#it’s not something you see often in other fandoms

[bc-jpeg]

Thoughts on Grumbo?

I would kill for them. I think they might be the biggest hyperfixation ship in my life, I don't remember this level of insanity with any other fandom before.

I guess it’s not that visible from me, because I prefer to keep my socials blogs kinda clean from rebloging stuff*, AND I don’t draw them so often because I have so much projects on me and no time, it’s kinda sad.

honestly, if I had started, there would have been a huge lecture about grumbo, they have had so much going on for several years, and all the details fit so perfectly into an incredibly interesting dynamic that includes not only the interaction between the two of them, but also the essence of each of them, some character traits, daily habits, traumas and etc.

I'm going to say something that really upsets me. the problem of grumbo's non-popularity is very much based on the fact that their ship does not lie on the surface. it’s not as accessible as other popular ships in this fandom, and this is extremely painful, considering what their history really is.

grumbo are built on much bigger things than just silly interactions between characters that you might notice in episodes, even bigger than scripted lore moments on hermitcraft and life series. everything goes from their very first collabs to this day for several years already, and some micro fragments/clips from their videos are simply NOTHING compared to the context of the whole story. and just a disclaimer: I'm talking about the characters here, not about real people, the whole story only falls on their characters.

I often see that people may not understand grumbo’s ship dynamic at all simply because they watch only one pov (mostly grian). in this case, I beg you to watch both povs, you miss a lot if you watch only one person. in general, you can also watch third-party people with them! last life grumbo are also built on martyn's pov, for example.

I am so happy that their story started spinning again at the end of the hc s9 due to mumbo’s return, now in hc s10 + WHATEVER IS GOING ON in life series (especially in life series, because mumbo has NEVER had such possessive moments about grian before).

“forget the cactus ring, the desert i'm stuck in is sahara”

* I often reblog things from @mwapollo because he can put everything into right words MUCH better than me, especially when we discussing it all on a daily basis together, so we literally have the same vision about grumbo. I just really want all of his thoughts to be seen in this fandom. ykw I would turn it into shout-out, GO TO @mwapollo’s blog I DARE you. if you’re a grumbo fan, his blog is my first recommendation to go to.

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[autobots-one-half]

the Nerima Wrecker Crews' Guide to Ranma Fandom for Newcomers

With the release this month of a brand new anime adaptation of the eighties manga Ranma ½, a lot of new fans are joining an older fandom that may leave them...confused about some details.

See, when the Ranma manga began in 1987, series creator Rumiko Takahashi was already solidly-established from her success with the runaway hit Urusei Yatsura. It only took two years for an anime adaptation to begin airing....for a mere eighteen episodes, before being canceled. If you go back to the '89 anime, you will almost certainly notice some drastic shifts in art style and tone from the first eighteen episodes to the remainder, and that's because only a single season was produced by Studio DEEN before production shifted to a new directorial crew, who dubbed the following season Ranma ½ Nettōhen (Fierce/Hot Battle Chapter).

The thing is, between the original eighteen episodes being made while the manga was still relatively early in its nine-year run, attempts to draw in better ratings by heavily promoting fan-favorite characters, a need for filler episodes to let the manga catch up to the pace of the anime's releases, and even the biases and friendships of the respective directors and writers...some things wound up being different.

And as a result, the Ranma ½ of the Eighties and Nineties is very different from what we're going to get with the 2024 anime. The 2024 series is based on a manga that had been finished for decades, and between the official releases so far and some unfortunate early leaks, it shows plenty of signs of being far more faithful to the original manga.

So, we of the Nerima Wreckers' Crew are here to introduce you to a few of the things you might run into as a new Ranma ½ fan exploring the existing fan content that has accrued over the past few decades!

Be aware: you're about to read spoilers for a four decades old manga. Questions about something that we don't cover in this post? Leave a comment asking for more, after the jump!

Something to get out of the way first: we're the NWC as an in-joke: as both Transformers and Ranma fans (and in some cases, fictive introjects), we wanted to combine the 'Wreckers' group name from Transformers with the English-language Ranma ½ fandom's nickname for the group of martial artists, students, teachers, monsters, and other characters who populate the series:

The Nerima Wrecking Crew.

The principal setting of Ranma ½ is Nerima, a ward of the metropolis of Tokyo. There are 23 special wards, and Nerima is a real-life one that is found in the northwest of Tokyo—in fact, it was the 23rd and final ward! In English-language communications, the local government identifies the ward as Nerima City, so that's how we'll speak of it here.

Nerima is a large city that still retains a very suburban, even exurban character stretching back to its history of farming. There are even still farms within the city limits, including at least one dairy farm last we checked! It's part of Tokyo, but it has a kid of old-fashioned peaceful character...that makes it the perfect place for anime characters to disrupt. That kind of disruption led the English-speaking fandom to dub our favorite crew of violent martial artists the "Wrecking Crew", presumably after their propensity to bust down walls and buildings.

A lot of anime and manga take place in Nerima. Takahashi's previous hit series Urusei Yatsura, the cat-robot classic All-Purpose Cultural Cat-Girl Nuku-Nuku, the anime adaptation of Stop!! Hibari-Kun, even Tokyo Ghoul...okay, some of these are not quite the same genre as the others.

This is often attributed to the large number of anime studios based in the city, but Ranma's adventures in Nerima have a special bond with the environment that seems to go beyond, stretching back to the original manga. Ranma is often seen walking along (or falling from) fencetops above canals just like the above image from Wikimedia, and scenes set in nearby parks map fairly well to specific ones in Nerima City, so we can generally assume that the neighborhood where the Tendō Dojo is found is roughly in the Ōizumi area along the Shirako River seen above.

More specifically, it's in an imaginary neighborhood somewhere nebulously within those boundaries, a neighborhood that parts of the older fandom know as Furinkan-chō, AKA "Furinkan Town", after the Furinkan High School that Ranma and Akane attend—drawing a connection to the more official identification of the cast of Urusei Yatsura as living in Tomobiki-chō and attending Tomobiki High School.

A sober, dignified edifice to education...populated by a bunch of martial arts lunatics.

Some of whom are probably going to be pretty different in the new anime!

Meet the principal of Furinkan High School. Yes, this is a native Japanese man. Yes, he has problems.

Principal, Headmaster, or in Japanese Kunō-kōchō (no given name provided) is, unfortunately, the unfortunate father of the equally unfortunate series mainstay Tatewaki Kunō. The Principal here visited the USA for a while in order to learn from our education methods and came back an even worse problem than he'd left, becoming obsessed with the trappings of Hawai'ian tourism and the English language. In the original Japanese, his dialogue is heavily peppered with random English words and phrases (and an obnoxious Woody Woodpecker-style laugh).

The thing is, it's hard to translate a character randomly speaking English...into English. So, the official English translations of the original manga and anime had the Principal badly pepper his speech with Hawai'ian Pidgin phrases. It's going to be a little while before he shows up in the new anime, so it's hard to say for sure how he'll be translated...but it probably won't be that. So, new fans: you're probably going to encounter a few fanworks where there's a random fake-Hawai'ian man threatening teenagers with bad haircuts.

Teenagers like Hikaru Gosunkugi.

This is Gosunkugi. You'll probably see him next season, because we're going to perform acts of supervillainy if they don't make a second season. He shows up pretty early on in the manga, and has an important role to play in a major storyline...but he didn't show up in the original anime for 94 episodes after he was supposed to appear.

What we got instead was Sasuke Sarugakure. There's some debate about exactly why the anime-only character Sasuke was added: a diminutive ninja with thick eyebrows, prominent whiskers, buck teeth, and a miserable lot in life as the Kunō family servant. Seemingly...the only servant. Sasuke's role in the original anime seemed to have been not only to fill in for Gosunkugi in an early storyline, but to act as a comedic foil to the overblown antics of the Kunō family—especially absurd since the anime took the already comical wealth of the Kunōs from the manga, and exaggerated it to an absurd degree that seems all the more ridiculous when you learn that Sasuke sleeps in the crawlspace and gets by on fewer than three meals a day.

Oddly, this characterization as a comically impoverished ninja is a recurring bit in Takahashi's stories: Urusei Yatsura featured the job-hunting missing-nin Kaede, and the last few volumes of the Ranma ½ manga introduced the threadbare kunoichi Konatsu.

Get used to this image. It's probably all you're going to see of Konatsu for a good few seasons...because the original anime never got to that part of the manga.

Konatsu is a thorny topic in the fandom due to matters of gender that aren't helped by the original anime never getting to those stories, and the original manga chapters taking forever to be available in English. What can definitely be said is that Konatsu A: identifies as a kunoichi, specifically a title for female ninja, and B: is AMAB.

But this is a series that's all about playing with gender.

For example...

The Girl. An anime-only episode of Nettōhen presented a story of Ranma taking a blow to the head, waking up not long after and insisting on actually being a girl—identifying her life as a boy as being something akin to a bad dream. This version of Ranma knows she was assigned male and turns back into a male body when splashed with hot water, but she demonstrates a visceral dysphoria about it that is painfully relatable. The episode's plot is concluded and the status quo is restored when the pacifistic girl is struck once more in the head at the end, restoring the Ranma who is a confident martial artist and self-identified man among men...but an increasing number of highly-rated fanworks reference this single-episode anime-only story.

This isn't the only time an anime-only episode touches on the idea of Ranma who is solely identified as a girl:

Ranma and the Evil Within starts off with Ranma joking about staying a girl forever, only for it to be taken seriously by the recurring problematic antagonist Happōsai (seriously, he's just the worst, and for some reason the original anime production team decided to make lots of anime-only episodes featuring him). A magic incense is brought into play, splitting off all the femnine 'yin' from Ranma's masculine 'yang'.

This split-off half is characterized as unbalanced, magically powerful, and a threat to Ranma's life. So of course, she looks sick as fuck. But just like The Girl, she's a one-off character. Don't worry: if the anime runs long enough to cover all the manga storylines, we'll still get a story about a female-only duplicate of Ranma. But it's going to be a little while.

Speaking of girls in Ranma ½, let's touch on Akane's female friends!

Mostly going unnamed in the manga, Akane has several female classmates and friends who received more prominent roles in the old anime.

(gif by @roseillith)

The two most notable of these are Yuka (lighter brown hair), and Sayuri (darker brown, often in a ponytail). These names do get called out in the old version of the anime, though they don't seem to have much personality beyond "girls who are friends with each other and Akane".

This role is sometimes filled by others in the old anime. It's much harder to find episodes where any other girls in the class are named, but due to two of them recurring, fanworks often bring them up as Akane's other friends:

Meet Asami (wavy shoulder-length hair) and Hiroko (short hair and freckles)...or is that Makoto and Shikako? Sources vary on these names, and English language websites disagree on which are the 'official' names. If anyone can track down an episode where either one is named on-screen, we'd appreciate it!

Akane isn't the only one with school friends: Ranma's got a few recurring acquaintances among the male students, as well.

In the old anime, these two are specifically named as Hiroshi (lighter colored hair and wider eyes) and Daisuke (dark hair and narrow eyes). They're often treated by both the source material and fanworks as Ranma's sole "normal" guy friends, and in general behave like stereotypical high school boys...including openly lusting after Ranma's girl form, even after they learn that she and the male Ranma are one and the same.

Hiroshi and Daisuke show up more consistently as a pair than Akane's friends in both the manga and the original anime, and fanworks often pair them romantically with Yuka and Sayuri. But even with how common Hiroshi, Daisuke, Yuka, and Sayuri are (down to their incredibly average names), they deserve mentioning for new fans...

...Because the new anime renamed them all! "Hiroshi" is now "Shingo" (しんご), "Daisuke" is now "Kiichi" (きいち), "Yuka" is now "Noriko" (のりこ), and "Sayuri" is now "Tomoyo" (ともよ).

That's it for now, because there's a brand new episode out that we haven't had a chance to watch while we wrap up this post on our lunch break. Until next time, this is the Nerima Wrecker Crew, signing off!

[questions-about-blorbos]

Cw - grooming, pedophilia, sexual assault. You can delete this if you’re not comfortable answering

I was 13 when I was groomed by an adult who’s very well known in my fandom (they run a big fan account with thousands of followers, so they’re very popular) and 17 when I was sexually assaulted by the same person. And the ironic part is this person is very open about being anti. They often harass proshippers because “proshippers are bad people in real life” while at the same time they were the one grooming and sexually assaulting me in real life. So I guess they have no trouble protecting fictional children while abusing a real minor lol

From what happened to me, my whole view of antis is that “they HAVE to hide something and that’s why they label themselves as antis so no one suspects they are actual predators irl”.

I still have to take my antidepressant and see my therapist. And every time I see someone says they’re “an anti” I stop interacting with them because my brain automatically sees being antis as a huge red flag because chances are that they are hiding their predatory side behind the Anti Mask.

It’s like everything antis accused proshippers of IS a confession of their own predatory behavior.

I’ve always felt comforted chilling with proshippers because most of them are chill and most - if not all - of them CAN separate fiction from reality.

Another reason why I think antis are the dangerous ones is that most of them can’t separate fiction from reality. It’s like they think they will get exposed of being irl predators if they say they like dark fics BECAUSE THEY (ANTIS) ACTUALLY ARE IRL PREDATORS.

My abuser is STILL harassing proshippers and interacting with other antis and no one in my fandom knows what their beloved anti did to me because they’re so popular and I’m not ready to come forward with my story. But it’s so triggering to see them talk about protecting fictional children knowing damn well they raped me when I was a minor.

Your blog has always been a safe place for me and seeing your posts in support of being proshippers, being anti harassment and keeping fandom safe is a huge green flag.

As a victim of sexual abuse, I will always trust a proshipper over an anti any day.

Thank you for keeping your blog a safe space for us

“talking about protecting fictional children while raping a real child”. I have no words. I’m so sorry this happened to you, anon. knowing my blog can provide you comfort gives me small comfort, but I’m so sorry you had to go through this.

[kristhething-blog]

The misogyny in Jegulus fics

"Lily is getting in the way of Jegulus" - How often do you really see people hate on Lily for "getting in the way"?

Are there fics in which Regulus (as a biased narrator) insinuates that he doesn't trust Lily? Yes. Are there fics in which Lily is James' ex? Yes. Is either of these inherently misogynistic? NO.

I'd give you surrogate Lily, but that's barely a thing since out of the three fics with this tag on AO3 only one is Jegulus (the others are Drarry with side Jegulus, and Sirius/Severus).

And if you want a percise number of fics bashing Lily, you might be tempted to search within Jegulus fics ("Surrogate Lily Evans Potter" || "Surrogate Lily Potter" || "Surrogate Lily Evans" || "Manipulative Lily Evans Potter" || "Lily Evans bashing" || "Bad parent Lily Evans" || "Lily Potter bashing" || "Bad parent Lily Evans" || "Lily Evans Potter Bashing" || "Bad Lily Evans Potter"). It shows 48 fics (if you exclude the "NO Lily Evans Potter Bashing") 48 out of 18,171 James/Regulus fics. 0.26% (all numbers relevant to UTC 18:49 10.11.2024, taken from ao3) (that is approximately 1 in 400 fics)

Or the other way aroung out of all "Lily Evans Potter bashing" - which will show you more then 551 fics - 39 are tagged James/Regulus. Whole 7.07% of ALL "lily bashing"-tagged fics. wow. And Jegulus is the first pair tag in only 26 of them. (4.72%)

I won't sit here and pretend that all fics are tagged properly, there must be other fics that just don't say it. However, there are 300 jegulus fics tagged "NO Lily Evans Potter Bashing" if you want something to compare it to.

Additionally, don't get me started on Choices! The fic where Lily gets her own story, she doesn't fall for a jerk-James, she doesn't try to seduce him when he's in a relationship (and the only one who sees her as a competition is Regulus), she is allowed to react to James cheating (and it is aknowledged that James is in the wrong for that [wrong Choices, you could say]) and she is overall an interesting and not a cartoonish one-dimentional character.

I am not saying we shouldn't be criticising misogyny in media. I am saying that pointing at Jegulus and calling it the cause is 1: not the right audience, and 2: painfully unhelpful. You're spreading hate in the fandom, not fighting it.

I rest my case.

[heartofbusan]

I’m new to the fandom, I found the show on Disney and couldn’t look away. Jimin and Jungkook are so cute I had to know more about them. I found my way here to tumblr, it’s been a while since I’ve been involved in a fandom, but I do love their music and they seem to be such a cute couple!

I Read on here though that some people think these two were distant in the past year? I came across it looking for the way the travel show came to be, not that I found anything about that other than what was said on the show. I was just wondering why they made it and not fully with the group? I know some were enlisted at the time? Anyway, the take I found on a blog shocked me. This person saying they are either Fwb, they broke up or were just distant? But how can that be when they made this show? They seem so in tune with each other and domestic? And to enlist, which I learnt hadn’t been done before for an idol?

I just See commitment and got weirded out by said comments by people supposedly supporting them. I’ve never seen that in a fandom space before. I found some of your posts and you seemed level headed and I just wanted to ask your pov?

Thank you

Hi, and welcome to the fandom. Are you a BTS fan as well or just jikook? I'm so curious 😅 maybe they'll be your gateway drug to BTS and that would be WILD. Bcs shipping, or in jikook's case supporting, is usually something that happens once you look deeper into certain interactions or vibes.

And Jikook have vibes to spare! So it doesn't surprise me that you pick up on that.

When it comes to jikook I think the best way to approach them as you travel in these spaces is to just enjoy them for what they present to you. What you see, is what you get. Now, tbh some people look SO closely they think they're seeing things that aren't even there. They think they can infer motivation and emotions and whole backstories cut from cloth all from A LOOK, usually from a three second clip heavily slowed down 😂. I think it's much simpler than that. You see it. You put 2 and 2 together when you said 'they enlisted together'.

That's everything right there.

Jimin and Jungkook chose to be together. They've been choosing eo since they were teenagers. They're the ones who are most often seen together. No matter the setting. Jikook speak the same language, one borne of love and respect. They see the other, truly see, flaws and all and still love and support. They know things about the other they themselves can't know or see about themselves.

I'll be honest and say that I, too, thought at a certain point thar they might have cooled it down at a certain point. They are humans, after all, and relationships aren't always easy. In my eyes, they are mature enough to be able to revert back to friendship if that were to ever happen. Yet, I don't think they'd be able to stay away from each other. They really have something special going, and why would you deny yourself such a thing?!

I need to say, though, that jikook are not the first idols ever to enlist in the buddy program. Though I can't tell you who did.

It’s noteworthy because once again, jikook chose to deviate from what the other BTS members were doing. Defying everyone: their haters, solos, and the general fandom. But...jikook gonna jikook. No matter the eyerolling and haw clenching. And that, that takes some real guts.

The reason jikook did the travel show together and not with the group is because the others are not a part of their symbiosis. Easy as that. Jikook have something else going on. Something that makes them want to spend extra time together. This, however, does not threaten the group, nor the other friendships within, nor the special bonds they each have with other people. But it is different. And whomever doesn't see that is just being wilfully ignorant.

So, there it is. Plain and simple. By enlisting together, jikook are once again not hiding the (to some) obvious. It's just another step towards that something they've been nurturing. They've been doing it for years. No matter the cost. And that is not something you'd do with a fuck buddy 😌🙂‍↕️ right?

Thanks for your ask! 💜

[h50europe]

BUCK / TOMMY - HELL HATH NO FURY LIKE A FANDOM SCORNED!

I did some thinking. Never good, but my brain can't wrap around the breakup that came out of the left field.

Recently, it was announced that a spin-off of "9-1-1" is in the works. While no locations have been finalized, Hawaii and Las Vegas have been suggested as potential settings. The showrunner is already working on the project, with filming set to begin in March 2025.

However, one of my biggest fears has come true: the focus of the showrunners is being diverted from the current show to concentrate on this new spin-off. All the energy runs in the new project. Also, at this point, we don't know if the mothership will be renewed. Without an early renewal, we must wait until May for the announcement. That is another reason why they are focusing on the new show. I wonder if this is why the plots feel rushed and repetitive. It's nice to revisit the past, but not ad nauseam. 9-1-1 does it too often lately. What's the point in bringing back Gerard and turning him into the butt end of a joke? What's the point in digging out Abby's Tommy and hanging it around Tommy Kinard's neck when nothing was ever mentioned in the past. The focus is clearly not on the current show. It feels like Tim abandoned the ship to board a new one. It's fresh, it's crisp, it leaves room for a lot of things. Even if the breakup was meant as a shocker. If your focus is somewhere else, you don't see it. Right now, the mothership is leaking and starting to sink. If Tim keeps his focus on the new project and isn't invested in the current show, the lights will go out sooner rather than later.

Bringing in an established character was probably the biggest mistake Tim could have made if he wasn't meant to stick around. Bring in Mary Sue or Marty Stu to be a LI but not a character with a history that connects to so many people on the show. You can't sideline them forever. Especially as Buck's bi-arc was announced as something big. And it was big. A bit too big to be treated the way it was. The fanbase that had built around TEVAN, or BUCKTOMMY, within weeks, was massive. It drew so many members of the queer community into the show. Suddenly, many of them felt seen. Tommy and Buck were different from the other queer characters out there. Different from what was represented on any other show. People were willing to watch to get the slightest glimpse of them. Because they felt real. Their chemistry shot into the stratosphere.

And then you go and end it on such a horrible note? I don't care if the haters call Tommy a plot device. Everyone on the show is one at some point—even Christopher, Eddie, or anyone else from the main or recurrent cast, Karen, for instance, the Wilson kids. You name it. Tommy Kinard came, saw and conquered. So why not give him more room? They did it with Taylor (yes, I know JLH was pregnant then, but that's reason enough? I doubt it). As I said in my other long post, you could cut in a sequence of 5 minutes and show a summary of Tommy's and Buck's life.

Tim makes the same mistake as many showrunners do. Cramming a shitload of plots into 42 minutes of airtime. Is it really necessary to tell that many stories in such a short amount of time? That feels like speed dating. You blink, and you miss an important scene. Every episode, you jump from plot A to B to A to C to B. We didn't have this fast pacing in season 1 or 2. Stop it. Make Quality plots over quantity stuff.

In Tommy's voice: And for God's sake, clean up that mess you created with that shitty breakup, or the audience will wither away.

I'm sorry. I could write a book about what is happening in my head. You'd get Super Brownie points if you made it here.

[nyapollo]

here's a hot take: as a buddie fan, I don't hate tommy kinard and the intense hatred towards him honestly kinda annoys me

was i rooting for tommy x buck to be endgame? absolutely not. but i didnt hate the guy

i understand the tommy hatred in the lens of his past racism because. that was for sure... odd! and although i can say, "well, hen & chim clearly forgave him for allat and if he hadn't changed then there would have been more backlash to eddie & buck casually hanging out with him," i feel like that's not the major reason most buddie fans hate him.

this is, again, repeating the cycle of having a favorite MLM ship being "broken up" by a love interest of one of the guys, causing massive fandom hatred. but, of course, they can't hate someone for no reason, so they nitpick every line that the character has said and try to find something slightly off that is at least *a* reason to hate them.

at the end of the day, i could really care less if somebody hates tommy. i mean, yeah, im writing a whole tumblr post about it right now, but this isn't going to effect my life in a major way. the biggest thing that actually bothers me is that a lot of tommy haters are just straight up calling lou ferrigno jr ugly (but in very mean ways).

i haven't seen it on tumblr as much as i have tiktok, but my personal favorite (its not) is them calling him a dinosaur. this is where it crosses the line for me. is it likely that lou ferrigno jr will see these tiktoks and be sad? No. but this contributes to a problem that i see so incredibly often, which is: people don't understand how to seperate the actor from the character, and see actors as nothing more than people on their screen rather than real human beings.

actors are real human beings. even though they probably won't see your post about how you think they're ugly as shit, other people will. maybe other people who have the features that you are calling ugly as shit. i also just think its incredibly inhumane to start nitpicking every single little thing about one person because you don't like the character they play on tv.

hate tommy kinard *as a character* all you want, it doesn't hurt anyone. what DOES hurt people is when you start critiquing people's looks and calling them ugly. i really didn't think i had to say this out loud, because i thought everyone had come to a consensus on this but.. i guess not!

tldr: as a buddie shipper, i never really liked tevan as a ship, but i hate the constant hate on tommy kinard because it goes back to the era of "hating every female love interest that gets in the way of your gay ship" and additionally, people not being able to seperate the character from the actor.

[sasheneskywalker]

looking at the recent poll about dc's biggest misconceptions on @/dc-polls and generally existing in the dc (mostly bat) fandom on tumblr has really showed me that a lot of people tend to call "a misconception" or "not canon" anything they personally dislike or any character interpretation they don't like, even when it's a plausible reading. there's this total refusal to accept as canon anything that contradicts their favorite era of comics (post-crisis most of the time), builds upon it in a way they disagree with or portrays their favorite character doing something they hate. i often see these people acting with condescension and arrogance towards fans who enjoy newer eras of comics or even arguing that because they believe something is out of character, it's not truly canon or claiming that their subjective opinion is actually a canon fact. i have no problem with people saying "this didn't happen in post-crisis/pre-flashpoint era" or "this doesn't seem like something this character would do" but these statements are often extended to "and therefore it's not canon, an utter misinterpretation, and anybody who likes it or uses it in their character analysis isn't a real comics fan."

some examples of "misconceptions" from the aforementioned dc's biggest misconception tournament:

"Bernard is a great partner for Tim." -> that's a personal opinion

"Batman is a dick to poor people." -> bruce is a multifaceted character and doing good things (donating to charity, giving scholarships, building orphanages, etc.) does not preclude you from being a dick other times and holding harmful biases (calling poor people some heinous names and being prejudiced towards them) (*yes, it's often the writer's fault for making bruce their mouthpiece but it happens often enough that at this point it's a consistent part of his characterization)

"Damian has tried to kill Tim Drake multiple times." -> as another person has pointed out in the reblogs, it is perfectly reasonable for fans to interpret incidents when damian seriously hurt tim as murder attempts. there may be disagreement over this interpretation, but it's not a misconception.

"Roy Harper and Jason Todd are best friends." -> jason and roy have canonically been friends for 13 irl years, across multiple reboots and comic runs. just because you don't like it doesn't make it not canon. (it's similar to jason & tim. yes, they weren't close in the post-crisis era. however, they started being portrayed as friends in the new 52. you might hate it, but it is a canon.)

"WFA is a good way to get into the world." -> that's a personal opinion

For me it just feels like calling out these "fandom misconceptions" is mostly a way to make yourself seem superior and dismiss other people's thoughts.

[bambi-kinos]

What do you think of Paul and John 's relationship in 1980? Personally, I think they had at least some sort of consensus of the relationship (I mean, a formal romantic relationship) in 1980, and I don't think Paul started thinking about the nature of the relationship after John's death, i think they both took it seriously in the'70s and decided that what they wanted from each other. It wasn't the Beatles anymore, it was John and Paul, but John's death stopped it.

I don't know what to make of John and Paul in 1980 to be perfectly honest. There's a lot of rumors and conjecture swirling around it like the Crazy Days and Nights post. A lot of the interpretations around 1980 are based in wishful thinking because no one wants to believe that John died without some sort of plan in mind with regards to Paul. The fact of the matter is that there's too much we don't know.

What we do know from the 1970s is that John and Paul's relationship really split down the middle and they didn't want anything to do with each other. They did still care about each other but they had pissed each other off too much. Paul did start reaching out in the mid-70s trying to talk to John but John, and especially Yoko, didn't want this contact. That's why John turned him away from the door when Paul tried to show up (alone!) with his guitar. John regretted that later but I don't think it's wrong to see their relationship as very dead in the water.

And the truth is that Paul didn't actually pursue John that much contrary to some bitching that took place last year in the fandom. Paul's heaviest overtures to John were when he was out of Yoko's immediate presence during the Lost Weekend and then when John went back, Paul kept him at a distance again. The communication eventually became infrequent phone calls (since many were blocked by Yoko on purpose) and that often turned into them shouting at each other. Paul eventually stopped calling John frequently and when he did he was careful to keep their conversations very light and stilted. Otherwise John would just get angry at him. Paul had other things going on in his life, he had to raise his children, be a husband, keep making music, and arrange tours.

I can imagine that John and Paul hooked up occasionally through out the 1970s but the truth is that when John said "leave me alone" Paul did.

I don't think John's last interviews wouldn't be so laden with regret towards Paul if they had something planned in the background.

Paul never forgave John for leaving The Beatles or for giving his life up to Yoko. He did want John back in his life and away from her once Paul realized what she was doing to him, but I don't believe that he was willing to stick his neck out again for John's sake. He didn't know what he was going to get in response. I would think that's why they booked the studio in January 1981, to see if they could operate with one another on neutral ground. But that was a test balloon.

It's possible they did have something happening in the background but John seems too torn up about Paul in 1980 for me to really believe that. He was actively trying to leave Yoko but I think he would have been in the wind a bit if he had, Paul wasn't riding to his rescue this time. And he was right not to.

We just don't know enough to make any firm pronouncements about 1980. Whatever John wanted from Paul it was vague and undefined because they were rebuilding their relationship from rubble. Paul was wary around John and trying to figure out if he could really trust him this time.

Idk I just don't get the "we are together again" vibes from everything that was happening in the Dakota at the time.

[bardic-tales]

Spread Kindness Celebration: Day 1: Choices Fandom Shoutout Day

This event is hosted by @choicesfandomappreciation. When I signed up for this I didn't realize it was for a game fandom, but I still want to participate, since most of my mutuals know I am huge on spreading positivity.

Today, we are suppose to give shoutouts to readers, supporters, event hosts, and creators. With that in mind, I thought of one mutual / friend who has been there for me since I have started this writeblr: @littleshopofchaos. I look forward to seeing your RP and your diamond paintings, etc, on my dash.

With that in mind, I remembered what you said about wanting to RP with me. While I don't RP -- which I may change in the coming year -- I did write a little fan fiction between Bianca and Cain. I hope I didn't get Cain too out of character. I did try to incorporate what you said about him in this post.

Acquaintance / Friendship: Cain (Chaos) & Bianca Moore (Harbinger of the End)

Rating: Mature

Word Count: 704

Fandom: Original World

Content Warning: betrayal, cosmic themes, emotional trauma, existential themes, isolation, moral conflict, philosophical discussions, self-doubt, self-sacrifice, unresolved emotional wounds.

Summary: Bianca and Cain discuss their diverging paths and philosophies on destruction, redemption, and purpose.

The stars spun in slow, rhythmic circles above Bianca and Cain. Their light fractured across the swirling nebulae and distant galaxies of the worlds beyond the Ethereal Nexus. They stood on the edge of existence, an unsteady platform towering above the forgotten town below. The platform cast long shadows against the cosmos.

Cain looked up at the vast, undulating sky. His tone was soft as he glanced at Bianca. “It’s beautiful, isn’t it? This is everything that’s worth protecting, Bianca.”

Bianca crossed her arms. Her gaze never wavered from the stars. The universe, so easily manipulated, was so fragile beneath the weight of her ambitions and power.”

“It is beautiful.” Her gaze still watching the path of a planet float by in the sky above. “But beauty and weakness often go hand-in-hand. For too long, I’ve been bound by my past, my wounds, and my mother's self-imposed duty to safeguard a creation that has betrayed me over and over. This kilonova — it’s a way to bring new purpose. To end the cycle of suffering that has followed our kind like a shadow.”

Cain looked at her carefully, as though searching for the woman he had known briefly on Earth: the woman beneath the ambition. “I used to think the same way. Chaos was my path. It shaped me. I lost the people I loved, leaving only emptiness behind. I thought destruction would fill it.”

“You believe the answer is redemption, don’t you, Cain? You think I should seek the goodness that was denied to us both and that you are trying to find in others?”

“Yes, because I found that path. I had the opportunity to change, to become something more than a weapon of chaos and ruin. People like Darcy. They taught me that creation can rise from the ashes of destruction, not through obliteration, but through choice.

“All this — life and beauty — it’s fragile, yes, but that makes it precious.” He gestured around them, as the galaxies above their heads spun lazily in the ether. “If you destroy this, Bianca, it’s gone forever. My brother, Darcy, and everyone. Gone.”

“My path is not yours, Cain.” She whispered, her voice quiet, but there was no bitterness in it. There was just resignation. Her black wings relaxed against her back and cascaded down like a dark feathery cloak. “I have no place in a world built on false promises and broken oaths. I’m no guardian of the light. My role in the grand scheme of things is to change the omniverse through destruction. Only then can it be cleansed, so that something better might be reborn.”

“And if that something better never comes? Bianca, you have a heart. A wounded heart, yes, but it’s still there underneath the scars. I wasn’t too far gone. You aren’t either.”

“Maybe you’re right. But I’ve walked in shadow for a millennium now, as an abomination that shouldn’t exist. I don’t even know if I would recognize the light even if touched me.” Her gaze shifted back to the stars. “I want to believe what you are saying. Maybe, somewhere inside of me, I even envy you for it. But my fate was determined long before Creation. For me, there is no other choice.”

The shadow of sadness, a fleeting flicker of understanding, momentarily crossed Cain’s face. He nodded. “Maybe one day, you’ll see things differently. I hope you do, Bianca.”

“I appreciate your words, Cain. Truly. And I wish you well on your path of redemption. I hope it brings you the peace you deserve.”

He gently touched her shoulder. “If you ever find yourself wanting more, reach out. There are people who care about you and welcome you with open arms.”

With a final look back, he raised his hand and opened a swirling portal back to Earth. His outline shimmered against the starlight, as if he was a figure caught between realms.

“Take care, Cain.” The light of the portal flickered and died, and Bianca felt the familiar chill of solitude as Cain disappeared, leaving her alone once more. She gazed up into the spinning stars and galaxies of the Ethereal Nexus: an agent of chaos and a keeper of her own destiny wherever it should lead.

[alchemistc]

I’m so SAD. But the hardest part is everything is just boring now 😭.

I’m a multi shipper at heart, started watching 911 for buddie (I thought it was a cannon ship, turns out I’d gotten it confused with Tarlos). But was barely in fandom, and then when Bi buck happened I was so excited and spent that first week reading both types of fics loving the boost in content. But, I really really quickly realized I had to block a ton of negative Nancys and without really meaning too started following almost exclusively bucktommy blogs.

I’ve had to take a break from that content for a while to deal with the breakup - so I’ve temporarily unfollowed a lot of blogs while the initial shock and anger is going on. I know that eventually I’ll be able to enjoy it again, although this may be a show I stop watching I don’t plan on abandoning the fandom for now.

So now my dash is so blank, and I got rid of all my other social media after Tuesday. I literally have nothing to fill my time right now!!!! It’s so damn boring. I need another hyper-fixation quick before my mental health nose dives.

Hi!

I'm giving you a warm hug. We had the rug pulled out from under us and I'm positive I am getting the least of the bvddie heat out most of the people I follow.

It's sad. It sucks.

It was astronomically bad writing and did not fit with the entire rest of the arc they gave us in canon.

I'm sorry you're feeling like this. I will tell you that last night I finally started listening to Fourth Wing while I prepped food for my weekend getaway, because at least I know it's gonna emotionally destroy me. After that I read some comfort fic from another fandom from my bookmarks, pet my dogs, drank some water, and went to bed.

We all get emotionally invested in things that don't have an end date when we start. It's just a facet of humanity that is so hopeful and beautiful and often bites us in the ass. Don't feel badly for feeling upset today, tomorrow, or in the future, when you thought you'd moved past it but something pings a memory - but grieve it, remember it for the joy it brought you, and try to move past it.

Some people will probably stick around. Inevitably some people will decide it is best for them to fully disengage. I'll be here, somewhere in the middle. So what's best for you. Take comfort in knowing that however long we were in this we were here together.

Drink some water, watch a comfort movie, find a book or show or movie that catches your attention. Cry about it if you need to.

Curate your community in a way that makes sense for you.

I've genuinely enjoyed getting to talk to and create for and cheer for the fic and art bucktommys created. I have discovered old friends and new ones because of it. I'm excited to see where they go next.

But right now it really sucks and it's okay to sit in that for a bit. I hope you can find the right balance and that the boring shifts into something that sparks joy for you.

♥️

[elainsgirl]

Someone said that most Elriels exist because they haven’t read the bonus chapter, which surprised me. Because theres still a ton of elriels who read the BC and still love them.

Quick story - While reading the series, I wasn’t very interested in Azriel and Elain, (probably because I was so focused on feyre and rhys, I love them so much) though I could tell there was something between them, especially when he gave her Truth-Teller. I even found myself agreeing with Feyre when she said, “Why not make them mates?”

But then, I was scrolling on ACOTAR TikTok and found out there was a bonus chapter about Azriel and Elain. I looked it up, read it, and let me tell you—I was kicking my feet and everything! I didn’t see anything bad about it. I think that’s why I didn’t know anything about “Gwynriel,” since I stopped reading after Rhys and Az finished arguing.

Then people started saying Azriel feels entitled to Elain? I’m like, what?! Where did this even come from? He was always so sweet to her throughout the books. I always thought they were a slow-burn thing, like they’d gradually develop feelings for each other. I’ve seen worse arguments, too, its crazy. How did they get that from one bonus chapter?

Like, whenever I saw scenes with Lucien and Elain, I’d always think, “That’s Azriel’s mate!” because there’s no way they aren’t mates after everything we’ve seen. Azriel was totally valid in questioning the Cauldron.

Honestly, I always thought that after this bonus chapter, the next book would focus on Azriel, Elain, and Lucien. It’s wild how much drama has started because of a bonus chapter. People take things too seriously, like just enjoy the book. No need for threats, majors, and saying messed up things to people online because of fictional characters/ships.

Hey anon 🫶 (buckle up this is long)

”most elriels exist because they haven’t read the bonus chapter” - that shouldn’t matter at all. The next main character and couple should be obvious from ACOSF itself - a bonus should not be needed to “understand” the next book. Interestingly, people who read ACOSF without the bonus come to the conclusion that elriel is endgame. Not Gwynriel. That tells you everything you need to know,

people need to remember the bonuses aren’t “known” by the entire fandom. In a hypothetical sense, if you presume Mass has 10 million readers world wide - out of that let’s say 6-7 million have read Azriel’s bonus chapter- that still leaves out a good chunk of readers. Every single reader suspects something between elriel from the books. If the next book is elriel - literally no one would be suprised. However if its Gwynriel? You have a good portion of readers in the millions that will be confused- no author would do that certainly not one that said the next character/couple was obvious.

You’re completely right, Lots of elriels love Azriels bonus chapter, we just don’t give it unnecessary significance because our ship doesn’t need the bonus. It was a nice treat that foreshadowed what was to come and the stakes at risk for elriel, gwyns power and that’s it. I know some of my elriel mutuals go back and reread the bonus often.

I agree with you in not being interested in elriel from the start - for me personally, I was rlly rooting for elucien during acomaf and then I went into acowar excited for the way Mass would handle them especially considering where they left off. I liked Elain & Lucien, whilst I didn’t care much for Az - it seemed obvious he would end up with Mor. There comes acowar and you have Feyre questioning the cauldron being wrong - finding out not all mates are right for each other (obviously that will tie in for eluciens story) and then when Feyre said, “why not make them (elriel) mates?)” I knew that was the end of Elain and Lucien. Feyre is THE main character, her observations and ponders matter so the sole fact Sjm had Feyre observe elriel constantly- how they did things for each other that they’ve never done for anyone else and then thinking negatively about Elain and Lucien (literally cringing at the thought of them) it’s obvious the direction Mass is trying to steer us readers in.

I also found out about the bonus through acotartok, so jynx. I simply didn’t care enough to read about it -and then I didn’t read the bonus out of pure pettiness. I had finished the series, knew who the next book is about, I wasn’t passionate about elriel & liked elucien enough to enjoy content about them, overall though I just wanted to move on with other books however my fyp kept on showing me ACOTAR videos and eventually I learnt about the ✨ shipwars ✨ which to 15 year old me was the most stupidest thing ever. Elriel was blatantly obvious so to see people genuinely doubting them & arguing otherwise made me realise…well to put it in a polite way, how *dim* some people act. Through these videos I learnt there was a whole ship that honest to god thought Azriel would have his book next along with Gwyn. Let me tell you anon, I was flabbergasted. Shocked. Stumped. No where in ACOSF had I noticed anything between Azriel and Gwyn, also why would Gwyn - a new character we’ve just met get a pov before THE Elain Archeron, one of the OG characters? Like if Gwyn was *that* important- wouldn’t she hVe been introduced earlier? Also I thought these books soley followed Female protagonists that would take the lead so an Az book was never in the cards for me.

Once I did learn of Azriels bonus - I still didn’t read it, as I said earlier out of pure pettiness. I found it hilarious when I’d tell gwynriels that I hadn’t read the bonus, the convos would usually go something like this,

“No elriel isn’t endgame. The shadows hide from Elain and hate her meanwhile they danced for Gwyn its clear she is Azriels mate”

“when did this happen in ACOSF?” “It happened in a bonus chapter”

“But if the shadows singing around Gwyn meant so much, wouldn’t it have been included in the book?”

“Ofc sjm wouldn’t have included it in ACOSF, she didn’t want to take the attention of Nessian!”

“but…doesn’t Sjm write Azriel and Elain blushing around each other and stuff?”

“Yeah bcs elriel will have a relationship then break up. Look, you have to read Azriel’s bonus to understand. Elriel isn’t endgame, gwynriel is”

You get the gist, however once I started making ACOTAR content I had to read the bonus to obviously understand context of things and know what im up against.

Anon, istg I can’t even begin to explain the disappointment and complete lack luster Gwyn and Azriels part was. Im not going to go into detail bcs this post is already long but honestly I was disappointed in Gwynriels for straight up lying. Till this day im still a little bitter.

When someone tells me Azriel feels entitled to Elain, I just know they’re pathetically trying to grasp at straws to make their ship and Li seem better for Elain. An entitled man doesn’t stay away, he doesn’t wait for offer & permission. You can dispute this take till you’re blue in the face but it won’t matter, when you’re in denial you don’t care about common sense. You know, I have to give it to GA/EL stans for managing to manipulate, gaslight and straight up lie to so many people, they really took hold of the narrative straight after acosf and twisted it to fit their ships and it worked so well due to elriel being majorly disliked. Let’s say, you have to eat something you really hate - but then I come along offering a “better” option, ofc you’re going to take up my offer. That’s what happened when it comes to the shipwars.

Azriel questioning the cauldron- Mirroring Feyre in acowar and it happened both times in regards to Elucien - Sjm cannot mKe it obvious that elucien are wrong mates and elriel are the correct pairing, anybody would question the cauldron In Azriel’s position- its the most sane, logical thing to do.

Same here, The next book has always been elriel, Lucien will come in when Elains bond is being explored. Then imo, I always thought Lucien would have the next novella. 4 years later and I can say im not suprised at the ship war like I once was. When you hate something- you will do anything to find a better option. But absolutely, people take this way too seriously. Anyone who is threatening real life people over made up characters love lives’ need to seek help and go outside to regenerate their brain cells. You do not need your major to understand these books. Its a little worrying you need to utilise such advance knowledge for silly little faerie romances. This is not shakespeare, or any other complex piece of literature. The foreshadowing is in your face. It’s obvious. Its cliche.

At the end of the day, we have our own preferences, foreshadowing and comprehension. It will never be deep enough to go and hurt someone’s feelings over these books or say disgusting things in hopes to rile people up.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[woman-respecter]

eh, I'm kind of tired of the relentless promotion of Fullmetal Alchemist: Brotherhood as feminist when all those female characters exist in relation to men, and that was the message I felt it sent to me: women are great but only if they don't forget their place. Those women are just better written than most because the original mangaka is a woman, but I've read a lot of Arakawa's stuff and it feels like she's really into this kind of promotion of traditional women in a way that has its pluses in showing how fully-faceted those women are, but never seems to really question those roles in a larger sense. I get why it appeals to people but I wouldn't exactly call it "feminist."

(I also have longstanding beef of how people use that to excuse the really fucked up messages about race in that show/manga, especially to dump on the original FMA anime which does that aspect much much better and whose female characters felt a lot more genuinely independent to me, but whatever. Neither is a bastion of feminism lol and don't want to make this about fandom beef)

It's also not necessary because there are a lot of anime that are outspokenly feminist and center women. Revolutionary Girl Utena being the obvious one, and got me through the 2016 election aftermath with episodes like when Utena beats Touga after he defeats her the first time, showing how women can triumph eventually even when the odds are wholly stacked against us. And it has a really probing analysis of the patriarchy and heteronormativity woven throughout the whole show.

A whole bunch of magical girl anime (not the entire genre, some suck and are made for gross dudes, but a lot of them, especially the 90s ones are aimed at women - Sailor Moon and Cardcaptor Sakura etc). Sayo Yamamoto's stuff that isn't Yuri on Ice - not that that show isn't great and gay and cute and doesn't say interesting things in its occasional one-off subplots about women, but it's obviously focused on men. But people who liked it who want great women-centric stuff should watch her Lupin III: The Woman Called Fujiko Mine and Michiko and Hatchin, both centered on women and very feminist in their themes, albeit in a way that requires you to pay attention and think and watch the whole show so you occasionally get Tumblrites without reading comprehension missing the point of them. I was really surprised, given the kind of trashy title, by the anime Maria the Virgin Witch, which is all about fighting patriarchal ideas about sex in fantasy medieval Europe. Also, Yurikuma Arashi by the same creator as Utena is a really good analysis of the ways that lesbians are portrayed in Japanese media and by the broader patriarchy.

For as much misogyny as there is in anime, the stuff that does engage with feminism can often be pretty radical and smart and does it better than you'll see in a lot of other media. It's like having that low hum of misogyny in the medium as a whole builds up a rage in some of its creators that just explodes in the stuff they make. Same with how it often engages with queer themes, tbh.

And then there's just that anime has a lot more female-character-centered stuff even if it isn't "feminist" exactly. Like stuff about women where the story and world is centered on women that you can just put on as a comfort watch. Love Live or something lol

you do bring up a good point about fma, i kinda forgot about that bc i watched it like a decade ago. rgu is really great and i defo recommend it even tho it was directed by a man. yurikuma is actually my fave anime of all time but does seem sexist and fan servicey on the surface. and i love love live and the other cgdct anime but it feels like there is always an underlying misogyny of that genre, knowing how the male fans and creators are. if i were to recommend a comfort watch i would go with k-on bc it has a female director.

thanks for the recs!

[adorationmajestic]

A Distorted Portrait of Gerry Keay

I know y'all don't know me for my The Magnus Archives content, but there's exactly one work on my old account that I'm proud of. I just switched it over to "co-author" between my old and new accounts to make it easier for you to find.

Rating: Teen And Up Archive Warnings: Creator Chose Not To Use Archive Warnings Relationship: Gerard Keay/Michael Shelley, Gerard Keay/Michael | The Distortion Characters: Gerard Keay, Michael Shelley, Michael | The Distortion (The Magnus Archives) Additional tags: Gerard Keay Needs a Hug, It/Its Pronouns For Michael | The Distortion (The Magnus Archives), Mentioned Gertrude Robinson, Mary Keay's A+ Parenting, Other Additional Tags to Be Added, Suicidal Ideation, If You Squint - Freeform, gerard keay is not a book yet, Leitner Books (The Magnus Archives), Mentioned Jurgen Leitner, Pre-Canon, Additional Warnings In Author's Note, Canon-Typical The Spiral Content (The Magnus Archives), Spiral-Typical Nonsense Chapters: 2/2 Completed: yes Words: 7,783

Summary:

I sat on the edge of the motel bed, eyes closed, smoking a cigarette, when the sound of the day started up. That day, it was a high pitched static, the kind an old TV makes when you turn it on. Most days it was some form of static, but occasionally I would be stuck with an arrhythmic popping. Other days I would be stuck hearing what I could only describe as the color yellow. It was about two in the morning when I woke up from a thirty something hour nap and checked my phone to catch up on what I’d missed. Only, I hadn’t missed anything. I had no missed calls, no unread messages, no new emails, and no more leads on the case. And so I took the moment to appeal to my unprofessional side and smoke a cig. In the not-so-silent motel, I wasn’t expecting any peace. When I put out my cigarette, though, everything was quiet. There was no shouting or banging in the walls, no cars on the street outside, and the static was gone. The last part was the single most concerning bit.

Author statement under the cut.

I would like it to be known that I actually hate the rest of the content on that account and cringe when I think about it. But the reason I dislike it is because I did no research on anything and was writing with no goals in mind, hence why I burned out and abandoned my works in progress.

But I adore this piece specifically. It is the sole highlight of the account and I think about it often. If you read my current works, you'll see some resemblance in prose but I think you'll find that this one is less tame than you are used to. I purposefully pushed against the boundary of being classified as "purple" prose, just to test my limits. Just to see if I could.

The fandom and the characters were uniquely suited to this challenge. I do fully recommend giving it a read, with the caveat that it is undertagged in comparison to my common practice of overtagging. I get kinda weird and emotionally nasty in places. This is not suited for all audiences. Let that be your warning.