#it's WHY SHE DIED

[soleminisanction]

Have I ranted before about how the Devil's Square makes no fucking sense?

So I'm trying to write the next part of Batgirl, Repentant, and more fool me, that means I need to go back and re-read parts of Batgirl (2009) for research. And like what always happens when I do that, I noticed yet another detail that stops working when you stop to think about it for even a moment.

Because see, on the second page of the third issue, we get these two moments in rapid succession.

Scarecrow's hideout is in "Gotham's Western Quadrant, the Devil's Square," established in the previous issue as a bad neighborhood, quote, "Otherwise known as 'Thunderdome.'" This place is treated like it's a Big Stinkin' Deal for the first two arcs (maybe the first year? I don't remember clearly and I don't want to go any further down this rabbit hole than I have) of this series, but nothing about it makes sense.

We are never ever given a clear reason why this neighborhood is supposedly such a uniquely terrible place, but it's supposedly so bad that it's worth making a whole terrible philosophy lecture out of why criminals would choose to stay there.

But the closest thing we get is that, at one point, Professor Exposition describes it as "a demilitarized zone."

Which does not make any goddamn sense because that would require Gotham City as a whole to be the location of an ongoing military conflict. Y'know, like the one between the Koreas.

I can only assume, given Brian Miller et al's tendency to do zero research on even the most basic of plot elements (see also: labeling all of Stephanie's obviously freshman-level college classes with 400-level designations intended for seniors or grad students) that what he actually meant here was autonomous zone. Like the CHAZ, as imagined by your Republican uncle. The implication being that this is an area of town that's been completely abandoned by police and emergency services, reducing it to a lawless wasteland where criminals roam free. (A no man's land, you might say. 🙄)

EXCEPT. APPARENTLY. LITERALLY ONE ISSUE LATER. We get the panels I started this post off with, where Steph arrives at Scarecrow's hide-out in the Devil's Square and we get EXPLICIT confirmation that the police will be there in five minutes.

That's all to say nothing of the fact that it being "Gotham's Western Quadrant" that's been cut off makes zero sense on its face. Besides implying that's an entire QUARTER of the city that's just been completely abandoned, Steph at one point describes it as being "on the west bank of the Gotham River."

There is no west bank of the Gotham River. Gotham is on a series of islands off the coast of New Jersey. The west bank of the Gotham River is the MAINLAND where Bristol and the suburbs are.

Gotham's geography is super fluid and can change from book to book, but it being on an island connected only by a series of bridges was a big deal in this era and the only reason the No Man's Land concept even worked. If you're gonna rip that plot off, Miller, you gotta use an eastern neighborhood. Or a northern one. Or even a southern tip. Anything but west. That's like saying there's an east side of Chicago.

[anbaisai]

Boop!

(Part 2)

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[hekatiane]

I am absolutely radiating. Why can't you see?

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[nenayaquisieras]

my brain is saying 141 with a reader that sees dead people. like they notice how respectful she is to the dead. when she kills she moves the bodies, sometimes says a small prayer to herself. they see her looking at things that aren’t there. “Did you see that? Never mind.” or she mentions she feels something weird in the air, or something wrong. talks to the team about the sleep paralysis she gets, always leaving out the grayish dark figure that accompanies her on those nights.

She’s never told anyone until she got drunk enough to were she’s literally laughing saying

“oh yea i see dead people.” And the guys obv think she’s joking and egg her on about said dead people she sees. but then she tells them about the entities that follow them, the people they’ve killed, always following them around. some are very angry, she feels their malicious intentions. ends up describing them in grave detail, they way they looked, what they wore, the last words they spoke before her teammates pulled the trigger. Something that only THEY would know.

“oh man, let me tell you about Gilbert my sleep paralysis demon. I swear he’s been visiting me more and more recently.”

[a-scary-lack-of-common-sense]

My Great Grandma who loved her babies very much

Reference that I used for the face!

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[beanghostprincess]

"Kuina's death is ridiculous" yes! That's the point! You do realize that falling down the stairs is a way of showing Zoro how fragile human lives are, right? You are aware that the point of Kuina's character is the unfairness of the world towards women in comparison to the privileges men have, like living in itself and fulfilling their dreams, right? You know that Kuina's death is "ridiculous and dumb" because it's meant to show that even the strongest person Zoro knew could die from something so little, right? You understand that the value Zoro gives to life is fucking immense, right? Right?? You realize Zoro can't seek revenge because nobody took her away from him and now the only thing he can do is become the world's greatest swordsman to avenge her death, right? You get that Zoro's character is an atheist because he doesn't believe in anyone and he can only rely on himself when it comes to Kuina's sudden death, right? You are aware that sometimes people die in the simplest of ways and that doesn't make them weak because death doesn't discriminate, right? You know that all of these things are what make Zoro's character so interesting and important, right? Right??? You know, right?

Well, of course you fucking don't because if you knew you wouldn't be saying her death is ridiculous <3

[tealgoat]

Had a weird dream

[uncharted-constellations]

I am aware I said i wasnt gonna post my zelda 2.0 redesigns until i finished them all, but considering these have been sitting for nearly a year at this point (and may have been mucked by the new game coming out soon but who knows) I figured I might as well start sharing them.

But yes Links are included this round, some have funny pages, I promise i’m using the magazine/game manual pink dress zelda, just probably not where you’re thinking

[dykedvonte]

I think about the fact Anya locking herself in the infirmary with Curly to kill herself and how it is in way reclaiming a space that was initially hers from Jimmy.

Not to mention how she must've been aware of Jimmy's obsession with Curly and the idea that he would lose his power over the both of them (based on the fact she likely thought they would never get the door open) and having to face the responsibility of two deaths being on his hands as acting captain.

It was her final act of agency stuck on that ship with her abuser and it says something that she chose to die next to Curly, despite his inaction, leaned against him as if they were just in a casual conversation before her death. Despite everything, Anya made the final decision on her own terms and it speaks volumes considering her treatment and demeanor up until that point.

[unkandily]

When Chip first met Jay, her sister had only been dead for a little over a year. He made her laugh. Genuinely. That's all.

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[so-very-small]

“is g/t like a horny thing or a fluff thing for you?” buddy my latest OCs are a mage and the living battery for their power who are locked in an unending cycle of killing and resurrecting one another. it’s about the psychological weight of holding someone you utterly loathe in the palm of your hand while also devoting your entire existence to protecting them. “horny or fluff” buddy we are way past that. there is a third secret option and that is “psychologically fucking up my OCs via size dynamics” get on my LEVEL