#it's just... that it doesn't make much sense to me

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[demonic0angel]

OWO, you take prompts? How about this?

Danny was born a premature and with a heart defect. The Fenton's try to make a clone so they can get his heart transplanted without fear of organ rejection. But they end up making a full on baby and don't have it in them to kill another version of their son just to save their original boy. Danny ends up pulling through and the clone gets filed as a twin that no one noticed was still in when Maddie was in the hospital. So Maddie "had him at home" and went back so he could be medically examined. The new parents feel ashamed of what they initially were going to do and give the child to a cousin who couldn't conceive.

Tim Drake doesn't know he's adopted until a DNA test reveals that the 'Meta' running around Gotham is his 'twin brother'. And the babies he has, that he does babysitting gigs with, are his twin's 'children'.

(I don’t exactly take prompts, but I don’t mind if you send them. Also, I’m going to assume that the twin’s “children” are Dan and Dani, since that seems to be what people prefer.)

“… are you serious?” Tim asked through the phone.

“Yep,” Dick said, sounding like a mixture of amusement and concern, “How do you feel about it?”

Tim thought about it and then responded, “I guess it makes sense why my parents neglected me so much, since I’m adopted.”

“Awww, baby bird…”

“I’m fine, Dick,” Tim said. He picked Dante and set him on a baby chair. Said child stared at him with electric blue eyes, scowling with his pudgy cheeks as if he wanted to tear Tim apart with his nonexistent teeth. Tim rubbed his chubby cheek with a finger before moving away, still holding the phone to his ear as he picked up the other baby.

Dick continued, “Yeah… also, Bruce says that he’s sorry that he checked your blood without telling you.”

Tim snorted, “No, he didn’t.” Bruce was never sorry for that kind of stuff.

Dick sighed. “Yeah, I lied. Sorry. But he did look guilty! He didn’t want to tell you at first, but Jason convinced him so I’m the one telling you right now.”

Tim hummed, picking up little Ella, who was stubbornly holding onto a small cardboard box. Tim let her hold it and placed her onto the baby chair next to her brother, who immediately reached out for her. It was kinda funny seeing how clingy he was compared to his sister.

“We have more information too. We tracked down the new meta and we’ve been looking into his routes. We suspect that he’s living around here, in Bristol,” Dick said. “We think he’s living in an apartment, at XXX on XXXX street, possibly with a roommate named Jazz.”

Tim paused, suddenly hyper aware of the fact that he was in the same building, babysitting a bunch of kids on the same street, who also lived with another woman named Jazz. “Uhh. What else?”

“We think he lives on the third floor and possibly also works at a pizza delivery place? Or maybe a fast food restaurant? He’s been flying back and forth between two places besides the apartment.”

Tim began to sweat. “Uh… anything else?”

“There’s a high chance that his name is Danny Nightingale, and Jasmine Nightingale is in on the fact that he’s a meta.”

Fuck.

Tim looked at his niece and nephew with a new light, eyes wide. Ella beamed at him, giggling while Dante just glared.

Welp. At least Bruce would be happy to be a grandfather now. Even if it was to Tim’s secret meta twin brother.

[catis15]

I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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[adore-laur]

DADRRY BLURB

what the hell, sure. welcome back dadrry!

——

It's the usual time of night when Harry prepares his mind and body for a healthy eight hours of undisturbed sleep. And by undisturbed, that doesn't include being woken up by either of his daughters. It's not so much an interruption as it is a natural part of being a father. These days, he's a master at curing midnight wakings from nightmares, sugar rushes, sicknesses, and those fussy sleep regression phases.

Secretly, he loves the challenge and reward of it all. There's nothing better than calming a baby's cry or tiring out a toddler's hyperactive brain. Even when he does it while half-asleep, the feeling of being needed by his children is unparalleled.

After putting the kids to bed, Harry has a set of rules for himself: take a scorching hot shower, drink a mug of chamomile tea, and put away his phone and laptop. It creates an inner warmth that relaxes him from top to bottom. After expeditious kitchen shifts followed by hands-on parenting, the last thing he wants is eyestrain and an aching pulse at his temples.

He'll often read a mystery or historical fiction novel to guide his thoughts away from work. It's a simple pleasure to get lost in the pages, lit only by the bedside lamp as his eyelids grow heavy. He'll bookmark whatever page is the culprit of his sleepiness and save it for tomorrow. No printed words are worth a crick in his neck. Afterward, you'll eventually join him, and he'll spend his last minutes of consciousness with his skin pressed against you, breathing in your familiar scent.

Tonight's routine goes a little differently, courteous of you. Harry manages to take a shower, adding a dose of meditation toward the end, and is blowdrying his hair when you peek your head past the bedroom doorway. Your gaze searches for him, roving over the empty bed and open closet until it lands on him standing in the connected bathroom. He shuts the dryer off, sensing you have something of importance to tell him. You're dressed in pajamas already, the matching silk two-piece hugging your curves and providing him with glimpses of skin he was deprived of all day. Lord knows the thin material draped over your bare breasts will be the cause of greedy, wandering hands under the covers later. He nearly groans just thinking about it.

Blinking himself out of that lovely fantasy, Harry lifts his eyes back up to your face. "Hi, baby," he says, setting the dryer down and fluffing his unruly hair in the mirror. There is something so intimate about seeing his and your reflection right before bedtime, in the low light after a long day. The domestic simpleness of living together, sharing a space, and coming home to each other is a delight he always revels in.

"Hey," you say, smiling and leaning against the doorjamb. "I'll wait until you're done."

Still staring at you in the mirror, Harry grips the sink's edge and hangs his head dramatically. "Why must you torture me with those pajamas?"

You roll your eyes. "Oh, please. You sleep nearly naked every night."

He finds you in the mirror again, his eyes heavy with lust. "And does it torture you?"

"I'll never tell," you reply, although a pretty blush stains your cheeks—a clear giveaway.

He smirks and says, "Give me a second. I'll be right there." He turns his attention back to his hair, but not before catching a brief flash of you practically skipping to the bed. With a warm feeling caressing his heart, he digs through the vanity drawer and finishes his routine, which consists of a spritz of sea salt spray in his curls, two swipes of Old Spice deodorant on his armpits, and a layer of maple-flavored lip balm that you'll probably—most definitely—kiss off within the next hour.

Flicking the light off, Harry makes his way to where you're sitting on the bed with a taped cardboard box in front of your tucked knees. It's only the size of half a shoebox. He sits and rests his back against the upholstered headboard, waiting for you to speak.

"Did you order a package from somewhere?" you ask, pushing the box toward him.

Harry frowns, his eyes narrowing as he tries to recall purchasing anything online recently. "I don't believe so. Why, did you?"

"No. It was on the front porch." You shrug, also confused by the mysterious box. "Must have just gotten delivered."

"Huh," he says. There's no return address, just a To: Harry Styles, and it leaves him stumped. Is it from a neighbor? A secret admirer? A stalker who is currently watching him through the window and waiting for him to open it?

New fear unlocked: a box with unknown origins.

Tearing his suspicious eyes away from the window—where thankfully no one lurks—he picks the box up and shakes it cautiously. Something inside shuffles, sounding like a solid object cushioned by something softer. Good grief, did he order something nonsensical while somnolent?

"I'm scared," Harry says bluntly.

You take the box and flip it all around like there could be a message hidden somewhere. Grinning, you say, "This is exciting. I love surprises."

"Then you should open it."

"Let's open it together," you suggest, crawling into his lap. With your back against his chest, Harry rubs his tired eyes and silently agrees. Sleep will only come harder if that unopened box sits menacingly throughout the night.

You seem unfazed by this random occurrence, but that's just how you are. The woman he married embraces the unpredictability of life and coaxes the curious nature he thought he grew out of as an adult. Now, staring at the harmless box, Harry follows your lead and digs his fingers into the topmost slit covered with flimsy tape. The cardboard gives way, and he opens the flaps slowly as if a wild animal might leap out.

He notices you aren't looking at the box's contents. Your eyes are trained on him, the eager expression you previously wore now softened.

"What's in there?" you ask, your thumb stroking the intrinsic lines and curves of his palm.

Harry looks from you to the box several times, not understanding the shift in mood. You nod, encouraging him to reveal the secret. He discovers a white fleece blanket, small enough in size for his brain to fire a synapse that he can't quite comprehend just yet.

"A blanket," he says with utter confusion. "Who would send me this?" When you quirk your lips to the side, he takes a shot in the dark. "Is this from you?"

"I don't know. Let's see the blanket." Your voice has gotten hushed.

Harry carefully takes it out, the material soft and lush. Again, he realizes it's small, not large enough to cover a full-grown person. Not even a child.

At that moment, during those few seconds where Harry's brain connects the dots, is when he shakes the blanket out and reads the embroidered words Baby Styles #3. He freezes, staring at the cursive letters stitched delicately into... a baby blanket. As he tries to process everything, you set a pregnancy test in his loose grasp, the lightweight plastic heavy with significance. His body jolts with awareness as he frantically holds it under the lamp, his hands beginning to shake. The two lines are as clear as day. Not faint. Not just a possibility. Positive.

It isn't a complete surprise. There were serious, sit-down conversations about growing the family one more time. Questions of, Are we ready for another one? and When's the right time? were answered with mutual confidence. Then it was just a matter of trying, though not as stringently as the last two times. If it was meant to be, it would happen. There was no rush. There's beauty in taking things slow and not relying on hope alone. It requires patience, maybe even a little fate, and now Harry fully understands that good things come to those who wait.

"I'm pregnant," you whisper in his ear, not able to contain the joyous laugh that punctuates your statement.

Harry falls back on the bed and stares at the ceiling with blurred vision. "This is real, right? You're not pranking me?"

You straddle his bare torso, beaming at him like an angel. "I tricked you with the box. But this—" you grab the test and vulnerably hold it in your palms—"is real. We have an appointment in two weeks."

Harry sits up quickly, anchors himself to your waist, and pulls you back down on the mattress with him. You giggle, limbs tangled and breathless with excitement. "Fuck," he says, kissing every inch of your neck. "I've been dreaming of this." He brushes your hair back with gentle fingers. "Another baby."

"Could be twins or triplets. You never know."

"Wouldn't that be something," he muses, not even mildly frightened of that inconceivable thought.

Happy tears drip from your lashes. "I'm sure it won't feel real until, well, you know..."

Yeah, he knows. He had the privilege of watching you bloom twice. Each time was slightly different, with varying symptoms and measurements. What remained the same was your radiant beauty that somehow became even more pronounced as the pregnancies progressed. It was remarkable to witness. He couldn't believe you were able to create life so gracefully.

You take Harry's hand and place it on your lower stomach. There's no physical proof since it's far too early, yet he knows it will sneak up on him, and before long, he'll be cradling a crying baby in his arms. For the third time.

"Can we keep this a secret?" Harry asks quietly. "At least until you have a cute bump that can't be ignored anymore."

"Can you keep it a secret?" you tease. The last two pregnancies were revealed to family and friends, both times spoiled by him. Apparently, he was making it obvious by the way he touched you and the "hints" he wasn't aware he was dropping. The first time, during a summer get-together with your side of the family, he honestly doesn't remember holding your cousin's baby girl and cheekily saying "I'm preparing." The backyard went eerily silent until you shouted the news to save his ass from fumbling through some half-baked explanation. The second time, during Christmas dinner, he really doesn't remember his hand drifting so evidently to your bump that you hid under a loose sweater. He may have been tipsy, so when his mother pulled him into the hallway and gave him a knowing look, he couldn't help but nod bashfully to confirm her motherly intuition.

"I'll be good, I promise," Harry says, making a show of locking lips and throwing away the key.

You cup his cheeks and attach your mouth to his. He melts into your sweet, tender kiss that he can't live without. "It doesn't matter to me. But I definitely want to get past the first trimester in case..." Your voice trails off, and Harry nods to show he understands the unspoken prospect.

"I guess I'm just already feeling protective," he murmurs, his hand traveling down your thigh. "Want you and this secret all to myself."

"You're a greedy, greedy man," you say, shifting your hips.

He groans. "It's these damn pajamas."

"Oh, you have nine months of torture ahead. You know why?"

"Why, sweetheart?"

You sigh theatrically. "Because there will come a time when these pajamas won't fit anymore. And poor me will be in the third trimester in the late summer, which means it'll be too hot to wear anything to bed."

Harry's jaw hangs open, filthy fantasies flashing through his mind at warp speed. "Yeah? Well fuck, I better take advantage of the precious time I have left with them." He snaps the waistband of your shorts.

You laugh loudly, the sound filling the room like it was always meant to, and Harry takes it as an invitation to dive under the silk.

——

[alchemistc]

Harry twirls a lock of dark curls between his fingers. Tips his chin against Tommy's head and stares up at the ceiling. He considers not asking, this time.

The sex is good, and Tommy's funny, and if he closes his eyes he could imagine there could be something - Tommy twitches and shifts his hand lower like he might be gearing up for another round, and it breaks the fantasy. That's new.

"Tell me about him," Harry says, and Tommy's eyes tip up to glare at Harry.

"Making an assumption, there," Tommy warns, but Harry just raises an eyebrow. Six years of this and Harry knows better than to expect Tommy would show up at his door for any reason other than to get his mind off of something - someone else.

"So we're both asses," Harry intones. He needs to call the super, see what they'll do about the water stain on his ceiling. "Tell me about him."

Tommy sighs. Twists, drifts away to the second pillow, and Harry's done this enough times not to mourn the loss, exactly. It's not like he's ever told Tommy -

"He's too young. Impulsive. New."

Harry fails to hold in his snort. "Okay."

Tommy at 34 had been a fucking hurricane. Newly out, no holds barred, he'd jumped right into the deep end and let the storm whirl him around. They'd been friends, for the first six months, Harry a watchful presence while Tommy made it his mission to be more than the guy in the dark corner getting a risky blowie fifteen minutes before last call. To be out - not loud, that wasn't Tommy's style - but to at least be himself.

He'd lasted two months in a real, actual relationship before he'd shown up at Harry's door with a six pack and a box of condoms.

"He looks at me and sees this - cool suave guy -" Harry shifts, nearly interrupts because that guy is exactly what Tommy projects, even if he doesn't mean to. Fucking Scorpios. "- and I was falling for him."

Yeah. Harry can extrapolate from that. Tommy fell ass over tea kettle and then got spooked.

"He's just so fucking open with himself. No brainworm goes untouched, and he can't hide his emotions for shit, and he's so goddamn stubborn and so goddamn ready to bulldoze through every hurdle ahead without looking back at the damage, and..." Tommy trails off. One hand shifts down to hitch the duvet up over his hips, and Harry adds the duvet cover to his list of laundry. "I gave him too many chances to slow down on his own."

"What, did the kid ask you to marry him or something?"

"He's the Himbo," Tommy retorts, and it takes Harry a moment to make the connection. He whistles through his teeth just to watch the scowl fall into place on Tommy's face. "And the connection freaked him out so much he asked me to move in. To his bachelor pad loft." Harry waits. "It has two balconies, Harry. Two."

"...he knows you have a mortgage, right?"

Tommy shoves at his shoulder. "It doesn't matter. We're just - the timing wasn't right."

"Did you want it to be?"

That's always the thing he ends up hung up on, in Harry's experience. Tommy's scared out of his mind to be the right person at the wrong time. Always has been. There's probably some mommy or daddy issues hidden in there somewhere he hasn't explored. Tommy's eyes drift up to the water stain. "Don't these apartments all have the same layout?"

This is the shove-off. This is his hint not to push. "Yes, and I really don't want to ask how the upstairs neighbor flooded their bedroom. Back to the guy." He's never been one for acknowledging unspoken cues.

"Buck," Tommy says, and the name sounds harsh in his mouth.

"Buck," Harry repeats, and pictures Tommy's usual type - tall, light-eyed, more smiles than common sense. There was always something distinctive, too - freckles, a scar, weird shaped ears.

"I miss him."

It doesn't hurt the way it had those first few years, when Harry was convinced that eventually Tommy would see him as more than a friend to blow off steam with. Still. There's a twinge there, beneath his rib cage.

"So stop missing him. That's an option, isn't it?"

And Tommy does that thing - that frustrating, enchanting thing, where his whole body seems to hold the emotion flickering across his face. "I walked out on him. I dug the damn knife in just to make sure he wouldn't try to convince me to stay."

"Would you have? Stayed?"

Tommy's quiet. The sweat has cooled on his skin, and the lights coming in through his window dance across the skin of his shoulder, his chest, that stupid thick neck of his.

The phone he left on the bedside table is dark, but that doesn't stop Tommy's gaze flicking to it.

"Cards on the table, Tommy?" Harry sucks in a breath. Blows it out through his nose. "Once upon a time, I convinced myself you were it for me. That I'd be satisfied with what you gave me, and I wouldn't ask for more. I cut you out of my life for eight months when I realized how fucking dumb that was."

Tommy frowns. Harry hadn't really ever expected him to notice.

"I've seen you through shitty relationships, and one sided ones. I've heard all the bullshit you and Greg put each other through. I've been there for every fucking heartache."

And he'd offered up his body like it was absolution for always being fucking thrilled when a relationship ended.

"You called me Evan," Harry murmurs, and Tommy's eyes go wide. That's never fucking happened before. This thing wouldn't have lasted nearly as long if he'd ever heard another man's name in his bed before. "You should shower. Go home. Take a day or two, if you need it. But I know for a fact you wait this shit out, justify coming to me with time and space from whatever guy has you strung out. I know it's been a minute already, and I know you've never sounded so unsure about cutting someone loose."

Tommy's gaze flicks to him.

"Whatever it is that's got you so scared of this guy, figure it the fuck out. Because it sounds to me like you fell fast and hard and hit a fucking wall before you ever thought to tap the brakes. That's not fair to you or him. Call him. Text him. Show up at his door with a bouquet or an industrial size bottle of lube and figure your shit out. Together."

Tommy stares at him for a long, long time in silence.

"Them's the brakes, huh?"

Harry hates that he knows exactly what Tommy means. Still, he clarifies. "This is your forever guy." Six years of watching him flail and learn and grow and hurt and love and fuck. He knows a thing or two about Tommy and his flights of romance. Knows this lonely man has never sounded quite so lonely before. "You don't need me, anymore."

He's quiet as his eyes drift back up to the stain. "I'm not his forever guy." Harry can't actually refute that, considering he's never met the guy. But he knows Tommy. Knows exactly how captivating he can be. Knows Tommy's a sucker for that starry-eyed look that so often has meant not love, as Tommy reads it, but idolization. "What if I'm not his forever guy?"

Harry digs toes into the spot in the duvet where Tommy's knees should be. He shifts Tommy about half a millimeter. "He has a nickname you don't call him except when you're punishing yourself. He dated Abby and that shared history didn't scare him off. You'd never let yourself fall for a guy that wasn't throwing clear signs that it was serious. I'd put my odds on him doing something weird and wholesome every time he thinks about you until his entire two balcony loft is filled with trinkets or treats and he still can't get you off his mind."

Harry's never seen Tommy's face do that before. Not in the throes of a honeymoon phase and not in the worst of a bad breakup. It's some awful mixture between unbridled hope and abject despair.

Harry thinks it's probably fair to hate him a little, for that face. He's earned the right.

"If he kicks you to the curb, I'll take you to one of those expensive wine tastings you pretend to hate, and I'll let you drink all my samples too." It's not an idle promise. Tommy may pretend to hate it but Harry fucking loves wine tastings. "If he doesn't..." Harry shoots him a fond look, "...knowing your type I'm not invited to the wedding anyway, so I guess then I'd been seeing you around."

Something shadows his gaze for a moment, but he's quick to hide it, to smack Harry on the chest like they've just had a good game, to shift out of bed and into his briefs before Harry can blink. He doesn't love Tommy. Not the way he'd have liked to, years and years ago. Still, when Tommy shoots him the dorkiest finger guns known to man and scoops up the rest of his clothes to take to the bathroom with him, Harry still wonders what it's like to have him enough to love him fully.

---

The name catches him off guard every time he hears it. 'Evan' isn't hard to filter - Evan had been a popular enough name to immediately write it off but Buck wasn't white noise of a name

Buck was a character in a movie, an old grizzled war vet, a dog. The name Buck wasn't popular enough not to hear it every time it was so much as whispered in his direction.

The coffee shop isn't crowded, but it's not dead either. When the girl at the counter calls out an order for Buck, sliding three cups down the counter, Harry can't help but look up.

A tall broad shouldered hulk of a man smiles a dimpled smile at the barista, and Harry watches him palm two cups and grab the third one in one practiced move. He's cute, Harry thinks. Maybe his grandpa ordered, Harry thinks, a little harder, and then caves, following his path through the three-tops littering the lobby.

Harry catches sight of him without being noticed. He's grinning, one of those rare earnest ones that make his ears rise and his face crinkle like a Shar Pei, hand spread out over something lying open on the table. The little girl on the seat to his right is a surprise, but Harry hasn't spoken to Tommy in two years. Maybe he's had enough time to get his mind around the idea that he's nothing like his father. The girl responds to something Tommy says by palming at as much of his face as she can reach and turning to the man now approaching their table.

"Uncle Buck!" he catches, another firm tug at the part of his brain that's been stuck on this for too long. The man barely gets all three drinks on the table before the girl is launching herself up into his arms, and it's too late for Harry to turn away without notice. Tommy's gaze shifts across the room and lands right on him.

He looks like he might wave Harry over, and Harry would rather die than know whether Tommy would introduce him as an old friend, or by name like Buck should know it. He tips a smile Tommy's way. Raises a brow at the man - Buck - and gets lips being sucked behind teeth in response, and then a slow, subtle head tilt.

Good. Good for him. Harry's never wanted anything for Tommy but to see him incandescently happy.

Witnessing it from a distance is better.

Buck twirls his - niece? - flops her back down on the bench seat next to Tommy and bends to say something that includes a pinky promise. He's got a wine-dark stain just above his brow, and Harry can't quite hide the tip of his smile.

Harry's name rings in his ears as he picks up his drink, and he's halfway to the door, feeling proud of himself for not turning back, when he hears the chorus of three laughs erupting from the corner where he'd taken his last good look.

He'd seen the ring on insta, a week and a half ago. Just an uncaptioned picture of two bands balanced one over the other on a rock, a killer sunset sky blurry behind them. No tags. 102 likes and counting.

Harry pushes through the doors and only glances through the window to watch Tommy tip his head back in laughter for a second, before he's cleared the coffee shop and rounded the corner back to his office.

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[dunmeshistash]

Hello! I thought Laios's eyes were just very light brown cuz in my reading experience yellow/golden eyes were a sign of a werewolf. Or that your (grand)parent was a god/dragon/fairy/vampire etc. Or a wolf cursed into human form by an evil witch (this one's pretty cliché now, and rarely used). But Laios and Falin are perfectly normal tallman, and tallman are just like real life humans I believe. I guess I thought unusual eyes colors meant unusual people?

Not all fantasy worlds work the same, in Dungeon Meshi some characters have really unusual eyes but it doesn't mean anything about them being special or not.

If anything there's a type of unfounded meaning given by the certain traits like eyes and hair color by the in world culture, but that are merely visual (looks different but aren't associated with anything else as far as we know) like the silver eyes and hair that's expected from Mithrun's family and the obsidian skin and red eyes that are traits of royalty, both are visually unique but don't make them any different from other people, so much so that Mithrun is a bastard with his family desired traits while his brother is a legitimate son without the traits.

There's also Kabru's eyes that caused his family to fall apart even tho it was also based on meaning given to it .

I think it fits with Kui's storytelling and worldbuilding that minor physical characteristics don't really mean much more than the meaning we give them.

I think eye color, pupil or no pupil, shine or no shine etc etc is more a character design choice Kui makes to better express what kind of characters they are (where they're from, like Eastern archipelago people having dark eyes, what race they are with elves having the more striking/detailed pupils, their personality etc etc)

Kui might have an artstyle that's less "Animu" than what some might be used to but it is still in that style, in animanga eyes are a pretty common way to express what kind of person the character should be perceived as at a glance, that's why the eyes are often so big. So the golden eyes in Falin and Laios are probably so we recognize them as main characters and so we recognize them as siblings

Hope this made some sense let me know if I got anything wrong or said something that doesn't sound right

[sofia-d-asb]

Arcadie: Cold Lands - Progress Update - November 2024

(I know it's almost December but better late than never right?)

Arcadie: Cold Lands is gearing up to be much more complex to write and code than Second-Born, purely by virtue of it acknowledging your past choices.

Whether a certain person lives or dies, whether you even take them along, whether you accepted a certain deal...

It's a lot of work to keep it all cohesive and not have one path seem better than another, but it's also pretty fun and rewarding.

I've also just come off playing a game that is a sequel to one of my favorite gaming franchises, and saying I was disappointed is an understatement. I really was not fond what they did with the world, and the... dumbing-down of the writing. My fault for buying a game day one!

Anyway, that made me really want to honor your past choices, and not shy away from giving you more role-playing options. So the possibility of being a force of... chaos, is back, though only when it makes sense. I don't want to write stupid or gratuitous evil, but rather self-interested tyrant. We'll see how it goes as I write along.

Oh and I have disabled access to the demo for Arcadie: Cold Lands, as it doesn't reflect the current state of the game. I'll probably be posting an updated version next month or in January.

Cheers!

[maybeelse]

"Pathetic mortals! Hear my demands," Corvina intones, feathers raised is a posture of challenge, "and despair, for the will of the night is unstoppable! Your compatriot has made a mockery of our alliance! You must," her voice shifts, a faint squawk betraying a feather-covered blush, "make her let go of me."

Maria, Halberd of Noon, peers up at Corvina. The villainess, once barely taller than her, has grown beyond all reason in the weeks since the Tremorlord ate the sun and plunged the world into an eternal and moonless night. "Is Anne being a problem?"

"Yes! I mean, uh," she tries to compose herself, "yes. Remove her, lest a worse fate befalls her! I will drop her in the ocean to freeze, see if I don't."

"Why don't you ask her yourself?"

"S-she just talks about wanting me to eat her! It's creepy! You deal with it!"

"… sure," Maria sighs. "Where is she, anyway?"

Corvina gestures vaguely towards her frankly excessive body. "Somewhere? I don't know. You find her."

Maria stares at Corvina, entirely unimpressed, and the former harpy hides her head under one of her wings. Another dozen wings flutter spasmodically along her body; her proprioception still hasn't caught up to the glut of power engorging her body. Perhaps it could be comical if it wasn't a reminder of how badly screwed they all are.

"Anne! Get out here!"

"don't wanna," the distant reply comes.

"Got you," Maria murmurs.

It's not that easy, of course. Getting to her requires navigating more of their former and future foe's body than Maria every wanted to be aware of, and Corvina keeps on reflexively hitting her with her wings (tolerable) or trying to disembowel her with whichever foot is nearest (irritating). The worst part is Maria's allergies. Harpies generate nearly as much dander as pigeons, and Corvina has not been taking proper care of herself.

Her eyes are watering and her nose is running when she finally finds Anne, Sword of the Morning, curled up under one of Corvina's wings. Several of Corvina's clawed feet hold her aloft, cradling her as delicately as a fresh-plucked flower.

"Hey, sis," Anne murmurs, shifting slightly. "Sup?"

"… wait, I thought Corvina didn't want you here?"

"Yeah. She hates me, you know that."

"But—"

"But," Anne smiles, "her body doesn't. S' a good cuddler."

"… that doesn't make any sense, Anne."

"Does. Wanna join?"

"No, Anne. I want you to stop pissing her off. We really can't afford it."

"Mmm," Anne yawns, "Can't afford to stop either, though …"

"Explain?"

"Why should I? You already know all of it, and I'm tired."

The three Guardians of Day—two, now, since the Shield of Dusk defected to the Tremorlord's forces—have never liked talking about the exact details of their powers. They wax strongest during the hours they are bound to (as does Corvina, their villainous reflection), and wane as time's passage draws them away, but …

The fact that they still have some power during eternal night raises questions with indelicate answers. Questions like, well, "where does it come from?" And "how do we get more?"

Dusk's defection came after she asserted one specific answer, and rejected it entirely.

"… you can find someone else to cuddle, Anne."

"Don't wanna. Besides," she moves to flop onto the ground and Corvina's claws close around her—wrapping tight around her waist, her neck, and her thighs, pinning her in place like the delicious morsel that she is. "Don't think 'vina will let me."

"Yeah, okay," Maria grouses, "fuck this. Just stop asking her to eat you."

"S'not my fault that she's such a prude."

The villain decides to do the classic "team up to defeat a common foe" trope but it's been taking a lot longer than they had expected,the heroes are getting emotionally attached and it's starting to get weird.

[redvexillum]

Alastor walks down the hallway, cradling a bouquet of white lilies and a card close to his chest. A bright, jaunty tune escapes his lips as he hums, a placid smile resting on his face. His eyes gleam with quiet admiration as he studies the lilies - they look so lifelike, each petal a perfect imitation of reality.

He realizes, with a flicker of amusement, that you spritzed them with floral-scented perfume, capturing the very essence of real flowers. But the best part? These lilies will never wilt. Not from his cursed touch, nor from the relentless passing of time. They are as eternal as he is, and somehow, that thought brings a curious sense of comfort to his heart.

Charlie: Hi, Alastor!

Alastor: Hello, my dear! A pleasant day we are having, wouldn't you say?

Charlie: [Smiles brightly from seeing Alastor relaxed and content] Yes, it is! [Her eyes caught the bouquet of lilies in his arms] Ooo! Are those flowers and card from Y/N?

Alastor: Why yes it is! It's a "get better soon" card!

Charlie: Oh! I didn't know Sinners could get sick! I hope you're feeling better.

Alastor: Haha! I wasn't sick. My dear thought I could just do better.

Charlie: ...What?

Alastor: Haha! Yes, indeedy! My dear thought I could be a "better person," and wrote a card encouraging me with such frivolous words of cheer and belief. Eugh, it's positively pathetic! [Despite his words of criticism, he felt his tail "twitching" side to side]

Charlie: [Mumbling under her breath as she watches him walk off] Right... Husk said not to question it.

Alastor titters, his laugh echoing like the crackle of an old radio. His eyes gleam with amusement at the absurdity of it all. You, of all people, thinking you could make him, the notorious Radio Demon, a better person? It's a joke he never tires of, a running gag in his mind, one that never fails to bring a mocking grin to his face.

But as he laughs, there's something softer lingering in his expression - something he doesn't even notice.

He doesn't realize how much his sharp, predatory look has dulled, just a tad, in your presence. The lines of his manic grin soften at the edges, his eyes hold a warmth that wasn't there before.

Around him, the other residents of the hotel no longer watch him with wary eyes, no longer tense when he enters a room. Instead, they've drawn closer to him, treating him like one of their own - like family.

What he doesn't realize - what he's too proud to admit - is that something has already changed within him.

For the first time in as long as he can remember, he hasn't felt truly alone. He's surrounded by chaos, laughter, and companionship, things he used to scoff at.

And though he would never say it, and might never even admit it to himself, that familiar gnawing isolation has faded away like an old memory.

Follow Vexi's Alastor Being a Lil Shit for all the latest updates!

[definitivelydrivel]

As someone with very very very bad but effectively treated OCD, this. All of this. Though for me, it's more, because pragmatism is the name of the game for me, because morality is subjective enough that the inherent doubt used to eat me alive until I found a new way to look at things.

I used to have this terrible perfectionistic OCD dread about a vague sense that there's some ethereal impossible perfect way of being and doing that I'm always falling short of. It ate my mind and tore apart my life for years till I finally took off the values judgement punishment goggles and started thinking about things more objectively.

And it's funny. Once I stopped trying to moralize every little thought and deed, I started looking at my actions based on a combination of intent and cause and effect. Focus on actions and consequences instead, things got so much better. I wasn't wasting all my time hating myself instead of putting in work to do better.

And that is the thing. Feeling bad because you're obligated to feel bad is useless as penance. It doesn't fix anything, doesn't help anyone, and it actively hurts you. Others too, sometimes.

If feeling bad does fuckall to help improve your outcomes and actions, then fuck it. It's a useless pointless waste of time. If you insist on performing penance then seek absolution in action. Take steps towards habits and actions that align with your values and produce meaningful outcomes instead of torturing yourself needlessly.

Cuz guess what? Torturing yourself needlessly, wallowing in your emotions makes you more of a burden, but the people who love you are already putting up with that. Feeling bad for burdening them doesn't help. So if you feel bad then stop focusing on ot, stop drowning in those bad feelings. Try to accept yourself and your situation and focus on what you can do to do better.

Trying to do better while throwing all your energy into feeling bad is like trying to drive while stomping on the brake. You're just fucking up your car, dude.

I think the bit about thinking about who you want to be is good but for me that means living based on my values. I know what I want and what's important to me. I know my priorities and how I want to treat people, so I try to think about whether my actions and decisions fit my values, because being kind and understanding is one of my most important values and frankly, living up to that is tough but I am always happier living up to my values. There's a satisfaction in it that you just can't get by hounding yourself over every little failing of flaw.

We're human. Flaws come with the territory. Please, if you're stuck in a punitive mindset, please try to make peace with the fact that perfection is impossible, some people will always be shit and we can't fix that. Focus on moving yourself forward instead of tearing yourself and everyone around you down.

It's not a green light to let people hurt you but ffs give yourself and others some empathy.

Every single day people on tumblr say "what if the shit moral OCD tells you was true and living by it was the only way to be a real progressive"

[prettyboykatsuki]

yuta gets bricked up when you excuse his stalking behavior as being a caring senpai and you don’t even know he’s listening :(

he doesn't even mean to hear the conversation you know.

its maki whose warning you. you're hanging out with all of them and yuta leaves for a few minutes for the restroom. and before he gets back, when maki assumes he's out of earshot, he hears her urging you to be careful around him.

he really doesn't mean eavesdrop. for once at least. it's an accident.

maki is urgent. from where yuta peeks from around the corner she's gripping your hand trying to shake some sense into you.

"look. i'm not saying he's evil, but he's not who you think he is,"

you shake her off. stubborn. self-assured. "he wouldn't do anything like that. he's always been kind to me and i don't want to spoil that with doubts. overbearing maybe? sure, but it's not like he's stalking me,"

yuta feels something stir in his pants. you're just so sure. you're so certain of it that you don't even think it's something to question and it makes him feel so lightheaded. it's what he likes about you so much. you're not innocent.

its more like you still think so highly of everyone. everyone is a good person until proven otherwise. but yuta especially, despite how many times he pushes the envelope.

"yuta senpai is important to me and i trust his word."

he only barely swallows the moan threatening to leave his mouth hearing the softness in your voice when you say it. and it takes him five more minutes to collect himself enough to come back. you're just so sweet aren't you?

[mysticheathenn]

Messages From The Upside Down

Hi, Hexlings!

This pick-a-card reading is about messages from a different version of yourself. Think of it as a higher self but more so of the version of yourself that you could be if you did the work. Just like Stranger things this is a different dimension of who you could be.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

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Etsy (Private Readings)

Pile 1:

Who are you in the Upside Down? Tarot: The Star, 2 of Swords, 10 of Swords, The Emperor, The Hermit, Ace of Wands

In the upside-down world, you are someone who doesn't shy away from attention. You are heavily action-oriented in everything you do and know how to pick your battles. For some people, this is knowing when you need to retreat from situations that no longer serve you or being decisive on the things that you want in your life. You listen to your intuition by quieting your mind and going within and also honoring your creativity. Creativity doesn't necessarily have to be the arts but in general, you won't view anything that is deemed childish like video games, coloring books, etc as something that should be frowned upon, unworthy of your time, or keeping the mindset of a starving artist alive when so many creatives walk this earth making it work as a living. I'm getting strong energy of knowing what you want and going after it and releasing things that no longer serve you. In the upside-down world, you treat everyone like a mirror that they reflect back at you. If someone doesn't make time for you, you give the same energy back and move on with life instead of wallowing in your thoughts or even for some of you being as so much as desperate for anyone's attention that do not deserve it. I hear, I attract I don't chase is the motto you carry in your back pocket in the upside-down world. You are a star and not afraid to show it or even feel as if you don't deserve the attention that people give you for either your work or you as a whole. Maybe some of you feel as if you don't deserve great things in your life because of self-doubt, people putting you down, etc. Either way, in the upside down everything is for you, you are worthy of everything, and you take action toward your goals because you know that someone out there with not even half of your talent is getting the attention that you so deserve.

How can you achieve the upside down? Tarot: Same Tarot Cards

Self-Esteem and Discipline. Believe that you are the main character in your reality because you are. Everyone else is a side character in your life and shouldn't be used to guide you on your journey unless it is helpful advice and not them projecting their own fear onto you. Believe that you can achieve anything in your life because you can. Everything is for the taking for you if you believe that it is. Surround yourself with better people and stop looking for reassurance and permission from others that your ideas, projects, and goals are something you should go after or not. Your ideas and goals were given to you for a reason keep them close to your chest unless you feel guided to share this information with someone. Lastly, you need to work on your discipline. Stop putting everything off until tomorrow. Stop waiting until you have the "motivation" to do things because motivation while useful will not get you far if you keep waiting for it. This reminds me of the scene in a Cinderella Story (Hilary Duff Version) when she's standing in the locker room at school to confront Austin about his fickleness. She says "But I can't wait for you because waiting for you is like waiting for the rain in this drought. Useless and disappointing." (Clip) Find ways to pump yourself up and start believing in your abilities to achieve and go after your goals.

Things you achieve in the upside down: Tea Tree Oracle Deck:

January may be significant for you of when you begin your "upside down" journey. It's giving, new year new me energy. / Hammock: Taking a vacation, physically, or mentally / Bridge: Successfully overcoming a problem/ Fan: Romance, Celebration, Party / Pail: Time to get out of a situation / Ear: Good News Wishing Well: Family wishes come true.

Pile 2:

Who are you in the Upside Down? Tarot: Knight of Cups, 4 of Pentacles, Awakening, Death, 7 of Wands, 10 of Cups

In the upside world, you are someone who embraces change, transformation, happiness, and lives their live authentically. Heavy emphasis on living your life authentically and to the fullest. You may in your current life hesitate at the slightest bit of change because you hate the feeling of being uncomfortable even if it's just for a short period of time so you miss out on so many opportunities because you refuse to live the life you desperately want to live. You may have been going back and forth deciding if you should choose pile l or not. In the upside down you know no boundary nor do you place yourself as one thing. The quote or more like a scene that is coming to mind with this pile is if you watch the show Community it's the scene where Dean Pelton is supposed to "come out" as being the first gay Dean/member of the board even though that is 2/5ths of what he is. Quote from the scene: "I'm not just gay, if coming out was a magic show and coming out is pulling a rabbit out of the hat, then I am one of those never-ending handkerchiefs." (Clip) You refuse to place yourself in a box and stay there because of being comfortable or even being scared to show who you really are to the world because you just don't give a fuck. You place your happiness above everyone and everything because you believe that life is too short to care what others especially those who follow trends and do not express who they want to be. You live body and proudly in the upside down. You may possibly even be a part of the LGBTQ+ community and possibly hide your sexuality or are afraid of exploring it due to fear of what others think or of being disowned. Definitely getting a lot of LGBTQ+ vibes with how colorful your hand of cards are. You don't have to be but if you are this is a confirmation for you that you chose the right pile over pile l if you were hesitant. You also know who you are in the upside down and not allowing others to tell you who you are.

How can you achieve the upside down? Tarot: Same Tarot Cards

Confidence and Courage. The question I feel you need to keep in the back of your head at all times is if I were lying on my death bed right now how much of your life would you regret because you didn't choose to live your life for me instead of listening to others?? While I am a believer of reincarnation not everyone is and no one is certain what happens beyond death, so what are you doing in this life that you are not doing that you want to do. Why are you not and how can you change that? Is it moving out of your parent's house and cutting them off? Is it cutting off family in general or even friends? Is it gaining the courage that people will hate you regardless if you decide to follow the crowd versus your own beat of a drum? Who? What? Where? Why? and When? How? are the questions you need to focus on. Who are you right now? What do you want to show up as in the world and does it align with who you are now. When can this happen (moving out, now, changing countries, etc) Why aren't you living your life authentically and be honest? *David Beckham Voice* BE HONEST! Keep going down the list until you finish and ask yourself the very first question I mentioned and start living your life authentically.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Goldfish: Increase in material or Spiritual growth / Elephant: A long journey either physical or mental will leave you wiser in the end / Tower: Solid Foundation success with effort / Candle: You will be shown the way / Grapes: Time to go out and have fun / Inkpot: Problems to be solved / Casket: Someone going out of your life or the end of a situation / Rabbit: Too much concern w/ Sexual matters (again LGBTQ+) / Love (Self-love and finding romantic love)

Pile lll:

Who are you in the Upside Down? Tarot: 7 of Swords, 4 of Wands, The Hermit, 6 of Pentacles, 10 of Pentacles, 10 of Wands.

It's always my pile lll or pile lV that I feel the need to always give a hug to. In the upside down you are no longer tolerating people, places, or things that are not good for you. You are no longer allowing yourself to be in spaces where you stress and overexert yourself to the max for others. You are not the person who puts other people's happiness before your own and you are also someone who gives to those who give back. Just like pile ll you may have been somewhat drawn to pile l but your messages are completely different for the most part just tiny similarities. You are also someone who is not afraid of being alone or lonely. You take pride in being in your own company because you know that is your happy place and peace. It is a place where you are not being disrespected and a place that you know is full of love and not competition, jealousy, or hate. You are also someone in the upside down who only has people who want to celebrate you constantly around you. Not only celebrates you but uplifts you and protects you from others who want to tear you down and see you at your lowest. In the upside down overall you choose happiness and have boundaries in place for those who want to take advantage of you, treat you horribly, etc.

How can you achieve the upside down? Tarot: Same Tarot Cards

Boundaries and Hermit Mode. Being okay with being alone and "hurting other people's feelings is how you can achieve the upside down. Some of you are not okay with setting boundaries because you have people-pleasing tendencies and are too afraid of losing people even the ones who treat you like crap. Shadow work would be beneficial for this pile in getting to the root of why you are afraid of being alone and being in your own company. Shadow work also in boundaries and understanding why you can't let people who treat you like crap out of your life. You know you deserve better than some of the people in your life and you also know that it is time for you to put your happiness first over others feelings.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Mice: Discord among friends or family / Eagle: Triumph over troubles, and obstacles / Fly: A period of ill health or depression (from cutting ties) / February (the month you may start this journey) Firecracker: Excitement (new beginnings) / Butterfly: A Change for the better / Older Man: Dealings with an older man / Wreath: Sorrow over a loss / Desk: Pay attention to your work / Pin: New Job or Career.

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[togglesbloggle]

I've got to say, it's a very strange feeling, becoming the sort of person that is in the exact target audience for Buttercup Festival.

Like, this thing has been running for decades, since 2000 if you believe wikipedia, and it got around without ever being really discussed explicitly by people I know. The strips always drifted past me every now and then without incident- neither offensive nor inoffensive, a bit puzzling at times.

And then... something? Something in me, not in the strip, that much is clear enough. But now I just love these little things to death, on a good day it's competitive with Calvin and Hobbes or something else really top-tier.

And it's just bizarre, you know? They certainly don't rely on what you'd traditionally call humor, and even when there's a belly laugh it's not because there was anything like a joke per se. But if I try to explain to people what it is that makes the strip work, I just come up with all these ridiculous sentences that may or may not mean anything.

So I went from not getting the strips at all, and just walking past them without registering their presence, to really enjoying them and considering them one of my favorite comics ever, without once passing through a moment in time where I understood what made them so poignant. Just bouncing between two very different kinds of ignorance.

And that's interesting in itself, no? One kind of wants to reason through one's aesthetic preferences. I know I do. I suppose, on the grounds that I want to reason through everything. But my experience with Buttercup Festival seems determined to resist that treatment, at least so far.

Jokes as an art form are rather interesting- they get a laugh out of us before we know why they're funny, and discussions about humor tend to be unsatisfying after the fact. Explaining a joke doesn't make it any funnier, and the experience of 'funny' itself can't really be explained. Most forms of art, you can develop a deeper appreciation of the form by breaking it down in to specific shapes and methods and styles, and find new layers of beauty as you explore the structure of it. But it seems like laughter doesn't follow the same path, exactly.

Jokes aren't necessarily the only thing with this kind of structure. The koan, also, is supposed to open something to the student without any intervening explanation or analytical framework. Like a good joke, a koan often don't seem to make any damn sense at all, and like a good joke, a koan is often quite short. So that's two examples.

So there's this tricky thing where there's a class of experiences that seems to resist explanation, and we mostly encounter it through humor, but it's not actually limited to humor per se. I don't think I have the slightest idea where the contours of that thing are, or how to explore it, even though it's quite beautiful.

I don't think it's meaningless either, even though it sort of challenges the usual ways we define that term. I don't know how deep it goes, though it's much deeper than I expected. And you can grow in it over time, either because of certain experiences or certain insights or... I don't know. It wasn't signposted. I just kinda woke up here one day.

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.