#its just 2015 style drama again lol

[deepseacityunderground]

btw i still think the idea that ai using an image in its referencebank is akin to directly stealing that image is reactionary and also fundamentally misunderstands how ai works

[corpsentry]

SORRY i keep coming here to yell !! you got me thinking about cdramas (& t dramas) i enjoyed and then forgot about :"] i watched 如果奔跑是我的人生 earlier this year and the ending lost me, but i was quite captivated by its 20+ episodes before. it centres around parental relationships (asian) and, i don't know much about dance at all but a main character is a dancer and her story made me feel things. the performances were sick, in my unprofessional opinion! I'm Fine is a gorgeous ost track. btw.... i've started rewatching 不良执念清除师 again and i CANNOT RECOMMEND IT HIGHLY ENOUGH. i've been thinking about it (on ep 5 LOL) and i actually don't think the ending dropped the thread or ball or 链子 or however that saying goes (im fever SORRY.... i think it was cathartic and beautiful in the way a galaxy is— i just could not get enough of those guys T__T 不良执念清除师 is about sulky teen (??) guys moving through the world with so much heart. it's about LOVE and ART and how the living go on after tragedy, it's about how. how (PARDON ME....) we get to keep everything we've ever loved for even a fraction of a moment & what we are doing is worthwhile even if it is very small !!!!! it is a show that is, in Voice from IMBD's words, an outstanding Taiwanese drama that excels in every aspect, because it was made with so much care and love...(meta!) also, gay people

first of all No Apology thank you for coming to yell!!! you have a big heart full of love for the world and it moves me!!!! i went down this rabbit hole on m*dramalist after watching 我们的少女时代/our times (2015)-

(tangent incoming) this movie Shook the secondary 2 scene in singapore when it came out everyone and their dog was sobbing about it and i listened to 小幸运 Religiously despite never seeing it myself. Having Seen It Now, it is a sweet little thing and it makes me feel desperately old. it also made me CRY, what can i say i’m a sucker for distances and ships passing in the night and i was soooo happy when liudehua appeared and then adult xutaiyu showed up and he Fuck Ass Hair. my lord, his hair looked like SHIT. PICKLED SEAWEED……… i couldn’t cry after that because i was so busy clenching my asscheeks out of sheer despair FUCK HAIR AND. AND!!! A TOO SHORT BLACK BLAZER ON SKINNY JEANS??? I MEAN REALLY??? I KNOW 2015 WAS NINE YEARS AGO but i don’t recall fuckass hair being the in thing then…. this memory i do not have…. you have to understand how emotionally devastating this was to me…… (tangent end)

(tangent part 2) (please look at the way they styled this poor man’s fuck ass hair. i don’t care how earth shatteringly sweet they were in high school if my first love turned up ten years later and he looked like this i would simply walk away)

(tangent end)

the point is, that i then went through vivian sung’s acting history to see what else she’d been in bc she was soooooo lovely and realized that 不良执念清除师 was in said history and then remembered this ask! and your heartfelt words about its story! and i was like Oghey, i watch—

just finished the first episode and mein gott yiyong is such a Teenager…… man i look at 18 year olds and i’m like i don’t remember being like that but i Know i must’ve been, once upon a time. but the range of emotions the script wrung out of him in one episode was kind of insane and his actor is kind of vibey as hell (perhaps this is my sign from god to finally watch your name engraved herein…) and vivian sung is still epic as hell and sooo goofy and i’m excited! i think of u in my head for some reason as the epic tight as hell short chinese dramas anon, i Trust your eyes. they’re good eyes. i’ve also locked down the first 20+ episodes of the other drama you mention here, especially because yang chao yue is in it and she was Breathtaking in the double T T T thank you for the recs! where do you find all of these? i don’t know but you must be doing good out in the world. be well anon. meet a chicken

[kolachess]

DMBJ 2010 Nangongling Interview Translated

I’ve finally (poorly) translated the infamous Nangongling interview with Nanpai Sanshu (aka Xu Lei, author of DMBJ)! 

This is where that famous quote, ‘My lifetime, in exchange for you a decade of innocence and purity’ comes from. More on that here.

Interview Context: First off, in case you don’t already know, NPSS started DMBJ off as a fanfiction. And more on that here. Hence, his style of engagement with fans will be much more direct and why he’s very... knowing of the fandom world. And why the interview does not hesitate to ask about pingxie.

This interview seems to have been conducted somewhere on the internet in 2010 or nearing it. Although I couldn’t find more confirmation on its ‘authenticity’ so to speak, I also haven’t seen anything to the contrary that this might be made up. (Chinese internet is a strange, strange place...)

Here’s the version I’m basing this off of.

Translation Context:

Ok first, I’m a native Chinese speaker, but grew up in the US and not fluent in reading / writing. I am not at all familiar with a lot of idioms, let alone internet slang and pop culture references (of which there are a lot in this interiew), so there will be a lot of guessing. Anyone who knows better, free free to point it out.

Text Legend:

Parenthesis indicate actions / reactions. E.g. (smiles awkwardly)

[TN: ...] are my notes

[??? some words ???] indicate major uncertainty in translations

== or =w= and such symbols are emojis from the interviewer

Original text sometimes had random forward slashes in between what seems should be one word / term. My guess is it might be to skirt censorship?

Names Context:

They use a lot of different ways to refer to the various characters and NPSS

The interviewer calls NPSS ‘Your Majesty’ or ‘Sanshu’ a lot. But Sanshu can also refer to Wu Sanxing... so it gets confusing a bit.

Zhang Qiling can be anything from Menyouping to Pingzi to Lao Meng to Meng... just... anytime there’s ‘Meng’ or ‘Ping’ or ‘Zhang’ it’s safe to assume they’re referring to ZQL.

Wu Xie is often just Wu Xie or Tianzhen

Nangongling is the name of the interviewer

Interviewer:

Interviewer: Your Majesty, come interview. After this, we’ve got to sleep.

NPSS: OK. Let’s go. Be gentle.

Interviewer: Oh Your Majesty, you’re so shy.

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Interviewer: If we may ask Sanshu, is DMBJ ultimately a tragic or happy ending?

NPSS: For some, a tragedy. For some, a regular drama. For some, a comedy. For some, an absurdity.

Interviewer: That’s no different from not answering! ==

NPSS: But that’s the correct answer.

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Interviewer: What’s the relationship between Tianzhen and ‘It’? Your Majesty, care to give a spoiler? ==

NPSS: No relationship. [TN: ‘No relationship’ and ‘No problem’ are the same phrase, hence the subsequent answer.]

Interviewer: Then go ahead and tell us. =w=

NPSS: No relationship.

Interviewer: … No relationship?

NPSS: Yup. No relationship.

Interviewer: … ==

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Interviewer: If we may ask Sanshu about the plan for DMBJ, when might you finish it?

NPSS: 2010.

NPSS: The problem is…

Interviewer: What?

NPSS: There is an unexpected situation.

Interviewer: Don’t give us cliffhanger sentences. Just tell us. ==

NPSS: Maybe [??? Something about being possessed ???]. I might work on it till 2050.

Interviewer: Hey!

NPSS: It’s great.

Interviewer: Might as well make it a Gundam series. [TN: Gundam is referring to the Japanese anime series. I guess they’re making a joke about how he should turn it into a never ending universe / entire franchise.]

NPSS: Conan never grows up. Wu Xie will never get old either. [TN: Conan is referring to Detective Conan, another Japanese anime series.]

NPSS: Even when you all become old, Wu Xie in the book will still be pursuing the answer to all the mysteries.

Interviewer: And if it’s with Lao Meng forever mutually loving and caring, then we have no objections.

NPSS: Fifty years, Golden Wedding  [TN: Think he’s referring to Golden Wedding as the 50th anniversary].

Interviewer: Yes, yes. Don’t know if there will be a son. (Tea) (Silence) [TN: I guess the actions indicate ‘sipping tea awkwardly in silence’]

Interviewer: Alright, His Majesty has become shy. Let’s continue onto the next question.

※※※※※※※※※※※※※※※※※※

Interviewer: If we may ask what the Menyouping’s ending will be? Will he find his memories? Continue to live on? Your Majesty can’t because of Classmate 370 [TN: Rumors are this is NPSS’s classmate? Potential prototype for ZQL? See ref.] once scorned your [??? finger ???], you end up holding a grudge?

NPSS: Whether or not you can ‘fujoshi’ for 50 years is uncertain. [TN: Word is ‘fu’, which literal = ‘rotten’; but refers to fujoshi. AKA he’s questioning how long they’ll ship pingxie for.]

Interviewer: No worries. In the future, there will appear a lot of Li Yinhe grannies. [TN: Seems to refer to this LGBTQ activist.]

NPSS: Hands / feet have not fallen off, OK? [TN: I’m not sure what this is referring to lol. Maybe some play on the rotten nature of fujoshi.]

Interviewer: Hands / feet… the whole body?

NPSS: The meaning of ‘entirely not fallen off’ is ‘entirely not fallen off’. [TN: Idk I’m lost...]

Interviewer: … ==

Interviewer: Your Majesty, your resentment for 370 is too deep…

NPSS: Menyouping’s ending will definitely surprise you all. It’s definitely not something that can be conceptually considered at all.

Interviewer: Could it be that he really will be mutually loving and caring with Tianzhen? == It’s not in concept…

NPSS: Hn. That’s a nice thought. [TN: Tone reads a little like ‘ha, as if’.]

NPSS: Like, turn him into a woman or something. Or is it Wu Xie who turns into a woman?

NPSS: “Actually, I’m a flat-chested Mary Sue.” [TN: Lol, yes. They refer to Mary Sue omg.]

Interviewer: … hey now… == Speaking of Mary Sues, after Yun Cai is it Xiu Xiu? Your Majesty, you wouldn’t gift Yun Cai to Lao Meng, and Xiu Xiu to Wu Xie, right? ==

NPSS: Maybe I’ll write Lily stories. [TN: I think Lily stories refers to femslash / stories between two females.]

NPSS: Don’t underestimate my pervertedness.

Interviewer: I’ve never underestimated it… (serious)

※※※※※※※※※※※※※※※※※※

Interviewer: If we may ask what Sanshu’s current weight is? Are you losing weight? Hahahah (Hands akimbo)

NPSS: Now it’s probably a little less than 200 jin. [TN: ~220 pounds.] I’m always in the middle of losing weight, but fat really likes me.

Interviewer: Your Majesty, you should continue to make effort to cosplay Pangzi.

NPSS: I think I will exceed Pangzi’s category soon, cosplay a huge monster instead.

※※※※※※※※※※※※※※※※※※

Interviewer: When will the DMBJ movie be released? Who will play Pingzi? To be honest, I don't want to watch. ==

NPSS: Probably around 2015. I don’t know. Hope it’s not [??? black people ???]. [TN: Yeah that’s what it says, but idk if it’s a reference to type of personalities or it actually is referring to skin color. Wouldn’t surprise me if it were a racist remark. China, sigh.]

Interviewer: Could it be there really will be a movie?

NPSS: Probably.

Interviewer: In America?

NPSS: I can’t say I understand / know Hollywood’s situation.

Interviewer: So it’s America… (Tears running) Too tragic!

NPSS: Hei Xiaoge [TN: Lol I think he’s saying a black young lad] is also not bad.

Interviewer: No! No! No!

NPSS: A-ning has already been designated the female lead by a foreign scriptwriter.

Interviewer: Oooh ~~~ We don’t want to see ghosts ~~~ [TN: Idk what this expression is…]

NPSS: Little D might be able to accept. [TN: Idk who Little D is… might just be a slang way of writing ‘little brother’, in which case, I still don’t know if that’s referring to himself or someone else.]

Interviewer: I guess he will squeak along with me. [TN: Again… I’m lost.] Nope cannot anymore. Next question.

※※※※※※※※※※※※※※※※※※

Interviewer: Will there be romance?

NPSS: [??? Eloquent love ???] will have porn scenes.

Interviewer: … who and who?

NPSS: Not sure yet. One party should not be human.

Interviewer: Heavy tastes, Your Majesty.

NPSS: Tentacles.

Interviewer: …… Your Majesty, are you playing some XXOO games recently? [TN: I’m just gonna assume some hentai shit here.]

NPSS: Nope. Haven’t played in a long time. Got any good suggestions?

Interviewer: [??? The imperial doctor has ghost glasses ???] [TN: Guess it’s the title?] Try it (rubs hands).

NPSS: I’m currently still holding out strong.

Interviewer: Gee… what a pity.

NPSS: You can train your boyfriend.

Interviewer: He’s already very calm.

※※※※※※※※※※※※※※※※※※

Interviewer: Pingzi is so good to Wu Xie, any particular reason? I mean deep underlying reason? For example, knowing the truth about Wu Xie’s life / existence or something. Or being entrusted by Wu Xie’s family or something. Or he thinks he’s brought Wu Xie harm and wants to redeem himself or something.

NPSS: Just doesn’t want to disturb.

Interviewer: Huh? What?

NPSS: Don’t want to disturb.

Interviewer: Disturb what?

NPSS: Tianzhen Wu Xie [TN: Remember, this means ‘innocent, naive, and pure’]. The prompt is very deep now. [TN: Sounds like he’s saying he’s given a deep hint now.]

Interviewer: Oh (Actually someone who doesn’t really understand). [TN: GLAD I’M NOT ALONE! IT’S NOT A TRANSLATION ISSUE!]

※※※※※※※※※※※※※※※※※※

Interviewer: Are there new Lunar New Year Celebratory Extras this year? [TN: NPSS writes occasional extras, and often will publish on special occasions like Lunar New Year.]

NPSS: 2010’s publishing work was too heavy. Can’t celebrate. I even wrote the outline already.

Interviewer: That’s such a pity. What about Tibetan Sea Flower. I’m still waiting for the lama that has JQ with Lao Meng. [TN: They use the term JQ here… seems like slang for something like bromance.]

NPSS: Ah little living Buddha… probably can’t write. [TN: Yeah idk what that really means…] Due to religious issues, living Buddha’s chrysanthemum is very sensitive. Huge crawling creatures will come and bombard. [TN: IDK BUT CHRYSANTHEMUMS ARE OFTEN EUPHEMISMS FOR THE ANUS AND GAY BUTT SEX SO IDK.]

Interviewer: Hey… ==

※※※※※※※※※※※※※※※※※※

Interviewer: Qinling Sacred Tree arc was too mysterious. Will Sanshu later be connected to the Sacred Tree? If so, how will you do it? I think DMBJ is not as thrilling / exciting as before. Can you still return to that previous style?

NPSS: There are no plans at present to connect Qinling. I need to settle Meng first. The core of what’s being written is his business. The excitement of DMBJ is not found in the novel but in the heart of the reader. The reader will upgrade / improve while reading.

Interviewer: Is that so… (Eats late night food) [TN: Idk what this expression means.]

※※※※※※※※※※※※※※※※※※

Interviewer: Will you still publish new books and dig new plot holes? == Besides this official vest of Nanpai Sanshu, do you have anything else? Like diving party? == [TN: Yeah idk what that means…]

NPSS: Doesn’t returning to the original style of writing offer you some thrilling / excitement? Your heart has already upgraded, it’s just that the novel is still like that.

Interviewer: Heart! ==||| [TN: Yes, this is another face lol]

NPSS: There’s still some more. Like Nangongling. [TN: Name of the interviewer, but I have no idea what this means.]

Interviewer: The watch drags me underwater. [TN: I got nothing *shrugs*.]

NPSS: Actually are we answering our own questions?

Interviewer: Haha, fun right?

NPSS: Indeed. Could it be a split personality? Never thought my hidden personality is a Fujoshi. Tragedy.

Interviewer: Hey I didn’t say my hidden personality was a perverted uncle yet. (Two bored idiots stare in silence for a few seconds) 

Interviewer: Enough. Next.

※※※※※※※※※※※※※※※※※※

Interviewer: Pingzi’s age… is it ‘uncle’ or ‘grandpa’? Anyway, I know it’s not ‘brother’. [TN: They’re referring to which generation basically.]

NPSS: Taizu Grandfather [TN: Basically hella old… great-great-great-great-great-grandfather?]

Interviewer: Wow… paleontology relic?

NPSS: Age must be in the triple digits.

Interviewer: Old monster! I like it! Just afraid that next to Tianzhen, he seems younger (talking to self)

NPSS: Tianzhen is even older. Quadruple digits.

Interviewer: Really is younger? ==

NPSS: They all end up in the museum display.

Interviewer: Does it cost anything to visit? Museums are now free / open to visit.

NPSS: After hour events charge fees. There are special programs, but the TV station will not allow them to be broadcasted.

Interviewer: Strip tease / dancing?

NPSS: No. It’s the old monster [TN: Probably referring to ZQL]  performing Xiangsheng [TN: Some Chinese duo comedy schtick]. Xie Ling [TN: I think this is Wu Xie + Zhang Qiling?] social / not-famous Xiangsheng actors.

Interviewer: Looks like it will be Two-Person Turn Opera [TN: Idk if there is an English term for this… but another type of skit it seems.]

NPSS: Wear the dancing shoes. [TN: I think it’s just this?]

Interviewer: … It’s so cold… Your Majesty…

NPSS: Zhang Wenling, Wu Wenxie [TN: Lol I guess this would be their comedy stage names. It’s extra / intentionally stupid because all he did was insert ‘wen’ which means ‘literature’.]

Interviewer: Enough… Don’t worry about this anymore. I’m gonna move onto the next question.

※※※※※※※※※※※※※※※※※※

Interviewer: Is Wu Xie the most tragic character in the entire novel? Is it inevitable that, between him and Pingzi, one of them will have to die in the end?

NPSS: Wu Xie’s fate as the most tragic is a set tragedy, but Lao Zhang doesn’t have it easy either.

Interviewer: And then?

NPSS: Delayed the inevitable tragedy.

Interviewer: And then they encountered tragedy together?

NPSS: Using [his] own lifetime to exchange you another decade of innocence and purity.

Interviewer: … (wailing) (too stunned) Lao Meng [??? became the Virgin Mary???] (smashes wall)

NPSS: I also want to get a cult.

Interviewer: Does Lao Meng really not have a crush on Tianzhen? It can’t continue like this. DMBJ is still a serious / proper drama after all.

NPSS: Nah. It’s serious / proper.

Interviewer: But what you said is crooked.

NPSS: Alright. Then let’s put it this way.

Interviewer: How?

NPSS: Comrade Zhang Qiling sacrificed his own time to save and prevent the disillusionment of a youth who was about to go astray. [TN: Yeah… not too sure about the implications of this.]

Interviewer: …. Your Majesty, you [??? use soulmates ???] [TN: I’m really not sure about this… context and definitions I found seems to indicate it’s a soulmate like thing, but also used kind of queerbaity?]

NPSS: I’ve been working real closely with soulmate recently.

Interviewer: We can tell. Next question. Best leave some room for free thought.

NPSS: It’d be fine if you just don’t post it.

Interviewer: This is iron proof of JQ! [TN: Again, some internet slang for bromance / malexmale CPs or something.]

※※※※※※※※※※※※※※※※※※

Interviewer: Are all the incomprehensible things that happened so far man-made? Or will it be explained by the supernatural?

NPSS: There’s nothing incomprehensible.

Interviewer: Probably in reference to Qinling.

NPSS: Oh. Doesn’t that count as a spoiler?

Interviewer: … then let’s skip again. Actually, I thought you already forgot about Qinling.

※※※※※※※※※※※※※※※※※※

Interviewer: What is Pangzi’s little secret?

NPSS: Xiao Pang’s [TN: Little Fat’s] tragic past.

Interviewer: What… Pangzi is also quite tragic.

NPSS: Probably a ‘fought with his best friend over a woman and was hurt very badly’ kind of relationship.  Pangzi had a very simple but tragic love.

Interviewer: Sad…. == You really can’t tell…

NPSS: A woman he promised to take care of for a lifetime and a brother he can’t help but save.

Interviewer: Pangzi has sublimed (victory fist] [TN: I assume ‘sublime’, which literally means converting from solid directly to gas, is just representative of a massive promotion or rise into awesomeness.]

※※※※※※※※※※※※※※※※※※

Interviewer: I’m always thinking of Ershu’s mysterious air. Does he know a lot of things that others don’t? I also want to know what Wu Xie’s dad does.

NPSS: [??? Location scouting ???]

Interviewer: Ershu?

NPSS: He knows some.

Interviewer: Then what about his dad.

NPSS: Location scouting. Totally innocent. Just like Jesus’s old man.

Interviewer: What kind analogy is that… == Next.

※※※※※※※※※※※※※※※※※※

Interviewer: Hey Sanshu, on Dec 9, 2009 at 02:58 in the morning I dreamt of you. Did you dream of me? …. == Your Majesty, your fans [TN: Yeah idk.]

NPSS: That night I seem to have pulled an all-nighter. I wouldn’t mind dreaming again tonight.

※※※※※※※※※※※※※※※※※※

Interviewer: Will Pingzi eventually return to being a normal human? Live on from the age of 18? Has he had a lover / children before? Yun Cai? Is Pangzi the boss or the person coming to supervise the boss (Tianzhen)?

Interviewer: Lao Meng… I’ve long since been speechless towards him. By the way, was he always this kind of stone in the latrine? [TN: I guess a saying about how he’s stuffy and expressionless per usual.]

NPSS: No. It used to be really bad.

Interviewer: …How bad…

NPSS: Like a Tibetan horse. [TN: Lol this is the literal translation but when I Googled it, Kurama from Yu Yu Hakusho came up and hahaha I guess it kind of makes sense as an analogy?]

Interviewer: Your Majesty, your definition of really bad is Kurama’s level huh…= =|| So he wasn’t born latrine stone… [TN: Ok, so background on Kurama - an infamous fox demon thief escaped into the body of a newborn child because his spirit was weakened after being hunted, and so he cohabits the body with this boy… I’m not entirely sure of the reference jousting here.]

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Interviewer: What happens to Pangzi in the end?

NPSS: Dies of old age.

Interviewer: How mundane!

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Interviewer: We want to know when DMBJ 7 will be finished?

NPSS: 3/15-20 complete.

Interviewer: (Recommends to everyone not to believe… ==)

※※※※※※※※※※※※※※※※※※

Interviewer: Sanshu, will someone die at the end of DMBJ? (Alright I only care about MengMeng and Tianzhen and believe Pangzi will definitely not be killed off). Also, just how many volumes will there be?

Interviewer: How many die, I also want to know. [TN: Lol they also use the counter word not for humans, but… something else?].

NPSS: There will be someone half-dead. Because it’s a grave-robbing novel, dying completely will never happen. A-ning died and still comes around often, right? [TN: Lol I’m not entirely sure what this is in reference to… first part he’s making a joke that people can become zombies, but second part… I don’t really recall A-ning coming back? Unless he means in mentions? Then again I’m still making my way through the novels.] Just that you go from hero to villain. I still haven’t decided how many to kill off. Anyways for the last volume, with the exception of Wu Xie, [??? anyone can be killed ???].

Interviewer:  …Just kill everyone why don’t you; it’s easier. (self-destruct) ==

※※※※※※※※※※※※※※※※※※

Interviewer: May we ask Sanshu, will Pingzi have emotional drama in the future?

NPSS: No. No time / effort for that, and communication skills are limited.

Interviewer: Ahaha….

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Interviewer: Normally, will Sanshu come check out our Tieba? [TN: Kind of like Chinese reddit I believe?] Do you know the Warm Fox? [TN: I did a quick search, seems like a big fandom name that interprets a lot of the DMBJ stuff.]

NPSS: Don’t know.

Interviewer: As expected…

NPSS: It’s your husband?

Interviewer: Hey don’t involve me in everything. (Flips table)

※※※※※※※※※※※※※※※※※※

Interviewer: Just out of personal interest… I really want to know if Xie Lianhuan likes Wenjin?

NPSS: Uh, yes. Very much so.

Interviewer: Then what about Wu Sanxing?

NPSS: Also likes her.

Interviewer: So it turns out to be a crime of passion… (awakened)

※※※※※※※※※※※※※※※※※※

Interviewer: Is Yun Cai just an inconsequential character? Those Huo family Forbidden Ladies won’t have some sort of emotional development with Pingxie, right? [TN: It does say Huo family Forbidden Ladies… I guess they might be referring to Huo Xiu Xiu, but not sure why there’s multiple. Also, recall that the Forbidden Lady is that tomb creature.]

NPSS: Huo family really did become Forbidden Lady professional household [TN: Maybe like a ‘firm’?]. Yun Cai’s ending is also quite tragic.

Interviewer: Indeed. If transmigrating, don’t transmigrate into DMBJ. [TN: Transmigrate is the common c-drama trope where someone in modern times / average suddenly wakes up in the body of some one in the past or something.] Female beings all have no good outcome.

NPSS: If you’ve already died once, then there’s no need to be afraid.

Interviewer: Oh yeah, will that pink-shirt show face again? (Xlaugh) [TN: Idk this expression, but I think pink-shirt is referring to Xiaohua.]

NPSS: Yes. [??? Young Lord of Solutions ???] Grave-Robbing Prince.

Interviewer: Ahhhhh~~great~~~ >///<~~ The Old Nine Gates [??? Admirals ???], right? … Then Xiao Hei [TN: Hei Xiazi / Hei Yanjing] also has a role?

NPSS: Yup.

Interviewer: The descendants of the Old Nine Gates [??? Admirals ???] are nine golden men? =w=

NPSS: One isn’t. 8 men. 1 woman.

Interviewer: The female is Huo family Forbidden Lady, right?

NPSS: Yup. Counting her.

Interviewer: So that means Tianzhen still has 7 in his harem… Damn, catching up to Cracked Pot’s bunch of shiny guardians. [TN: Idk what that is in reference to.]

NPSS: Cracked Pot? What’s that? [TN: Yay I’m not the only one!]

Interviewer: Cough Cough. Your Majesty, you don’t need to know.

※※※※※※※※※※※※※※※※※※

Interviewer: Will Sanshu come to Nanning for an autograph session?

NPSS: Nanning? Need a Nanning bookstore to invite me.

※※※※※※※※※※※※※※※※※※

Interviewer: If we may ask Lao San [TN: Still referring to NPSS], from Wu Xie’s (or Pangzi’s) perspective, where does Menyouping stand? Just a ‘person who stands on our side’? [TN: Refers to when ZQL told them he was a person on their side.]

NPSS: Now it should be like a son’s role / part.

Interviewer: What? Son? ==

NPSS: A very promising son.

Interviewer: Is Wu Xie having the ‘My son has grown up’ old mother mentality?

NPSS: Not really. More like, my son has bad memory or something.

Interviewer: Wu Xie he is indeed [??? person wife ???] [TN: Uh... term used was 人\妻 which when Googled had the first link to pornhub lol. But I think the slang used is actually this.]

※※※※※※※※※※※※※※※※※※

Interviewer: In Sanshu’s day to day, how often does you use code words? Or is it scrunching your feet and thinking on it for a month or two before coming up with something? [TN: I think they’re referring to Sanshu as in NPSS and not Wu Sanxing Sanshu?]

NPSS: It’s usually simultaneously [??? buckling ???] and eating and typing.

Interviewer: Does it taste good?

NPSS: Often get stomachaches.

Interviewer: …Very toxic huh…

※※※※※※※※※※※※※※※※※※

Interviewer: Can you fill the bit plothole of Sanshu’s storytelling? Your Majesty, do you have any filled pits? == (Hides face)

NPSS: I promised my father I would fill them before he turns 70. 

NPSS: [??? New Year’s Eve pieces ???]

Interviewer: How old is his esteemed Majesty’s father?

NPSS: 60.

Interviewer: …. (speechless)

※※※※※※※※※※※※※※※※※※

Interviewer: What kind of person is Wu Xie’s mother?

NPSS: Wu Xie’s mother is probably a strong / great woman.

Interviewer: I think so too.

NPSS: Beautiful but strict and fierce, which is why Dad is rather pathetic / a good-for-nothing.

Interviewer: Queens are great. Queens usually marry good-for-nothings. [TN: The ‘queen’ here is literally ‘female king’, so more implies a female ruler.] ==

Interviewer: In the end, did Wu Xie inherit his dad’s genes?

NPSS: Wu Xie also has a very dark personality.

※※※※※※※※※※※※※※※※※※

NPSS: I’m nearly at my limit…

Interviewer: Same here… (sleepy)

※※※※※※※※※※※※※※※※※※

Interviewer: If we may ask Sanshu, if excluding psychological factors, in terms of human nature, do you think Pingxie is suitable?

NPSS: I think, the two of them together. Neither can earn money. Parents on both side would not agree.

Interviewer: Can it not be one steals and the other sells stolen goods?

NPSS: At the very least, Wu Xie needs to get admitted to a civil service position. [TN: These are stable job positions lol]

Interviewer: Looks like Lao Meng eats soft rice! [TN: A saying that refers to men who lives off of women lol. Basically that the woman supports the man instead of the expected vice versa.]

NPSS: And also will need to buy a house in Hangzhou.

Interviewer: … Too realistic… == [TN: Lol no joke this is exactly how couples get ‘permission’ to marry each other by the families… Hangzhou housing prices are not cheap either. I was born there and visit often… those prices have gone uuuuuuup.]

(And the two are dozing off)

NPSS: Let’s end it. I can’t hold on anymore.

Interviewer: Ok…

(The physically / mentally exhausted two rolled off to sleep, interview unfinished… ==)

~ End Interview

Whew that was a long ride. NPSS is such a troll lol... 😅I don’t know nearly enough Chinese slang / internet speak to parse this properly, but the general gist is there.

[unexpectedreylo]

Yes, It’s Been Half A Decade Since TFA Was Released

Five years already?  Geez!

If you’ve been following my humble Tumblr blog since the beginning, you’ll know I was not truly a Reylo until I saw TLJ.  Before then, I was dealing with a movie that left me with a lot of mixed feelings.  Why?  I missed George Lucas for one thing.  He has an indelible style that few can match and few really cared about that universe and its characters as much as he did.  I was very unhappy to hear a month before TFA’s release that Disney tossed out his story and came up with something he didn’t really like very much (as later confirmed in Bob Iger’s memoir).  As a long-suffering prequels fan I didn’t like either the vaguely anti-prequel tone the pre-release hype took.  Whatever you do in life, don’t disrespect the man who created the GFFA. 

The post-release hype probably annoyed me even more.  Remember the doofuses screeching on t.v. that it was the best SW movie since TESB?  LOL.  (No, that would be ROTS and the only thing that came close since was TLJ.)  I hated that a movie I felt was flawed not only got passes from the media that really trashed Lucas and everybody who worked on the prequels, but also got lavish Best 10 lists and award nominations.  I was one bitter chickie for a while and later got a good laugh out of the backlash.

I thought it would be funny to post what I thought at the time, with added commentary:

Oh yes, the movie. My mother called it…it’s good, we all enjoyed it and were entertained, but Lucas’s touch is definitely missing. The romantic epic sweep of Eps I-VI, the goofy and whimsical touches, the feeling of being immersed in another galaxy, and Lucas’s gift for aesthetics aren’t there. The visuals don’t have that beauty and some of it is kinda ugly. The creature designs just aren’t as good. It’s not the kind of movie you watch dozens of times to catch little things. Even John Williams doesn’t have a knockout track like “Duel of the Fates” or “The Imperial March.” But it’s hard to think of how this was ever going to live up to any of it any more than I’d expect Suzanne Collins to write a Narnia book as good as C.S. Lewis. We lost those things when we lost Lucas.

I like the visuals a lot more now but TLJ’s cinematography rules the ST.  Still feel the same about creature design; I see better aliens and creatures on The Mandalorian.  One weird thing about the ST is how the filmmakers seemed to have avoided putting in anything at all that we’ve seen before.  No Jawas, no Togrutas, no Twi’leks, no Zabraks, no Quarren, etc.. Just Chewbacca and Admiral Ackbar.

The music didn't leave much an impression on me at the time but now I love “Rey’s Theme,” “Kylo Ren’s Theme,” and “March of the Resistance.”

As long as we’re on that note, I’ll get to the film’s flaws first. The movie has a lot of snappy, arch, and funny dialogue but you can tell the script was cranked out in a hurry. It lacks the careful structure of its predecessors and cribs a little too much from ANH. Poe disappears and you are led to believe he’s dead then he suddenly shows up healthy and hale with no explanation. Abrams’s first Star Trek film was riddled with unbelievable coincidences and unfortunately this movie has some of those too, such as when Han and Chewie just happen upon the Falcon in space. The film does very little to set up what’s going on and why, such as why the hell is the Republic fighting the same a-holes after all of these years. Abrams prefers instead to keep the action going instead of doing much exposition, which is pretty much what he did with the Trek films. Those little moments in Lucas’s Star Wars films don’t happen much here. Things must always be occurring, which dumps all of the responsibility for character development and world building on Rian Johnson and Colin Trevorrow. I have no idea why they decided to be all teasy-weasy with who Rey’s parents are instead of just telling us. (I suspect Luke is her father.)

LOL!   I guess the adoption by proxy thing at the very end of TROS proved me right or...did it?  Yes, my first assumption after seeing TFA was that Rey and Kylo Ren were cousins.

As for the rest of it, I still feel the same.  Rushed script, borrows too much from ANH, precious few explanations/set-up, not as good structure but still full of humor.

BB-8 is a charmer, Finn and Rey (who are so going to hook up) HA!  But remember I thought Rey and Kylo were cousins! have some charm and potential growth as characters, and it was great seeing our old crew again even if not under ideal circumstances. (Personally I would’ve preferred NOT to have broken up Han and Leia.) Hux had some mustache-twirling moments and Abrams was at least smart enough not to kill off him, Ren, or Snoke just yet. Finn and Poe have a good rapport (maybe they’re going to hook up).

Stormpilot definitely pinged the slash-dar.  It was completely unsurprising to find fans shipping them.

Abrams seemed to have avoided the mistake James Cameron made in “Avatar” when he killed off his most threatening villain while planning sequels. As you might have guessed, I was really shocked at Snoke’s death in TLJ.  I wasn’t expecting that until IX.  I was also really shocked at the casual, quick-get-rid-of-him ways both Hux and Ben were killed off in TROS.

The most compelling aspect of TFA for me was the Skywalker family drama, which made me wish it was more up front rather than a subplot. Ben Solo/Kylo Ren is a conflicted guy with a huge chip on his shoulder and it makes you wonder exactly what happened to him because I think he may have mental issues. Leia knows there’s still good in him but can a guy who commits patricide be saved? (RIP Han…I so knew this would happen because I figure it was the only way Ford would’ve done another film). Can his cousin/half-sister or whatever Rey save him? Would she want to? With Luke back in the picture and Artoo activated again, what will happen next? Even though they split up Han and Leia I liked the banter between them; it’s sad because they clearly still loved each other.

This is still true for me.  A few days after posting this it struck me just how nihilistic TFA was because I found Han and Leia’s split unnecessary (had Han gone out for Chinese food or on a mission for the Resistance instead of just being a loser smuggler, it wouldn’t have changed anything that happened in the film) and what I thought was Kylo’s certain fate to be a narrative bummer.  TLJ made me think they weren’t going on that direction only to be proven right in TROS (sadly).

I’ll dispense with the stupid Snoke is Plageuis theory and my dad wondering if Finn was Mace Windu’s lost son or something, though I’ll give him half a point for Finn turning out to be Force-sensitive after all.

I don’t know why people have said this takes them back to the ’70s because the film really is a 2015 movie made for an audience reared largely on the MCU, YA flicks, and other staples of contemporary geek culture. It is what it is and we aren’t going to get back the films of George Lucas and his influence. TFA might not be an awesome Star Wars movie but it is at least a good sci-fi action flick.

I still stand by most of this.  Time and TLJ made TFA a better movie in my eyes.

[japanessie]

Hii Shelly! Been reading your blog and it's extremely informative, so thank you for that! Anyways, i was really wondering what are your favourite songs from MFS! Thank you!

Hi there!!! 😁✌️

Hmm ….. that’s an interesting question 🤔. OK, my list changes with times I must say. There was a time when I used to listen to the album 虚言NEUROSE everyday during my daily commute to work as I liked ZERO Gravity and ROOM very much. I used to like What’s My Name? from BONEDS split album a lot too. Apart from the 1st song in the following list which is a crucial song to me, the rest are songs that I’ve noticed I tend to repeat every time I listen to them nowadays.

WARNING: I will be mentioning Taka and OOR a lot here. Read on to understand why.

1. 最終回STORY [Saishuukai STORY]

This is the most important MFS song for me because THIS is the song through which they stole my heart at the height of my “love affair” with OOR back in 2013. The one that turned me into an MFS fan. Don’t get me wrong, I still am an OOR fan. It’s just that I was also looking for something else I wasn’t getting from them. A certain kind of aggressiveness. Not necessarily had to be appealing to the commercial mass market. Something more metal yet still melodic and accessible. I was in love with the song March of Mephisto by Kamelot at the time and I wanted something that leaned more towards that. Then, I heard 最終回STORY. BAM! I found what I was looking for 😍! Different from OOR. Played it on repeat that night and it became the most played song on my phone quickly. I love everything about it and the MV, which somewhat hides the band members’ faces, is just right for it. It makes us focus on the amazing music and not their pretty faces. 

* Though I feel Hiro somewhat ruined it when he swang his mic at one point in the MV (one short second of a movement that his Onii-chan is famous for is enough to tarnish Hiro’s image for life 😖), but overall especially the angles that the video was shot, more than makes up for that “oops …” moment 😊.

2. 終焉レクイエム [Shuuen Requiem]

I do love string sections anywhere and the orchestral arrangement intensifies the song’s melancholic melody. Furthermore, I like how musically, this one leans more towards the work of older rock artists from HYDE’s generation than the younger OOR kind of crowds. It reminds me a lot of my favourite song Gekoukka by Janne da Arc from the anime Dr. Black Jack.

While I understand Hiro’s intention with BLACK RAIL, this one has a lot more depth and is far more revealing of his feelings about being cyber-bullied by some of his brother’s fans. I talked a lot more about it here.

3. 君のいない夜を越えて [Kimi no Inai Yoru o Koete]

Part of Sho’s musical works for Ochanomizu Rock. Musically, it’s safe and sweet.While it wasn’t love at first listen to me but thanks to the drama series, I got drawn more and more towards it. Upon finding out that Hiro cleverly inserted a lyric line that clearly mentions “my first story” which also seems to answer why he and big bro Taka appear detached in public, the song then totally etched itself on my heart. I wrote what I thought about that “hidden” message here. Despite the crazy accusations about him hating Taka, Hiro once again wants us to decipher all the clues he left here and there indicating how he carries his big brother in his heart very much ❤️.

4. FAKE

Surprised to see this one? This one is in a league of its own to me. I wrote my thoughts on it back in 2015 here. OK, this one represents the time when I was adjusting to the fact that Hiro was no longer a boy when I first saw the trailer. How he had blossomed into a man. I remember that day very well. My hands felt cold and my heartbeat was racing, telling myself, “He’s not a baby anymore. Accept it,” 😮. 

Just look at how he flirted with the viewers through the camera lens 😍.

He ended it with alternate wink of one eye! Oh my kokoro ❤️❤️❤️

The song also has a different and sexier groove that sets itself apart from other MFS songs. Listen to those crunchy rhythm guitars 😙!! My favourite part is when they put Hiro’s voice through that “groveling” vocal effect about 1 min into the song. Come on, how can I not find that sexy 😉? You don’t often get to hear Hiro sounding masculine, thanks to his high-pitched natural voice. So, this is where the right voice effect works very well to enhance the man side of him. I also love how schizophrenic the song arrangement is. How it twists to different turns one after another. Weird but good weird 😉. Whether you like the song or not, you have to admit that this song is only one of its kind in their repertoire as they have never made another song that sounds like FAKE again.

* Some fans compared the chorus to OOR’s Never Let It Go but still the overall feels of both songs are worlds apart. The former is an arena rock anthem with a soaring chorus. The latter is just weird but a deliciously sexy groovy kind of weird.

5. The Puzzle

The song that didn’t impress me AT ALL during the trailer. Then they released the video on STORYTELLER in full. Wow! Suddenly I knew how to appreciate it. You can feel the raw feelings and vulnerability they exuded with that video. The video was recorded at their 1st public performance after the lineup change. It was a period of MAJOR adjustment especially for the 3 youngest members Hiro, Teru and Kid’z. Hiro trying to hold back his tears mid-song, Teru still playing under Sho’s shadow and Kid’z (who was still worrying about fans’acceptance) doing his best to prove his worth by elevating the song through his own style of drumming. I almost feel like Kid’z was making his drum beats “sing” with Hiro at certain parts.

* For those just joining STORYTELLER Club, you can watch The Puzzle MV only after being a member for 90 days. Be patient, OK? It’s worth waiting to see Hiro’s raw pain when he sang the line “boku dake / only me”.

6. BOOM

I love heavy sounding bass lines which this song has in abundance. TQ Nob for your awesome work! What a pity it was not made into an MV. To me, this song is a missed opportunity for MFS to show the world especially the skeptics that they really do play a different kind of music from big brother band OOR. Where the big bro is more Good Charlotte & Yellowcard, this one has Limp Bizkit running through its veins. Different leagues. Fred Durst would be proud 😉

7. 悪戯フィクション [Itazura FICTION]

It’s dark and lyrically intense!  I wrote about what I think the lyrics are about here, here and here. Also, why I think it inspired the lyrics to LET IT DIE here. Then how to not fall head over heel over that drumming ❤️? Turned out it was the most challenging arrangement to Kid’z from that album and the one he worked the hardest on to get it right. Hmm …. does that mean I can now trust my ears to detect quality work? Hehe 😁. That sounds like bragging but, from the start, the drumming had been the part that drew me to this song 😊. A song meant to be performed in large halls/arenas.

8. 不可逆リプレース [Fukagyaku REPLACE] acoustic version

The reason? My mind likes to imagine Taka singing with Hiro on this version. Somehow I think the gentler music arrangement fits to bring the two brothers’ voices together onstage. Imagine them singing the lines “… I will follow you … follow you ….“ and “keep you close to me …. close to me ….” to each other. But, I want to see them both together onstage NOT because I think it would be an explosive collaboration. Instead, I want to see the “tears fest” that would happen on that stage. My mind also likes to make a bet who from each band would cry first watching them. My bet ….. from MFS, it’s a toss between Nob and Teru. Then from OOR, it’s Ryota. Am I sadistic or what 😮? Wanting a song to be performed just to see people cry 😄? 

9. REVIVER

I love how somewhat 80′s rock and old school this song is. I talked about that in this post. Even the MV’s aspect ratio is old school! Teruki shines here 😊. Proudly wearing an Ozzy Osbourne T-shirt. Basically declaring where his musical influences came from. OK. I don’t need to repeat REVIVER because they actually made TWO equally excellent versions of it and now they added the orchestral version too. Aah …. MFS loves me 😍!

Of course, like the rest of you, I love ALONE, LET IT DIE, Missing You etc. Special mention for AWAKE which I call “the song Hiro has never screwed up Live”. An older song Warning always makes me happy too. Another special mention is If I Am which everyone else seems to find lame but I, on the other hand, think that it has an epic acoustic potential LOL. Did you all see how dead and quiet the crowd was when they performed this song in the ITSUWARI NEUROSE Tour Final DVD 😂? Yeah, I think the guys need to revive the song with a different arrangement.

Sorry this got too long 😮

[wanderingthroughwickford]

7, 12, 45, 78, 111, for the numbers ask!

Thanks, anon! :D

120 Nancy Drew Questions Ask

7. Do you read Nancy Drew FanFiction?

Not all that often. I’ve written a little bit myself, I had this whole Hunger Games AU fic planned out at one point, but I don’t really read much beyond short drabbles. I remember going through the FanFiction.net archive as far back as, say, 2007/8ish, but all they really had were AEs that I wasn’t really interested in. Since I joined the Clue Crew fandom here, I’ve read a bit more, but most of the fics focus on romance, which, again, isn’t all that big a draw for me, especially in ND where I don’t have many ships I’m passionate about.

Though I have read some good things. now that I think about it. One of my close online friends who unfortunately deactivated here (erroneous-luka) had some great oneshots, and just last summer I read and faved a really good Katie/Jenna fic on A03. I tend to prefer fics about side characters (those who only appear in one game) than those about the main gang. 

12. What’s your favorite Nancy Drew book series? Why?

I mean … I guess the originals? Like the yellow-back ones from the 50s (which I’m aware aren’t the *originals* but I’ve never actually read those). I admit, they’re not really that well-written, and the stereotypes found in them can be really off-putting. I’m more attached to them for the nostalgia value than anything else, to be honest. But on the other hand, I haven’t read that many of the newer books, just a couple here and there that the games are based off of, like Message in a Haunted Mansion, Secret of the Scarlet Hand, and Treasure in the Royal Tower. 

45. Who’s your least favorite character in Danger on Deception Island?

Lol for some reason I just … felt like I was going to get this question? I remember scrolling through the list and thinking “I bet I’m going to get least favorite DDI character, for some reason.” Maybe it’s because I reblog a lot of DDI stuff, idk. (To be fair it’s one of my favorite games.)

Mmmm well I guess I should say Andy since he’s the villain, but you know what? I find him kind of entertaining. “Whales rule” and all that. So I’m going to go with Holt. I saw a post a little while ago like “he probably voted for Trump” and you know what? I can’t argue with that. He just seems like the kind of person who’d sit around and grumble about millennials and how much better things were in “the good old days” and how smartphones and selfies are ruining society. Plus, having Nancy arrested for bringing him the wrong gender of crab, when he specifically made her go get one? Seriously? 

78. Who’s your favorite character in Tomb of the Lost Queen? Why?

Hmm well I haven’t actually played it, per se, just watched my mom play it here and there. But I guess Jamilia seems pretty cool. It’s great that HER put in a Muslim woman who wears a hijab (at least I think that’s what it is, correct me if it’s the wrong term) and not only isn’t the villain, but is smart, educated, and independent. I only know vaguely about her backstory with this … secret order of women protecting the tomb, or something? but that seems cool. Plus, I really like the name Jamilia. So I’m going with her. 

111. Are you upset with Her Interactive for taking longer on this game than the other ones?

Ohhh boy, the inevitable MID question. I mean, like … I’ve largely tried to stay out of it but at this point I don’t even know what to feel anymore. But I’ll try to sum it up (without stepping on too many toes). And this is reaally reaallly long so feel free to skip it lol.

I’m not really all that displeased on a personal level because I still have so many games to catch up on (TMB, SPY, MED, LIE, SEA) and I get pretty much endless fun out of replaying the previous games, so if MID was potentially to never come out and we were never to get any more Nancy Drew games…? It would suck, yes. It’d be sad, in an ‘end of an era’ sort of way. But I’d be all right. Everything has to come to an end, and we’ve had a really good run. 1998-2015, for a female-led point-and-click PC game series? That’s pretty impressive. 

And, to be honest, I went through a low period back in the early 2010s when I thought I was never going to be able to play a lot of my Nancy Drews again because they wouldn’t work on more modern computers - but now that I know you can buy them on Steam and that there are ways of making older games work on modern computers and such, I know that I don’t have to worry about losing them anymore. As long as I can hold on to the ones I already have, I’ll be fine. There’s a question I’ve heard posed that’s like “If you had to choose between losing all your old memories and never being able to make new ones, what would you do?” and personally I’d definitely go with keeping all my old memories. That’s just who I am.

BUT - this is a big but - that’s all 100% personal. As in, if I was the only person in the Clue Crew, that’s how I’d look at the situation. But I know it’s not all just about me - I know there are lots of fans out there, be they young kids just getting into the series or veteran fans longing for more, who will be massively disappointed, even heartbroken, if MID does not come out. So that’s where my feelings of discontentment come into play, not necessarily for myself, but for the fandom in general. When I entered the Clue Crew in 2014, it was vibrant and thriving and I was amazed to find so many like-minded people who weren’t homeschooled 13-year-olds on the HER Boards. Now … the fandom’s really suffering, and we all know that. A lot of really popular blogs have shut down or just aren’t posting anymore. There’s been a lull in content because, really, how many new jokes or insightful posts can be made when there hasn’t been new content in 2 years? It’s saddening to see that happen, because even with the drama that has sometimes occurred, I really do love the Clue Crew. 

But here’s the thing - I don’t really want to lay the blame at anyone’s feet. I just don’t feel I’m educated enough on the situation to start pointing fingers. I know HER putting all their money/advertising towards new projects and constantly brushing off any questions about MID is annoying, but I don’t feel  can criticize them, because I don’t know the first thing about making video games or running a company. I’m embarrassed by their painful attempts to capture an older demographic by posting forced unfunny memes on their Facebook page, but at the same time … isn’t that sort of inevitable when a company run by adults attempts to appeal to teenagers? I mean, just look at the Denny’s Tumblr. And haven’t Clue Crew members been wanting HER Interactive to reach out to the young adult internet fandom and its style of humor forever? I know that the result has been underwhelming, to say the least, but, I don’t know … I’m having a hard time being mad.

And the same goes for the fandom. I’ve gotten kind of tired of the constant bitterness and negativity towards HER; I hate seeing people harass and annoy HER employees on Facebook or whatever; and even trolling the HER forums with jokes about Big Island Mike, Communism, Satanic subliminal messages, etc. was never really that funny to me in the first place (esp. because, like … the kids on these forums are super sheltered people who probably have super overprotective parents and I honestly wouldn’t have a hard time believing that if their parents see this kind of shit going down and misunderstand the context [as parents are wont to do] they might not let the kids go on the HER boards anymore.) BUT, I can see where all this stuff is coming from - a feeling of boredom, frustration, and betrayal. And I get that. So I can’t really judge any of that too harshly, either. 

I guess I’d say that in general, I’m not bothered about MID on a daily level, though when the time eventually comes that I finish all the Nancy Drews, that might very well change. But it’s when I interact with the fandom, see how stagnant it’s become, and see how hurt the longtime fans of this company are, then it starts to work me up a little more. Still, I can’t really manage anger … only disappointment. 

[mariethecrocheter]

Reflections of the Past Year & Thoughts For the Next

2016 was a pretty busy year, and for a whole lot of reasons. Some good, some bad, some...meh. (Whatever that means.)

I just wanted to take a few minutes to write about some stuff: a few games released over the past 12 months that were really important to me, some things that I plan to/hope to do over the next year, some personal challenges, and, most of all, my gratitude to everyone who has been putting up with me for the past...3+ years? That’s how long I’ve been on Tumblr? Time really flies, doesn’t it?

I have met so many friendly people through Tumblr and Twitter, and I am deeply grateful for all the kind comments and support! Let’s make 2017 a good one, right? Even though the rest of the world may be pretty bad right now argh

Anyways, time to briefly(?) delve DEEPLY AND IN A RAMBLING MANNER into some of the highlights of 2016 and discuss what’s to come in 2017!

First and Foremost: Story of Seasons: Trio of Towns Japanese release: 23 June 2016 North American release (tentative): 28 Feb 2017

A game celebrating the 20th anniversary of the Bokumono franchise! 1996 was the 20th anniversary of the series in the Japanese market, while 2017 is the 20th anniversary in the North American market. (And we now have two different series in the English-speaking world: the original series, now called Story of Seasons and localized by XSEED, and Natsume’s independently-made Harvest Moon games!)

Trio of Towns was first announced at the end of 2015, and released in Japan during the summer of 2016. I’ve been covering it on a side blog, http://friendsof3villages.tumblr.com/, so check that out if you haven’t already. (Seriously, though, I think about 90% of the people who subscribe to this blog subscribe to that one too, haha. Hooray for Harvest Moon/Story of Seasons love!)

@xseedgames is going to be bringing this title to North America early this year. Just a couple more months! 

Just a couple more months until we can shear our rabbits in English!! Heh heh. 

One question that I get asked from time to time is: is this game worth getting? If you liked previous instalments in the series (Story of Seasons, Harvest Moon: A New Beginning, etc.), then my answer would be YES!! If, like me, you really enjoyed those games, you’ll probably like this one. The controls and basic systems are very similar, but there are a lot of new features that will keep you busy. 

They made some improvements based on feedback they got about Story of Seasons: The story is easier to clear, there are more heart events for each marriage candidate, and the reverse confession/proposal scenes are pretty easy to trigger this time around. 

If, however, you weren’t as much of a fan of the two previous games, well... I’d still suggest you give this game a fair try if you get the chance, but I understand if it may not be your cup of tea. 

I haven’t had the chance to try Natsume’s new game yet (Skytree Village) so I can’t say anything on it. I do hope to get the chance to play it sometime, though! I...kind of have a backlog of games I want to/need to play... xD

The next most important game was Fire Emblem Fates, which came out in North America in February 2016. 

I have no physical copy of Fates or its Japanese version, so here’s a picture of the only physical Fates-related object I own: the beautifully boxed Japanese soundtrack! ...plus the other two games that made my year. Ahem. ^^; (And this totally wasn’t a test for photographing items on that shelf with the intention of later photographing some crocheted kitchen items I plan to sell. ...Kidding. This was a photography test. xD)

I’ve been doing some translations for the DLC here on this blog: http://fe14festivalofbondstranslations.tumblr.com/ Fellow admin Kiyoshi and I are going to finish up the Hoshidan Festival DLC soon, and...we’d like to translate more CD drama tracks. 

...I have no idea why the Nohrian and Hoshidan Festival DLC isn’t available outside of Japan, but I hope we see it released in the English-speaking world this year! I’m dying to see what kind of adjustments they make in the English version. The conversations give us more insights into character relationships, and perceptions of them can change or give us greater insight depending on how the conversation is presented.

I plan to do some translation comparison posts on Fates after the festival translation is complete. I have a couple of topics that I want to write about I just...haven’t yet. (Most of them involve Kana, Forrest, and Soleil, who seems to have more changes to her English support convos than any other character.)

Slight changes in her conversations with her mother, for one... Details later. Mwahahaha. (They’re slight, though. But kinda cool.)

The Surprise Hit (For Me): Pokémon Sun & Moon

Until December 2016, I hadn’t touched a Pokémon game in about 15 years. But, I have fond memories of the early games...

Pokémon Red Version and Pokémon Blue Version (both for the Game Boy) came out when I was in high school. I scoffed at them until trying my brother’s Red Version one day when I was very, very bored...and I liked it! I had my own GBC and managed to get a copy of Blue Version, and I liked it a lot. I also got Yellow Version after it came out, and after Gold and Silver were announced and released in Japan, I was miffed that I would have to wait a year or more to play them. I was so miffed, I decided to get the Japanese versions (through...means that I later realized were less than legal ^^;;;;;;;) and teach myself Japanese! And...I managed to do it. Somehow. xD I went through the ENTIRE Silver Version with a hiragana/katakana chart, a dictionary, and basic grammar/phrasebook I repeatedly checked out from the library (and my dad later bought them for me). Maybe I didn’t understand much of what was going on, but I got enough out of it to enjoy the game.

In other words, Pokémon Silver Version was the MAIN REASON I took up the Japanese language! Crazy, huh? 

But then I started college and lost interest. Gaming had to take a backseat for a while, and I just didn’t want to devote time to another series. (I lost interest in Fire Emblem for a long time due to this and other reasons, too.)

But, after hearing a lot of praise for Sun and Moon, especially praise about the story and character development (two things I love in a game), and attracted by the bright, cheery style, I decided to give them a try. And I love them! I’m fully hooked again! Goodbye, free time. Don’t need you anymore. 

The thing I found most intriguing is the number of languages available. This one was released simultaneously in English and Japanese!! I couldn’t even imagine that back in 1999 or 2000 or whenever it was that Gold and Silver were released!

I still have my copy of Yellow Version, and... I have my brother’s Red and (English) Gold versions. ...In fact, I have his Yellow, as well...? And where are my Blue and (English) Silver...? I have no idea, lol. He must have mine, and I have his...? Anyway, the battery that saves the data is long dead on all but one of them (I already forgot which one, though I know it wasn’t Gold but one of the older ones), so it doesn’t matter too much. 

In case you’re wondering: my favorite Pokémon of the original 151 (152 if you count Missingno! xD) are Clefable and Dragonair. (And Dragonite, but not quite as much.) Of the next generation, Pichu and Bellosom. (Who I always think of by its Japanese name: Kireihana.) I’ve now found myself quite fond of Lilligant (because it looks like Bellosom!), Comfey, and the various Oricorios! ...I’m a sucker for plant and fairy types, heh.

Moving Forward &  Personal Challenges & ...?

I want to branch out so I’m now doing a little work with Source Gaming, translating columns and such of one of my favorite game developer, Masahiro Sakurai. I’ve only done a couple, but this year I have some other interviews by a certain game producer that I want to translate and cover in-depth...

Yoshifumi Hashimoto Interviews

There’s a long interview with him in one of last year’s issues of Nintendo Dream. I’m sure others have already translated it, but... I want to do a FULL, thorough translation of the article because there’s a lot of interesting facts and trivia in it. He’s been the producer of the Bokujou Monogatari series since 2005, or for more than half the life of the series. (He took over upon the departure of creator Yasuhiro Wada.)

And there’s Mr. Hashimoto himself!

There’s an interview with him in the back of the guidebooks, too... AND some interesting trivia in the short official guidebooks! There’s a lot of trivia to be translated and shared! x)

In Conclusion

There’s so much to do this year, and I look forward to working on new projects when I’m able to! =D Unfortunately my health declined a bit in 2016, as some symptoms I hoped were temporary turned out to be long-lasting or even permanent, but it’s just one more thing learn to cope with and work around. That’s the nature of chronic illness, urgh. I’m used to it, but it still stinks. (In case you’re curious, I have something very similar to multiple sclerosis, so it really feels like I’m waging a war against the effects of time itself...)

Regardless of what happens, I’ve got a lot of stuff planned for the year. I’m especially looking forward to the English release of Trio of Towns, because I’m eager to see the writing in the English version! There are always small (and sometimes, big) changes and tweaks made to the localised English version, and comparing it to the Japanese one will be a lot of fun. I hope to get several more translated resident and heart events up before the game comes out in English, though! (And, if you must ask, my favorite bachelors are still Yuzuki and Ludus, and my favorite bachelorettes are the twins, Siluka especially. I like Kasumi a lot too. ...Actually, I like ALL the marriage candidates, so it’s hard to choose absolute favorites. The additional heart events and additional dialogue give the characters more depth and development than many of the previous games.)

That’s about all I have to say right now. Pretty much. Yep. Oh, wait, you read all this? Wow. xD Um, here, have a hug! **hug**

[luluuu-blog]

P.Jaisini-smiles-GIG-NYC2015

FOR IMMEDIATE RELEASE MANIFESTO GLEITZEIT 2015 BY STELLY RIESLING Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART — PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare. DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad. There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception. Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground. People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many relationships/friendships impossible for me. I refuse to have such people in my life because by harboring any negativity towards Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome girl I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what I saw in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, better everything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever. Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge any of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion (yet further). You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum, so an unending, unshakable drive. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep on pushing, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game: YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all — death and rebirth of spirit.) Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should wear a radioactive warning sign (he’ll melt your brain, best wear a tinfoil hat in his presence as I certainly would.) The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later. Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness — you can only feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed. I don’t speak in riddles, I speak in a clear direct way that intelligent humans will understand, so I’m counting on them. GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for butchering his name and making him appear as a narcissistic nut-job in his own words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG — “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point. What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies — I mean — artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing — two damn decades of spreading an art virus — IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey. Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit — e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called “art photography” passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us — and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our art verse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him. If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people – the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff rolled into one to bring viewers more than a momentary ooohand aaahh reaction. Replace the recycled images ad nauseum; repetitious, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of ideals and save the whole bloody planet. Fine art is often confused with craft-making. This often creates bad blood between classically trained artists who put out paintings that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeople whose skills are adequate to create decorative pieces for homely environments — landscapes, still lifes, animals, pretty fairies, common things of fantasy, and other simplicity. Skills alone are not enough for high art, you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify the viewers, arousing powerful emotions, illuminating. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is. Paul Jaisini leads, we follow. He wishes to remain unknown – so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a load of bricks on your back you’ll never use or need. The watering down of creativity that digital pack ratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade? Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents. I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that. Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough – those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks… So again, you don’t get the Paul Jaisini thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject yet they clearly lack education in fine art or art history and possess little to no talent or skill to back up their bullshit. My little “credibility radar” never fails. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb – instead say “I assume/believe” and state the reasons you feel thus to appear less immature, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly like arrogant pricks. Who can stand those, right? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience and observation from multiple angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions are regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us. I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I push on harder still. Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world… DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life. Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized. Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots. Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again…. Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all! To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH! FOR IMMEDIATE RELEASE MANIFESTO GLEITZEIT 2015 PROLOGUE Paul Jaisini was like a messiah, as you wish, who saw/understood the impending end and complete degeneration of Fine art or Art become and investment nothing more than that. He predicted the bubble pops art when everybody would eventually become an artist, including dogs cats and horses, because they as kids followed the main rule: express yourself without skills or knowledge or any aesthetic concerns. J. Pollack started pouring paints onto canvases; Julian Schnabel, former cab driver from NY, suddenly decided he could do better than what he saw displayed in galleries, so he started gluing dishes on canvases; A.Warhol, an industrial artist who made commercial silk-screen for the factories he worked in, started to exhibit "Campbell’s soup" used for commercial adds… and later the thing that made him an "American Idol": by copying and pasting Hollywood celebrities (same type of posters he made before for movie theaters). When Paul Jaisini stood out against the Me culture in the US by burning all of his own 120 brilliant paintings (according to the then-new director of Fort Worth MoMa Museum, who offered hin an exhibition of his art in 1992, and later the Metropolitan Museum curator, Phillippe de Montebello, in 1994).Paul probably assumed all fellow true fine artists would join him or stand by him against corruption of the art world. And after 20 years of his stand-off…the time has finally come today. Many artists and humanitarians around the world took a place beside him. His invisible Paintings became a synonym for the future reincarnation of fine art and long lost harmony. The establishment is in panic! The "moneybags" (as Paul Jaisini named them) are in panic, because they invested BILLIONS of dollars in real crap made by craftsmen. Now they realize that the reputation of American legends of expressionism was nothing but a copy of Russian avant-garde" Kazimir Malevich, Vasiliy Kandinsky and tens of others from France and Germany.. US tycoon investors were spending billions on "Me more original, than you". "Artist Shit" is a 1061 artwork by the Italian artist Piero Manzoni. The work consists of 90 tin cans, filled with feces. A tin can was sold for £124,000, 180,000 at Sothebys, 2007. EPILOGUE Before I resume promoting and admiring a very important art persona on today’s international art arena, I’d like to clear up some BIG questions; people ask continuously and subconsciously, directly & indirectly: "Why does the name Paul Jaisini, flood the Internet in such "obnoxious" quantities that it’s started suppressing some other activities that my friends might share with the rest of the Internet’s Ego Me only Me www society? I can’t just answer this… so I’ll try to explain why I’m writing this: Jaisini’s followers keep posting art and info about, He IMHO the only hope in quickly decomposing visual fine art. "Paul Jaisini realized many years ago, in 1994, when he declared (at that time to himself only) the start of a New era, a New vision, that he is trying to redirect from the rat race, started by an establishment in post-war New York, long before the Internet culture. Sub related information: Adolf Gottlieb, Mart Rothko, etc (after visiting Paris France in 1933): "We must forget analytical art, we must express ourselves, as a 5 year old child would, without a developed consciousness. Forget about results – do what you feel, EXPRESS yourself with your own unique style" With this statement Mark Rothko starts to teach his students, degeneration of fine art begins, and the generation of war of styles took a start signal of the material race, greatly rewarded by establishment "individual" – eccentric craftsmen – show business clowns. Sub related Information: In the summer of 1936, Adolf Gottlieb painted more than 800 paintings, which was 20X more than he created in his whole art career as a painter, starting from the time of Gottlieb becomes a founding member of "The Ten" group in NYC "Group of Ten" was a very peculiar, enigmatic group… Based on a religious point of view;(where a human figure was prohibited from being created) GLOSSARY IN 1997, Paul Jaisini’s best friend Ellen Y.K.Gottlieb started a cyber campaign by promoting on a very young Internet, back then, Paul Jaisini’s burned paintings as Invisible Paintings, visible only through poetic essays. She and a handful of people saw his originals and were devastated that nobody could ever see them again. "We, his fans, believe that someday Paul will recreate his 120 burned paintings if he has any decency and moral obligation to his fans, who have dedicated decades to make it happen, for their Phoenix to rise from the ashes and the whole world will witness that all these years we spent to get him back to re-paint the Visuals again were not in vain," – said E.Y.K.Gottlieb in 2014 during the 20th anniversary celebration of Invisible Paintings to GIGroup in NYCity. So now, hopefully, this clears up why I and others do what we do – our "cyber terrorism" of good art, dedicated to Paul Jaisini’s return, which is & and was our mission & our goal. We post good art to fight "troll art" which is worthless pics, after being passed through 1-click filters of free web apps. We are, in fact, against this www pops pollution, done with "bubble art" by the out of control masses with 5 billon pics a day: Pics of cats, memes, quotes,national geographic sunsets and waterfalls, not counting their own daily "selfies: and whatever self-indulging Me-ego-Me affairs, sponsored happily by photo gadget companies like Canon, Nikon, Sony…who churn out higher quality madness tools at lower cost. This way Government taking away attention from the real world crisis of lowest morality & economical devastation. The masses are too easily re-engineered/manipulated by the Establishment PopsStyle delivered to them by pop music and Hollywood "super" stars. In 1992 Paul Jaisini’s Gleitzeit theory predict such a massive, pops self-entertain madness, following technological explosion, but not in illusive scales. Uber Aless @2015 NYC USA NOTE Date’s numbers and events can be slightly inaccurate. #gleitzeit #paul-jaisini #invisible #painting #art #futurism #art-news,

Posted by E_Y_K_G on 2015-03-28 04:43:10

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The post P.Jaisini-smiles-GIG-NYC2015 appeared first on Good Info.

[dailygirlstuff-blog]

12 Secrets of Korean Seamless Skin Care Rituals

http://dailygirl.co/?p=83

Who yesterday participated in the event fan meeting Park Bo Gum live in Jakarta ? K-Drama lovers must be familiar with the name of one of these K-drama celebrities who became famous in the drama series 'Reply 1988' plus when in the drama series Moonlight drawn by clouds . Wow getting booming deh Park Bo Gum name. For those who participated in the fanmeeting event yesterday must speechless really see the real face of Bo Gum charming and seamlessly. Maybe a doi instead of us. This is one proof that in Korea not only women who routinely and diligently perform treatment, especially for facial skin.

Curious why Koreans can have such a smooth face? Their smooth and clean white face is not always obtained from plastic surgery you know, so do not first menjudge ya. The following article will help you to have a smoother face than now. It can also be a list of resolutions for you in 2017.

9 Up To 12 Steps Face Care Routine a la Korean Women

Korean people in treating facial skin have a fairly long stage. Probably true yes that is said to some people that beautiful or handsome it takes time. Time to do all skin care. The following step by step facial skin care starts for the morning, night to Korean-style weekly treatment.

Skin Care for the Morning

1. White Water Consumption Min 2L

Before using a wide range of skin care treatments, Korean women believe that filling the body fluids can help make facial skin healthy and avoid dehydration that can make skin dry and dull. Therefore, they are accustomed to consume water every morning before starting the activity. And they are accustomed to sufficient water consumption for their body and skin. No wonder ya see the skin of the Korean people are moist and healthy.

2. Foam Cleanser

Do not assume when we wake up in the morning skin, because at the time we sleep, facial skin regenerate when we fall asleep so when wake up there must be dirt though not as much when we are outside the room. Therefore after waking up make it a habit to wash your face with a foam cleanser only.

3. Booster

After that proceed with Booster. The function of using a booster is to prepare the skin for the use of advanced skin care. Booster is mostly sold mainly on Korean cosmetic brands such as Sulwhasoo, Laniege, The Face Shop.

4. Water (Refiner) / Toner

Different country differences are also the mention of it. For Koreans the Toner is called Water or Refiner. While toner is the name of the western. The function of this product is to provide freshness to the skin while helping to balance the pH balance facial skin. For how to use it, Koreans prefer to use with their fingers directly in order to better absorb the skin. If you want to follow the way make sure your hands are clean yes.

5. Emulsion

In Korea known as lotion, while in Japan the term lotion is used as a toner. So do not get mixed up. When you want to buy this product make sure you check the origin of the brand so as not to buy one. Emulsion is also known as light moisturizer usually having a slightly milky texture but still like liquid. The function of this treatment is to restore the balance of oil and water and moisturize the skin.

6. Serum

Korean ladies are very old having more than 1 serum, probably because of the needs of their own skin. If the skin is feeling dry and dull, then serum used is serum that can increase water content, and contains vitamin C that helps to lighten. If you have large pores you can use serum containing snail extract that serves to help improve the structure of the skin and shrink the pores. Of course the use of different serum is not used in the same time, you can take turns in its use every day.

7. Eye Cream

Parts of the eyes did not escape the attention of Koreans, therefore a lot of products that remove the eye cream. The function of the eye cream itself is to avoid like the eyes of the panda ( dark circle ) as well as to smooth and brighten the eye area.

8. Using Face Whitening Cream

Although basically korean skin is white, but they do not forget to use face bleaching cream to avoid pigmentation on the skin. It is proven at this time a lot of skin care products from Korea who issued a whitening face cream in the market especially in Korea itself. Cream facial bleach is also apparently not only the weather is competing to seek it, but men too. So, do not blame the face of the Korean celebrity either the air or men both have a clean white face and smooth. So for those of you who are lazy to use whitening cream, from now on change how to care for your face by always using whitening face safe routine yes Tips for you who want to find a safe bleach face. First, do not easily tempted by instant results. Second, look for a clear cream origin, minimal cream bleach is already disabused in BPOM. Third, do not be tempted by the cheap price. You should buy in a shop that is already trusted authenticity of the product being sold.

9. Not Absent Using Sunblock (UV Protection)

Although temperatures and weather in Korea are not as hot as in Indonesia, but the people there always use sunblock as the stage of their clean and smooth white facial treatments. Unlike Indonesians who are usually Indonesians use sunblock when they go to beach or place with a hot temperature only. Hmm, for those of you who have such behavior, it is time to change yes. Learning from Korean people who always routinely use sunblock everyday when going out of house or materials at home, they still use sunblock to protect their faces from sun exposure either directly or indirectly. Because it is indeed the main function of the use of skin care this one.

10. Finisher

Maybe in 2015 then, this finisher still rarely people know. Skin care this stage is one of the latest stages in Korea, because skin care is fairly new also in the Korea. The first brand to have this skin care is Sulwhasoo (Sulwhasoo Luminature Essential Finisher). The function of this skin care is to end the series of skin care in the morning or can be considered as a "lock" of all the benefits of skin care that has been used before the makeup.

Skin Care For The Night

After a day of activity and using makeup make sure you clean the face with makeup remover first until the makeup is completely lifted, followed by cleansing the face with a cleanser. Then repeat the step as in the morning. Never mind you attention when watching K-drama there must be 1 scene where they use face mask. Example who is here to watch k-drama Descendant of the sun ? It seems unlikely that k-drama fans have not watched or did not even know the drama was booming and was a phenomenal drama in 2016 before being shifted by the Goblin k-drama. Lol seems to be really so k-drama here. Okay back again to the scene in Dots where sergeant Soe Dae Young and the other soldiers who use face masks while at break time. In addition, the fact that kaun Eve in Korea is very fond of face mask. They can even use face masks every day. Masks that they usually use based like yoghurt, cucumber or honey that can provide properties to tighten the skin, refresh and moisturize the skin. But for those of you who like lazy mask because must rinse again after 15 minutes. Now you can use a night mask that can be worn during sleep ( Sleeping mask ). So we do not need to bother anymore rinse. Brought to bed tomorrow morning just rinsed as usual with cleanser. Sleeping Mask is usually used 2-3x a week.

Skin Care For The Weekly

Basically the stages are just like morning rituals, it's just that for this weekly maintenance you add step Exfoliator after Cleanser and after Emulsion you proceed by using sheet mask for 20 minutes. And you keep using sleeping mask at night. Well that's the step of care for Koreans. Because the good and healthy it is nothing instant. Process is required to get maximum results. If you want to get clean white skin and healthy like Korean women you have to have business first dong. Let the results also did not disappoint. Park Bo Gum and other Korean boys just care for your lifetime that real girls do not want to take care of your skin?