#it's less about the ages in this case and more about the time periods. what moe was (supposedly) like at that time

[moe-broey]

LIKE..

[feminist-space]

Cat in the Hat:

"The German Health Minister gave an important update on the Covid situation yesterday.

I’ve written up the section of his speech from the video below for easy reading.

It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."

https://x.com/_catinthehat/status/1732092683508678954

Prof. Karl Lauterbach

Health Minister, Germany

4 December 2023

"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.

There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.

We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.

We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.

This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.

What is the overall assessment of the situation now?

We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.

So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.

At this point, I can only say the following - this is particularly important to me:

First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.

Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.

Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.

Please protect yourself from severe infections.

Please protect yourself from long Covid.

Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."

Alt text is included in all images of this post.

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

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[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[punkpandapatrixk]

💐A Scenery of You and Me ♦︎ Timeless Pick A Card

People say Divine Counterparts often share parallel experiences in this mortal realm. In what ways are your life events mirroring that of your Destined Person’s?

Oh, the Pile VIBEs of this PAC are all quite poignant songs in their own ways but…I’m getting that this is how your Destined Person loves you. So, immensely, soul-crushingly devoted to you that this Love brings tears to those who witness or hear about it.

This is a Love Story filled with scenery of compassion, cosmic connection and faith in each other’s unwavering loyalty. Quite nothing in this mortal world could hold more beauty than the Love you share with your Destined Person~♥︎

So bask in this lovely aenergy and give yourself a chance to believe in a Higher Romance~♡

SONG: To Be With You by The Honey Trees

MOVIE: PONYO (2008)

deck-bottom: XIX The Sun, Silver Astrologer (John Dee), Priestess of Beauty

[PAC Masterlist] [Part 2] [Part 3]

[Patreon] [Paid Readings] [buymeaboba]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – A Never-ending Story of Love and Sweetness

VIBE: 月の光をたよりに (tsuki no hikari wo tayori ni; By the Light of the Moon) by Plastic Tree

the idea of you – 7 of Cups

There is a very mature aenergy attached to this Pile, so I’m getting that for the majority of you, this is a Union that comes after a significant spiritual evolution has taken place. It’s very likely that your Union comes after a certain Saturn Return period for the both of you. A huge age gap is also indicated because there’s a huge period between a person’s First and Second Saturn Return, right? You could finally be in a Divine Union with your Destined Person after both of you have come out of your own respective Saturn Return phases.

With that configuration in mind, this Union is something that could only occur after the both of you are well over the age of 30. Before that point, you were always looking all round for each other. You both are dreamy, you dreamt of each other, all the time. All your lives, in fact. There’s a strong Neptunian/Piscean aenergy as well as 12th House placements here. What you’ve always wanted was a Love that’s pure and cosmic—a sensation most Humans can’t even begin to register in their primitive brains.

For the really spiritual ones here, I’m getting that this could’ve made you single for a very long time! You know there’s someone Divine who’s destined to be your Counterpart in this mortal realm. And you’ve wanted this person and this person alone even if you didn’t know yet who this person is. You’ve just always held on to the faith. But the less spiritual ones here could’ve serial-dated or married multiple partners in this deluded search for The One.

the sight of you – Knight of Pentacles

If you haven’t necessarily dreamt of your Destined Person, at least you’ve had daydreams of what they’re supposed to be like. An often hazy idea of how their Love is supposed to make you feel. You’ve felt each other a lot throughout your lives, actually. In fact, this is how you’re manifesting each other, even if it can be painful at times, and takes a goddamn long time. But this is King and Queen aenergy, right? People, strangely enough, need to go through hardships and heartbreaks before they can become truly mature. Spiritually mature in this case.

All of that is deeply necessary for your Union to have any meaning at all. Because King and Queen, their existence is supposed to serve the people. Your Union is so divine it will serve as an example, it will give people hope, and possibly a sense of validation. King and Queen are guides for the people. That’s why both of you have got to learn to get your shit together before coming into Union~ Over-privileged King and Queen who’ve never known the sorrow the people go through every day won’t make an endearing power-couple at all! XD

And so it was necessary for you to have graduated at least your First Saturn Return. To have rebuilt your entire sense of self, your entire worldview with just the essence of each other’s Love! If there’s a huge age gap between you and your Destined Person, one of you could’ve waited for a damn long time. But, whichever of you have manifested this reading in your Interface of Reality is gonna be the one who travels to the other! Actually, pretty soon! \`★_★`/

holding you in my arms – Page of Wands

Whoever is the Feminine aenergy in this connection will make the journey to the Masculine. Like a Queen who makes the journey to arrive at the King’s castle. Like Ponyo being the one who makes an effort to arrive in the Human world, as Human, to be with Sosuke. The Feminine works on herself to be an equal companion to the King. This whole journey though, will follow the Natural Order of the Universe, so it will be very pleasant and exciting for the Feminine! <3

On the other hand, the Masculine in this connection will have worked on himself to know what true Love is, and to have worked on his own version of his great empire as a divine offering to the Feminine <3 He works on becoming the most Divine version of himself so as to be worthy of his Queen’s Love and Compassion whilst simultaneously offering her the most spiritual rendition of Love and Prosperity. Yours is a Divine Union of equal counterparts where each brings something of great meaning to the household <3

When you finally hold each other in your arms, you will be healing each other in all of the ways a person could be healed. It’s true magick, but so natural and seamless. No matter how old or young you are when reading this, provided you’ve at least graduated your First Saturn Return, that Love is now wide open for you to access. Keep the faith, it’s happening, Queen! Prepare yourself for each other’s advent in your physical Reality <3

EMBRACE🔻💙

the best part – Priestess of Clarity

forever and ever and ever – Priestess of Healing

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – Freedom, Freewill, I Manifest YOU in My Reality! Get ready!

VIBE: 本日は晴天なり (honjitsu wa seiten nari; Today Is Going to be Sunny) by Plastic Tree

the idea of you – 5 of Wands

The peeps attracted to this Pile are most likely the Masculine aenergy who’s proactively manifesting your Feminine Counterpart. If you resonate with being the Feminine aenergy and you’ve chosen this Pile, it could contain information on how you’re being manifested by your Masculine Counterpart ;P

You and your Destined Person have been living quite a chaotic Life. This could be your default normal, but this could also be simply a Tower Moment you’re going through as part of your soul’s evolution. There’s this feeling of praying for some kind of magic that would end all of this unsettling feeling deep inside of you.

For some, this unsettling feeling could come from immense boredom. Perhaps from being in a wrong relationship with somebody who’s not your Destined Person. For some, perhaps there’s been a lot of conflict and deliberate misunderstandings in a relationship that’s just not for you. It’s just tiring. Some of you could simply be feeling a lack of excitement because you’ve not been in a committed relationship for far too long and your heart has begun to pine for your The One.

All in all, this is now making you think and daydream about your Ideal Counterpart. Taking into account all that you’ve learnt about failed relationships, from your own or observing other people’s, you’ve begun to somewhat make a list of characteristics of the person you’d like to spend the rest of your Life with.

the sight of you – King of Cups Rx

Well, as they say, visions and daydreams are never too random, right? What if those visions and ideals are there because someone who’s destined for you is actually sending those signals? ;P Maybe your hearts are somewhat connected and now you’re receiving glimpses of what your Destined Person could be for you in this physical Realm. And if you follow the Light coming from that ‘lighthouse’ and you uphold your standards, do you think the Universe will forsake that courage to believe?

And as much as you’re thinking of your Ideal Counterpart, what if your Ideal Counterpart is also thinking and daydreaming the same for themselves? And by the natural order of the Law of One, surely it’s just a matter of vibrational matching until you and your Destined Person become One. Vibrational matching takes time, mainly for us to develop well, and if you can maintain the faith in this divine connection, in the blink of an eye Divine Timing will carry you both into Union <3 Pssst, Divine Timing is misunderstood as fuck; it’s a matter of elevated vibrations; not time!

Just know that your kind of connection usually doesn’t follow a lot of logic, let alone norms and societal expectations. So now, it’s just you and your imaginations, and whether or not these ideals can come to fruition is a matter of how much you believe you’re deserving of all the good things you’ve daydreamed for yourself <3

holding you in my arms – Ace of Cups

So as you can see, if you’ve chosen this as your main pile, you’re quite literally in the midst of attracting and simultaneously being attracted by your Destined Person! This is so cute because it’s reminiscent of Disney’s Sleeping Beauty! The two main characters were literally ‘ordained by the (holy) kingdom’ to be together, but for one reason or another, they got separated and grew up not knowing each other. And still…

At some point in time, they were magnetised by Destiny, and when they met, it felt like they’d known each other from a dream. ‘I know you. I walked with you once upon a dream. I know you. That gleam in your eyes is so familiar a gleam. Yet I know it’s true that visions are seldom as they seem. But if I know you, I know what you’ll do. You’ll love me at once, the way you did once, upon, a dream.’

Upon rendezvous with your Destined Person, you will immediately fall in love with all that they are and fit each other beautifully. You are each other’s most ideal types and you will soon recognise that this person is a dream come true you’ve long dreamt of and now manifested. You, or them, will say, ‘Took you a while, but I’m glad you’re here now~’ It will all be very sweet and lovely, and you will know, this was ordained by the Holy <3

EMBRACE🔻💗

the best part – Priestess of Magick

forever and ever and ever – Priestess of Intuition

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – We Are Too Extraordinary to Live an Ordinary Life

VIBE: 冬の海は遊泳禁止で (fuyu no umi wa yueikinshi de; Swimming in the Winter Sea is Prohibited, So…) by Plastic Tree

the idea of you – 4 of Wands

OMG, SERIOUSLY?! This Pile literally got ALL of the ‘happy marriage’ cards that exist in tarot! XD

You and your Destined Person are destined to ‘marry’ one another. Depending on how strange and anti-establishment you are (LOL), ‘marriage’ can mean many different things for you. But the essence of a Divine Matrimony is strong with your connection. As such, it can easily translate into what society deems as ‘traditional marriage’.

Even if a ‘legal marriage’ isn’t exactly your thing, everybody around you will still be able to see that what you have is exactly what a marriage should be! It’s lovely, respectful, helpful, and just…my god, sweetly holy. You and your Destined Person is the Prototype of what Love in a physical form should translate as. Even as grownups, there’s something deeply pure in the way you adore one another. There’s something covetous in the way you care for one another.

Being with your Destined Person is a true homecoming to your own Soul. Being with each other feels like the most natural thing to have happened in the world. Everything is right in the world when you’re in the embrace of your Destined Person’s and vice versa. Your Destined Person will bring a change of scenery in your everyday Life, in a big way, and then offer a new sense of community with their people <3

the sight of you – 6 of Pentacles

You will love your Destined Person’s people so much because they’re such good people. In many deeply layered ways, many of their friends and relatives are also part of your Soul Family, so it feels natural that they, too, feel a familiar feeling with you. Everything that your Destined Person has is yours. This will not be given to you out of duty; everything will be offered you out of pure Love.

Your Destined Person is the type that will even invent something just to make your world a better one to live in. For one though, your Destined Person is wealthy and has a high status in society. At minimum, they have a super fruitful work filled with meaning, which ensures their incredible reputation and stream of income. This is somebody who’s regarded very highly by their peers and community, and when you are brought together by the divine order of the holy, they will make you an important part of the throne they sit upon.

With your Destined Person, you will not walk behind them the way Kate walks behind Prince William (blegh). You will sit on your Destined Person’s lap on their throne—that’s how much they value you! If they happen to be the Masculine and you’re the Feminine, this devotion and immense level of respect for you will not diminish their Light at all; it will only serve to set an example, of how a true King treats his Queen, whom he respects and loves very dearly~♥︎

holding you in my arms – King of Pentacles & 10 of Cups

Y’all know I hardly ever take 2 cards for a segment because I’m mathematical (LOL) buuut for some reason this one wanted me to take a peek, and peek I did and I was delighted~☆

Your Destined Person is truly the embodiment of a King aenergy, whatever their gender may be. This is perhaps a person who beats to their own drums and defies logical expectations. They’re weird, to be honest, the good kind of rebellious weird. Because the world is crazy and full of losers anyway, your Destined Person’s weird is exactly what makes them the SANEST in this world of lunatics.

This is a person who, in spite of appearing whacko to the world, actually possesses values that are rather ‘traditional’, in the sense that they align themselves with the aenergetic Yin and Yang of the Cosmos. If they assume the male role, you bet they take their maleness very seriously and will do everything in their power to provide an amazing household for you. They help around the house because that’s what’s sensible, too. They are a responsible one! If they happen to be ULTRA WEALTHY, they’re the type to hire bodyguards and/or assistants for you at home and work.

And for sure, this is the Pile that’s blessed with children. If for whatever reason an actual child isn’t possible for you, this is saying that you and your Destined Person are going to birth a new paradigm. Perhaps you will build, invent, create something in your name, which then becomes your legacy. Leaving a legacy is a huge part of your Divine Union because, you both are too extraordinary to die as ordinary people. Long after you’re gone, you’re still going to be remembered as an example of what Love could be in this Human realm~♦︎

EMBRACE🔻💛

the best part – Priestess of Ritual

forever and ever and ever – Priestess of Luxury

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 2] [Part 3]

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[y-rhywbeth2]

D&D Vampire Lore Dump #1

Feeding and Diet It's actually more complicated than just "they bite you and eat your blood." Plus what they're able to eat; how often they need to eat; what happens to you if they bite you and what happens to them if they don't feed- spoiler: it's unpleasant. Incidentally, you should reload and kill Cazador again.

(I was comparing stuff across editions and compiling it into something more coherent and then figured I'd info dump about it in case my fixations are useful to somebody out there.)

DISCLAIMER: There are two things to note about the lore presented here: First, while the standard stat block in the monster manual is the default, in terms of lore vampires have this annoying tendency to be incredibly, stupidly varied. They are magical monstrosities ruled by the power of symbolism and superstition above anything else.

The next is that D&D is decades old, spans five editions, several settings and hundreds of writers. One guy establishes a piece of lore, and then the next picks it up goes "nah" and writes something else. I collected info from four different source books, all from different editions, which naturally don't entirely agree on how vampires work. Lore never stays consistent and may contradict itself. You may see information somewhere else from a source I don't have that contradicts what I wrote here. If you read this and like some of this stuff but not other bits, take the good and ditch the rest.

Basically, in D&D, canon is what you decide it is.

Feeding | "Biology" | Hierarchy | Weaknesses and Cures | Psychology

They only need to feed once in a 24 hour period. Vampires can survive between 3-9 months of starvation, but it's a terrible idea. -

There are three different categories of "Undead Hunger." Vampires have two of them and actually need to consume more than one thing to stay "healthy": Blood and life force. -

The blood is obvious. This is categorised as a "diet dependency." It's required to preserve their bodies and powers, and without it their powers* are suppressed as their bodies begin to shut down. *This refers to the powers a vampire gains with age; they cannot lose power they had as a newborn (the base stat blocks given for vampires and spawn given in the monster manual) A vampire requires the equivalent of 12 hit points of blood a day, or it begins to revert into a corpse-like state. Mentally they slowly regress into a desperate, mindless animal frenzy where they'll kill and drain anything containing blood they can get their hands on. Ultimately, if they don't get any blood then they revert into a corpse and they're trapped in their own body as it begins to wither and mummify. They're trapped in a coma, vaguely aware of the passing of time in flashes of awareness until somehow they are fed blood. If they ever wake up again, they will probably wake up feral and absolutely ravenous. -

Vampires rely on the victim's blood pressure to expel blood from the wound they create, lapping and mouthing at the wound rather than actually sucking on it. Being bitten is a highly pleasurable experience that victims can't help but desire, even when they know they shouldn't. -

While the damage done remains, the wounds from a Vampire bite closes itself quickly after the feeding (assuming you're still alive). It does however leave a mark. The bite mark itself is often "less than half an inch in length", and leaves behind a significant bruise that causes no pain or sensitivity to touch. Other side effects include fatigue and a weakened immune system. -

Vampires typically target sleeping victims (less likely to fight back) and favour the blood of their own race above others. So theoretically, Astarion finds elf blood tastes best. -

Drinking animal blood tastes bland and is health-wise akin to drinking tainted water: yes it might keep you alive in desperate times, but it's ultimately bad for you and will probably make you ill. That said, it has no mechanical detriments and a vampire that's forced to live on animal blood will be just as strong as its kin, but considerably bad tempered about it. -

A vampire's secondary feeding requirement is called an "inescapable craving", which means that if a vampire doesn't get that fix then their hunger begins to devour them instead. The pain is described as a spike boring into the vampire's brain, obscuring their awareness. They begin to obsess over feeding to the exclusion of everything else, they become willing to take ridiculous levels of risk to stop the hunger as they become more and more desperate. As they are consumed they become progressively more feral until they're just a rampaging mindless horror driven only by horrific hunger. For vampires, their inescapable craving is life force, which a vampire leeches from their prey through touch leaving the victim weak. Direct skin contact isn't required, if you're wearing full plate and/or the vampire is wearing gloves and they lay a hand on you they can still drain you. Mechanically these were combat abilities, energy/level draining occurred when a vampire struck a target with their own body (usually their hands). Before 5e hit them with a nerf bat, vampires could permanently weaken you this way (you could lose character levels from this). 5e also seems to have rolled life drain into the biting, so a vampire can consume your blood and energy at the same time. -

Post feeding, a vampire starts to look alive. Their skin is flushed and warm and they feel elated and energetic. In contrast, a vampire that hasn't been feeding properly becomes more corpse like and feels "sluggish" (I'm interpreting that as flu-like symptoms). It's purely emotional however, the vampire is no less capable and dangerous and suffers no mechanical penalties. -

Vampires can feed on other vampires, which is actually more filling than living humanoid blood and gives them the ability to communicate telepathically for a few hours. They don't like it though. If a vampire drinks from another vampire then they can be controlled by that vampire and the link forces them to feel affection for each other against their will until it wears off. The results of both vampires in question feeding on each other is described as "debilitating" since they both paradoxically become enslaved to the other's will and forced to "love" each other creating an absolute dysfunctional mess of control, obsession and resentment. The good news is that it only lasts a few hours. -

Some vampires can eat regular food (no nutritional value in it for them) while others would regurgitate it if they tried. As they retain their tongues, vampires can also taste food. That said, it's a bad idea for them to eat garlic, even if they can eat solid food. -

Some kinds of vampires don't drink blood. There's all kinds of weird and wonderful stuff a vampire might be required to consume instead. Spinal fluid stands out. Or the bit about ones who drain the ocular fluid from your eyes. Gale might find interesting things to talk about with the magic eating ones who prey on mages. They're much less common, probably something to do with most people not finding that very sexy. I don't think any of them exist on Toril.

[reidbae]

DAY 27: Stress Relief — period sex w/dom!aaron hotchner

KINKTOBER 2023: masterlist

summary: Your hot, older boss, who’s been protective of you since day one, helps to remedy your stress when he finds out your time of the month has come.

pairing: dom!fwb!aaron hotchner x sub!fem!reader

warnings/mentions: mention of periods (obv), along with blood but it's nothing crazy, use of a condom and small mention of latex, very heavily implied age gap, reader is very shy, vaginal sex, piv sex, hip/thigh gripping, fondling, use of my love, angel, honey, sweet girl, and princess, reader is fucked dumb but also not rlly, hotch is super doting but there's some teasing, too, lots of praise, SO much slowburn i'm sorry lol (like the first 1.5k ish words), lmk if i missed anything!

wc: 3.3k

a/n: went a little overboard with this one oops :P also i'm gonna *try* to fill in most of the gaps i've missed for kinktober this weekend, but no promises <3 hope y'all enjoy this one!

tags: @nalycandy @prettyboydrspencerreid @mega-kittyglitter-1 @mrs-ssa-hotch @boimlers-gonna-boim

You were working tirelessly in the bullpen of the BAU, when a caring, yet firm, hand landed on your shoulder.

It was that of your unit chief, Aaron Hotchner’s: And also, your lover’s. You and Aaron had been seeing each other in private for a while now, and while not officially together, you were pretty damn close to it.

The older man had taken on a calm, caring, and loving role in your pairing, always handling you in a sweet, and never hostile way.

It was a sharp comparison to the manner in which he carried himself in the field, but that was a different story, for a different time.

You usually saw Aaron everyday when work ended, you coming over his house, or vice versa. If you didn’t, you’d let the other know, and there would be some exchange of affection, at least.

But that wasn’t the case this week.

You had dozens of case files and paperwork to finish. You had work to do in general because of the main job, but even more than your team, mainly due to the way you had handled your previous case. Strauss wasn’t happy about it, and neither were you, because you had a hell of a lot of work to do now because of it.

As a result, you had been spending less and less time with Aaron, even avoiding him when you could, so he wouldn’t get a feel for your grouchy mood.

It didn’t help, also, that you were on your period.

When Aaron’s kind hand landed on your shoulder, you looked up in surprise to see him hovering above you, all packed up and ready to go home. He would usually stay a little later as the week ended, working as tirelessly as you were on paperwork.

So to seem him here, ready to pack it in for the day, was a little unusual.

“Hi,” you spoke, looking up at him with a shy expression. He could see the worn out look that your eyes held, the bags under them giving you away.

“Hello,” Aaron spoke in his calm, composed tone of voice, one you usually heard when he was addressing people in the field. It wasn’t always a bad thing, really, seeing as that’s the way he was supposed to speak.

But when he used it on you, you knew you were in for a bit of a talk.

As you’d done various times before, you moved the case files you were working on aside, so that Aaron could lean on your desk. He did so, and crossed his arms as his gaze lingered on yours.

“You want to tell me what’s wrong?” Aaron said brusquely as he looked down at you; His expression was genuine, though, as he did, and you could tell that he cared.

You looked down and away from him, letting out a heavy sigh, not prepared to have this talk with him. “What do you mean? Nothing’s wrong,” you said in a timid, low voice, avoiding the tall man’s gaze.

“Please don’t lie to me, honey. I can tell something is wrong. I’m a profiler, remember? Just like you,” Aaron reminded you, and from the corner of your eye, you could see his expression change from loving to firm.

“We’re not supposed to profile each other,” you reminded him, your tone small as you answered him. Aaron let out a little chuckle, shaking his head above you.

“Fair enough,” Aaron chuckled. “That doesn’t mean I can’t still worry for you, honey. You haven’t been yourself. I’m sure you know that.”

You gave him a shrug, not quite sure what to say in response to that. “Yeah, well—I haven’t been the best,” you admitted to him.

Your reveal caused Aaron to crouch down next to you, the way he likely had done for his son, Jack, so many times. You suddenly felt just as small, and turned your head away from him.

Aaron guided your face back to his seconds later, his dark brown eyes boring into yours. The look was sweet, though, and soft, as he put a warm hand on your thigh.

“What’s wrong, angel?” Aaron asked you curiously. You couldn’t deny the wave of butterflies that soared through your figure when he said that, and you bit your lip.

“I just have a lot of work to do, that’s all. And I’ve been—Moody,” you vaguely explained to him. You avoided using the word, “period,” for a fear of the weirded out look Aaron could give you if he heard it.

But Aaron took the words from your mouth in mere seconds, like he’d been able to do on numerous occasions. “Are you on your period, my love?”

Your eyes widened when he asked you this; Your cheeks warmed up as soon as his words finished, and you swallowed. “H- How did you know that?” you asked bewilderedly.

“Come on, princess. Do you really think I wouldn’t pick up on it? You get moody like this at least once a month, and I’ve been seeing you for seven. It doesn’t take a profiler to figure out what the cause of that is,” Aaron explained to you, rubbing his hand over your thigh. His tone wasn’t teasing, though, his words flowing from his lips in a warm manner.

You hid your face with your hands, hating, and loving, the way he could read you so easily. Aaron chuckled as you mumbled to him, “That’s so embarrassing.”

“It’s not embarrassing,” he assured you, moving his hand from your thigh to your shoulder. You’d be wondering how he was keeping his balance so well, if it weren’t for the fact that you were being so awkward. “It’s normal, and nothing to be ashamed of, honey. You’re okay.”

After a while of Aaron rubbing your shoulder, the unit chief broke the silence once again. “Is this why you’ve been avoiding me so much?” he asked.

“I have not been avoiding you,” you said to him, even if you knew you were lying through your teeth.

That was the very thing you’d been doing.

“Do you want to convince me that, or yourself?” Aaron chuckled, keeping his hand where it was on your shoulder. You shrugged.

“Okay, so maybe I have been a little bit. But it’s not you. I’ve just been so tired and stressed, and—I don’t know. I know it doesn’t make sense,” you said to him.

“It doesn’t have to make sense to me, honey. As long as it does to you, that’s fine with me. I understand,” he told you. “You need a break from work. Come on. Let me take you home.”

“No, Aaron, I need to finish these files,” you all but whined, the very idea of abandoning your unfinished work making you uneasy. Aaron chuckled and got up, holding his hand out for you to take.

“Come on, sweet girl. Don’t force me to make this an order,” Aaron said to you. You couldn’t really tell if he was joking or not.

But you weren’t about to argue with him regardless.

With a huff, you took his hand and got out of your chair. Aaron draped your coat over your shoulders, making sure you were warm. He then took you by the waist and walked you out of the bullpen, and out to his car.

Knowing you didn’t feel like driving, and promising to give you a ride to work the following day, Aaron drove you home in his car, attached to your hip until you reached the front door of your house.

“Here we are,” Aaron said as he held your hand, guiding you to your door, like you would fall if he let you go. Aaron pressed a loving kiss to your cheek, smiling down at you. “Call me if you need me, okay?”

You gave him a confused, and a bit of a sad expression when he said that. “Wh—You’re not going to stay?” you asked.

Aaron’s expression then mirrored yours, and he looked as confused as you were. His eyes glimmered, though, with what you assumed was hope in response to what you had just said. “I—Well, I didn’t think you’d want me to. I figured you needed your space.”

You shook your head at his cluelessness, sighing at the fact that he could even think that for a second. “No, I—I do want you to stay. I didn’t think you’d want to.”

Aaron chuckled, shaking his head at you and cupping your face with his hand. The heat of it engulfed you, and you nuzzled into his touch. “Of course I do, angel. You know I love taking care of you,” he murmured. He pressed a kiss to your forehead before saying, “And I always will.”

—

He wasn’t kidding.

Hours later, you were curled up in Aaron’s lap after an evening of pampering from him. He had made you tea, gotten you all of the snacks you were craving, even leaving the house to do so, and gotten you changed into comfy sleepwear, but not before showering you clean first.

It was days like this that made you wonder how you had landed yourself such a wonderful man; A man who wasn’t even fully yours.

But, God, the way he handled you—Like you were a real life princess, and he was ready to serve you at any command. It was nearly impossible to comprehend.

The unit chief’s hands were tangled in your hair, playing with it as he held you there in his lap. Your face was hidden in his chest as you closed your eyes, relishing in his touch.

You had been sitting there in silence for a while, and Aaron finally broke the silence by pressing a small kiss to your forehead. “Is there anything else I can do for you, angel?” he cooed. “Anything at all that you need?”

You shook your head, lifting your eyes up to meet his soft ones as he looked down at you. “No. No, I’m fine. Thanks for being here for me," you smiled.

Both of Aaron’s hands went down to your hips, holding them in a tender manner as he smiled warmly at you. “You know I always will be, princess.”

You smiled back at him, moving closer to him to press your lips to his. Aaron responded by rubbing your back, his lips eagerly answering your kiss.

When your kiss moved from slow to passionate, Aaron moved you in his lap, so that your legs were on either side of it. He was rubbing your back as you kissed him, and you all but melted into his embrace.

You had never felt this needy for him before. Never felt this needy for one human being before.

That’s just the effect that Aaron had on you.

You were snapped back into reality seconds later when Aaron’s hands began to dance at the hem of your underwear, close, too close, to pulling them down.

You tried to move his hands away, quickly growing shy at Aaron’s move. “No, Aaron, I- I’m on my period, w- we can’t—“ you began to slur.

Aaron cut you off.

“Come on, angel. Do you really think I care about that?” Aaron cooed in a loving tone, looking into your eyes. “I won’t pressure you, princess. But I can feel your need, and I am happy to oblige you.”

“But—“

“No buts. It’s up to you. If you need me to wear a condom, I will. And if you need me to just pleasure you, then I am okay with that, too,” he whispered, cupping your cheek gingerly. “You’re not feeling good, and if I can make you feel better, I will.”

You were rendered speechless for several long seconds, unsure of how to respond to Aaron’s kind words.

Fuck, was he even real?

“Are—Are you sure?” you asked him, because you were unsure yourself about this. You had never had sex on your period before, let alone with a man who worshipped you like a goddess.

“I’m sure, princess. Say the word and I’m yours,” Aaron told you, running his thumb up and down your cheek. You gave him a shy look, and then a nod.

“I want you. I really do, Aaron, but—Only if you’re sure,” you said again. Aaron chuckled, shaking his head at you.

“How many times do I have to tell you, princess? I’m sure. Positive. Get that in your pretty head,” Aaron chuckled, causing you to smile as he pressed a kiss to your forehead. “Now, tell me what you want," he said.

“I—Um—“ you began, really not knowing the answer to that query. You bit down on your tongue, taking some time to think to yourself, before speaking once more.

“Well, I want to feel you, but—Can you use a condom, please? It’d just make me feel better,” you said timidly. Usually, you and Aaron didn’t use condoms very much, but you had a box of them in your house, anyways.

“Yes, honey. Go grab one for me,” Aaron smiled, kissing your lips before you got up.

Aaron took the condom from you when you came back with it, not saying another word on the matter. This is what you wanted, so that’s what he would give you.

You sat back in his lap as Aaron moved down his joggers, followed by his boxers. After what felt like years, Aaron’s cock sprung free from them, and from what you could see, he was already incredibly hard; Pre-cum leaked from his tip.

You sat in your own neediness as Aaron put the condom on, making sure that the latex reached the very bottom of his dick.

When he was finished, he gripped your hips, and pulled you to hover over him. He didn’t say a word on the blood that was so clearly in his vision; Instead, he lowered you down onto him, allowing you to take all of him.

Even after all this time, you had never gotten used to just how big Aaron was, his cock leaving you brimming with it each time you had sex.

And, as it happened, “Fuck,” was always the first word that left your lips.

Aaron chuckled at your vulgar use of language, and pulled you closer, beginning to kiss your neck. “Language, princess,” he said in a joking voice.

You giggled, biting down on your lip as you rode him. “Sorry.”

Aaron smirked up at you, but didn’t tease you more. Instead, he began to kiss your neck again, attacking it with a fervid passion.

Aaron left a trail of hickeys behind as he kissed and sucked at your neck; You were surely going to have to cover them up for work the next day.

One of Aaron’s hands went under your shirt, and with ease, unclasped your bra in one go. He discarded it to the side, as though it were the most unnecessary thing in the world, and began to circle his thumbs over your nipples.

You were worried you would hear the sound of blood as the two of you made love, but your whines and whimpers fully combatted the noise: You couldn’t hear a thing.

“There’s my good girl. You feel so good, princess,” Aaron inattentively praised you, his lips split open in pleasure. You whined in response to his words.

“You—Too,” you stuttered back out at him, your brain fogging up with the pleasure of the experience. “Mmm.”

Your eyes closed, and you leaned your head on Aaron’s shoulder as you moved yourself up and down. Aaron chuckled, bringing one of his hands away from your nipples to tangle into your hair. “What’s the matter, princess? Am I fucking you dumb?”

You let out a low whimper at Aaron’s teasing words, scrunching your face up in embarrassment. “Y- Yes, Aaron. You are.”

Aaron chuckled in response, pressing a kiss to your temple. “Good. That’s what I like to hear, honey,” he smiled.

After a while, Aaron felt the need to take over, and grabbed you by the hips once more. He flipped you over onto your back and climbed on top of you, moving into you now at a lethal pace.

“Oh,” you whispered in surprise, Aaron’s sudden change in pace causing your eyes to widen. But you weren’t complaining.

“Hm?” Aaron hummed to you, his breath warm on your nose as he moved himself into you. You shook your head in response.

“Nothing,” you murmured, earning a sly smirk from Aaron.

“Your thighs are shaking so much, honey,” Aaron whispered to you, kissing your neck again. “Relax for me, okay, princess? I’ll make you feel good," he cooed.

You felt yourself blushing as you nodded your head, surrendering to Aaron without having to think twice about it.

You were all his.

You were a hot, moaning mess under Aaron as your high approached dangerously close. Your period made you so much needier, so much more sensitive, and you were beginning to feel the effects of it.

Your expression was lewd as Aaron sensed your need, moving into you as quickly as he could, needy as you were to get you off. You were whimpering his name like there was no tomorrow, your climax burning low inside you.

“Shhh, princess, I know, I know. Almost there, honey, okay?” Aaron cooed in a loving voice as an answer to your whines, pressing butterfly kisses to your neck as he spoke to you.

All self-control fled your body as Aaron fucked you, and there was never another moment where you knew more what it was like to feel alive. Human, even.

“Please, I wanna cum. I wanna cum so bad,” you were mumbling over and over again, your speech unclear, all logical words fleeing your body.

“I know, my love,” Aaron whispered to you.

Then, Aaron did something you didn’t think would happen; He moved his hand down your body, and began to rub circles into your clit.

Immediately, you shook your head, trying to get his hand away as you realized what he was doing. “No, A- Aaron, no, the—Blood,” you all but exclaimed. Aaron shushed you with a kiss, letting his tongue slip into your mouth.

That sure as hell shut you up.

When he pulled back, his cheeks were flushed pink, and his dark hair was smeared over his forehead, stuck to it with sweat. “I don’t mind it, princess. I told you this. You need this, don’t you?”

Your eyes met his, and you nodded shyly.

“So stop it, and let me make you feel good, angel,” Aaron cooed, kissing your lips.

Your brain was too cloudy to argue back to him, and you relished in the feeling of his tongue tangled with yours, his thumb working rapid circles into your bundle of nerves.

“Aaron—!” you whined.

He had you finishing in seconds.

“Go ahead, princess. Scream for me.”

You did just that, his name leaving your lips in a way that your neighbors were going to hate. Your eyes shut with the feeling of pure bliss washing over your body, and you whined over and over again as you came down from your high.

When you were both all done, Aaron moved out from inside of you, and took the condom off. He smiled down at you, and pressed a kiss to the tip of your nose. “Was that good?”

You didn’t see how that was even a topic of discussion. Eagerly, you nodded. “More than.”

“Good. Let’s get you cleaned up, okay, sweet girl? I don’t want you to feel messy or anything,” Aaron said in a sweet voice, running his fingers through your hair.

You nodded at the brown-eyed man, smiling. "Aaron?"

"Yes, my love?"

You giggled up at him, responding to him in a soft, shy tone of voice, "Thank you."

Aaron's face softened, and he pressed one more kiss to your cheek for good measure, smiling down at you. "Anytime."

—

reblogs are very much appreciated! <3

—

please let me know if you want to be added to my tag list!

—

[saturnsbabyboii]

🦩Astro Observations for When the Bare minimum is Your Best🦩

🦩The Neptune Sextile Pluto to me is such an interesting aspect. For one, it is an anomaly for it being cross generational yet only occur during less than 25% of a generational birth timeline. The second being that it occurs during significant periods of history (i.e. The escalation of WWII in 1942). People that have had an influence on many generations are born with this aspect.

🦩The Polarity between Fire/Air dom Scorpio vs Earth/Water dom Scorpio is unbelievable.

🦩Pluto entering Aquarius (plus being in retrograde) and Uranus in Taurus has been proving to be karmic and transformative for the Pluto Scorpio generation. Many celebrities are continued to be exposed for bad behavior (sometimes it could be down right criminal). This isn't anything new, but it has been happening to people that no one suspected or the affected have kept quiet about it or were unheard until now.

🦩 Sun Inconjunct Saturn people almost always have painful stories yet they're never told. The restrictions that Saturn brings on the Sun can suggest everything from a controlling family, chronic loneliness, expected to follow a pathology, or being forced into a life that can only be referred to as inauthentic at the least. Unlike most, these people need to learn to unbecome everything that have been placed on them by others. As a result, they usually posses the biggest sense of perseverance and persistence. With time and as they accept that they have the right to hold court and presence in life, they will start to shine. Saturn is a late boomer, so they usually reap it's fruits later in life. Love that old age radiance.

🦩The asteroid Pallas Athena (2) gives an insight to the wisdom and knowledge we carried from our past lives. It recognizes patterns, habits, cycles and thoughts. It's our trigger and reason for when we experience "Deja Vu". The sign it's in, the house it resides in, the aspects it makes tell us how and through what that wisdom and knowledge is channeled and received.

🦩People with Neptune in Mutable houses (3rd, 6th, 9th, 12th) are more susceptible to indoctrination. They're usually a part of a new age cult.

🦩When the Moon is in a positive aspect to one of either Venus or Mars but a harsh aspect to the other (For example, Moon Trine Venus but Moon Opposing Mars), the person emotional needs, romantic attraction and sexual attraction would always be at odds with one another. With a highly developed person, this is usually resolved by communicating your needs and desires (possibly being part of the BDSM or kink community). In underdeveloped individuals, this would create an unsatisfied person that is hard to please or get to know, fear of intimacy, and (my fav) being an all around incel.

🦩Scorpio in the 10th/Pluto in the 10th natives might develop a reputation as the "other woman/man/one" or could be entangled in a messy relationship publicly.

🦩Although both the Square and Opposition aspects are considered "harsh" or challenging, they represent a different kind respectively. The Square aspect is generally external in its characteristics. When it's present, the native usually deals with adversarial circumstances in relation to the placements/houses. In contrast, the Opposition aspect is internal and entail a difficulty understanding, reflecting or aligning that conflict within. For example, a square aspect between Mercury and Uranus suggests a more restrictive environment where one could be punished for speaking the truth and expressing their mind. Meanwhile, an opposition aspect between Mercury and Uranus suggest difficulty connecting and communicating with the world around.

🦩Beware of people you meet during the period between your Jupiter return and Saturn return. It's very likely they would prove to be a testament to your growth and attunement. In some cases, you may find yourself on the receiving end of a situation where you have been the other person in the past. (i.e. Getting ghosted more often if you ghosted many before)

🦩I found that in one sided relationships, in synastry one person planets are usually more aspected than the other one.

🦩Signs from each element complete each other, for when they stand alone you'll find that they desire what the others posses. For example, with Earth signs you'll find that both Virgo and Capricorn desire the stability that Taurus posses. Although they both find it through work, Virgo gets it from the stability of routine, while Capricorn get it from the financial security. The same can be said for Virgo's vigor and Capricorn's efficiency.

🦩A person with an unaspected mean Lilith (h12) tend be the least petty and vengeful person. If their other placements prove otherwise, then their pettiness would be circumstantial rather than passive and constant in nature. This is because Lilith is only activated when aspected.

Byeeeee 💕

[cepheustarot]

What new phase are you entering into?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur. You build your own life and destiny.

Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: Here you begin a new period in your life, changes are coming. Perhaps you are changing your place of residence, changing your job or field of activity, changing your place of study or specialty as well, but in any case, here I see that you will have a new team, a new social circle, new acquaintances. Or maybe you just take a vacation, start taking a break from the routine, go somewhere on a trip or vacation. I will assume that you are currently going through a difficult period in your life, which has physically and mentally exhausted you, so the next stage will be relatively calm for you, it will help you relax, it will be a kind of break. Because the next stage will help you feel happier, you will rejoice more often, relax, feel satisfied, there will be many pleasant moments, you will feel independent of finances, there will be a lot of fun and holidays around you, you will be satisfied with the current state of affairs. In general, this will be the most favorable period for you!

Pile 2: I dare to assume that the second pile was chosen by people who can behave coldly with people, in general you are seen as a detached person who is difficult to approach. Perhaps you are not very emotional, or you try not to show your emotions and because of this, people may think that you don't care about most things, you are indifferent to many things in life. It is also possible that you are too straightforward or speak out too harshly here in someone's address and people who do not know you well may take offense at you. In general, in the next stage of life there will be events that will change you and that will "teach" you not to be afraid to show your emotions, to open up to people. There may be an acquaintance with a person who will be very sympathetic to you and can become your partner, or it will be an acquaintance with a good friend with whom there will be a strong friendship. In any case, you will feel good with this person, you will feel comfortable, you will enjoy spending time with him, because next to him your mood rises and you really want to share everything with this person, in general it will be quite an emotional connection. It is also possible here that you will work with children with whom it is important to maintain an emotional connection, behave gently and this will also help you develop empathy. Of course, at first it will be hard and you will feel very uncomfortable, there will be a desire to retreat and close up more, but in any case it will be an experience for you, as you will get out of your habitual way.

Pile 3: As I see it, in your next period of life you will begin to close yourself in and distance yourself from people, stay in touch less, but this is because you have a change of priorities and you will devote more time to your self-development or gaining knowledge, preparing for studying or you will dive into work. Perhaps someone here will soon start important exams and therefore you are starting to prepare hard for them, or you are working hard to reach a career age, perhaps some of you want to start your own business, something like that. And in general, this stage will be difficult for you, it will be very exhausting, you will be nervous a lot, but I see you are confident here to achieve your goal, so keep your initial attitude, your motivation and, of course, do not forget to give yourself a rest. You will definitely succeed!

Thank you for reading! I will be glad of any feedback <3

[st-just]

ive seeeen you mention listening to history podcasts before, are there any that youd recommend? I have looked at whats out there but a lot of the popular ones I saw seemed to be rather dubious if you get me

So an assortment off the top of my head

Mike Duncan's stuff is both generally very good and also the inspiration of 90% of the history podcasts I listen to, so useful for cultural literacy if nothing else. (He podcasted his way into being a bona fide public intellectual for a moment there!) History of Rome is exactly what it sounds like, a narrative history from the mythical foundation of the city to the fall of the Western Empire (getting much more detailed and in depth as it gets into the imperial era). Revolutions is an anthology on what can be called the great revolutions of the modern western world, with series on the English, American, French, Haitian, Spanish American, German/Italian/French again (1848), French round three (Paris commune), Mexican and Russian (also includes a semester-length intellectual history of 19th C europepan leftism) revolutions. First two series are fine but it really gets good with the French Revolution and the Haiti series is some of the best pop history I've listened to or read. Also doubles as just a decent history of the long 19th century in Europe.

Tides of History is the only one of this list that feels like it has an actual production budget and more than one person working on it as part of their actual job. The host is the other guy whose podcasted himself into being a bit of a public intellectual (would rec his substack!) The downside of having a budget is most of the older stuff being locked behind a paywall, which is a shame because the early seasons are some of the best approachable history on the late medieval and early early modern period in Europe I've heard or seen. The current season is about the late bronze age world, and continues to be excellent.

History of Byzantium is explicitly an attempt to pick off where Duncan left off and follow the Eastern Roman empire from the fall of the west to 1452 (it's still in progress, now well into the 13th century). Also much like History of Rome, it starts off fairly general and vague but gets much more detailed as it goes. The general narrative history is intercut with semi-regular interviews with academic historians about the subject of their expertise for more in depth and probably rigorous discussion.

Speaking of Byzantium and Friends is hosted by one of the more prominent working byzantinists and consists of absolutely nothing but that. Much, much more academic - there's a level of assumed background knowledge to get much of anything out of the episodes, and and a level of academic inside baseball, but accurcy-wise this is the podcast I trust most out of all of them.

History of Japan is, again, what it sounds like. One of many podcasts begun by a grad student probably procrastinating working on his thesis that has lasted long enough for him to graduate, get married, and settle into a full time job. Vast majority of episodes are 20-30-minute mini-histories on, say, the biography of a particular political figure or part of a mini-series on the spread of Buddhism or something (plus a few much, much longer series on e.g. the Meiji Restoration). Currently in the middle of remaking/expanding a series that's a general high-level survey of Japanese history to celebrate hitting episode 500.

Criminal Records shares a host with it, but is (intentionally) less rigorous and much more bantery (having two hosts helps, them being married presumably good for the chemistry), also technically a true crime podcast - specifically about weird crimes and legal cases throughout history. My favorite episode is the one on the oldest surviving court case in the record from ancient Sumeria.

The History of the Crusades and it's sequel Reconquista continue the trend of admirably self-explaining names. They're nearly-entirely narrative and political histories, so if you're not interested in crowns, marriages and wars probably give them a pass, but very granular and detailed as they go. Crusades finished after the fall of Jerusalem and then a follow-up about the Albigensian Crusade, Reconquista currently still ongoing (in the 11th century at the moment, I believe).

Pax Brittancia is the one I just finished binging as depression-ameliorating background noise and what I've been posting about recently. Another begun by a grad student avoiding their thesis who has since become a doctor (who had previously completed a podcast on the history of witchcraft, which I have not listened to). It's ostensibly a history of the British Empire, beginning with the Stuart Dynasty (and personal union with Scotland) and moving forward with sufficent attention to detail that after five years and change it's objectively just a very in depth history of the Wars of Three Kingdoms (incl. causes and aftermath). Includes many, many interviews with established historians, including a whole series on Covenanter Scotland and whether its rise should be considered a Scottish Revolution. The narrative just reached Cromwell's inauguration as Lord Protector.

[am-i-the-asshole-official]

AITA for not helping my family pay for hospital bills?

🎷🔥 so i can find it later

This is going to need a lot of context right off the bat. I (20'sM) am a gay man that comes from an extremely conservative family. My sister (20'sF) is also a lesbian and recently got married and adopted a child. I'm very proud of her, but that's not the issue.

My parents seem to have little to no issue with my sister marrying a woman. They do have a very big issue with me liking dudes, however. Like, it was the reason my parents got divorced "big issue." I'm not gonna go into everything, but my sister ended up with my dad and I stayed with my mom for reasons I'd rather not share.

Our last parting was on... less than decent terms. Upon finding out that I was of the homosexual variety, my dad flipped his lid. He called me several slurs and said some other very hurtful things, and even made moves to physically attack me. My mom, also a very homophobic woman, stepped in and thankfully talked him down. Then divorce, etc etc.

I saved up enough money to move out when I turned 18 and may have done some impulsive things including completely trashing my mom's bathroom, which I know I'm definitely the asshole for, but in my defense my mom kept "forgetting" to pick up my prescriptions and I was manic (I have bipolar). But, again, I know I'm the AH for that.

I now live with my two best friends R (20sNB) and P (20sM) in a house we all pay for. R comes from money so they help out a lot, and I love them both to death. We kind of have a sort of situationship but none of us are poly? Idk it's weird we're just going with it rn.

Anyway, I bring them up bc we all went to my sister's wedding together, and my parents separately chewed me out for bringing them (and for R daring to wear a dress. They're amab for context) and I obviously argued back bc hey they're my best friends and my sister specifically said it was okay for me to bring them (she and R are also friends and they wouldve been invited regardless of me bringing P) and also because R looks very good in a dress and i can handle them shit-talking me but i will not tolerate slander towards R or P.

At the wedding, I went full no contact with them and told them to lose my number. They, ofc, did Not lose my number and I got several calls from extended family saying about what you would expect them to say, so I switched numbers and gave only my sister and her wife my new number.

My sister. I love her to pieces but sometimes she gets on my nerves. She gives my number to my mom to have "just in case," but she reassures me that she won't give it to my dad or any other family. So far, she's made good on that promise, I just have to deal with periodic calls about getting a girlfriend and having kids.

Now, my dad isn't the healthiest guy out there. He has arthritis, osteoporosis, and several other things that i don't really wanna get into. As he's aged he's only gotten worse and there have been several times he's almost died, but recently he's been put on hospice and has an estimated Not Very Long to live.

Here's where I may be the AH. My dad calls me while I'm at a very important, personal event for R (he got my number from my mom) and goes on a long rant on how I'm an unlovable disgrace and how he fed me and clothed me and I could make up for all that by helping him pay off hospital debt. I say no immediately and tell him that he's never been my dad, only my dna donor, and that he's going to be dead anyway and that selling his house could cover all the bills. He calls me many more names and tells me he wishes I was never born (calling my mom some very derogatory names too (she's asian)) and that i should just go ahead and off myself to save the world someone like me. I tell him he should die faster while he's at it because God knows the world already has enough bigots in it and there could never be too many mentally ill queers.

I hung up, but now I'm thinking I went a bit too far. AITA for not helping out with his hospital bills and yelling at him?

What are these acronyms?

[d3adlyromb3ar]

'. ݁₊ ⊹ cold lips, cold heart — one

— pairing. hockey player!choso x ice skater!fem!reader

— synopsis. you were one of the most graceful skaters to ever skate in your local arena, competing at a young age— racking up trophies and medals as the years passed. after an accident at your last competition, you find yourself afraid to skate again. your coach decides to ask one of your local hockey team players for help, desperate to get you back on the ice. but out of all the players your coach could’ve picked, it had to be him.

— word count. 3.5k

— contents. enemies to friends (eventual), friends to lovers (eventual), angst, trauma, fluff, hurt/comfort, mentions of injuries, language

— notes. i think hockey players are hot & choso is extremely hot, so put those together and life just feels perfect 🤤 thank you @saradika for the dividers 🤍

main masterlist

How does one find themself in this situation, one so backwards. One so disorienting you wonder if this is merely a dream or the harsh reality. It couldn’t possibly be a moment in your life that needed to happen. You outright refused to believe that this was happening for a reason.

Between the battlegrounds you call your life and the way you were losing your mental strength as every day passed— the ice was the last place you clung to. It was the only place where you could be free. Free of the pain, the agony— of it all.

As you feel the cameras flashing, the blurred outlines of faces and silhouettes crowding you— you realize that you life was about to change. The pit in your stomach only grew in size at the possibility that you may never skate again. What was once a place you could call home, could now just be remembered as a sheet of ice.

Your eyes remained unfocused, staring blankly at your legs covered by a sheet, being wheeled into the back of an ambulance. Voices could be heard from either side of you, although they were unclear. It sounded almost as if they were speaking underwater— you weren’t listening.

It became too much for your eyes to stay open, and you begin to drift off. If only you knew how much your life was about to change.

“Here you go,” You handed the man his extra large coffee with two sugars and two creams. Just like every day. “Enjoy!”

“Thanks darling.” The man sent her a smile, heading outside to his usual spot, in the shade, just a hair out of the sunlight.

You smiled as he walked away. He was such a kind old man, face so gentle— and wrinkly. Still, he was sweet.

“What bullshit!” Your friend Maki hissed, face stuffed in her phone, “They keep making these damn tickets more expensive. Fucking fuckers.”

You slapped a hand to your mouth, trying your hardest not to giggle at her frustrated state.

“C’mon, you don’t really wanna go to a hockey game that bad, do you?”

“Hell no.” She hissed.

“Right, right. You just wanna try and get some big hunky hockey player dick.”

Maki had a proud expression on her face.

“That’s right— and I’m not ashamed.”

You shook your head, letting the giggle escape this time.

“You’re utterly ridiculous.”

“And youuu need to get some hockey dick too. Or just dick period.”

You rolled your eyes, very aware of your dry spell that has been going on for… well. Awhile.

“I am doing just fine actually, thank you very much.”

Maki leaned forward, her glasses perched on the tip of her nose. She was giving you her best really look.

“Honey, I’m all for this independent female attitude you got going on but, let’s be real. You need to be dicked down.”

You made a disgusted face, embarrassed that she was talking so loudly when there were costumers around.

“You might feel a little less stressed once you do,” She told you, “Find some super good dick and all your issues might just vanish.”

“Yeah, wish that was the case.” You were at a whisper by the end, glancing down to the scars that started below your knee and disappeared underneath your shorts.

Maki noticed your stare, her gaze softening.

“Listen, it might be good for you to at least meet someone, y’know? You need to stop moping around and go do something— live a little!”

You pouted, crossing your arms.

“I’m not moping around.”

Maki gave you another look.

“Babe, you’re the epitome of moping around.”

You acted hurt, holding a hand over your heart.

“Damn Maki.”

“I’m serious (Y/n).”

You waved her off, brushing all your joking to the side. Plus, you were only using humor to hide how you were truly feeling— defeated.

“I know, I know.”

“I just wanna see you happy, that’s all. You deserve that after everything you’ve been through.” She told you sweetly.

“I am happy Maki. Life at the coffee shop couldn’t be better.” You tried to convince her. Hell, you couldn’t even convince yourself.

“You need a life outside of work, and one that makes you happy.” She corrected.

You walked past her, nudging her shoulder playfully as you passed.

“On it boss!” You said lastly as you headed for the back. Your shift was ending soon.

You clocked out of work, setting your apron in your work locker before heading towards the bus stop. You had a plan to go home and binge some cringey tv show while stuffing your face with junk food. Yeah, that sounds wonderfu—

“(Y/n)!”

Scratch that.

You turned to see your old coach walking towards you, huge smile on her mature face.

“Hey there Ms. Utahime. What brings you here?”

She furrowed her brows, stopping when she was in front of you. Her look was one that made you wonder if you should know why she was here.

“One, can’t I just come see my favorite person in the world,” She definitely wanted something, “And two, I’m wondering why you aren’t back on the ice?” Yup, there it is.

“I told you coach, I’m not going to be starting up again. Already returned my skates and all my uniforms.”

“Nope. Just had everything returned to your place.”

You gave her a wild look.

“Why would you do that?”

“Because you’re going to be back on the ice soon.”

You sighed, leaning on your left leg to give your right a break.

“Coach, I’m not skating anymore. I’m sorry, I’m just not.” You started, pleading almost with her, “That chapter of my life is completed.”

She gave you a motherly look. Oh god.

“(Y/n) that chapter of your life was just beginning. You were doing so well and I couldn’t have been prouder of you.” You felt a but coming. “But,” Yup. “You aren’t done with what you’ve started, I’m sorry, I won’t let you waste your talent.”

“Coach—”

“Nope. I’m not giving you a choice. You’re gonna be back on the ice and train, because I know for a fact it’s been awhile since you’ve skated— no thanks to you.”

“I get it.” You rolled your eyes.

“I have big plans for you (Y/n), and they match up with your big plans.”

“Maybe that used to be my plan. Grow up to be the best skater there ever was, but after my…”

She waited patiently, watching your mouth open like a fish before closing. You had to gather your thoughts.

“After what happened,” You worded differently, “Things have changed. That girl, it isn’t who I am anymore.”

Coach Utahime sighed, giving her a moment to gather herself before letting her hand rest on my shoulder— in attempt to bring me some comfort.

“Will you at least think about it?”

You gazed into her eyes, her hope filled eyes that had you feeling weak and guilty— almost forcing the words out of your mouth. God, how you missed skating, and you’d do anything to get back to where you were. But it wasn’t that easy.

With a deep breath, you found yourself nodding.

“I’ll think about it.”

Her eyes were beaming, a smile taking over her face as she almost started jumping up and down from excitement.

“Great. I’ll see you soon.” She turned and waved goodbye, heading back to wherever she had come from.

Now it was just you standing at the bus stop, head full of chaos. What were you thinking? You couldn’t skate again, could you?

Like a robot following its coding, you walked onto the bus, sitting down in your usual spot all the way in the back— a window seat of course. You let your elbow rest on the arm of the seat, your palm cradling your chin. The view was pretty. In the sense that you got to admire people as the bus passed by. People didn’t realize how interesting they became when they were so oblivious to the watchers of the world, quirks and habits poking out as people became lost in their own little world.

It was a weird thing to appreciate I guess, but it calmed you.

You wondered how you looked to others that happen to watch you. You wondered if they felt sad, or if they felt embarrassment— for how someone could live such a dull life. Especially when life started so colorful, so lively.

Will you at least think about it?

You grumbled into your palm, annoyance at yourself for caving so easily to Utahime. It wasn’t easy to say no to her. She was the best coach you’ve ever had— the only coach that is. She was also not only a constant on the ice, but she was consistent in your personal life as well. It was odd but endearing.

Your thoughts were interrupted when a figure moved from your left. Glancing over, you watched the man sit on the furthest seat from you— except he was in the same row. The very back. Your section.

The man was facing the window, the view not helping you confirm who he was. The second he turned his head, and you were able to get a glance at his stupidly perfect side profile— you wanted to gag.

Choso Kamo.

You went with a scoff instead.

Choso turned his head towards the noise, his eyes unchanging as he saw you. Without smiling your way or offering any kind of greeting— he simply turned back to face forward. Not paying you any attention.

You narrowed your eyes at him, soon facing the window again— allowing yourself to once again sink into the abyss you called your mind.

Choso Kamo. Where to even start with Choso. It was pretty simple. He was a moody, angsty man who praised himself too high at being one of the best hockey players there was. Because that definitely wasn’t right… right? He had this mysterious aura about him, always keeping to himself. Never one to strike a conversation. To make things even better, the only confrontations you have with him were sour. He was always short and rude. It wasn’t that you wanted to dislike him— you just couldn’t stand him.

It also didn’t help that you used to have a crush on him, y’know, before you met him and then realized you hated him sorta thing.

I mean, who wouldn’t have a crush on him? Despite his shit personality, he was insanely attractive. Bone structure sculpted by the gods themselves. It was quite unfair really, to be gifted with such lethal looks— only to be a dick. Oh yeah, it didn’t help that he played hockey too. Apparently, it made a man 10x hotter when they played hockey. I don’t make the rules.

You snuck another glance at him, wondering what he was doing now. Or if he had gotten off the bus while you were daydreaming about hi— I mean thinking. Thinking about him.

You couldn’t help the pink dust your cheeks, seeing as he was already looking your way. In fact, he was holding your gaze with something unspoken. You instinctively placed a hand on your belly, wishing to stop the butterflies.

Again, like you were invisible, he looked away. Gazing out his own window, not paying you any mind. Again.

You chewed the inside of your lip, still unsure why it had to be him that had your gears grinding. He was a dick, yeah that’s it.

“Do you need something?”

The deep voice startled you, snapping you back to reality. A pair of dark eyes were staring at you, his brows furrowed at you as he waited for an answer.

You must’ve been looking at him still while you were lost in your thoughts. Great.

“Uh… no?” You didn’t even know why you were making it sound like a question.

“You were staring at me.”

“You were staring at me first.” You shot back.

His eyes narrowed in on you, silent for a moment as it almost seemed like he was trying to get a read on you. It had you squirming in your seat slightly— his gaze intimidating.

“I didn’t recognize you at first, (Y/n).” He admitted, your name falling off his lips so smoothly. “Was just making sure it was actually you.”

You swallowed, unprepared for that kind of response.

“Surprised you even remember my name.”

He turned his body slightly more facing you.

“Why wouldn’t I?”

You narrowed your gaze, starting to pick at the skin around your fingernails. A bad habit.

“You’re making it sound like we used to be close or something.”

He didn’t respond for a moment, just staring at you with confusion— like he didn’t understand you. He didn’t quite understand where your hostility was coming from.

“Were we not?”

You couldn’t possibly think of a way to respond to that, stuck staring at him like he’d just said the most outrageous thing. You felt confusion, shock and most importantly— embarrassment.

Remembering the day all too well, the day of your innocent much younger self building up the courage to express your feelings to a certain person. The same person who was sitting at the back of the bus with you.

You could still remember the utter humiliation of being rooted in your spot as he told you he didn’t feel the same. The sinking feeling in your stomach when he walked away, leaving you all alone to all watching eyes. You could still feel the tightness in your throat at the last glance of his pitied look towards you before he turned away.

Were we not? Choso had asked. The question almost making you laugh maniacally— at how obvious the answer was.

“No.” You told him blankly, “We were never close, I don’t know where you even got the idea that we were.”

He looked at you again for a moment, the only sound of the lulling engine of the bus. He had such a confused expression, and for a second you thought you saw something along the lines of a hurt look. That couldn’t be right.

“Yeah, guess you’re right.”

He turned back to his window, gazing out at the scenery passing by— leaving you to your thoughts again.

You shook your head, noticing that it was your stop coming up. You got up and headed towards the front of the bus, your hand hanging onto the bus railings as you walked along.

“Have a good day ma’am.” The driver had said sweetly.

You gave them a small smile, holding onto the railing tightly as you focused on your steps. Why did the bus stairs have to be to steep? You thought.

Your heel hovered too far ahead of the next step, causing you to slip— your right knee buckling from the previous stair, crumpling under you.

The bus driver gasped, something about asking if you were okay— but all you could focus on was the hot sensation coming from your right leg. You gripped tightly onto the railing, stopping yourself from falling any further. You bit your lip as a weird sensation flourished throughout you, memories of the accident fresh in your mind— the visions almost causing you to physically flinch away.

“Ma’am? Are you okay ma’am?”

You closed your eyes for a minute, taking a deep breath before you stood on shaky legs, your left leg taking most of the weight. You hobbled off the bus, limping pathetically until you reached a bench.

It wasn't completely a reaction from the pain. Yes it hurt, but it were the overwhelming flashbacks that would cripple you momentarily. You just needed to relax on the bench for a couple seconds, you'd be okay after.

"(Y/n)—?" The familiar deep voice startled you, lifting your gaze to see Choso holding out your bag. "You dropped this."

You kept a neutral expression, grabbing your bag back.

"Thanks."

"You okay?" He asks, and you were confused at his genuinely concerned expression.

You tucked your hair behind your ears, taking a deep breath. You felt better now that the uncomfortable feeling passed.

"Yeah, I'm fine." You kept your answers short.

Choso didn't believe you.

"You sure?" He pushed.

You narrowed your eyes, studying him— almost like you were trying to figure him out.

"Do you actually care?"

Choso sighed, crossing his arms, still standing in front of you.

"Why would I ask if I didn't care?" He replied, his expression the same as when he'd started talking to you— concerned.

"Why would you even ask? You've never bothered to talk to me before, so why now?" You wondered, this sudden change confusing. He was usually quiet and keeping to himself— certainly not bothered to strike up conversation with you. So why now, was it rude to ask?

"You looked like you were in pain, so I thought I'd make sure you were okay." He explained, his brows furrowed as he was slightly annoyed, "Maybe I don't talk a lot, but that doesn't mean I'm heartless."

"Could've fooled me." You mumbled.

"Why do you hate me so much?"

You scoffed, wondering if you should tell him how your younger feelings were hurt. Your younger self experiencing her first heartbreak. Definitely not.

"I don't hate you... I just would rather not talk with you." You said instead.

"Alright... because?"

"Because I just don't wanna talk with you."

He sighed again, running a hand through his hair— which looked so soft and just gorgeous. No, don't think about that.

"Seems unfair."

You shrugged, leaning back on the bench as you crossed your legs. Taking your time when you set your right leg overtop your left, as it felt a little sore from your tumble.

"Life's unfair." You muttered, hating that you were repeating what you had been told all your life. To be on the other end of it felt weird.

He chuckled. He actually chuckled, the deep vibrating sound floating through the air. You really couldn't ignore how much you loved hearing that sound. Actually, you hated that you loved it.

"Alright, well take care (Y/n). Give your leg some rest, hope you feel better." He said, turning to walk away.

Your cheeks flushed, hating that he had caught you— but how?

"I told you— I'm fine." You tried to convince him.

"I know. You're a terrible liar." And he was incredibly observant.

You bit your lip in annoyance, uncrossing your legs and holding your hands over your right thigh— like you were trying to hide it. Yeah good luck.

You couldn't find it in yourself to respond, too frustrated that he had called you out. A part of you wanted to appreciate that he at least seemed like he really cared— but you also didn't trust that it was genuine. You wanted it to be— that small part of you always having a spot in your heart for him. For some reason.

His steps were swift and relaxed as he walked further away down the sidewalk— to where exactly? No idea. You were almost positive this wasn't even his stop, and that he only got off for you. To give you your bag back you weirdo— yeah thats it.

With everything, like coach pressuring you into skating, your family drama that you'd rather not talk about, Maki's odd obsession with getting me dicked down— and now Choso? I didn't need this and I didn't want it.

So why was your head filled with thoughts about him, and his stupidly handsome face?

Fuck.

Your phone rang in your bag, and you scrambled to get it out with a huff of annoyance. Can't I just be left alone? You thought.

Pulling it out, the caller ID said Coach. With a sigh, you slid to answer.

"Hey Coach." You greeted.

"(Y/n)! Good news—!" Her voice squealed through the phone, making you flinch back from it, "I got someone to help you get back on the ice!"

You face palmed your face, running a hand down as you held in the urge to whine.

"Oh, really?" You ask in fake interest.

"Yup, they will help you get comfortable skating again. I wouldn't have asked this person if I didn't trust them." She informed you.

"Great." You said sarcastically.

"(Y/n), try to sound a little excited— god." She complained, and you rolled your eyes. "I'm gonna send you this person's profile. Maybe you can meet and talk with him, get to know each other before you start training. Y'know, get comfortable with each other."

"Alright fine, but I'm only doing this because I know you'll just force me anyway."

"Very true." She laughed. "I'm sending over the info now, gotta go— text you later!"

She hung up before you could say bye, and you got the expected ding of the text. You clicked on the link to the profile and immediately noticed the logo on the profile— it was a hockey team.

Your eyes skimmed over the profile and widened in disbelief when you read the name listed. You gotta be fucking kidding me...

Choso Kamo.

Well fuck.

— ending notes. thinking about making this a series, but I have so many projects in the works right now, what am I doing to myself lol

[ask-the-pioneer]

Hello and welcome to @ask-the-pioneer! This is a scripted ask blog dedicated to a slugcat OC of mine called Marbles (she/her), titled the Pioneer. She is a re-interpretation of Artificer’s blue slugpup, set in a AU where the pup survives, grows up, and receives a name. The main story begins some short time after the end of Artificer’s campaign. At that point in time Marbles is already a young adult (early 20s in human years). She parts ways with Hunter - her mentor - and ventures out to seek the knowledge contained within the pearls that she was always captivated by.

This blog is run by @kalivasquez (@kalivasquezart). Keep in mind I’m not a native English speaker. There may be spelling errors or weirdly constructed sentences at times. This is my first ask-blog ever so idk what I’m doing but I’m trying my best 👍

CONTENT WARNING: This blog has content rating of +18 due to potential sensitive themes: mental trauma, depictions of violence, suicidal ideation, blood and gore, or other graphic imagery that may be uncomfortable, scarring or otherwise triggering to witness. Viewer discretion is advised. Posts containing mild themes will be tagged appropriately, while posts showing heavy themes will have "mature" filter applied to them. Please be aware that all the content shared on this blog is intended for an adult audience!

More info below the cut!

Blog Rules 📜

Last update: 10th of October, 2024

By default you address the main character - Marbles, aka the Pioneer - in your asks. If you wish to inquire me directly (as an author of this blog), please include “[OOC]” at the beginning, or otherwise indicate that the message is directed at me and not the character.

Asks are answered in-character. Sometimes the character may react to your ask in a seemingly negative way. Please keep in mind that it is done from their point of view, and it does not imply that I (the author) personally reacted badly to your message.

I appreciate all the asks that I receive. However, I reserve the right to not answer some of them, at my discretion. It is not guaranteed that you receive a response. Still, I’ll try my best to answer as many messages as I can.

Be aware that some asks I receive may be skipped over, especially ones that are short and vague, in favour of more complex asks that help me push the plot of this AU forward. This is also relevant for asks that refer to the same subject (duplicates).

Please be tactful! Asks that are inappropriate or confusing in their intent (like spam, baits, asks containing slurs) will be deleted. Sorry!

Do not send me asks via direct messages (DMs)! I keep my DMs open in case someone needs to contact me for other reasons, like incorrect tagging or important offsite matters. If you send me a DM meant to be answered like an ask, your message will be ignored and deleted.

More rules may be added later. Please check this section again periodically.

General Character Info ℹ️

As of now, this ask-blog has only one acting character - Marbles the slugcat, aka the Pioneer.

Name (given): Mirmyntasseth, Eight Marbles Cast in Stone

Title (given): the Pioneer

Nickname: Blue (for family), Marbles (for friends, after being named by an iterator)

Pronouns: she/her

Age: young adult (very early 20’s in human years)

Personality: energetic, curious, savvy, humorous, short-tempered, resilient, drive, a little naive and too trusting, exhibits mild case of abandoned child syndrome

Specific traits:

good at finding pearls (she loves them, goes about as crazy for them as scavs) and other trinkets,

knows martial arts, can incapacitate enemies by hitting their pressure points,

can craft explosive spears and grenades - they do less damage, but stun for longer; crafted explosives have deep orange color,

already has a mark of communication, granted by NSH,

Tools:

Marbles is often seen wearing a light colored “sling bag” on her back, where she keeps her pearls and other items,

at a muuuuuuch later point in time, she receives a gift from a kind interator - her very own citizen ID drone; the drone can read from pearls and translate slugcat speech into other languages.

Current reference sheet:

For more in-dept info and drawings/references of the character, please visit Marbles' ToyHouse page.

AU Timeline ⏱️

the story of Pioneer takes place some years after the end of Artificer's campaign, and begins at the same time as Hunter's campaign in-game

this AU assumes the following timeline for slugcat campaigns: Spearmaster -> Artificer -> Hunter -> Gourmand -> Survivor -> Monk -> Rivulet -> Saint,

Artificer/Hunter/Gourmand campaigns happen close together, with Hunter/Gourmand overlapping slightly; all three scugs are roughly the same age, with Arti being the oldest (early 40s), and Hunter the youngest (39),

Saint and Monk are still slugpups by the time the story of Pioneer beings,

Spearmaster is unlikely to be present in this AU as it is assumed that over 432 cycles have passed, meaning they are no longer alive,

Rivulet is unlikely to be present in this AU as here their campaign is assumed to have taken place *much *later in the future,

Saint is thought to be stuck in a time loop, and *may *appear in this AU.

AU Setting 📝

Pioneer’s Backstory (before the events described in this ask blog):

Marbles/Blue (the Pioneer) was born in the Garbage Wastes area, raised by a single mother (Artificer); the other parent remains unknown,

she had a sibling (who was also the runt of the litter) - a brother named Bryn, the green slugpup; the two were fraternal twins,

she got separated from the rest of her family in a scav toll incident,

was not killed, but abducted instead by the scavenger toll tribe, brought into their local shelter just before the rain started,

initially assumed to have been taken in as a fodder in case of predator attack,

in the end she has earned her keep when she learned how to make grenades and explosive spears, turning herself into a valuable asset for the tribe,

was treated fairly well, but never truly incorporated into the local scavenger community,

had stayed with the tribe for many cycles, learning how to fight and survive, but also how to look for valuables (mainly pearls) and haggle with other tribes,

could probably have run away, but she held on to hope that mom would come back for her,

whenever she got “lost”, the tribe would look for her to bring her back,

after one of her short solo expeditions, she came back to the camp only to find out the entire scav tribe has been wiped out,

ran away and been wandering aimlessly for a while, eventualy stumbling upon Hunter who adopted her, took back to NSH's superstructure, and underwent training alongside him (under NSH’s supervision),

promised to accompany Hunter during his important mission, but had to suddenly part ways due to unfortunate circumstances (just before the beginning of Hunter’s campaign).

Post Tagging 🏷️

I use the following tags:

#rain world, #rain world oc, #rain world au - default tags added to all answered asks (unless OOC),

#rain world spoilers - is included in posts that may spoil RW lore, for example: when answers hint to the conclusion of Artificer’s campaign,

#rw - rain world-specific characters that are present in a post, such as: “#rw hunter” or “rw five pebbles”; i will try to use the full name(s) intead of abbreviations,

#au lore - posts that contain important worldbuilding information for my AU,

#ooc- out of character posts, or anything else that doesn’t fall under “rain world” umbrella,

(more tags will be added to this section once I actually start posting stuff)

I also tag sensitive content with appropriate tags like #tw [trigger], if shown.

Text Key 💬

Most dialogue takes form of narrated drawings, where Marbles speaks in her own voice. The speeches are a part of the drawings themselves.

However, if a post contains additional text, the following key is used:

[Narration]

[The road was long and arduous, and she was glad to have finally found a shelter]

(Thoughts)

(This place is full of scavengers, I should be able to trade those pearls for some food)

“Speaking”

“How come you have not seen a vulture before? Climb up to Sky Islands, they are everywhere!”

//OOC

// more art coming soon woohoo!

Credits 📑

image in the blog's header belongs to Pawel Czerwinski on Unsplash

Yoŋasabi script (slugcat language, original conlang) in the top banner by @opashoo

all the other drawings posted on this blog were made by me, unless stated otherwise

[raven-at-the-writing-desk]

You might’ve already received an ask like this, but I think it’s interesting how similar Malleus and what we see of Maleanor(I think that’s how you spell her name) are. I mean they are mother and son they’re obviously going to be similar, but specifically I find it interesting that they have almost the exact same arrogance.

When reacting to the threat of the Silver Owls and S.T.Y.X’s forces respectively, both the previous princess and the current prince treat it like more of an annoyance than a real threat. The thought that they could genuinely lose doesn’t even seem to cross their mind, I mean in all fairness Maleanor does acknowledge the idea that she might lose but I doubt she really feels scared in the moment.

There isn’t much to this ask, I just think it’s interesting and might be some foreshadowing on how Malleus’ arrogance is going to lead to his downfall.

This isn’t exactly the same thing, but this ask also compares and contrasts Malleus with his mother under the scope of “maturity”.

Arrogance is a natural consequence of anyone having power, especially for a family as powerful as the Draconias. It often doesn’t occur to those at the top that they could fall from grace. In other cases, it’s ignorance as the result of never wanting and thus having a limited understanding of the world beyond their small insulated one. (This is the case for Kalim.)

I think the circumstances you described aren’t exactly equivalent so it’s somewhat limited to directly compare mother and son. Malleus already knows what Styx is (thanks to Lilia) and suspects they aren’t after him (because why would they be at this point in the story??). This is confirmed in one of Malleus’s dialogue lines: “No wonder they didn’t come after me.” Maleanor, meanwhile, is facing a significant foreign threat and knows she has a target on her back, since she leads the military forces. She also has a lot more riding on her shoulders if she fails, considering she has both her country and her newborn son to think about.

But I think your general point is still valid; Malleus and Maleanor are arrogant because their immense power affords them this luxury. It’s a vulnerability they share as mother and son, but I also think that they differ due to their ages and the eras in which they grew up.

Maleanor had to be strong and resilient because she lived in a period of time when mages (and fae in particular) seemed to still be feared. Malleus has a lot less life experience but he also lives in an era of relative peace. He does not need to be as alert as his mother was, and has yet to face any real national-level threat. Thus, Malleus is more arrogant because he has yet to be challenged to the same degree his mother was.

I would say that Maleanor is still arrogant (she clearly still feels comfortable making demands of Lilia and throwing fits when she doesn’t get her way), that much is true. However, she also has lived long enough to gain far more wisdom and experience than Malleus has. When you’re a child, you feel as though nothing can touch you. When you’re an adult (as Maleanor is), you’re aware of many more factors which could topple you.

We can’t be certain how she really felt about the Silver Owls storming her country, but I get the sense that Maleanor realized she was in danger and only put on a brave face because she’s such an important public figure. That’s where her arrogance comes in; she can’t afford to let that slip. If she shows weakness, it doesn’t exactly reassure her people, who are already very stressed. She has already seen many of her soldiers fall on top of her husband (someone whom she loves deeply) going missing. These are prominent reminders to her that fae, no matter how powerful or influential they are, can be ended. Maleanor also speaks in a manner which implies she is fully willing to make that ultimate sacrifice; she hands her child to Lilia and instructs him to guard her son in her stead, then casts a spell which prevents Lilia from running to her side to fight with her. It makes me feel like she knows she’s essentially marching to her death. She didn’t want to get her dear friend and son caught up in that, so she sent them on their way while she stayed behind.

So in a way, Malleus and Maleanor’s arrogance is paralleled rather than being the exact same. The inexperienced son is still riding the high of being untouchable, while the mother, knowing that her time had come, wasn’t willing to go down without a fight. Slightly different circumstances, as I’ve said—but it’s still interesting to see how the traits of the parent persist in their child, and how that may indicate how Malleus develops moving forward.

[granulesofsand]

Reasons people underestimate the prevalence of RAMCOA:

Untraumatized people don’t think about trauma nearly as much as survivors

People don’t know what the signs are. Trainings are shitty when given, attendees don’t think they’ll need to use the information, and trainings offered are usually online and easy to walk away from

Mandatory reporters don’t usually follow through their contracts. This is sometimes a good thing, but it can leave room in the wrong places for endangered children

People who know the signs will ignore them. They think it unlikely, that they’re overreacting, or they just don’t notice

Survivors are quiet. Speaking up puts us in danger, and more people think of us as media material than peers

The police don’t do jack shit for us. Some stations train officers to overlook our cases, and it’s difficult to take to court if a survivor wants to. In larger cases, government works with organized criminal groups that perpetrate or do so themselves for research

We’re a test question. The only time we are brought up in psychology classrooms is if they want to nod to a DID diagnosis. Few therapists are educated and willing to take us on as clients

Abusers know how to make connections with local authority. In high control groups, members may be taught how to abuse and evade interception

All of this makes it hard to report anywhere how many survivors exist free, and the low numbers in turn make us less believable when we do report

RAMCOA includes severe religious abuse, manipulative coercion, programming, cults, trafficking rings, criminal gangs, and more. Survivors are your coworkers, neighbors, cashiers, librarians.

Signs to look for:

Ritual Abuse

History of self-harm, substance use, sui/homicidality, especially with prescribed patterns

Unusual phobias (red or brown foods, kinds of houses, churches, hospitals, fear of the dark or being alone in adults)

Aversion to or obsession with the occult/witchcraft or other faith traditions

Patterns of nightmares, aversions or obsessions with common or nondescript themes (gore, needles, bugs, rodents, monsters, babies, men or women)

Sudden or irresistible urge to relocate, recontact abusers, participate in abusive ceremonies

High pain tolerance

Repeated phrases with violent, aggressive or religious themes

Mind Control and Coercion

Unquestioning obedience of a person or doctrine

Defers to another, speaks as though scripted, frequently accompanied by another or has to ask permission inappropriate for their age

Sudden or dramatic change in behavior, hobbies, or long-standing habits

Refusal to consume media unless approved by another/without further explanation

Anxious or idealized descriptions of childhood home and family, unable to recall these things

No memory of childhood or missing years

Multiple self-states, especially in high quantities

Organized Abuse and Trafficking

Disconnection from peers, family and friends

Does not attend community events or faith services or is perpetually preoccupied with a single group

Repeated unexplained absences from work or school

Disoriented, confused or dissociated for long periods of time or without explanation

Fearful or self-persecutory behavior, especially with allusions to another person or group

Bruises, broken skin or other wounds in various stages of healing

Minors engaging in commercial sex (including CSEM or survival sex)

Timid, skittish, fearful or submissive behaviors (including when this is the norm)

Malnourished, dehydrated, exhausted or with untreated ails

Without belongings or suitable living space

Many indicators of abuses flow together, as do the events themselves. It’s common that RA and OA perps use MC to keep victims in line, and techniques are often implemented by default in abusive environments. A group using RA or MC also qualifies as OA. This is why the community acronym includes all three.

There are more discreet examples for each. It’s possible to find many symptoms of RAMCOA and have none of those maltreatments as the cause. It’s possible to have none and still be abused.

Noticing indicators in children should be followed up by alerting any available reliable authority. Children sometimes disclose using metaphors or slang words they have been taught, so keep this in mind if you work with them.

[fascistsarefreefood]

So when I wanted birth control pills I went to my local pharmacy and asked for them, I'm very lucky I have this option to autonomy over my body however it's important to note that birth control pills can have a lot of side effects that aren't properly investigated because of how underfunded reproductive health research is. Side effects of the contraceptive pill include (according to the patient information leaflet):

Serious: blood clots (in leg or foot ie DVT, in a lung ie PE, heart attack, stroke, mini stroke, clots in eye liver stomach or intestine, allergic reaction, breast cancer, cervical cancer, severe liver problems

Less serious: feeling sick, stomach ache, putting on weight, headaches, depressive mood or mood swings, sore breasts, being sick, fluid retention, migraine, loss of interest in sex, breast enlargement, skin rash, poor tolerance of contact lenses, weight loss, increase interest in sex, vaginal or breast discharge, bleeding and spotting between periods, chloasma, occurrence or deterioration of movement disorder chorea, crones disease or ulcerative colitis

In the UK if you want birth control you can go directly to some pharmacies and get it or you go to one GP appointment and get it even if you are under 16

Alternatively you might want an iud. iud insertions are painful women are told to just take an ibuprofen (which some research shows is less effective in women but again that hasn't been fully investigated) during insertion women have reported crying and passing out due to pain levels but it is still not advised that GPS use local anaesthetic during insertion. And again since there is no age restriction for contraception in the UK people under 16 also have to go through this. But that's considered totally acceptable.

What isn't acceptable according to the labour party, are puberty blockers which were obtained by first having a referral to a GP followed by appointments with a multidisciplinary team including a clinical psychologist, child psychotherapist, child and adolescent psychiatrist, family therapist and social worker over three to six months where their then mainly offered psychological treatment finally if your very lucky and also haven't already finished puberty by the time you get to this stage (because NHS waitlist are crazy) you might be sent to a hormone specialist where you might have been given puberty blockers which yes are indeed reversible (the onse that cause irreversible change are oestrogen and testosterone) you can read more about this topic here but this is no longer a possibility because puberty blockers are now considered too dangerous and why is this? What side effects could be worse than the ones caused by contraception that is also available to understand sixteens well apparently puberty blockers are oh so dangerous because they affect bone density. So AFAB people both adults and minors have to suffer from lots of side effects from birth control and no one ever once thought to try create a better version of the pill or they suffer large amounts of pain during iud insertion where again hardly anyone will get anaesthetic however puberty blockers are these terrible things because they may cause bone density issues if that were the case for contraceptives we'd be told to take some calcium and stop whining. Both contraceptives and puberty blockers perform essential functions that save lives and both deserve to be made as safe as possible but this is not about safety this is about hoping trans people will just disappear.