#it's finally i can live again

[jkvjimin]

it's over.

i feel saved.

in every way possible.

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[bia-bonne]

When I saw Shinjiro with Fuuka on his shoulder I dropped EVERYTHING to draw them.

Maybe I'll re-do this doodle and make it better, drawing Fuuka is fun.

[yayi-fuji]

“Rae, why does this coin look so unique compared to the other yen?”

“Oh! See how this one has a face instead of the number of value on it? It’s because this is American currency, this here is a quarter, worth 25 cents. They have George Washington’s portrait in them.”

“That- That’s George Washington!? The first president of the United States!?”

“Uh… yah? What’s wrong?”

“Nothing! I simply, uhm… envisioned him rather differently than… this.”

Based on Even in the Next One !!! This isn’t an actual scene inside the chapters, but it’s just so easy to imagine them with how lively they feel. Please go give it a read if you haven’t yet <3

To @jobrrr : AUUGHH I’M IN LOVE WITH YOUR FIC!!! It has been a few months since I last became this invested in one :’D It just feels SO real and there are so many thoughts in my head as a result; hopefully I overcome my shyness and drop a comment proper sometime soon. Thank you for your service.

ALSO @melpymoo ! HUGE thank you for reading this alongside me omfg this is crazy, never before has a hyperfix been revived this violently 😭 Ty for granting me the space to be totally normal about these 2, looking forward to the rest of your reactions ^^

[hauntedandmurdered]

The sexiest touch in movie history and no, nothing's ever gonna change my mind.

[mustasekittens]

poncho ginger coming at you live

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

[First] Prev <–-> Next

[ricksmarlene]

I'm a father. He's the one thing I don't want to fail. I am. But maybe you can call me dad.

[insane-in-the-membranee]

Men fucking scare me.

Now, some are going to go like, "it's not all men", " Are you also scared of your dad/brother/male relative?", "Another 'feminist' hating on men" and so on probably. Sure, it's not all men but it's always men.

I was scrolling insta when I came across a reel where a guy is complaining about how whenever there is a crime concerning a woman, we raise our voice and protest yet when there is a crime concerning a man, there is barely even news coverage. Which is certainly true and fair. But seriously, right now? Why is it that men always complain whenever people are trying to give justice to a poor victim girl?? I totally agree that whether men or women, all victims should get their justice but have some fucking sympathy instead of complaining?!?

Next, another reel where a lawyer guy was talking about women's safety laws and all, the comments? "Law for women, la*da for men". Well, why don't you go and take a look at the statistics? Maybe read the news daily, I mean the local one. Again, I'm NOT against men's safety, ofc no. It's just that, why can't men complain or raise their concerns without pulling the women with them? What do you want? The laws that are made for us (not that they're REALLY useful) to go nil??? Or what?? Equality? That is feminism. Fucking equality!! You don't hear a true feminist complaining, "why do men get paid more than us? Salary for men, chillar for women" or anything, instead it's "We want to get paid the same as that of a man." Again, I'm NOT speaking against men particularly, just the ones who feel enraged towards us just because we want to get treated as a human first, and equally.

I was talking to a guy friend and his attitude is, "Yeah what happened to her is TERRIBLE but hey, it's not like I can do anything about that? I would never do that and be a good person but that's all I can do, I can't tell the rapists that what they did was wrong and they'd too be like 'oh yes yes oops we did wrong' right?". Now, I do understand his perspective but sure a bit more sympathy and kindness won't hurt anyone?? He even has a sister!! And in the age of social media, anyone with a phone can contribute to some extent.

When I read the details of the case, my soul cried out. I can't even imagine her sorrow. Oh my goodness. My insides felt all queasy reading those gruesome details. All girls of all ages have almost experienced a bad incident with men. Harassment, molestation, abuse, assault, SOMETHING! So many cases everyday and so many more which don't even get registered. Rapes have become so common in India that unless and until it's something very gruesome, people don't even bother that much. It's always "What has it got to do with me" until it's someone you, someone who is close to you. 78 years of independence yet girls are still caged behind walls.

It's always "Beti Bachao, Beti Padhao", Beti padh toh li lekin Beti bach nahi pai. Why is it always "Arre voh toh ladhka, voh toh aise he karega", Voh aisa kyu karega?!?

Why is that ladhkiyo ko mana karte hai raat mein bahar jaane ke liye because it's not safe for her, lekin ladhke puri raat awaaragardi kare, koi dikkat nahi.

Why can't we just teach boys to respect women? To not just respect women, but to respect everyone? The next person is a living being, is that not a good enough reason to not be cruel??

https://www.instagram.com/reel/C-ry4xNvZw0/?igsh=N2M0bW51c3dueGpi

Ajeeb toh hai.

[triflesandparsnips]

hey so friendly reminder

stede gives *full body* kisses

[deadwooddross]

MAY CHAOS TAKE THE WORLD! PATREON

[local-cryptid]

techtober prompt 2: tech o lantern

this one gave me a lot of trouble so you just get a sketch lol

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.