#it's basically never touched on and they're not a main character

[curiouschaosstarlight]

Finally found a manga with actually good asexual-attracted-to-fictional-characters representation, and not through any of those "OHHH READ THIS FOR THE REPRESENTATION!!! THERE'S SO MUCH GOOD REPRESENTATION IN THIS!!!" posts, but through my friend casually finding a snippet somewhere else, seemingly as just a meme

[sunnys-sonata]

Save me 🥲

[masterhallmark]

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[evilminji]

Okay but? We of the DPxDC? Are COMPLETELY Sleeping on DPXBNHA?

And not even for the Main Plot Shenanigans!

Just?? It has ALL of DC's super powers? But MORE OF THEM. And like 80% of the population has um! Danny can?? Finally achieve his DREAM of being???

JUST SOME DUDE™!

Yeah, he's in Japan. That's a bit of a learning curve. And YEAH, there was a cataclysmic war like a few centuries back that sorta... fucked everybody up. No one wants to talk about it. There may be mass graves and Never Forget memorials. But?

On the SURFACE!

This place seems utopian!

No ghost hunters! Advanced technology! Robust social services*!

Wait... what was that asterisk? What do you mean "corrupt shadowy government organizations"? What do you MEAN "Immortal Supervillians"? NO SPACE PROGRAM!?!? AaaaaAAAAAAAAAAH?!?!? I'M IN HELL!!! This is ACTUALLY THE BAD PLACE, THIS IS HELL, OH GOD NOOOOOOO-!!!!!!

Cause see?

There are SO MANY REASONS he'd end up there?

Think about it! Wish that he lived somewhere his weird biology wouldn't exclude him from becoming an astronaut? In Quirks having Bnha Japan EVERYBODY has weird biology! Y'ain't special! You could TOTALLY be an astronaut!..... if we HAD those! We do not. Shut down that program during the Quirk Wars and never really started it again. (And somewhere, Desiree LAUGHS)

Or MAYBE? Things are getting a little hot on the ground? Bit TOO spicy. The Family Fenton and Friends have fallen back, behind the barely holding shields. Not even the Mansons considerable political maneuvering could stop the inevitably of human fear and blind unthinking hatred. Money can't buy everything, in the end. There is only ONE(1) way out.

Through the Zone.

Plan: Strangers In A Strange World is a go.

They're all Limnal enough to fake it. Sam with her plants. Tucker with his technology and persuasion. Jazz with her limited empathy. Their parents with their... well, weirdness. And with a touch of ghostly assisted meddling? Well, they've always BEEN there! Haven't they?

And that's not to MENTION the random 4 year olds with no control! JUST coming into their powers! With all those big emotions in tiny bodies? Startling events and tantrums? Villian attacks? What could THEY possibly hope to do to control or guide that fresh new power? It does what it does and the rest of us are just along for the ride!

If Danny happens to be minding his business and gets accidentally kidnapped by a VERY distraught 4 year old? Well, that's hardly the KIDS fault, now is it? They're FOUR! That is basically a toddler! Tiny child! They are upset, confused, and didn't mean to do ANYTHING. He's a hero. And Heros don't blame little kids from accidents, no matter HOW stressed it makes them.

No, the curse like a sailor INSIDE their head. Like an ADULT.

Just? Imagine~☆

The slow transition from *starry eyed shoujo sparkles* "This is SO COOL~!" to "huh, that's... kinda weird. And Sus. Weird Sus. Maybe nothing... oh! A distraction!" To "okay, this KEEPS happening, that was shady. You all saw that right? You realize that's not NORMAL, right? That that's fucked up? Not cool?" To "oh god, oh God, OH GOD! I'm in HELL! This is actually HELL! I'm trapped in HELL!!! WHAT THE FUC-"

Like? This kid LOVES space. LOVES the stars. And this is one of the few Superhero Cannon that SPECIFICALLY MENTIONS that IN CANNON? Thanks to Quirks? As in Superpowers? That VERY THING got fuckin SCRAPPED. Gutted. Consigned to be a relic of the past so they could all focus on punching each other Real Good.

He would weep BLOOD. Chew the WALLS. The LEVEL of unhinged this child would unleash? Not as Danny Phantom... but as DANNY J. FENTON? Beautiful. Vaguely psychotic. Definitely doing the Fenton Name proud. God, the NOISE HE WOULD MAKE would be inhuman and yet somehow? Come entirely from his human half.

They👏 Would👏 Hear👏 BOSS👏 MUSIC👏

I don't even know if he'd CARE about the main characters. They'd be tangential at best. The man would be in a one man war with I-Island over their lack of space program and hoarding of scientific progress. Probably living out of an abandoned building or forgotten subway station. Just? The MOST bedraggled, feral genius to ever haunt Japan.

As opposed to the REFINED feral genius. Who is Nedzu.

I bet Danny stands outside his school at one AM waving his scientific papers at a camera and YELLS. Like a deranged lunatic. Mismatched slippers and a "haven't slept in a week" crazed glint in his eyes.

He's Nedzu's new best friend. They GET each other.

And, yes, Nedzu COULD let him in... but it's faster to just let him yell and read the papers through the camera. Who CARES if they both seem insane! Let's shout about advanced physics and engineering at 1 am! Over the speakers!!! Oh? You need to physically SHOW me the notes? Well I COULD unlock the gates... OR just wait for you to finish scrambling up the walls like a feral Racoon, to then throw yourself OVER them.

Either, Or.

I'm just SAYING! We are SLEEPING on this! There is so, SO much fun to be had! Danny breaks rules and minds! His outrage over injustice and the complete lack of SPACE! His protection instincts going BUCK FUCKIN WILD. The INDESCRIBABLE hate boner he would have for Mr. "Lemme just rip parts of your soul out so I can collect your powers like pokemon cards" AfO.

There? Is SO MUCH, guys. SO MUCH!

@hdgnj @the-witchhunter @babbling-babull @hypewinter @nerdpoe @lolottes @dcxdpdabbles @mutable-manifestation

[bones4thecats]

What Are They Like As Parents? - Hazbin Hotel

Type of Writing: Random Idea Characters: Vox, Valentino, Velvette, and Alastor Name: What Are They Like As Parents? Idea-Gifter: Random Thoughts

A/N: This is basically an AU where they married their S/O in real life and had a child with them back then. But, due to issues with birth, their S/O died with the child. So there will be trigger warnings when it comes to that. Also, the type of demon the reader is is listed below! Have a nice rest of your days/nights, my lil bubbles🫧

P.S: The Reader goes through birth, so they're headcanoned as female, but a gender is not fully noted

⚠️ Trigger Warnings: Death, Swearing, Miscarriage, and mentions of Assault ⚠️

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Technological-Demon! Reader ; Medical Technology

📺 Vox and you were very close when alive. Growing up together and eventually falling in love and marrying

📺 Sooner rather than later, you were expecting a baby boy, in which you two decided to name him (M/N). Unfortunately, due to difficulties during birth, Vox had lost not only his unborn child, but he lost his spouse

📺 Ever since that day, the man had driven himself further into his work, trying to push the memories of you both with your bump past him, he didn't want to remember how you smiled so gently at him as you died, or how the doctors tried saving you as blood erupted around your form

📺 It was because of how he held himself to such a low-degree that Vox had passed away, and due to his actions in life, he was banished to hell

📺 He believed he deserved it, but now he could start anew, and that was where he grew back into power and eventually met a fairly new Overlord, one that had your same name

📺 Once he asked you and learned that you and your son were transferred to hell, he grew upset, why on Earth were you, the sweetest being he had ever known sent to hell? And why was his son, who never did anything in life, get sent here?!

📺 Every other Overlord, besides Alastor, was on-edge when your small son crawled out from your hand, being nothing but small shocks before turning into a mixture of Vox and your's demon forms

📺 He just smiled lightly and kneeled in front of his child, patting him on the head and declaring how he'd protect you guys till the end of time, in no way was he going to allow you guys to slip from his grasp again

📺 Now, as your son was made into the form of a young child (4-6), Vox always tried to keep his anger on the down-low. He didn't want his son to only see his father angry and full of rage

📺 While he may seem like a horrible father at first, once he got used to the fact that your child was interested in your occupations, you being a medic of the Overlords and him being the head of VoxTek, he smirked at Valentino and Velvette before holding his child and gloating about his company

📺 Speaking of the other two Vees, they adore your child. Valentino loves to help your son with his social skills, and he tries keeping his business on the down-low around him, he doesn't need to get shocked or nearly have his wings amputated by Vox and you again

📺 Velvette on the other hand, she loves to test her outfits on your child, from helping him find the most suitable outfits to having him listen to something on her phone as she speaks to her two main allies during a meeting, she is honestly a decent aunt

📺 Vox also has a wild obsession with watching Alastor fail, so if he were to ever see the Radio Demon talking to you or his son, he'd lose his shit, not caring who was there to watch

" I swear to fuck, you old-timey shit-stain, if you ever try touching my S/O or my son again, I'll fucking kill you and drag your corpse all around hell for the all people to see. "

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Insect-Demon! Reader ; Rosy Maple Moth

���️ Valentino and you married quite early in life and had a very active life

❣️ It was due to your shared actions that you found of you were pregnant quite early, which made him try calming down from his actions and begin to coddle you

❣️ Unfortunately for him, your body couldn't quite handle the stress of birth, resulting in your demise, along with your daughter. And due to this event, he was driven mad

❣️ This was where he developed his abusive personality, constantly yelling and assaulting his workers, including Angel Dust when he first arrived and signed a contract

❣️ It took a while, but one he had heard about a new Overlord that looked a lot like Valentino (in terms of species) with a daughter that looked nearly identical, he decided to attend the next meeting without his fellow Vees

❣️ It only took a quick glance for him to know exactly who you were, in life you loved to mess around with roses, so it only made sense that you'd become a demon in relation to that plant

❣️ Once the meeting ended, Valentino walked up behind you and hugged you, wrapping his larger wings around your form as he felt your tiny orange-yellow antenna tickle his chin

❣️ Valentino also loves his baby girl a lot, spoiling the young girl with everything she could ever want

❣️ Once you and her walked back into his life, everyone within his studio learned who you were quickly, you were the long-time spouse of Valentino's, and the father to his young daughter

❣️ They also took notice of how more collected he was, and while he did have his moments of anger, he rarely ever laid a hand on his employees, unless he got angry enough

❣️ Valentino also swore on his afterlife that he would never touch anyone in the ways that he would touch you or your daughter, which allowed your new friend, Angel Dust, to be more free with his time

❣️ Much like Vox, he doesn't seem like he'd be a good parent. And they're kinda right, but only with certain situations

❣️ Valentino doesn't know what to do when it comes to certain scenarios, like when your daughter asked where children came from and you had to wrap your pink and yellow wings around his mouth to silence him from giving a very detailed story of how she came into existence

❣️ Vox and Velvette are also fairly involved with helping him raise his child, Velvette loves to help her dress, from giving her small clips to put in her hair to giving her full-fledged outfits, she spoils her just as much as Valentino does

❣️ Vox also spoils her, but he also knows when to be strict, he mostly just watches her whenever Valentino and you get busy with running the studio in V Tower. He's been declared the 'Godfather'/'Uncle' of your baby

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Bird-Like-Demon! Reader ; Peacock

📳 Velvette and you agreed that you'd raise your child together, despite knowing that it wasn't her own, rather, it was your ex-husband's

📳 He had abandoned you with your unborn baby a few months prior to you and Velvette married, and it was on your honeymoon that you went into labor

📳 Sadly, you had lost the baby, and eventually lost your life due to internal injuries just a few months later, prompting your wife to go a hint overboard with her actions

📳 When she died, she never expected to see you sitting across from her at an Overlord meeting, your long tail feathers falling onto your lap where a small boy sat, playing with them

📳 She looked up in shock as you told her of your son, how you both were banished here, your son due to the fact that he had the potential to due just a horrid things as you, and that angered her

📳 Velvette loves to mess around with your feathers that laid behind your head, the ones that only flare up when upset or feeling any kind of strong emotion

📳 She also adores to have you carry her, since she was fairly short when it comes to sinners, and you were very tall when it came to the species

📳 Now, when it comes to your son, she loves to dress him up, acting as if he was a small mannequin that she needed to make look as gorgeous as possible, and thankfully he looks a lot like you, meaning if something looked good on you, it would no doubt look good on him as well

📳 If your ex-husband ever came by to take his son back, she would straight-up ruin his life, literally. She'd post everything around to make him lose his title, and if that didn't work, she'd just kill him, she doesn't care which he chooses

" I swear to you, (R/N). If you ever, ever, try to come here and demand to have the son that you abandoned in the first place, I will do two things. I'll ruin your fucking afterlife by stripping your title away, and I'll make sure during the next Extermination, you get a very long and fucking long death, try me, bitch-boy. "

📳 Velvette also is a fairly good step-mother to your son, she loves to give him small trinkets she finds around. One time she came home with a small present from the store, and when your son looked at the tiny necklace that opened to show holographic photos of you three together, you couldn't help but fall for her even more

📳 Much like with the other Vees, she does involve Valentino and Vox with her step-child's life

📳 On average, she has Valentino just help watch him, leaving Vox being the head of watching him, she doesn't need to have you on her ass about how Valentino took her son to the studio to observe his work

📳 Vox is the official 'Grandfather' of your son, while Valentino is more like the 'Funcle' of the two

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Mythical-Creature-Demon! Reader ; Wendigo

🔘 Alastor and you shared a lot in common during life, from your cannibalistic and murderous crimes, you both bonded over the fact that you were able to keep it all away from people's eyes, despite your high-ranks in society

🔘 He was the head of his own radio broadcast, while you were the head of a small orphanage that took in any child that was needing a home without any problems

🔘 Ever since Mimzy introduced the two of you and you learned of your situations, you decided to 'help' one another out, and by that, I mean by covering for one another

🔘 This teamwork led to you guys falling in love, in a twisted way that is. He loved you for how you would just casually keep a smile on, and you loved him because of his owl personality

🔘 While many didn't expect him to ever fall in love, due to him being a canonical aromantic, they did find it funny to watch him just smile and treat you like a member of royalty

🔘 He never really did find a need for intimate actions, but one drunken night and a lot of pregnancy tests later, you found of you were carrying his child, alerting him to keep you away from your previous crimes. He didn't need you or the child getting harmed

🔘 Alastor may not have shown it, but he was very heartbroken when the doctor released the news that you had lost your baby, and eventually your own life

🔘 Knowing due to your crimes that you'd end up in hell, Alastor would sit at your grave and speak of how he'd see you sometime soon

🔘 And he was right. He had found you once again during his first Overlord meeting, what he did not expect was seeing your young son sitting on your lap while gnawing on a small hunk of deer meat

🔘 He knew that this was your shared child, and he welcomed the youngling with open arms and a fully-fledged smile, his sharp teeth matching his son's

🔘 Speaking of your son, he loves to spend time with his father, learning how to play the piano and singing old songs with him as you stood off to the side with Husk and Niffty, watching the boys have fun

🔘 Alastor only allows you and your son to really touch him without many warnings, and while it took a lot to get used to, he loves watching him randomly grab his staff and try singing in the microphone

🔘 Much like his father, your son can use tentacles and use his powers to make his voice radio-sounding, and it is the funniest thing to watch members of the Hotel go nuts hearing so much of the noise

🔘 Due to being the son of the Radio Demon and the Wendigo Overlord, many don't even dare trying to touch your son, well, except for Vox and Lucifer

🔘 Vox one time had decided to try holding your son without permission, resulting in him being sent flying across the meeting room by your husband

🔘 And when Lucifer first arrived and began to tickle your son to make him laugh, he stood off to the side with his ears pushed backwards in irritation, watching his son smile by such a fatherly action not being made by him was annoying

🔘 And, because of your declaration, you named the members of the Hotel as your son's 'Godfathers'/'Godmothers', only having Husk and Niffty as the 'Siblings' of your son

[periwinkla]

How Takumi writes romance - and narumitsu thoughts

I feel the way he writes it is.... dare I say realistic? If dramatic. Which is also very realistic honestly. To be fair all AA characters are kinda.. dramatic themselves so any couple that comes from that HAS to be dramatic. Anyway the point I want to make is that I honestly LOVE the way he writes romance, like come on LOOK at the canon ones: -the Delites (crazy in love and also in general <- perfect AA couple example) -Maggey and Gumshoe (not a canonical couple per-se but canonically down bad for each other and also both kinda wild, one in a way the other in another.... it's left to interpretation whether they get together after AA3, but it is fairly hinted) -Mia and Diego (very realistic? love can be tragic, also love leads you to make bad choices sometimes) -that one wild tgaa couple (don't wanna spoil) -actually multiple tgaa couples This is unironically peak romance to me. We never see the actual development of these couples here. Takumi shows they love each other, he doesn't simply tell you by making characters confess or have cute moments together. You see them do foolish things for each other, you see them care. You see them being illogical and that leads to them doing bad, messed up things sometimes. When I think about that one discussion going around Suekane telling Takumi he wasn't writing the narumitsu scene right so he better scrap the scene (which is honestly a bit of an ambiguous info to be taken with a pinch of salt imo, but let's analyze this anyway) I think the main problem is that that's just not how he writes. It's just not! He didn't write AA that way and it shouldn't be forced like that. It would feel out of place. Like, look at this (obviously just trilogy stuff because that's what Takumi wrote): -Miles' very odd conversation with Iris -generally every poetics Miles spews in the trilogy... -his agreeing to doing something so incredibly foolish at the drop of a hat such as donning a defense attorney badge? (after an harrowing hurried flight over in the middle of the night) He even suspends his disbelief and still resorts to using an artifact that reminds him of the ugliest event of his life? -Phoenix's depression after Miles disappears...? He already wasn't accepting any clients after 1-4 (Ema had to force him) which I think was a mix of things (Mia's death, Maya's departure, the fact that he had accomplished his goal with Miles but apparently they didn't keep in touch?) but then after Miles' note it just went even worse - if Maya wasn't there to basically drag him around, what would have happened? How was he paying rent? Groceries? He wasn't working. How was he planning to continue living exactly? -Phoenix's I-am-the-only-one-who-can-save-him obsession is similar to Godot's I-blame-myself-for-not-saving-her, who has it over someone he canonically loves... and they're both very pretentious about it as well. While these are definitely character flaws, they show as I said that love doesn't always lead to logical and healthy thoughts or choices and sometimes it leads to you doing very messed up things… This is all way more telling to me. And of course I don't believe in a million years the games will ever make it a canonical couple, but in my heart they care so much for the other that all I can discern from this is that at least they canonically love each other. Was it meant to come across that way? Who knows. But sometimes your own creation gets away from you (also it's not like Takumi made AA123 all by himself, other people were involved).

[enemywasp]

Alright so someone on tiktok sent me a link to a compiled list of arguments against proshippers and so I wanted to put a sort of brief response of my own thoughts of each point.

Long post warning!

"Proshippers are non-offending minor attracted people in a fresh paint of coat"

What a start, am I right? Okay so first off this is a huge generalisation, not every proshipper engages with or is even comfortable with anything that sexualises fictional children, or ships them with adults. And of those that do ship adult/minor ships, it doesn't always mean they're attracted to the character themselves or gains any sexual pleasure from that.

They then went on to say that although they might be non-offending, they still fantasise about and romanticise children- in the case of proshippers by creating art and stories. And I am not personally educated enough on how people's minds works to go in depth here, but I do know a lot of pedophilic thoughts can be intrusive and unwanted. And I would much rather people engage in this and deal with their thoughts through fiction where no actual children are harmed, than actually go touch a real child or engage is any form of CSEM.

“People can draw and ship whatever they want!”

Here they went on to say that surely to ship and create content you must justify these things in some capacity regardless of them being fictional. And immediately I'd argue, the justification it that they're fictional. And that sometimes you want to read about things you'd never approve of in real life, it's a natural curiosity. And again, regardless of what the dark content is I would take someone engaging in fiction over harming a real person any day.

They compared this to alt-right groups and dark humour justifying racism and transphobia, etc. And whilst I think something we should always be aware of in fiction is stereotypes and how we may be representing people. Youtube videos like this are usually a type of propaganda that AIM to change people's mindsets and turn them against groups. Whereas fiction tells a story, some may have meanings and connections to real life, be a political piece, etc. Not everything is that serious and has a clear distinction from reality.

Think for example, reading/watching about murder and gore. More on that in a second.

"Fiction doesn't affect reality!"

I'm going to be honest I rolled my eyes at this as their main example was slenderman. If you don't know about that, those girls were schizophrenic. Anything could of set off and caused delusions, it just so happened to be fiction. Those girls needed help- not to just read purer content. They also basically brought up propaganda again, which is again deliberate and designed to warp peoples perceptions. Its based of lying and spreading misinformation and passing it as facts. The only thing I strongly believe can be directly harmful is stereotypes if not handled with care. But I think that's something for anyone who writes and consumes content should be aware of regardless of their stances.

Again here they implied that all proshippers are peodophiles. And that they normalise abuse of children. I'd also like to point out that most proshippers I've interacted with online have age boundaries to avoid interacting with minors depending on how graphic or sexual their content is.

"What do you think all stories about murder should stop existing?"

Here they basically argued that killing in media isn't the same as its not romanticised or condoned. YA Novels disagree- mafia stories being the most immediate example to spring to mind. Furthermore, morally grey villains. One of my favourite films is Mr Right. It's about a hitman killing people. Anna kendrick falls in love with him and its framed as a romantic comedy. Funny how its only fanfiction that's criticised like this? I actually have more thoughts on this if anyones interested.

Again they bring up kids not knowing adults pursuing children is wrong, and I'm questioning why children this young are unsupervised on the Internet. How young were you when you were allowed to watch anything with graphic blood or violence? This content isn't made for kids! Especially not anyone so young they can't seperate fiction from reality as most sites have a specific age you have to be to join. And I'm sorry to say it, but on websites and social media where adults can interact with kids, anything can be used to groom kids. (The real thing you should be mad about here is how there's no websites aimed just for children and safe spaces on the Internet anymore cause it can't be monetised as easily)

"Artists are allowed to draw and write about dark people"

They basically said, yes but it's not the same as promoting. Writing something under a romantic light and not saying "Don't do at home!" Isn't promoting. No ones encouraging these things in real life. Or rather, if they are its not because they're a proshipper but rather who they are as a person and their intentions.

The trans example they used is very extreme and honestly something I agree with a little more, fiction can definitely be used as an excuse to say and act out hateful and discriminatory things. Whilst I do think it's something we should discuss and unpack more, I'm not certain of my view on how I would fix this without risking silencing people talking about their experiences.

"Its not my responsibility to look after other people, just block me and the tags"

Here they threw all kinds of accusations. And says that we're making traumatised people jump through hoops to avoid getting retraumatised. I hate this argument, you know people have actual triggers they may not be able to avoid in real life? The world can't bend around you. And I am very sorry if any content online is traumatising to you, but someone could also be traumatised by a certain breed of dog and not want to see it. Should no one post dogs online ever again? A bald man reminds you of an abusive ex? Bald men get off the Internet! You see how this thing can just keep escalating? The tags and warnings are important because they're the best you can get. You can't control the world to protect everyone from everything ever. No ones forcing you to interact, and if you're on any algorithm based content that will encourage that content on your for your page more.

The only thing I think we should take from this is the reminder that warnings and tags are always important.

"You only care about censoring creativity"

Here they defend themselves that oh wouldn't you want freaks out the community! Which again immediately makes me lose respect for you, if you're just going to brand us all as freaks as an argument and generalize us.

No comment on that first line when you can easily argue antishipper do the same.

"Proshippers are not remotely innocent of targeted harrasement" Neither are antis. There's people who take things too far both sides and I'm not going to defend either for that.

"Real kids get assaulted and all you care about is censoring people online!"

Here they shout "oh I can care about both!" But what I don't think they realise is censorship can make it difficult for kids and to learn about how to speak up and to look for signs, or to speak up about their experiences. How do you plan on removing the topic from the Internet whilst also letting victims speak up? And people may want to write fiction based off their experiences. Who are you to go through it and proclaim what is too far, what romanticises it too much? More on this later.

"Antis are reducing my trauma"

They compared this to saying "date rape victims are reducing my trauma because they weren't taken advantage of in the same way as me" which is a disgusting parallel?? Date rape is still rape. Someone writing about something isn't the same as it happening. Although it can be used as harrasment, grooming, etc if directly addressed to you or being constantly sent to you, written about you. But the content existing in general? No.

"I'm coping"

Compared it to self harm, and such. Poetry and diaries are also used to write about your experiences and unpack trauma. Some of which may write it in an unrealistically positive light cause that's how they want to unpack it or explain those thoughts. And yes these things get posted online.

I can't imagine a single therapist or professional psychiatrist of any kind disapproving of creative writing because, again, it's much better than any alternatives of doing real harm to yourself or people around you. Although I do agree that if something is traumatising for you to read about and just upsets you further, be aware of your own boundaries but not everyone is the same so how are you going to police people's own thoughts and emotions.

Also I can't remember who or where as it was years ago now, but I have heard of people who actually realised they were being groomed or abused and just how bad it was through reading about it in a fanfic and seeing it in an outside perspective.

They also say to do it in private, but doesn't everyone on the Internet now have an understanding of finding a community and looking out for eachother and sharing experiences?

"There's more nuance here than just calling proshippers peodophiles"

Here they say no matter what it still comes down to whether it's ever okay to sexualise minors in certain contexts. And again, not every proshipper does this or is even comfortable with engaging in this kind of content. And further, no one is sexualising real minors in this context.

"I'm a proshipper and a minor tho!"

I'd agree minors should be wary of the spaces they're in but proship spaces aren't always necessarily sexual, graphic or 18+. Saying they're being groomed feels like you're watering down that term. I was a proshipper at age 13, I didn't interact with anyone online about it though, I didn't even know that was the term. I just came to the conclusion that it's just fiction all on my own. Minors aren't idiots.

At then end they talk about their own experience being groomed and I'm obviously not going to nitpick or criticise their experiences. I will point out that one person being bad and taking advantage of you and using content to do so doesn't mean everyone is like that. I am sorry to anyone who has been taken advantage of by someone who claims they're a proshipper though. There are people who have turned out to be horrible on both sides.

I am ill and it's late but I want to get this up sooner rather than later so please ask for clarification on anything. I'm always up for a discussion on this topic as I do believe some of these points do have merits at times and that this whole topic is not black and white

[hollowed-theory-hall]

You mentioned a few times that you didn’t like Book 7, both from an analysis standpoint and from a structure/pacing standpoint. If you haven’t done so already, do you think you can do a whole post on all your grievances on Book 7?

I never really made a comprehensive post I think.

Like, I mentioned some stuff under the Deathly Hallows tag here, but generally, it seems to me like book 7 made up a lot of new rules about magic that weren't built up earlier. Like people being able to supposedly learn Parseltongue.

In addition to forgetting magic that was already established. Like, I get JKR wanted the trio hungry and miserable, but even if they can't conjour food, they could summon it, steal it under the invisibility cloak, hunt it/fish it? Like, go to a river band and say "accio fish". Something Ted and Dean actually do when they're on the run in book 7:

“There ought to be a few salmon in here, or d’you reckon it’s too early in the season? Accio Salmon.” There were several distinct splashes and then the slapping sounds of fish against flesh. Somebody grunted appreciatively. 

(DH)

Like, I don't get why the main trio couldn't do that. That's all just one example.

I'm not even going to touch what I think about the wandlore in this book since it changes the rules about wands so much.

In terms of characterization, I think Ron's character suffers the most. Like, Ron is written dumber in this book than in any other. He leaves Harry and Hermione and erases his character arc 7 books in. It just, shouldn't have gone like this.

Book 7 is the only one of the books where the trio feels similar to how they are in the movies. With Ron and Harry being a bit useless (especially Ron) and staring in awe at how smart Hermione is. And Hermione seems to be the only one knowing what's up and wanting to push this quest forward while they're camping in the woods. This isn't their dynamic at all up to this point, and the entire camping in the woods section portrays them in this way.

It's not in the entire book too, just like in sections (which makes me feel JKR wrote them very separately, but I digress) — but I hate it.

Like, in general, the character arcs are not really there. At least, not the way I would've liked them to be. I already mentioned Ron who regressed in his arc to something he never was in the books, but it still felt like a regression. Hermione was basically stripped of a lot of her more ruthless streak. Like, Hermione of GoF or OotP would've been willing to steal food to keep them alive. Sure, these people didn't deserve to be stolen from, but she would've understood the necessity. Hermione of book 7 feels off to me, like, she's supposed to be the morally right one more often than not and it feels jarring when the trio had a more equal dynamic up to this point. At least outside of the camping bits she isn't always right in general. Like, Harry still has his incredible instincts Hermione belittles but he ends up being right. That is character-accurate

Harry as well, like, he has some great moments. His doubts about Dumbledore and how it clashes with Hermione's blind faith in him is a great character arc for them and I love it. I just feel that Harry's conclusion of not doubting Dumbledore because he was sick of doubting and how he got to it fell a little flat for me. Also, Harry casts two unforgivable curses easily in this book, and just, no one reacts to it? Not even him? Like, this could've been a fascinating arc and a way better point of contention between the trio than the fucking lack of food. Like, to open the question Lupin brought up at the start of the book, "How far is too far in war?" like, that theme is there, but, like, bubbling beneath the surface.

And I'm not the first to mention how bizarre it is that Hermione cooks when Harry spent years cooking at the Dursleys while Hermione's got no clue what she's doing.

I also feel like more should've been done with the Horcruxes. Like, with how great of a villain the diary was in book 2, it just feels like wasted potential. I wanted more from the locket and the cup and we didn't get time with the diadem at all. I would've liked maybe more of a showcase of cool magical protections on the cup, maybe, and, like, delving deeper into magical theory the way Dumbledore had to to understand the locket's cave. Idk, I just wish there was more.

The Deathly Hallows themselves are another thing. Like, I feel they or the elder wand should've at least been mentioned prior to this book if they were the plan all along. Like, have someone comment Dumbledore won the allegiance of his wand when he defeated Grindlewald or something. Like, a little hint. Because I love the concept of the Deathly Hallows themselves (and Dumbledore's backstory is great and makes complete sense to me with what we know of his character), I just feel the Deathly Hallows the book is literally named after aren't that big of a deal in the book. Like, most of the book should be called "Harry Potter and the Hunt for Horcruxes", the Deathly Hallows, which, again, I love, feel more like an afterthought.

I did like the theme of grief and death that existed throughout the book and it felt in line with talk of things like the Resurrection Stone. I love that that's the hallow Harry chose (actually I like that scene and which hallow each of the trio chose). Like, Harry and Hermione going to Godric's Hallow was great. Harry's grief and pain were amazingly written there. It's one of my favorite parts of the book and I loved seeing the messages of support left for Harry to show what is going on with the rest of the world. I could've done without the super convoluted plan of having Nagini wait there, that made literally no sense, I don't know why Voldy thought that was a good idea.

The romance is another weak point in this book. Since I don't like how Ron and Hermione are written (I think their dynamic was at its most compelling in GoF) and I don't like Harry and Ginny's romance in any book, but book 7 is bad for them. Like, hinny fans talk about how sweet it is for Harry to look at the map to look for Ginny, but he doesn't open the map for Ginny, he does it for Ron:

Meanwhile Harry had started bringing out the Marauder’s Map and examining it by wandlight. He was waiting for the moment when Ron’s labeled dot would reappear in the corridors of Hogwarts, proving that he had returned to the comfortable castle, protected by his status of pureblood.

(DH)

And that's what leads him to see Ginny and look at her name, but he didn't open the map for her, she just happened to be there.

Similarly, when they arrive at Hogwarts, Harry is reacting to Luna more than to Ginny. And Ginny doesn't trust him enough to send him with Cho to Ravenclaw which is so stupid (I just read that scene last night and I have grievances). Like, Harry didn't even want to kiss Cho when he thought he had a crush on her, Ginny has literally nothing to worry about.

I also would've loved to see more of Voldemort. Whenever Harry goes into Voldemrot's mind it's great to see what he and occasionally the Death Eaters are up to. I would've liked more Voldemort for the final book. (If the Horcruxes weren't so underused we could've had more Voldemort, or, at least, pieces of him)

Then there's the pacing. Now, I think I'm in the unpopular minority who likes the wedding scene. I just love Aunt Muriel. She's such a vibe, and I love her gossip. And there are a lot of other scenes I like. I like breaking into the ministry, I love all of Dumbledore's backstory. Everything once they get to Hogwarts gets better. I actually don't like the Gringotts Heist much (as I reread it recently), and the scenes in Shell Cottage leading up to it, but that's my opinion.

And like, that's the thing about book 7 and its pacing that makes it kind of a mess.

There are sections I love that are well-written and fun. Like, the high notes from book 7 are pretty high (this is why I like it more than book 1. Philosopher's Stone is much more cohesive and has better pacing and character work, but the high notes of Deathly Hallows are much better than the high notes of Philosopher's Stone). The problem is that they feel much more disjointed than they usually do. And, like, the whole flow isn't there. The book doesn't flow.

Reading book 7 is like driving at high speed down a road, and then you get stuck in traffic for an hour and then the road magically clears up, like all the other cars disappear in a snap and you're hurtling in speed again and then BAM another traffic jam that appeared out of nowhere. Instead of having the ebb and flow the books usually have, where you go from one plot point to another relatively with ease, book 7 feels like you start, then have to stop, then start again. The different levels of quality and slightly off shifts in characterization between sections also add to this start-stop-start feel I mentioned. Like, the book just doesn't feel cohesive enough.

Then, of course, there is the epilogue, but I already talked about my problems with it (here and here).

That's like, the things that bothered me most in this reread, I think.

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!

[jsmifty]

ONE MORE NIGHT FNAF AU CHARACTERS - THE SUIT - Part 1

Above is the SpringBonnie suit from my FNAF AU/rewrite called "ONE MORE NIGHT".

More info under the cut!

This is the first of many posts showing off some of the characters designs. I will talk more about the AU itself in other posts, however since this is the first I might as well give a basic rundown, it will be at the bottom of this post. William Afton himself will get his own post but this is just about his suit.

Anyway. This is the SpringBonnie suit from my FNAF rewrite!

I never really liked the completely butt naked suits, it always looked really weird to me. Generally when i draw the other animatronics I stick to the basic canon design (without the clothes), but with Springbonnie I realllyyyy prefer the design with some clothing over the top. idk why, it just makes him look siller.

Also if those things are being worn, I can imagine they're stinking hot during the summer, and I know the three piece suit is probably no better for keeping cool but at least he looks cool while dying of heatstroke. :)

There is also an animatronic version version of the suit of course!

Axe > Knife

The suit (SpringBonnie) was made as a suprise gift for William for the opening (By Henry Emily).

The suit has two varients. The summer varient, and the other one. Specifically in the hotter seasons, the suit is only worn with the head, paws and feet + usually a purple suit.

The other version, is the full suit, which covers the full body (is featured in the small doodle to the left). The full suit sometimes features a bowtie, or an undercoat (just to decorate it a little). And you'd be suprised by how quickly it can be put on. William got springlocked in this version specifically.

When specifically William wears the suit, his hair being too long, pokes out from underneath the head of the suit. It sometimes gets tangled in the springlocks! This makes it difficult to take off, ESPECIALLY if the springlocks are released.

Some more art of him (all a bit old):

---------------------------------------------------

The rewrite, which will be uploaded to Ao3, is split into 4 to 5 parts (it will be put into an folder on Ao3 to make it more organized). The timeline follows off canon for the most part, however most of the events have been organized into a specific timeline. The order of the games specifically that I am following is below.

(if the text is unreadable: FNAF 4 → FNAF 2 + Sister Location → FNAF 1 → FNAF 3 → FNAF 6)

PART ONE is centred before the main six games, and overlaps FNAF 4. It is centred around Henry Emily and William Afton (and their families) during the early stages of their animatronic making endeavours.

The other 3-4 parts have been planned out but I won't talk about them that much right now.

The AU leans a lot more on the characters, their motivations, and their relationships with other characters. It focuses more on telling the story in full than in hints, like the games do.

It is likely not going to be completely accurate to canon, so if the timeline changes with new FNAF releases then big whomp I've already made a timeline and I'm not touching that thing again.

If anyone wants like, a clearer rundown of what the fic is about if you are interested please feel free to comment or go on my asks i really appreciate any interest shown in this project, its annoyingly important to me LMAO

IF YOU READ THIS FAR, THANK YOU SO MUCH!!! like I yap so much, and this is me holding back and ive already written wayyyy to much for a singular tumblr post :( but yeah

If you'd like to see a specific character from FNAF in my AU/Rewrite, feel free to ask!!!!!!!

[queenofmalkier]

Moiraine being 70 vs 40

(Alright this one took me a minute because corralling my thoughts is a challenge in the best of times.)

To begin with I will admit... I am one of the people who was indifferent towards the age change in the beginning. They're Aes Sedai, they live nice, long lives, and I wasn't like, emotionally attached to a younger, canon-aged Moiraine. It does make her early years more poignant, but I'll touch on that later.

Primed for older Moiraine, the show started and after two seasons I can safely say I am so gung-ho for 70 year old Moiraine I might actually be feral.

Here's why I, personally, think it was an excellent choice: Rosamund Pike is 44 as of writing this, so she visibly fits into the book age. As an audience nobody is really questioning her age - a few show-onlys I watched season 1 with actually remarked on how refreshing it was to see an older female character allowed to just exist and be part of the narrative without trying to sex up and/or grandma-ize the role.

Little Did They Know.

So you've got an audience that's mostly accepting of this character being in her 40s, and then you hit them with "Oh she's 70 and lets explore just how horrific that fact actually is together, it'll be fun!"

It was not fun, it was gutting.

One of my main critiques of the book has always been how we have these long-lived women, powerful women... but we never really take much of a look at the reality of that concept. Nor are we given POV characters who are really old enough to remark on it. Pevara at least thinks about her family, but Cadsuane doesn't give two figs about hers.

And here's the thing... they're Aes Sedai, but they're still human. What happens to them as they get older, but the people who fill their life are the ones aging? How does it feel to watch a mother, a sister, a child, friends, acquaintances, EVERYONE succumb to time in a way you won't for a very long time after?

That has to be impactful and I wanted to see those stories - and the show delivered. Seeing Moiraine with Anvaere? Chilling, horrifying, heartbreaking. Liandrin and her boy? A kick in the teeth. Even Alanna with her family, knowing very well she's probably the oldest one sitting at that table.

The point is, being an Aes Sedai means being powerful and respected, but it also means living through a very specific kind of suffering and trauma. They're basically vampires in terms of lifespan and we should see how that shapes them.

In regards to Moiraine being older and therefore not basically a child during the foretelling, it does change that particular hit... but by no means did the show let the viewers not understand how that moment altered Moiraine's life forever.

Instead of her being sort of an unformed girl hardened and honed by a lifetime of searching for Rand, one who never got much chance to be anything else, we get a woman who was already beginning to build her life, who had achieved the shawl, found love, and was exactly where she wanted to be.

And then all of that is taken from her.

It's devastating to watch the double-barreled whammy of Siuan and Moiraine giggling about being fishwives and walking into what was in many ways their deaths. Because the Moiraine and Siuan they were before walking into that room were gone forever. They would never be able to go back to the women they were before. They never even had a chance to mourn that loss. Moiraine went hunting and Siuan set her sights on the Amyrlin Seat.

I do understand for a lot of people her age is a sticking point, and that is completely fair and valid! It's a change that I fully agree did not need to be made... but by making that change we're given such a stark insight into the lives of older Aes Sedai who are just beginning to experience what it means to outlive everyone they know, watching one by one as cherished friends and family members pass on.

Soon all they have left are the children and grandchildren of those people, fractured mirrors that are just enough of a hint at the original that it must be painful to know them - which explains even further why so many Aes Sedai cut off contact entirely with their families. It's too painful to keep them in their lives.

[witchthewriter]

𝐁𝐞𝐢𝐧𝐠 𝐇𝐚𝐥𝐬𝐢𝐧'𝐬 𝐬/𝐨 𝐰𝐨𝐮𝐥𝐝 𝐢𝐧𝐜𝐥𝐮𝐝𝐞

⤷ gender neutral, ambiguous race, and any size reader. Requests are open, thank you for reading!

Warnings: swearing, possible spoilers for the game, nsfw included, mentions of parents dying and abuse but only briefly

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

ENFJ

Hufflepuff

Neutral Good

Libra Sun, Cancer Moon, Aries Rising

𝑺𝑭𝑾🌿

・This man/druid/male has BIG HANDS. And is incredibly tall; 6'5 - so no matter how tall you are, he's still going to be a giant when next to you

・Halsin peppers kisses on your cheeks, nose, forehead, temple, etc.

・So it's pretty easy to say that Physical Touch is his main love language. Halsin adores affection.

・His Pet Peeve are people who don't help those that need aid. He's had a lot of fights with Astarion because the vampire overlooked

・You fell for Halsin first (not meaning to, but his largeness... the way he was so kind to everyone, especially those smaller than him, it was easy to fall in love).

・You didn't expect anything to happen.

・A male such as he had so many people he could choose from, so you were happy to be friends with him.

・And during your journey, there were many nights where he sat beside you, his body warming yours.

・There, he would tell you stories for hours, the fire dwinding as he spoke. Your eyes fluttered closed after an hour and a half of his deep voice beckoning you to slumber.

・You woke up with Halsin still with you, but he had draped a blanket over you, laid back and let you climb ontop of him.

・It became a normal activity.

・Story time and falling asleep with Halsin.

・Your sleep was always dreamless and every morning you awoke refreshed. For the first time in years.

・But he had fallen in love with you the second time you had conversed. It was your passion, hidden behind your introverted nature, that he fell in love with.

・A person who didn't mind being alone, or didn't have to talk the loudest.

・You were a fresh of breath air for him. And Halsin decided that he couldn't let you leave without telling you how he felt.

・It was a full moon when he confessed his love. The stars shone up above, the air was warm and sweet. It felt truly magical (thanks to Gale...)

・And when he gently clasped your face in his hands, and let his feelings be known - you nearly fainted.

"I was not expecting this, have I offended?" His deep voice said as he hoisted you onto your feet.

"What? No - No! I ... I feel the same-"

・And from then on, you became inseparable.

・He loves animals.

・And when you both settle down together, your home is very busy. With so many different types of animals, sometimes even a kid or two. You help them as best as you can, but their parents were either dead or abusive.

・So Halsin took them out in the yard and showed them how to do basic things.

・Some have magic, some do not.

・And sometimes you felt very overwhelmed, but Halsin understood. And he never pushes you. He tells the kids that you need your alone time, and some people are like that.

𝑹𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑 𝑻𝒓𝒐𝒑𝒆𝒔

Black Cat (You) x Golden Retriever (Halsin)

Always Hold Grudges (You) x Forgives Too Easily (Halsin)

Character That Thinks They're Already Dating Even Though They're Not (Halsin)

𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄 𝑷𝒍𝒐𝒕 𝑻𝒓𝒐𝒑𝒆

Married Couple Who Make Everyone Cringe

𝑻𝒉𝒆𝒎𝒆 𝑺𝒐𝒏𝒈

Dance of the Druids by Bear McCreary

𝑁𝑆𝐹𝑊 🔞 No one under the age of 18 past this point, I bloody mean it. 

・Breeding kink

・Big big breeding kink. Doesn't matter if you don't have that anatomy, the dirty talk is heavily centred on that

・He lasts for a long while. Isn't satiated until round four, but each time he makes sure you cum first. Your pleasure is more important than his (in his mind)

・Likes when you grab, grip, scratch and pull. He especially likes when you bite his bottom lip

・When he's about to cum, he'll bite onto your body, just to taste you.

・Although he has a big sex drive, he would never push you to have more sex.

・He's desperate to make you feel safe with him. It would kill him if you didn't fully trust him.

・He has a very, very large cock. Around 10 inches when erect. It was an ... adjustment, trying to work with it.

・Halsin loves the smell of you, so whenever you aren't with him, he'll get one of your shirts and have it across his face while he jacks off.

[multifandumbmeg]

Alright SCREW IT here's my Kiara defense post:

Is it annoying to watch get paired off with everyone in the main cast? Sure. Let me explain why that's not a character flaw or terrible, unplanned writing so yall can put some respect on her name.

1. They're ALL in love with her, and literally throwing themselves at her all the time. This is so important and well-documented that John B literally tells us IN HIS INTRODUCTION TO THE GROUP in episode one. It is literally so relevant to their entire group dynamic that he brings it up in the first episode summary of who they all are. Guys actually do this I have seen this happen. One of my high school best friends was constantly manic pixie dream girled (despite being profoundly depressed) and several entire friend groups of boys fell in love with her. She dated one guy, who was a piece of shit and dumped her saying it was because of his parents but told his friends it was because she had too much baggage. The fallout was so bad, one guy from one of the friend groups tattled to her and a different guy, who was best friends with the douche, literally got into a fight with him and THE DOUCHE HAD TO CHANGE FRIEND GROUPS BECAUSE HIS BOYS KICKED HIM OUT. I'm serious about these teenage boys all having the same taste and thinking it's a competition.

2. John B kissed HER. She immediately shut him down. Immediately. Everything before that can easily be explained as Kiara being concerned about him after losing his father. Teenage boys are dumb anyhow, but it's particularly easy to see why John B and JJ, who have both been routinely neglected and grew up without mothers (read, any positive female attention/influence) would interpret this as Kiara having feelings for them. They fall in love with anyone who sincerely gives them the time of day, basically. And that's a little too relatable moving on.

3. "Mixed signals" by kissing boys on the cheek. While I would not recommend this, I think there was a very clear pattern to her behavior and I have a theory I'm 99% sure is canon, based on copious textual evidence.

Kiara was in love with JJ all along. I'll come back to this. She only kissed the boys she friendzoned on the cheek. With John B, I genuinely think she never had any sort of romantic feelings for him and just saw him as a best bro. But she was worried about him, and maybe realized he listened to her more when she did it. Nonetheless, the minute he gets with Sarah it's almost like she feels relieved and never does anything remotely mixed signals to him again. Now Pope? That is a rich text. What the hell is going on with her and Pope?

4. When Pope first confesses, Kiara is once again caught off-guard. She once again rightfully turns him down IMMEDIATELY and gives extremely accurate and self-aware reasons. Her rejection of him is surprisingly mature, that the life he plans on and wants is ultimately and assuredly not compatible with what she wants for herself. So why did she kinda date him? Honestly, I think it was an attempt to move on from what she believed were doomed feelings for JJ. After all the things that happen in season 1, after Pope going off the deep end a little bit by smoking weed, getting drunk, and engaging in acts of violence, as well as ditching his scholarship interview, Kiara suddenly experiences a spark of attraction towards Pope.

Because he's acting like JJ. Reckless. Using substances to cope. Chaotic. Spontaneous. She knows these things are bad for Pope, and she's at times put off by how un-Pope-like they are as his friend, but she has a type. So following a moment of attraction and the sudden supposed loss of John B (and Sarah), she decides to give it a go. Maybe Pope's different after everything that happened. And he is, but not quite the way she was expecting. To link this back to the cheek-kissing thing, honestly, I think Kiara lowkey has the ick 😂. She consistently shoves any of the boys who try to touch her at all away except for JJ, the entire series mind you, except for these little cheek kisses like that's all she can manage to do. She kisses Pope like twice and ends up sleeping with him, at which point she realizes she just can't do it. She's not consistently attracted to her, and she can't get past her feelings for JJ, so she calls it off. Again, that's a fair healthy, and kind thing to do. When you realize it's not going to work, especially if you have feelings for someone else, it is distinctly NOT dragging people around to cut it off. If Kie has a real problem, honestly? I think it's that ultimately she wants a man she can fix. And Pope's fine. So that's him out.

My proof that the writers absolutely intended Kiara to have feelings for JJ from day one:

"Did you tell JJ?" specifically. Just JJ. She doesn't want HIM to think she's taken.

Shoving away John B and Pope every time they try to hug her or put an arm around her etc. Letting JJ hug her, take her hand, sling his arm around her etc. She also goes out of her way to touch him by taking his arm, holding him when he's crying, hugging him several times and then almost kissing him. So in a way, I'd very much like you to consider, Kiara was not in fact sending everyone mixed signals, her problem was that she was so consistent. Consistently attracted to and in love with someone she thought had no real interest in her. JJ flirts with her jokingly, and from episode 1 and the convo in the bell tower between John B and Sarah, we know that he's a horny little dude. And that's not surprising either, because people who've been abused tend to go one way or the other- either very physical touch-seeking in an attempt to balance about the bad, or very touch-avoidant. JJ is clearly, demonstably in column A. Not just with Kiara, but he also initiates hugs with John B and Pope, touches their faces, and even kisses Pope on the cheek once. He's clearly a very touchy person with everyone, so I can see how Kiara would be unsure about his feelings when he very much does not communicate his wants or needs with words.

Finally, the proof that Kiara had feelings for JJ, and that Jiara was the direction the show was headed, was in their conversation in thr storage container. When JJ tells her what he wants from life and plans to do with the money, it's a direct parallel to her initial reject of Pope. He wants to travel the world and be spontaneous and non-sedentary and have no use for money. Everything she said to Pope and is always trying to explain to her parents. That was 0% accidental, that was the writers making it clear: these two are a match, they're compatible on a much deeper level.

4. So if they always planned on JJ and Kiara, why didn't those two just get together to start? The answer, my friends, is jealousyy. This is a common tactic in writing to get a couple together: force the reluctant one to acknowledge their feelings by putting the other in a relationship with someone else. Im short: every moment between Kiara and John B or Pope was to show us JJ did not like that and therefore that his feelings for Kiara were serious, unlike how she interpreted them and him being a flirty himbo with other girls. It also helped Kiara realize she wasn't getting over him any time soon, and that she couldn't avoid her feelings either. So it forced them both to give up and acknowledge to themselves that they had feelings for the other.

5. "Teenage girls don't act like her" JOKES. This is the dumbest argument I've seen, I'm sorry. I'm happy you have met such well-adjusted teenage girls but buddy... I have known some teenage girls and people who used to identify as girls at that age who would make you roll over in your grave. Some people don't know what they want, some people desperately crave attention, some people just can't seem to avoid drama or make good choices and sometimes that's even a resulted of untreated disabilities or mental illness. Sometimes it's all of the above. My point is absolutely there are teenage girls who act like Kiara and faaar worse.

6. Lastly, why not John B or Pope? Why was Kiara totally valid for not liking them romantically? Well feelings are feelings so she's valid anyways but can we talk about them both touching her/making moves at inappropriate times without consent?? It's understandable she likes JJ and feels the safest around him when he's the only who doesn't act like he wants or expects anything from her. He never kisses her without consent, let alone while running from the cops randomly. He never tries to put his arm around her or make a move in the middle of them having an emotionally intimate conversation where she is clearly seeking emotional comfort. I'm not saying John B or Pope are bad people, but with Kiara both showed a lot of immaturity and failed to read the room numerous times. They acted whenever they personally felt attraction, regardless of where she was at at the time. There's such a thing as reading body signals, and the only times JJ comes close to making an actual move on Kiara is when she comes to him, gets close to his face and leans in. In the end, he only kisses her after she looks him dead in the eyes and tells him I LOVE YOU. That's on respect. Also, John B and Pope both get their shit together and learn this with their next girlfriends! So good on them!

But Kiara confessed to JJ at a random time too! I hear you shouting. NAY. Incorrect!! JJ is actively avoiding her and having a mature conversation about how they feel about each other, and also the fact that he stole from her family, and that is on HIM. That is a result of his issues and his fear and poor coping mechanisms. Kiara forced him to address it at an inopportune time because she already attempt to address it privately TWICE and he wouldn't let her. So all she did there was clear the air and make her own feelings known, which he needed to hear. That is the last conversation they have before he attempts to apologize and confess back. That is what convinces him that Kiara's feelings for him are both genuine and serious, and that no amount of pushing her away will succeed. She loves him unconditionally, which he did not know was possible until then.

So in short!! Kiara actually behaves like a real human being. She's not crazy, extremely selfish, nor an example of writers just testing out the waters and seeing what the fans want or who has the most chemistry. She is very consistent. The only thing I can really begrudge about her behavior towards her friends (her parents are a different story) is that she's insensitive to both John B and Pope after rejecting them, which I believe is because she doesn't realize they had actual feelings for her so much as thinking she's hot.

[adamnablelittledevil]

I'm excited for Devil's Minion but I hope the Lesmand aspect isn't undermined in its favor. That ship may not be endgame but it's so important to both Lestat and Armand.

I only know Devil's Minion content from what I've seen on the tag, but I share the same feeling! I also enjoy Armand and Daniel's dynamic on the show. I can't wait to see more if it (and any possible duo, romantic/endgame or not, because they're all so appealing) and I hope they did have something in the past as well (and I think it's highly possible), because both Eric and Luke are great. And, well, this chemistry is too extraordinary to ignore.

Sure, this scene wasn't a positive one, but tell me they don't have potential to deliver the romantic content?

So, about the books, I'm still on chapter 5 of The Vampire Lestat (I'm leaving IWTV for last), but so far I don't see how they could reduce lesmand. I guess you could say there is some romantic aspect to them, but there's so much more than that too. Now, I might be interpreting this wrong or things will naturally change over the course of the books, but I believe they have this soul ties/mirrors/foils/two sides of the same coin aspect. It's only been a little over one chapter since Armand was firstly introduced, but their dynamic already feels so important. They're so similar and yet so different, they're fascinated by each other, they see parts of themselves that they don't like on one another, they see things they can't understand but want to, there's empathy, there's protectiveness, they're attracted to one another and not even just in a physical/romantic sense, but there's some genuine curiosity, admiration and magnetism there, but they're still afraid of each other, they still despise one another, they hurt each other, they know it's better to stay way, but don't really want to so it challenges them to the point they also HATE each other... I even feel like it's more frustration and projection than actual hate, but still... They're very INTENSE, in every sense of the word. And it keeps fleeting all the time, sometimes it's warmer, sometimes it's more explosive, sometimes they have similar reactions to one another and sometimes they don't... Which leads to different types of tension that is entertaining to play with. Plus, they have the best conversations and arguments for me. They touch on some really relevant topics about each other's existence, their collective existence as a species and as individuals (which is part of their conflict). Basically, we can call them whatever we want, but they're never boring.

So I can't see them being able to change that even if they want to? Also, because Armand is the first vampire Lestat meets after his maker and fledgling. Magnus kills himself shortly after turning Lestat, Gabrielle and Lestat are almost on the same level when it comes to powers and knowledge about vampirism. Armand exists out of their sphere, has been a vampire for a while, has more abilities/knowledge than them... I feel like you need that in order to 'shake' things up on the flashbacks instead of just being in the bubble of Lestat and his fledglings or using Armand as a small character.

And Assad is one of the main actors, he's paid for main actor screen time, so it would be a waste not to use him as such? And, like you said, it's so important for both Armand's and Lestat's arcs, and this is a main character + main character dynamic, it's not like a side plot with a guest star. It would be killing multiple birds with one stone, because you'd find a way to use two fundamental characters, tell the story in a proper and also engaging way. Not to mention they would be insanely stupid to waste this.

Yeah, I know this is different on the book, but my point is that the enigmatic chemistry they're supposed to have is there and Rolin should make the most of it. Like, I'm still a bit frustrated they didn't play a little more with Jacob and Assad's chemistry too.

So let's not do it again? I mean, this is the first show I watch where everyone has amazing chemistry and good reasons to have lots of scenes together because they live forever and need to have more than just one company, lol. I say let's explore all of it, whether something is romantic/endgame or not.

Anyway, I believe we'll see a lot of Armand in the 1700s flashbacks and that lesmand will be top 2 of Armand's dynamics on season 3. Depending on what they want to do with armandiel, they might even explore more of lesmand next season, since that's 'Lestat's' season and they can have all future seasons for armandiel? I mean, I can see something kind of like season 2, when we had loumand, but dreamstat was still a significant presence and then the big scene at the end. Plus, I'm expecting Daniel to have a lot of screen time with Louis and Lestat, respectively.

Btw, sorry I deflected so much, I just had a lot to say, lmao. Thank you for the message. :)

[genopaint]

Been in a big Axel the Alligator mood lately so I redesigned some characters the last couple days and even introduced a new villain!!

Here's some of the notes I included about them all from twitter :) it's below the readmore

To go along with the new Axel the Alligator arts I did a bit ago, I figured I should draw the No-Name Grunt again! I gave them a bit of a make over from last time

Most notably their suits are now purple to match Camilla the Chameleon's, since they are her henchmen after all!

If you don't recall, these are basically Axel's goomba. The basic bottom of the barrel enemy the main characters fight. They're all a part of Camilla's seemingly never ending gang. They all follow her every order because they're obsessed with her, but she can't even be bothered to remember their names. Thus, the No-Names. Instead, they're each given a numbered belt and she just calls them by their number.

There's TONS of No-Names, that's why there's even color variations for the grunts you encounter. But there's even different classes of No-Names.

Like bruisers, fliers, stuff like that. However, I want to redesign them a bit more cause I wasn't 100% on their old designs. SO you'll have to wait and see if I bother with them. But you get the idea, the grunt kind of represents the whole army of underlings anyway.

Oh, and of course... No-Name 10,000. The super special ultra rare No-Name encounter. When you defeat it, it drops TONS of gold and exp!

Also some really quick sketches for some of the other No-Name classes with this suit redesign. I think it's cute they're all kind of matching but now I worry maybe they're not unique enough? Before their suits were all different colors... idk... Much to think about...

It's gonna be a WHILE before I get to make an Axel the Alligator game so I'll keep thinking on it lol

And of course there's probably gonna be a lot of No-Name enemy types it all just depends on what I would want / need for each game I suppose lol.

They're like Badniks, they reuse a lot of old ones but new ones or variants could show up wherever it's needed

----

And of course, where there's No-Names, there's the No-Name generals! Similarly, Camilla doesn't care to remember their names. But they're juuuuust important enough to be allowed to command her underlings when she's off doing more important things.

Uno the Uromastyx is Camilla's original #1 super fan, and as such is the leader of the generals. He's a bit stuck up and loves to wave the fact he's #1 in the others faces.

Dos the Daboia is a bit of a loser and is ALWAYS panicking. He's constantly worried his suit is too blue.

And Tres the Tree Lizard is a chaotic girl who loves explosives. She's constantly building bombs to create chaos. Whenever the No-Names use explosives, they're probably her creations.

They're the ultimate undying loyalists to Camilla, and they all HATE Carnage and Behemoth because the trio was there first and yet Camilla makes Carnage and Behemoth her right hand men. Out ranking even the No-Name generals.

But of course, Uno, Dos, and Tres stand no chance at ever beating either of them. Even if they gang up on them.

----

Two more Axel the Alligator characters! Sol the Saurus I've shown before and has a shiny new redesign. But Ceaser the Ceratops is his brand-spanking-new rival!! Pretty neat!

These two existed from before the meteorite came... What on earth are they doing in present day???

Sol fights with a giant sword that builds energy as its swung, and Ceaser fights with a giant shield that builds energy as its hit. They used to be allies but that was a long long long time ago

Also I'm not 100% on Ceaser's design or name so don't be surprised if I touch it up

Also here's an updated height chart with the No-Names and these dinosaurs. Again it's not 100% accurate but it gives an idea (Behemoth IS taller than Dos it's just a bad pose I promise)

also a comparison with some short guys in front of the dinosaurs :)

My concept is that Axel characters don't really stop growing as they age (which I believe real reptiles do the same thing?) so since these dinosaurs are from ancient times they'd have grown a CRAZY amount in the mean time. idk

[technicolouredmonochrome]

so i've been falling down the danmei productions (chinese censored productions of BL novels) rabbit hole and i've figured out the basic BL starter pack:

1. BANTER. the two protagonists need to make a ton of thinly veiled jokes at each other about being in love. because censors! so in order to get any of it aired it's all gotta be nudge nudge wink wink. let me insert an episode where everyone suddenly acts out of character due to magic! or let me make the shameless one dress as a woman for an episode! they will find any and every way to let the two leads f l i r t and make us all wonder: why don't these two just get married already?

2. YEARNING. because if one half of our main couple has not waited at least 10 years for the other to either show up in their life or resurrect from the dead, are they really in love?

3. OPPOSITES ATTRACT. we need the flirty one! endlessly grinning and touching and teasing the silent one! and the cold quiet one is only soft for the sunshine one! how else can we know that their love is true!

4. SUFFERING. and i mean SUFFERING. dead parents. entire families annihilated. torture. tragic backstories abound. these men have never known happiness until they've met their other half. and then all they want to do is watch the world burn together. (and can we really blame them for that?)

5. ACTS OF ("brotherly") LOVE. they were brothers, historians would say, but they're almost always nearly dying for each other, and longing after each other, and siding with each other against the entire world.

5.1 OH BUT THEY WERE IN LOVE IN LOVE. there's gotta be at least one scene somewhere when our two main protagonists speculate about their possible future together. especially if it's just before some incredibly terrifyingly intense climax of the story (where one of our leads may *gasps* die) they talk about running a noodle shop together, or roaming the world together, or travelling from town to town fighting crime together.

5.2 AND THEY WERE SOULMATES. the word soulmates comes up somewhere. it technically translates to confidant (or person who knows me) but. if the translators decide to subtitle it as soulmate who am i to tell them otherwise.

6. FOUND FAMILY. they also have to adopt a kid who's gonna follow them through their adventures. sometimes it's two kids, sometimes it's a whole baseball team of children (of all ages and genders, they are incredibly inclusive on this point in this way). these kids are going to represent every single viewer, watching the main leads flirt while wondering, why don't i have two dads? why must one always go away and leave me behind? why is it always the rich dad that's gotta go? please come back and feed me and my poor papa we are starving rich dad.

i could keep going but these are the main requirements in our basic chinese BL novel adaptation starter packs. oh also most of the budget goes into hiring the two most attractive main leads possible and you get to watch as the cgi gets worse episode after episode as the show loses funding through its run. but it doesn't matter because these two men are clearly in love and i'm still 100% here for it.