#its crazy the set design is actually good. the outfits are fine. the performances are okay.

[motherfricker]

damn the new mean girls movie kinda sucks

[jippy-kandi]

Digimon Adventure: Last Evolution Kizuna Movie Review

I've seen the film. It was pretty good! Spoilers under the cut.

So, before I watched it, I did read a few bits and pieces of random spoilers. However, I did NOT read the novel – because I wanted to judge the film on its own merits and not be thinking about “what the novel did better”. But I knew things like most characters were sidelined, who the villain was, and how the movie ends. I still have not read the novel.

This is not a “proper” review of the movie -- because what’s the fun in that? You can google actual reviews of the movie by anime websites, if that’s what you’re after. These are just my personal thoughts, impressions and fangirl ramblings (I bias Yamato hard). Plus, a few comments from two others I went to the screening with for a different perspective.

It was like nerd city at the movie theatre, LOL. So. Many. Nerds. Some people even brought Digimon plush toys to the screening! I’ve never witnessed that before. It was great though, being surrounded by so many Digimon fans. I think the cinema was more than half full -- and this was an 800-seat cinema! 400+ Digimon fans? Whoa! I actually thought like only 20 people would show up, LOL.

I tried to put the following thoughts in “order” but some of it isn’t due to the nature of what they’re about . . . plus, I couldn’t 100% remember what order the scenes were in.

Screen time distribution (most to least): Taichi/Yamato, Koushirou, the 02 kids (roughly: Takeru, Hikari, Daisuke, Miyako, Ken, Iori), Mimi, Jou, a hamburger, a whistle, a beer, Sora. (Sora got shafted hard.)

Taichi was exactly just Taichi, which is 1000x better than tri. Taichi. He really did seem like a 22-year-old version of Adventure Taichi, beer-drinking and porn-watching and all. Thank you, Toei. Please don’t fuck him up in the reboot. (Although maybe that’s the idea?)

Yamato is the coolest motherfucker on a motorcycle. He looked SO DAMN GOOD in this movie. There were even a few gratuitous shots of his arse for no apparent reason, LOL. Or maybe that’s just me thinking, whenever he’s bending over or his back’s to us, “That’s a nice arse.” XD (HE IS THE ONLY 2D CHARACTER I THIRST FOR, I PROMISE. I’m actually engaged to Jungkook of BTS.)

Koushirou was the same old Koushirou we all know and love, doing smart stuff and generally being useful. He has no pointed interest in clothes or girls (Koumi began and died in tri., you guys). When it was shown that he was a company president, some people in the audience laughed, lol.

Takeru was pretty bland. I guess tri. Takeru will always be the definitive Takeru to me. This Takeru definitely evolved straight from 02 Takeru (who was also bland AF). But he was fine? I miss overly confident, charming Takeru. Also, where was your crush on your big bro??? lol

Hikari . . . was also fine? I don’t have much to say about her. I like tri. Hikari better (because she was cute? *shallow*). This Hikari was just serviceable. I think because everyone really is just playing second fiddle to Taichi and Yamato, they didn’t really add charms to the other characters. They just . . . serve the plot. And it seemed, at the beginning of the movie, that Takeru and Hikari were going to be in it a lot -- but they have most of their scenes in the first third-ish of the movie before disappearing until the end.

Daisuke was also exactly the same. But I’ve never been a fan of him, nor do I hate him (though he did get on my nerves in 02 sometimes . . .). I just don’t care about him, or any of the 02 kids, personally. :P

I don’t think Ken had a personality in this movie, LOL. He was fine, though. Serviceable. I’m sorry I lack opinions here, but there really wasn’t much to go on. He has no Kaiser issues or anything, he just seems like a normal, well-adjusted kid . . . with no personality, lol.

Iori didn’t have a personality either -- but everyone has always known that. Ha! XP He is just an extra reading lines. I found it odd that he seems so short though? I kept thinking he was still a 9-year-old because of the height difference between him and the others . . . I think Toei forgot that HE IS 17 AND THUS SHOULD BE VERY CLOSE TO FULL ADULT HEIGHT. Puberty is amazing, Toei! (Yeah, he can just be a really short person, I know. I wouldn’t have made that design choice, though. Especially when he’s short compared to Daisuke . . . who is short compared to Yamato . . . and Iori really is a midget.)

Miyako . . . it’s probably due to her voice actress, but she was SO LOUD. And I found her annoying because of it. In fact, she was the only annoying character in the movie to me. Loud people can be charming . . . but I didn’t find her charming. Sorry, Miyako fans. =\

Mimi has an e-commerce startup at 21, lol. OK, you go girl. She was definitely shafted, but she was in it a bit more than Jou I think, and definitely more than poor Sora. Probably a few minutes? Yeah, not a lot, especially compared to Taichi and Yamato. In one of her (four?) scenes, she loses consciousness and ends up in the hospital -- and Taichi, Koushirou and Jou are in her hospital room when Yamato bursts in and goes, “Jou!” You know, instead of acknowledging Mimi, THE COMATOSE FRIEND IN THE HOSPITAL BED. I just found it funny that’s how they chose to frame that scene. :P

Jou only had a few lines, but he was still in it more than Sora. But he is really just a doctor here. He could’ve been an extra hired for a doctor role and I wouldn’t be able to tell the difference, lol. Oh, Toei, please give all the characters almost-equal screen time in the reboot? Please???

Sora had like four lines and thirty seconds of screen time, TOTAL. I think the decision to hold her back from THE ENTIRE PLOT was SOLELY to have the scene where she reacts to Taichi blowing the whistle, so you know that the sound is going out of Neverland and reaching the real world (or whatever dramatic effect they were going for). I really think that’s it. That, or her voice actress did something terrible to Toei and they’re punishing her. :P

The movie basically opens up with Parrotmon attacking. Takeru was the first to be shown, then Hikari, then Taichi. Taichi is wearing those special goggles Koushirou made for him and he looked goofy AF lol. At one point, Greymon tackles Parrotmon into a building where you see some people inside running away from the rubble. My sister said (without knowing anything about tri.): “Does Tai not care that his digimon definitely just killed some people in that building?” I chuckled because . . . well. ;)

Yamato enters the scene COOL AS FUCK on his motorcycle (most of his entrance is shown in a clip that Toei released) and thank you Toei for doing that for him. He deserves a showy entrance. :) Although I do find it funny that he’s obsessed with motorcycles, given I still remember giggling as a kid at him NOT liking riding on the back of some guy’s scooter in Digimon: The Movie.

The music was nice and nostalgic and I have no complaints.

There is a quick scene of Yamato seeing a kid in a music store getting a harmonica, and watching a street performer singing. Obviously he’s thinking about his passion for music as a kid/teen (and his childhood in general?) and it was a nice touch. I think by the end of the movie you would’ve understood that Yamato was letting go of his past (childhood) and heading towards the future (adulthood).

A friend of Yamato’s makes a comment to him that Japan’s Self-Defense Forces are going to recruit him into the military due to his experience as a Chosen Child. Yamato replies, “that’s the dumbest thing I’ve ever heard”. BUT . . . this is Kizuna telling you EXACTLY what is going to happen, lol. I actually “predicted” Yamato’s career path years ago -- but it wasn’t hard, as there is really only two ways it could’ve gone, lol. Military test pilot or commercial air pilot -- which one, especially given the context Kizuna just gave us, is more likely? ;)

Yamato is shown wearing GLASSES in class (looking nerd-hot AF). Toei Animation must not have researched Yamato’s astronaut career as intensively as I did, and therefore did not know that astronauts need 20/20 vision lol. Oh well, he can get it corrected. :p (Or, he doesn’t actually need glasses but WEARS THEM AS A FASHION STATEMENT. Because I can believe that. XD)

I think Yamato had about three different outfits in the movie? And he looked good in all of them. Are there people out there who think he’s not fashionable? I'd find that opinion strange, given the fact that the staff behind 02 and tri. were actively designing him as the well-dressed cool guy of the group. He wears exactly the kind of clothes the well-dressed cool guys at my high school/university wore. Sure, sometimes they force green tops on him purely for nostalgic reasons and it therefore clashes -- there is only so much you can do with a green top -- but overall, he is supposed to come across as someone who cares about his appearance. If you don’t think so, you’re either not into fashion or you aren’t aware of 2005-2010 fashion as a teen/young adult. (If Yamato was a millionaire, I’m sure he’d dress identical to BTS with super expensive clothes lol. But he dresses very well for a “normal” person. :p)

Taichi was shown with two of his friends who were asking him about his aspirations or something, and the guy looked like an unattractive nerd. My sister said: “I didn’t like how they showed Tai with sloppy friends, but showed Matt with good-looking people.” LOL. Her favourite as a kid was Taichi, BTW. XD;

Menoa and Imura were . . . OK characters. Menoa seemed likeable enough at first, but when her real intentions were revealed she turned into a typical, crazy, possessed villain. Imura was really just there to service the plot, like a necessary extra on set. There was nothing more to him.

Menoa’s English is terrible. And it’s very noticeable because she inserts random English words into her Japanese sentences, lol. I laughed when Koushirou told her that her Japanese is very good (because SHE IS ACTUALLY FLUENT IN JAPANESE . . . and not so much in English). Yes, I know it’s because it’s a Japanese voice actress -- but it was still funny every time she spoke heavily accented English, followed by fluent Japanese. :P

Menoa’s partner digimon, Morphomon, was cute in design. Eosmon was the villain digimon and was Menoa’s attempt at recreating Morphomon, who disappeared on her. Does this sound kind of familiar? lol

Omegamon devolves into Koromon and Tsunomon when fighting against Eosmon. Back in Koushirou’s office, Menoa explains that you only have a limited amount of time with your digimon before they disappear and that fighting accelerates it. Taichi has a circle of lights on his digivice that lose a bar of light every time he fights with Agumon. When the lights all disappear, Agumon will disappear. Koushirou and Takeru look at their digivices to check if they’ve got it – they don’t, and they are relieved. Yamato then checks his and . . . well. He has it. His eyes start watering and he storms out of the room saying something along the lines of his bond with Gabumon will not be broken. I FUCKING LOVED THIS SCENE. Top 3 in the movie for me, personally. We all have weaknesses. Emo Yamato is mine, lol. I like it when he gets so emotional he cries in front of other people. :3

The “porn stash” scene with Agumon at Taichi’s apartment was HILARIOUS. The funniest scene of the movie. Everyone in the cinema laughed so hard. It was Taichi’s reaction that sold it -- it was BRILLIANT. The magazines actually had girls on the cover wearing bikinis, so, at least Agumon kept his innocence! lol

Gennai randomly appears in Taichi’s apartment to confirm the thing everyone should’ve always known (but that they just made up for Kizuna and which DEFINITELY led to “creative differences” with Digimon series director Hiroyuki Kakudou). This, of course, would be the whole idea that the more you “grow up”, the more your bond with your partner digimon breaks until, eventually, they disappear. Does the idea have problems? Yep. Menoa lost her partner digimon Morphomon at age 14 because she decided to accelerate her learning and go to university . . . meanwhile, Koushirou is the president of his own freaking company and still has Tentomon by his side. Yeah, OK, Kizuna. And, sure, you can argue that it’s about BECOMING AN ADULT -- but I think you’d just be drawing lines where YOU want to draw them. How mature is 14-year-old Menoa to be an “adult”? Is Koushirou really not mature enough at 21? And what about Jou, who I definitely think is an adult in all sense of the word? And so on. So arguments about this I think are valid, but at the same time . . . it’s Digimon. I think it’s a flawed idea but I also just shrug and accept it as it is, lol.

I “love” how Gennai just pops in when it’s convenient to the plot. Hello Gennai, what’s dark Gennai up to? Have you seen him around licking underaged girls anywhere? No? You’re just popping by to confirm shit to Taichi? OK, cool. See you in the tri. sequel, never. (He actually does give Taichi a reasonable answer as to why the growth/bond thing was never brought up before: that it’s like talking about how long you have to live. I bought it.)

Yamato is basically the reason the 02 kids are even in the movie, lol. He asks them to investigate Imura and Menoa for him and they do so. They contact him later on with info and they ask that he take them out for okonomiyaki (which is awful by the way, lol) as thanks and he smiles and says he can do that. This is just a nice exchange between them. :)

Yamato eventually confronts Imura (or is it the other way around, lol) and Imura HAS A GUN. Which was surprising to me because I remember that in the English dub, Puppetmon’s gun was censored, so seeing a gun in a Digimon movie was a little surprising. Anyway, Yamato doesn’t seem concerned by the fact that this dude can just shoot him dead, lol. Gabumon is with him, but still. Imura can still kill you before Gabumon kills him, you know. XD But it’s all good because Imura turns out to be an undercover FBI agent who wants to arrest Menoa, THE REAL VILLAIN. I was spoiled with this so no surprise.

There is a scene where Yamato has his hand tenderly on Takeru’s face because he lost consciousness. It was sweet, but I would’ve liked it more if Takeru had more of a personality in the film so I could actually care about him, lol. Yamato’s such a caring big brother, though. :)

Yamato was perfect in this movie. PERFECT. I had a few issues with his characterisation in tri. (I think he was, overall, about 80% Yamato), but he was ALL YAMATO, ALL THE TIME here. He is my favourite fictional character of all time, so DEAL WITH THE BIAS. I love him and, honestly, Yamato>Taichi all day, every day. I totally understand you, Sora. DON’T @ ME TAICHI STANS. XP

The ONLY minor quibble I had was that Yamato asks Taichi if they should really try to save the other kids, because fighting means it speeds up their bonds breaking. My quibble is: YAMATO IS NOT FUCKING SELFISH. He’s SO selfless. He would fight to save the other kids NO QUESTIONS, even if it meant he’s accelerating the destruction of his bond with Gabumon. But I give this scene a huge pass because it basically had to go like that, because ONE person out of Taichi/Yamato had to be reluctant so that the OTHER person pushes forward and has a “hero” moment. And who’s going to get that “hero” moment? The actual hero and MAIN CHARACTER of Digimon, Taichi, of course. SO I GET IT. I even agree and would’ve written it that way too, for Taichi to be the leader and reassure Yamato that this is what they’re doing (unlike in tri. where Yamato 1000% deserved the mantle of LEADER and Taichi could’ve whinged off the edge of a cliff and I. WOULD. NOT. CARE.). BUT I will still rant about this 30 second scene in my blog and scream to the universe that Yamato Ishida is the most selfless fictional being on the face of the planet and you better fucking know it. :)

Menoa is Maki 2.0. As soon as Menoa is revealed as being behind the evil stuff, she is instantly psychotic. So Maki 2.0 she definitely is. But . . . I don’t really care. Could Toei have been more original? Yes. But I can’t be bothered to criticise them for recycling a plot, because I’d rather criticise tri. for doing it in the first place, LOL. OK, honestly? At least Menoa’s plot had an actual resolution, instead of Maki being revealed and then . . . fucking off out of the entire series so abruptly. Like??? Kizuna followed through with it, tri. did not. That’s why I’m OK with the rehash, because Kizuna did tri.’s plot better. (Maki’s plot would’ve been good if the tri. writers didn’t get lazy AF at the end and just . . . didn’t . . . finish it.) I might also be giving Kizuna a huge pass because it made me feel things, lol.

The movie really picks up after Menoa reveals her intentions and they end up in Neverland (a place she created in the Digital World?) where she claims all the Chosen Children can stay as children with their partner digimon forever. It became a lot more interesting after that. But that’s also near the climax, lol.

In Neverland, all the kids who have lost consciousness are in their child forms (from the first season) and are basically Menoa’s puppets. This was really cool; it not only gave you nostalgic feels to see them like that, but it was also pretty creepy to see them with glowing red eyes. The Chosen Children, as kids, attack Taichi and Yamato. I laughed when Patamon attacked Yamato’s face and Tentomon tackled Taichi, lol. But I have to say though that Sora’s absence was VERY glaring here. Because . . . everyone was there, but her. :(

Other Chosen Children from the past are present in Neverland too. I FREAKING SAW MICHAEL, MIMI’S AMERICAN FRIEND, STANDING BEHIND HER. I was so surprised at his appearance that I didn’t catch anyone else. There were definitely others, but I didn’t make them out at all because I was so caught off-guard with Michael. XD; (I DON’T EVEN GIVE A SHIT ABOUT HIM, LOL.)

Someone said that Taichi called out Meiko’s name in the movie . . . well, I’m pretty sure that Yamato does, and he calls her by her last name, “Mochizuki”. This is when they’re in Neverland and Menoa shows them her “collection” of Chosen Children. Meiko pops up for one second. It was like Kizuna went, “Oh! Hey, tri. existed by the way. Now let’s move on.” lol

While being attacked by the Chosen “puppets” in Neverland, Taichi manages to reach his hand out and grab Hikari’s whistle and blow it -- effectively “waking” them all up from their puppet states. Everyone in the cinema got hit with audible FEELS, because when Taichi blew Hikari’s whistle the screen flashbacked to that scene from the first movie. I found the collective audience reaction more powerful than the scene itself, lol. But I really liked it, too. :)

So while everyone else is in Neverland . . . SORA IS IN HER APARTMENT HUGGING PIYOMON. Thanks, Sora, you’re a real friend. *cough* After Taichi’s whistle blow, she intuitively knows what’s going on and says she believes in everyone . . . THANKS AGAIN, SORA, YOU CHEERLEADER. OK, look: I do think it is pretty selfish of Sora to choose not to fight. I understand all the reasoning behind it, I even think SHE DESERVES TO BE SELFISH FOR ONCE etc., and I am fine with it -- but I still think it’s selfish. Because it is. And that’s OK, nobody is perfect, and people are selfish from time to time. If only it wasn’t glaringly obvious that her selfishness happened only because Toei just wanted her out of the way for most of the film . . . her absence, as stated before, really was noticeable in scenes where literally everyone else was included but her. (I’d also just like to point out that her voice actress was STILL CREDITED THIRD after Taichi and Yamato in the ending credits. LOLing forever -- such little contribution, such big recognition. XD)

But don’t get me wrong, I love Sora. I really fucking do. Taichi used to be my second favourite character in Digimon for a long, long time -- but Sora managed to dethrone him from second place (fucking Yamato probably helped, LOL). I think, screen time-wise, Kizuna did her a bigger disservice than Our War Game did. Yes, let that sink in. Remember how little she was in that movie? It’s worse in Kizuna. But story-wise and character-wise? Kizuna probably did better, because Sora was angry over a hairclip in Our War Game lmao. If you haven’t already, check out her memorial story short “To Sora” that Toei Animation released online. It’s six minutes of Sora . . . which is 5 and a half more minutes than in Kizuna! XD;

There’s a scene where Agumon and Gabumon tell Taichi and Yamato that they like watching them grow up. It was very touching, but also very brief. It was one of my favourite moments though. It made me have quick flashbacks in my mind of itty bitty Taichi and Yamato growing up into who they are now. The enormity of everything they had been through since the first season. THE HISTORY. THE GROWTH. It hit me right in the feels.

Taichi and Yamato’s homoerotic-ness was actually toned down a lot, especially compared to tri.. They don’t have forced disputes where they get angry at each other and the gay sexual tension shoots through the roof. They’re just . . . friends. Two dudes who drink beer together and moan about their lives. The partnership between them and their digimon were the focus of the movie, more so than the friendship between them. I actually liked this, and I usually care more about the human connections over the human-digimon ones.

“Shipping moments” – if you squint hard enough. Takari: At the start, Takeru shields Hikari from harm. Sorato: While Taichi informs Yamato about the lives of some of the other Chosen Children, Yamato lets Taichi know what Sora is up to -- that she’s seriously studying flower arranging. Kenyako: Ken asks Miyako, and only Miyako, if she’s OK (when Daisuke is right next to her). Taiora: Sora says Taichi’s name when he blows the whistle in Neverland and she hears it all the way in the real world. (My sister legit whispered to me: “SHE DIDN’T SAY MATT’S NAME.” BITCH, he ain’t the one whistling! XP) Now, Digimon Adventure tri. shipbaited hard -- but Kizuna did not do this. All of these very small moments felt very organic and passed as if they were a natural part to the story, instead of something shoehorned in with the explicit purpose of shipbaiting. I really liked this approach. The Sorato one in particular (surprise, surprise) said a lot about Yamato’s relationship to Sora without being explicit about it. He knows what she’s up to when her childhood best friend doesn’t? Yeah, those two are definitely hooking up after classes. :P (I jest. But it does tell you with one sentence that Yamato and Sora keep in touch, which I appreciated. You gotta do that if you’re having babies together within the decade, you know?)

There were next to NO evolution sequences. I might remember it happening once or twice? Max. And . . . that was a REALLY lame choice. Especially when Agumon and Gabumon evolve to their newest forms; Taichi and Yamato are just floating with them up into the air and then, poof, the new evolutions are shown. Google tells me they’re just called Agumon -Bond of Courage- and Gabumon -Bond of Friendship- respectively . . . they were not named in the movie. Here’s the thing: I don’t really care about digimon and evolutions. But it was so underwhelming; they really should’ve amped it up with an evolution sequence to be like HERE BE THESE NEW AWESOME FUCKING DIGIMON ‘bout to kick your arse. It seems like such a no-brainer that I really don’t know who would sign off on a evolution sequence not happening. Oh well. As for the designs? They are OK, but definitely could’ve been better. I think “cool AF” when I see Omegamon and all his forms. I don’t think that of these new evolutions lol. (But my sister liked them and thought they looked cool, so . . .)

Also . . . the fighting scenes in this movie were pretty bad. Very underwhelming. Our War Game and Diablomon Strikes Back did a lot better. I both like and dislike the animation style in Kizuna. I do actually like the art of it, like how it looks. But I kinda dislike how it’s actually animated, because it doesn’t really look like they’re moving fluidly enough. It’s a bit too choppy. I just expected the fighting/action scenes to be more exciting (I was hoping Our War Game-level) and of a higher standard. But they are not, unfortunately.

Everyone in the cinema audibly GASPED when Taichi and Yamato were just talking to Agumon and Gabumon after the final battle, and then they turned around and they . . . just . . . disappeared. And then Taichi and Yamato CRIED. SO. HARD. And I actually started repeating in my head, DO NOT CRY, DO NOT CRY, lol. I didn’t cry! Almost, though. :p I really loved this scene. And I really think, narratively, it would’ve worked A LOT better for the movie to end on this scene. The actual ending scene that comes after it felt a little too out of place and tacked on to me. More on that later.

There was a small smattering of applause at the end of the movie, lol. But I did not clap, because I find that weird. :p (Even though I clapped, alone in my house, when Parasite won Best Picture at the Oscars LOL.)

The ending credits showed different photos of the kids. Unfortunately, I . . . don’t really remember most of them. XD; I think I saw Sora arranging flowers? And maybe Daisuke and Ken having dinner? I definitely saw Iori doing kendo, because I thought it was cool. And the one photo I definitely remember for sure: Yamato standing in front of a space shuttle. I stan astronaut!Yamato so hard, you guys have no idea how happy it made me that he’s pursuing his dream omfg my little baby boy. XD;

This is definitely Taichi and Yamato’s movie. Everyone else is just playing supporting/cameo roles -- some more than others, as outlined way above. (Well, except Menoa I suppose . . . and Koushirou to the extent that he’s just needed to be the Digi IQ.) But if you’re NOT a fan of either Taichi or Yamato? I think, though you’ll probably love all the nostalgia bits, you’ll also be really disappointed -- especially considering this is supposed to be the final instalment of the original Adventure continuity. It’s a great “love letter” to Taichi and Yamato specifically, but not for the other characters, sadly.

I saw the movie with my sister (a non-fan who used to like it as a kid) and a friend (a casual fan now, but she used to like it a lot years ago). I’ll refer to them as “S”(ister) and “F”(riend), respectively.

After the movie ended:

S: “Did you cry? Because two guys beside me were literally sobbing. SOBBING.” *Judging.* (LMAO.)

What was our favourite part of the movie?

Top 3 scenes for me were Yamato storming off with his eyes watering when he realises his bond with Gabumon has an expiry; the brief “speech” Agumon and Gabumon give to Taichi and Yamato about wanting to see them grow up; and Taichi and Yamato crying at Agumon and Gabumon vanishing. EMO EMO EMO.

S: “Sora doing fuck-all.” (LMAO.) F: “Yeah! What was up with that? It’s like they forgot she even existed.” S: “Sora is just a cunt.” (Note: S has a dry sense of humour and isn’t really being malicious. BUT . . . I do think most viewers watching Kizuna would have a poor opinion of Sora in this movie . . .)

F: “I liked the 02 kids. I guess it was mostly Davis. And I liked when Veemon was riding on Armadillomon’s back and Wormmon was trailing behind. It was just this random thing but it was funny. Maybe I just like making fun of Wormmon.”

About the idea that growing up affects your bond with your digimon:

S: “What I took from it was that you shouldn’t grow up too fast. Cherish your childhood, cherish your memories. But, eventually, you do need to grow up.”

F: “I don’t understand how this whole “Digimon disappear when you grow up” thing wasn’t known. Weren’t there older people with Digimon before? You’d think they could have made a more specific threat that was just affecting their digimon, not be like, “Yeah this happens to everyone, it’s just a fact of life that we’ve never addressed before.” It felt a bit like they were telling the audience to grow up and get over Digimon.”

What would we rate the film?

I probably have to watch it again to give a definitive score, but at the moment, I give it about a 7/10. It was good, but not great. The last half was pretty great though -- it definitely started out slow (there was a lot of exposition via Menoa vomiting words). Is it better than tri.? Chapter 3: Confession, no. Confession is better, I think, but I also haven’t seen it in years. But the rest of tri.? Probably. Especially the pile of shit that was Chapter 6: Our Future. *cough*

S: “4/10.″ (LOL.)

F: “It was better than tri.. I guess a 7/10 too.”

Sequel?

I think it’s definitely a possibility. I feel like the very last scene of the movie was slapped on just to be like, “Well, if we don’t do a sequel, you know that Taichi and Yamato are definitely going to reunite with their partners eventually for the 02 epilogue to happen.” The scene is of Taichi and Yamato saying something along the lines of meeting Agumon and Gabumon again one day.

And while it’s an uplifting ending, I actually think the movie would’ve ended better with the scene before that -- with the digimon disappearing and Taichi and Yamato crying. It would’ve made a bigger emotional impact and raised the movie up just a notch higher to end on such a ballsy note. But, of course, it would’ve meant a sequel definitely had to happen. So the actual final scene was added on so that a sequel doesn’t need to be made -- but that it leads to the 02 epilogue “off-camera”, in case they really don’t do a sequel.

I think there’s a 50/50 chance of a sequel. The movie actually does close the Adventure story pretty well -- it has all the ingredients to lead to the 02 epilogue without actually taking you there. But it also keeps the possibility of a sequel open, where they can show you exactly how Taichi and Yamato reunite with their digimon.

And, honestly, the only “barrier” I see to a sequel happening is that the reboot is airing next month -- and it’ll be confusing for the next generation of kids to follow one continuity, and then have a movie released with characters they recognise, but in an entirely different continuity. Unless, of course, the sequel comes out in another two years and the reboot has finished after one season (though there’s always a possibility it goes on beyond one season).

S: “Yes, I think there’ll be a sequel.”

F: “It seemed quite final. But obviously if the 02 epilogue is accurate that can’t be the end. Unless Matt finds Gabumon again on the moon I guess. “Oh hey yeah we don’t really disappear, we just go to space!” Yeah, it could go either way. Maybe they are saving Sora’s big part for the sequel!” (XD)

And that’s a wrap! I’ll probably read the novelisation of the movie eventually . . . and it’ll probably be like 95% the same, lol.

[realmonsterboyhours]

Gala

Bajo x GN Reader (wearing a dress) SFW Word Count 1,736

There’s a little surprise at the end~

The estate was absolutely bustling with life. Every door and window of the grand house was swung wide open to allow ease of access for the staff rushing about its halls, and allowing in the clean, summer breeze. From the maids to the planners, everyone was busy doing their part to finish up the final preparations for the big night. Carts of finely designed flowers were being brought around and placed appropriately. Tables being laid set, the sounds of musical instruments being tuned and practiced carried on the breeze through the massive walls.

You had been utterly swept away in the grandeur of it all. Sure, the estate was something to marvel at in and of itself, but with this much care to detail, she was unmatched in beauty. You made your way through the expansive hallways, pondering how the night would turn out. This was the first proper ball since marrying into the Shoggoth house. Your five lovers had kept you away on purpose until after your marriages had been finalized. It was far too dangerous to bring an unwed woman to any of their business before. Just as much as this was to keep in good grace with fellow mafia dons, this was also their plan to unveil you to their world.

You were the talk of the metaphorical town. Not a single boss in recent had been able to talk about anything else. Each one whispering of the one person. How beautiful they must be that not only one, but all five of the Shoggoths who were arguably some of the world's most powerful, and dangerous bosses.

Suffice to say you were a tad nervous deep down inside. Never before had you been allowed to these events, typically sent off to one of their private homes for a short weekend. Much less than that, you had never been in a room with any other dons than your husbands, and even less than that with just that many mafia bosses.

But a breeze rolled across your back, ushering your movements towards your own private quarters. Seemingly carried by the faintest trail of the scent of roses from the massive gardens. The event had been prepared for over the past few days and planned for well over a few months now, every detail carefully constructed to perform without so much as a hitch. So much so, that Gio had set a time for you to be in your quarters to have your hair and makeup professionally done.

You stepped in, greeted with a familiar face, your normal stylist, and a revered makeup artist. You were brought quickly inside and seated for a rather lengthy process.

It seemed as though hours had passed, your makeup was flawless. Your curled hair is worn up into an elegant up-do. You almost couldn't believe it when they showed you yourself in the mirror.

They packed up, leaving you in your room, just shy of the start to the party. Your new dress laid out so sweetly over your bed, a beautiful waterfall of maroon. Gio had really outdone himself this time. You bared yourself, sliding the new dress onto your body, fitting like a perfect glove. It seemed to hug and cradle every perfect aspect of your body. You had never felt so-

"Beautiful."

You startle at the sudden presence within the room. You needn't even turn to know that the disembodied voice had belonged to the Latino man you had become so fond of; Bajo. You could feel his ember hued eyes burn into the skin of your exposed back. You barely registered the faint scuff of his shoes on the floor as he made his way to sidle up behind you.

You finally exhale, attempting to reach for the zipper to close the back of the dress. His hands soothed yours away from your back, his lips dip to the side of your neck, grazing them over your skin until it stippled under his touch. “Bajo…” you breathe so quietly you were unsure if you had actually spoken at all.

“Te ves tan hermosa querida” He hums near your ear, in that foreign language you had just started to pick up from your time with him. 

Your breath caught in your throat when the chill of his hands slipped just under the seam of the dress, cradling the curves along your spine in his palms, his cold rings doing nothing to help the blazing scream building within your stomach. “It seems like such a shame to cover you up, mariposa.” He sighs against the crest of your shoulder, his breath tickles the baby hairs along your neck sending a shiver down your spine. It felt as if you were helpless, trapped in a weightless sway in his arms.

You breathe out a ragged sample of a giggle, selfishly allowing him to hold onto you for just a lingering moment longer. He pulls you closer into him, letting you rest against his body while he indulges himself with hands exploring your body. A sigh echos through the air while he showers you with attention, it’s slow, methodical, and sweet. His lips trailing the edge of your ear finally pull you from his ministrations. “Mi amor” you start, feeling him shiver behind you. “The others will be wondering where we are, and we have a whole night to tease one another. I’ll spend the night with you tonight if you want, but for now, could you zip me up?” You purred to him with a low, sultry voice.

You could feel his lips curl into that hairpin smile of his, he finally retreated enough to run his chilled hands over the dip of your spine, grasping the zipper and slowly covering your body with the fabric that settled about halfway down your back. His hands finally pull from you, allowing you to turn, finally seeing him.

He stood with a majority of his weight settled onto one leg, his head cocked to the side with his hands slipping into the pockets of his dress pants. Bedecked in a black silky suit, the jacket boasting a beautiful intricate rose pattern. Fitting for him. A white button down shirt was surprisingly buttoned to the neck, tied off with a black tie, and a golden pair of collar pins. A white kerchief stuffed elegantly into the breast pocket of the coat. Tied in with a black designer belt, a golden buckle meticulously paired with the cuff links of his shirt. You had never seen him put so meticulously together. Every piece of the suit was so elegant, and yet he made it so effortlessly him. His smile broke into a toothy grin, his silver fangs glinting just as his mirthful eyes did. You were so caught up in staring awestruck at him that you barely registered his voice. “Do you like what you see?” he teases. You could barely even nod before another don comes into the room. Dressed just as astonishing as always, Gio the pinnacle of aesthetic makes his way to Bajo’s side. Gio’s smile is small and fond as he appraises Bajo’s outfit that he no doubt designed specifically for him and this event. “You should wear suits more often, mio amico” He croons. “Far more becoming than walking around with your bare chest out like some cheap harlot.” He chuckles in good nature. You were unsure if it was the raised spirits of the night, or if he was simply excited to see Bajo dressed in a suit, but there was something charged in his eyes, and his tone was more gentle than you had anticipated.

“Mi amigo, I’m certain that it would be a crime for me to cover myself like this for long periods of time. I do like the design you came up with, though.” He teases back before both their eyes fall onto you, like twin sets of lowly burning embers that would threaten to reignite the fire building within your stomach.

“You look breathtaking” Bajo sighs dreamily, his eyes hovering over your body head to toe. His words were so sweet, but something about the curl of his lip said you would be in for one hell of a night.

“Of course they do. I designed the dress” Gio seems to plume as he boasts theatrically. His own eyes trail you over. “You look far more radiant than I expected, tesoro.” He finally takes your hand in his own, brushing his lips across your knuckles softly, as you were accustomed to from him.

Gio takes a moment to use your hand to turn you softly before him, a final check to make sure everything rested in place properly. He hummed in satisfaction when he saw his vision finally before him. You were truly something of a dream, and both these sinners were surely unfit to be within your presence. You finally came to a stop, the lovely Merlot fabric settling like petals in a breeze around you. Exactly what he had envisioned. You were the sheer definition of beauty in this dress. They were both so enraptured by just how lovely you looked, the dress hugging you just as warmly as their gazes burned.

Your smile seemed to match theirs when Gio sidled up beside you, his palm resting comfortingly into the dip of your back, he urged your form forwards “Come now, bambi. The others are waiting and I truly believe Zhuk will go crazy if he waits much longer for your arrival. He’s simply going mad.” He chuckles with a fond shake of his head. “Come on, Escarabajo, let’s not keep them all waiting.”

“I would never dream of it” He falls beside you to place his hand on your back as well as they led you down to see the others. His thumb brushing sweetly along the hem of the dress, dipping his thumb just below it to test the waters, or simply to just tease you with what he had already been planning for your night alone together.

All of your nerves had all but melted away with the warm rush of your blush running down your body. You would be fine as long as you had all of them, it was nothing to be worried about. The prospect of having your fun tonight with them outweighed any ounce of worry you had. Tonight would be memorable for sure.

[angelcorebabyowo]

Title: Honeydew

Warnings: Brief mention of suicidal thoughts

Summary: Lydia, Johann and edward get ready for a party and it's all OOC because yeah

"I don't even want to go!" Johann complains adjusting his poet's shirt and flopping down into the window bench with a huff as Lydia just as quickly starts to brush through his unkempt hair, he even closed his eyes whenever the strokes got gentler. He typically didn't go to parties unless he was performing and he, sadly, wasn't invited to do that this time. Honestly, the only reason he agreed to go was that it was considered rude to ignore an invitation from the mayor so he felt as if there wasn't really even a choice. Maybe he should just fake sick to get out of it, that wouldn't be all that bad, just a simple little head cold.

He sighs softly and leans back into his sister so that he wasn't jerked around as much, he was a bit tender-headed so it made it easier on both of them now that he wasn't wincing every three seconds. "It'll be perfectly fine babes, don't stress so much. You'll get gray hairs if you do it too much." Lydia warned with a small grin, her unnaturally sharp canine teeth looking unnatural amongst the normal ones. A few years ago she dragged everyone into sharping them but she continues to do it every time they run down even slightly. It would be weird if she didn't make it look so damn good " Although I bet you'd love that, huh?"

"Oh, you better believe it" Johann joked sticking just the tip of his tongue out of his mouth by habit. That wasn't a lie, he always fantasized about the thought of having grayish-silver hair at a young age and everyone in the family knew it and would make fun of him at every chance they could. He knew it wouldn't be a good look or actually enjoy it but it still made him laugh every time so he didn't really think that far ahead on the subject. His dad had gone completely grey by the time he was 30 and Edward, his brother, was starting to already so signs of it at the ripe age of 16 so it was possible that he could develop early on as well. "Could you imagine me being completely grey by my 20th birthday? You'd have to start calling me sir in a sign of respect!"

"You get no respect, none" Lydia laughs and stops brushing Johann's hair for a quick second before starting to do the very loose twist with her fingers. It was one of the easiest hairstyles she knew that could be done in half an hour or less. "Put it in a bun or just leave it down? Either way, it's getting twisted because I've already started."

"Maybe in a bun? " He mumbles leaning more onto the window and looking out at the city the setting sun was hitting just perfect to cast a somewhat orange and pink glow on the tops of certain buildings.  He assumed his apartment complex was one of them do to the height alone. He sometimes wanted to just sit on the ledge and watch the sunset that way, one false mood and he would plummet ten stories down before landing in the pool below. He wondered if he'd still be alive by that point. 

"A buns always a safe option." She whispers interrupting his thoughts and gently putting his hair in a bun before taking a step back to look at her handiwork "Its a little high but I think you should be good. That way it's nearly a safe bet, not one person would recognize you." 

"Do you think Avi would still recognize me though?" Johann questions as he looks into the vanity mirror and puts on a fix inspired mask. He forgot why he picked a fox, maybe do to their cunning abilities or something along those lines. He'd picked it out when he first got the invitation weeks ago so all memories seemed to just fade from him. 

"Avi would recognize you even if you didn't have a face or hair, now stop being a love-stuck puppy and both of you finish getting ready. " Edward interrupts walking into the room. How no one heard him walking down the hall with the obnoxiously loud heels was beyond everyone. He was also wearing his mask already. A cream scaled one with a few black scales mixed into it as it added ' Flavor '

'Snake' was the first thing that came to Johann's mind whenever he first saw it all those weeks ago, and even today his mind couldn't stop from going to that place no matter how many times Edward insisted it was a dragon inspired one. Johann still wondered what kind of snake it would even be, maybe just a simple corn snake. Edward wasn't that mean, after all, he wouldn't pick something venomous after all. 

"I am ready." Johann insists pointing to his outfit, the only thing he had to do was change into some dress pants and he'd be off to go.

"I was talking about both of you. More specifically Miss. "I'll do it later" over there," Edward says, he had a point after all. Lydia wasn't even remotely ready to go at that point. Her hair was pulled into an over-the-top and eye-drawing hairstyle and her nails were done to perfection, but other than that her clothes were just basic pajamas "go get dressed before we leave you at home." 

Lydia smirks before patting Edward on the cheek in a taunting manner. "Talking mad shit for someone who got his license suspended."

"Johann can! Right, you can still drive?" Edward questions flopping down onto Johann's bed with a loud sigh as the bed creaks under the new weight. He winced at the sound but overall didn't say anything about it. 

"I'm 15 years old and haven't even taken the exam yet" 

"Didn't ask how old or if it was legal just asked if you knew how."

"I refuse to let either one of you drive my car," Lydia says before walking out of the room to actually go get ready knowing that the other two would actually leave her behind. 

"Our car!" Edward calls before leaning over and closing the door fully and sighs loudly again before laying up against the headboard already messing up his golden capelet and neon blue shirt. He really couldn't stand not being the center of attention for a single second, he always dressed like that so it wasn't that far of a bet after all. "We have ten minutes before it starts but you know the saying-"

"Arriving fashionably late is better than arriving on time, shows how little you care."  Both of them say at the same time although while Edward sounds cheerful Johann just sounds even more tired then he always does as if he was trying to drag it out for as much as he possibly could. Johann sat at the vanity trying to figure out how he was going to cover up the bags under his eyes that, even with the mask, were extremely prominent. he eventually just settled on leaving them there as it seemed to add character to the entire look. (He was going for a renaissance era poet who just lost his husband due to some mysterious illness. He seemed to actually be hitting all of the points except for the crying but no way was he going to cry in front of people.)

They sat in silence now, it wasn't awkward, in fact, it was more comfortable than anything. Edward was doing something on his phone and Johann was trying not to have a panic attack because he was actually going through with this while struggling to fit pants that were a little too tight on. Alright, so maybe it wasn't all that comfortable but it was close enough to it. 

After about 20 minutes Lydia rushed in with a smile wearing bother her outfit and mask on. It was a multi-colored short yet puffy dress that fell off the shoulders and a mask that looked suspiciously like a peacock with the number of feathers that seemed to be hastily glued on. "All they had at the store was the plain ones so I had to glue the feathers and sequins on myself so now it looks as if a 3-year-old designed it!" she complained before going over to Edward and promptly laying down on top of him with an over the top sigh. "Woe is me."

"Well whose fault is that L? We offered you to come with us weeks ago but Noooo, you needed to wait till the last second like some sort of troublemaker," Edward says pushing her off and then promptly standing up and rubbing his eyes slightly and throws the keys he had been hiding in his pockets to Lydia with a pout. 

"Off we go come along little children!" Lydia says before walking out the door again, the sound of her boots echoing through the mostly empty hall. The only thing in them was a few paintings of fruit painted in over the top and crazy colors and a single statue at the end of the hall that they won at an auction a few years ago for like a thousand dollars,

It wasn't worth it.

"We're the same age!" Johann argues running after her trying to put on some of his slip-on shoes as he walked. It didn't fit the look but no way was he also going to wear heels, that was pushing it too far for him at best. 

"Stairs or Elevator?" Edward askes whenever all three make it out of their apartment building and into the main hallway "I'm taking the stair because no way am I getting Vored by an elevator"

"Stop being so mean to me!"Edward whines but gets in the elevator anyway with a pout and it started to go down, Lydia was babbling about how much fun tonight would be and her brothers both groaned in unison. 

"That's baby talk. Grown-men take getting eaten like a champ." Lydia says with a small laugh before hitting the button to take them to the main lobby "Johann baby, what are you taking?"

"I'm already in pain so I'll just take the elevator, fuck walking down 10 flights of stairs. "Johann says pushing his way into the elevator and gently holds on to the railing. "Ed gets in here, I refuse to sit next to you if you walk down down disgusting!"

If this was going to happen all night then what a fun one it would be. 

[angrylizardjacket]

Holding Court In A Crown {Roger Taylor}

Sequel to And All The Queen’s Men {Roger Taylor}

A/N: 3630 words. Giselle is fun to write and I love her. Another article style, based off of many conversations between @ginghampearlsnsweettea and I. Let me know what you think.

[And All The Queen’s Men ‘verse masterpost]

HOLDING COURT IN A CROWN - GISELLE TAYLOR in conversation with Vogue UK about her fashion evolution through the decades. (Published June, 1991)

When stepping into the Taylor home, it becomes immediately apparent that this is a home in which public image has always been very important. Gold and Platinum albums alike line the front foyer, shining reminders of the achievements of both artists who reside here. It’s surprisingly modern, hardwood floors and large windows that allow light to stream in, though the house itself is smaller than one might expect. Giselle herself greets me in the front hall, looking carefully casual in a flattering, warm yellow summer dress, that hits just above her knees, and a pair of matching yellow slip on shoes.

I’m lead through the house, past closed doors, one of which I’m told is a personal recording studio, into a open-planned kitchen-dining area. It’s a strange marriage of two aesthetics, no pun intended, the German-inspired open planned living with the dark counters, appliances, and features that make the space feel a little smaller, though it comes together to make something modern and chic, and perfectly suited to both Giselle and her husband’s images.

“Roger’s with the girls,” she tells me, referring to her daughters, pouring us both a glass of water in some of the fanciest crystal glasses I’ve ever seen, “not that he wouldn’t jump at the chance to talk about his “fashion choices”,” her air quotes, not mine, “but I thought I’d spare you the half hour argument about the wine stain, and all the other, sundry fashion choices of mine that he likes to take credit for.”

Giselle herself admits that she’s always been very fortunate in terms of fashion, “I mean, I look good in everything,” though there’s an air of self deprecation about it, “Actually, I’ve had a certain liberty with my work attire that not a lot of people have, unless you’re in the entertainment industry.” What began with a rented cocktail dress bloomed into one of the most influential fashion timelines of the 70s and 80s.

Beginning her career in an establishment modeled after American prohibition-era speakeasies, Giselle started off wearing cocktail dresses rented from the pub itself. “I actually did start off as a waitress, but for that you just had to provide your own black pants and white top, you know, wait-staff attire.” When the pub’s regular singer leaves, Giselle auditions to be her replacement, “they were just grateful I could fit into her dress, I could lipsync for all they cared.” Except, as well all know, Giselle can sing, and begun to make a name for herself in the community that frequented the pub.

Pulling out a polaroid of herself and music industry giant Ray Forrester, she shows me the only proof she has of the dress that started it all. It’s a rather ill-fitting, wine-coloured, sateen slip dress, it looks cheap, and according to Giselle, “it itched like crazy, it was cleaned once a week, and I was just glad that I was the only singer, some of the members of the jazz band had interchangeable costumes.” We both shudder at that, and she puts the photo on the counter.

As soon as she was given some modicum of control over her wardrobe, she took full advantage of it. Without a coherent aesthetic solidified by the release of her first album, Giselle admits she used the tour for Velvet Roses to experiment with both fabrics and styles. I personally have always favoured the midnight blue, velvet bouffant-style dress she wore during her stops in Belfast and Paris, but she goes on to praise the white, silk slip dress she had during her stop in West Berlin.

“Silk! Oh the silk, I dream about that dress sometimes,” she laughs a little, and now that we’ve begun to discuss her tour outfits, she leads me upstairs, “at the time it was the most comfortable thing I’d worn… ever; being able to work, to perform in something so luxury? It was a blessing.”

Her closet, at least the closet she stores her tour garments in, is separate from her bedroom, and locked. She’s got the key in her pocket, prepared, of course, for the interview, and as we step in I can hear the hum of a dehumidifier, and feel the chill of the air conditioning.

“It’s my one real extravagance.” As she turns on the lights, we’re greeted to the sight of a room, approximately four meters deep and half as wide, lined with railings that are practically stuffed with garment bags of varying sizes, and the end of the little room has a built in area for her jewel toned and bejewelled shoes alike. Three mannequins pose in the ample amount of space in the centre of the room, each wearing one of her most iconic outfits.

Each section of the racks around the side are carefully labelled by year, and it takes only a moment for Giselle to go through the section labelled 1971 before she’s pulling that same white dress from a garment bag. It still looks pristine, and when she offers for me to feel it, I understand what she’s saying.

“I’ve always tried to keep a very high standard in term of the materials I wear,” it was the first part of her aesthetic identity that was formed. “I’d never really had access to luxury on this scale before; I’d lived in sweaters and jeans for most of my [university] days; I was one of those girls in the little skirts and beaded tops at clubs- I lived my life in gogo boots every weekend of my first year.” Apparently she still has her favourite pair in the back of her personal closet, but seems hesitant to show me.

When asked what prompted her aesthetic shift, she reveals her passion for luxury stage-wear was only part of the decision. “I’d go on stage in silk pyjamas like Hugh Hefner if I could, but it’s not my brand.” Forrester was a big motivating force behind her solidification as the picture of elegance.

We get to the first of the mannequin dresses now, the fitted, black, off the shoulder cocktail dress, shining with sequins and beads, a perfect frozen reminder of her performance on Top of the Pops. To see it in person, still pristine, I get hit with just a hint of nostalgia, as does Giselle herself it seems. Marvelling at it with arms crossed over her chest, I’m granted a closer look at what was quite possibly the most iconic outfit of the 1972 lineup on the hit British musical program. The gloves themselves are more intricate than first imagined; what was assumed to just be red glitter is actually hand stitched, red sequins from the tips of the finger all the way to the wrist where it fades to chunky, red glitter, glued on and somehow width standing the test of time, to then dissolve into fine and sparsely scattered red glitter from the mid-forearm to the elbow. The beads and sequins on the dress itself are affixed with barely noticeable, shiny red thread, that gives the dress dimension up close. Giselle cites Gothic Romanticism as an inspiration to add depth to her jazz-bar persona, as well as the theatrics of musical theatre, going so far as to called the dress the ‘Merry Murderess’ despite the fact that the musical Chicago premiered almost three years after the dress’ initial debut.

Despite this look being regarded as one of her classics, and therefore setting the standard for her public image for the years to come, there’s no denying that Giselle didn’t enjoy experimenting with her outfits.

“I’ve never technically worn pants on stage,” as we move further into the room, she begins to pull various garment bags from the racks seemingly at random, “skirts, skorts, shorts - which some might argue are close enough - dresses, and even full jumpsuits, but never actual pants; I’ve always been worried that they were too masculinising for my act.” Moving on to the rack labeled 1975, she pulls out a particularly slim bag, and from it she pulls a pair of shorts made of what looks like liquid gold, but I know is made of velvet, with suspenders to match. It hangs over a sheer, flowing, cream crop-top with bell sleeves.

This outfit is cited as the first time she had deviated from her skirts and dresses, though the outfit itself is still exquisite and has an air of regality. “I was in Phoenix in ‘74 when I wore this; I’d had it included in my repertoire for the Hand Held Heart tour in case it became especially hot,  which, being Arizona in the summertime, it was.” It’s here we start to see the influence of other artists bleed into her work; the occasional feathery flamboyance borrowed from Elton John, the avant-garde pattern and makeup work popularised by David Bow, and of course, the extravagance and glitz of Queen’s Freddie Mercury.

“You always have to specify that it’s [Freddie Mercury],” she’s very serious on this point, holding up her iconic, short, incredibly sheer white, long-sleeved fitted dress, marbled with red sequins to protect her modesty. It’s reminiscent of the red and white shorts Mercury had been known to favour on tours. “The others, while, yes, they could be well dressed on occasion, [Roger Taylor]’s lime green jeans aside, they never had the flair or audacity that Freddie had to be truly influential.”

After recording a cover of Queen’s Jesus for her third album, Giselle entered into an unofficial partnership with the band, which she tells me included a collaboration with Mercury himself on their costumes.

“I’d spent a long time trying to merge my style and my musical origins with modern aesthetics; I worked very closely with a designer, since it’s not technically my strong suit.” She pauses for a moment, and we make our way to the mannequins again, this time to the second, a floor-length, evening-gown style dress in lilac, capped sleeves, looking as though it’s tie-dyed with blackcurrant glass beads instead of fabric dye. “Getting to collaborate with the band was easy enough; I did talk with [Jim Beach] regarding the use of the song, but he ultimately he ruled that it was up to them, and so once that connection was established, I actually asked Freddie to help me with some tour outfit designs.”

People often assume Giselle is referring to her team contacting Queen’s lawyer, but she goes on record now to explain that it’s not true. “I’m a lawyer, my own lawyer, and I also work for several big-name bands in the music industry today. EMI picked me up halfway through my final year, but I still continued to go to [university], and I did actually intern under (sic) [Beach] while writing my second album. “ I’m assured that she had just regular suits in her personal closet; three, in grey, black, and cream, well fitted, ‘but not why you’re here’ she adds with a self-deprecating smile.

The lavender and blackberry dress was one designed by Mercury himself, the pale lavender representative of elegance and femininity, while the darker blackcurrant is used to bring depth to the dress the same way Giselle’s unwavering, calculated persona brings depth to her performances. It was Mercury’s idea to interweave the two in the tie-dyed style, keeping Giselle’s traditional aesthetic through the glass beads and the cut of the dress.

As we continue along the timeline, it’s clear to see the effect Mercury had on Giselle’s stage wardrobe, the use of geometric patterns coupled with bold colours, and more glitter and sequins than you can shake a stick at becoming more prominent throughout the late 70s, somehow still managing to keep in line with her traditional aesthetic simultaneously.

“I refuse to wear print.” She’s adamant about it when the possibility of wearing a garment like Mercury’s vest with his cats painted on it comes up. “Geometric doesn’t count; the texture in my wardrobe is always going to be,” she pauses for a moment, searching for the right word, fingers brushing through the fur of the fur-cuffs of a long-sleeved purple velvet number, “diegetic.” She settles on, and it’s clear what she means; patterns on her clothes are always wrought through beads or diamonds or fur or other things attached. “It’s the reason I have it locked, [Lilith Taylor, 7] has left the ‘indiscriminately grabbing things that feel nice’ stage a few years ago, but Rosie [Rosemary Taylor, 4] is just at the tail end of it. They’ll have free reign of this place one day,” she looks around at the fashion legacy she has built for herself, she wears an expression of pride, though it’s more focused on her daughters than the clothes themselves, “but for now I want to keep choking hazards and expensive furs out of danger.”

Around the very end of the 70s to the beginning of the 80s we see a return to form, with the resurgence of her form-fitted cocktail dresses. “There was a lot of change happening in my life at that time, and as much as I enjoy experimenting with my looks, it helped me feel secure to know I was in what was objectively my strong suit, pun not intended.”  According to her, she’d just begun seeing Roger Taylor, and she used her fashion choices to exercise control in her life that she felt she was losing.

“My private life has always been very private, now here I am with the man who trashes drum kits and throws TVs out window; I was so afraid that every time people took a photo of me, or even looked at me, they’d think I was compromising my morals or integrity - which I’m not, and I wasn’t then.” She quickly clarifies. “Our personal history is not void because of where we are now, but Roger and I have also changed as people, and we’re allowed to have our feelings change. I’m honestly a little offended people think I we would have gone through all we did for mere publicity.”

Speaking of Roger, I’m a little surprised her wedding dress isn’t one of those on the mannequins, but I understand her choice, and we’ll certainly get to that soon. Her wedding dress sits at the back of one of the racks, carefully distant from any of the year labels. As she removes it from the garment bag, she gives it a softly nostalgic smile, brushing the fabric gently. “This should really go in my own closet.” It’s unlike most of her other outfits here, such a pale cream it’s almost white, floor-length and sleeveless with a Roman-inspired cinched waist topped with what I hesitate to even call ruffles, their drapings so loose it’s reminiscent of curled hair rather than a traditional ruffle. The material is so soft and light that even on a hanger it looks a little ethereal. It’s simple, elegant, and the very sight of it brings joy to her face.

“’81.” The year is surprising, as is the revelation she shares about how they celebrated their tenth anniversary a few months prior. Putting the dress away, we move to the early eighties, and it’s almost cyclical the way we’re brought back to the ‘Merry Murderess’ aesthetic with the lineup from her ‘The Bend Before The Break’ tour. 

“Everyone and their mother seems to have read the article [All The Queen’s Men, Rolling Stone, 1985] and figured out I was in a shaky place at the time; it’s again about having that modicum (sic) of control. Part of me reverted to portraying myself in the way when I felt like I was at the height of control in my relationships and career. It’s a pretty aesthetic,” she gently pulls a velvet, wine-coloured cocktail dress from the rack, giving it a gentle pat, “it made my stage presence feel good, honestly.” It doesn’t sound bitter, but she puts the dress back. 

Apologising for a moment, she explains the large gap between ‘82 and ‘84, with her Finally, Sunlight tour. “After coming home from the [The Bend Before The Break] tour, I took some time to myself; I was, of course, still writing, but I couldn’t really perform or make any big public appearances after like, July in ‘83, because I was quite pregnant, and, again, I’m a private person.” The Finally, Sunlight tour is known for two things, Giselle wearing gold, silver, and copper, in any and every way she could, and the Atlanta Breakdown.

“I wore metallics because Finally, Sunshine is about my baby girls, and they are so precious to me.” As was made clear in the Rolling Stone article, Giselle and Roger lost one of their twin daughters to illness in Autumn of 1984, though Lilith survived, it took a devastating toll on the couple. Moving past that, we’re finally brought to the crown jewel of the collection; her Live Aid dress.

It’s almost the antithesis to the ‘Merry Murderess’, though it shares a similar neckline and off-the-shoulder style. The Live Aid dress, which Giselle calls ‘Queen Midas’ for reasons I’ll get into later, has a white, crushed velvet bodice with an inbuilt corset, and basque waistline. Beneath the waist is a enough layers of thin and flowing georgette to become completely opaque, like a waterfall from the waistline, the colours fading from a bright, sunshine yellow at the hip, to a rich, sunset orange by the knee, and finally to a smokey, warm-toned charcoal where it brushes the ground, with gold jewels dotted around the bottom and creeping almost to the knee in some sporadic places, reminiscent of embers in a fire. Her gloves are white velvet, and just like with the first of her most iconic outfits, it’s gold sequinned fading to actual glitter and diamonds. 

“I took a hard look at where I was and what I had achieved, and... whether or not I can help it, I effect people, through my music, my actions, through what I wear, and can be a double edged sword. Sometimes it can hurt, or I can hurt others by saying or doing the wrong thing, but sometimes I find myself wanting for nothing; everything I’ve held close has turned to gold. I wanted to show that, to be able to be a part of something that gives back to the world where it’s given me so much.”

With all her most well-known outfits having been covered, there’s one more that comes to the top of my head; the jacket of 1980. The tabloids had a field day with her choice of wardrobe as she stepped out of a car with the rest of Queen wearing a salmon and green floral, double breasted suit jacket, with silver buttons and silver stilettos, with sheer, thigh high white socks held up by a garter belt, hair fashionably messy, but makeup pristine. The deviation from her usual pristine image had shocked both paparazzi and public alike, however the daring outfit had quickly been lauded as one of her best, many publications who ran photos even citing it as the entertainment industry’s hottest innovative look of the decade. Even since it has stood the test of time, and has been attributed to the rise of patterned and bold suit jacket purchases by men and women alike, with the outfit have been cited as inspiration for more than one celebrity’s red carpet look. 

Now, however, something, possibly amusement, possibly annoyance, crosses her face, and she tells me it’s not here. The jacket is Mercury’s. “We were on our way to a party being hosted by [Elton John], and I’d only been with Rog for a few months at this point; so we’re in the back of the limo with the other [members of Queen] and Roger’s spilled his wine on my nice, white cocktail dress.” It seems like a bittersweet memory, and she reminds me of her earlier comment about the ‘wine stain argument’. “In hindsight, everything worked out, but at the time I was absolutely livid; very nearly killed him in that backseat. Poor [John Deacon] literally had to drag me off of him. [It] took both him and Freddie to hold me back when Roger got out once we arrived, and they had the driver circle the block again so I could change into Freddie’s jacket, which he so kindly lent to me.”

From her tone, and her following comments about how her husband likes to bring it up, it seems as though it’s a well worn argument of how Roger Taylor enjoys taking credit for the look, though Giselle doesn’t seem like she enjoys giving him the satisfaction.

“My image has always been about how much I can control what people see of me, and to have that control taken away by a careless action, it really hurt. A man like Roger, in the entertainment industry, is never going to face the kind of scrutiny that I do, it’s the reason you’re here at all, talking to me about fashion rather than say, how difficult it is to be a practicing lawyer in the music industry while raising two beautiful daughters. And I still write music on occasion. But people remember what you show them, how you present yourself; my tour wardrobe is a reflection of the persona I let interact with the world, and it’s beautiful, and a legacy that will probably outlive me to some extent. 

“Do I regret any of my fashion choices? I don’t really have the liberty to, do I? And either way, they’re part of the reason I’m where I am today; I made a niche for myself that was built initially on my aesthetic, if I’m being generous, so I suppose I’ll always be grateful to it.”

[quicksilversquared]

A Musical Connection Ch. 4

In a world where soulmate bonds can range from a simple matching mark to timers to shared dreams, of course Adrien would get saddled with an inconvenient bond that keeps him from going out and living life- because whenever his soulmate sings, Adrien has to as well.

But the singing, as inconvenient as it is, presents another opportunity. Can Adrien use it to track down his soulmate?

(Ch 1)  (Ch 2)  (Ch 3)

(AO3) (FF.net)

"She's singing new songs. Her old show is over," Adrien told Max as soon as he saw the other boy again, a week after they last talked. It had been a long week, with more singing than usual. His soulmate hadn't stuck to just songs from musicals, but there was a definite pattern that had emerged. "Mary Poppins this time."

"Well, that means I can strike off any new shows," Max said, peering down at his spreadsheet. It was currently at two pages long and was completely confusing, but apparently Max could understand it. "We should be able to figure out which company your soulmate is in- or what university program she's in, I guess- and then we can get to one of their shows. Not all actors sing all songs, so that should help us narrow things down a bit to figure out who your soulmate is."

Adrien frowned as he thought about what songs his soulmate had sung. "Wasn't she singing all of the songs in the last musical, though?"

Max blinked and consulted his notes. He didn't let the new information throw him for long. "She may have been playing multiple parts or have been part of the choir."

"And her singing didn't line up very well with the show times," Adrien noted. His soulmate hadn't sung at all during the Paris university show, and only a couple times during the other show times. It was weird, and it made him question Max's methods just a bit.

He wasn't ever going to tell Max that, though. Adrien needed his help too much to risk offending him.

"Perhaps she's an understudy?" Max suggested. "She would have to know all of the songs but wouldn't be singing during the actual show unless she was needed."

Adrien groaned, barely resisting the urge to bang his head against the desk. He'd assumed that his soulmate was one of the actors out on stage. They had based their entire plan around that assumption, and Adrien wasn't sure how that plan would change if she continued to work as an understudy.

He would just have to hope that she would actually perform during the show in Mary Poppins.

"How are things going otherwise?" Max asked. "I just realized that all we ever talk about is your soulmate and while it's certainly a fascinating subject of conversation, I'm sure you have other things going on."

"Not much, since I can't really go out much, in case I start singing." Adrien thought back to the last time he had managed to get together with Nino and Alya, when his soulmate got on such a singing kick that they got booted out of the cafe they had gone to. Nino and Alya had found it hilarious, even joining Adrien in singing as they headed to Nino's family's apartment to spend the rest of the evening, but for Adrien it had been a reminder why he had to limit his outings. "I've had to start thinking about what classes I want to take next semester, which isn't going too well. There are a few things I'll have to attend in person, and there's no way to get out of them."

Max winced. "So we have a bit of a deadline, then? To find your soulmate by the end of the semester?"

"That would be nice, if it's possible." And yet again they had come right back around to the topic of his soulmate connection. It just showed how completely it was influencing his life. "But I've been paying attention to when I sing. It was mostly to plan when I could most likely do photoshoots without being interrupted, but it'll work for picking out what lab sections I take, too."

"To run the lowest risk of interruption," Max filled in, nodding. "Yes, that is quite smart. So what times-?"

It was Adrien's turn to wince. "Well, she doesn't like getting up early, I think," he admitted. Unfortunately, he also wasn't terribly fond of early morning wake-ups, but it was all he had to work with. "So all of the eight o'clock and nine o'clocks, basically."

Max patted him on the arm sympathetically. "Well, at least you'll be up and ready to go for the day?"

Adrien groaned, burying his face in his arms. "Yeah, sure, that would be fine if that was all I had to do- but if my father catches on that I chose those times because my soulmate won't be singing, then he'll have me up to do photoshoots crazy early nearly every day- and can you say sunrise shoot commercials instead of the sunset ones? I don't want to get up that early!"

"We'll find your soulmate," Max promised seriously. "We'll have to wait until her show runs, of course, but I'd say that the chances of us being successful are very high."

That put a grin on Adrien's face. "Well, I hope you're right," he told Max. "So, do you want to play some Mega Strike while you're here?"

"Sure!"

  Adrien grinned when he spotted Marinette coming in through the front door of Alya's family's apartment. It had been too long since he had seen his friend, and he was eager to hear about how she was doing with her fashion degree.

"Sorry I've missed so many get-togethers," Marinette told them as she headed for the table. She exchanged hugs with Nino and Alya, and Adrien hopped up to get his own hug. Marinette's voice came out muffled as she talked into his chest. "It's just that work was going late recently."

"But it'll be back to normal for a bit now, right?" Nino asked as Adrien released Marinette from the hug. "You won't be working so late?"

"I won't have to, yeah." Marinette grinned, flopping down into an empty chair. "Which is good, since I have my own stuff I have to do for classes. I have three design sketches I have to clean up for one class, plus an outfit to finish sewing, and some studying for an exam, and an essay on the history of fashion in Russia, all to do before the end of next week."

Adrien let out a low whistle. "That's a lot. How close are you to finishing it all?"

"Well, I'm pretty close to done with the rough sketches, so all I have to do is figure out what I want to change," Marinette started out, pulling out her sketchbook. Adrien leaned forward to see the drawings, and- wow. Marinette had just grown more talented over the years, and while the designs were certainly practical, they also had a certain flair that would set them apart on the street.

He hoped that Marinette would get into men's fashion at some point, because he would love to wear something she designed.

Adrien listened as Marinette explained her designs and the things she was still struggling with, and then showed off her progress on her outfit for her techniques class. The draping was nothing short of gorgeous, and Adrien told her so.

"You'll wear that after it's done and graded, right?" Adrien asked, eyes skimming the lines of the top and skirt in the pictures Marinette showed him. "It'll look amazing on you."

Marinette looked pleased. "You think so?"

"I know so. Those lines will really compliment your figure." Not that much anything that was made well and thoughtfully wouldn't, since Marinette was slim and athletic, if maybe a little on the short side. But the draping would be really flattering, as long as Marinette was making it in her size.

"I'll try to wear it next time we meet up," Marinette promised. "Or the time after that, if my professor takes a while to inspect and grade everything. Sometimes she's really speedy at going through things, and other times it takes forever."

"Okay, enough chatter," Nino cut across before Adrien could say anything else. "Marinette, you promised that we would get to make that chocolate swirl bread, and I know that that takes, like, forever to rise. So let's get started!"

They swarmed into the kitchen and, under Marinette's instruction, started stirring up the sweet bread dough. Adrien kneaded the dough, then got it back into the bowl to rise. Across the kitchen, Nino and Alya started on their dinner, chopping spinach and getting rice started, and Adrien grinned.

Maybe a night in didn't sound that exciting to most people their age, but Adrien was glad that Alya and Nino had agreed to his request that they not go out in public again right away. He had told the two of them right after he arrived that he was well and truly exhausted of the soulmate talk- that was all that he ever seemed to discuss with Max, after all, and whenever he went in for a photoshoot, the first thing that the makeup artists and hair people and photographer asked him about was whether or not his soulmate had been active recently. As long as his soulmate didn't sing throughout the evening, maybe he could have a bit of a break from that for a change.

"So besides being busy, how's the job going, Marinette?" Alya asked after Nino finished telling them about some new music mixes he had done recently. "Are you enjoying it?"

"Most of the time, yeah," Marinette said, She had gotten the bread covered for its first rise and had joined Adrien in making a fruit salad for them to eat. "It's a lot of sewing and a lot of making sure everything stays organized, just like with last year. I've gotten the storage closets in much better shape than they were before, so everything is really easy to find."

"Oh, I remember you complaining about those before," Alya said, nodding. "The previous person wasn't very good at their job, were they?"

"The problem was that they just had random people putting things back before," Marinette explained. "And they would just stick stuff wherever there was space. But now it's easier to find stuff. The only problem is that I can't remember what's in there, just because there's so many different outfits."

Adrien listened, wracking his brain to try to remember if he had ever asked where Marinette worked. He really couldn't remember, and that was embarrassing. Even if he only infrequently saw Marinette now that their schedules seemed to conflict so much, she was one of his best friends and where she worked should have been something that he knew off of the top of his head, especially since she had been at the same place for over a year.

He wasn't going to ask her and admit that he had forgotten. Adrien made a mental note to ask Nino later, when the girls were distracted.

Even without knowing where Marinette worked, Adrien could get a pretty good picture of what she was doing. Somehow she must have managed to skip over a typical coffee-carrying internship to get a job in the sewing room and in the archives storage- or maybe she was working on organizing things behind the scenes in photoshoots, and was keeping the props room organized. He knew that his photographer often complained about the state of the Gabriel prop room, saying that it was impossible to find anything among the mountains of stuff that had accumulated over the years.

(Adrien had looked in there once, when a photoshoot in the building had been delayed due to a wardrobe malfunction and he had to kill some time. Younger him had gotten it into his head that maybe, if he did something about that particular problem, he would actually get some praise from his father.

He had taken one look into the room and the towering mountains of stuff and promptly decided that there was no way he was ever going to go anywhere near it. The shelves looked like they were either going to fall over or cause a landslide at any moment, and the other piles of stuff was no better. There had been signs of a recent topple only a few meters in. How anything found anything in there was beyond him.)

If that was indeed what Marinette had been organizing at her job, if it was anywhere as bad as Gabriel's, then Adrien had to hope that there had been someone keeping an eye on Marinette in case anything fell on her.

When their dinner went in the oven, Marinette returned to the bread to punch it back down, divide it, and roll it out. Adrien joined her, spreading the rounds with the chocolate spread that Marinette had brought with her. He was generous with the chocolate, and the small smile dancing around the corners of Marinette's mouth told him that it hadn't going unnoticed.

Adrien liked chocolate, so sue him. He would just go out on a run as Chat Noir tonight and work it all right back off, so it didn't matter what he ate.

"How is your degree going?" Marinette asked as they started to put the layers together. She adjusted a layer so it would line up more evenly, then gestured for Adrien to cover it in chocolate. "I just realized recently that I haven't heard about that in forever."

"It's going," Adrien said ruefully, spreading a generous amount of chocolate over the dough. "Still online, at the moment. I'm learning interesting stuff, but it's a lot of theories to memorize. Theories and biological processes and chemicals with strange names and..." He let out a long breath. "It's a lot. And since I'm doing everything online at the moment, I've been putting off all of my lab classes and whatnot, which is going to be a pain later." It was going to leave him with a huge load of courses in the later part of his degree, and if he didn't find his soulmate, then everything would have to be done right away in the morning. He was considering taking some courses over the summer just to spread them out a little bit more, but that would depend on how well the next semester went. "But I'm not having any trouble with understanding things, which is nice. It was something I worried about when I started taking the courses online."

"Well, you've always been smart." Marinette grinned over at him, and Adrien relished in the praise. "I'm not surprised that you would be able to adapt to other ways of learning."

"It's not as fun," Adrien admitted. "I hear these two talking about the friends they've made in their classes all the time, but it's hard to meet people online. I'll have a few things where I'll have to go in in-person next semester, though."

"Oh, nice!"

Adrien hummed a sort of agreement, wondering if perhaps Marinette hadn't heard how much trouble his soulmate bond had been giving him as of late. Maybe she thought that it was still like it had been at first, with only a few scattered songs now and then. Alya and Nino must not have told her about how their last get-together was interrupted.

He wasn't going to bring it up, not today. Not when he had had to push his lunch break off for three hours because his soulmate's singing had put them behind schedule and the manager for the photoshoot had insisted that everyone else take their break while he was still singing and unable to eat. Not when he had had enough talking about the bond.

"Dude, put in a little chocolate, will you?" Nino exclaimed, peering over Adrien's shoulder. "You know that you don't have to pile it on for us to taste it, right?"

Adrien grinned. "Yeah, but more chocolate is always good. And I need chocolate, with the marathon fittings I have tomorrow."

"I would have thought that you would want to have less chocolate, then, if you have a fitting!"

Adrien finished spreading on the last layer of the chocolate, then licked the knife off while holding eye contact with an amused Nino. Once it was clean, Adrien placed it back down on the counter. "Nope."

"Let the boy have his chocolate, Nino," Alya ordered jokingly. "And I approve of that amount of chocolate, by the way. It looks fabulous. I can't wait to eat it."

Adrien had to agree.

  Despite her worries, Marinette finished her assignments with plenty of time and aced her midterm exam easily. With those out of the way, she threw herself into the second half of the semester and into her work in the theater. She got to meet up with her friends a few times, too, which she enjoyed while she could. She knew that once it got closer to the end of the semester, she would once again find herself with absolutely no free time.

But for now, everything was good, and Marinette could afford to relax a bit as she worked, adding trim to a dress for Mary Poppins. She could hear the rehearsal going on up on the stage from her backstage sewing area, bits of dialogue and the occasional song drifting back.

While the cast definitely weren't ready by any means- after all, the roles had only just been cast and rehearsals had only just started- she could already hear things starting to really improve, lines delivered with more emotion and conviction now that they weren't reading off of the scripts quite as much as they had at the start. Some of the actors were out on stage, while others- the understudies, and the main actors that weren't in the current scene- had split up, working through their scenes out in the hallway and in the nearby classrooms.

The cast weren't the only people there. Several people from other departments had been brought in to work on the special effects that were needed for some of the scenes. They already were hard at work with a projector and a screen, which would replace some of the painted sets for when the scenery had to change faster than the sets could be switched. From what Marinette could tell, they would project from behind the screen and the picture would show up bright so the audience could see it. There were still some bugs, of course- even though they had been brainstorming and working on their special effects even before the show was cast, the timing still had to be perfected and they had to find exactly where the projector had to be for the least distortion and brightest picture.

One of the special effects people had already shown Marinette what they had in store, and it was absolutely amazing, magical and spectacular and enough to entrance any kids that they got in the audience.

Of course, the play was a little less interesting in terms of costumes. There was very little design that Marinette could actually do, since the play took place in a very specific time period and she had to stick to that aesthetic. Marinette had been plagued by visions of having to make endless boring dresses and suits for an entire weekend before she dove into the costume closet and found plenty of outfits that would work perfectly for the play. Some would need altering, others would need mending, and a couple could do with some sprucing up, replacing trim and lace that had faded and discolored over time. She could add a bit of her own flair there, replacing dowdy lace with some that was actually attractive and making some other switches.

Not too much, though. She had to keep in mind how people dressed. This was a play, not a runway show, and most of the characters weren't exactly crazy rich and on the edge of fashion at the time. She could take some liberties with Madam Banks' costume, of course, and with the outfits for the fair scene, but otherwise?

Blah. Good-looking blah, but blah. She was a seamstress for this job more often than she was a designer, but she wasn't going to let that affect her enjoyment of the job.

"Are you already almost done with the outfits, Marinette?" Tikki asked in amazement as she watched Marinette finish attaching the trim and set the dress aside. "Wow! You'll have loads of extra time this time around!"

"Not exactly, Tikki," Marinette said with a laugh. "I need to make Jane and Michael's outfits, and once I assign dresses and suits, I'll have to do little alterations. There might be some drapes for the set, and then I might end up being recruited to help with scenery painting. And there's always other plays going on in the other stages that might need me to do some work on outfits for them."

"Or maybe you'll be doing special effects!" Tikki suggested excitedly. "Because you've made cool stuff like that before, right?"

"I don't even know where I would start with that," Marinette said with a laugh as she hung up the dress and rearranged the rack. "Besides, we have actual engineering students working on those things. No, if I have extra time, then I'll work on getting a good floor map of the storage rooms made so that I won't have to dig through everything in the future to find what I need. But only if other people can't use my help. And if I don't have any schoolwork that needs to get done."

Tikki giggled. "So organization is the last thing on your list?"

"Ugh. I know I did most of the work on that last year, but I'm still sick of it."

The little kwami only giggled harder.

As the director out on stage called for a scene re-start, Marinette returned her attention to the racks of outfits around her and the clipboard that Miss Bella had provided with all of the outfits needed. She started checking outfits off, counting dresses and suits and making notes on those that still needed some work before they could be used. There were enough outfits and then some- enough that in case something happened to one of the outfits, there would be backups.

"And now you label them, right?" Tikki asked as Marinette checked the last of the dresses. "So you know which of the pieces you're going to fit to each performer?"

"Right!" Marinette returned to her desk and started drawing out labels, cross-checking clothing sizes of the actors and actresses with what she had available and starting to scribble names on the labels. "Then I can start pulling people in here for fittings as soon as I get the last of the repairs done. We'll get more permanent labels on later on, ones that won't rip off as easily."

"I can make some!" Tikki volunteered, swooping down and grabbing a short bit of pencil. She paused, looking uncertain. "Uh..."

Marinette giggled. "I think I need to figure all of these out on my own. But could you go grab a few more pieces of paper from the first drawer in my desk? I don't think I have enough here."

While Tikki zipped off to grab more slips of paper, Marinette gathered up the labels she had so far and strapped her pincushion on her wrist, getting up to start putting them on the outfits she had assigned so far. If she could get those set aside, then it would be easier to see what all she had left to work with.

Outside the door, a prerecorded backing track started up and voices floated through the door as the cast started to sing. Marinette perked up and started to sing along as she pinned the labels to dresses and suits hanging on the rack, feeling more cheerful than she had even only moments before.

"Oh, it's a jolly holiday with Mary..."

[bestfriendforhire]

Entry 288

  “Boo.” I stated as Jarod walked into the room.

   He didn’t seem surprised at all.  Smiling, he said, “I’m still not married yet according to Izumi.  Technically, you’re not supposed to be in here, by the way.”

   “Aaliyah mentioned it, but I have another wedding present for you.” I told him.

   “Ah.” he said as his eyes scanned the room.  “Mila had mentioned that you wanted to do some work on my suit.”

   I knew he spotted the suit already with how he kept glancing over in its direction.  Nodding, I asked “Have time to try it?”

   He hesitated a moment, but then he jogged over to it, saying, “You know I’m making time!  What did you modify?”

   “Nothing much, though you might consider modifying your power source plans.  I believe I have you covered.  I did a significant amount of research, created a new spell, and then ended up modifying it slightly after a bit of testing with Alma.  I’m sure there will be more changes in the future, but I assure you that I’m off to a good start.” I told him.

   “Whoa.  Dude!  I can tell.  I really can tell.  I felt like your speech slowed down by the end.  This is incredible!” he exclaimed, speaking rapidly.  “I’m talking really fast right now, aren’t I.”

   I nodded.

   “How did you get used to speaking slowly so quickly?  How do you even know how slowly to speak?” he asked.

   “You can gauge off general chatter if you’re worried about it.  Listen to some music or watch part of a slow.  You’ll probably need some practice, honestly.  I think I was gifted a natural instinct for it with my change.” I admitted.

   “Ah.  That’s convenient.” he stated as he jumped, rolled, and sprang back to his feet.  “You made some sort of sound-dampening spell for this, didn’t you?”

   “Yes.  I felt a quiet step wouldn’t hurt.” I told him.  I then threw fire at him, smirking as shock came to his face.

   “Whoa!  What was that?” he asked.

   “I did some variants off what Mila had suggested and found a few spells I liked better.” I replied.

   “How long will this last?” he asked.  The worry in his voice was obvious.

   “I believe the suit will stay enchanted indefinitely as long as you wear it frequently.  If left in one place too long, it might well absorb all the energy in the area and eventually run out.  I’d occasionally wear it into my forest if I were you.” I told him.

   “Mila said you wanted extra suits made.  Why the backups then?” he asked.

   “Oh.  Sorry.  Not backups.  If you don’t mind, I’d like everyone in my company to get one.  Then we’d be able to do more testing and protect our friends.” I explained.

   “I suppose that does make sense.  I’m cool with it.” he stated.  “I don’t know how much this’ll be able to help some of them.”

   Smiling, I said, “Alma was my guinea pig.  I should also mention that I might be able to provide a similar spell to power your larger suit.”

   Jarod’s mouth was hanging open as he stared at me.  “Alma was your test subject?  She was enhanced by this?  I admit the speed is far more than I expected from my design, but I don’t see how she could’ve benefited.”

   “I came across these spells meant to enhance the subject’s overall structure, granting heightened strength, speed, and durability.  I tweaked them a bit and used one set to enhance the suit itself and another to enhance the wearer.  Then I put in some spells to regulate both sets, supplying more energy where needed.” I explained.  “Things seem to work as intended.”

   Jarod barked a laugh and said, “Yeah.  I’d say so.”

   I watched as he balanced on one hand, pushed off the ground, and caught himself on a single finger.  He seemed to be getting far more of a boost from the suit than Alma had.  I wouldn’t be surprised if Jarod was as fast as the twins now.  With his skills, he’d be more than a match for either of them, despite their years of training.

   “I still can’t believe how fast you learn.” I admitted.

   “What do you mean?” he asked.

   “Martial arts, engineering, languages, acrobatics, and everything else seem natural to you.” I stated.

   “Please.  Even before your change, you learned just as fast when you actually applied yourself.” he claimed.

   Strangely, he actually seemed to believe it.  “No, I don’t think so.  When we first started learning from Emma, I had a huge lead on you with martial arts.  You weren’t even in shape for it at the time.  Within months, you were deadly.” I argued.

   Jarod shrugged and said, “I learned martial arts from the assassin.  I don’t know of anyone beating my trainer at anything, including teaching methods.”

   No, no one ever beats Death.  “You’re still remarkable.  How many people make millions off an engine design they thought up in high school?” I teased.

   “Yeah, well… I did get help selling the design.” he replied with a smirk.

   “True, but you’re still very good.” I stated.

   “Still not as good as your timing.  I’m supposed to face off against a few people in a ceremonial battle soon.  Knowing Izumi, she’ll have some of her best in play this time.” he informed me.

   “She can’t still be trying to oppose your marriage.  That’d be crazy.” I stated in disbelief.

   “Not openly, but she can hardly be blamed if there’s an accident.  Her family would never accept someone who allows an accident to get in their way.” he replied.

   “I… see.” I told him, not feeling very pleased about the situation.

   “When does your flight leave?” he inquired.

   “As soon as I leave here.” I claimed.  I couldn’t tell him how I actually got here.

   “Gotta love private jets… I don’t really know when I’ll be back yet.  Ai and Mai might have some convoluted scheme in place for our honeymoon.” he stated.

   I smiled and said, “Don’t worry about it.  I assure you that our home will still be there when you return.  Tell me if Izumi gives you too much trouble.”

   “I’ll tell her you said that.” he teased.

   Jarod started putting some ceremonial-looking outfit over his suit.

   “Are you sure they won’t disqualify you somehow if you’re wearing that?” I asked.

   “Is it visibly magical?” he inquired.

   “Well, no.” I told him.

   “Good.  No one can be mad about me wearing some high-tech thermal underwear.  I’m only human.” he claimed with a grin.

   I was certain Alma would be able to help him sort out any mess that came from this, but I didn’t really think wearing the suit would be considered acceptable.  On the other hand, the suit might save his life if Izumi really was planning something.

   “How do I look?” he asked.

   “I actually like the outfit, but seeing you in anything other than a t-shirt and jeans is a bit strange.” I teased.

   “Yeah-yeah.  I start wearing suits, and you’re still not happy.  I put on a ceremonial garment, and you tell me I look strange.  Some friend you are.” he replied sarcastically.  He sighed when a distant bell rang.  “I need to be off.  I’ll make sure to tell you how it goes!”

   “Good luck!” I told him.  “Oh, and you might want to slow down a bit”

   He looked at me in confusion for a moment before saying, “Ah.  Yeah.  Thanks.”

   I probably should’ve warned him about still talking too fast, but I was certain he’d catch on as quickly as he did with everything else.  I stood and found myself back at home in my study with Aaliyah sitting on the desk.

   “He seemed happy.” she told me.

   I nodded and said, “Thank you for the lift.”

   “I’ll start having to charge you massages.  What if I pull a muscle!” she exclaimed.

   “I somehow doubt that’s an issue for you.” I replied.

   “Are you joking?  I can pull all the muscles, boss-man, sir.” she insisted.

   “No doubt, but I don’t believe you pull anything you don’t want to be pulled.” I told her.

   She shrugged and said, “I should at least charge you cake.”

   “As many as you want.” I replied.

   “Yippee!!!” she exclaimed, jumping off the desk and hugging me.

   “Jarod’s going to be fine, isn’t he?” I asked.

   Smiling up at me, she said, “Don’t worry, boss-man, sir.  He’ll put on quite a performance.  Mila!  Bring up a video feed for your mommy!”

   “As you wish, mother.” replied Mila.

   The room changed to display a stage.  Around us appeared to be stadium style seating made from interlocking stones and tiny wooden planks that served as a long, curved bench.  Izumi and Duncan sat to my left with a few people I didn’t recognize under an elaborate canopy.  Numerous others were seated throughout the area, quietly chatting between their groups.

   “Popcorn?” offered Aaliyah, holding up a bucket filled with it.

   “Have anything to drink?” I asked.

   She sighed and gestured to my desk with her head.  Three large drinks sat there.

   “Are you drinking two?” I asked.

   “Alpy, I’m sorry.  I guess James isn’t inviting you.” stated Aaliyah.

   “James!  How could you forget your fiancée?” teased Alma from where she now stood beside Aaliyah.

   “Oh.  Sorry.” I told her, surprised that she had no complaints about being brought here from wherever she had been.

   She grabbed my arm, pulled me down, and kissed my cheek before stealing the popcorn bucket from my hand.

   “Forgiven for now.” she declared.  “Was Jarod happy about his suit?”

   “Extremely.” I assured her.

   “He’s wearing it still, isn’t he.” she stated.

   “Yes.  Will that be a problem?” I asked.

   “No, but this will be most amusing.” she replied with a smile.

   Extra seats rose from my floor to accommodate everyone, and we all sat back to watch.  This would be interesting.

[crybabyram-blog]

Unturned Generator

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[sanstropfremir]

Okay, time for my weekly rant so buckle up. The vocal stages were okay-I cant really remember them well because I watched them only once so take what I say with a grain of salt. Well I watched the Spark one once and I only got through half of the other one because I can’t stand ballads especially when there’s no interesting movement on stage to keep me engaged. Like it’s no fault of the members themselves or the song (I actually think their singing was incredibly beautiful and Eunkwang always sings like his wife just left him with the kids which is how you know he’s good) but I physically could not pay attention. That’s why I liked the spark stage a bit better-there was enough movement that I was able to focus on it. I really liked the use of the fire and the way they were walking in and out of the frame trading off parts so there weren’t too many awkward moments where the other members where on stage but not doing anything. The opening was gorgeous with each members being lit by the spotlight as they harmonize. So stagewise, I prefer Spark but vocally I think the other group was stronger. I love Spark and Taeyon is such an incredible vocalist (I mean the song is great because of her) so I don’t get why their delivery was, I don’t want to say weak, but subdued might be a better word. The only one that really stood out was Junhoe (but also that man couldn’t not stand out even if he tried, not with that incredibly rasp) and even he seemed to be holding himself back a bit. Though it was a bit slow it built up well to the two last choruses but still the first half could have been stronger. I know they were trying to draw it out to a strong pay off but I don’t really know if it was enough. And yes the suits were *chef’s kiss*. I think at this point in their career the FNC stylist has put SF9 in so many suits they’ve got it down to a science. Also I’m a sucker for those shirts with the triangle cut out and we got not one but two of them here.

Okay moving on, I’m not sure which group was next but I’ll talk about the Ikon stage. It seems like they finally realized that they’re on a performance based competition show so they decided to pull out the big guns. Love the little skit at the beginning (making sure people don’t forget that they’re YG), it was cute and refreshing. I really appreciated how they leaned into the campy acting in this stage (Stray kids did it too-just adding to the similarities between their stages). The song was meh but I also don’t really like BP especially not their recent stuff so it’s not a big deal. I would have preferred if they had gone with another song maybe Whistle or As If It’s Your Last or if they’d done a 2NE1 song like Chanwoo mentioned some point in the episode. I also think the stage would have been way smoother if they’d let Ikon and Lisa interact. Like if the boys appeared in her set after her section and then they all moved back to the first jungle set and then the whole thing turns gold and they did a dramatic outfit change (but with better jackets because theirs look like they came out of Party City). I also get what you mean about the dancers outfits not being that great. I actually really liked the outfits of Lisa’s dancers in isolation but they didn’t match with her or the set so they threw me off a bit. At least with the ikon members they were going for a modern look so the dancers outfits didn’t look that strange in comparison. Do you think it would have been better if they were white? How would you have improved then? The best way I can describe this performance was that it was a stage, stuff happened, I enjoyed myself but I don’t plan to revisit it anytime soon. Oh and we also have to give points for them cursing on national television not once but twice (at this point Jinwan deserves to say fuck).

Now to Stray Kids. So I feel like I need to preface this with the fact that I am actually a stray kids fan (I won’t call myself a stay because I don’t associate with the fandom) and though I’ve been really critical of them and their stages tend to be my least favorite I still have a soft spot for them (I got into this show because of them after all). I loved, loved, loved the intro with Felix (and yes his biggest flaw is that he’s Australian but I forgive him for it) and the way it immediately transitions into the chorus of DDD-the abrupt transition does fit really well with the Deadpool theme and I guess it is the closest they’re going to get to the feeling of yeeting themselves into traffic like in the movie. Interesting choice to start with the chorus. Now that I’m rewatching it I do really wish they stuck with the comic theme. I think that’s my gripe with SKZ-they have a lot of good ideas but they move on too quickly from them. Just pick a handful of things and sprinkle them throughout instead of cycling through them at breakneck speed. Like okay they’re doing Deadpool and he’s a comic character so keep the comic styling (it would have been a good thing to put in the projection behind Seungmin’s scene), maybe in the subway they could have had some fight choreo so the guns coming in at Lee Knows part aren’t out of nowhere (also someone please tell me they were trying to recreate the meme with the cat and the knives, please I need to know). I absolutely agree that them having a goal or an antagonist would have really helped the story along. I mean they literally have a spoken intro so why couldn’t Felix just tell us who they were fighting (and I’m pretty sure in the movie Wade tells us he’s trying to kill Francis in that scene sooo). As always they put more focus on the rappers (please can we get less Changbin and more Seungmin, Jeongin, or Lee Know or at least give Felix more parts). Seungmin was the real mvp of this stage and he had the best outfit (I think it qualifies for Hanya’s best gay little outfit list). Personally I with they hadn’t gone with Gods Menu again. I’ve been hoping that they would perform My Pace (and maybe remix it with their B-side TA off their Go Live album) because that would be such a fun stage. Again, I enjoyed myself but I won’t revisit it anytime soon. At this point the only groups I actually look forward to are BTOB and SF9 (they’re doing fucking Move and I don’t know whether to be excited or terrified-there’s a clip of Taeyang covering Move from a variety show or interview and I think he does it really well so I know at least one of them can pull it off). Again thanks for creating space where I can info dump and I hope I said something of interest to you!

i think you wrote more than me!! i love this, im gonna put my response under a cut im not being super obnoxious on the dash.

i get that the mayfly stage would be not as visually stimulating for people and usually i would count myself in with that crowd because i love a good spectacle but i think because i watched the spark stage first and my colour perception is sometimes weird so when there's a lot of movement with very little colour variation my tiny pea brain loses track of whats happening really quickly. especially with red. so it was kind of difficult for me to pay attention to the spark stage in the second half. also i absolutely HATE watching people flub on stage because it brings up such visceral secondhand feelings that i couldn't even watch the stage when i started the full episode today.

i love a good suit but you know what i would also love: sf9 in more costume variations. tbh im just getting nitpicky about it because im a costume designer down to the core and i got trained by a designer who specialized in doing avant garde costuming so i tend to skew more towards wild than reserved. it looks like the move stage wont be be suits so ill take it, but oh man to do i want to see some really crazy stuff. which i know they'll never do because idols have to be pretty at all times or the fans get mad but oh i want it so badly.

do you mean how i would improve ikon's backup dancers outfits or lisa's? here why dont i do both. for lisa's dancers i would have just done away with that harness shape all together, its almost exclusively a military style. the jackets by themselves would have been fine but really what they should have done was put them in something that matched the gold but contrasted enough to give them shape. by having at least her dancers in all black on a gold stage there was a lot of "haha look at me do a duck walk because lets throw in some voguing for spice." they could have gone with a mesh bodysuit idea similar to what she was wearing or even just different colour coats. as for ikon's backup dancers, firstly pants. not black. or even a longer skirt. genuinely a part of the reason why i dont watch girl group content is because i HATE the hem length of the shorts they make everyone wear. words cannot describe how much i hate that cut. kpop is so obsessed with showing off women's bodies and especially their legs but they do it in the LEAST flattering way possible because it "can't be too risqué," just shoot me now. i hate it. i hate it so fucking much. yea yea everybody was on cocaine in the 80s whatever but at least they were all wearing french cut bodysuits so their legs looked fantastic. stop interrupting the lines!! anyways. pants so the only section of skin showing is thigh to mid calf, especially because they weren't even doing any fun legwork! if they really wanted to keep the full sleeve bodysuits they shout have done them in a fabric with a texture or external embellishments, like a patent/vinyl or sequins/rhinestones. something to catch the stage lights so we can actually see the shape of the limb. but the easiest way to fix it is literally just cut the arms off the bodysuits. stages are lit to show off skin, sometimes the best way to have something be seen is just to have it bare.

i agreed skz cycles through ideas way too fast, they need to just pick a couple and stick them out through the stage instead of just adding more and more different ones throughout. also ok good someone else noticed that there is just...so much changbin. we don't need that much changbin. i know there's other boys in the group let them do something! also im pretty sure theyre not recreating the cat knife meme but actually the promo image from john wick chapter two, which i also could have sworn i saw a deadpool version of as an instagram ad back when movies were happening, but now that im looking for it it doesn't exist so i might be crazy.

im excited for the move stage but im also trepidatious because...its move. i have NO clue what the concept is from the previews so i just hope its weird enough to take it enough out of the taemin context for me to enjoy it.

[sanstropfremir]

it’s the episode 8 review!!! how many episodes is this show supposed to even be?

the stages from the episode feel like such a grab bag.... i still don’t understand why they didn’t put all the skill stages together, and then did the normal two episodes of the third round. i guess it makes sense that they didn’t want to have six stages in one episode and then three in the other two, but eh. 

feeling kinda average on these as a whole, there’s a lot of good elements going on here but probably because of my own preferences (i don’t listen to ballads or blackpink) none of them really hit all the buttons. hopefully this will be a shorter review because i'm only going to do a quick rundown of the vocal stages; i dont really have that much to say about them because they are (intentionally) not very stage picture focused. i'll do the normal stage breakdowns for the other two though, even though i won’t rank them because we still need to see the other four!

vocal stages

sf9 + tbz + ikon

not much to say here other than wow, that’s RED. glad to see some more specific use of spotlighting and i always love when they light things on fire. i do wish they had fill lit with a brighter amber so we could actually get a bit more detail on their faces, especially because there’s six of them. i appreciated the simple blocking and only using one of the ‘stages,’ this stage didn’t need to be anything complicated and it wasn’t. i don’t love spinning camera shots because they make me a bit ill, and i'll forgive the constant cutting because it's a vocal stage and there isn’t any other real movement that we should be paying attention to. not my favourite of the two, i found it visually a bit too repetitive and complex at the same time. always love a crushed velvet suit though, so bonus points for that.

atz + skz + btob

i was braced for the worst and i dont know what kind of miracle happened but it was listenable! like i said, not a ballad fan but i could listen to eunkwang all day. i love a good plinth for a ballad stage, they’re one of my favourite devices in kpop design and i especially love it with a good groundlevel fog. glad they kept it black and white for the first half of the stage, it was in line with the blooming flower projections, and it made a very clear colour arc. they kept the visuals clean and simple with very little blocking at all, a very smart choice for this stage. not sure why they decided it would be the chanel time stage, which i disapprove of because i don’t like chanel, but i do love eunkwang’s shirt with the cameo buttons and the massive turnback cuffs, very 17th and also 19th century. i know they never do it because they dont read on stage normally but yes absolutely more thin chain pendant chokers on men, thank you! i also liked that there was emphasis on a more traditional lighting scheme, there weren't any crazy concert effects, just some good directional beam spotlights and the rear stacks in the climax. 

third round stages

ikon

costume

the first look for them is definitely my fabourite of theirs so far. there’s enough variation in the jackets that the base layer of tshirt and jeans don’t look too repetitive. and i do love a good statement jacket. my favourite is probably donghyuk’s because i'm a sucker for fringe always.

i don’t like the backup dancers costumes, but given the way i’ve reacted to every other all black outfit for this entire show i don’t think anyone was surprised about that. these ones particularly irk me because they’re very matte; there's pretty much no texture or pattern differentials to define the shape of the limb, which makes them disappear when theyre all grouped together (mostly on the women). i think they probably were intending to make a statement/emphasis on the hands because of the sleeve cutoff point, but there were so many arm movements that were just totally missed because the costumes were just black voids. most egregious parts are here, with the female dancers up center. i can barely tell what the movements are unless i’m paying specific attention to them because there's so many black shapes. maybe it was the point for it to be an indiscernable writhing mass, but it wasn’t my vibe.

don’t love this styling on lisa. i hate peeptoe shoes in general but peeptoe boots are the worst offenders. they make you look like you have duck feet, no matter who you are. especially with a flat cutout like that. a universally unflattering shoe, and i would know, i worked in a shoe store for two years. this whole look is just pg-13 rihanna cfda awards 2014 and really nobody should try to run up against rihanna.

also i have to mention this because it’s actually really bothering me, but lisa’s backup dancers are serving very allgemeine ss looks and i do not like it. generally when we see ‘military’ uniforms in kpop theyre usually modelled off older styles (pre wwii) of western uniforms that usually aren’t in circulation, and they’re usually non-matching and embellished in ways that are deliberately not military. i know logically that it's a budget constraint+they’re backup dancers+current trend thing but the clean lines with only button detailing and the all black and that specific harness shape? it hit my brain the wrong way. i mean, technically those uniforms are designer because hugo boss did them, but the uh..... girlboss move didn’t land for me.

this is my PERSONAL OPINION please for the love of all that is holy do not come yelling at me about this. it’s all under a cut, you chose to read the post.

set

very glad to see some busy kitschy sets! this is a massive build, since there’s essentially three full sets here: the temple, the jungle, and the first tiny room. and all of them are very heavily decorated. 

the starting room is just five walls on casters (wheels), that have been set into place with the cameraman and ikon inside at the start, and then once they exit the walls can be easily struck and rolled off set. simple, smart, and convenient!

i missed it the first couple times around but glitching out the projections in the temple for a split second was a neat little trick.

the silver and polygonal nature of the tiger/panther/cat(?) head is a bit disconnected from the gold and the aesthetic of the rest of the stage for me. the difference between the original room set and the jungle tracks, but the cat head isnt able to make the same leap for me. i'm also not a fan of mixing metals so maybe that’s why.

the tiger/panther/cat(?) head is a fun physical transitional device; i'm a big fan of tunnels and small transitory spaces like that and if they’re well dressed like this one they do so much for establishing place and mood.

i'm very sure i’ve seen this style of polygonal animal head with laser eyes before....i cannot for the life of me remember where or for what. i know wang yibo did a panther stage for sdc3 that had a human formation panther with green laser eyes, i wonder if i'm just crossing wires.

OH nevermind it’s because it looks like the witcher medallion. wires were definitely crossed.

lighting

using purple/teal lighting for the jungle was a smart choice because purple is the direct compliment to the gold and also is much more flattering on humans than green. green is one of the colours that humans can see the most variations in, so when something is green when it's not supposed to be (like human skin), we register that very quickly and associate it with unease and sickness. you know how old fluorescent lights have that greenish tinge that kinda makes you feel ill? it's your cone cells and your brain recognizing that you’re looking at things that are not supposed to be green.

very clean colour arc, i love to see it.

sound

it’s.....fine? i don’t listen to blackpink and have no opinions on their music other than it's not my type. i dont really know what the thematic connection to the visuals is, which is not strictly necessary in a lot of cases, but i don’t particularly care for the conflation of ‘savage’ and a (presumably) precolonial religion that’s assembled from stereotypes of real colonized cultures. you can come at me about how ‘it's not that deep’ all you want but i am here specifically doing an in depth analysis, and i gotta point it out. i'm not here to pass judgement on you if you didn’t realize or don’t care or whatever, i'm just saying that it's important to consume content with a critical eye. what you do with that information is your own personal choice, but you should be aware of it at least. 

staging

they took a big risk eating popcorn right before singing, and we definitely got some residual mouth noises of them trying to clean out their teeth. eating on stage is difficult in general because you have to make sure it's not going to dry out the performers mouths, because they dont have access to water and it takes WAY longer to chew and swallow something than you would expect. there’s a LOT of testing that goes into making stage food and guaranteed it’s not made out of what it looks like or what its supposed to be; i worked on a production of amadeus were we did literal weeks of testing amalgams of different desserts to make sure that salieri could actually eat the ones onstage without totally drying him out, because fun fact about that show, salieri doesnt leave stage like, at all, so there was no way to get him water. poor bloke.

i thought the blocking of this was really smart. the long take from the ‘normal’ room and transition into the jungle was super slick, even if that weird circle the camera did while pointed up at the ceiling was unnecessary and pointless.

bobby’s ‘acting’ was extremely funny and that’s the only way people are allowed to act surprised now. edvard munsch scream style only.

the pacing is a bit off and this time it wasn’t mnet’s editing that fucked it up. as fun as it is to have a feature, clearly she wasn’t allowed within proximity of the rest of them for covid or other yg related reasons, but it made for some extremely long transitions, especially the one out of her verse. it kills the momentum of the stage in that beat, even though they manage to pick it up after.

this is a very simple little narrative arc that’s easy to follow and doesn’t require any extra explaining. which is exactly the kind of arc that groups should be doing at this stage in the game. this is a good formic step up for ikon!

i thought the turning off of the monitor at the end was fun and a good callback to them watching the videos at the beginning of the stage. a nice clean way to make it circular.

skz

costume

FINALLY something different on the skz boys! these were mostly fun eboy looks for them, and i like it on the basis that it's not the same as the last set of costumes.

bang chan out there with his thigh OUT and a (fake) bridge piercing? LOVE to see it. great work.

(copy-paste every thing i’ve said about backup dancers wearing all black)

the backup dancers that were dressed as bystanders/extras were great! they should have kept that with all of them because it would have given a little more shape to the choreography and establishing what function the backup dancers were supposed to have.

set

that is meant to be a giant rice cooker on stage, right? i think so because it's a god’s menu mashup? if that's not a rice cooker i have NO idea what its supposed to be

there’s only two large setpieces here, which was a smart way to go. i LOVE the subway car doubling as the truck, even if the truck itself makes no narrative sense. what a fun way to double the use of a single big piece. you’ll be able to see the way it moves in the full cam but it splits down the centre and there entrance doors at the back with attached stairs that bang chan and the dancers use to climb up.

lighting

not a whole lot happening here. i like the cool white leds in the subway car and the contrast with the more warm tones of the outside, which is good atmospheric establishment, but i can't discern a visible arc. 

not a fan of these projections; they’re in line with what we’ve seen from skz so far, which is: extremely literal. i dont think they’re that distracting, but they’re not to my personal taste. they really should have kept the comic panel theme that they did for changbin’s first verse, because that was inventive and fun to watch! and a great atmospheric indicator! i would love to see a bit more experimental projection use but it's hard when they don’t have a lot of time to build these stages and the lighting team is definitely working remotely.

sound

i love that they made the choice to do some actual talking, it’s a good gimmick and it works for the deadpool/comic book/fourth wall break theme, but australian accents take me the fuck out i am so sorry i cannot listen to either felix or bang chan speak english without laughing uncontrollably. 

i don’t like this arrangement but i'm not surprised about that, given my predilections. i'm also tired of skz shouting STRAY KIDS in every performance they do. i know on music shows it's probably more relevant and yea producers tags are a thing but we’ve been watching this show for nearly two months at this point. we know who you are, you can stop yelling. be more creative with it!

staging

my biggest issue with this stage is that it doesn’t have a payoff. there is an arc here: they’re stealing the truck, but why are they stealing the truck? who are they stealing it from? who are they fighting against? it's kind of important in a stage where the theme is stealing and fighting someone that you tell us who that is. in both of ateez’s previous stages were they were both stealing (rhythm ta) and fighting (wonderland), they made sure to show us who the villain was. there needs to be tension for a big blowup climax to actually pay off. whether it be against a a balloon arm kraken or a fascist government. this stage could have reached that next step if they’d just done a little bit more exposition. 

there were a lot of fun choreo moments here, and this is probably my favourite choreo of theirs so far. i thought the whole first bit in the subway car was excellent and a very fun play on those viral videos that we used to see roll around every so often of dancers doing routines in subway cars.

did it need the guns? not in the slightest. more on this point later. i could talk more about weapons and weight here, but i’ve done that several times already.

like with the tbz game of thrones stages, theyre relying a little too much on the audience's preconceptions of the source material in order to carry the theme. the guns are there because deadpool likes guns, but they don’t actually use the guns for anything? the most we get of the stealing segment is felix and the safe, which admittedly is a great bit with him leaping over and under the ‘laser’ lines (theyre likely led strips). because comic books are by nature procedural and deeply tied to narrative, it's unsatisfying when there’s no tension and no payoff.

HOW did we manage to get two stages that are blackpink covers with remote/tv static gimmick and durags? i know the slot machine of kpop tropes is not very big but surely the probability of hitting triple sevens on this one was pretty low. i’m pretty meh on both of these stages overall. skz was unsatisfying but i loved the choreo in the subway bit so that bumped it up a little ahead of ikon’s in my personal preferences, but i'm reserving my actual rankings for next week. assuming we get the other four stages next week and they dont do something stupid and only show two. which they very well might. i’ve stopped trying to understand why mnet does things the way that they do. 

as always the ask box is open, drop your comments/questions/personal opinions, i love to hear ‘em! but don’t be rude just because some of this is touchier subject material.