#it's genuinely terrifying how high my expectations are for S2

[unpopularly-opinionated]

If there was an award for watching Arcane start to finish the most times, I'd win, hands down. No contest. And I'll maintain that title till the day I die, swear to God.

[crowleyownsmywholeheart]

ok so now that my initial excitement of the rw&rb adaptation has calmed down a bit i’m gonna do the same as i did with gomens s2 and share my genuine thoughts :

first of all, i’m bloody excited. i don’t think anything could properly make me not want the adaption y’know?

but i’m also really scared. i know i’m not the only one here but i have high expectations for the adaptation, that i’ve been trying to lower. i don’t think it’ll be bad, i wanna make that clear, but seeing how many scenes we all want in it, if we keep these expectations this high then we’re bound to be disappointed to some extent.

i’m kinda terrified that once the adaptation comes out there’s gonna be lots of people mad at it for the pure reason it’s not exactly like the book. because let’s face it - it can get insanely close, but adaptations being exact replicas of books is insanely rare.

idk just the thought that some people might make a huge thing about it not being exact is scaring me a bit i guess

[thegottabe]

So, having finished S2 of Bridgerton and given myself time to digest it all, I figured I'd chronicle my main likes and dislikes. There will be spoilers and comparisons to the books :)

LIKES:

THE CHEMISTRY between Anthony and Kate, holy crap! It was honestly electric. Perfect casting, A++++. AND THE BANTER! There were times in the first couple of episodes, when Kate would get a jab in, I'd gasp out loud and clutch my metaphorical pearls. She was ruthless and it was perfect.

Benedict. I love him. Especially when he's high lol. And I love his relationship with his siblings. He's kind of the one who ties them all together and I really enjoy any time he has a scene with any of them.

The Queen. She's a pain in the butt, she's petty af, and I love her.

The scenery, I cant even begin.

The costumes and the dancing... it makes me remember when I was a kid watching Rodger's and Hammerstein's Cinderella and thinking that nothing could be more magical than dancing in a ballroom. Just beautiful.

Daphne! I wasn't expecting her to be present, but they stuck her right back in there and it was nice! I barely missed Simon (I'm lying. I missed him a lot.)

Jonathan Bailey's acting. He was SO good in the bee sting moments, both with his father and Kate. His panic felt so real and raw and genuine, it made my heart hurt for him. Anthony was such an ass to Daphne in season one, I didn't think I'd be able to like him, but they fleshed out the reasoning behind his closed-off actions so well, it made him understandable, if not completely forgivable. (I was kind of sad they dropped the plot that he was sure he would die at the same age his father did. Grief and PTSD do funny things to people, and it causing a silly belief like that to take over and determine every decision he made in life actually made sense to me. He wasn't just stubborn, he was terrified. I missed that aspect of his story. Leaving that out did him a disservice, I think.)

DISLIKES:

Still not loving the book-to-screen changes for Lady Danbury. I wish they'd left her as a loveable, cranky old busybody instead of turning her into the queen's right hand. It was much more entertaining when all the characters were trying to avoid her and her little mischievous games, imo. I miss that.

I really, really hated that they dragged out the whole engagement-to-Edwina plot. I get how the writers might worry that A & K being forced to marry after being caught in a compromising position might be too similar to Daphne and Simon's story, so I wasn't upset about that diversion from the book, but they way they handled it just felt waaaayy too melodramatic. If you're going to change a major plot point, make it better than the original. They definitely failed to do that. All the sneaking around behind poor Edwina's back soured me on their relationship a little. And I really hate the fact that they dragged her all the way to the altar and were never even going to tell her what was going on. She had to find out on her own on her wedding day, while she was saying her vows and that just sucked. Anthony standing at the altar and fantasizing about marrying her sister was just gross to me. Also, it made the majority of Anthony and Kate's scenes in the 2nd half of the show so over-the-top dramatic I got annoyed. Like, shit or get off the pot, guys. You've had this same conversation like five times now. I hated that.

All the drama between Penelope and Eloise. So, so unnecessary and over the top. Honestly, this was the kind of stuff I was worried about when I found out Shondaland would be making the show. I didn't want it to become a melodramatic night soap. It's supposed to be fluffy romance. Some drama is fine, but all of that was just silly.

Benedict's whole story line. It just didn't have any substance. Like, blah blah, art class. Blah blah, flirting with/screwing the naked art model. Blah blah blah. Other than when we found out that Anthony had paid his way in, Benedict's entire art arc was just filler. (Though again, I have to mention that high Benedict was a beautiful thing :D)

Mama Featherington's weird romance with her cousin/daughter's fiancé. It was just so cringey and awkward and... why even go there? Just don't. Ew.

Colin. I still just haven't warmed up to him. It bums me out, because Colin's book is one of my very faves. In the books, he's more like Benedict - silly and funny and too charming for his own good. Show Colin is just... boring? Like, he's kind of sweet, but also not. Kind of funny, but without his book charm. I dunno. I hope I'll grow to love the show version of him as much as I do the book version. It makes me sad.

Overall, I mostly enjoyed season 2, but I think the re-watchability factor is low for me. I've watched season 1 three times and loved it each time (though I still don't like how they changed Daphne's personality so much from her book version. She took wayy too much shit from Anthony in the show! Book Daphne would never!) Daphne and Simon had plenty of angst, but they also had tons of laughter and they furthered each other's growth in a way that's really fun to watch. Anthony and Kate, for all their incredible chemistry, lacked that growth. They spent so much time arguing and lamenting their fate (which they themselves created and refused to change), it was miserable to watch. The ending didn't feel as earned, because I mean... Anthony literally went from marrying Edwina to making out with her sister like, ten minutes later. And then they still didn't get together yet. They had to argue and whine some more. It was just too much. Anthony and Kate deserved better than that.

As for the lack of sex scenes compared to season 1, it didn't bother me either way, honestly. I see a lot of people complaining about it, but... I dunno. It is what it is. That's never been what the show was about for me.

I guess if I HAD to rate season 2, I'd give it a 3.5 out of 5. It definitely had it's adorable and charming moments, and the acting was phenomenal, but it just can't compare to season one, imo. The writing was just too messy and erratic for me, and I hate that, because both the characters and the actors deserved better. Julia Quinn's story deserved better. The viewers deserved better.

[birdlord]

Everything I Watched in 2019

Movies

The number in parentheses is year of release, asterisks denote a re-watch, and titles in bold are my favourite watches of the year. 

01 The Death of Stalin (17) does a neat trick of building goodwill for Steve Buscemi’s Krushchev, then brutally pays that off in the last few minutes. 

02 Sorry to Bother You (18)

03 Support the Girls (18)

04 Paddington (14)*

05 Rogue One: A Star Wars Story (16)

06 Eighth Grade (18) probably the most terrifying movie I watched all year, if you didn’t watch it through your fingers, who even are you?

07 Morvern Callar (02) much less bleak than the book, but then, nearly anything would be

08 The Favourite (18) revolting and beautiful. 

09 Columbus (17) a really lovely movie about architecture and parent-child relationships.

10 Bring it On (00)*

11 The Land of Steady Habits (18) feels wackier than your average Holofcener, but still a good watch. 

12 Spotlight (15) i was really bowled over by this, and wasn’t expecting to be. Workmanlike filmmaking, but an extraordinary story, well-told.

13 The Killing of a Sacred Deer (17) Barry Keoghan is a blank, but somehow compelling screen presence. This one has an ending that made me bark with laughter.

14 Legends of the Fall (94)

15 Moneyball (11)* if you don’t feel like watching anything in particular, you can always watch Moneyball

16 If Beale St Could Talk (18) very beautiful, but I failed to connect with it on any other level. 

17 For Keeps (88)

18 Abducted in Plain Sight (17)

19 Oscar Shorts (Animated) (18) the offerings were very sappy this year, but the winner was decent! Lots of Toronto content (weird). 

20 Oscar Shorts (Live Action) (18) *unquestionably* the worst one of these won ¯\_(ツ)_/¯

21 Velvet Buzzsaw (19)

22 Vice (18) ugh

23 Friends with Money (06)

24 Can You Ever Forgive Me (18)

25 Bohemian Rhapsody (18) haha what. was. that.

26 Mars Attacks (96)*

27 Paddington 2 (18)

28 Buffy the Vampire Slayer (92)*

29 Shoplifters (18)

30 Blindspotting (18) jacked Ethan Embry in a supporting role?! Whither? Howso? Wherefore?

31 Witness (85)

32 Harry & the Hendersons (87)*

33 The Matrix (99)*

34 T2 Trainspotting (17)

35 Blockers (18)

36 The Slums of Beverly Hills (98)

37 Can’t Hardly Wait (98)*

38 Avengers: Infinity War (18)

39 Iron Man II (10)

40 Isle of Dogs (18)

41 Chinatown (74)*

42 To Live & Die in LA (85)

43 Age of Innocence (93) Daniel Day-Lewis manages to make Newland Archer compelling, where in the novel he’s...the worst?!

44 Shopgirl (05)*

45 The House (17) didn’t sustain all the way through, but then, that’s how mainstream comedies often go. 

46 The Beguiled (17)

47 Badlands (73)*

48 Poetic Justice (93)

49 The Empire Strikes Back (80)*

50 Calibre (18)

51 The Kindergarten Teacher (18)

52 Hounds of Love (17) a nice little Aussie thriller, set in the 80s

53 Kicking & Screaming (95)*

54 Octopussy (83)*

55 Jaws (79)*

56 Lover Come Back (61)

57 Frenzy (72)

58 Always Be My Maybe (19)

59 Certain Women (16) took a while to get to this one, but it’s as great as they say it is. 

60 Baby Driver (17) all flash, little substance.

61 Sneakers (92)

62 Roadhouse (87)*

63 Bull Durham (88)*

64 Ghostbusters (84)*

65 Booksmart (19) I think this will improve on multiple viewings, though I loved the soundtrack and the mix of characters. 

66 Hereditary (18)

67 Rebecca (40) George Sanders as Rebecca’s cousin is BRILLIANT

68 Vertigo (58)*

69 The Dead Don’t Die (19)

70 Crawl (19)

71 Dazed & Confused (93)* If you don’t watch this once a summer, what is wrong with you?

72 Jackie Brown (97)

73 Talk Radio (88)

74 The Guilty (18)

75 Killing Heydrich (17)

76 Lady Bird (17)*

77 Billy Elliot (00)*

78 White House Down (13)* Channing Potatum saves the White House!

79 The Film Worker (17)

80 Whitney (18)

81 Mascot (16)

82 Apocalypse Now (79)* technically I’d only seen the Redux version from the early 2000s, so the regular cut is new to me. 

83 Apollo 13 (95)*

84 Psycho 2 (83) the twist is very guessable, but there are a couple of nice-looking scenes.

85 Eternal Sunshine of the Spotless Mind (04)*

86 The Bodyguard (92)*

87 Murder Mystery (19)

88 Wildlife (18)

89 The Stepford Wives (75)*

90 Willy Wonka & the Chocolate Factory (71)*

91 The Natural (84)

92 The Other Boleyn Girl (08)

93 Speed (94)*

94 Opera (87)

95 That’s my Boy (12) haha what?!

96 The Big Short (15)

97 Elizabeth the Golden Age (07)

98 The Glass Castle (17) when I read the book, I genuinely thought it was fiction, it’s so insane. 

99 Dawn of the Dead (78)*

100 All About Eve (50) lady on lady violence is a special thing

101 La La Land (16)

102 Morning Glory (10) remember Rachel McAdams?

103 Casino (95)*

104 Talladega Nights: The Ballad of Ricky Bobby (06)

105 Pet Sematary (19)

106 Clue (85)*

107 Her Smell (18) amazing soundtrack and the songs were well-chosen. Heartbreaking musical moment in the final act. 

108 Bobby Sands: 66 Days (16)

109 She’s Gotta Have it (86)

110 Good Morning (59)

111 Hustlers (19) I didn’t connect with this as much as the reviews led me to believe I might. 

112 Nocturnal Animals (16)

113 Kill Bill Vol 1 (03) I’d only ever seen the second one before, being a non-Tarantino completionist.

114 Fried Green Tomatoes (91)* I watch this more than anticipated...

115 Steel Magnolias (89)

116 Notting Hill (99)*

117 A Beautiful Day in the Neighborhood (19) the tiny city models were inspired!

118 National Lampoon’s Christmas Vacation (89)*

119 Let It Snow (19)

120 Frozen (13)

121 The Irishman (19) most interesting as a sort of pastiche/reckoning on the part of Scorsese about his other gangster films. Really outmoded view of unions. Definitely could have been edited down if anyone were able to come to it without undue reverence, but I did love the bit about the fish.

122 Girls Trip (17) actual plot is beside the point. 

123 About a Boy (02)* I always think of this as the “vomit and sweaters” movie, anyone else?

124 Animal House (78)*

DOCUMENTARY : FICTION - 4:120

THEATRE : HOME - 9:115

TV Series

01 Russian Doll - I think I would have enjoyed this more if it hadn’t been bingeable - would have made a nice week-by-week discussion sort of show. I loved to watch the changes between re-ups of our major characters, and I think the actual plotting would reward re-watches. 

02 Catastrophe S4 - A satisfying ending to an excellent show, with very charismatic leads (and deeply weird supporting characters). Had to write around Carrie Fisher’s death, and I’m sure did a better job of it than Star Wars did. 

03 Friends from College S2 - More of the same, which is what I was after. A show like cotton candy (but with more infidelity). 

04 High Maintenance S3 - A lot more of this season took place outside of New York City, which was a great change of pace. And a great deal more information about The Guy and his own life; both difficulties and successes included. 

05 Losers - This was a great little docuseries on Netflix that I didn’t hear a lot of people talking about - it’s about sports losses, but unusual sports ie curling, figure skating and the like. You’d think it would get repetitive, being as it’s always about recovering after loss, but it doesn’t! I wish they would make another season….

06 Shrill - a tight six episode dramedy about an alt-weekly journalist in the Pacific Northwest, based on Lindy West’s memoir of the same name. John Cameron Mitchell as her boss (based on Dan Savage) stands out of the ensemble cast, as does Annie’s roommate played by a British standup Lolly Adefope.

07 Broad City S5 - I haven’t always kept up with Broad City, but I came back to it for its final season, and thought it did a good job of setting its characters up for big changes in their lives. 

08 I Think You Should Leave - It’s easy to assume that all sketch comedy is terrible and always will be, but then you see this, and throw your TV out the window (due to all the laffs)

09 Fleabag S2 - Everything you’ve heard is true, this season is goddamn hilarious and ridiculously sexy. A huge step up from the first season, which was already pretty fantastic and incisive. 

10 Fosse/Verdon - Musicals are not particularly my bag, so I’m sure there was a lot that I missed in terms of references, but the lead performances ably carried me through all of the time jumps and various performances. 

11 Stranger Things S3 - Say it after me: d-i-m-i-n-i-s-h-i-n-g r-e-t-u-r-n-s! Maya Hawke kills it, though. 

12 Big Little Lies S2 - Unnecessary, and (if possible) even sillier than the first season.

13 Lorena - Part of the ongoing quest to rehabilitate the maligned women of the 1990s, this gave me tons of context that I had no idea about at the time, due to being a dumb kid. 

14 Glow S3 - I felt like I was losing steam on this series this year, but episodes like the camping ep kept me coming back. A great ensemble, though some unusual character choices (like a certain kiss *cough*) took me out of it by times. 

15 Lodge 49 S1-3 - I’d kept hearing about this show, so I finally sought it out. I can’t say it was amazingly compelling (I almost dropped it after the first season) but it’s definitely an oddball of a show, slipping from setpiece to setpiece with little regard for logic. For me, a background show. 

16 Chernobyl - This show really gave me the Bad Feeling, humans were definitely A Mistake.

17 On Becoming a God in Central Florida - Kiki in a trashy mode, not as infinitely appealing as the version she pulled off in the second season of Fargo, but scrappy and industrious nonetheless.

18 Show Me a Hero - I’d put off watching this for years, it felt like it was going to be too dull (housing policy in Yonkers?) but it’s great, and larded up with Bruce Springsteen songs, obvs.

19 Great British Bake Off S9-S10 - I’d also held off on watching this for a long time, out of loyalty to Mel, Sue, and Mary Berry. But I needed some comfort viewing towards the end of the summer, and the new hosts and judge do an able job, although the show’s tropes are feeling a bit well-worn at this point. 

20 Righteous Gemstones S1 - A rollicking ride for sure, with a great cast. Your mileage/patience with Danny McBride may vary, so keep that in mind, naturally. 

21 This Way Up S1 - A small show starring the fabulous Aisling Bea, about mental health and families and some nice comic physical acting. Oh, and in case you were watching The Crown and crushing on Tobias Menzies’ version of Prince Phillip, he plays a hot dad love interest in this, which gives you all the Tobias you’re looking for, without the PP racisms. 

22 The Crown S3 - This is the first season of the big cast switchover, and I thought it stuck reasonably well, once we were in it an episode or two. This season concentrated even less on Elizabeth herself, preferring her sister, husband, and (newly!) her children.

[inevitable-anna]

Escape The Night Spoilers S4X10

Here it is, guys! My final S4 reaction post. It’s been a long, funny, yet sad journey.

Anyway my series review should be up at sometime tomorrow.

For now, I hope you enjoy this post.

[[MORE]]

Is that the society lady? Jael? Or Ryu? Who is she with?

So this lady went into the museum for a mission.

Whoever this is, she is a badass!

Uh oh, here's The Collector.

Don’t open it! It’s what The Collector wants you to do! Don’t listen to her!

Oh no. What’s happening?

Waaahhhhh? She's the Gorgon?

Well, I didn't see that coming. Although I do like that they’ve given The Gorgon a backstory.

Watching the intro just hurts now that pretty much everyone is dead.

The way Colleen's smile falls when The Sorceress betrays them.

Oh sh*t, The Collector is alive again.

RUN YOU NUMBSKULLS RUN!

OMG it's Benjamin, Lucy, High Tower, The blue harpy, a vampire from S2, the guardian from S1, and The Carnival Master!

"It's like bloody Christmas everyday!"

Ohh yes! The Sorceress vs The Collector round 2!

The Collector definitely is gonna win.

Okay, they can kill The Collector by turning her to stone. Pity that The Gorgon is dead.

Egyptian exhibition is first up.

1/7 emblems found!

Joey: "The plan is to stick together."

Monsters: *come running in*

The group: *screams and runs in different directions*

Joey: "The plan has failed. And now it's every man for himself."

Now they have to help Garuda pay his penance in Hell? Hell naw, he bludgeoned Tim to death!

I wasn’t expecting Colleen to burp when she's scared.

Colleen got captured! :(

SAVE HER!

Joey: "If one of us gets captured we need to stick together and rescue them."

Colleen: *gets captured*

Joey: "Nm, lets go get the note."

Colleen trying to volunteer to be evil is actually sad to me, she's so scared of dying for a third time, that she offers to betray her friends.

Carnival Master, please don't sacrifice Colleen! She's the only the one left that I like. :(

Colleen: "you speak a very similar language to my newborn baby. I have a newborn baby."

Carnival Master: *chanting*

Colleen: "I have a newborn baby."

Carnival Master: "Shut up!"

Okay, Colleen trying not to get murdered/sacrificed is sad yet sort of funny?

Bretman: "Look, right here. Right here. I've got your back."

Colleen: "This is really uncomfortable, so maybe... we can, you know, this is not a good angle for him over there. You know, there's... it's a mess down there. You don't want people to see that, but that could be my power that I kill people with, just show em the vag. It's terrifying down there now."

Carnival Master: "Do you ever stop talking?" I love how the CM doesn't actually sound angry, he sounds genuinely curious.

Bretman: "The warrior statue is probably the one that looks the most warriorie, like obviously." No, Bretman, really? I thought it would be the one holding a ton of grapes!

Colleen: "I'm telling you, it's like a reflex, like I'm terrified so I can't stop talking. I also desperately need water, I have like cotton mouth."

Colleen: *in confessional* "I know I'm like p*ssing off these monsters and that means they're probably gonna kill me even sooner, but I literally can't stop talking." Well, at least, it’s stalling for time?

Yay, they saved Colleen!

Omg! Joey, Bretman, and Colleen are hiding under the table and they are so squashed together! How did they even fit under there?

The Collector and The Sorceress are still fighting?!?!?? I guess it keeps them both occupied from trying to find the guests

3/7 emblems found!

"Where flesh becomes stone." So Mortimer or the Gorgon's lair?

I feel like the whole ETN fandom just forgot that Mortimer died... again

The Gorgon's killer? So The Minotaur?

Wait! If that's The Minotaur's severed head, then who killed The Minotaur? Because Alex ordered The Minotaur to go back to the labyrinth and stay there.

Joey hiding behind that statue is hilarious! It reminds me of that scene in 'Aladdin' where he hides behind the strongman.

Joey ducks down under the statue and immediately sees its butt.

4/7 emblems found!

To get the sword that will turn The Collector to stone, they have to cover Excalibur in the Gorgon's blood. Lovely!

Yes! The Gorgon is gonna get revenge... even if it is from beyond the grave.

5/7 emblems found!

That map is the challenge grounds where Tana and Justine where for the first challenge. The Black steps are the stepping stones they need to use to get to the red one, where the emblem will be! I think? Are the flesh-eating scarabs still there?

Yeah, I was wrong.

6/7 emblems found!

For the final emblem they have to play a tune on the drums

7/7 emblems found!

I feel like the reason it's so quiet is that the monsters are gonna try and ambush the group.

Oh, they have to trap the monsters to get them out of the way, so the groups can turn Excalibur into The Sword Of All Legends.

It worked!

The monsters are now inside the exhibition cases! :D

Since we see a close up of all the monsters in the exhibition cases, I think the woman playing the harpy is quite pretty.

Although at 25:23 am I the only one thinks that Lucy looks scared?

Spell time... and they messed it up already...

*Spongebob narrator voice* “1 year later”

Yay! They did the spell! And it worked!

The Sword Of All Legends looks amazing! I want one!

HOW ARE THE COLLECTOR AND THE SORCERESS STILL FIGHTING?!?!!

The Sorceress is dead... again.

Joey: *stabs The Collector and turns her to stone*

Me: "YEAH! That's for Liza, Gabbie, Destorm, Tana, Justine, Alex, Tim, and... and Ro..."

The vault is open!

Is that the box that corrupted the Gorgon?

Grab the sphere and RUN!!

That box has the same Cthulhu looking thing as the 'Cursed God' statue last episode. The one that the caveman touched and I think got possessed by.

Joey just opened the soul jar... but what is going to happen to those souls now? Are the guests from this season in there or... like what was the point?

Aww that soul was Liza! At least she's not in Hell like I thought she was.

They opened the portal!

Bretman and Colleen are through!

Me: “Hoe, don’t do it!”

Joey: *runs back inside the museum*

Me: “Oh my god.”

Yep, he's going back for that stupid box.

Joey! You idiot! (No hate on real life Joey.)

29:42 Mat realising that Ro isn't with them... it’s so sad, I wanted her to live and be reunited with him.

Mat: "What happened?"

Bretman: "I don't know."

Colleen: "He didn't come through."

Me: "That's because he has to leave this season on a cliff hanger so they can make S5"

Joey opened the Cursed God's box... like a dumbass. (Again, no hate on real life Joey.)

And he's gotten sucked into the box. Like The Collector said to the Gorgon, "Looks like there's a trace of evil inside you."

Although I think that I would like to see a series where Joey is actually the big bad.

And that’s my final reaction post done! Woah, this has been a journey, and it’s been lovely to share it with you all. :D I hope you all enjoyed my posts about this season.

Hopefully, I shall be able to do another reaction series for S5, if there is one. My series review should be up tomorrow if everything goes according to plan.

But if any of you have an ETN questions for me, whether it’s about my favourite characters or something completely different, I would love to answer them! :D

I hope you have a lovely day!

[exsanguisdraconis]

i don’t have a blog for this so even tho i’m supposed to be fixing this blog up and getting active i’m going to use this blog to viciously complain about HBO’s His Dark Materials. the below opinions are overwhelmingly negative so if you aren’t interested in that, don’t read it.

I just... don’t understand these writers. I feel like over the course of the five episodes we’ve had that I’ve been very laid back. My expectations were high, I’ll admit that, because I needed SOMETHING to save me from the absolute shit tornado that was The Secret Commonwealth. I needed some good HDM to lift me up from that low and I was counting on the show. Maybe that was unfair. 

To start off with some good things the show, for the most part, looks really nice. Most of the actors are really good. I was pleasantly surprised about the number of POC in the cast. The daemons, though not focused on nearly enough, still look really nice. Ruth Wilson is phenomenal in her role as Mrs. Coulter and even in the couple of scenes where I was like “why did they add this to her character” Ruth acts it out so well I’m happy to just accept it. I think this show is adding in a lot of the complexity to her character that Pullman always wanted, and given she was one of my first “older villain woman I definitely shouldn’t be in love with but am” crushes in media I’m thrilled about that.

My main problem with the show is that it’s---boring. And it’s ridiculously frustrating because it feels like you have to put effort into making it so bland and dry.

The newest episode is an absolute train wreck that lumps together all the minor issues I’ve had with the show into one big pile of shit.

First off I’ve never seen Dafne Keen in anything else. I don’t know if she’s a good actress. I know that in this, she’s really really bad. Even when they put her in emotional scenes, her inability to act like she has real human emotions sucks the life out of them. When Coram was recounting the story of his lost son in the last episode I went from being a little choked up to almost laughing with how much it just didn’t seem like Lyra gave a fuck. Her delivery is so monotone that it just zaps the feeling out of everything she touches.

Secondly what the fuck happened with Billy Costa. Or more specifically what the fuck happened with how they chose to handle the scenes with Billy. The death of Billy, the reactions of people toward him, the dialogue from Iorek, these are some of the most interesting parts of the book. But rather than having Lyra ask, get denied, and then ask Iorek to take her anyway, whisking her off into the night and encountering the witches and creeping into the fishing village where they’re met with terrified villagers... they spend several scenes with Lyra just asking people if she can go. And it’s not even heated argument or charming wit. It’s just “I want to go” and “No it’s out of the way and too dangerous.” Over and over again. 

This really hits on a big problem I have with a lot of media right now where they want to tell me something rather than show it. Usually because that’s the cheaper route of doing things. I get it. The bear is probably difficult and costly to animate... however, why have him IN the show at all if he doesn’t get to be a proper character with proper emotional building scenes. I would have much rather them cut that scene where he’s just giving exposition on bears to Lyra in favor of him telling Lyra about the witches going to war and shaming the people for not having Lyra’s bravery in dealing with Billy Costa. Because those are scenes that tell us something about Iorek the character, and that’s always going to mean more than general lore about Svalbard’s bears.

You see it doesn’t mean anything to me to hear the words “it’s dangerous” or “something is really wrong here” and then not.... see it. The scene with Billy is meant to turn your stomach. You’re supposed to think “who the fuck are these people mutilating children in this way” as Billy repeatedly clings to a dead, dried fish and vacantly asks “where’s Ratta” over and over. And something that adds to that revulsion is seeing how other people treat this small, innocent, injured child. It’s not with compassion and sadness. People are AFRAID of Billy. They don’t want to look at him or touch him. The fishermen beg for Iorek and Lyra to come and relieve them of this evil being. They have no compassion for this child, no outrage for what has been done to him. All they have is fear. 

And maybe I missed Iorek’s iconic “when I’m afraid I will master my fear” but I’ve watched the episode through twice and haven’t found HIM saying it first. So Lyra not wanting to look like a coward in front of him, and Lyra mastering her fear in favor of compassion for Billy means NOTHING. Because it wasn’t in the show. There was no scene where Lyra sees that Billy’s daemon substitute has been ripped from his dead hands and she flies into a rage at the utter disrespect of the people around her. There’s no scene where she gives him the coin with Ratta’s name scratched out in an attempt to give him that dignity and respect that was ripped from him before he died. So what did we get to replace these deeply emotional and telling scenes? Two sing-a-longs from people that can’t goddamn sing.

The thing about these scenes is they’re very straight forward, and we don’t care enough about Ma Costa or John Fa to care that they’re sad. At most they tell us “the Gyptian people are united” but we’ve already seen that. It was the FIRST thing they showed us about them. What we haven’t seen yet in this show is Lyra’s character development. Where Lyra starts to go from a pigheaded, selfish child into a more mature and compassionate person. These scenes rob the situation of deeper meaning. Because we KNOW Billy’s mom is sad, we don’t necessarily need to see it. The story isn’t about her or John Fa. The story is about Lyra, and by cutting more meaningful scenes where she deals with Billy and shows him compassion, and instead just showing her be a little sad at his grave side... it feels flat and emotionless. I didn’t feel sickened or sad for Billy.

I’ve read the books over a dozen times, and out of the series I feel like The Golden Compass/Northern Lights is the most special. It is paced well and filled to the brim with interesting characters and when things happen they happen for a reason. The show is making cheap shots at my emotions by showing a crying mother and honestly it’s bouncing off the rim.

To be clear I WANT this show to work. I felt like episode 4 was perfect. I had absolutely no complaints aside from Lin-Manuel Miranda’s painful attempt at a southern accent. I LIKE that they’re showing a bit of Will’s backstory rather than try and juggle flashbacks or exposition in season 2 (if they get a s2 and I don’t think they will unfortunately). In fact, it seems like most of the scenes they add in for themselves, most of the details they insert, actually have a lot of depth and feeling. Mrs. Coulter’s relationship with her daemon and her scenes of dialogue that hint at her self loathing is brilliant. The scene where Tony and his friend break into her home in defiance of Ma Costa and the others is exciting and emotional. 

Third and finally I just feel like this show is trying too hard to say “I’m not the movie.” First off, I don’t think The Golden Compass was a terrible movie. There are a lot of things I don’t like, but when I think of a terrible remake I think of Gerard Butler playing the Phantom of the Opera and the train wreck into a flaming pile of dumpsters that entire movie was. And I think this show is trying so hard to avoid certain lines and scenes that were in the movie that it’s killing some of the best content from the book that they could pull from. The big problems with the movie didn’t have anything to do with the dialogue or source material, but rather pacing, acting, and set design choices that were made. 

Idk. I hope we get a season 2 and I also kinda don’t care. Because if this is what they’re going to do with The Golden Compass I’m a little worried about what they’ll wind up doing with the other books in the series. And I feel bad because I genuinely like His Dark Materials, I even really enjoyed La Belle Savage. Sure the newest book was.... bad. Really bad, but at the very least the first three books of His Dark Materials deserve a really good show or movie and I feel like between some of the direction choices and Dafne’s acting (which I’m not entirely certain isn’t due to choices from the directors) in some ways this show is way, way worse than the movie ever was.

[scribeofred]

2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47!

2. Whatis your latest fandom?

My latestfandom is Batman in terms of fic. There’s a wealth of reading material in it,and it is almost perfectly suited to my preference for brothers-relatedmaterial. There are also some very very very good writers to be found, and I’menjoying being able to consume in a large scale again, at least when I’m notsick of reading due to work.

3. Whatis the best fandom you’ve ever been involved in?

In termsof “this is my ideal place and I am never leaning,” absolutely Thunderbirds. It’salso a… very small fandom, and for a choosy consumer such as myself, that’sbeen a serious problem over the last year or two, what with the departure of alot of my favorite writers. Nevertheless, the world and the characters have embeddeddeep in my heart, and I’ll always be around somewhere in the fandom in one iterationor another.

5. Whichfandoms have your written fanfiction for?

A few! Ihave published fics for TRON: Legacy, Assassin’s Creed, FFVII, Star Wars, Sherlock,Thunderbirds, FFXV, and VLD.

As far asentirely unpublished fandoms… I have an enormous Merlin AU completelyoutlined, but I only wrote snippets of it. Too bad, because it was going to beSO GOOD. Alas, I am no good with monster projects, so it languishes, probablyforever. Unless I post the outline here. Hmm. I could do that…

7. Listyour NoTPs from each fandom you’ve been in.

Oh man. Well.Let’s see. Automatically anything incest or slash, they’re just not my mug ofpomegranate juice. Other than that, I’m relatively fluid when it comes topairings and tend to go in for anything that’s well-written and has dynamicsthat are to my taste, so I rarely hit upon pairings that make me nope entirely out.I tend to just not care about anything that doesn’t strike my fancy.

11. Whois your current OTP?

As notedabove, I am not a hardcore shipper. Favorite pairings come and go depending onmood and whether they’ve become boring due to overuse/overexposure/passage oftime or not. If I had to pick, I’d say I still default to Scott/Penny, though,because I’m still writing ’em.

13. Goon, who are your BroTPs?

Mostrecent fandoms only, in no particular order: Shiro & Pidge, Shiro &Hunk, Keith & Pidge, Keith & Hunk (VLD); Scott & Virgil, Scott& John, insert-all-possible-bro-combinations-here (TB); Dick & Jason,Jason & Stephanie, Jason & Cass, Cass & everyone, Jason & Damian(Batman).

17. Whatship have you written the most about?

I am stillinfluenced a ton by TOS, so as of the last five years, it’s Scott/Penny. They’rethe ultimate power couple, both heirs to enormous fortunes, and let’s face it:they look incredible on each other’s arm. The dynamics are lovely between them,very arch, very clever, and finding ways to make them relax around one anotheris just genuinely my favorite.

19. Anyships which you surprised yourself by liking?

Nyx/Araneafrom FFXV came out of the blue. I think I saw someone had written it once duringone of my only glances at the fandom’s AO3 section, and it lodged in my brain. Imean. I’ve read exactly one (1) fic for them and have written an equal numberof fics with them, and I don’t really think about them on my own time nowadays,but they did click with me, at least very briefly. I also super wasn’texpecting to like Shiro/Allura from VLD, but they touched hands in S2, and Idid that little flappy hand thing and made The Noise, and I knew I was InTrouble.

23. Whatfic do you desperately need to rewrite or edit?

See, I dothis thing. Where once I’ve posted a fic, I am disinclined to reread it withoutsome serious—usually external—prompting. Not because I hate it! But because I’vejust moved on to new ideas—that one has had all the hooks it had in my brainreleased by way of posting the story, and I don’t need to think about it anylonger. I’m not very interested in rewriting old material, although last week Idid reread Three Towels and a Tracy for the first time in a couple years, and Imade a few tiny tweaks to the AO3 version for improved readability. I edit soheavily while I initially write a story, though, that I really don’t leavemyself much room for editing/rewriting at a late date.

Arealistic answer would be “probably the first ten or so stories I posted becauseI know So Much More about writing, especially the technical elements, now thanI did then, and there are undoubtedly many missing/misplaced commas int them.”

29. Whatinspires you to write?

Sometimesit’s vivid mental images that I Must Put Into Words (an upcoming FFVII story);sometimes a piece of art or a song compels me to put words down. Imagery is abig thing in my writing, so it tends to be something visual that sparks aproject, although occasionally combinations of words just *sing* to be put downsomewhere. Truth told, I write for SS and no one else, so yeah, she’s myinspiration.

31. Doyou listen to music when you write or does music inspire you? If so, which bandor genre of music does it for you?

Music inand of itself rarely inspires me these days, with one notable exception, but I dousually listen to it while writing. Anything instrumental gets at least tried,but I lean toward film/game/TV scores (Hans Zimmer yaaaaaasssss), smooth jazz, epicproduction music, and some electronic music. If music is too much for onereason or another, I will pull up a soundscape generator—myNoise is amazing; I’vebeen all over the Black Hole soundscape recently—and let that run on animatefor an hour or two.

37. Doyou use established canon characters, or do you create OCs?

I alwaystry to write canon characters unless it’s necessary to create a person for aspecific scenario. OCs can be hard to connect with unless you’re very good at makingreaders care, so they’re a bit risky. I know I prefer to read about canoncharacters, though, so that drives my thinking when I create plots/scenarios.

41. Listand link to 5 fanfiction authors who are amazing:

@preludeinz is just… one of the best writers you’re ever going to find. The way she’sable to take literally any scenario or characters and make them interestingbaffles me even years into knowing her, and you will not find a better writer todescribe clothing. She’s as brilliant at handling character interactions as sheis at describing lasagna food. Also, her dialogue is A++

lurkinglurkerwholurksis another complete package. Everything about their writing is engaging andfeels so polished, and they have an enviable ability to capture characters’ voices.I’m constantly blown away by the quality of their work, and I’m waiting withbated breath for the next chapter of Nature and Nurture.

@headspacedad writes some of the best stream of consciousness I’ve encountered. The firstchapter of their story Falling took my breath away, and subsequent updatescontinue to knock the air out of me. Writing a character who’s lost a primarysense is no easy feat, but they make it incredibly easy, and indeed the storyis so rich with details that it’s 100% better that way.

If youwant a writer who’s going to challenge you with each chapter, each scene, eachparagraph, each sentence, pollywantsa is absolutely the writer for you. I’mperhaps a tiny bit traumatized by one particular work, but in general every storyis worth reading. There’s a sense of weight to each piece, a gravity that goesbeyond fandom trappings and sinks into your very bones, lives like mercury inthe bottoms of your lungs, dragging you down into the unshakable truths that areinescapably human. Real people make wrong decisions, destroy other people orthemselves; they are crude and profane and selfish and so very beautiful intheir imperfections, and polly will remind you of that with each tone-perfectword they’ve laid down.

Roundingout the list is @velkynkarma. Unusual stories and unique situations that I neverwould have considered reading are some of my favorite stories because of VK’sskill at finding the engaging threads to pull into the light. Space mouse vsCoran? Amazing. Keith + space mouse shenanigans? Incredible. Zarkon + eldritchhorror? Terrifying but so engaging. Slav and Sven AU? Worthy of popcorn. Heapsof Shiro angst? Sign me up. The high quality of both storytelling and technicalskill are not to be missed, and every new story and chapter updated is a TREAT.

(honorarymention: @deepwaterstars for being the sunbeam to my moonbeam

43. Whatship do you feel needs more attention?

Uh… I’mnot sure tbh. I’m not a “shipper,” and I tend to read gen fic as a wholesalerule. I wouldn’t mind seeing a bit more Virgil/Penny, I guess?

47. Doyou leave reviews when you read fanfiction? Why/why not?

Mmmm.See. This is the thing I’m trying to get better about. Because I tend to go ALLIN when I comment and drop a solid 300–500 words, and that takes time, even ifthe words are flowing. I find it hard to write something more modest, because Iknow exactly how much I drool over the writers who leave me enormous comments,and I want to give them the same feelings. I tend to only comment whensomething has truly moved me, especially since I’ve tried to move on from the unasked-forcritique-style reviews. Maybe one day I’ll find a happy middle ground.

ask me about fanfic!

[electricbluebutterflies]

new history

She could get used to the hidden gentleness of him.

@restrainedubiquity wanted post-s2-grayspace Kabby hair-braiding fic so here we are. In which Abby is a mess (and trying to convince herself otherwise) and Marcus is probably having a midlife crisis. Title and slight inspo from “New Histories” by Brooke Fraser. PG-ish and also on ao3.

The first full day after, she sleeps like she hasn't since… honestly, Abby has never allowed herself this kind of rest, but her body crashes even harder than she expects and she has no control over any of it. The second and third days, she rests on and off. The fourth, she starts to get frustrated.

She is not a solitary creature by nature, but right now she has no choice. Her body has decided it is time to suffer all the consequences of her habitual neglect, and that combined with the recent violation - she has to call it something and that will do nicely, she decides - means she's sidelined for a while. Standing up without help is currently not happening, and any form of productive activity is even less likely.

She knows it's temporary. A week or two at worst. She'll be fine, in the grand scheme of things. But for now, she is miserable.

She was just starting to get used to the concept of a wider world, fresh air in her lungs and rain on her skin. She will have those things again, she knows, but their absence feels damning as she is stuck once more in a metal box, this time without even the ability to pace across the small room. She shouldn't even have this space. Someone else, someone in worse condition, should be on this mattress. Not her. Not-

The door opens, and another feature of her current hell asserts itself.

A week ago, this would've felt strange; a month ago, completely unthinkable. But the man in her doorway is not who he was then, and she feels a strange warmth as he approaches. Her, feeling something about Marcus Kane that isn't near-homicidal anger. Not as new a sensation as she wishes it was, but still foreign enough to throw her off.

He checks on her every few hours, in between whatever else he's doing. She suspects he's slipped back into a natural leadership role, to whatever extent that's even possible amidst current chaos, and that doesn't bother her as much as she feels like it ought to. He's not what he was - she trusts him now, started trusting him at some point shortly before she crawled through a ruined city for him, and she's conflicted, and-

"Did I wake you?"

This caution, too, is new and conflicting. The softness of his voice as he stops just out of reach, the heavy emotions in his eyes, the general presence of him as someone who has finally learned to act like a human being. All new, all probably her fault somehow, all terrifying.

"No," she replies, beckoning him closer. "Unfortunately."

He sits down in a chair that appeared at some point close to her bed - she has no idea where it came from, but she's not complaining. "Still…"

"Yeah."

Last time he checked on her, a few hours ago, they tried out her physical abilities. Which is to say that she took three steps on her own and then collapsed against him. The pain in her thigh isn't quite as bad as she was, and she suspects the problem right now is mostly just exhaustion. Another day or two, she'll be capable of normal activity. But today she is not, and she's angry, and-

"Anything I can do?"

The offer is genuine, another reflection of what he is becoming. Whatever she asks, she knows he'll at least try. This balance won't last long-term, but until she's functional again and until anyone's brave enough to explain where the hell her kid is…

Whatever happened, Abby reassures herself, it will be okay. Her daughter will be okay. The issue right now is her. She can… she can't…

She won't cry in front of another human being. She hasn't in years and she won't now. But she is tired on a level that sleep won't fix, and currently useless, and unable to do anything about anything, and-

Focus. Back in her body, to the extent that she can be, to the extent that she is realizing everything sucks and she's not as resilient as she used to be. She's not twenty-six anymore, using stimulants to stay awake for four days at a stretch because a high-stress job and a small child weren't an ideal mix. Hell, right now staying awake for one full day would be a nice change of pace. As soon as she can, she'll throw herself back in, she has to, she-

"Abby. Look at me."

She doesn't even have the energy to pick a fight with him. This is how bad she's getting.

"I'm fine, Marcus. You can go back to whatever you're actually supposed to be doing."

"I have time. We're figuring out better logistics, but I've done what I can today."

"And now you're here because I'm the only person you haven't annoyed enough today," she mutters, because if he keeps this up she is going to-

"I'm trying to take care of you," he counters.

And oh, that should not make her feel as good as it does.

She's not in any medical danger, she's figured out that much. In her current state, Marcus is a capable caretaker. It doesn't take a lot of skill to change bandages, and he's brought her food as needed and found an extra blanket for her from god-knows-where, and it's working out. She needs some form of connection with the outside world; he needs something to affirm his humanity. Not a worst-case scenario for either of them. Not at all.

She needs to give him something, she figures. Some little project to distract the both of them. And now that she thinks about it, there's a pretty obvious idea…

"Could you braid my hair?" she asks, voice shaking a little. She's had it loose since before the Bad Thing, but she wants something familiar. She could do it herself, she always has, but it would be nice to have someone else help. It's been too long since she's been touched with any kind of affection.

(No. It's been four days. This thing between them counts, and she needs to stop being so damned stubborn about it.)

"I don't know how," he replies. "Never done that before."

"It's as easy as it sounds, and I trust you. I need… there's a hairbrush somewhere in that dresser, I think. Should be a band around it."

He walks over and starts opening drawers. She feels like she ought to be more bothered by how comfortable he is exploring her space - she ought to be more bothered by almost everything this man does - but it feels right, him digging through her few personal possessions in an effort to help her. Him here feels right, and she's scared of how their dynamic will change when she's functional again, and-

"This one?"

"Yes."

It takes a little maneuvering to get her body in an accessible position. It would be much easier if she could stand up, but as that is very sharply Not Happening, moving to the chair is the next best option. She does this on her own, still unstable but not as bad as a few hours ago, and this feels like confirmation of her expected timeline. Two or three more days at worst. She'll be okay. She'll-

"I don't want to hurt you."

"I trust you."

Marcus seems to have discovered a wide range of new emotions recently, and Abby thinks his current nervousness might be her favorite. She hasn't tried to deal with her hair in over a week and it's a mess, but she keeps calm as he works through the knots. He has definitely never done this before, but it's not bad as a trust fall and it'll be okay. She has never been particularly vain, and if she looks human, well… that'd be a vast improvement over how she feels.

"Three strands, right?"

"Yes."

He pulls a little tighter than she'd like, but she feels the transformation taking place. It'll be good enough, keep her hair out of her way if that should happen to matter at any point soon, and-

"I could… I could try to find a mirror for you. If you wanted."

Again, warmth. Again, she is unsure how she became so important. Again, she doesn't mind as much as she ought to.

"I don't care," she murmurs, reaching back and taking one of his hands in hers. She could learn these calluses, she thinks, get used to the hidden gentleness of him. She wants to. "I trust your judgment."

"I'm not sure if I do," he replies, almost laughing.

"Still a few more days before anyone else is going to see me, unless something goes wildly wrong. As long as you can stand to look at it…"

She turns her head and tries to make eye contact at the same moment he blushes. It's a good look on him, half-hidden by scruff - he is becoming wild, and there is a certain kind of beauty in that. One of these days, she decides, she's going to crash into all of that. Not now, not at any point she can pin down, but someday. When the timing is right for her to risk herself again.

"I… you look… it works."

She suspects she's the only person who's ever made him speechless, and the frequency with which she's doing it… yeah, that plan of jumping up and kissing him will probably break the poor man. But she's a little less worried about that being undesired.

"Thank you."

"Do you need anything else, Abby?"

"Can you… can you stay for a little while? I've been alone too long."

He sits down on the edge of the bed and reaches for her hand again, and they are both too young and too old for all of this, and she wonders if maybe this is what love feels like. Chaos and uncertainty and warmth despite it all, as he starts tracing patterns on her skin like she's pretty sure he does when he's nervous. Something complicated and terrifying and wonderful.

"Do you want to talk?" he asks, hesitant again.

"Tell me what you did today. What's happening outside of this box. Please."

"So one of the kids thought they saw a squirrel…"