#it's like out of spite february will have 29 days this year
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How can it be the cast are away to wrap filming all 13 season 2 episodes and we still have 57!! days before we even get a premiere this hiatus has been hell
I knooooooooow!
I’d been secretly hoping for the trailer to drop at the 1 year anniversary on January 15, but then there was nothing (not even a post from Carina or any of the official accounts to acknowledge it…). And soon we won’t even get updates from set anymore, since they’ll probably wrap S2 next week. 😩
Today it’s been 275 days since the finale aired - that’s 8 months and 27 days, almost 9 months! Entire humans are made in 9 months.
And now another 57 days?
^ Us on March 16, so utterly exhausted from all the waiting, we won’t make it until 9PM EST.
I have no idea how much longer we’ll have to wait for the trailer, but it might be February before they’ll kick off promo for S2. We know The CW is notoriously bad at promoting their shows. All official RNM accounts have been dormant (apart from 3 or 4 tweets) since the S1 finale.
They did nothing to promote the show on Netflix during the hiatus, and apart from the usual pre-scheduled ineffective ‘promo posts’ once PR for S2′s officially a go, there won’t be much else. Fans on social media will do more for the promotion of the show than the people paid to do it… :P
If we’re lucky, the cast will do another press day, and if so, we might get some highly curated interview snippets promoting the first 2-3 episodes , and maybe we’ll even get a hint at one or two season relevant plot points we don’t know about yet (like we know there’ll be a ton of flashbacks, we know Jason Behr will be around for 4-5 eps, David Anderson, Madison McLaughlin, and Jamie Clayton, we know about Justina Adorno’s Steph. TELL US STH NEW, PLS)
We’ll get some terribly photoshopped character posters (if they’re super generous, they took new pictures and won’t reuse those from last year, but I wouldn’t count on it :P), at some point we’ll get a trailer with scenes from the earliest episodes, followed by more pre-scheduled promo posts on social media to tell us what we already know (that the show will be back on March 16).
AND THEN THERE’LL BE MORE WAITING. Until one or two days ahead of the premiere they’ll drop another clip with one (1) scene from episode 1.
And you know what, regardless of the minimalist promo efforts, despite curated interviews, partially misleading trailers and shabby photoshop jobs. WE’LL LAP IT UP! WE’LL TAKE IT AND RUN AROUND IN CIRCLES, SCREAMING AT EACH OTHER OVER EVERY LITTLE THING!
Because we’re STARVED! Starved for actual news, starved for new content, starved for Vlamburn possibly being in the same room (sadly they probably won’t do any joint interviews this time, they have a dumb love triangle to promote, they won’t be allowed to overshadow that with their 🔥🔥🔥 chemistry 😒), starved for getting to see Lily and Jeanine and Trevino and Amber and Nathan and Heather talk about S2.
Is2g, if they make us wait almost another year until S3, we’ll R I O T!
Brb taking a nap, waiting is exhausting…
#can this hiatus be over now#i'm tired™#this hiatus has been going on forever#still 57 days to go#this can't be right#can we skip february?#2020's even a leap year#it's like out of spite february will have 29 days this year#😩#it's fun to be a little over dramatic#such fun#so much fun#don't know what to do with myself in the face of so much fun#send help#and snacks#another two months - 3 days#this is fine#roswell new mexico#roswell new mexico s2#rnm spoilers#rnm speculation#nonnie asks
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[INTERVIEW] Wonho Busts Out and Breaks Down Barriers With New Album and (Possible) New Tour
The new album marks a new era for Wonho, who is hoping to finally be able to meet his fans outside of Asia for the first time
K-pop heartthrob Wonho is back with a new album — and a new attitude — as he looks to make some big moves in North America this year.
The singer’s new mini-album, Facade, dropped June 14, with five tracks showcasing a mix of slow-burn R&B and groovy dancefloor bangers. For Wonho, whose last mini-album came out in February 2021, Facade represents not only a new music release, but a new release of emotions for the 29-year-old.
“I would describe it like entering a carnival or an amusement park together and spending the whole day there,” he says over Zoom from South Korea, dressed casually in a tight navy T-shirt and baseball cap. “You get to experience an array of emotions at a carnival, and I tried to portray them through the album.”
To wit: Facade opens with a come-hither Wonho inviting a girl to get “crazy” with him, in the lead single of the same name, before the star gets vulnerable in the gorgeous ballad “Close,” singing, “Never need another heartbreak, I don’t wanna be all by myself, come close… you’re all I need.” The mood shifts from euphoric to introspective with ease, proving once again that Wonho is one of the most versatile and compelling voices in K-pop today.
While many K-pop idols employ a team of songwriters and producers, Wonho kept his circle small this time around, working with producer ENAN, the musician Sun Ahn, and singer-songwriter Brother Su on all five tracks on Facade (all three previously worked with Wonho on his mini-album Blue Letter, and his first single album, OBSESSION). Wonho was directly involved with every track on Facade, having a hand in the songwriting, production, and vocal arrangements.
“I tried to experiment with new styles and new musical techniques,” he says, “but I was also involved in terms of the concept and overall theme of the album. From planning the direction for my outfits to choreography and all of the photoshoots, I took part in all of it.”
The new album marks a new era for Wonho, having launched his solo career in August 2020 — right in the middle of a global pandemic. With borders slowly opening up again, the Seoul-based singer says he’s eager to see his fans in North America and outside of Asia for the first time. “I’ve had the chance to meet my Korean fans, and even my Japanese fans, through concerts and events,” he says, “but I’ve never had a chance to meet my overseas fans and North American fans in person. I would definitely like to meet them as soon as possible.”
A trek outside of Asia would not only mark Wonho’s first time touring outside the continent, but his first solo tour, period, after leaving the K-pop group Monsta X to go solo in 2019. While he reveals that “there is a tour in discussion right now,” the singer stresses that “nothing is fixed,” because he wants to make his first tour as perfect as possible — including expanding his language skills. “If I actually go on a tour, it would be a very fresh and new experience for me,” he says. “I would also have to speak more English and other languages during the tour, so it would definitely be a new challenge.”
On Facade, Wonho liberally sprinkles in English on all the tracks, and “Close” is an all-English song. The singer is also fluent in Japanese, in addition to Korean, and has learned everything from Spanish to Thai for interviews with fans and reporters from around the world. Wonho is a rare idol who has succeeded because of his willingness to communicate with fans, and not in spite of any language limitation.
Still, it all comes back to the music, and Wonho hopes Facade will resonate with both new fans and old fans alike. “All my albums are different from each other, and I really want this album to speak for itself,” he says. “I do get nervous a lot, but rather than keeping that feeling of nervousness, I look forward to that moment when the music is finally out there in the world. I can’t wait for my fans to listen to it and enjoy it, and I can’t wait to see my fans in person soon, to experience the music together.”
Via: rollingstone.com
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House of Anubis birthday headcanons
This is a branch off my previous post where I talked about birthdays and star signs. Now I’m gonna talk about more detailed and ~fun~ headcanons
They are the 1995-96 school year
Nina and Joy are the oldest (I’ve already had lengthy discussions about this, about whether they’re the oldest or youngest. I personally believe they’re the oldest, so that’s what I’m going with in my headcanons). Their birthday is July 7, 1995 (Cancers 🦀). And yes usually July birthdays are on the younger end, but the wiki says Amber’s September birthday and Eddie’s November birthday are 1995, and fall birthdays are definitely on the older end. This means that the January-June birthdays of that year are gonna be in 1996. It’s not totally out of the question for a summer/July birthday to be on the older end instead of the younger one. Because Eddie’s November ‘95 and he’s in their year, they kind of have to be the oldest. So, conclusion: Nina and Joy are the oldest ones in the house
Both Nina and Joy definitely had pool parties for their birthday as kids. One or both of them almost definitely had ice cream cake at least once. Nina also thinks the idea of being in school on her birthday is barbaric
Season 3 is their senior year, meaning it’s the year they’re all turning 18. This is part of the reason Amber was making such a big deal about her birthday in S3; 1) it’s Amber so of course and 2) it was her 18th birthday, so she absolutely wanted it to be special
Because they were all turning 18, Amber wanted to make everyone’s birthday special. She planned to throw parties for everyone’s birthdays (except Joy, RIP, who turned 18 in the summer before the school year started). However, Amber wasn’t actually around to throw any of those parties. But she did leave all her party stuff behind, so the rest of them use her party supplies for everyone’s 18th birthday parties
Amber’s birthday is September 9 (a Virgo 😘), so every year she sees her birthday as the celebration to kick off the school year. She wants a huge celebration and a party and cake and presents for her birthday every year. She’s also definitely the high school girl who had her friends decorate her locker and had birthday balloons tied to her bag that she carried around all day on her birthday every year. She also definitely wore like a birthday tiara
I believe that Mara is a Libra (⚖️), and that her birthday is in early October (my headcanon is Oct. 6). She likes having a fall birthday because she likes how cozy it is and she likes to indulge in a pumpkin spice latte. She doesn’t like to make a huge deal about her birthday, and whenever people try to make a fuss she’s like no no there’s no need to make a big deal. She doesn’t want like the world’s biggest party, however, if anyone tries to make her do anything she doesn’t want to do on her birthday, she gets very pissy
Eddie’s birthday is November 19 (fuckin Scorpio 🦂), meaning that it is very close to American Thanksgiving. As a child he would always say to his mother that Thanksgiving “got in the way” of his birthday
Patricia’s birthday is December 8 (Sagittarius 🏹), and originally she’s not a big fan of her birthday and it makes her angry because she has to share her birthday with Piper (obviously) like she has to share everything. Birthday parties as children were not fun for Patricia bc obviously there would be one party for the both of them and her parents would skew it towards Piper. Patricia resented her birthday for awhile. However, Joy, always tries to go out of her way to make her birthday special and just for her (“You will have a good time on your birthday, Patricia!”), and eventually she comes around to enjoying her birthday as long as it’s exclusively her birthday
Fabian is absolutely a Capricorn (🐐), everything about him screams Capricorn. Which means his birthday is anywhere from late December to mid-January, and I believe his birthday is definitely two days before Christmas. He gets really grumpy and bitter about his birthday because of that; his birthday constantly gets pushed to the side for Christmas, and he can never spend his birthday with his friends because it’s always over the holidays. He says it’s fine (“it’s fine”) and that he’s just not a big birthday person, but that’s a lie he’s just grumpy about it. He was gifted many combo birthday-Christmas gifts as a child which he was not a fan of. He also does a little bit of “i hate my birthday out of spite” in the vein of Chandler Bing and Thanksgiving, but like only a little bit [side note: my dad’s birthday is two days after Christmas, so I can confirm that people with Christmas-adjacent birthdays are absolutely grumpy and “woe is me” like this]
I believe KT is an Aquarius (🏺) and that her birthday is at the very end of January (my headcanon is Jan. 29). She was definitely that kid in school who brought cupcakes into school on her birthday, and she continues this tradition at Anubis House. She wakes up early on her birthday so that she can make cupcakes to bring to class. Alfie’s a big fan
Willow is for sure a Pisces (🐟), and her birthday is in late February (my headcanon is Feb. 24). The thing she wants the most for her birthday every single year is for it to snow on her birthday. She wants her birthday to be “a winter wonderland.” And whenever it does actually snow on her birthday, it’s the best thing to ever happen to her in her entire life, and she spends all day in the snow
I believe Mick is an Aries (🐏), and his birthday is in late March (my headcanon is March 30)
I believe Alfie is also an Aries (🐏), and in my mind is birthday is on April Fool’s Day. No one believes him when he tells them at first. His birthday is always a riot. Everyone feels bad about getting mad at his April Fool’s Day pranks because they don’t want to make him upset on his birthday, and because of this he goes just a little bit mad with power
Because their birthdays are 2 days apart, Alfie and Mick often had joint birthday festivities. Alfie loves sharing; Mick is not so keen about it. Alfie often takes over the birthday festivities and tends to make them more about himself, which steams Mick a little bit. However, Alfie also enthusiastically calls the two of them “birthday buddies” which Mick can’t help but like
I can totally see Trudy either A) making two cakes or B) making one of those cakes that’s split down the middle, like one half is chocolate/chocolate and one half is vanilla/vanilla or whatever. And she totally puts their faces on the cake (which they both would love) and puts the face on each respective half so they know whose is whose. “Whoever’s cake you pick is who you love more,” Alfie declares every year, making the whole house choose sides
Now Jerome, I believe, is a Gemini (👯♀️), and his birthday is in mid-June (my headcanon is June 11). This means he’s the youngest one in the house, which he absolutely fucking hates. He tries to keep his birthday a secret from everyone for the longest time. For awhile, they think that Alfie is the youngest, and he would prefer to keep it that way. He absolutely does not want anyone to know that he is anubis house baby. He declares the day they find out the truth the worst day of his life. Everyone makes jokes about it which angers him to no end. “I am the tallest one here!! Don’t disrespect me like this!!” “Yeah but you’re still the baby of the house. Have you hit puberty yet?”
Once Jerome’s 18th birthday hits and they have the final 18th birthday party, Trudy gets incredibly emotional because all of her babies are adults now. She definitely cries a little. Or a lot
#please enjoy my birthday headcanons#the headcanon that jerome is the youngest is so fucking funny and so important to me actually#house of anubis#nina martin#joy mercer#amber millington#mara jaffray#eddie miller#patricia williamson#fabian rutter#kt rush#willow jenks#mick campbell#alfie lewis#jerome clarke
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Happy new year everyone 🎉🎉🎉🎉🎉
I know 2020 has been hard for everyone.
And I want everyone to know, suffering isn't a contest and we all suffer in different ways. But I feel I should give my year in Review. Just some things that happened to me personally.
This was an intense, and long and spiritual and emotional journey for me...
I really discovered what it meant to have community, family and what my life means to me.
But I feel I need to get this in writing cause I can remember the year with vivid detail and I will probably forget if I don't get it down.
Do I have to share this publically online to my tumblr account for a bunch of strangers to see? not really.
Do I want to?
Yes. I think so. Just from how so many people on tumblr and real life have touched me.
This is kinda long and no one needs to read this.
(idk how to do a readmore on mobile. But this is where I would add it later. No one needs to read if they don't want to.)
January/February: (and some background on the last five years of my life cause.....well. it's important.)
As people knew, I got way into Invader Zim last summer. I spent most of my waking life working a dead end job at a grocery store. I lived a sad lonely life, going straight home to a single dark studio apartment. With not many material possessions outside of games, my laptop and my tablet to my name. Half of my material loves, such as home furnishings and books were still in boxes from when I moved in. In case I ever had to move again, or get some "big screenshot or copywriter" job in the city.
....
I lived in that city in the same dead end job and apartment for five years.
No friends. No social life. I often refused to make doctor appointments or attempt to establish myself in that city. I didn't even talk to anyone in my workplace.
Work. Go online. Go to sleep.
I lived like that for five years.
I thought it was good.
Even my therapist thought I was doing well.
When I really wasn't. My main character flaw I struggle with is motivation.
I can talk to someone about very detailed plans I have to fix a problem... But I tend to never follow through.
Just because I can describe in detail how to fix my personal problems, it doesn't mean I will do it.
(I have gotten better at this but it's a major struggle)
I might have been a Zombie during the day...
But by night I was pouring my soul into my AU and my analysis.
After being so thoughly ignored or overlooked by the Naruto fandom and the Undertale fandom, I felt like I had finally found my home and was settling into a community there.
I just loved that people loved what I had to say.
Especially my AU.
It's no secret that a lot of themes in my au revolve around found family, grief, and loss.......
Fatherhood, in particular.
What it means to be a father, how much do you need to try when you mess up, how willing should a child forgive their parent, especially those that have wronged you and how much of it is factually accurate and simply a self projection of what children want their parents to be and visa versa... What amount of forgiveness and change is nessasary...is it needed?
....
It's no secret that a lot of my AU is a giant coping mechanism for my Dad's death. Espessially the falling out and growing closer with a lot of my family members throughout the years following his death. (Most of the time I keep it ambiguous to how it relates to my personal life unless I include a readmore that states so outright. I feel my au can be enjoyed by a variety of people in the fandom who don't need to know me as a person or my life story.)
My Dad passed away in 2016 in February and my family still feels the aftershocks to this day.
It's part of the reason I moved to the city, alienated myself from my family and people that loved me and refused to experience life for five years.
My entire world was Zim, and I was okay.
March: When America finally realized and started to feel the effects of the pandemic....
A lot of people got scared.
Me included.
I didn't have any streaming services or access to the news. So I only heard accounts from my mom.
I didn't understand why the store was so dead quiet and empty for a few days, then it went into mass chaos and panic in the span of two days.
It felt like Retail black friday in the worst way. Everyone was packed like sardines. Everyone was yelling. The lines at the registers bled into the clothing department.
I was witness to customers shoving others for toilet paper, being rude to cashier's and just overall unpleasantness.
At the time, I didn't even fully grasp what the pandemic was, and I feel a lot of people at the time didn't either.
I ended up absentmindedly scratching my eyebrow in front of a customer and she screamed and villanised me for it. That they didn't want groceries touched by my "unclean hands"
I ended up breaking down into tears.
The customer behind me gave me a hug and told me I was doing a great job.
But the damage was done. It was the final straw, I couldn't stop crying and I was breaking apart.
Thankfully my Boss (the one who likes me) pulled me aside and asked what's wrong.
It was then that I quit. No notice. Same day. I had to get out of there.
I was planning to move to an apartment with my sister in the summer, but my Mom offered for me to move back in with her temperarily just so I can get out of the city and away from the pandemic.
So I did.
I got scared, broke my lease a month early and quit my job of five years that gave me nothing back.
He told me, "take care of yourself and your family, I won't keep you here, do what you need to do."
So I did.
April-June:
A very eventful few months.
My mom offered for me to live at her place, but for some reason she was acting like I would live there forever. That this wasn't a temporary arrangement, and that I didn't have an apartment set up already.
This was in large part to my sister, who had lived with my mom taking advantage of her for years.
Even though my sister and I were going to move in together, I was just never sure about it cause of how she never packed her stuff or made any effort to find a job.
My mom often acted like I was lazy and not searching and was treating me like... Well, an unruly teenager instead of a woman of 29 years. She acted like I was a failure for returning home when it was her idea in the first place.
I would have just been petrified in the city.
Like usual, I retreated to my au again.... And in the spring, something eventful happened.
In may, 8th 2020:
I was invited by @rissynicole to join an invader zim discord.
Now, I've never really used discord before. I always thought it's interface is too confusing.. and I'm a member of a few other iz discords and I usually don't follow them that closely.
Rissy assured me it was different cause some friends of thiers made it and it was smaller.
Before I knew it, I was sharing memes and getting to know everyone there.
It wasn't long after I invited my partner in IZ crimes, @paketdimensioncomic who was genuinely wary of iz servers due to a bad experience with the last one they were a part of.
But soon they were sharing memes and laughing with everyone else.
My eyes were starting to open and I was able to connect to fans of my work in an interpersonal way. And I was able to discover new artists and aus I never knew about.
I was also able to meet so many others of the community and invite them to the server myself.
The moo-ping 10 server kept me sane while I was living with my judgmental mother.
Not only that, the summer was very productive for my au.
Drawing was all I did, and it was a huge break from the job as a cashier I had.
Not only that, June came, and with it, me and Ceph's first collab fic:
A result of us just going back and forth in our DMs constantly about Professor Membrane and how he changed in ETF for the better and how much we adamantly stan "trying-to-be-a-good-dad-brane" and how much of his ETF development has to be implied off screen in order for the emotional resolution in the movie to matter.
The only reason I never professed my love for Membrane as a character in the fandom before the fic dropped was.... Well....
Membrane can be a decisive character in the fandom and I was so worried people would hate me if I did an analysis on him, simply because he's not the best parent in the world. (As an understatement)
Ceph and I really encouraged each other to scream our love for the science himbo loud and proud more frequently and so often.... I actually start to see less Membrane hate posts and breakdowns then their used to be.... I like to think it's a combination of Me and Ceph's influence, along with ETF and the Quarterly's painting Membrane in a slightly more nuanced light then he was previously.
I never wrote a collab fic before and it's such a rewarding and fun and unique experience that I don't think I'll ever have again. And I love working with Ceph on our fics so much.
So much so we did it again...
July-August:
I never thought I would be one of those people who writes NSFW IZ fic... But here I am.
The Brainbrane au started.... An au of my au where Membrane and the Computer fall in love and Membrane makes him a body.
This ship was based around the idea where we joked that Membrane and Zim's Computer would have funny interactions if they ever met, under the pretense Membrane thinks Computer is Zim's parent.
Our headcanons morphed and shifted until we just full blown started shipping them.
Just because Membrane and Zim's Computer have overall REALLY entertaining chemistry.
It's a character dynamic never seen in the show or comics (yet) and I imagine thier interactions to be nothing but entertaining banter.
The fic was also born from spite... Making fun of the troupes and cliches that we found personally destestible in some questionable zadr fics.
So an angry ace and a demi-bisexual collab on a porn and end up blessing the fandom with
Compapa headcanons,
Computer being recognized as a more common used fanon character,
The ship of Brainbrane.
The fandom having a crisis of "oh God, not only are we xenophiles we're technophiles too!!!" Or "why you gotta give Zim's Computer an ass"
More android Computer designs
It was an eventful summer.
In the midst of all this, I moved into my new place, got a new job, and I was able to see my friend (who is def my platonic straight soul mate) who lives in Indiana.
She came to visit, showed me how to decorate and how to take care of my body better! Things were looking up! It was great.
September-November:
My job was at a boat store. If was approaching the fall and my hours were being severely cut.
I was getting into a rut of depression again.
I thought things were changing but the same routine I was trying to escape from was the same thing coming back.
But instead of letting it take hold, I decided I was going to do something about it... I was gonna visit a museum and go with my sister. Just... variety stimulation.
Well that didn't happen.
I talked about this shortly in my au itself...but..
My sister had a complete mental breakdown.
She stopped taking her meds, went off the deep end and was in the hospital a total of five times throughout November.
A lot of it was acting out and the perfect storm of environmental factors that made her scream and act out so she would keep going back to the hospital.
It was traumatizing for me.
I just can't explain what it's like. For her and for me to be in that position.
I'm not telling the full story and a lot of bullshit things happened I won't share here.
She got diagnosed with bipolar one and my mom expected me to be a caretaker for her.
I threatened to disown my family and move away out of state.
It was just too much for me to handle.
So much I was a nervous wreck.
I tried to pick up a second job... Cause my sister was in the mental ward so frequently and couldn't pay the bills.
But I was fired within a week cause I was so stressed I couldn't retain the basic information they were training me for.
It was an office job.
My dream.
It could have been.
I was fired from something I really wanted.
I was only there for three days.
I could not retain any information.
I was a mess.
My sister was a trigger, my mom wanted me to live with her. I couldn't live like this.... I had to get out.
I had to get out.
December:
Remember my Indiana friend?
Well the first week of December is my birthday.
My 30th to be exact.
While I did pick up a seasonal position at Target (not my first pick)
I took the first week of December off so I could spend time with her. Cause she agreed, I needed a break from this crap.
Surviving 30 years is cause to celebrate and if I had to celebrate with my sister I would have cried.
I know there was a risk traveling out of state during a pandemic...
But I needed out, I needed a friend..
And I kinda wanted to look at the place since I was considering moving there.
My friend's mom was sick so she avoided me and her daughter and got us a hotel room.
It was fun! I got to swim in a salt water pool, we talked about Naruto, I showed her the iz and su art books I brought, also Computer and Membrane tea.
I also got to meet her other friends and get crunk. And her bf who is super nice and funny!
I had a super fun birthday....
Until her mom told my friend that her grandparents had covid and that was what she had. And my friend got sick within that same day.... As did I.
I owe so much to her family.
I was an entire state away...about a ten hour drive from home.... She let me stay at her house. "The covid house" we called it.
Cause everyone (except the father. He avoided everyone and booked a hotel immediately cus he was an ER doctor) had covid within a day.
I called in, the test results were positive and I had to stay with her family for ten days quarantine before I could work again.
Which would have been fine....
If my tumblr didn't log me out perminately of my old account. @dana-chan325 .... Which really sucked cause I had a constant headache and was too sick to engage with tumblr or much of the fandom. I didn't want to make a new account when my head was in a bad fog and I could barely breathe or smell.
It's not like I saw much of my friend either.... We all slept at different hours and she had more symptoms then I did.
It was just netflix, danganronpa v3 and cry.
I was miserable, but at the same time.... Not?
I really feel like God himself was the one who pulled me off from tumblr, and my living situation.
Maybe a whole extra week feeling like a bobblehead was what I needed.
It gave me some much needed clarity on my relationships with my mom and sis and friend.
Running away to Indiana was not the solution here.
Once I was better within ten days and no longer had a leave of absence, I drove home.
I am glad I fully recovered (but from how I understand it, my dear friend is still ill. I'm praying for her)
I might have gone to work a bit too soon, cause I had an asthma attack after trying to unload a single cart in the span of six hours.
My boss lectured that my speed was unacceptable, and even though I explained the covid situation and breathing problems many times, she threatened that I'd be fired if I'm that slow again.
Que the next few days of work where they put me on register.
Instantly I was sent into a panic remembering the last time I was on the register and how that panic attack caused me to quit.
I even asked if I could go back to stocking, since my breathing had improved. My boss assured me that I was put on the register cause they needed help and nothing to do with my covid thing.
Then as December concluded and the new year began, my boss said that this was the last shift for me cause my position was seasonal and they were letting a lot of people go.
I then asked why I was on the schedule for Sunday, and he told me to ignore it and I'm free to reapply for full-time.
I mean.... They can act smart about it...
But putting your general merchandise stocker onto register after she had an asthma attack and missed working the first two weeks of December due to covid.....
Not a good look.
So once again, I'm jobless once more.
Will probably continue to live with my sister for awhile.
But I do not feel as if it's a bad thing....
I met so many good people this year....
My friend's family even gave me 500 usd to cover my rent since I couldn't work for a majority of December.
I've seen evil and good from humanity this year. I've seen acts of god, good friends and what my real family means to me as well as friends I consider family.
This year really made me look back at the person in the mirror and say,
"I deserve better."
And actually worked for it this time.
Oh and after Christmas I got a horrible yeast infection that burns over most of my body currently.
Very accurate doodle to the pain I'm in right now.
(seriously my body is a fungus.)
But hey, good news, I respected myself enough to go to the doctor about it!!
So that's progress.
I really hope 2021 holds good things for me.
Thank you to the mooping 10 server for always being there and keeping me sane,
Thank you tumblr for liking my au and everything.
AND A SUPER SPECIAL THANK YOU TO @evartandadam and her family for housing me and my dumb diseased ass. Everyone, she is an angel and I can't express how much she means to me. Please check out her art and buy her stuff on redbubble.
Anyways... Byebye 2020.
I look forward to what I can accomplish for myself this year.
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CUSTOMS AND TRADITIONS
by Itzel
Every country has customs and traditions that distinguish them from the rest of the world, and Mexico is no exception. Throughout the year, you will find festivities full of music, dance and color with deep meaning and strong cultural roots. Mexican traditions have survived the passage of time, some have been transformed, mixed with customs from other states or countries but rescuing and preserving their essence. Here is everything you need to know about the most popular Mexican traditions, which you should not miss.
1. Day of the Dead
If there is one thing that sets Mexico apart, it is the way we honor our dead. This tradition takes place on November 1 and 2 of each year. The Day of the Dead fills the streets of every city and municipality, and Mexican homes with color.
Honoring and showing respect to the dead is a custom that has been passed down from generation to generation. There are variations of this tradition in each region, such as the Hanal Pixan, a unique tradition in the Yucatan Peninsula.
Visiting the graves of the deceased, cleaning the tombs and decorating them with flowers are some of the traditions of this celebration, but without a doubt, one of the most outstanding customs is to place an altar that welcomes the deceased who visit us on these dates.
During these dates you can find great cultural richness and taste the special food of the country.
2. La Guelaguetza in Oaxaca
La Guelaguetza, also known as ¨Los lunes del Cerro¨, is the most important holiday in Oaxaca. This is a celebration full of music, color and joy, which takes place on the two Mondays following July 16th.
The Guelaguetza, with religious origins, began as an indigenous celebration dedicated to Centéotl, the goddess of tender corn. After the Spanish Conquest, this celebration became a Catholic rite performed in honor of the Virgen del Carmen.
The Guelaguetza gathers representatives from the eight regions of Oaxaca, who take the Cerro Fortín to perform their traditional dances, typical costumes and great gastronomic variety.
Over the years, the Guelaguetza has become more popular, extending its festivities with activities that satisfy all tastes. Cultural events, dances, gastronomic demonstrations and concerts by artists of the moment are some of the activities you can enjoy.
Some of the dances that are performed on the Lunes de Cerro are the Sones Serranos, the Jarabe Mixteco, the Danza de la Pluma, the Sandunga and the Danza Flor de Piña.
3. The Papantla Flyers
The Papantla Flyers are known all over the world. Their dance takes place in the city of Papantla, Veracruz but it is not the only region where it is performed.
This ritual dates back to pre-Hispanic times and although it has been modified over time, it retains its original meaning.From the beginning this event is part of the merit rituals, in which they sought to obtain prosperity and a long life.
The ritual begins when the leader of the dancers goes into the forest in search of the best tree to perform the dance.It is necessary to clean the land so that when the tree falls, its structure is not damaged. Once on the ground, the branches and foliage are removed to leave only the trunk.
The final part of the ritual is the well-known descent of the dancers suspended from a rope. This dance is an ancestral tradition that will undoubtedly surprise you.
4. Dance of the Parachicos in Chiapas
From January 8 to 23, the largest celebration in Chiapa de Corzo is held. The dance of the Parachicos was declared Intangible Cultural Heritage by UNESCO.
The most striking aspect of this festival is that you can see the dancers dressed in embroidered shawls, sarapes and colored ribbons, wooden masks and carrying tin rattles called chinchines which they play during the dances.
As in all the customs and traditions of Mexico, the best traditional dishes and drinks cannot be missed.
5. Parade of Alebrijes in CDMX
It is a recently created event which has had an excellent acceptance. The Alebrijes Parade has been held since 2007 and is organized by the Museum of Popular Art with the help of several institutions.
Albrijes are an icon of Mexican culture and have their origin in the early 20th century. The artist Pedro Linares, who was famous for his ability to create carnival masks and other paper mache works, became ill with a fever that caused him to have many vivid dreams bringing these unique and colorful figures to life.
The parade starts in the Zócalo of the city and you will be able to admire paper mache figures, painted in brilliant colors, up to 4 meters high. The parade can look like a carnival when accompanied by musicians, clowns, costumed people and more.
At the end of the parade the figures are displayed in the Paseo de la Reforma. Afterwards, the alebrijes are judged and prizes are awarded to the artisans.
6. Carnival of Veracruz
Although this festivity takes place in many regions of the country, the carnival of Veracruz stands out for being the most famous in Latin America after the one in Rio de Janeiro.
Some of the events are the coronation of the carnival kings, which takes place in the city's zocalo, and the "Quema del Mal humor" (burning of the bad mood), which starts the festivities.
During the 9 days that this celebration lasts you will be able to admire how the streets of the city are filled with color and joy. There are parades of floats decorated with unique designs that will surprise you and are accompanied by dancers who wear colorful costumes.
The city is full of visitors who travel from other parts of the country willing to enjoy the joyful Jarocho atmosphere. To conclude the festivities, on the ninth day, the burial of Juan Carnaval takes place.
7. Holy Week
Holy Week, also known as Semana Mayor, is one of the best known religious celebrations in Mexico. This is the most important time for the Catholic community.
In spite of being a religious celebration, it is considered a national holiday, so it is common to see activities suspended at many levels of school, government and private areas.
This holiday period is considered one of the best times of the year to go on vacation with family and friends.
In the Catholic liturgical calendar, Lenten starts on February 14, on Ash Wednesday and ends on March 29, on MaundyThursday. In Mexico, religious processions and celebrations are the results of syncretism between ancient cultures and the Spanish. The mortification, sacrifice, and physical pain that take place during some of the representations of the Way of the Cross are used to express repentance, redemption, and fulfill promises.
8. Independence Day
Every year on September 16, Mexicans around the world celebrate Mexico's independence. It is one of the traditions that best represent the pride of being Mexican, and that is why every September is called the month of the nation.
On the night of September 15, Mexicans gather in the zocalo of each city or in their homes. Outside the country, Mexicans in different parts of the world do not let this day go by and they also gather to celebrate.
The main event of the night is the famous ¨Grito of Independencia¨ simulating what Father Hidalgo did on September 16, 1810. The President of the Republic is in charge of making this representation at a national level and in each city and municipality it is replicated by the rulers in turn.
During this celebration you will be able to enjoy the traditional Mexican food stands, mariachi music, concerts by artists of different genres and, of course, the fireworks shows cannot be missed.
9. Day of the Virgin of Guadalupe
In Mexico, the Catholic religion is deeply rooted in our culture. The celebrations around the day of the Virgin of Guadalupe start the December festivities known as the Guadalupe-Reyes Marathon.
The celebration takes place on December 12 as it is the date of the last apparition of the Virgin to San Juan Diego on the Tepeyac hill, according to Catholic belief.
On December 11, at 6:45 p.m., the celebrations begin with serenades and other tributes. At 12:00 am musicians and artists sing the traditional "mañanitas" to the Virgin.
During the day the churches and parishes see a great influx of people to attend the scheduled masses. In several places in the country, thousands of people go on pilgrimage to the Basilica of Guadalupe in Mexico City.
10. The Posadas
The posadas take place from December 16th to 24th. They are one of the most beautiful traditions in Mexico.
During the 9 days of the posadas, prayers are said and each one has a different meaning: humility, strength, detachment, charity, trust, justice, purity, joy and generosity.
By custom, a house is designated as the host for each day, and neighbors and family members organize to carry out these activities. After the prayers you can enjoy a conviviality where food and drink are offered to those attending and they can break the traditional piñata.
In the posadas, it is customary for participants to blindfold themselves to break the piñata, which is made of baked clay or cardboard and is decorated with colorful paper mache.
Today, piñatas accompany all kinds of festivities and are not limited only to the posadas.
11. Epiphany or Three Wise Men's Day
It is a religious holiday celebrated in Mexico on January 6 to commemorate the arrival of the Three Wise Men in Bethlehem to worship the baby Jesus.
Don't miss out on the wide variety of bagels that are baked: try the different types of fillings and toppings that you will love.
The rosca de reyes hides inside one or more plastic dolls representing the baby Jesus. The custom dictates that whoever finds one of these dolls must present the baby Jesus in church and invite his family and friends to eat tamales on February 2nd, better known as La Candelaria's day.
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Character bios/descriptions
Here’s some descriptions of the sides in this au cos i wanna talk about them like all day lol
Patton Sanders (formerly Shepard):
Age: 29
Pronouns: he/him
Height: 5’6”
Straight chestnut brown hair, chocolate brown eyes, hint of a tan but nothing too extreme, rectangular glasses with black frames, usually wears clothes that are comfortable (especially oversized jumpers), loves wearing beanies (often steals Logan’s, who hesitantly allows it) (mostly cos he’s really freaking cute in them)
Really good with kids (ofc) and is such a people person, but can get shy around older people (specifically men old enough to be his dad)
Very good at reading emotions and knowing what people need, whether it’s a hug or alone time
Has asthma, but it’s not nearly as bad as it used to be
Is an only child to a mother and father, but ended up running away cos his dad became really overly aggressive
His uncle on his mothers side is Emile, who is married to Thomas, and they both took Patton in once it became clear that emiles sister and her husband were unfit parents (although Patton’s mom was much better with Patton and actually helped him run away) which was when he had his last name changed to Sanders
He met Logan when he ran away and they both went to emile and Thomas’s house together (I actually wrote the story of how they met for 25 Days of Ficmas on my main blog uwu)
They started out as friends for a long time until Patton found himself falling for Logan, who revealed that he had been crushing on Patton for quite some time
Their relationship started out rocky as neither of them knew exactly how to date (theyd dated other people before, they were just remarkably bad at it) but they made it through in the end
Logan Sanders (formerly Adams):
Age: 28
Pronouns: he/him
Height: 5’11”
Curly, light brown hair, amber eyes, moderately fair skinned, a lot of freckles on his face and arms, round glasses with silver frames, dresses much differently depending on if he’s home or in public - at home he’ll wear T-shirts and casual lounge pants and beanies and stuff, but in public typically sticks with a polo shirt and jeans, sometimes with a necktie depending on the setting
Has a tendency to put up a cold exterior around strangers or when in a public setting, but around loved ones he’s much more relaxed and casual, but still usually struggles to express his feelings.
He’s an amazing father, although sometimes he doubts this despite how much his kids absolutely adore him (he also has a tendency to doubt his own intelligence, even though he’s incredibly smart)
Is autistic, on the high functioning end of the spectrum, and has worked with professionals for basically his whole life to work on reading social cues and such, which he’s much better at now
Has three younger sisters - from oldest to youngest, Ellen, Renae, and Ashley. Logan being the oldest sibling, he’s always felt quite protective of his sisters. Can and will physically fight the whole planet for them
Their father died when Logan was 16. He was completely distraught over this and ran away from home. It was the most reckless, impulsive thing he’d ever done, but he doesn’t regret it for a single second, because that was how he met the love of his life
He did end up going back home to his family, because he knew they needed him
Virgil Sanders:
Age: 4 (birthday December 19)
Pronouns: he/him
Height: idk however tall four year olds are
Floppy black hair, gunmetal blue eyes, about as pale as a vampire, always wearing something purple (most notably the light purple polo shirt Logan couldn’t resist getting him, as well as his dark purple jumper that’s a size too big)
He’s fairly shy, though Patton and Logan tend to avoid calling him as such (they typically say introverted), but once he warms up to new people he’s a delight (it took him quite some time to fully trust Janus, but even from day one it was clear they connected on some level). He adores insects and arachnids, and much to Patton’s dismay, his favourite is spiders. He wants to be an entomologist when he grows up, but he can never remember the word for it, so he says “bug scientist”
Is suspected to be autistic but has yet to be tested for it
He was adopted by Patton and Logan when he was an infant. His mother was sixteen years old and had to give the baby up, due to her parents insistence, plus she knew she was unfit anyway, and it didn’t help that the father completely abandoned her. Patton and Logan matched with her in the adoption process when she was three months pregnant and it was quite the journey from start to finish
Roman & Remus Sanders:
Age: 8 (birthday June 14)
Pronouns: both he/him
Height: uh average
Both fairly tanned having spent over half their childhood in the sunlight, Roman has short dark mahogany brown hair and forest green eyes, Remus has longer, curly dark mahogany brown hair with jade green eyes, they both have dark freckles, Roman’s mostly on his cheeks while Remus’s are basically all over his body, and Remus has a gap in his extremely crooked teeth as well as green braces. Roman has all manner of Disney apparel, but he especially loves wearing his white Mickey Mouse shirt with the long red sleeves, and he’s also unafraid to wear traditionally “feminine” clothes like dresses and skirts. Remus... prefers not wearing clothes at all honestly but Logan and Patton insist on it, so he tries to wear as few clothes as possible, usually his neon green tank top and dark brown cargo shorts
They’re very different from each other but they do have similarities and can work well together. They pretty much never admit it but they do love each other despite their differences and near constant bickering.
They’re both dramatic, but in somewhat different ways. Roman is dramatic in that way that’s like “I’m literally tinkerbell because you have to give me attention or I’ll die”, while Remus is more like “this little tiny thing inconvenienced me so I’m gonna overreact and formulate murder plans against whoever/whatever dare make my life unbearably difficult”. They’re also both very creative, but of course they have different views on creativity (I doubt I need to get into specifics). They also both love Disney, but roman is more into classic Disney while Remus prefers Pixar
They both seem to exhibit traits of ADHD but haven’t been tested for it yet
They were around three years old when their mom and dad both died in a car accident. It was two years after that that Patton and Logan decided to adopt them both, despite only planning on adopting one child. Virgil was a year old at this time, and they wanted an older kid, and they ended up with two. And really that was fine by them, they just knew that this was it; no more kids, at least for a little while
Janus REDACTED
Age: 15 (birthday February 3)
Pronouns: he/him/they/them
Height: 5’7”
Medium length light golden brown hair, two different coloured eyes (right - cognac, left - chartreuse), fair skinned with a red birthmark taking up most of the left side of his face, missing right leg where he had to get an above-the-knee amputation, which causes him to need forearm crutches, he usually wears clothes that cover as much of his body as possible, and he oftentimes - if not constantly - wears foundation and concealer to hide his birthmark, although Patton and Logan insist it’s not necessary
He tends to avoid people when possible, since he’s developed quite the trust issues over the years. Going from foster home to foster home has made it difficult to allow himself to get close with anyone. In spite of this, he always seems to find himself bonding with the kids in his foster families. Especially the Sanders family when they first took him in (their original plan was to simply foster him... that plan fell through as they very quickly decided they wanted him to be part of their family)
Overall they’re a sarcastic cynic with a knack for storytelling, and while they seem cold and reserved on the outside, completely uncaring about the world around them, really deep down they just want to feel loved by someone, they want to feel accepted and like they’re really part of a family, like they’re actually wanted
They developed a bit of trauma from their birth family situation but a lot of it has been worked out, although they still have issues to work through even after all this time
They were ten when their dad got blackout drunk, forced them and their mom into the car, and started driving. Janus still has no idea where he was trying to go, but they never made it. They got into a monumental car accident, and Janus was lucky they made it out alive, although it costed them their leg. Their mother died unfortunately and their father was on life support last they heard. They never found out if he woke up or if he was taken off of it, so they have no idea if their dad is dead or alive. They tell themself they don’t care, they don’t wanna know either way, but they do. They feel like they shouldn’t, since their dad hurt them and got their mom killed, but they did have fond memories of their dad, which made the entire situation that much worse
So yeah on the happiest of notes there’s the main fam-ILY!!! :,)
I might continue this post with descriptions of the entire extended family, who knows!!!! :D (let me know if I missed anything in the tags btw, although I reached the limit so oof if I did)
#ts home for christmas#thomas sanders#sanders sides#sanders sides au#patton sanders#logan sanders#virgil sanders#roman sanders#remus sanders#janus sanders#autistic logan#autistic logan sanders#amputee janus#logicality#creativitwins#long post#death#death tw#death mention#death mention tw#car accident#car accident tw#car accident mention#car accident mention tw#alcohol mention#alcohol mention tw#trauma mention#trauma mention tw
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The Painter of Sunflowers and The Man in a Red Beret
— The Painter of Sunflowers (Portrait of Vincent van Gogh), by Paul Gauguin (1888).
— Paul Gauguin (Man in a Red Beret), by Vincent van Gogh (1888).
–
It’s like trying to compare Gauguin and Van Gogh. They were friends, as well.
— John Lennon talks with Robert Hilburn from The LA Times (10 October 1980).
–
Certain relationships are charged with an intensity of feeling that incinerates the walls we habitually erect between platonic friendship, romantic attraction, and intellectual-creative infatuation. One of the most dramatic of those superfriendships unfolded between the artists Paul Gauguin (June 7, 1848–May 8, 1903) and Vincent van Gogh (March 30, 1853–July 29, 1890), whose relationship was animated by an acuity of emotion so lacerating that it led to the famous and infamously mythologized incident in which Van Gogh cut off his own ear — an incident that marks the extreme end of what Sir Thomas Browne contemplated, two centuries earlier, as the divine heartbreak of romantic friendship.
— ‘Gauguin’s Stirring First-Hand Account of What Actually Happened the Night Van Gogh Cut off His Own Ear’ by Maria Popova for Brain Pickings.
–
Imagine all the people living life in peace
Arles [town in the South of France where van Gogh had moved to on February 1988]; Wednesday, 3 October 1888
My dear Gauguin,
[…]
I must tell you that even while working I never cease to think about this enterprise of setting up a studio with yourself and me as permanent residents, but which we’d both wish to make into a shelter and a refuge for our pals at moments when they find themselves at an impasse in their struggle.
[…]
Now I’d like to see you taking a very large share in this belief that we’ll be relatively successful in founding something lasting.
[…]
I believe that if from now on you began to think of yourself as the head of this studio, which we’ll attempt to make a refuge for several people, little by little, bit by bit, as our unremitting work provides us with the means to bring the thing to completion — I believe that then you’ll feel relatively consoled for your present misfortunes of penury and illness, considering that we’re probably giving our lives for a generation of painters that will survive for many years to come.
[…]
About the room where you’ll stay, I’ve made a decoration especially for it, the garden of a poet […]. And I’d have wished to paint this garden in such a way that one would think both of the old poet of this place (or rather, of Avignon), Petrarch, and of its new poet — Paul Gauguin.
However clumsy this effort, you’ll still see, perhaps, that while preparing your studio I’ve thought of you with very deep feeling.
Let’s be of good heart for the success of our enterprise, and may you continue to feel very much at home here.
Because I’m so strongly inclined to believe that all this will last for a long time.
Good handshake, and believe me
Ever yours, Vincent
–
We’re all going to live there, perhaps forever, just coming home for visits. Or it might just be six months a year. It’ll be fantastic, all on our own on this island. There some little houses which we’ll do up and knock together and live communally.
— John Lennon, on his plan to buy a Greek island where the Beatle family could live together (1967). In The Anthology.
–
We were all going to live together now, in a huge estate. The four Beatles and Brian would have their network at the centre of the compound: a dome of glass and iron tracery (not unlike the old Crystal Palace) above the mutual creative/play area, from which arbours and avenues would lead off like spokes from a wheel to the four vast and incredibly beautiful separate living units. In the outer grounds, the houses of the inner clique: Neil, Mal, Terry and Derek, complete with partners, families and friends. Norfolk, perhaps, there was a lot of empty land there. What an idea! No thought of wind or rain or flood, and as for cold… there would be no more cold when we were through with the world. We would set up a chain reaction so strong that nothing could stand in our way. And why the hell not? ‘They’ve tried everything else,’ said John realistically. 'Wars, nationalism, fascism, communism, capitalism, nastiness, religion – none of it works. So why not this?
— Derek Taylor, in his autobiography Fifty Years Adrift (1984).
–
— Self-Portrait with Portrait of Émile Bernard (Les misérables), by Paul Gauguin (1888).
Readers of the Mercure may have noticed in a letter of Vincent’s, published a few years ago, the insistence with which he tried to get me to come to Arles to found an atelier after an idea of his own, of which I was to be the director.
At the time I was working at Pont-Aven, in Brittany, and either because the studies I had begun attached me to this spot or because a vague instinct forewarned me of something abnormal, I resisted a long time, till the day came when, finally overborne by Vincent’s sincere, friendly enthusiasm, I set out on my journey.
I arrived at Arles toward the end of the night and waited for Dawn in a little all-night café. The proprietor looked at me and exclaimed, “You are the pal, I recognize you!”
A portrait of myself which I had sent to Vincent explains the proprietor’s exclamation. In showing him my portrait Vincent had told him that it was a pal of his who was coming soon.
Neither too early nor too late I went to rouse Vincent out. The day was devoted to getting settled, to a great deal of talking and to walking about so that I might admire the beauty of Arles and the Arlesian women, about whom, by the way, I could not get up much enthusiasm.
The next day we were at work, he continuing what he had begun, and I starting something new.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
I don’t admire the painting but I admire the man. He was so confident, so calm. I so uncertain, so uneasy.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
My memory of meeting John for the first time is very clear. … I can still see John now - checked shirt, slightly curly hair, singing ‘Come Go With Me’ by the Del Vikings. He didn’t know all the words, so he was putting stuff in about penitentiaries - and doing a good job of it. I remember thinking, ‘He looks good - I wouldn’t mind being in a group with him.’ … Then, as you all know, he asked me to join the group, and so we began our trip together. We wrote our first songs together, we grew up together and we lived our lives together. And when we’d do it together, something special would happen. There’d be that little magic spark. I still remember his beery old breath when I first met him here [Woolton church fete] that day. But I soon came to love that beery old breath. And I loved John. I always was and still am a great fan of John’s.
— Paul McCartney, in Bill Harry’s The Paul McCartney Encyclopedia (2003).
–
In the beginning he was a sort of fairground hero. He was the big lad riding the dodgems and we thought he was great. We were younger, me and George, and that mattered. It was teenage hero worship. I’ve often said how my first impression of him was his boozy breath all over me—but that was just a cute story. That was me being cute. It was true, but only an eighth of the truth. I just used to say that later when people asked me for my first memory of John. My first reaction was never simple—that he was great, that he was a great bloke, and a great singer. My REALLY first impression was that it was amazing how he was making up all the words.
He was singing “Come Go with Me to the Penitentiary,” and he didn’t know ONE of the words. He was making up every one as he went along. I thought it was great.
— Paul McCartney, according to Hunter Davies annotations of their phonecall on 3 May 1981.
–
And if I say I really knew you well What would your answer be?
Between two such beings as he and I, the one a perfect volcano, the other boiling too, inwardly, a sort of struggle was preparing. In the first place, everywhere and in everything I found a disorder that shocked me. His colour-box could hardly contain all those tubes, crowded together and never closed. In spite of all this disorder, this mess, something shone out of his canvases and out of his talk, too. […]
In spite of all my efforts to disentangle from this disordered brain a reasoned logic in his critical opinions, I could not explain to myself the utter contradiction between his painting and his opinions. […]
One thing that angered him was to have to admit that I had plenty of intelligence, although my forehead was too small, a sign of imbecility. Along with all this, he possessed the greatest tenderness, or rather the altruism of the Gospel.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
I could just often be the sort of baddie in a situation, and he could be a real soft sweetie, you know? Took everyone by surprise, that!
— Paul McCartney, interviewed by David Frost (1997).
–
I was feeling insecure…
From: Vincent | To: Paul | Wednesday, 3 October 1888
I find my artistic ideas extremely commonplace in comparison with yours.
I always have an animal’s coarse appetites. I forget everything for the external beauty of things, which I’m unable to render because I make it ugly in my painting, and coarse, whereas nature seems perfect to me.
Now, however, the energy of my bony carcass is such that it goes straight to the target; from that comes a perhaps sometimes original sincerity in what I make, if, that is, the subject lends itself to my rough and unskilful execution.
–
Tony Sheridan: [John] never saw himself as a very good singer, for instance.
Interviewer: Really?
Tony Sheridan: No. He never saw himself as comparable to Paul McCartney, even. Which, you know, he was playing with a guy, writing songs with a guy whom he thought was better than he was in many ways. So he had this immense ego and this immense sort of – it was like a motor in him that had to go to new lengths and reach new heights in order to impress somebody or the whole world or whatever.
— In A Long And Winding Road (2003).
–
“Most people in Britain think I’m somebody who won the pools, you know,” he says drily, drawing on a Gauloise. “Won the pools and married a Hawaiian dancer or actress somewhere. Whereas in the States, we’re treated like artists. Which we are! Or anywhere else for that matter,” he added. “But here, it’s like, the lad who knew Paul, got a lucky break, won the pools and married the actress.”
— John Lennon, interviewed for Melody Maker (2 October 1971).
–
It may have been the one that had my song, 'Here, There and Everywhere.’ There were three of my songs and three of John’s songs on the side we were listening to. And for the first time ever, he just tossed it off, without saying anything definite, 'Oh, I probably like your songs better than mine.’
— Paul McCartney, interviewed by Joan Goodman for Playboy (1984).
–
Knowing that love is to share
From the very first month, I saw that our common finances were taking on the same appearance of disorder. What was I to do? […] I was obliged to speak, at the risk of wounding that very great susceptibility of his. It was thus with many precautions and much gentle coaxing, of the sort very foreign to my nature, that I approached the question. I must confess that I succeeded far more easily than I should have supposed.
We kept a box, – so much for hygienic excursions at night, so much for tobacco, so much for incidental expenses, including rent. […] We gave up our little restaurant, and I did the cooking on a gas stove, while Vincent laid in provisions, not going very far from the house. Once, however, Vincent wanted to make soup. How he mixed it I don’t know; as he mixed his colours in his pictures, I dare say. At any rate, we couldn’t eat it. And my Vincent burst out laughing and exclaimed: “Tarascon! La casquette au père Daudet!” On the wall he wrote in chalk: Je suis Saint Esprit. Je suis sain d’esprit. [I am the Holy Spirit. I am sane.]
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
You’ve got to hide your love away
On several nights I surprised him in the act of getting up and coming over to my bed. To what can I attribute my awakening just at that moment?
At all events, it was enough for me to say to him, quite sternly, “What’s the matter with you, Vincent?” for him to go back to bed without a word and fall into a heavy sleep.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
All I can ever say about it is that I slept with John a lot because you had to, you didn’t have more than one bed - and to my knowledge John was never gay.
— Paul McCartney, in The Brian Epstein Story (2000).
–
To say “I love you” would break all my teeth.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
You can actually say, “I love you,” to someone, but it’s quite hard. And so that’s why it’s usually easier when you’re a bit drunk. It’s like ‘Here Today’ [on 1982’s Tug of War], which was for John, and there is the line, (sings) “Du du du du du du du, I love you,” and it is a bit of a moment in the song. It would be a bit like Keith Richards saying to Mick, “I love you.” I mean he does, but I’m not sure he’s going to say it. I’m sure the Gallaghers love each other on some level, probably quite deeply, but that certainly isn’t going to get said soon. I think it’s quite an interesting subject and I felt it most recently with [wife] Nancy, I knew I loved her but to actually say, “I love you,” you know, it’s just not that easy.
— Paul McCartney, interview with Pat Gilbert for MOJO (November 2013).
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Hear me, my lover I can’t be held responsible now For something that didn’t happen I knew you for a minute Oh, it didn’t happen Only for a minute
–
During the latter days of my stay, Vincent would become excessively rough and noisy, and then silent. […]
The idea occurred to me to do his portrait while he was painting the still-life he loved so much – some ploughs. When the portrait was finished, he said to me, “It is certainly I, but it’s I gone mad.”
That very evening we went to the café. He took a light absinthe. Suddenly he flung the glass and its contents at my head. I avoided the blow, and, taking him bodily in my arms, went out of the café, across the Place Victor Hugo. Not many minutes later Vincent found himself in his bed where, in a few seconds, he was asleep, not to awaken again til morning.
When he awoke, he said to me very calmly, “My dear Gauguin, I have a vague memory that I offended you last evening.”
Answer: “I forgive you gladly and with all my heart, but yesterday’s scene might occur again and if I were struck I might lose control of myself and give you a choking. So permit me to write to your brother and tell him that I am coming back.”
My God, what a day!
When evening had come and I had bolted my dinner, I felt I must go out alone and take the air along the paths that were bordered by flowering laurel. I had almost crossed the Place Victor Hugo when I heard behind me a well-known step, short, quick, irregular. I turned about on the instance as Vincent rushed toward me, an open razor in his hand. My look at the moment must have had great power in it, for he stopped and, lowering his head, set off running towards home.
Was I negligent on this occasion? Should I have disarmed him and tried to calm him? I have often questioned my conscience about this, but I have never found anything to reproach myself with. Let him who will fling the stone at me.
With one bound I was in a good Alesian hotel, where, after I had enquired the time, I engaged a room and went to bed.
I was so agitated that I could not get to sleep till about three in the morning, and I awoke rather late, at about half-past seven.
Reaching the square, I saw a great crowd collected. Near our house there were some gendarmes and a little gentleman in a melon-shaped hat who was the superintendent of the police.
This is what had happened.
Van Gogh had gone back to the house and immediately cut off his ear close to the head. He must have taken some time to stop the flow of the blood, for the day after there were a loto f wet towels lying about on the flag-stones in the two lower rooms. […]
When he was in a condition to go out, with his head enveloped in a Basque beret which he had pulled far down, he went straight to a certain house where for want of a fellow-countrywoman one can pick up an acquaintance, and gave the manager his ear, carefully washed and placed in an envelope. “Here is a souvenir of me,” he said. Then he ran off home, where he went to bed and to sleep. […]
I had no faintest suspicion of all this when I presented myself at the door of our house and the gentleman in the melon-shaped hat said to me abruptly and in a tone that was more than severe, “What have you done to your comrade, Monsieur?”
“I don’t know…”
“Oh, yes… you know very well… he is dead.”
I could never wish anyone such a moment, and it took me a long time to get my wits together and control the beating of my heart.
Anger, indignation, grief, as well as shame at all these glances that were tearing my person to pieces, suffocated me, and I answered, stammeringly: “All right, Monsieur, let us go upstairs. We can explain ourselves there.”
In the bed lay Vincent, rolled up in the sheets, humped like a guncock; he seemed lifeless. Gently, very gently, I touched the body, the heat of which showed that it was still alive. For me it was as if I had suddenly got back all my energy, all my spirit.
Then in a low voice I said to the police superintendent: “Be kind enough, Monsieur, to awaken this man with great care, and if he asks for me tell him I have left for Paris; the sight of me might prove fatal to him.”
— On the events of 23 of December 1988. In The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
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Auvers-sur-Oise, c. 17 June 1890
My dear friend Gauguin,
Thank you for having written to me again, my dear friend, and rest assured that since my return I have thought of you every day. I stayed in Paris only three days, and the noise, etc., of Paris had such a bad effect on me that I thought it wise for my head’s sake to fly to the country; but for that, I should soon have dropped in on you.
And it gives me enormous pleasure when you say the Arlésienne’s portrait [above], which was based strictly on your drawing, is to your liking. I tried to be religiously faithful to your drawing, while nevertheless taking the liberty of interpreting through the medium of colour the sober character and the style of the drawing in question. It is a synthesis of the Arlésiennes, if you like; as syntheses of the Arlésiennes are rare, take this as a work belonging to you and me as a summary of our months of work together. For my part I paid for doing it with another month of illness, but I also know that it is a canvas which will be understood by you, and by a very few others, as we would wish it to be understood.
–
There are only about 100 people in the world who understand our music. George, Ringo, and a few friends around the world. Some of the artists who recorded our numbers have no idea how to interpret them. […] When Paul and I write a song, we try and take hold of something we believe in – a truth. We can never communicate 100 per cent of what we feel, but if we can convey just a fraction, we have achieved something. We try to give people a feeling – they don’t have to understand the music if they can just feel the emotion. This is half the reason the fans don’t understand, but they experience what we are trying to tell them. Lack of feeling in an emotional sense is responsible for the way some singers do our songs. They don’t understand, and are too old to grasp the feeling. Beatles are really the only people who can play Beatle music.
— John Lennon, Lennon & McCartney Interview for Flip Magazine (May 1966).
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My friend Dr. Gachet here has taken to it altogether after two or three hesitations, and says, “How difficult it is to be simple.” Very well - I want to underline the thing again by etching it, then let it be. Anyone who likes can have it.
Have you also seen the olives? Meanwhile I have a portrait of Dr. Gachet with the heart-broken expression of our time. If you like, something like what you said of your “Christ in the Garden of Olives” not meant to be understood, but anyhow I follow you there, and my brother grasped that nuance absolutely.
[Here Vincent drew a sketch of the “Cypress with Star.”]
I still have a cypress with a star from down there, a last attempt - a night sky with a moon without radiance, the slender crescent barely emerging from the opaque shadow cast by the earth - one star with an exaggerated brilliance, if you like, a soft brilliance of pink and green in the ultramarine sky, across which some clouds are hurrying. Below, a road bordered with tall yellow canes, behind these the blue Basses Alpes, an old inn with yellow lighted windows, and a very tall cypress, very straight, very sombre.
On the road, a yellow cart with a white horse in harness, and two late wayfarers. Very romantic, if you like, but also Provence, I think.
— Road with Cypress and Star, by Vincent van Gogh.
I shall probably etch this and also other landscapes and subjects, memories of Provence, then I shall look forward to giving you one, a whole summary, rather deliberate and studied. My brother says that Lauzet, who does the lithographs after Monticelli, liked the head of the Arlésienne in question.
But you will understand that having arrived in Paris a little confused, I have not yet seen your canvases. But I hope to return for a few days soon.
[Here was drawn a sketch of “Ears of Wheat.”]
I’m very glad to learn from your letter that you are going back to Brittany with De Haan. It is very likely that - if you will allow me - I shall go there to join you for a month, to do a marine or two, but especially to see you again and make De Haan’s acquaintance. Then we will try to do something purposeful and serious, such as our work would probably have become if we had been able to carry on down there.
Look, here’s an idea which may suit you, I am trying to do some studies of wheat like this, but I cannot draw it - nothing but ears of wheat with green-blue stalks, long leaves like ribbons of green shot with pink, ears that are just turning yellow, lightly edged with the pale pink of the dusty bloom - a pink bindweed at the bottom twisted round a stem.
— Ears of Wheat, by Vincent van Gogh.
After this I would like to paint some portraits against a very vivid yet tranquil background. There are the greens of a different quality, but of the same value, so as to form a whole of green tones, which by its vibration will make you think of the gentle rustle of the ears swaying in the breeze: it is not at all easy as a colour scheme.
— Unfinished unsent letter from Vincent van Gogh to Paul Gauguin.
–
— Auvers-sur-Oise. — Sunday 27 July, a man named Van Gogh, 37, a Dutch fellow, painter, on his way through Auvers, shot himself in the fields and, being only wounded, returned to his room where he died two days later.
–
Here is what I know on his death.
That Sunday he went out immediately after breakfast, which was unusual. […] When we saw Vincent arrive night had fallen, it must have been about nine o'clock. Vincent walked bent, holding his stomach, again exaggerating his habit of holding one shoulder higher than the other. Mother asked him: “M. Vincent, we were anxious, we are happy to see you to return; have you had a problem?”
He replied in a suffering voice: “No, but I have…” he did not finish, crossed the hall, took the staircase and climbed to his bedroom. I was witness to this scene. Vincent made such a strange impression on us that Father got up and went to the staircase to see if he could hear anything.
He thought he could hear groans, went up quickly and found Vincent on his bed, laid down in a crooked position, knees up to the chin, moaning loudly: “What’s the matter,” said Father, “are you ill?” Vincent then lifted his shirt and showed him a small wound in the region of the heart. Father cried: “Malheureaux, [unhappy man] what have you done?”
“I have tried to kill myself,” replied Van Gogh.
[…]
Vincent had gone to the wheat field where he had painted previously […]. Vincent shot himself with a revolver and fainted. The freshness of the evening revived him. On all fours he sought the revolver to finish himself off, but could not find it (and it was not found the following day). Then Vincent gave up looking and came down the hill to regain our house.
[…]
In the morning of the following day, two gendarmes of the Méry brigade, probably alerted by a public rumour, appeared at the house. […] The gendarme then entered the room, and Rigaumon, always in the same tone, questioned Vincent: “Are you the one who wanted to commit suicide?”
- Yes, I believe, replies Vincent in his usual soft tone.
- You know that you do not have the right?
Always in the same even tone Van Gogh replied: “Gendarme, my body is mine and I am free to do what I want with it. Do not accuse anybody, it is I that wished to commit suicide.”
[…]
Theo arrived by train in the middle of the afternoon. I remember seeing him arrive, running. […] But his face was marked by sorrow. He immediately climbed up to his brother who he kissed and spoke to him in their native language. Father withdrew and did not help them. He did not go back in during the night. After the emotion that he had felt on seeing his brother, Vincent had fallen into a coma. Theo and my father kept watch on the casualty until his death, which occurred at one o'clock in the morning.
— Memoirs of Vincent Van Gogh’s stay in Auvers-sur-Oise (1956), by Adeline Ravoux (aged 76).
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Paris, 5 August 1890
To say we must be grateful that he rests - I still hesitate to do so. Maybe I should call it one of the great cruelties of life on this earth and maybe we should count him among the martyrs who died with a smile on their face.
He did not wish to stay alive and his mind was so calm because he had always fought for his convictions, convictions that he had measured against the best and noblest of his predecessors. His love for his father, for the gospel, for the poor and the unhappy, for the great men of literature and painting, is enough proof for that. In the last letter which he wrote me and which dates from some four days before his death, it says, “I try to do as well as certain painters whom I have greatly loved and admired.” People should realize that he was a great artist, something which often coincides with being a great human being. In the course of time this will surely be acknowledged, and many will regret his early death. He himself wanted to die, when I sat at his bedside and said that we would try to get him better and that we hoped that he would then be spared this kind of despair, he said, “La tristesse durera toujours” [The sadness will last forever]. I understood what he wanted to say with those words.
A few moments later he felt suffocated and within one minute he closed his eyes. A great rest came over him from which he did not come to life again.
— Letter from Theo van Gogh to Elisabeth van Gogh.
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Vincent van Gogh did not kill himself, the authors of new biography Van Gogh: The Life have claimed.
Steven Naifeh and Gregory White Smith say that, contrary to popular belief, it was more likely he was shot accidentally by two boys he knew who had “a malfunctioning gun”.
The authors came to their conclusion after 10 years of study with more than 20 translators and researchers.
It has long been thought that he shot himself in a wheat field before returning to the inn where he later died.
[…]
But author Steven Naifeh said it was “very clear to us that he did not go into the wheat fields with the intention of shooting himself”.
“The accepted understanding of what happened in Auvers among the people who knew him was that he was killed accidentally by a couple of boys and he decided to protect them by accepting the blame.”
He said that renowned art historian John Rewald had recorded that version of events when he visited Auvers in the 1930s and other details were found that corroborated the theory.
They include the assertion that the bullet entered Van Gogh’s upper abdomen from an oblique angle - not straight on as might be expected from a suicide.
“These two boys, one of whom was wearing a cowboy outfit and had a malfunctioning gun that he played cowboy with, were known to go drinking at that hour of day with Vincent.
"So you have a couple of teenagers who have a malfunctioning gun, you have a boy who likes to play cowboy, you have three people probably all of whom had too much to drink.”
He said “accidental homicide” was “far more likely”.
“It’s really hard to imagine that if either of these two boys was the one holding the gun - which is probably more likely than not - it’s very hard to imagine that they really intended to kill this painter.”
Gregory White Smith, meanwhile, said Van Gogh did not “actively seek death but that when it came to him, or when it presented itself as a possibility, he embraced it”.
He said Van Gogh’s acceptance of death was “really done as an act of love to his brother, to whom he was a burden”.
— by Will Gompertz for BBC News (17 October 2011).
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Now everybody seems to have their own opinion Who did this and who did that But as for me I don’t see how they can remember When they weren’t where it was at
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For a long time I have wanted to write about Van Gogh, and I shall certainly do so some fine day when I am in the mood. I am going to tell you now a few rather timely things about him, or rather about us, in order to correct an error which has been going around in certain circles.
— In the introductory chapter of The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
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I’d like to say this is just as I remember it, if it hurts anyone or any families of anyone who’ve got a different memory of it. Let me say first off, before you read this book even, that I loved John. Lest it be seen that I’m trying to do my own kind of revisionism, I’d like to register the fact that John was great, he was absolutely wonderful and I did love him. I was very happy to work with him and I’m still a fan to this day. So this is merely my opinion. I’m not trying to take anything away from him. All I’m saying is that I have my side of the affair as well, hence this book. When George Harrison wrote his life story I Me Mine, he hardly mentioned John. In my case I wouldn’t want to leave him out. John and I were two of the luckiest people in the twentieth century to have found each other. The partnership, the mix, was incredible. We both had submerged qualities that we each saw and knew. I had to be the bastard as well as the nice melodic one and John had to have a warm and loving side for me to stand him all those years. John and I would never have stood each other for that length of time had we been just one-dimensional.
— Paul McCartney, in the introduction of Many Years from Now.
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All the rest everyone knows who has any interest in knowing it, and it would be useless to talk about it were it not for that great suffering of a man who, confined in a madhouse, at monthly intervals recovered his reason enough to understand and furiously paint the admirable pictures we know.
The last letter I had from him was dated from Anvers, near Pontoise. He told me that he had hoped to recover enough to come and join me in Brittany, but now was obliged to recognize the impossibility of a cure:
“Dear Master” (the only time he ever used this word), “after having known you and caused you pain, it is better to die in a good state of mind than in a degraded one.”
He sent a revolver shot into his stomach, and it was only a few hours later that he died, lying in his bed and smoking pipe, having complete possession of his mind, full of the love of his art and without hatred for others.
In Les Monstres Jean Dolent writes, “When Gauguin says ‘Vincent’ his voice is gentle.” Without knowing it but having guessed it, Jean Dolent is right.
You know why… . .
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
At one point during the evening at the Waldorf-Astoria, McCartney answers a random question with, “No, I always felt much closer to John.” Out of the mouth of anyone else, “John” is just a name, a mere monosyllable. But when the name is uttered by McCartney, the ghostlike presence of John Lennon suddenly descends on the evening. Lennon’s name, so simply invoked by McCartney, takes on the power of a talisman, conjuring up an entire shared cultural scrapbook of images defining musical collaboration and the purest of camaraderie. McCartney owns the pronunciation of “John” the way Katharine Hepburn made “Spensah” Tracy her own.
— In the Paul McCartney interview The act you’ve known for all these years: McCartney today, by Andrew Marton for the Boston Globe (3 December 2000).
–
How long did we remain together? I couldn’t say, I have entirely forgotten. In spite of the swiftness with which the catastrophe approached, in spite of the fever of work that seized me, the time seemed to me a century.
Though the public had no suspicion of it, two men were performing there a colossal work that was useful to them both. Perhaps to others? There are some things that bear fruit.
— The Intimate Journals of Paul Gauguin by Paul Gauguin (1936).
–
[And amalgamation of often imperfect (and other times scary) parallels that possibly led John to compare his relationship with Paul to that of Vincent van Gogh and Paul Gauguin. An overly long self-indulgent post.]
More on the painters series:
The Surrealist | Lennon - McCartney & René Magritte
#lennon mccartney#macca#johnny#vincent van gogh#paul gauguin#we were more artsy#the person I actually picked as my partner#meta#my stuff#Early Days#The Pound Is Sinking#Here Today#Imagine#Jealous Guy#here there and everywhere#Hide your Love Away
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I just read your fic about Scully's diary, what if Mulder actually found the diary and read it after she was cured?
Hi anon! Sorry it took so long but I hope this was a prompt because I wrote something! This is my take on Mulder reading Scully’s diary after she’s been cured of cancer.
Summary - While moving into the Unremarkable House, Mulder stumbles upon Scully’s journal from years ago.
Sequel to this - Existing in Two Places
February
The hatchback to Mulder’s SUV slammed closed as they carry the last two boxes up the steps of the house. The ground under their feet crinkled with the sound of fallen leaves and pine needles. A farm styled house is something they never imagined. This wasn’t them a few years ago. A house with sun crisped weathered wood on the south side and a white paneled porch set for growing old together. The tiny chimney rested on top of the secluded dormer where the master bedroom peaked through the roof.
“This is it.” Mulder says as Scully follows him up the stairs with a box too big for her to see over. He steps over the threshold and sets his box down on the nearby chair and turns around to help her.
“This is it.” She repeats, smiling. He takes her hand and leads her into the house as their make their way to the den to start unpacking.
“So what do you think? Should this be my new office? How about I get some case files to plaster on the wall.”
Scully rolls her eyes and doesn’t respond. She’s too busy reading the labels of the boxes that have made their way into the office.
“Mulder this is kitchen supplies” She laughs as she reads a box in the corner. He doesn’t respond and she notices that he’s opened a box labeled “desk drawers” in Scully’s handwriting.
“You can leave that one for a while. I got rid of my desk so I don’t have anywhere to put that stuff right now.”
Mulder was never one to listen so he slices through the packing tape and opens it - hoping to find some of his old files that he promised Scully he’d get rid of some day. He opens the dented cardboard box and sees the first thing laying on top - a brown leather bound journal with frayed edges. He had seen it only once before. Laying by her hospital bed years ago when she had cancer. He had spent the entire time he’s known her trying to crack the enigma that is Scully - an ever complicated, reserved, and beautiful mind.
Back then he picked it up, read a few pages but stopped at the most recent entries. He felt like an intruder on some of the only privacy she had left. They had invaded her career, her life, and now her body. He remembers thinking that she should be allowed to have this journal to herself, something that she could show him in her own time but when he caught his name out of the corner of his eye he couldn’t help but look.
He didn’t pick it up. He just looked down into the box as if it were a black hole. Should I pretend I don’t know what this is? He looked over at Scully who was unboxing the kitchen supplies he knew was in the wrong place. When she wasn’t looking he slipped the journal into his back pocket.
“You’re awfully quiet over there.” Scully said not taking her eyes off the stack of dishes in front of her. “What are you doing, organizing my junk drawer?”
He laughed to himself - As if Scully ever had a junk drawer in her sparkling clean apartment. “Nah just zoned out for a bit. I’ll just pack this back up and grab another box from the living room.”
Scully nodded and smiled.
After Scully falls asleep on the box spring-less mattress in the middle of the master bedroom surrounded by boxes, Mulder gets out of bed and heads downstairs to the office. Earlier that day they had finished unpacking that room and the wall was newly adorned with the ceremonial “I Want to Believe” poster that followed them everywhere they went. A reminder of what was and what’s to come. He sits at the desk and opens the journal to the first page.
January 29, 1997
Found this notebook under a stack of papers I had scattered in my desk drawer. I think Bill got it for me one Christmas. New years resolution - keep a journal.
“Well I’ll be damned, she did have a junk drawer.” Mulder mutters to himself.
Noticing the date above the entry he feels his heart sink. Was she starting this new resolution because she recently found out she had cancer?
The next couple pages were blank as if she wanted to start a new chapter. Or maybe it was a buffer for what was to come? He leans back in his office chair and puts one leg up on the desk and continues reading.
February 2, 1997
Mulder, I’m sitting here in my hotel room wondering why I even left D.C. for this case. I think I probably did it to spite you and I’m sorry but my mind has been so clouded lately. I think I wanted to show you that I can have a life too. I never thought I would ever admit this to you but it turns out I don’t have a life without you. I’m snowed in and there’s really no place for me to go right now so I’m left with my thoughts.
The night she got the tattoo. He’s regretted how he treated her that week ever since it happened. It wasn’t about the goddamn desk. She had cancer you idiot. How did you not know something was wrong? These thoughts are often on repeat whenever the subject of her cancer arises. He’s apologized, she’s accepted but he still feels bad. His heart sinks further down into his chest. He lowers his leg off the desk in order for him to move that chair closer to the desk so he can really focus.
I don’t know why I’m writing this to you. I’ve never felt the need to keep a journal but recently my mind has been a mixture of thoughts firing so fast that I can’t make sense of them. Sometimes, I hope you’ll never read this but I also wonder if you’ll read it if I’m gone. When I’m gone? I don’t know. I’m so sorry I didn’t tell you when I first found out but I need to tell you now. Part of me has kept it bottled up for so long because I didn’t want you to worry. But I want to tell you now because I need you to worry for me so that I can take a break from it.
He feels tears form at the corners of his eyes. He tries to blink them back but fails and one drops on the page next to the handwriting he’s admired for over twelve years. He quickly wipes it away so as not to smudge the ink. The next few pages he reads are a blur.
Diagnosed
Naso-pharyngeal tumor
I want you to be the first to know
I need your strength
Please bare with me
These are the phrases that stick out to him most. The thought that he left her alone for even one night brings more tears to his eyes. He knows himself - he’s not one to let things go easily. Before he wipes his eyes on his sleeve, he sees the hall light turn on. Padded footsteps of tiny socked feet that are usually music to his ears send adrenaline through his body. They’ve been married for a year, they’ve been by each other’s side for twelve but this still feels like an invasion of privacy. He quickly closes the journal and shuffles the drawers open in an attempt to hide it. He’s too late. Cold hands reach his shoulders and begin to work the knots that never seem to go away.
“What are you doing?” She whispers.
“Uh not much. Couldn’t sleep.” He knew she could see right through him. He didn’t have time to put the journal away. It lay closed on the empty desk.
“My journal.” She hums.
“Yeah… I’m… sor-”
“Shhh. It’s ok.” He wonders how he got lucky enough to be able to hear that soft voice for the rest of his life. “I’m surprised it took you that long to read it.”
She turns on the lamp on the desk and he turns his chair around to face her. She grabs the chair leaning against the wall and drags it over so she can sit in front of him. “I’m sorry if it’s too much.”
“Scully -”
She leans forward and folds his hands between hers. “I…I um I never was good at expressing my feelings - especially with you and especially at that point in my life.” She says sensing that he’s blaming himself for her loneliness that February night.
“Scully don’t ever apologize to me. I owe you a thousand apologies for not being there that night. I should have been there-”
“Mulder, how could you have known? Look at everything we’ve overcome. We’re here, we’re safe, we’re fairly happy, and that’s something.” She stands up and faces him. Her gentle kisses follow the trail of tears down his cheek before he pulls her closer to him. She stands between his legs, placing her hands behind his head, resting them on the nape of his neck. He rests his head on her stomach holding her close. The moonlight shines in the window and illuminates her long, beautiful hair that’s grown longer since they’ve been married.
“I’m more than fairly happy, Scully.”
“I am too, Mulder.”
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The 2020 Democratic presidential campaign has been surprisingly promising when it comes to addressing poverty. Candidates have offered a host of ideas that would have a significant anti-poverty effect, from universal health care to debt-free college, a living wage, housing for all, universal child care, and more. They have also pledged to push for a debate focused exclusively on the issue—a promise they still need to make good on. But one region that hasn’t received the attention it needs in this or previous elections is the rural Black Belt, specifically the persistently poor counties in 11 Southern states that are home to more than half of the nation’s non-metro poor.
The name “Black Belt” originally referred to the region’s dark, clay soil, before eventually coming to signify its high population of African Americans as well. Today, the region’s roughly 300 rural counties—in Alabama, Arkansas, Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia—each have populations that are between 30 and 80 percent African American. As of 2008, the Black Belt was home to 83 percent of African Americans living outside metropolitan areas. We’re just two weeks away from the South Carolina Democratic primary, on February 29; six more Black Belt states will vote on March 3. It’s time for a presidential candidate to not only engage with the needs of people living in this region but also begin to rectify a history of exploitation and neglect.
There is precedent for it: then-Senator John F. Kennedy’s visit to West Virginia during the 1960 Democratic primary. As Ronald D. Eller describes in his 2008 book Uneven Ground, Kennedy was “genuinely stunned” at the mass poverty he saw, particularly that of unemployed coal miners. He pledged on camera to introduce an aid program for the state if elected—and, after he was, he created a presidential task force to explore a unique federal-state-local partnership for regional development in Appalachia. The task force outlined a program that would support highway construction, health care facilities, land stabilization, timber development, water facilities and sewer treatment, and vocational training. But it would take until 1965 for President Lyndon B. Johnson to succeed in pushing it through Congress, establishing the Appalachian Regional Commission (ARC).
Since then, the ARC has received a total of $38 billion in federal funding (adjusted for inflation), benefiting counties across 13 states. While Appalachia still faces challenges such as labor force participation and poor access to health care, the ARC has contributed to largely eliminating the gap between the region’s rates of high school graduation and unemployment and those found nationally. It has helped both to cut Appalachian poverty from 31 to around 17 percent, and to lower the number of high-poverty counties in the region, from 295 to 107.
The idea for a corresponding regional development program in the Black Belt isn’t a new one. Scholars at Southern universities and some politicians—including Democratic US Representative (2003–11) Artur Davis of Alabama and the late Senator (2000–05) Zell Miller of Georgia—have pushed for it since the 1990s. The black rural South’s current unemployment rate of approximately 14 percent and child poverty rate of 51 percent are double those found in rural counties included in the ARC, according to a forthcoming paper from the Joint Center for Political and Economic Studies.
“I’ve heard it my whole life: ‘There’s nothing in the Black Belt.’ Are you kidding me?” says Dr. Veronica Womack, a Black Belt native and executive director of the Rural Studies Institute at Georgia College and State University. “This is a region where the people have always made a way out of no way. You can’t find any more hardworking, caring people—people who have continued to raise families, build community, go to church on Sundays, in spite of all of the challenges that have been put in place.” What has been lacking, Womack says, is a commitment to the region so people can “operate at their fullest potential.”
There have been piecemeal legislative efforts to increase the flow of investment to parts of the Black Belt. But none include all 11 states, focus exclusively on Black Belt counties, or—critically—prioritize community participation in designing and leading a commission to address the Black Belt’s unique challenges. “If you understand the tenacity and the resilience of the people who live there, then you understand the importance of them being a part of whatever solutions you have,” Womack says. “The commission has to know the history—the social, political, and economic dynamics of the place and space.”
In 2000, the Delta Regional Authority (DRA) was created as a state-federal partnership that is presided over by eight Southern state governors and a federal cochair. It includes some counties in five Black Belt states and received $25 million for fiscal year 2019. Seventy-five percent of the moneys are supposed to go to distressed counties, and half of those are required to be used on transportation and infrastructure. However, it does not include most of the Black Belt, and none of its board members are African American. It also lacks the community participation and leadership element that Womack says is key.
Arguably the most promising effort was the Southeast Crescent Regional Commission (SCRC), created under the 2008 Farm Bill. Modeled after the ARC, it encompassed counties within seven Black Belt states, and was intended to focus on funding distressed communities for transportation, infrastructure, job training and entrepreneurial development, telecommunications, and sustainable energy solutions. However, while the SCRC was authorized to receive at least $30 million every year through 2019, it was never appropriated more than $250,000 at a time, and “does not appear to be active” as of March 2019, according to the Congressional Research Service. In contrast, the Northern Border Regional Commission—created in the same Farm Bill to address economic hardship in the primarily white populations of northern Maine, New Hampshire, Vermont, and New York—has received steady funding, including $10 million to $20 million in each of the past three fiscal years.
The SCRC was championed by the Democratic Representatives Hank Johnson of Georgia and Elaine Luria of Virginia, as well as majority whip James Clyburn, of South Carolina. “Congressman Clyburn has been committed to the SCRC since its inception,” says Hope Derrick, his communications director. “[He] is ready to fight for more funding when the administration appoints a federal cochair, the last hurdle in standing up the commission.”
Womack isn’t surprised by the lack of urgency the SCRC or Black Belt Commission proposals have received from most of the political elite. “When you start talking about policy that will be interpreted as benefiting a region significantly [comprising] black people, then where is the will to actually get that done?” she says. “Even though the Black Belt has all kinds of people in it, there is also a particular combination that our country has had a great difficulty addressing: poor people, and then poor people of color, and then poor black people.”
The need for a commission focused exclusively on the rural Black Belt is most apparent in places like Lowndes County, Alabama, where people are living with raw sewage in their yards.
Lowndes County is located between Selma and Montgomery, and every year tourists pass through, following the route of the historic 1965 civil rights march led by Dr. Martin Luther King Jr. Mostly made up of small rural communities, it has a declining population of under 10,000 people, of whom more than 72 percent are African American. Residents here struggle against the soil that gave the Black Belt its name and made Alabama’s cotton king: Water can’t percolate smoothly through the chalky clay. Traditional septic tanks don’t work there; plumbing backs up when it rains, sending wastewater back into homes through sinks, tubs, and toilets.
The median household income in Lowndes County is $28,000 a year—and the kind of tank that residents would need can cost up to $30,000 for purchase and installation. Some residents resort to “straight piping,” which involves running a PVC pipe away from the home and into the yard, where it discharges untreated waste. As a result of not having affordable waste treatment, families have no choice but to contaminate their own properties. A 2017 study of Lowndes County residents by the Baylor College of Medicine found that 34.5 percent tested positive for hookworm, an intestinal parasite associated with the developing world. After the UN’s special rapporteur on extreme poverty visited homes in Lowndes County and nearby Butler County, he described the waste crisis as “very uncommon in the first world…. I’d have to say that I haven’t seen this.”
“You can say all day long that [people] ought to just move, but [they] are born and raised here,” says Lenice Emanuel, executive director of the nonprofit organization Alabama Institute for Social Justice, who has worked with residents on this issue. “They don’t have the money to just uproot their lives and move to Montgomery 25 miles away. Then you have a transportation issue too—getting back and forth to their jobs,” since many work in the community. She also notes that there are businesses—most of which, advocates say, are white-owned—that do have the necessary infrastructure in place to treat their waste, just a half-mile away from homes dealing with raw sewage. Engineers say that simply expanding municipal sewer lines could help solve the problem for some Black Belt homes. For that, the County would need funding.
According to Emanuel, when county residents have invited state officials to come and witness the conditions firsthand, they have been subjected to “intimidation tactics” such as being threatened with arrest warrants, or even fined for lacking septic tanks they could not afford. These reactions from the state have also made it more difficult for residents to feel sufficiently safe to organize and advocate for change. While Alabama says it stopped issuing arrest warrants for sewage in 2002, a black pastor was arrested as recently as 2014 because a septic tank failed and his church wasn’t able to deal with the overflow. Emanuel says that the damage of past warrants is already done: Many people who received them now have a criminal record, and some have lost or can’t find jobs as a result.
Emanuel draws an analogy between the way people are being treated over the waste issue and the KKK’s showing up in their communities—“I liken it to that kind of terror.” She says it leaves people feeling “helpless” and “at the mercy of the institutions and power structures in the community. And it’s similar all over [Alabama’s] Black Belt counties.”
Alabama Democratic representative Terri Sewell sponsored the Rural Septic Tank Access Act—which passed in the 2018 Farm Bill—to help her constituents in Lowndes County and other rural areas access grants of up to $15,000 to install or maintain wastewater systems. This is still significantly lower than the cost of appropriate septic tanks in many homes. An aide to Sewell says she is working to increase the resources devoted to the issue, including the maximum allowable grant.
It can also be difficult for Black Belt communities to navigate the federal protocols to obtain funds—in part, Womack says, because these local governments just don’t have the staff to work on chasing grants. Case in point: Lowndes County is actually eligible for Delta Regional Authority funding, but if you look at the DRA’s most recent grants for infrastructure in Alabama Black Belt communities, the county with sanitation conditions comparable to the Third World is nowhere to be found. In contrast, the DRA did provide $509,000 to extend an industrial park’s water and sewer system to serve Enviva, the world’s largest wood pellet producer.
When Kennedy visited West Virginia in 1960, poverty in the region was stark: 33 percent of Appalachian families lived in poverty, compared to a national poverty rate of 20 percent; unemployment was 40 percent higher than the US average. Many more workers had given up on finding a job and left the workforce. That year, the Conference of Appalachian Governors declared that underdevelopment had meant that people in the region were “denied reasonable economic and cultural opportunities through no fault of their own.” Moreover, inadequate infrastructure for things like “transportation and water resources [had] hindered the local ability to support necessary public services and private enterprise.”
“The ARC is reparations,” says Spencer Overton, the president of the Joint Center for Political and Economic Studies. He says that in the coming months, the Joint Center will release a proposal for a Black Belt Regional Commission, hoping to address “an area of our country that once required a large number of people to work there. Those places became automated over time, but large populations are still there and there are fewer jobs. And so we have to come up with policy solutions. That’s the case when we talk about Appalachia; that’s the case when we talk about the Black Belt.”
Kennedy may have advocated for the ARC, in part, because he needed to win over West Virginia voters in the primary. As Michael Bradshaw describes in his 1992 book about the ARC, the senator’s visit to Appalachia came at a key moment in the campaign, when his challenger already had the support of organized labor. Kennedy announced his pledge for a state development program on the day before the vote. He had discussed black Southerners’ struggles during his campaign, but the fact that Appalachia was associated with white poverty made the program politically palatable to white voters and politicians.
Overton points to Appalachia and the Black Belt’s parallel histories of exploitation and resource extraction. In the case of the Black Belt, he says, it has been about “profiting off of cheap labor—whether that is slavery, Jim Crow, or the factories with low taxes, cheap wages, and no unions. Recognizing the unique history and consequent struggles in Appalachia, but not in the Black Belt, is like saying we’re going to treat the opioid crisis as a health epidemic, but we’re going to use the criminal code to deal with the crack epidemic.”
Andy Brack, former press secretary for the late South Carolina Democratic Senator Ernest Hollings and a longtime journalist and editor covering Southern politics, has no doubt as to the root of the structural inequality we see in the Black Belt today. In a 2013 piece, he compared a map showing deep poverty rates with a map of slavery in 1860: “With the blink of an eye, it’s easy to see that these areas easily correlate with where enslaved people lived in 1860. The [Black Belt] is a remnant of plantation life…. One hundred and fifty years after the Civil War, it’s time that this area starts receiving the same attention that Appalachia did.”
Researchers with the Southern Economic Advancement Project (SEAP)—an initiative founded by Stacey Abrams that focuses on policy solutions and capacity-building for vulnerable populations in the South—recently embarked on a listening tour in Alabama, Georgia, Mississippi, and North Carolina. (SEAP is a fiscally sponsored project of the Roosevelt Institute, where I am a journalist-in-residence.) As they spoke with nonprofits and grassroots groups to get a better sense of local challenges, there were some consistent concerns, including a lack of access to transportation, struggles with raw sewage and other environmental issues, and lack of investment from banks. One participant noted the “weight of racism”—as seen in housing separated by race, resegregated schools, and uneven development between predominately white and predominately black areas. Multiple groups cited the challenge of stigma, from outsiders who viewed their communities as hopeless and lacking potential.
Dr. Sarah Beth Gehl, SEAP’s research director, says that in western North Carolina and northern Alabama, which both have ARC funding-eligible counties, the local-state-federal partnership came up repeatedly—for example, for supporting children’s services, local government capacity-building, and transportation for those in addiction recovery. But when SEAP traveled to south Georgia or south Alabama, where counties aren’t covered by the ARC, the conversations were very different. “It was a lot about a lack of resources and a lack of attention,” says Gehl. “The infrastructure needed to take some innovative approaches to tackling deep challenges in these Black Belt communities—that piece was missing.” Moreover, when it came to what some people on the tour called “the basics needed for a dignified life”—like a grocery store, transportation, housing stock, or medical facilities—the resources just weren’t there.
“Economic progress for the Black Belt requires innovation and deep commitment, which means providing consistent investment to address the interconnected issues that hinder growth and block equity,” says Abrams in a statement to The Nation. “Funding the Black Belt Regional Commission would be a declaration of real intent to finally serve this Southern arc, and it is long overdue.”
It is easy to imagine the arguments against a Black Belt Regional Commission that would be loosely based on the ARC. If there is still extensive poverty in Appalachia, why would we repeat the model? But the ARC has had an enormous impact. In the 2018 fiscal year alone, it reported that its investments would create or help retain more than 26,600 jobs, and train and educate more than 34,000 students and workers. The ARC’s $125 million investment was matched by $188.7 million in public and other moneys, and is expected to attract over $1 billion in private investments.
There are ways too that a Black Belt Commission could be done differently. The ARC covers a huge region, including areas that do not suffer from persistent widespread poverty; funds are weighted toward distressed areas, but the appropriated money is inadequate to cover that expanse. A Black Belt Commission could focus exclusively on distressed communities. Also, much of the early ARC money was spent on highway construction through Appalachia—which, as Michael Bradshaw writes, the original ARC director felt was necessary in order to connect poorer economies with wealthier ones. (He also thought it would show legislators “results.”) While infrastructure is vital, a Black Belt Regional Commission could equally emphasize investment in people—their health, education, training, and the creation of jobs that would allow for upward mobility.
Dr. Veronica Womack says she would start with education—from early childhood to higher education—as well as infrastructure development, including for broadband Internet access, investment in start-ups and rural entrepreneurships, and rural health services for people who currently live in “health care deserts.”
“That’s just a start. Because if you’re not healthy, or you don’t have the proper education and training, the likelihood of you being successful in the 21st century is very small,” she says.
Spencer agrees. “Too often, there has been the notion that economic development is attracting a poultry processing plant—very hard, low-wage, unattractive work without a lot of prospects for growth,” he says. “We need to invest in human beings. It gets back to the concept of Black Lives Matter: We really want to recognize the humanity of people, and invest in people so they can achieve their potential.”
In addition to having local elected officials at the table, Womack says a commission should include community-based organizations that have been working in the region for decades, such as the Black Belt Community Foundation, the Federation of Southern Cooperatives, Southwest Georgia Project, and other similarly focused organizations “connected to agriculture and the land—a big piece of how we can be sustainable.” She would also want to invite historically black colleges and universities, technical and community colleges, and land grant and rural institutions such as Georgia College and State University that “understand rural places and are working in the region already.” Crucially, the commission should also hear from activists who are not attached to any particular organization, Womack says, because “the people in their community look to them and their leadership.”
“These folks can tell you exactly where the hiccups are—where the challenges and barriers lie in their being able to develop their communities,” says Womack. “And so, if we are going to hit the mark, it’s going to require us to do a different type of policy and a different type of policy implementation that doesn’t block off people from even being able to participate in the decision-making.”
Yet none of this will be possible without presidential leadership—the kind Kennedy embraced when he visited poverty-stricken areas in West Virginia.
Bernie Sanders, who has called poverty a death sentence, visited Lowndes County last May and pledged to a resident, “This is just the beginning. We have to get attention to the issue, and then we’ll do something about it.” That resident, Pamela Rush, also spoke at a forum on poverty convened by Elijah Cummings and Elizabeth Warren in 2018. Pete Buttigieg noted at one of the debates that poverty hadn’t come up, and that “it deserves a lot of attention”; both he and Amy Klobuchar have struggled to win over black voters. And while Joe Biden has touted his poll numbers with African Americans, he has struggled to connect with younger generations, many of whom feel he falls short in addressing systemic issues.
If any of these or other candidates spend more time in the Black Belt, will they offer so bold a proposal as a Black Belt Regional Commission? Or will they ignore the generational poverty and continued isolation of the region?
Lenice Emanuel says that elected leaders need to take stock of how they are serving, or failing to serve, the people of the region. “We have got to look inward at our own culpability in maintaining these systems of inequity,” she says. “We have to be real with ourselves about that. That’s where the answer lies.”
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Daring to Dream: The Only Thing I Ever Wanted
What do you want to be when you grow up? “A single mom survivor of domestic abuse,” said no little girl ever. One of the reasons I stayed in my abusive marriage so long is because I’m a dreamer. I had a huge dream that involved love, laughter, and life built around a family of faith. A man after God’s own heart who would build a family with me. I would love him and he would love me and we would love our children. Whatever we did, our lives would be guided by our faith in the Lord. There would be years of joy and love and more dreaming along the way. I was naive, not that I could ever have that dream, but that it would be with the first man who said he wanted to be with me. Just because a man pursues a relationship with you does not mean it is healthy.
I was naive. I didn’t understand how devastating a pornography addiction could be to a marriage. We were still dating the first time I walked in on him masturbating at the computer. He told me it was only because my very presence aroused him so much that he had to help himself. I actually felt guilt. I was naive when I saw how badly he treated his mother, yelling and criticizing her, calling her stupid. I didn’t understand that it was more than an isolated damaged relationship. Over the years, I would often recall the first time I saw him verbally tear down his mother as he would tear me down in a similar way. I was naive when I visited his family home and overheard his father berating his mother and dismissed the thought that the man who said he loved me could ever sound as hateful as his father did. I was naive to not see how he drank himself into a stupor when something depressing happened in his life, naive to think that this wouldn’t continue into our marriage. I was naive to think I could love him out of his addiction, depression, anger, and destructive behaviors. That him simply saying he didn’t want to be like his abusive father meant that he wouldn’t simply because he knew what it was like.
Habits die hard. I’ve heard it takes thirty days of consistency to start a new behavior pattern or break an old one. Changing behavior can be very difficult even when you genuinely want to change. How many of your new year’s resolutions ever make it past January? Have you ever tried to support someone through their new year’s resolution? Did those make it to February any easier? Have you ever assumed that someone in jogging clothes must be a well-seasoned runner, disciplined and making progress?
Expecting an abusive, controlling person to change because you love them unconditionally is like expecting someone to lose weight because you bought them a pair of jogging shorts. I figuratively bankrupted myself buying him an entire jogging wardrobe. He was like one of those people who take selfies of their apparent workout, but they’re not sweating and their water bottle hasn’t been opened. Any time he put on the clothes of loving, Christian husband and father, it was for show. Just like any well photographed social media post, he made sure the rest of the world saw his best imitation of someone running the Christian race, and could be overly doting to the kids and I in church, gaining ‘likes’ along the way.
Seeing the truth of the masquerade was painful, but it was sometimes less painful to believe the delusion, to hope his latest performance meant he was finally becoming the man he had the potential to be. So I lied. He has to work over the holidays [on his hobbies]. We can’t come for Christmas [because I’m afraid if I ask again, he’ll get worse]. He just has had a long day; he’s not normally so rude [usually, he’s worse]. He’s a good father [in his own mind]; but he just doesn’t like the baby stage [or any other stage that might inconvenience him]. Yes, the kids love to play with him [until he loses his temper]. I lied to church members. I lied to my family. I lied to my own children. I thought I was building him up like wives in a healthy marriage should, but really I was covering up his sin and enabling him to be abusive by not standing against the abuse sooner. Abuse is like cancer. Left untreated, it grows and festers until there are more cancerous cells than healthy cells. Symptoms are similar. Chronic fatigue, pain, your normal activities are replaced by the demands of the cancer. It ends up controlling your life. At some point, family and friends become concerned. But when they ask how you’re doing, you lie. The cancer isn’t that bad. I can live with this cancer. I’m confident this cancer won’t kill me. You think I have cancer? I couldn’t possibly.
Eventually something else happens that shakes your world and you decide to get an expert opinion. Turns out, it is indeed cancer and the only option is surgery. Getting the cancer out requires a severe no tolerance policy. Surgery leaves deep, painful scars that can take a long time to heal, especially if you aren’t intentional to let yourself heal. You still remember the cancer. It’s impossible to forget. There’s always a lingering fear it will return to claim your life one day.
But you can’t live your life in fear of the cancer returning and have any kind of quality life. I had to make a choice. Do I focus on preventing a reoccurrence of the cancer to the point where I think about nothing else and those thoughts consume my life? Or do I bravely walk into my new cancer-free life, daring to dream again? For me, not dreaming is a sign I’m not trusting God to make my life beautiful. I know his best for me wasn’t abuse. God is a God who blesses with abundance and I know only he has the power to restore the years taken, years I know I missed opportunities to serve, years I missed the opportunity to be the mom my kids need, one who makes decisions based on God’s will, not the abuser’s will.
I am ready to truly live. God created me for a purpose. “For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.” (Ephesians 2:10). I’m walking into that new life day by day. I can’t live in regret of not stepping out sooner or in fear of stepping out at all. I simply must take a step, like a toddler learning to walk. There are days I feel like an absolute failure. There are days I’m still filled with intense fear. Those days are fewer and further between. Replacing them are the days filled with a deeper purpose. Praying before making a decision and being able to have peace, knowing it’s of God.
I am ready to dream again. If and when God chooses to send a man into my life who will love me and my children as his own, I will cherish him. Not from any selfish motive to fulfill my dream of love, life and laughter, but rather, I know he would be sent straight from God. I’ll know it’s him when the same peace I have in choosing God’s will for my life is the answer to my prayers asking for confirmation. There would also be no other way to explain a man with enough love for me and my children, who would accept us for who we are in spite of the trauma we’ve endured.
Only God knows if and when he will fulfill that particular dream, but God has stirred up more dreams in my heart and I am thankful for those as they develop. A dream to advocate for survivors. A dream to live free for my children and me. A dream to write, to let God use my voice to help someone else. I no longer dream naively. My dreams are founded in a secure hope that rests in the Lord, that if I allow him to lead me, I will walk confidently into my future filled with the good plans he’s prepared for me and the good dreams he will gift me as a blessing.
“For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you a hope and a future.” (Jeremiah 29:11)
I dare to dream.
https://1sagesparrow.wordpress.com/2019/10/21/daring-to-dream-the-only-thing-i-ever-wanted/
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Write For Rights - Your Letter Makes a Difference
"I want to thank you all on behalf of the Istanbul 10 for your efforts for our release. I am deeply, deeply grateful. If it wasn't for your efforts, we wouldn't be here today. Thank you, thank you, thank you." -Idil Eser, Write for Rights 2017
Idil Eser, the Director of Amnesty International Turkey, and 9 other activists–known as the Istanbul 10, were a case in the 2017 Write for Rights. They were arrested in Turkey on July 5th, 2017 while Amnesty International Turkey’s Chair, Taner Kılıç, was arrested a month earlier. They are all now free.
"It's not just freedom for myself and my family. It will be for all Vietnamese."
On October 17th, 2018 Me Nam (Mother Mushroom) was released from prison in Vietnam. Her case was in this year’s Write for Rights! Nguyen Ngoc Nhu Quynh, also known by her blogging pseudonym, Me Nam (Mother Mushroom) was arrested on 10 October 2016 and held incommunicado until 20 June 2017. On 29 June 2017, she was handed a ten-year prison sentence, having been convicted of “conducting propaganda against the State of the Socialist Republic of Vietnam” under Article 88 of Viet Nam’s Penal Code.
“To everyone who sent me countless letters from around the world I want to express my deep gratitude. While in prison, these actions lifted my spirit.” - Taner Kılıç, Write for Rights 2017
Taner Kılıç is the chair of Amnesty International Turkey and was arrested in Turkey in 2017. He spent over a year in prison for his peaceful human rights activism. He is now free and reunited with his family.
"International support is the most powerful tool that women like me can get. Every single signature for the petition to get me free, made a difference. Now I'm free. I'm no fairy tale, I am a true story." -Teodora Vasquez, Write for Rights 2016
Teodora Vasquez hugs her family and friends shortly after being released from the women’s Readaptation Center, in Ilopango, El Salvador on February 15, 2018, where she was serving a sentence since 2008, handed down under draconian anti-abortion laws after suffering a miscarriage.
“I am very honored to be among the cases that you have selected for your Write for Rights campaign. I am honored to know people like you who denounce the injustices committed by the authorities and governments. You have brought joy into my heart. Thank you.” - Mahadine, Write for Rights 2017
Mahadine, an online activist in Chad, was released on April 5th, 2018 after spending more than 18 months in prison on fabricated charges. He had been facing a life sentence for a Facebook post critical of the government.
“Receiving your letters really comforted me when I was in prison. Thank you!” - Muhammad Bekzhanov, Write for Rights 2015
Muhammad Bekzhanov, a journalist in Uzbekistan, languished in jail for 17 long years until his release in 2017. His prison sentence was handed down after an unfair trial and severe torture, and arbitrarily extended by the authorities for Bekzhanov’s political activism. At the time of his release, Bekzhanov was one of the world’s longest prison-held journalists.
“Thank you very much each and every one of you. Not just for campaigning for my release, and the release of other prisoners, but for helping to keep our hope and our beliefs alive.” -Phyoe Phyoe Aung, Write for Rights 2015
Phyoe Phyoe Aung is a human rights defender and Secretary General of one of Myanmar’s largest student unions. On March 10, 2015, she and 50 other students were arrested by police for their peaceful demonstrations against an education law they believe limits freedom of education. Phyoe Phyoe Aung faced up to nine years’ imprisonment and was a prisoner of conscience. She was freed on April 8, 2016.
“I am happy to finally be free after more than 17 months of imprisonment. I thank Amnesty International and all those who fought in one way or another for my release. I look forward to seeing my family and friends to continue the fight for democracy and freedom in my country.” -Fred Bauma, Write for Rights 2015
Fred Bauma and Yves Makwambala are human rights defenders in the Democratic Republic of the Congo. They were imprisoned for their peaceful human rights activism and were considered prisoners of conscience. They were freed on August 30, 2016
“I feel joy, and so much emotion. To everyone who has stood by me, I give my heartfelt thanks. Without this support, my freedom would have been almost impossible. I want to thank you and to urge you to continue your efforts, don’t stop the beautiful work you are doing for the human rights of others. Sometimes justice is delayed, but it comes.” -Yecenia Armenta Graciano, Write for Rights 2015
In July 2012, Yecenia Armenta was taken into police custody in Mexico and brutally tortured. The police beat her for hours, raped her and threatened to kill her children. In spite of independent medical evidence that torture took place, the ‘confession’ was used to charge Yecenia with no proof at all. She was released in 2016.
"I’d like to thank our friends at Amnesty International and Amnesty USA for their remarkable support these last years, culminating just recently in the Write for Rights Campaign." - Albert Woodfox, Write for Rights 2015
On his 69th birthday, February 19, 2016, he walked free – 44 years after he was first put into solitary confinement in Louisiana. He was the USA’s longest serving prisoner held in isolation. Nearly every day for more than half of his life, Albert Woodfox woke up in a cell the size of a parking space, surrounded by concrete and steel.For the first time in more than four decades, Albert Woodfox is now able to walk outside and look up into the sky.
“I am alive today, after 33 arrests (it's now far more), because members of Amnesty International spoke out for me." -Jenni Williams, Write for Rights 2011
Activist Jenni Williams, is a founder of the social justice movement Women of Zimbabwe Arise (WOZA), who has endured dozens of arrests and beatings for leading peaceful protests. In 2003, Williams co-founded WOZA with the late Sheba Dube to demand social and political reforms in Zimbabwe under the brutal rule of Robert Mugabe. WOZA has inspired tens of thousands of women and men to stand up for their rights to free speech and assembly and the fulfillment of basic needs like food and education. WOZA is both the protest group’s acronym and a word in the Ndebele language that means “come forward.
Send a message of solidarity to a human rights defender this year with Write for Rights 2018 (UK link)
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100 Random Things About Daisuke Okana
1: goes by the name of Daisuke Okana 2: 21 years old 3: born on a Wednesday at 8:47 AM on February 29th 4: works as a detective 5: always has a way of fucking things up (and thus gained the nickname "Ohno" - used in the context of "Oh no, Daisuke!") 6: generally pretty chill and laid back about shit 7: always the calm one 8: despite this he gets really excited way too easily over the stupidest, simplest shit 9: smooth-talking charmer who's also kind of an airhead 10: knows he has a tendency to fuck shit up so he always goes out of his way to do better - though he usually just fucks up even worse than before 11: really great stamina 12: doesn't really care for material stuff at all, but when someone gives him a materialistic gift he cherishes that item like it's some kind of blessed artifact 13: spends about 10 hours a day just snacking or eating 14: generally whenever you see him there's a 70% chance he'll be eating something 15: sweet but very very clumsy 16: can't seem to get his shit together 17: the only kinds of music he ever listens to is either hardcore dubstep or really shitty pop music (Skrillex and Britney Spears come to mind) 18: lovES CATS 19: dedicated smoker and has been for 7 years 20: bisexual as hell 21: has a lot of really unusual quirks 22: his social cues are kinda fucked sometimes 23: he's either really great at reading people's emotions or absolutely hopeless at it, just depends on how his day's been so far 24: never goes anywhere without his lucky penny tucked safely into his coat pocket 25: he's a super sweet guy and he absolutely Can Not take it when people are upset with him because he feels so damn guilty about it 26: really fucking smart despite being such an airhead (university graduate with honors) 27: possibly might have some level of high-functioning autism but nobody's really sure 28: hates memes but at the same time is a total memelord 29: he has a really bad habit of using the office computer to send funny cat videos to his coworkers 30: His Voice Is Like Fucking Silk 31: if he hears one of his favorite songs on the radio he'll immediately start singing along no matter where he is 32: instantly becomes Illiterate without his reading glasses 33: manscaping expert (seriously this guy's entire body is fucking h a i r l e s s) 34: MASTER OF MARIOKART AND STREET FIGHTER 35: loves zombie horror movies (his favorite movie of all time is Shaun of the Dead) 36: afraid of thunderstorms and the dark (but shhhhhh that's a secret) 37: owns three cats - Mr. Pickles, Bowtie and Whiskey (whom was supposed to be named Whiskers but his phone changed it and it sort of stuck) 38: always seems to have exactly what you need at that exact moment - need a pair of scissors? he has em. need an extra sock? he has that too. also snacks 39: here's a secret - he has no idea how to tie a tie (all his ties are clip-ons) 40: here's another secret - he has a three year old daughter (the marriage didn't work out and now he's only allowed to see her three times a week because his ex is a spiteful bitch) 41: he's a very good daddy tho and his daughter practically worships him 42: can't cook whatsofuckingever 43: loves the wintertime because then he gets to run around in the snow 44: airheaded man-child 45: has a scar on his left shoulder from that one time he casually took a bullet 46: actually kind of artistic and doodles a lot 47: one time his neighbors called the cops on him because they heard him screaming and stuff getting broken and they thought he was being murdered - in reality a bat had flown in and he was having a very difficult time getting rid of it (the cops helped him out with that tho) 48: LOVES pulling stupid pranks on his coworkers, especially his partner 49: his partner kinda hates him apparently so he's always doing dumb shit to try and make him smile - often fails 50: collects socks (only the cool kinds with awesome patterns though) 51: he'll generally dress however you tell him to but you're in for one hell of a struggle if you tell him he can't wear his favorite coat and his favorite pair of fluorescent green glow in the dark socks 52: he'll get really aggressive when he's protecting his loved ones but most of the time he's just a gigantic marshmallow 53: he hates when he makes people upset with him and he'll pull out all the stops to get that person to forgive him 54: he watches a lot of cartoons with his daughter and long story short he's memorized every single fucking episode of My Little Pony Friendship is Magic (unintentionally, of course. dude ain't no brony.) 55: LOVES BOARD GAMES 56: super athletic and goes to the gym every night after work 57: will not hesitate to go on a 45 minute rant about why the best television show in history was Doctor Who 58: a bit of a slacker but dependable as fuck when it matters most 59: hates spiders 60: his hair is suuuuuuuuuper fluffy and soft 61: he'll let his daughter give him makeovers and dress him up like a princess 62: he doesn't mind this at all and the only thing that matters is seeing her smile 63: one time after a visit with his daughter he came to work he next day and completely forgot the fact he had a bunch of brightly colored hairpins in his hair and a Hello Kitty headband on (he was pretty chill about it when people told him this information) 64: his number one weakness is food 65: loves ramen noodles oh my fUCKING GOD he loves rame noodles 66: he loves getting praise and compliments from people because he knows he always messes things up so when he gets praised it makes him feel extra special 67: he'll usually let you say whatever you want to him and tease him to your heart's content - he generally just does not care if you're poking fun at him because he only wants to make people smile. and if you're at your happiest when you're making fun of him, well, he'll let it continue 68: 100% cannot function properly in his daily life without his morning cup of coffee (with whiskey added, obviously) 69: despite having an ex-wife and a kid he HAS actually been with dudes in the past (that's actually part of the reason why his wife left him) 70: WILL FUCKING NOT let people mistreat his loved ones 71: cancer survivor 72: generally lives off of McDonald's, rice, and ramen noodles 73: he'll go grocery shopping like a normal but usually not unless it's the day before his daughter gets dropped off (he's fine living off the bare minimum, but he'll be fucking DAMNED if he lets his daughter eat fucking ramen noodles for lunch) 74: he's actually SUPER ticklish 75: an expert at guns and shit 76: very knowledgeable about cheese????? for some weird reason????? 77: he can literally rant for two hours on all the types of cheese and how good or bad they are compare to others 78: recently he had to buy a new phone because he couldn't turn off the capslock and there was a whole week whrere he was just scREAMING AT HIS COWORKERS THROUGH TEXT and it was very awkward 79: he can and will fall asleep literally fucking anywhere 80: despite being a dedicated smoker he NEVER smokes around his daughter EVER 81: when he's not working a case he'll spend every second of his free time either working to get full custody of his daughter or trying to get his partner to open up more and be more sociable 82: loves singing and playing this prized guitar and he'll often do karaoke night at the bar on weekends 83: not an alcoholic but he will go to his favorite bar at least three nights a week because he's super great friends with the bartender (who also happens to be his best friend from high school) 84: he won't get drunk on those nights and while he may have a drink or two, but generally he just drinks water since he's there to socialize, not get wasted 85: loves sweet foods and desserts 86: juuuuuuuuust a little bit vain 87: also sort of flirtatious 88: just a little bit tho 89: always VERY enthusiastic about the smallest things (you could tell him to meet you at a fancy hotel and he'd literally just stand in front of the room's door for three minutes just staring at the doorknob like "check out this awesome doorknob! it's so shiny! i can see my reflection in it!") 90: just a big gigantic soft fluffy marshmallow up to 98% of the time 91: he loves showering his loved ones in compliments and random yet VERY EXPENSIVE BORDERLINE BANKRUPTING gifts 92: approximately 6-something-ish feet in height 93: really bad at swimming 94: master at playing pool 95: LOVES hugs and physical affection 96: has a secret manga collection but nobody knows this 97: sort of a dork 98: loves stupid comedy movies and silly tv shows 99: cannot ever resist the opportunity to make a cheesy joke or a pun 100: only true anime fans will get this but generally his ENTIRE character is a cross between Kotetsu Kaburagi, Dazai Osamu and Lockon Stratos (yes, I know, I'm VERY original here)
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[ad_1] The principal American and Russian diplomats, Antony Blinken and Sergei Lavrov, have spoken exactly as soon as since Russia launched its unlawful invasion of Ukraine in February. In a cellphone name on July 29, the 2 diplomats mentioned points round a doable prisoner alternate involving two Americans being held in Russian custody, former US Marine Paul Whelan and WNBA star Brittney Griner. Nothing got here of the decision. Writing from the G20 assembly in early July, the Associated Press diplomatic correspondent Matt Lee famous in a dispatch that Lavrov instructed reporters there that “…it was not us who abandoned all contacts…it was the United States. That’s all I can say. And we are not running after anybody suggesting meetings. If they don’t want to talk, it’s their choice.” The shunning of diplomacy by Blinken at a time when it's arguably extra essential than ever is puzzling provided that one of many uncommon overseas coverage successes of the Obama-Biden administration, the Iran Nuclear Accord, was owed to numerous hours of backchannel diplomacy. In this case, it is likely to be hoped that Blinken is just not taking conferences together with his Russian counterpart as a result of one other, much more substantive and skilled statesman, William Burns, is conducting talks and they're merely being stored from public view. Burns, in spite of everything, is the administration’s most skilled Russia hand and isn't any stranger to taking part in the role of backchannel envoy. Whatever the case, Biden’s nationwide safety crew would possibly familiarize themselves with the diplomatic technique as carried out by US President Ronald Reagan and his Secretary of State George Shultz at what historians typically level to as among the many two most harmful durations (the primary being the Cuban Missile Crisis) of the Cold War. “The basis of a free and principled foreign policy,” mentioned former California governor Ronald Reagan in a speech accepting the 1980 Republican nomination, “is one that takes the world as it is, and seeks to change it by leadership and example; not by harangue, harassment or wishful thinking.” But the very early years of his administration had been certainly marked extra by harangue (“Evil Empire”) than by diplomacy. A New York Times profile of the Soviet Ambassador to the US, Anatoly Dobrynin, famous that he couldn't “recall a period more tense than the present….On his visits back home, he finds his relatives asking him, for the first time, if there is going to be war with the United States.” The nuclear scare ensuing from NATO’s Able Archer train of 1983 served as a wake-up name to the president – as did the ABC tv film The Day After, which is claimed to have made a deep impression on the president. The departure, in July 1982, of secretary of state Al Haig and the arrival of former Nixon labor and treasury secretary George Shultz as Haig’s substitute, set the stage for a brand new method to the Soviets. In a memo to the president, Shultz known as for “intensified dialogue with Moscow.” But Shultz had his work lower out for him. The crew Reagan had assembled round him was replete with hardline anti-Soviet hawks, a few of which, prominently Harvard University scholar Richard Pipes (born 1923, Cieszyn, Poland), who served on the NSC, had been half of a giant and influential (although maybe not as influential as they're in at present’s Washington) “Captive Nations” diaspora group which carried with it the preconceptions, prejudices and hatreds of the outdated nation. These have, inevitably, coloured the coverage suggestions provided by members of that group – then and now. Pipes and his deputy, John Lenczowski, had been the crew behind the insurance policies specified by National Security Decision Directive 75, which was roughly an extension of the hardline method towards the Soviets carried out by president Jimmy Carters’ National Security Adviser Zbigniew Brzeziński (born 1928, Warsaw, Poland). NSDD
75 mentioned US-Soviet coverage ought to be predicated on the understanding that “Soviet aggressiveness has deep roots in the internal system and that relations with the Soviet Union should therefore take into account whether or not they help to strengthen this system and its capacity to engage in aggression.” Plus ca change. The exact same arguments made then are being recycled at present – however below the pretext that the US and the West should wage a battle in what is claimed to be a battle between “Democracies vs. Autocracies.” Such reasoning makes little sense, however nonetheless has develop into an article of religion amongst each members of the bipartisan overseas coverage institution and their progressive critics. It is trite however nonetheless true that personnel is coverage, and the Reagan administration was no exception. As the scholar James Graham Wilson famous in his very good historical past of the Reagan-Gorbachev years, The Triumph of Improvisation, “Absent new individuals in positions of power, stagnation shaped the international environment in the early 1980s and old thinking determined the relationship between the United States and the Soviet Union.” But as soon as the personnel started to alter, so too did the coverage. Shultz, working with Reagan’s high NSC Soviet knowledgeable, Jack Matlock, efficiently pushed again towards the neoconservative agenda. As Wilson writes, “Unlike the hardliners William Casey, William Clark, Richard Pipes, Jeane Kirkpatrick, and Caspar Weinberger, Shultz and Matlock believed that the Soviet Union had the capacity to reform.” Shultz orchestrated a gathering between Reagan and Dobrynin on the White House in February 1983, throughout which the president instructed the Soviet ambassador that he needed Shultz to be his direct channel to Soviet premier Yuri Andropov. And all through 1983 and into 1984, a brand new coverage – crafted by Shultz, Matlock and National Security Advisor Robert McFarlane – of engagement emerged within the type of a four-part framework consisting of bilateral relations, regional issues, arms management, and human rights. The similarities between the early Biden years and the very early Reagan years are due to this fact arduous to overlook. Under President Biden, Russia hardliners dominate each excessive nationwide safety workplace however one (Burns on the CIA). And it's an open secret that the Biden crew is taking their cues from the toughest of hardline members of the Captive Nations foyer which has a just about, sure, Soviet-style stranglehold on what's and what's not allowed to be mentioned with regard to US coverage towards Russia and Ukraine. Reagan, like Nixon earlier than him, correctly turned apart the foyer’s counsel in pursuit of diplomacy. Will Biden? One want solely take a look at the outcomes of his administration’s insurance policies to intuit that maybe a change is required. In quick, Biden wants a Shultz. In about three months’ time, the president might use the midterm elections as an opportune second to place an finish to the Blinken-era at Foggy Bottom – and appoint a Secretary of State with the expertise and gravitas essential to fulfill the present second. And it’s not as if the president doesn’t have loads of choices. William Burns, former California governor Jerry Brown, former Secretary of State John Kerry (at present serving because the administration’s local weather envoy), former Deputy Secretary of State Thomas Shannon, and former National Security Adviser Tom Donilon ought to be on any quick listing of contenders to exchange the present Secretary of State and usher in a brand new period of diplomacy between Russia and the West. [ad_2] Source link
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January 2022 - The big 50th travels finally begin
The time has come for another extended Hollodays! :) It's back to Chile to explore more of Patagonia (after my visit five years ago), while taking the opportunity to discover other places in this huge (at least north to south) diverse country. Some question why I am traveling during the ongoing pandemic, to which my simple response is that life is too short (and there's no guarantee that travel will be easier if I wait for a year or two). With Chile having almost the lowest Covid cases (and highest vaccination rates) in the world, and strict controls for international arrival, it seemed a safe option, although I was aware that the restrictions that come with achieving this may impact on my enjoyment, freedom and opportunities.
Warning: As with my previous travel blogs, since this will form a personal diary of my adventure, I may ramble on at times and some photos will not have any interest/significance! Also, the newest posts appear at the top so you'll need to scroll down for the start. Oh, and there may be a little transport geekery...be prepared! :)
Anyway, following approval to travel (based on my vaccination record) by the Chilean government in November, I had planned to fly in early January, but on properly researching accommodation and tours in Patagonia, saw that there's virtually no room at the inn until the end of February, when the chilenos finish their summer holidays. Since the country was in lockdown last summer, and it's complicated to travel abroad right now, it's busier than ever, which also means pricier than ever (and Chile isn't a budget backpacker destination as it is).
Then Omicron arrived in Chile in early January so I was keen to keep an eye on the news to be aware of new restrictions coming in. The country is divided into nearly 350 'comunas', each of which sit on a level from 1 to 5 of Covid restrictions, depending on current cases. They get updated regularly with just a few days notice, and all have gone down at least one level since the arrival of Omicron. The restrictions relate to for example, the maximum number of people in a shop or bank, the spacing between restaurant tables or between equipment in gyms. It's very fair to say that Chile likes to take things seriously! I have a temperature check every time I enter a large shop or restaurant, along with a generous dose of hand sanitiser applied. I also have my Covid mobility pass on my phone, the QR code is scanned when entering places. Virtually everyone is wearing a mask on the street, even when it's not busy, and even people cycling are wearing them, which is frankly ridiculous, especially with the 30C plus at the moment. Inside the metro stations there's a healthy black market for selling boxes of masks at the bottom of escalators.
Anyway, I finally left Heathrow on Saturday 29 January, following PCR test number 1, for which enroute I came across a taxi promoting Chile...that was a good sign! There were no trains on my planned route to Heathrow, and I discovered last minute that there was no Piccadilly Line either! So after forking out for the Heathrow Express (most expensive train per mile in the UK, some say in the world) and checking in at the airport (where I used my charm to get a better seat than was being offered online), I arrived in Terminal 5 departures to find a ghost town. After finally leaving three weeks later than originally planned, I was ready for a pint to start the trip, only to discover that the bars/pubs had already shut (before 8pm). Then I spotted someone sat at the Fortnum and Mason 'mini bar' with a bottle of beer, so I launched my new adventure with my first bottle of F&M ale, and very civilised it was until 10 minutes later the staff were cleaning around me to close!
In spite of the GnT aperitif and the two (small) bottles of wine offered with dinner, there was predictably little sleep to be had, and after nearly 15 hours sat next to a chileno now living in Brixton (small world!) I landed in Santiago on Sunday morning, and joined the long queue for the arrival PCR test, which I was more anxious about. It turned out to be a number of queue stages, each providing a card or bit of paper, then finally, after two hours, the PCR testing zone. I hooked up with a fellow British backpacker on the flight to share an Uber into town. Since he didn't speak any Spanish he appreciated my chit chat with the friendly driver, not that I understood much of what he said with the challenging Chilean accent combined with the windows wound down.
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Full name: Declan Shaw
Age: 36
Birth date: February 29th, 1982
Gender & pronouns: Cismale, He/Him
Affiliation: Law enforcement
Occupation: Sheriff’s Deputy
Faceclaim: David Giuntoli
B i o g r a p h y »
Declan Shaw was born in Chicago, the only child of a hardworking young couple who loved and doted on him, and he seemed set to have a happy, ordinary childhood. Things started to go sideways at the age of twelve when a devastating car accident killed both his parents. For the next six years, he was bounced between various family members. Some proved unable to care for him and some were simply unsuitable, so he spent some part of those years in the foster system. It wasn’t a particularly good time for him but Declan tried to fit in as best he could wherever he was placed and utterly refused to talk about or deal with the deaths of his parents. In spite of this unstable period, Declan managed to graduate high school with good grades and left the foster system at eighteen determined to become a police officer. The things he’d witnessed in foster care, even in his limited experience, gave him the drive to become not only a productive member of society but also gain a position where he could help or do something about the parts of the system that were broken.
Over the next two decades, Declan achieved his goal of becoming a cop. By the time he was 36, he’d risen through the ranks of the Chicago Police Department and had made detective, working mostly on the gang problem in the city. Declan had proven himself to be an exemplary officer who could think on his feet but wasn’t overly impulsive. Work became pretty much all he had since, outside of the Police Department, he had few social ties. Instead of trying to improve this situation or wallowing in loneliness, Declan took on as many cases as he could to stay as busy as possible. He was well liked in the Chicago PD, by both peers and commanding officers, though some of them secretly thought he worked too hard. Still, most seemed to take that as a sign of his dedication to his work and he was generally a pleasant person to be around.
About five months ago, Declan and his partner were pursuing some known members of the Whitewater Syndicate when things went bad and it turned into a shootout. Declan wasn’t injured but his partner was killed in the crossfire, pretty much right in front of Declan. As with most upsetting things, Declan did his best not to deal with it but was still forced to take a leave and to go see a therapist. He talked as little as possible to the therapist, not ready to open up any of the boxes he’d kept tightly closed, but did manage to disclose a little about the nightmares he kept having of the shootout and watching his partner go down. When leave was driving him insane and he begged to be put back to work, his superiors determined it might be best to get him back on his feet in a smaller setting and transferred him to the Muddy Waters Sheriff’s Department. Little did the higher ups in Chicago seem to realise that Muddy was a hotbed of gang activity and it wouldn’t be the slow, easy assignment they’d assumed it would. This suited Declan fine, however, since it gave him an excuse to throw himself into work and continue to deny that anything could possibly be wrong with him as long as there were societal problems to fix. He’s done as much as he can in that regard in the four or so months he’s been in the small town and has a particular interest in seeing the Syndicate brought down.
P e r s o n a l i t y »
Declan is very much a workaholic. He’s made his work with the police the pillar on which he builds his life and when he isn’t doing police work, he seems not to know what to do with himself. He can be off for a day or two or a weekend, though even then he’s probably still doing some kind of research related to a case and doesn’t really seem to know how to relax. Unsurprisingly, Declan’s developed a chronic addiction to coffee. Given his propensity for working such long hours, he depends on it to keep him awake and alert. He can go through a few pots a day and while it can and often does make him jittery, he prefers the tense wakefulness to the nightmares that plague him and the loneliness of his empty apartment.
Declan avoids dealing with difficult emotions, especially grief, and tends to repress or ignore them. He still hasn’t really dealt with his parents’ deaths properly and while he was forced to see a therapist after what happened with his partner, he quickly decided that he just needed to push past it. This repression hasn’t served him well throughout his life and he’s been on the verge of breakdowns several times but has managed to avoid them by throwing himself wholly and completely into work. Like a time bomb that will eventually go off, it’s likely that all of the things he hasn’t dealt with will eventually explode out of him and wreak havoc. Aside from being so tightly wound because of all the things he represses, he’s still generally a friendly and personable guy who really is trying to do his best and make the world a better place. Though he doesn’t have any of his own, he has an incredible soft spot for kids and wants to help them almost more than anyone else. He remembers, as much as he tries not to, what it was like to be scared and alone at a tender age and hopes to keep that from happening with other children. Declan can be a little elitist in terms of his attitude towards Muddy Waters’ Sheriff’s Department as compared to Chicago’s Police Department. He heartily disapproves of the way some things are run in Muddy and tries to change things to be more efficient where he can, though not everyone appreciates his efforts in this department. Overall, he has noble intentions and isn’t afraid to sacrifice himself or his well-being to see justice done.
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Liverpool based artist and new name to the music scene - Amber Jay ended 2020 by giving us the first teaser of her debut EP with her single ‘Pencilled Brims’ - a futuristic synth fueled bedroom-pop adventure. Now, Amber Jay is delighted to be able to share the stunning visuals for ‘Pencilled Brims’ with her new 80s themed sci-fi video: "It all begins at a dinner table. We see the image of a 'nuclear' family tucking into stacks of waffles with syrup but it is clear that something is not quite right. After stumbling across a ‘how to know if you're an alien' quiz in a magazine, hiding under the kitchen table at night I take the quiz searching for answers. Everything starts to make sense as matters appear to take an extraterrestrial turn."
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London-born Dublin-based singer-songwriter Anna B Savage is sharing new track, 'Baby Grand,' the final single from her debut album A Common Turn, to be released Jan 29 via City Slang. 'Baby Grand' is both the title of Anna B Savage’s latest single from her debut LP and the title of a short film she has been working on with ex-boyfriend and filmmaker, Jem Talbot, to be released later this year. The pair have co-directed the 'Baby Grand' music video, which reworks a scene from the film and blurs the lines of reality where art imitates life imitating art imitating life. The cross-discipline, cross-genre piece seamlessly blends real life footage with actors portraying the pair’s younger selves. Savage says of the music video: “Jem was my first love. For three years we’ve been working on a film together about our past relationship. This song is written about a night Jem and I had, just after we’d started work on the film. This night was – like much of the filmmaking process – very confusing. Taut with unexpressed emotions, vulnerability, and miscommunication. 'Baby Grand' (the film) and A Common Turn (album) are companion pieces: woven together in subject, inspiration and time. Jem was, for want of a better word, a muse for A Common Turn. Expressing ourselves through our different mediums (mine: music, his: film) became a way for our disciplines to talk, perhaps in place of us.” Talbot says, “Having not spoken to me in seven years, Anna sent me a text out of the blue saying she’d had a dream about me. Perhaps by chance, or by cosmic serendipity, I’d been listening to her EP and already dreaming up a film idea the two of us could collaborate on. Three years later, she’s releasing her debut album and I’ve finished that film. In that time, both our mediums have been in a constantly shifting dialogue with each other, a dialogue that has mirrored the ebbs and flows of our connectedness in the present day."
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Anna Leone releases a new single ‘Once’, produced by Paul Butler (Michael Kiwanuka, Hurray For The Riff Raff) and released via AllPoints/Half Awake. Released alongside a stunning video shot on The Azores, the new single follows 2020’s ‘Wondering’ - also produced by Butler - which arrived close on the tail of Stockholm native Anna’s win at the 2020 Music Moves Talent Awards (alongside Flohio, girl in red and Pongo). Rueful but unmistakably hopeful, ‘Once’ considers naivety, regret and efforts to break certain patterns of behaviour with Leone’s disarming candor and the bell-like clarity of her voice. The track’s quietly insistent urging to move past impulses to close off from the world is brought to life in Savannah Setten’s startlingly surreal video, created with Anna on The Azores. With the changeable weather systems of the Portuguese archipelago mirroring the tender, dream-like sequence, Anna notes; "The narrative loop comes from the idea of being stuck in your ways, going through the same patterns, but then choosing to break out of that and do things differently. Towards the end I reconcile with the past, symbolised by the little girl. I choose to embrace what once was in order to move forward. It was incredible getting to shoot the video in that beautiful environment. The weather was really unpredictable - we went through almost all four seasons in one day."
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London-based Danish-born singer-songwriter Amalie Bryde has revealed her powerful new single ‘Lay Down’. A bold commentary on gender inequality, ‘Lay Down’ confronts what it means to be a woman in the 21st century and sees Amalie refuse to surrender to stereotypes. With a catchy jazz sound at its core, Amalie’s elegant vocals are layered with playful whistles that create a vibrant track with bags of confidence. It’s video - directed by Luke Logan - is equally striking, and sees many different versions of Amalie joined together by a rope that restricts their movement before they’re finally able to break free and stand up. It’s an empowering representation of the song's message, and perfectly demonstrates Amalie’s promise as an artist - she’s original, driven and not afraid to express herself. Speaking of the release, Amalie explains: “In ‘Lay Down’ I sing about a man only wanting to have sex with me, but it’s so much more than that. ‘Lay Down’ is a commentary on gender inequality and what it means to be a woman in the 21st century; religiously, politically, professionally etc. In the music video we see hundreds of versions of me all lying in a field, linked together with rope to represent the universal nature of the issues addressed in the song. The video starts with me lying down in the field revealing all the different Amalie's (all the different situations where I had to lay down) and ends with all of the versions standing up and walking away at the end, representing Woman’s refusal to accept the gender disparity in society.”
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Yawn has unveiled the video to her latest single ‘Wasting Time’. The video features incredibly lush and moody visuals, coupled with a dancing flower monster. Bordering the realm between art and pop, it reflects the song’s message about carrying on against the odds, accepting who we are as artists, and persevering in spite of everything.
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Belgian-Bolivian artist IMAINA presents new track 'Glass Box', as the lead single from her upcoming debut EP. Using her signature melancholic sounds and lyrics, 'Glass Box' uncovers the hidden symbolism behind the toxic ideal of love. This electropop track confronts you with the violence and the dynamics of a suffocating relationship, characterised by layered and lush instrumentation, elegant moments and engaging percussion, setting the tone for her debut EP Wounds, which will be released on February 19. True to her cinematic style and passion of storytelling, IMAINA reveals a thrilling music video that tackles the ‘Madonna-Whore Complex' and explores the idea that women are expected to be many things. Inspired by the intimate confidences of a close friend, IMAINA has transformed herself into a vessel to translate experiences into a strong haunting song and video. “I feel like we all have a tendency to worship an unrealistic idea of love. We search for love and have high expectations but we don’t always accept, and really want to know the person in front of us. We end up projecting our desires, wants and wishes onto the person, locking them up in this glass box where they can be admired but never truly loved or known,” she says.
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In the music video for Anna Akana’s ‘Run,’ Akana appears as an opulent demon. She dances alone in the shadows, donning golden headdresses and draped fabrics. “Why meet my demons when I know you’re gonna run?” she sings over an eerie pop beat. ‘Run’ is featured on Akana’s upcoming EP, slated to release February 19. [via Forbes]
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Celeste has treated fans by releasing the official video for her single ‘Love is Back'. The video features a quirky 1960s office theme based around a newspaper headline stating that ‘Love is Back,’ and featuring Celeste herself in an office singing the lyrics of the song into a bright red telephone in a montage with some stylish animation which echoes the live action scenes in a stylised fashion. The video’s retro styling which takes us back to the dusty days of paper, desks and telephones are a breath of fresh air in a music industry saturated with hypermodern cliches or equally gadget laden 80s throwbacks and gives us something to really think about. The gentle nostalgia evoked by the video combines perfectly with the simple yet emotive song which tugs at the heart strings in both its musicality and its lyrical content and marks Celeste once again as a master of combining music with the moving image, a skill she first demonstrated with her incredible song composed for the Waitrose & John Lewis Partnership’s Christmas advert 2020 ‘A Little Love.’ While the John Lewis Christmas ad showed Celeste’s talent for writing to a brief, the work she has done on ‘Love Is Back,’ is very much her own, with the laid back R&B style fitting perfectly to her dusty, emotive vocal style which is in all ways unique and incredibly powerful. The video comes just over a week before Celeste’s debut album Not Your Muse, is due to be released a month earlier than planned. [via mxdwn]
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Ayra Starr is the afro-pop princess up-ending expectations. Signed to the taste-maker imprint Mavin Records, her emphatically creative, hugely soulful blend comes straight from the heart. At times, it seems like the entire world is listening. Her new EP is out now, a five track statement that illustrates her depth, and her incredible potential. Take 'Away'. Mellifluous, potent, and dynamic, the vocal touches on R&B while retaining elements of that alté sound. It's cool as hell, in other words, a song that affords Ayra space to truly connect with her audience. Discussing the track, she says: “I freestyled half of ‘Away’ at a time I was feeling down. It was like therapy. Singing the song out loud was like freeing myself from my burden. ‘Away’ is not just a heartbreak song, it’s a song that empowers you to stand up to that thing or person that is causing you sadness.” We're able to share the sensational 'Away' video, a depiction of a star coming into being. Ambitious, stylish, and incredibly well shot, it's the perfect platform from which to launch Ayra Starr into the cosmos. [via Clash]
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