#it's so so good to think about

[sga-owns-my-soul]

i'm working on a fic about it rn but i'm really thinking about how fucking frantic rodney is during epiphany and i'm thinking about how it's only six episodes after trinity and only two episodes after aurora, and john has straight up said (multiple times!!) that he doesn't trust rodney

and i'm wondering how much of rodney's panic was directly related to that. how scared was he that john would assume it took so long because of rodney's incompetence and take this as more of a reason to not trust (and maybe even hate) rodney. being worried that john would be stuck living out the rest of his life thinking the worst of rodney

and sometimes i wonder if rodney let johns "lack of trust" get to him. if part of why he was so frantic was because rodney started doubting his own abilities. i mean he straight up says he should have noticed the camera being out of memory/battery, and he berates himself for not sending john a note

idk if this even makes sense but i'm just. having a lot of thoughts about epiphany and what it does to john and rodney's relationship and specifically their trust in each other

[riacte]

not romantic not platonic but a secret third thing [what would happen between earth and the moon if the earth stopped spinning as illustrated by xkcd randall munroe]

[kensatou]

MONKEY MAN (2024)

[skrunksthatwunk]

see 0 note flop posts aren't that bad when they're personal but 0 note fandom posts feel literally so bad. like if you don't wanna play toys with me anymore just say that. i'll pack up my super cool awesome things and go and i'll sit on the other side of the playground by myself and i won't even look at you. fuck

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[noperopesaredope]

I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.

Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.

[dirtytransmasc]

the men and boys are innocent too.

we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.

I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.

I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.

I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.

I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.

the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.

[midnight-coffee94]

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

[hinamie]

morning glory

[dunmeshistash]

One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.

One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.

When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.

Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.

But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.

I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.

It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.

Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.

She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.

The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.

The best way you can love an animal is by understanding they're an animal.

That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.

I just love dungeon meshi dearly.

[brucie-baby]

the fact that alfred was the one to put up jason's memorial is so important to me

[divorcetual]

I am actually so serious I think it really messes with a childs creativity and joy to tell them to never make a mary sue OC. Like that unbridaled form of joy where you make a self insert OC who super cool and everyone loves them and they have every superpower in the world SHOULD be something a kid makes, it nourishes their ability to create things for fun and not be stifled by "oh but what if my character is too overpowered and cringey...". whatever

[mroddmod]

everyone be quiet i'm manifesting

[crumb-crumblet-s-crumbington]

do you even remember the lives that you threw away like trash

continuation of this

[chloesimaginationthings]

How Jeremy Fitzgerald survived the FNAF bite

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?