretty much parents his brothers) , and advice (literally his purpose), also Ronnie is such a good name tbh

Middle children- Grumbot Prime and Emperor Grumbot both from season 9, I made them twins since they don’t have a canon age difference unlike Grumbot and Jrumbot who were also made in the same season but have a canon age difference, grian literally saying Jrumbot was grumbots little brother. “Human” names: Parker Charles Jumbo (dreamslayer) for Grumbot Prime, and Emmett Oliver Jumbo (dreamslayer) for Emperor Grumbot

For the twins, their middle names correspond to who they are most like, so Parker is more like Grian and Emmett is more like Mumbo

Youngest- Jrumbot (also from season 7) “human” name: Archie Ryan Jumbo (dreamslayer)

Okay for the middle name he’s named after Scar because he is in fact the only jumbo kid who actually likes him, lazy ik but still

OKAY SO HOW THEY BECAME HUMAN:

No this isn’t the birds and the bees lesson because THEY WERENT MADE THAT WAY. So Xisuma started to notice how these MASSIVE robots were like conquering the hermitcraft multiverse (which apparently is canon) and killing a crap ton of people, specifically Scar, so he looked into it and turns out! They are Mumbo and Grian’s kids so he walked up to them one day and said, “take care of ya sons” so they go after them, or Xisuma forces them to, they fight and fight, and grian uses this BIG ASS spell that would turn the grumbots into their weakest form, which is human children (low key insulting to us humans ngl)

So they come back and Xisuma sees them like disheveled with like four crying little kids on them and he’s like, let’s take it one at a time mkay? So he takes the younger kids, and makes it so they won’t be ‘born’ until Grian and Mumbo Are ready for another kid because going from no kids to four kids in the span of 2 weeks is crazy

How does he do this? Well he genetically modifies them so that they revert back to just eggs that won’t hatch until exposed to heat, so he keeps them locked up in a freezer until the time is right

Ngl that sounds bad but trust me it’s not

Anyway grian and Mumbo soon realize they can’t really raise a kid none the less four on the hermitcraft server since there are no schools, hospitals, clinics, daycares, playgrounds, etc, and they panic cause they don’t wanna leave, so Xisuma adds a small sub server attached to the hermit craft server called, “the hermit suburbs” were people can live normal lives while still being hermits, and eventually more hermits and even some folks from empires and the life series go and live there and still go on the hermitcraft server.

So that’s where Grian and Mumbo raise the rest of those weird robot human hybrids

also after 2 years of Grian and Mumbo taking care of Luan, they are like, “yeah we can take another now” and then Xisuma gives them the twins and they are like “why are there two” and Xisuma is like, “I want this to be over with as soon as possible so I’m just giving you two deal with it” and so they just deal with it, but they soon realize how much more work it is, since the twins are VERY bad babies, what I mean is they cry all the time, don’t eat food they don’t like, don’t get dressed without a fight , etc, and so they wait 6 YEARS when they are almost teenagers to get the final egg, which is Archie, who is the best by far.

So that explains the age gap if you were wondering

Alright that’s all the lore y’all’s are getting DONT get attached

[aleksanderscult]

I don't understand how Leigh Bardugo could write something as bad as King of Scars and a trilogy as average and problematic in its messages as Grisha ?!

Knowing that she also wrote Six of Crows which was very good for me, limits most people to only knowing that about the Grishaverse (even if, if you take it in the context of the original trilogy, that makes the fate of the Grisha and of the Darkling even worse)... The Language of Thorns with some really cool stories, the Demon in The Wood (which makes you wonder even more why the Darkling is supposed to be the fucking bad guy in the original trilogy and die at the end ?!). Not forgetting recently The Ninth House which has 2 very good volumes and the beginning of The Familiar.

I have a hard time understanding how she can produce good things and such bad things.

I hear that not everyone is perfect, but for me the gap is still huge.

And the most paradoxical thing is that while she seems to gradually improve her way of writing, at no time does she acknowledge having made questionable choices in the writing of Grisha ?

Just see her attempt at moralizing backpedaling with the King of Scars duology...

TW!: Genocide

I don't think she knows or even cares about how genocide and prejudice in real life are not how she portrays them. And they definitely don't vanish by magical means. Clearly she put them in her story as a dramatic effect but she handled it with such unrealism and carelessness that makes you wonder what was the point of putting such issues in her book in the first place. She places such importance to the romance part (Mal × Alina, Kaz × Inej, Nina × Matthias) that the problems of her world take a third place in her books.

Six of Crows and Crooked Kingdom weren't such flawed because the heroes there did some personal jobs and didn't have a humanitarian goal. Kaz, in particular, has made it clear that he doesn't give a fuck about the world, only about his pocket. So they were some pretty straightforward books and well-written enough that you cannot see the issues.

But in the trilogy we have this huge war going on while the protagonist wails about her love interest, kills her enemy at his weakest (so no flex of her powers against him) and other people vanish the Fold for her.

In the duology Bardugo wanted to get back to her own readers:

- "People dislike Zoya. Hmm... Let's make her Suli with a very sad background. Also let's make her the most important character among the heroes just for these haters to shut up. Because if they don't, they'll be racists and misogynists"

- "People love the Darkling. Hmm.... Let's remind those readers of mine what he has done by having Zoya conjure up every delulu thought about him. Also let's have Mal, Alina, Zoya, Nikolai and freaking Misha make him shut up and look stupid"

- "Ah shit they love Aleksander too much. Ok how about this. I'm gonna make the Starless Cult out of them to prove how blind they look"

- "People didn't like the R&R ending. Hmm.... Let's bring Alina back and have her say how happy and peaceful she feels with her current state"

- "People hate Mal. Hmm... Let's have him be likable and funny while thwarting Aleksander's comments like a pro. It's not like he isn't a hot-tempered guy or smth"

(and about bringing the Darkling back, this was lazy writing. Instead of making the heroes face new foes from the north and south, she recycled villains)

By the way, when the TV adaptation of S&B came out she said that she wanted to fix the diversity. Can you imagine that? Not book!Alina as a character, not the trilogy's ending (not protesting on that cruel scene on the show where the Crows gleefully kill the Grisha that stood with the Darkling) but the diversity. Season two's ending was the showrunner's idea as well as Mal's change of personality, not Bardugo's.

Anyway, she should stay on writing short stories. I really love the Language of Thorns and Demon in the Wood so why ruin your fictional world further?

[animebw]

I’m gonna be honest, I thought going into Winter 2023 that this was gonna be a bit of a dump season. One of those seasons where anime just kinda sits around farting and we all wait patiently for the actual Good Shit to start coming out again while pretending to catch up on our backlogs.

That... has not been the case.

Bofuri Season 2: Seriously, how does this show get so many incredible action cuts?

Buddy Daddies: Look, it’s probably not gonna be gay, but Spy x Family meets Tiger and Bunny is something we all need in our lives, okay?

Campfire Cooking in Another World: Couldn’t even last a full episode of this one before my eyes glazed over. Dropped.

Endo and Kobayashi Live: Now this is pretty charming! Pity the animation’s such garbage, though.

Giant Beasts of Ars: It’s a damn good season for fantasy anime, y’all.

Handyman Saitou in Another World: Could actually end up a halfway decent isekai SOL if it stops being so goddamn terrible at structure.

High Card: This is exactly my brand of Anime Bullshit(tm) and I am so on board.

Ippon Again: An actually great female-led sports anime? With major A Place Further Than the Universe vibes? Do not sleep on this one, y’all.

Kaina of the Great Snow Sea: Damn. Good. Season. For. Fantasy. Anime.

Kubo Won’t Let Me Be Invisible: As far as Takagi-san knock-offs go, this one is pleasant enough.

The Magical Revolution of the Oh Fuck It These LN Titles are Impossible to Remember Just Call it “MagiRevo”: Buckle up, folks, we might just have another Actually Good Isekai on our hands.

Malevolent Spirits Mononogatari: It’s Noragami but shit. Dropped at 1 episode.

Nagatoro-san Season 2: Yeah, turns out I’m still not above the occasional well made trash.

Nier Automata: Genuine question, is this gonna be an acceptable substitute for the game or will I just be spoiling the experience for myself?

Onimai: I fucking hate the Mushoku Tensei studio so much and I hate myself even more for deciding to stick with this one.

Reborn to Master the Blade: This one might be soon for the chopping block, but I’m holding out hope that its story can overcome its middling production values. We’ll have to wait and see.

Revenger: GEN UROBUCHI’S BACK BABY YEEEEEEHAW

Sugar Apple Fairy Tale: Take notes, Every Isekai: this is how you explore slavery in a fantasy setting.

The Tale of Outcasts: Feels like a 13-year-old’sedgy  Ancient Magus Bride fanfiction. Honestly, though? I kind of really dig it.

Tomo-Chan is a Girl: LET. TOMBOYS. BE. TOMBOYS. WITHOUT. SHAMING. THEM. FOR. IT. Dropped at episode 2.

Tokyo Revengers Season 2: At this point, I’m just watching out of morbid curiosity of how bad the manga’s ending supposedly was.

Trails of Cold Steel: The Northern War: Easily the weakest fantasy anime of the lot. Giving it one more episode to impress me, otherwise it gets the drop.

Trigun Stampede: Y’all are buggin, the CG here is incredible.

Tsurune Season 2: Good god, the glow-up from season one is nuts. KyoAni just does not miss.

Vinland Saga Season 2: Okay, manga readers, let’s see if watching a bunch of sad men farm is as incredible as you say.

[david-talks-sw]

It's a shame that the multi-media franchise of star wars have twisted the original narrative of the Jedi. I really love the sequel trilogy, I love season 7 of TCW, and Dave Filoni is amazing storyteller. But over the years, it's gotten to the point where the Jedi are being criticized to such a degree that now some people believe the Jedi should've changed their entire belief system. It's great to criticize the Jedi. They are flawed and not perfect. But now because they are now being framed negatively over the past 2-3 years and so now, some justify their genocide, disrespect their belief system, and believe Anakin was a poor victim who got caught up in everything. Lucasfilm or any writer is to blame for this, but I think people need to look a little more deeper into the media literacy behind star wars, and consider the fact that a child is going to love the Jedi despite their flaws and will be sad when they see them get killed. Because star wars is made for children who can look up to the Jedi as role models.

All of this.

I frankly don't know what else to add, @thecenturyofmusic said it all.

I also think there's an argument to be made for shifting global values.

I don't know about how it was in the U.S. specifically, but I don't remember there being as much of an emphasis on mental health back in the early 2000s as there is today.

Back then, I remember many fans sorta getting the core story but hating it, which resulted in a lot of them just bashing the Prequels.

Nowadays, a spin has been put on the Prequels wherein Anakin is the poster boy for the mental illness, he's just a victim:

he grew up a slave which gave him severe PTSD,

then was ripped away from the arms of his mother by

an elite order of emotionless monks whose emotionally-repressing teachings are the perfect representation of toxic masculinity and force you to never get emotionally attached,

who berated and rejected him at every turn,

he also doesn't have a father figure except for the Chancellor, who grooms him and isolates him,

and instead of supporting him in his hour of need, the Jedi hurt Anakin psychologically to a degree where at some point he just loses it and kills them all, because as far as he's concerned they were evil to him.

And... yeah. It can be interpreted that way. It resonates more to people when seen that way.

But it wasn't meant to be seen that way.

If it was, then we'd have seen very different Prequels.

Watto would have physically abused Anakin left and right like he's DiCaprio in Django: Unchained, instead of joking around about humans with him.

Shmi would've been on the ground crying, holding Anakin's leg and screaming "please no give me back my babyyyy!!!"

Literally every shot of the Jedi emoting, screaming, chuckling, being worried would be absent and they'd all speak with a monotonous voice, including Yoda, Qui-Gon and Obi-Wan.

If we were supposed to feel like Anakin is in the right and the Jedi are in the wrong then we'd be shown an Anakin who isn't petulant, arrogant and overly emotional. We'd see a normal person who gets berated by a group of unfeeling old men.

Anakin wouldn't call Obi-Wan his father twice (which is admittedly a nuanced situation because while Anakin may see Obi-Wan as a father, Obi-Wan sees Anakin as a little brother so hey).

We'd see Anakin explicitly state that he's afraid of his wife dying, maybe carrying her unconscious body to the temple steps begging for help only for someone to reject him at the door because "it goes against protocol" and that's when Palpatine swoops in.

Y'know, more explicit, emotion-eliciting stuff?

But we didn't see any of that. Because it wasn't about any of that. If it was, then it goes about delivering its message in the weakest way possible.

While nowadays, the popular take is that Anakin's downfall is the fault of everyone around him, the intended take was that Anakin's fall was his own fault. Anakin is a victim of his own flaws.

The Prequels weren't meant to show you what happens when you keep pushing a mentally unstable person, they were about cautioning children about not giving in to their own fear and greed.

"How does a good kid become a bad man?" He let his inner demons - fear, anger, greed - get the better of him.

And that's not necessarily a take most people agree with these days, but that takes us back to how much importance you actually give to GL's original vision.

[absolutebl]

This Week in BL - 2 GREAT Shows but everything else is kinda blah

Organized, in each category, with ones I'm enjoying most at the top. Happy new year, BLabies!

Jan 2024 Wk 1

Ongoing Series - Thai

Last Twilight (Fri YT) ep 9 of 12 - This show is really earning its chops, and these actors are executing beautifully. I think this is a great BL, and it reminds me quite a bit of ATOTS, only the physical comfort between the actors is more genuine and easy to watch. Unfortunately a guitar came out. Nice communication tho.

That was a very lovely romantic sex scene. Very prettily done. Classy boys, very classy.

Gah what a beautiful final scene with Day saying the last thing he wants to see is Mhork. Pure unadulterated romance of the highest order.

The Sign (Sat YT) ep 7 of 12 - If killer, why hot? Poor Tarn compelled to try to rescue everyone else from their fate, because he cannot save himself from his.

Meanwhile Phaya is finally learning that you catch more water snakes with honey lube than vinegar.

Stellar confession from Phaya brutally honest and very fated mates.

And another lovely sex scene, so I guess that was a vision and not a fantasy Tharn had.

Lets be clear those two shows were GREAT everything else this week was kinda blah.  

For Him (Thurs iQIYI) ep 6 of 12 - I find the backstory very odd. Are they twins? What happened to Blue? Am I meant to care? Do I care? 

Twins the series (Fri GaGa) ep 10 of 12 - I mostly just feel sorry for First. He’s so rightfully confused. Zee/Sprite keeps blowing hot and cold because they two different people! The after sex cuddle was cute. 

Pit Babe (Fri iQIYI) ep 8 of 14 - Love getting more JeffAlan. Also I switch favorite character allegiances in the trash watch happening here.

Cooking Crush (Sun YT) ep 6 of 12 - Didn’t air this week and I hardly noticed. 

You and My Stars YT 1 of 2(?) - school kids, love triangle, it’s cute enough.

My Universe (Sun iQIYI) 1626 ep 20 of 24 - Just so boring. 3/10 

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 8 of 10 - I’m not into the love triangle. Although I kind of like the new suitor, he’s honest and a good communicator. I appreciate these things in a BL boy. But I begin to wonder if triangles should be left for KBL. Also, this should have been an 8 epper, 10 is too long.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 5 of 8 - No ep until Jan 12 

I Became the Main Role of a BL (Japan Sun Gaga) ep 1-3 - AKA BL Drama no Shuen ni Narimashita: Crank Up Hen - A rising star is paired with an (older) former child actor (doesn’t think he’s good enough) in a BL series. It’s fun, built on a dynamic of off screen paralleling the on screen, so near constantly meta. All the tropes are there but are as a result of the filming process. The star turns out to be obsessed with the former actor and very dorky about it. In fact, everyone in this show is a little gremlin weirdo (affectionate). There’s tons of scenery chewing miscommunication drama, slapstick, voice over head hopping, and eccentric sides characters. “And he comes with feathers” applies to a number of my friends. You know I don’t like stories around fan obsession, but otherwise this was enjoyable. 8/10

A nice start to the JBL year. Keep em coming, Japan.  

It's done I Need to Catch up

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have a spare day.

It's Airing But...

[INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Night Dream (Sat YT) 6 eps - It’s a pain to track down and I really didn’t like the first episode so… DNF  

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) - horror, meh, tell me if it's worth my time?

In Case You Missed it

All my year end round ups (so far) are as follows:

TOP 10 BL Trends of 2023

Top 10 BL Secondary Pairs of 2023

2023 BLs Best Trope Execution Awards! TOP 10

Best Back Hugs Thailand & Elsewhere

BL 2023 - Cute Bits of Domesticity

BL 2023 - Boys Feeding Boys

BL 2023 - BOOP!

All the BLs Announced for 2023 that didn't happen

Next Week Looks Like This

Starting This Week:

1/9 Time the series (Thai Gaga, WeTV, Channel 3) 10 eps - MFlow Entertainment brings us yet another "fix the past" narrative. After witnessing the gunning down of his beloved, a heartbroken actor uses a magic pocket watch to go back in time and discover the truth and maybe fix it.

1/11 Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Gaga) - Soga, who, after a divorce and relocation to Osaka, seeks solace in dining at 26-year-old Sakae's restaurant. Unbeknownst to Soga, Sakae sees him as more than just a regular customer.

More Coming Jan 2024

Beside You (Thai YouTube)

Love For Love's Sake (Korea ????)- based on the Manhwa ‘Love Supremacy Zone’ by Hwacha. A young man is dropped into a game based off a novel he loves. His mission is to make another player, YeoWoon happy. But then the game starts unfolding completely different from the novel.

Ossans Love Season 2 (Japan ????) - five years later, will anything have changed? This is Japan so... probubly not. I won't be watching this.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

Yes, you SHOULD apologize!

This was a FANTASTIC moment! Last Twilight

Night Dream referencing the Shrimp Trope.

Some didn't like this bit BUT I love a claiming moment, even in a briefing room... especially there.

I ALSO love a good Grandma Moment in a BL.

Such a good sex scene. The Sign

(Last week)

[sgiandubh]

'We few, we happy few, we band of brothers'

It is one thing to disprove and even despise The Shire and its netizens. It is a whole other affair to violently bash S's skills, based on absolutely nothing else than spiteful disappointment.

We are being told by Mordor's basement polymaths the man cannot act. It is probably by an unelucidated strike of luck or by charity that he was cast by *** to embody book boyfriend JAMMF, when he has only 5 (five) known facial expressions in his quiver. He was the weakest link of Season 1 cast: I suppose the BJ/Frank Randall 2-in-1 does have a fan club, after all. His acting is wooden. He has chemistry only with C and by Her grace only, because you know, gay as a bag of popcorn. He is a semi-literate hunk, with documented spelling problems. Even more so, when we conveniently toss aside the mounting hysteria during Quarantein Ha-wa-wee disgrace (hey Pooks and all the sock account Dobermans: I hope you remember your Twitter blaze of glory moment every single morning while brushing your teeth). And (also a favorite) he doesn't read, he doesn't prepare, he is sloppy, like that.

God forbid you'd try to set this colossal unfairness straight. You are automatically signed up to the Mommies for Sam Committee and labeled accordingly. Brainless victim (of what, since he is basically useless, but let's not embarrass ourselves with logic), unapologetic limerent inamorata, romantic whale, delusional rural shipper, conspiracy theory troll. Anything goes, really and we know the tune by heart, at this point in time.

Not so long ago, I was re-watching the oath sequence of (5.01) The Fiery Cross, for which I suppose all background/context is superfluous. The only clip I could find has appalling sound, but should still immediately take you back to the Return of the Kilt (starts at 0:56):

It immediately reminded me of this:

This is the extraordinary Henry V Saint Crispin's Day speech. Pure Shakespeare and unmatchable Olivier. It is also a well-documented kamikaze moment of the Battle of Agincourt (1415), when a heavily outnumbered English army defeated in an almost miraculous turn of events the French. Granted, the real speech must have been way more concise, but nevertheless a potent affair, with Henry's cunning use of rumors having it that the French would cut two fingers off each captured archer's right hand, to virtually neutralize them. And his army was, essentially, an army of longbows.

Whatever it was, it worked. It worked so well, that it even gave Winston Churchill the idea of asking Laurence Olivier to broadcast this speech for the BBC some time around 1942 and then make a movie of the whole play, in 1944. Again, context is important -it always is, by the way - and it sheds the right light on Olivier's performance. More than acting, it is damn effective war propaganda, a wonderful patriotic act and completely representative for the "we shall fight them on the beaches and we shall never surrender" spirit. It is also all about acting as summoning of energy: Olivier manages to channel Henry V, he is Henry V and this immediately gives an irresistible depth and truth to his performance.

For contrast, one could compare his version with Branagh's 1989 interpretation (https://youtu.be/y1BhnepZnoo), which I am not adding here for the sake of levity. The main difference is, for me at least, palpable: Olivier completely suppressed his ego, which I am afraid is something impossible to achieve for Branagh. His take on the speech aims to be more modern and natural, and yet it is still all about Branagh promoting his art. And we know it immediately. A fairly honest tableau vivant, but no depth and nowhere near as majestic as the other.

I am not saying here that S is on par with Laurence Olivier. That would really mean being a romantic whale and I am the one you start to get, I hope, acquainted with. What I am saying is that this guy you just love to humiliate and endlessly cackle about every single day God makes, really, deliberately knows what he is doing in there. I would bet handsome money on S carefully watching and re-watching Olivier's Saint Crispin's Day monologue, in order to prepare for that particular scene. The similarities are, to me, evident, as is the consistent hard work and - dare I say it?- massive talent. It's all about owning the scene and being in the moment. And it is arresting, at times.

All of this is not exactly some shipper far-fetched speculation. S wrote, after all, in Waypoints (and the reference is way too spot on to believe in a kind gesture of the ghostwriter) that he "devoured"

I see great things. I see a very gifted guy who has no ego (C was spot on and for an actor, that is a blessing) and also probably no idea of his (considerable) acting range. I also see a guy who, spare for OL, has been grossly, unfairly miscast and overlooked. And who was determined to take whatever was available or easy on the schedule, in order to remain relevant. I may not be a good client for his booze, but I would pay handsomely to see him in something along the lines of For Whom The Bell Tolls. Or even (if you want a more exotic but oh, so rewarding alternative) a still inexplicably missing Western adaptation of Bulgakov's Master and Margarita (probably not the best times for that one, but still: Bulgakov was, after all, born in Kyiv and not really a fan, to say the least, of tyrants). That's exactly how damn good he is.

How was it, Kidneystone BIF? Oh. "No boundaries. No respect. No class." Exactly, madam. You said it yourself.