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edivupage · 3 years ago

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Preschool Apps, Tools, and Resources That We Love

Are you looking for preschool apps, tools, and resources that you can use with your students? If so, we have you covered. Check out our list below. Let us know if there are any that we missed.

Hooked on Phonics– The app, Learn to Read, is based on the award-winning Hooked on Phonics Learn to Read System and designed for kindergarten and preschool children. Hooked on Phonics provides your child with the simplest and most effective way to keep learning to read interesting. It is an educational app created for your kids to enjoy games, songs, and interactive entertainment in a unique style.

Montessori Preschool – is a comprehensive early learning app. It covers phonics, letter tracing, counting, shapes, colors… in a fun and engaging environment. With new games added every 2 months, the app also offers tons of activities to develop critical thinking, learn foreign languages, and even think like a coder! With its carefully crafted designs, Montessori Preschool is beautiful to look at and answers several user requests such as child profile management, screen time management, and even device space management. The app is free to download, and 10 games are completely free to try. Users who want to try more have a 7-day free trial period before the subscription (monthly or yearly) starts.

Toca Hair Salon – Cut, color, comb, and style the hair of six different characters in your own hair salon! Children oversee their hair salon and have all the tools of a real stylist, including scissors, electric hair trimmers, towels, shampoo, conditioner, and hair dryer. They can choose from 12 different hair dyes and 8 hair accessories

Funky Fruitilicious– The Funky Fruitilicious app helps children to learn in a delightful environment using visual learning techniques. The experience is most enjoyable when parents serve as a guide for their kids while playing it with them. The app is designed for preschoolers trying to learn the concept of counting and the basics of numbers. Funky Fruitilicious uses a variety of colorful game activities as well as funny audio sounds to improve kid’s learning.

Flashcard Stash– The Flashcard Stash is a new kind of flashcard that is built on top of a dictionary, which enables you to look up the flashcard words and save them. For instance, you can click on highlighted words for a quick definition or click on functions in the top right of every vocabulary flashcard such as synonyms, audio, and sentences. The AR Flashcards make learning fun and more entertaining for toddlers and preschoolers. With about 26 beautifully rendered Animals to help your toddler learn the alphabet, learning is fun with AR Flashcards.

Flashcards- Animal Alphabet – This app, created for younger students, teaches words by pairing them with colorful animal friends. The AR flashcards are a new means of interacting, and they make flashcards more interesting for preschoolers. When the child’s device is pointed at the printed flashcard, a beautifully designed 3-D animal pops up on the screen, and they will hear the letter and animal name when they tap on the animal.

JumpStart Preschool – Your preschooler needs to have fun learning, and JumpStart Preschool gives you just that! It is designed for your little kids to learn pre-reading and critical-thinking skills while on the go. Your kids will learn to recognize and count numbers, practice shapes, and colors while on the search for the best wiggly creatures to complete the collection. They will listen to stories by flipping through pages as words are read aloud.

Lexia Core5 Reading– Lexia® Core5® Reading is available to teach reading for preschoolers to fifth graders. It creates reading lessons based on research to find the best ways to teach individual students or small groups. Using this app, teachers can organize their learning environments in the most productive and conducive way. This app can be used in combination with Lexia® PowerUp Literacy

and Lexia® RAPID

Assessment to optimize reading experiences and reading groups in schools.

Learning Games for Kids– Learning Games for Kids provides children with games that help them to learn math, language, science, history, and more. Geared toward preschool to elementary aged children, these games are fun, visually stimulating, and auditorily appealing to keep kids engaged and wanting to learn more.

Math Leaper– Math Leaper, is designed to help preschool through grade eight students master mathematics. With power-ups, candies, achievements, and levels, Math Leaper makes learning a fun game. There are over 200 ways that Math Leaper tests students’ problem-solving abilities, and, while having fun, students may not even notice that they are learning so much.

Make A Scene: Farmyard– Make a Scene: Farmyard stimulates children’s creativity and allows them to design their own scenes. Little kids love cute farm animals, and this app has sheep, cows, ducks, chickens, and more. With hours of entertainment, they will learn and practice vocabulary, motor skills, and coordination simultaneously. They will be able to numerous scenes in this dynamic farmyard; for preschool to adult, this app will not disappoint.

Preschool Puzzle Math– Preschool Puzzle Math is a puzzle-solving game that teaches children math. It allows them to practice counting, simple addition, and subtraction. Preschool Puzzle Math helps your child develop the fundamental math skills that will help them going forward with mathematics. Your child learns to count, add, and find their way around tasking puzzle games with free-flowing gameplay. Suitable for ages three to seven.

Preschool & Kindergarten Games– This is a collection of 15 immersive games that combine fun and entertainment in a unique blend designed to engage and excite your preschool and kindergarten children. Students’ progress earns them stickers that they can attach to their board. Essential features in the apps such as appropriate voice narrations, beautiful illustrations, and playful sound effects help children to learn letters, spelling, math, and more. The apps use the preschool and kindergarten curriculums that comply with the Common Core Standards. The collection comes with two free games; additional games are available for purchase in-app.

Play Sight Words– This sight words app includes three games designed for Preschool and kindergarten students. Play Sight Words offers an immersive learning experience for children new to sight words. It also improves vocabulary and memory. It has three mini games that teach and reinforce learning.

Park Math– Learn to count, add, subtract, sort, and do more things with numbers while you play at the park with Blue Bear and his friends. Park Math introduces your child to basic math concepts. It is designed for children in kindergarten and preschool grades, between the ages of one and six. Take part in seven fun activities engineered to solidify their knowledge base. The game has two levels: Level 1 for counting up to 20, and addition/subtraction with numbers up to five. Level 2 lets you count up to 50 and add and subtract with numbers up to 10.

Nico & Nor Shadow Play– Shadow Play is an app that lets preschool children explore the science of shadows using beautiful simulations. With this app, children learn about shadows and develop their scientific method skills. The Shadows program has two apps (Shadow Play and Shadows Journal) working hand in hand to help preschool kids and their teachers to take pictures and partake in scavenger hunts and matching games.

Nico & Nor Coconut Star– Explore the Coconut Star World by solving puzzles using push, pull, and texture to get to new stars to win. This app provides a cheerful sojourn into the world of forces and motions using fireworks, water traps, and real-time feedback. The app provides opportunities for children to develop their scientific method skills. The Ramps program has two apps (Coconut Star and Ramps Journal) working hand in hand to help preschool kids and their teachers to record videos and results from experiments.

Monkey Preschool Lunchbox– Preschoolers love games and are the best at learning, so Monkey Preschool Lunchbox combines both these elements. Designed for two- to five-year-olds, this app has six games to teach colors, letters, counting, shapes, sizes, matching, and spotting the differences. Fun monkeys assist the child, and cute sounds and designs make it appealing to young eyes and ears. Children will also learn fruits and numbers. Virtual stickers provide positive reinforcement for a job well done.

Shapes Toddler Preschool– Shapes Toddler Preschool allows toddlers to play and learn without additional help as it focuses on simplicity and makes use of full voice-overs. It exhibits colorful quizzes, flashcards, games, and puzzles and using positive reinforcement and fun prizes. The child-safe menu also permits parents to design gameplay and difficulty level.

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stormyrecords-blog · 8 years ago

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new arrivals 2-8-17

stormy records

13306 michigan ave

dearborn, mi 48126 313-581-9322

hello friends of stormy!! holy hannah this week's update is gigantic!!we've got new releases by COIL, pauline oliveros, TERRY RILEY, jackie mittoo, LAWRENCE ENGLISH, nate young and so much more!!! quantities are limited so call or email asap if you need something set aside for you!! great new used lps in stock now, and more coming for saturday. we will be putting out large batches of great newly priced items every saturday - so stop by to see what we may have for you!!

also - new stereo eqpt!!marantz tuner works awesome $250

philips turntable with new needle - works awesome $100

jensen or philips speakers - $75 per pair, but if you want a whole system and you buy the marantz tuner and the philips turntable, we will include a set of speakers at $50 twin peaks fire walk with me double red vinyl lp coming any day now - please reserve a copy by calling or emailing!! in local news - the M&M Cafe has reopened. please show your love and support by stopping by for a meal and a hug for elaine. in THURSDAY Forno, Carla Dal : You Know What It's Like $21.992017 repress. LP version. Carla dal Forno presents her debut solo album You Know What It's Like, following time in cult Melbourne group Mole House and an earlier association with Blackest Ever Black as a member of F ingers and Tarcar. Her voice is an extraordinary instrument: both disarmingly conversational and glacially detached. It has something of the bedsit urbanity of Anna Domino, Marine Girls, Antena, or Helen Johnstone - stoned and deadpan - but it can also summon a gothic intensity that Nico or Kendra Smith would approve of. This voice is the perfect embodiment of dal Forno's emotionally ambiguous songs: their lyrics rooted in the everyday, observing and exposing a series of uncomfortable truths. "Fast Moving Cars" and "What You Gonna Do Now?" weigh up claustrophobia against loneliness, inertia against acceleration, doubling-down versus taking-off; the title track acknowledges the provisional nature of love and "real" intimacy, then decides to brave it anyway. By the time the startlingly sparse "The Same Reply" arrives, the sense of dejection is absolute. The vocal-led pieces are interspersed with richly evocative instrumentals. Smothered in tape-hiss and reverb, the seasick synthesizer miniatures "Italian Cinema" and "Dragon Breath" channel the twilit DIY whimsy of Flaming Tunes and Call Back The Giants. The drum machine and bassline of "DB Rip" are pure Chicago house, but then its dark choral drones nod to Dalis Car's dreams of blood-spattered Cornwall stone. "Dry The Rain" drinks from a stream of moon-musick that runs through Coil, In Gowan Ring, Third Ear Band, even the Raincoats's Odyshape (1981). Macchi, Egisto: Biologia Animal Vegetale 3LP $54.99New lower pricing. Triple LP box set version. Cinedelic records present a reissue of one of Egisto Macchi's major works, Biologia Animale e Vegetale, produced by Renato Pent. Biologia Animale e Vegetale was recorded in Torino in 1976 and originally published as double LP. Egisto Macchi, often remembered as a member of Gruppo di Improvvisazione Nuova Consonanza, the historic Italian improvising collective (that also included Franco Evangelisti and Ennio Morricone, among others), was a major figure within the contemporary music field from the fifties to the eighties. The life path of Egisto Macchi seemed to be devoted to the multiplicity of aesthetic choices and musical expressions. While tracing his life and work, one notices an interesting duality based both on a very inclusive approach towards all kind of expressive needs and full control of the level of communication. A complex personality revealing the coherence of a man trying to connect elements usually kept separate; the inherent need for approaching different sources and the ability to be inspired by a wide range of intuitions. Macchi has explored and experimented in the field of sound and music without ever forgetting about his moral and civil engagement. His compositional work takes shape from the idea that music and arts should be able to create a symbiotic contact between the creator (composer) and the beneficiary (listener). All his work finds its origin in the need to integrate the sound language with the feeling of a new developing society. In fact music was just one factor in a more complex chain which included his humanistic and sociological engagement; a syncretic philosophical narrative and a symbolic tale revealing deep anthropological aspects. The 3LP box set is a limited edition of 600. The 3LP box set also comes as 180 gram vinyl and includes a download code. ZOS KIA/COILTransparent 2LP $32.99Double LP version. Comes in a gatefold sleeve with a 12" booklet of unseen images and includes a download card. The entire Transparent recordings released for the first time, completely remastered from the unedited tapes. Zos Kia was formed by John Gosling (Mekon), John Balance (Coil) and Min - with guest Peter 'Sleazy' Christopherson (Throbbing Gristle). Their one and only album, Transparent, was released on August 23rd, 1983 in a cassette only edition on the now defunct Austria label Nekrophile. They were the first released recordings of both Coil and Zos Kia. It was reissued years later by Coil (Threshold House/Eskaton). Includes two previously unreleased bonus tracks by Ake (pre-Zos Kia). The music on Transparent is genuinely unsettling and disturbing, with a more primal Industrial feel than the Coil album which followed; Scatology (1984). An essential insight into the very early work of these extraordinary artists and an undeniable link between Coil and Throbbing Gristle. YOUNG, NATERegression LP $19.99Wolf Eyes' Nate Young's Regression series has provided some of the most compelling dread-electronics spewed out by the North American underground in years, with instalments released by Demdike Stare's DDS label and Aaron Dilloway's Hanson, as well as NNA Tapes and others. It all began back in 2009 with this first volume issued by Joachim Nordwall's Ideal label, an incredible set that's now being released on vinyl here for the first time ever. Young is one of those artists whose output is instantly recognizable, his take on primitive electronics is both innovative and unnerving, and in recent years has really dominated the stylistic direction pursued by Wolf Eyes. It's a kind of creaky, bare-boned deconstruction of classic horror scoring jolted by noise and industrial motifs, sounding somewhere between Demdike Stare's early work, John Carpenter, and Mica Levi's by-now-classic soundtrack to Under The Skin (2014). You could neither classify Regression as a noise record nor an ambient one, instead the synth dissections and tape treatments more closely reference early electronic music. "Trapped" offers little of the claustrophobia suggested by its title, although the continual woody knocking sounds and filthy oscillations do engender a sense of unease, while "Dread" brings to mind the Desmond Briscoe soundtrack to Nigel Kneale's The Stone Tape (1972). "Under The Skin" returns to the more esoteric, intangible sound designs that characterized the album's opening, writhing around in a spluttering, tactile fashion that's at once sonically rather beautiful but deeply sinister, modulating through grisly synthesizer gestures while more textural, percussive sounds flood through dub-style tape delays. Young has an uncanny ability to make sonic extremes sound incredibly seductive, and this volume is perhaps the most engrossing exposition of that unique ability. Cut at Dubplates & Mastering. Edition of 500. VA: Britxotica! 3CD BOX on TRUNK $25.99 At last, all three killer Britxotica! LPs now available as a three CD box set. So that's 48 super rare and extraordinary exotic British masterpieces over three genre-defining albums. Britxotica! (pronounced "Britzotica") neatly describes an odd and yet undocumented pre-Beatles British musical scene where famed UK composers, as well as unknown singers and bandleaders, threw convention on holiday and went wild. For this very special box set Trunk have gathered the first three amazing and groundbreaking Britxotica! albums. Thought up and put together by legendary "smashing" DJ and co-creator of The Sound Gallery (1995) Martin Green and maverick collector Jonny Trunk, here are 48 incredible, unusual, inspiring, and super rare British tracks, set across these three magical and very different albums: Britxotica! London's Rarest Primitive Pop and Savage Jazz (JBH 057LP, 2015), Britxotica Goes East!: Persian Pop And Casbah Jazz From The Wild British Isles! (JBH 059LP, 2016), Tropical Britxotica! Polynesian Pop And Placid Jazz From The Wild British Isles! (JBH 062LP, 2016). So sit back, relax and let Britxotica! take you to musical places you have only ever dreamed of. Comes in a clamshell box; Each CD comes in a slipcase - a mini replica of the original vinyl LPs: the classic black and white Britxotica! post-war exotic style; Includes an eight-page booklet with comprehensive notes about the artists, bandleaders, and all the forgotten Britxotica! stars. Features: Lyn Cornell, Ted Heath, Allan Bruce, Rawicz and Landauer, Lucille Mapp, Sounds Incorporated, Nadia Cattouse, Brian Fahey, Tony Mansell and Johnny Dankworth, Reg Owen, Harry H Corbett, Laurie Johnson Orchestra, Edmundo Ros, Maxine Daniels, Cherry Wainer, Jerry Allen, Beverley Sisters, Chico Arnez, Stanley Black, Johnny Keating and the Z Men, Charles Blackwell, Philip Green and His Mayfair Orchestra, Kenny Day, Tony Osborne, Johnny Keating Kombo, Laurie Johnson, Roy Tierney, Ray Ellington, Frank Weir, The Sound of Ed White, Ron Goodwin, Geoff Love, Marion Ryan, Dick Katz, George Melly and Kenny Graham, International 'Pops' All Stars, Johnny Gentle, Kenny Graham, Betty Smith and The Malcolm Lockyer Group, Martinas and His Music, and Norrie Paramor. BEZOS AND THE WHITE BIRDS, KOSTASKostas Bezos And The White Birds LP+CD $20.99"The first-ever compilation of 'Xabagies', the nearly forgotten Hawaiian-influenced music of 1930s Greece, focused on the compositions of Kostas Bezos and his ensemble White Birds. A world-class slide guitarist, political cartoonist, and sleepless Bohemian, Kostas Bezos created some of the most unique music of any era: surrealist guitar portraits blurring Athens and Honolulu, haunting tropical serenades, wild acoustic orchestras, and heartbreaking steel guitar duets. LP version includes a 28 page booklet with extensive notes by Tony Klein and Dimitri Kourtis, unpublished photographs, lyrics, obituaries, and a bonus CD containing 18 additional tracks. Mastered from original 78s by Michael Graves. Co-released by Olvido Records, edition of 1000." Oliveros, Pauline: Electronic Music Studio CD $17.99 "1 Of IV" and "Big Mother Is Watching You" were both made in the summer of 1966 at the University of Toronto Electronic Music Studio. "1 Of IV" was previously released in 1967, on Odyssey, alongside works by 2 other young composers - "Come out" by Steve Reich and "Night music" by Richard Maxfield. "Big Mother..." is a previously unreleased piece. The 3rd (and final) piece on this compilation was made at the San Francisco Tape Music Center in 1965 and was first released in 1977 on the compilation New Music For Electronic And Recorded Media, released on 1750 Arch Records. The 3 pieces on this CD are all live experiments, which at the simplest level use either an array of oscillators and filters, a mixer and one spool of tape feeding a series of (variously set up) stereo tape machines. Long delay lines, pile ups of noise and rich sonorities are the stuff of this music. The third piece also uses samples taken from Pucini's Madame Butterfly. All 3 pieces on this CD are not included on the 12 CD boxset of early electronic music by Oliveros, released by Important Records. ENGLISH, LAWRENCECruel Optimism LP $25.99LP version. "Cruel Optimism is a record that considers power (present and absent). It meditates on how power consumes, augments, and ultimately shapes two subsequent human conditions: obsession and fragility. . . . This edition owes its title and its origins to the wonderful text of the same name by American theorist Lauren Berlant. . . . In Cruel Optimism, I found a number of critical readings around the issues that have fueled so much of the music I have been making recently. Beyond her keen analysis of the relations of attachment as they pertain to conditions of possibility in the everyday, it was particularly her writing around trauma I found deeply affecting. It was a jumping off point from which a plague of unsettling impressions of suffering, intolerance, and ignorance could be unpacked and utilized as fuel over and above pointless frustration. When I made Wilderness Of Mirrors (RM 460CD/LP, 2014) clouds of unease were overhead. As I have worked through Cruel Optimism, what seemed an unimaginable future just a few years prior, began to present as actual. Over the course of creating the record, we collectively bore witness to a new wave of humanitarian and refugee crisis (captured so succinctly in the photograph of Alan Kurdi's tiny body motionless on the shore), the Black Lives Matter movement, the widespread use of sonic weapons on civilians, increased drone strikes in Waziristan, Syria and elsewhere, and record low numbers of voting around Brexit and the US election cycle, suggesting a wider sense of disillusionment and powerlessness. Acutely for me and other Australians, we've faced dire intolerance concerning race and continued inequalities related to gender and sexuality. The storm has broken and feels utterly visceral. Cruel Optimism is a meditation on these challenges and an encouragement to press forward towards more profound futures. Beyond the motivations forging the record, the process by which this edition was created was unlike many of my other records. Having worked largely alone in recent years, I wanted to shift away from that approach. . . . I count myself exceptionally fortunate to have been able to call on so many fine musicians in the making of this album. . . . I couldn't be more pleased to share Cruel Optimism with you." --Lawrence English, October 2016 Contributions in various forms from: Mats Gustafsson, Mary Rapp, Tony Buck, Chris Abrahams, Werner Dafeldecker, Norman Westberg, Brodie McAllister, Australian Voices, Vanessa Tomlinson, Heinz Riegler, and Thor Harris. VA - Where the Mountains Meet the Sky: Folk Music of Ladakh LPSublime Frequencies $22.99Music from Ladakh recorded during the making of the film The Song Collector (2014) by director Erik Koto, with additional material recorded by Bill Kite in 1992. "Situated high in the Western Himalaya, Ladakh is one of the great cultural crossroads of Asia. For centuries, it sat at the hub of ancient trade routes that connected the Silk Road to India, Tibet, and Kashmir. Each year, once the winter snows had melted from the high passes surrounding Ladakh, its markets would buzz with merchants from throughout central Asia. They brought spices, wool, salt, and silk. They also brought their instruments and their folks songs. Over time, these diverse musical influences laid the foundation of Ladakh's unique folk traditions. Folk music became central to the daily life of the Ladakhis with song serving as an essential form of communication, documentation, and entertainment. This collection of songs is intended to offer a sampling of the range of Ladakh's folk music. These songs also celebrate one of the great folk artists of Ladakh, Morup Namgyal. Morup is an avid preservationist and during his 30-year career working at Ladakh's only radio station (All India Radio, Leh) he recorded a vast archive of Ladakhi folk songs. This collection of over 1,000 recordings was unlike anything else in Ladakh and formed a crucial link to a dying folk tradition. Tragically, it burned to the ground in 2002 when a fire raged through the old wooden radio station building. The loss was devastating, but Morup immediately set about recreating the archive. Five of the songs on this album, recorded in 1992, are among the handful of tracks to have been spared by the fire. Today, Ladakh's marketplaces bear little resemblance to the buzzing markets of old. Gone are the camel trains and merchants, replaced instead by Indian trucks belching smoke. Seemingly vanished too are the folk musicians, pushed aside by the synthetic beats of the latest Bollywood hit. But the folk artists have not vanished entirely, and if you wander beyond the blare of the latest pop song, you'll discover a folk tradition that, thanks to the efforts of Morup Namgyal and others like him, is alive, evolving, and poised to endure the challenges of modernization." --Erik Koto. LP comes with a full-size insert containing historic photos, song lyrics, and liner notes by Erik Koto. Riley, Terry : Descending Moonshine Dervishes LP $26.99Beacon Sound present a reissue of Terry Riley's Descending Moonshine Dervishes, originally released in 1982. Recorded live in Berlin in 1975, and largely improvised, Riley plays a modified Yamaha organ with variable resistors to facilitate tuning in just intonation. This is a 50+ minute recording divided into two halves for vinyl. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount of time over a pulsing C note typically played on piano or mallet. Performed live for the first time by Steve Reich, Pauline Oliveros, Morton Subotnik, and Jon Gibson, it has since been performed by everyone from the Shanghai Film Orchestra, Adrian Utley of Portishead, and the Malian musicians of Africa Express (featuring contributions by Brian Eno and Damon Albarn). Though referred to as the "father of minimalism", the 81-year-old Riley has ranged widely in the intervening decades, deeply influenced by jazz, North Indian classical music, and a distinctly West Coast strain of radical spirituality - and in turn influencing practically everyone: The Who ("Baba O'Riley"), The Velvet Underground, collaborators The Kronos Quartet, as well as the legions of cutting-edge electronic musicians and contemporary composers making genre-defying music today. A resident of Grass Valley, CA, Riley is still touring the world. "Great for meditating to the cosmos" --Thurston Moore. Remastered by Rafael Anton Irisarri. . Riley, Terry : Songs For The Ten Voices of the Two Prophets LP $26.99Beacon Sound present a reissue of Terry Riley's Songs For The Ten Voices Of The Two Prophets, originally released in 1983. Recorded live in Munich in 1982 using two Prophet synthesizers and voice, this album is a reflection of Riley's ongoing interest in melding improvisation, electronic music, and the raga vocal stylings of his mentor, Pandit Pran Nath. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount of time over a pulsing C note typically played on piano or mallet. Performed live for the first time by Steve Reich, Pauline Oliveros, Morton Subotnik, and Jon Gibson, it has since been performed by everyone from the Shanghai Film Orchestra, Adrian Utley of Portishead, and the Malian musicians of Africa Express (featuring contributions by Brian Eno and Damon Albarn). Though referred to as the "father of minimalism", the 81-year-old Riley has ranged widely in the intervening decades, deeply influenced by jazz, North Indian classical music, and a distinctly West Coast strain of radical spirituality - and in turn influencing practically everyone: The Who ("Baba O'Riley"), The Velvet Underground, collaborators The Kronos Quartet, as well as the legions of cutting-edge electronic musicians and contemporary composers making genre-defying music today. A resident of Grass Valley, CA, Riley is still touring the world. Remastered by Raphael Anton Irisarri. Includes original insert; Edition of 300. "His voice twists and curves in complicated arabesques, recalling Indian music, and especially the singing of Mr. Riley's colleague and teacher, Pandit Pran Nath, who is also associated with Mr. Riley's long-time friend LaMonte Young. The synthesizers create a hushed, meditative counterpoint of slowly unwinding melodies and cross-rhythms... the Prophet 5, a polyphonic synthesizer that is capable of rich viola-like sounds, is a winning instrument for Mr. Riley's improvisations. After years of playing a Yamaha electric organ, he has turned to the synthesizer, which theoretically offers an infinite assortment of sounds. Rather than take advantage of the instrument's ability to mimic vocal sounds and timbres, as composers like Jon Hassel and Brian Eno have done, Mr. Riley plays the synthesizer as a keyboard instrument, with a luminous sound and the ability to bend or inflect notes." --New York Times, Feb 1984 Ulrich Schnauss and Jonas Munk: Passage LP $29.99LP version. Passage is the second collaborative album from London-based synth-wizard Ulrich Schnauss and Danish producer Jonas Munk. 11 tracks of breezy, blissed-out electronica and colorful ambient. As the album title denotes, there's a sense of movement in the music these two producers create together: a Schnauss and Munk composition starts one place and ends up someplace very different - something that can only rarely be said about electronic music, which traditionally has focused its energy on texture rather than composition. Sometimes their vivid, expansive soundscapes feels like the sonic equivalent of gliding towards the horizon through a panoramic landscape on a train. One's perspective changes slightly when in motion from one place to another - continuously approaching new things and leaving others behind. There's a prismatic, multi-dimensional quality to these 11 tracks, likely stemming from the fact that these two producers each have worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegazy records on labels such as Domino and City Centre Offices. Since moving to London in 2006, he's been a member of bands such as Engineers and Longview and remixed artists ranging from Depeche Mode and Pet Shop Boys to Mojave 3, and since 2013 he's been a member of legendary band Tangerine Dream. While Jonas Munk initially became known to the post-rock and electronica communities via his Manual albums on Morr Music and Darla Records, he's also had his hands in psychedelic rock (he's a noted producer in the European psych scene and is in the band Causa Sui) as well as film soundtracks and experimental minimalism. Both Ulrich and Jonas, however, have the skills of seasoned producers to weave the multitude of influences together in a well-defined sonic aesthetic. The result is a compelling set of melodic electronic music that echoes the past, yet feels fresh. Cluster: Zuckerzeit LP+CD $26.992017 repress. Originally released in 1974, Zuckerzeit marked a turning point for these seminal German space rockers. Recorded shortly after their move away from the metropolis of Berlin, it sees some of the abrasiveness of their earlier material slightly diffusing. With the addition of proto drum machines and the producing talents of Michael Rother, their sound here - while remaining firmly in anchored in experimental territory - has more pop sensibility. Newly packaged with the CD of the album. Soares, Elza : Woman At The End of the World CD $16.99Repressed; LP version. Septuagenarian Brazilian music icon Elza Soares teams up with the cream of São Paulo's avant-garde musicians for an album of apocalyptic, experimental samba sujo ("dirty samba") that tackles the burning issues of 21st century Brazil: racism, domestic violence, sex, drug addiction and global warming. The Woman at the end of the World is Elza's 34th studio album and her first to feature previously unrecorded material, exclusively composed for her. Voted "Best Album of 2015" by Rolling Stone Brazil after its domestic release, it will now be released worldwide by UK based label Mais Um Discos. Over a sprawl of distorted guitars, squalling horn, taught strings and electronic shards, samba is savaged by rock 'n' roll, free jazz, noise and other experimental music forms. A true legend of Brazilian music Elza has an incredible musical oeuvre that stretches back over seven decades mixing samba with jazz, soul, funk, hip hop and electronica, whilst her life story is a rags-to-riches-to-rags rollercoaster of triumphs and tragedies that has made her a voice for Brazil's repressed female, black, gay and working class populations. Her music career began in the late 1950s as she sung in clubs and hotels, sometimes being forced to perform off stage because of her skin color. The '60s was a career defining period with a run of classic albums for Odeon. After decades of hardships and artistic exploration, her latest muse is São Paulo's hyped samba sujo scene. Soares presents an album that walks a tightrope between post-rock and post-samba. "I knew this album would be a bold, modern sound" she says. "These songs are tense they do not allow you to relax". The album opens with "Coracão do Mar (Heart of the Sea)" with Elza reciting a poem from celebrated Brazilian modernist poet Oswald de Andrade. Title track "Mulher do fim do Mundo" uses carnival as a metaphor for the apocalypse and according to composer Romulo Froes "translates Elza's strength and indestructability". With The Woman at the End of the World, Elza forces the joy and sadness that personifies samba to confront the dirty truths of modern day São Paulo. Fjellstrom, Marcus : Skelektikon LP $23.99LP version. Includes download code; Edition of 500. Six years after his last album on Miasmah, Schattenspieler (MIA 013CD/LP, 2010), it's great to find Marcus Fjellström resurrected after several long years spent composing his audio-visual opera Boris Christ. Born out of shattered dreams and an obscured vision of the future, Skelektikon is a delirious yet lucid exploration of the farthest and most conflicted reaches of the heart, teeming with confusion, passion, and ghostly shadows. Being no conventional composer in any way, Marcus stumbles further down his musical domain of detuned orchestral (re-)arrangements and pain-inducing synth passages, arriving at a most unique and personal result. Where Schattenspieler gave way to noir filled alleyways, Skelektikon fills them with paranoia. It's the sound of limbo, of dancing amoebas, of deviant skeletons, nostalgia, and futurism, or quite possibly none of that. Inhabited by the bizarre and the beautiful, Marcus's music is a blurred yet encouraging representation of how you can never trust your own feelings - or eyes and ears for that matter. And yet, you can't shake the idea that the truth is to be found somewhere within this alien language, as delivered to us through the speakers. After the listener opens their eyes after the final track has dissipated, they shouldn't be surprised to find someone or something there, staring at us, in silent and unsettling knowledge. Skullflower: Black Iron LP $26.99The inception of an audio trilogy concerning the Darkness of Aegypt: the shadow stuff from whence dark dreams come. The Triad: dark, light and the animating serpent power are delineated by the Egyptian Gods Set, Horus, and the Apep serpent. Volume one comprises of three received transmissions from the tunnels of Set via the physical envelopes of Matthew Bower and Samantha Davies operating as the occult cell known as Skullflower. The working, the concept, and guiding hand comes from Nashazphone, purveyors of artifacts, dreams and koans, who are currently re-creating and re-writing the myths and cycles of their native land. Mittoo, Jackie : Keyboard King $23.99LP version. Radiation Roots present a reissue of Jackie Mittoo's The Keyboard King, originally released in 1976. Jackie Mittoo's contribution to reggae music is immeasurable. Of mixed Indian and African-Jamaican heritage, the man born Donat Roy Mittoo was a gifted musician that played piano in The Skatalites at the age of 16. He was a very important part of reggae's evolution, having been a crucial member of the Studio One house band from its very foundation, being employed as the main keyboardist and musical arranger for an extended period, working closely there with Lee 'Scratch' Perry and countless other important figures, as well as relegating Leroy Sibbles to the bass. Although Mittoo migrated to Canada in the late 1960s, he frequently returned to Jamaica to record, maintaining his Studio One connection, and also issuing a sublime series of albums for Bunny Lee in the mid-1970s. The Keyboard King was first issued on Third World in 1976, and features Mr. Mittoo's delightful organ workouts, completely reconfiguring hits by John Holt, Johnny Clarke, Cornell Campbell, and Bunny & Skully, among others. Pablo, Augustus : At King Tubby's LP $23.99LP version. Radiation Roots present a reissue of Augustus Pablo's Augustus Pablo At King Tubbys, originally released in 2005. The visionary musician and record producer Augustus Pablo made some of the most unique and individual recordings in the history of reggae. As with his friend and mentor, Jackie Mittoo, the man born Horace Swaby was of mixed Indian and African heritage, and although his middle-class background might have pointed him in a very different direction, the lure of Jamaica's sound system culture captured him at a young age, particularly after debilitating health problems saw him drop out of school. He began recording as a session keyboardist as the '60s gave way to the '70s, but everything changed when a school-friend introduced him to the melodica, a small plastic keyboard operated by a mouthpiece, which he used on seminal recordings for producer Herman Chin-Loy, credited to Augustus Pablo on the release. During the early 1970s, Pablo crafted melodica instrumentals for all of the leading reggae producers, scoring "best instrumental" for "Java" in 1973, and launching the Rockers label to showcase self-produced work at the same time. This multi-faceted compilation, first issued on Bunny Lee's Attack label in 2005, compiles memorable melodica interpretations of some of Lee's greatest productions, recorded over dub cuts of immortal numbers such as Cornell Campbell's "Queen Of The Minstrel" and John Holt's "My Desire". VA: Poco Loco LP $23.992017 repress. Ultra-rare gems extracted from 45 and 78 records released in the '50s and early '60s by obscure record labels. A unique mix of genres, perfect for a successful exotic party: tropicalypso, Persian cha-cha-cha, Latin and roll, Japanese rhumba, Hawaiian swing, Polynesian surf, Bahamian drums, Mexican monsters, and Brazilian exotica. The craziest compilation of music from all over the world. This comp collates a worldwide mixture of painfully obscure, crud-a-phonic dance craze platters from the '50s and '60s. A brilliant and bonkers concoction of exotica and international nonsense novelties. If you need something new to listen to after you've worn out yer Las Vegas Grind and Jungle Exotica records, then this is for you. This platter will liven up any party -- lurch-eriffic, tropical crazes and totally daffy mix-n-match foreign language tracks that'll make your eyes and ears alike pop just like corn. Long live the University of Vice. VA - Poco Loco in the Coco Vol. 4 LP $23.99The craziest compilation of music from all over the world, Poco Loco in the Coco Vol. 4 collates a worldwide mixture of painfully obscure crud-a-phonic dance craze extracted from 45s and 78s platters from the '50s and early '60s by obscure record labels. A brilliant and bonkers concoction of exotica and international nonsense novelties - if you need something new to listen to after you've worn out your Las Vegas Grind and Jungle Exotica records, then this is for you. A unique mix of genres perfect for a successful exotic party: Arabian swing, cha-cha-cha, bebop, Singaporean garage ye-ye, rumble rock from Thailand, Mexican troglodyte garage punk, and more. This platter will liven up any party! Lurch-eriffic tropical crazes and totally daffy mix-n-match foreign language tracks that'll make your eyes and ears alike pop just like corn. Long live the University of Vice. Features: Abdul Alexi Freeman, Teddy Martin, Los Albinos, Billy Nash, Gaston Y Sus Thunders, Zhang Xiao Ying, Dany Maurice, Los Dorman, The Goyos's Cats, Les Kili-Cats, The Modern Orientals, Rosendo Ruiz Jr., Jack Ary, and Johny's Guitar. EL CLUB UPCOMING SHOWSremember - tickets are cash only. this saves us all the service charges!! lemuria wed feb 8th $13.00delicate steve thurs feb 9th $12.00mike doughty fri feb 24th $18.00moon duo sat april 22nd $13.00 Upcoming events at TrinosophesHappy new year everyone- it's going to be quite a year, guaranteed. Lots of Feb and March to be added in the next week! every Thursday: Nick Schillace noon residencyThe second of this month-long residency! One of the finest finger-pickers in Michigan, Nick Schillace has the even rarer quality of being a strong musical artist. His guitar chops are always at the service of making good music and as stunning as they are, they never showboat. Although he’s steeped in old-timey folkloric material, his own solo compositions are firmly in the big-eared Tacoma camp of John Fahey and company. A founder of Lac La Belle and Duo Unduo, Nick’s played with numerous regional groups, from picking electric guitar with Indoor Park to comping banjo with Detroit Pleasure Society. Trinosophes is excited to be presenting Nick on Thursdays in January and February at noon. Free! 2/21 The Necks2/24 Mostly Other People Do the Killing 3/3 Baby Dee 4/15 Peter Evans Quartet 4/20 J@K@L4/21 Seraphine Collective presents R Ring, Split Single4/27 Poetry Slam Festival

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