#it's fun it's like toys to me

[funkbun]

the reason why i like giving characters relatives is because it's fun to choose which of their traits gets passed down/inherited from another character. it's a fun part in designing em :]

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[kuzunoha-xiv]

i randomly remembered i downloaded blender a long ago and some TFP models too and i thought it'd be fun to try out something. and by something i mean old man yaoi

[karda]

pikachu goes to the bay!

[northern-passage]

what have i been up to?

i decided to do a little check-in type post just to let you all know what i've been working on. i know things have been quiet here, mainly because i'm just not as active on social media as i used to be (but especially here)

i have been working on tnp, though. i've been rewriting chapter 2 (what was previously chapter 1) and i know a lot of people complain about rewrites but the fact was simply that i had written myself into a corner; when it comes to IF, when you have a lot of stats and branching and variations to track, you get to a point where it simply does not make sense to try and force it, and i really needed to go back and fix my coding and cut a lot of variables. which is what i've been doing, and many of you have seen how that's changed the game so far with the rewritten prologue (now chapter 1).

with that in mind, i've also done a lot of worldbuilding. again, you've seen some of this if you saw the pantheon post i made a while ago (though some of that has changed already, too, along with more edits to chapter 1 😅) and i've put a lot more thought into the setting, how the world "works" and the different relationships between countries and cultures, etc.

i will be yapping about all of that under the cut if you're interested, but if not, just know i am still working on the game. i do not have an estimated timeline for an update, but i am trying very hard to get chapter 2 out this year.

anyways, my rambling:

one of the main changes will be how Gael and Adrania function. Gael and Adrania remain similar in essence but the relationship has changed, as has the source of their hostilities. i've also put a lot more thought into the way gender roles would work in this world, something that i've previously been a bit wishy-washy on. reading more fantasy and studying lectures on the craft and understanding the way oppression works in the real world has allowed me to brainstorm a better, more realized world with tnp.

that being said, i still stand by my original goal with this project, which is that i'm not really interested in writing violent/graphic misogyny, transphobia, or homophobia. but i am interested in exploring the way empires hold power, and for tnp, that has always been through money and trade. even in the very first iterations, the major cities like blackwater and king's harbor are designed with very clear and purposeful class divides, i've just put a lot more thought into how this would actually work.

and there is also the influence of the gods; when your major religious figurehead is revered as a "mother," as well as the enforcer of justice, what does that mean for the world and the women in it? when you have gods that are genderless or genderfluid, how does that change societies perception of trans people, and gender as a whole?

i struggled when i started tnp about how to depict gender in this world, and originally i simply chose not to give it much thought, and i used a lot of anachronisms rather than actually trying to explore what transness and gender within the context of tnp would look like (i think this was my biggest mistake with Lea at the start. if you remember that you're a real one lol). and i think that's a cop out and simply not how any society would work. Adrania is an empire; people will be forced to comply to various roles and expectations in order for this empire to retain control.

so this led me to 1. reimplement the tolls, something that was present in my very first draft but got scrapped before publishing for the first time. it's easy to control people when you have papers and tolls to track them (or restrict their movements if they don't have the "correct" papers). 2. expand on the relationship between Gael and Adrania. where did these two countries come from? when did they split? how has Adrania managed to grow in power while Gael has not? and how has the plague exacerbated the hostilities? etc. we'll see a lot of this explained in the next chapter (as well as some edits made to chapter 1 again), with Adrania's trade agreements and how they exclude Gael specifically.

and finally, what gender roles are people expected to play within society? if Adrania's main god is a woman (okay, a wolf, but you get it) and a mother and also known to be a ruthless dispenser of justice, what does this mean for Adranian men and women? if their god of death is genderless and also commonly represented as a god of dreams and transitions (from life to death and wakefulness to dreams and from one gender to another or beyond) how does this impact the trans people in this world? if the god of war and harvest is sometimes a woman and sometimes a man, who benefits from elevating one depiction over the other?

lots of fun questions! which i think has led to some interesting changes in the game which makes the world feel more real. it also gives me a reason (not that i "needed" one but, ya know *gestures vaguely*) for all of the women i have in combat leadership roles: Keres, Hadrien, and Merry, just to name a few, and why someone like Redwine would be disliked and challenged as a political, landowning leader instead (and ultimately replaced by a man). while all the warrior gods are women (Wolfmother, the Moon, Stormbringer), Adrania emphasizes the male depiction of the Sun, which leads to this divide of men seeking landownership and more administrative political roles, versus women who, outside of motherhood, make careers as generals and captains and knights.

with trans people, there are similar expectations, of course, but they are also pushed towards more spiritual roles due to their perceived kinship with the death god as well as the Sun (and this also means that while motherhood is revered in this world, there is a looser definition here than in our world, due to transness being acknowledged, accepted, and an integral part of society. what "motherhood" is and what it means to people will be explored heavily in game, you just have to trust me on this one!) obviously there is a real history of trans people being seen this way, and it's something i've turned over in my head for a while. beyond the spiritual, though, trans people are seen in every other role as well, and we'll see some trans people who have little to no relationship with religion or the death god (like Merry, Lea, Clementine, Rodrick, and Rafe) and others that have an actively hostile relationship with it (Noel. lol) and including the potentially trans mc, we see a diverse depiction of trans people, as hunters and watchers and captains and healers and bards, etc. i'm hoping this still gives a well-rounded, multi-faceted look at how trans people live in this world without pigeonholing them solely as "divine oracles," or othering them from their cis counterparts.

overall, i feel that i've matured as a writer since i started tnp and i want that to reflect in the world as well. rereading the original demo made me cringe and a lot of it just felt very childish and flat, and i feel like i really didn't have a strong enough grasp on the fantasy genre, nor the skills and knowledge required to do proper, intensive worldbuilding at the time. now i think the story and setting and characters have grown a lot and i'm more capable and confident to do the things that past me couldn't. anyways thanks for reading all this, this post was just an excuse for me to talk about everything because i'm dying keeping it all to myself LOL. i look forward to catching back up to chapter 3 and finally sharing it all with you eventually!

[seafoodsoda]

[burningcheese-merchant]

ANSWER THIS AND YOU GET A FUNNY BURNING CHEESE COMIC

Hear me out

The ancients giving themselves up to the beasts as sacrifices if they agreed to leave earthbread alone and never wreck terror or show their faces again

I'd say everyone besides Flour would go:

Say less Babygirl*hops into a pumpkin carriage and rides off into the sunset*

Maybe Salt would need a lot of convincing because... Holy shit it could be this easy, Milk you seeing this, quick Spice snap a photo this is a moment in history

Flour is just in massive denial but would find a way to agree to mke it seem like it isn't about love or anything

Unknown3doors, don't tempt me like that 👀 don't tempt me like that, unknown3doors 👀 you're playing with fire, unknown3doors 👀🔥

Pure Vanilla surrendering to Shadow Milk would be the happiest day of Shadow's life. He makes Vanilla repeat himself multiple times, makes him announce it through a megaphone, they do a radio broadcast, Shadow makes a TV special out of it, Shadow writes poems and essays gloating and taunting... And then he eventually agrees to Vanilla's terms (although, he DOES try to haggle for permission to continue annoying people). Pure Vanilla is HIS!!! HE'S FINALLY HIS!!! FOREVER AND EVER!!!!!!! (And the Soul Jam, technically. But WHATEVER!!! HIS SILLY VANILLY!!!). Now Vanilla must endure having to spend EVERY SINGLE MINUTE of his life within 10 feet of Shadow AT ALL TIMES, or else the deal is off and Shadow will commit genocide in retaliation. Why the long face, though? You agreed to this! You knew this would happen! Maybe if Vanilla behaves well enough, like a good little doll, Shadow will allow himself to be HIS doll for a time. Tit for tat. It's only fair. They can be each other's playmate for eternity now...

Eternal Sugar would be 100% awake for the first time in forever if Hollyberry offered herself to her - in exchange for anything at all, it never had to have been for keeping innocents safe. Typical of Holly, in her estimate; she's not necessarily surprised by this. Maybe she'll feign a bit of surprise just because, maybe she'll tease Holly about it... But all in all, she's quite pleased. Now she can keep those pesky subjects of Holly's away from her much easier (as well as her friends... Including that ridiculous dragon...). Holly will learn to see things her way eventually. Appreciate the little things. Like a nice, long nap in a warm bed, in the arms of a loved one... Pleasant, sugary sweet dreams that are too comforting to wake up from... No one ever bothering them about anything ever again. Free from their responsibilities, free from the burden of the shield and the crown. Just the two of them in their own little world, pursuing their own happiness. Won't that be nice?

Mystic Flour would struggle to even entertain Dark Cacao's presence, never mind his... proposal (oh gods, not that word). She would refuse, and refuse, and refuse again. But Cacao does not give up, stubborn fool that he is. Curse his Light of Resolution... Eventually, in lieu of plainly refusing, she tries to appeal to reason. What about his kingdom? His people? What would they say, think, do? Will he leave them behind just to keep her pacified? What about his friends? His son? Who will rule in his absence? Unfortunately, Cacao has an answer for every single one of her questions... and, with an even greater undertone of misfortune... she likes them. That part of her that likes HIM also likes this. That he always has an answer for everything she says. That he won't bend the knee to her, no matter what. His self-sacrificing nature, bordering on martyrdom... just like hers once was. In truth, every word out of her mouth is only serving to delay her inevitable acceptance of his offer. A feeble attempt at shooing him away, one final shot at denying her feelings towards him, for having him around her constantly would be too much to bear, and she might... She... She'll break. She knows she will. And she can't have it. She won't stand for it.

... Dark Cacao, stubborn, handsome, selfless fool that he is. He has undone everything she ever worked for. Her apathy meant nothing the moment they locked eyes. It means nothing now, as they go back and forth about this foolish deal of his. And it won't mean anything when she eventually says yes.

(But she'll try to pretend otherwise, for as long as she can. Neither of them could handle the truth...)

Golden Cheese: Burning Spice, if you leave everyone else alone, I'll give myself to-

Burning Spice: DEAL!!!!!!!!! *pounces on her before she can actually finish or explain herself any further... What he does next, I'll let you imagine/decide 😉*

Silent Salt... wouldn't even believe it at first. He'd be astounded. Dumbfounded, really, that White Lily would say such a thing... Is this really her? Is someone forcing her to do this? What is the catch? Enough reassurance from her would convince him that she's being real and sincere and every other word that can be used to describe her deal, and... he accepts it. No other ifs, ands or buts. His White Lily... now, she really IS his White Lily. Forever and ever... He doesn't mind having to keep away from society; that's hardly a punishment. It costs him nothing. And if his White Lily is there with him, he won't even notice the difference...

[attleboy]

not tadc art BUT i just realized you guys have never seen the giant ceramic lps i made in senior year of high school and i need to show her off like look at her... my darling girl... posing with the original i based her off of for size comparison

she is very obviously made by human hands [lumpy] but that is part of her charm and you cannot convince me otherwise

and since her head and body are separate, she can turn her head in all directions just like the real deal!!

okay that is all. you have seen her now back to your normal programming

[justgleekout]

New! Kurt and Blaine starter packs!

Each including 8 unique accessories!

Now also available: the “klaine expansion pack” to re-enact 6 of your favourite scenes!

[bunnymadeofstardust]

I keep on thinking about these two...

[persimminwrites]

i see the flash of your eyes in my dreams and turn -

only to see a retreating shadow

[determunition]

say that someone also wrote a pre-ascension Click Clack fic, and they wanted to use the name Clarence Clerical (cause they think it's awesome), would you blow them up with hammers or is it chill?

gosh i'm flattered my silly click clack name is beloved enough to warrant such a question! i think like, at the most it'd be cool to get a shout-out if anyone planned on using clarence's specific characterization? but honestly either way i'm chill, go wild; it's a huge compliment to have my silly headcanons enjoyed to the degree that other folks want to incorporate them into their own stuff :>

[ajastu]

Can I just say. I have been Obsessed with this scene since I saw it. Just. How is THIS your first reaction.

Rook doesn't even know the guy, and they still scream at that dragon to save his ass. I don't know what the plan was there, and more than that, I suspect there WAS no plan. They saw someone about to die and they Did Something About It. Even if it was so, so stupid to do. And they Know that. And they do it anyway. I don't think I can quite put into words just how much I love this bit of characterization.

Truly the character of all time 🙏

(also, on another note, them going ✋ at their companions while doing it reminded me of that one thing drivers sometimes do when they throw out a hand to keep someone/something from flying off the passenger seat when they brake too hard)

[forgetme-eternally-blissfully]

Reaction fics are a beloved trope of LOTCF fanfiction, but let me pose a challenge to the concept. Rather than a god deciding to show the audience Cales life as a punishment/gift for the future/to help them in some way, what if it was instead just a godly whim?

The reason they are there is incomprehensible. It doesn't make sense. The god either won't explain, or doesn't care to. The scenes they're shown are helpful in some ways, but not in others. Why are they here? How do they get out?

I'd like to see a reaction fic where the goal of the audience is to leave. They neither want nor need to see the deep, dark depths of their leader. And they will never, ever accept something without knowing the intentions behind it.

This is better if there's another driving force behind why they are desperate to leave. Someone is missing (Cale?), something is happening on the outside (something important), or they're getting signs- hints- figurative or literal writing on the walls from the previous participants in this game that don't spell a happy ending for what comes after this. Something is behind this, and that something doesn't truly care about them.

No one to assure them, "if you just watch his life, everything will be fine." Or when it is assured, the audience fights back. The god assured them, again, they just have to watch. Watch and understand. But they find ways to get out- they have to be dragged back, one by one, into that theater room. It should be fun to watch them analyze the manners of their leader or his backwards thinking, except it isn't. They keep fighting against it. Why are they fighting? Something that isn't human could never understand.

It's an idea I had based off our own manipulation. We write reaction fics for our own amusement. We want to force these characters into a box and make them react to Cale. We are a god that does this- not to help them, not to give a gift to them- it is for our amusement. It's fun to watch them react.

But isn't it out of character for them to not fight back? With biting words and violent actions? These characters don't simply allow themselves to be beaten into submission. Coerced into bowing their heads. We'd have to tie them to their chairs and make them sit and watch. And that's something I see in a lot of reaction fics too.

Usually the best way to keep these characters in place is via the Cale Method. Cale is injured and has to heal, it's a price he has to pay, he's being threatened, etc. It'd be cool if there was something else forcing them down like muzzled dogs. Just my thoughts though.

*anyone is free to run with the ideas from this or any idea built off of this (with no credit)

**but I'd love to be sent anything like it

[biggirldreaming]

Can we take a moment to appreciate how pretty this toy is!?! 🥺

(Dont add stuff)

[fancyhats-and-fennelsbuds]

Treasure Planet themed banners, dividers and stamps as a late Xmas gift for the absolute the wholesome @icarussmicarus

||↳Credit if you you use. Don't repost outsidetumblr||

🫡🫡🫡 now i'll happily travel toward the land of ronzmimimimi🫡🫡🫡