#it's so much better than the boys

[sleepynegress]

On Gen V Episode 7....

I know, I KNOW it's ill-advised, but I am a Victoria Neuman stan, now. The mentor we all need. Also... BIGTIME SPOILER... (I told yall not everybody is gonna make it) but I saw the promo, and Cate had a lot of blood on her face and she was screaming, but not for herself. Marie gonna manifest more potential!!!!

This show remains my shit.

[hinamie]

spins him around trying to understand the pink mop he calls hair

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[shanastoryteller]

The day his deal comes due, Sam goes missing.

Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.

He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.

Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.

He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.

1:03

That’s not possible.

That’s not –

His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.

“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“

“What did it say, Bobby?” he asks, even though he’s sure he knows.

Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”

Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.

It's easy to find a crossroad.

The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”

It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”

“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”

“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”

She laughs in his face. “You don’t have anything to bargain with, boy.”

“My soul,” he repeats, “That’s what this is about, isn’t?”

“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”

At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.

She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”

“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”

“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”

His mouth is so dry he can’t speak.

“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”

Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”

“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”

There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t – I’ll do whatever you want, please, there has to be something.”

She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”

God. How can she – how can Sammy expect him to –

He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.

This can’t be real. This has to be Hell, he has to be in it right now. He has to be.

[peocokruu]

The whatever-melon fruit that Kagome got from her world was damm good! All of sudden he couldn’t shake off the feeling of gratitude building on his chest, and to both of their surprises he said with not too many thought -

“Kagome… thank you for all you do”

[starry-bi-sky]

The first time disciple Shen Yuan/Shen Qingqiu meets Liu Qingge, it is during a Bai Zhan peak raid. And what ends up happening is that Shen Qingqiu gets kicked in the jaw with such force he feels his teeth clack together unpleasantly. And frustrated with his situation, the system, and quite frankly a ton of other little things that have been building up over the course of the last few weeks, he feels something snap in the back of his mind like that of a rubber band after being stretched too far.

What ends up happening is that Shen Qingqiu turns and locks onto the very first figure he can see that is dressed in grey-and-white like a homing missile, and then with the force of a twin-tailed mountain tiger, lunges towards said figure with an equally menacing snarl.

He ends up taking the Bai Zhan peak disciple by utter surprise, and they both collide into the ground in a tangle of angry yelling and limbs. What ends up happening is that Liu Qingge gets the subsequent wind knocked out of him and pinned into the dirt by a Qing Jing peak disciple who is filled with the might and fury of a scholar having their peaceful afternoon interrupted and a once-grown-man re-experiencing puberty.

It is with that might and fury that Liu Qingge meets the wild, frenzied eyes of Shen Qingqiu, with his lips pulled back into a truly ferocious scowl. Shen Qingqiu hisses out, with such force it makes his voice rasp, as if he might as well sink his teeth into Liu Qingge's throat and rip it out; "Get the fuck off my mountain."

Liu Qingge is so shocked by -- well, quite a many things, but most importantly the fact that he has been pinned, and the way the sun is bouncing off this boy's face, -- that his brain needs five seconds to reboot. It's five seconds too long, because by the time he registers what just happened, Shen Yuan has clambered off him and disappeared. Gone and thrown himself into the closest dust cloud scuffling in order to unleash the rest of his fury on the other Bai Zhan Peak kids.

Qing Jing Peak experiences an unfortunate uptick in Bai Zhan disciple visits -- specifically of the Liu Qingge variety. Specifically Liu Qingge, actually. Who very much wants to find the boy that managed to get one over on him and demand a rematch. (Or maybe kiss him.)

[jellydragons]

been watching a lot of hermitcraft recently and am happy to report that i am hopelessly endeared by these little goobers 💕 they’re like bugs to me

close ups under the cut!

gonna be real this was absolutely just me taking the opportunity to get my grubby lil mitts all up in their character designs lol i heart interpreting mc skins

[too0bsessedformyowngood]

Okay so I’ve been reading a lot of reverse robin AUs recently and I have a hot take. Duke Thomas should be the Dick Grayson parallel instead of Damian.

Hear me out. So bare bones Duke was the last to join in cannon, so he should be the first to join for reverse robins. But to get deeper into it Duke lost both of his parents at the same time setting him down a path of becoming a vigilante. He becomes Bruce’s ward instead of being adopted because he already was raised with two good parents and doesn’t want them to be replaced. He also created his own mantle that was the opposite to Batman, the light to Batman’s dark, inspiring hope against Batman’s fear. He’s friendly and works well and inspires others, but also extremely sharp and smart which people often forget.

Damian would work well as a batgirl parallel more. He would join after Duke but be a few years older, got there already trained and immediately jumping into crime fighting. Covering the areas that Bruce and Duke don’t fill. While Duke takes up his own name Damian would use a name more inspired by Batman himself.

I just think this dynamic of Bruce and Duke being the first dynamic duo would fit so well (also get to spotlight Duke who so often gets overlooked).

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[perotovar]

#don't think about how this is probably what joel looked like when sarah was born

[moeblob]

So does he, Gallagher.

[skam-in-every-language]

Randomly watched My Life With The Walter Boys and I'll say this...

Alex in the first half was so endearing. His anxiety, his mannerisms and literally everything about the way he acted and spoke made him extremely likeable and just someone you were absolutely rooting for. And you could tell they wanted us to root for him.

Then in the second half it was like they were actively attempting to assassinate his character, to the point that even within the show itself Jackie was calling out his OOC behavior. But this was an obvious attempt to make Cole seem less problematic and the better choice for Jackie. What the show failed to realize however is that the thing that made Cole almost redeemable was finding out he wasn't the asshole that hooked up with his brothers girlfriend on purpose, so to have him turn into the asshole that hooks up with his brothers girlfriend on purpose is crazy to me. I mean this dude spent the entire season on his soap box claiming to be crucified for something he "would never do" to his brother and then in the end did it anyway knowing how much that affected Alex the first time.

I'm sorry but I cannot root for them. It's disgusting what Cole and Jackie did to Alex. And as much as they tried to make it seem like Alex was being insecure, clingy and generally overbearing in the relationship he had his reasons and to be fair they were completely understandable. Alex 100% did not deserve that from either of them. This will crush him and his relationship with his brother is now probably ruined beyond repair. I'm on Alex's side on this one. He can do so much better than a girl who would kiss his brother right after he tells her he loves her.

Cole and Jackie deserve each other. He's a mess and so is she. They'll be great together until they're not and when it's over he would have ruined his relationship with his brother and she will be licking her wounds wishing she had chosen the guy who treated her kindly from the beginning.

[inkstainedhandswithrings]

clone wars writers: We're gonna create a new series to explore Anakins arc more and make his fall more understandable. We will also explore the Jedis culture before the Empire. You'll have Obi-Wan, Anakin, Ahsoka and many more amazing Jedi to show you this era of the universe :)

literally all of us: clones, clones, clones, clones clones clones clones clonesclonesclonesclonesclonesclo-

[limepigeon]

sunset//sunrise

[eggwishing]

messing around with lineart

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.