#it wouldn't fit in the other set

[whiskeyswifty]

would you work for Taylor given the chance?

what a good question...... i've never considered it before because i feel like i'm just messing around most of the time as a designer or whatever else she would want me for lol. let me think through this.

I think i'd be crazy to say no, because that would be an amazing opportunity and i'd be so excited to work with someone i love that i'd say yes immediately and probably cry lol. but..... i don't know if ultimately it would be a good fit and not taylor as a person/employer but in terms of our design sensibilities and objectives. my main job as a designer is to provide a product based on a brief, which is a fancy process word for what the client wants in terms of the literal product (album cover, tshirt graphic, poster, etc) and also the art or design style they're looking for, however detailed or vague they might describe it, including any branding, images, or other elements already created. however a client's main job when hiring a designer is choosing someone who's style they like as it is, whether its previous work they saw that they feel fits their own style or an illustration style that conveys artistically what they want their product to convey, etc. any good designer can contort their own style into whatever any client wants in the end, but the further the client strays from the designer's personal style, the more unpleasant and teeth-pulling it is for the designer. so it's imperative that the designer feels they match with the brief and the client feels the style of the designer matches with their own artistic sensibilities.

i don't..... think that taylor and i.... align when it comes to artistic sensibilities. i'd guess that taylor is not designing her own visuals of course (other than the occasional MV), but she is still part of the concept design and look and feel of an album at most, and signs off on merch designs that cross her desk, if she has time, at least. so everything does have to align with how she wants her Taylor Swift branding, both album to album and overall, to look and feel. given all the products she's output over the past, idk 12 years of her being this dominant in the design process, she's had a very simplistic design strategy compared to my personal style. much of her artwork for albums and marketing serves the purpose of appealing to as large of an audience as possible and having a direct and approachable dialogue with that audience. so that means materials must not be too stylized artistically in one direction or the other and for active engagement, they must be simple enough that the general public understands it clearly at first glance and can personalize or replicate it. full screen photos that consume your whole screen usually of her as she is the main product that are simple in composition and styling, creating simplistic color buckets for albums that are usually one single color, easily legible and familiar fonts for the most part (lover era lol you were such a mess bbgirl), and album/era concepts that are intentionally vague and without a sense of place which makes them open to interpretation for as many people as possible. this is the general brief for any static taylor swift visual material as her brand stands right now.

in contrast, my personal style is in the complete opposite direction. i love creating visuals that instantly ping a time and place and evoke a strong, single personality or voice. i love kitsch and the specificity of ephemera and illustration and incorporating small intricate details, and i prefer bold graphic styles over homogeny. so you can see how we are not aligned at all, for the most part. i of course could work with her to water down my style until it suited her general branding, but it would strip most of my work of what I enjoy designing and i'd feel a bit stifled and it would feel like just a for-hire gig. that's fine of course, but for her, she's above just getting someone to do a for-hire gig. at this point, she wants someone who really speaks her artistic language, as simplistic as it may be, and can bring it to life visually. simple also isn't always easier, any designer will tell you. especially with big corporate, multimillion dollar pressure behind it. you can spend days swapping out seemingly identical fonts because the descenders aren't quite right. and that's also not to say that simplistic is lesser than in terms of design. folklore is one of my favorite album covers of recent memory, and it's just a photo, framed and colored in such a specific and evocative way. it's perfect for that album, emotionally impactful with taylor this big star being minimized so small on her own album cover next to the trees that were born decades before her and will outlive her. but that's just not my artistic strength or style, being so photo-forward, that's all i mean. or the tour poster, which was simple and compact in it's design most likely so that it could be iterated endlessly for tour stop specific posters, merch, and be easily identifiable even if it's being parodied. it satisfies it's objective, but it is not a final product i would enjoy making. i like the font though, i gotta say.

i will say, though, that recently she has dabbled a bit with ephemera in a way that i really love and would gel really well with my design preferences. the ttpd album itself is simplistic in nature yeah, but the package of materials you get when you order one is really cool. the patches and magnets specifically, and the envelope designs as if you got a folder full of evidence and artifacts is really tactile and interactive. i love the black dog one a lot with the white ink on the charcoal black envelope. the albatross one as well. that's right up my alley and so fun and gives the album a slight sense of tone/time and place. (although still the messaging is a bit muddled even still but whatever). also, i've seen a bunch of the VIP package eras tour posters that people got with their VIP package and there are some really cool designs there! if she wants to continue to do specific designed elements like that, i would be a great fit i think. or if she wants to go in a more design-forward high-concept direction in the future, i would also be a good fit for that. but as it stands right now, while i wouldn't ever turn it down because it would be a dream to work with her, i don't know if she wants something in my style and i don't think either of us would find each other a perfect fit. maybe for a one off, but in the long run i'm not sure she's interested in adopting my design approach or style. but i'd be thrilled if she proved me wrong!! come on taylor lets design some stylized ephemera together!!!

[clandest1ne-g1rl]

maturing is realising Clive Durham is not a villain in Maurice's story but merely his own

[adore-gregor]

ugh there it goes

[vullcanica]

WHAT IS PECULIAR ABOUT YOUR SOUL?

Your soul is... Volatile

There is a deep, painful energy harbored within this soul... At its very core festers malice, and a deeply rooted pain that craves nothing more but to inflict itself onto everything around it. Special care has been given to it- to stop examiners from coming into any harm should they draw too near to it. You coil like a serpent, awaiting a moment to strike. To claim your revenge. It never comes.

Tagged by: @vilestblood 💕

Tagging: @vhgr (any) @chateautangerine @monstriiss @princguard @freak1ish @grownpale (any) @kurjaks @maramcna and you! 🫵

[izzy-b-hands]

finally broke into one of my new syringes (still have some old ones, but figured hey i should try them for this shot)

Tw for bitching abt medical shit/my injs below the cut

and i just. why is my doc intentionally making this harder. I ask for 3ml syringes bc it's what im used to and know how to draw up. She agreed to that, so i never checked my new ones bc why should i? she listened, she sent in for 3mls, right?

NOPE. fucking 1 ml which means figuring out the draw up has required online searching to make sure it's right, and bonus! everything I've found doesn't recommend it for T bc it's such a slow inj to begin with, and 'many feel it takes longer to inject in smaller syringes designed mainly for IV use, which lessens compliance with injection schedules in some'

And i hate how it looks. it looks like so much more, and i know that's stupid bc it isn't, it's the same amount as usual, but the sight of it is v much involved in me getting my injs done with my fear of needles. I know, again, I KNOW planned parenthood is dealing with not enough funding, hands on staff, etc, but does that really prevent you from listening to your patient and trying to help them with shit like this? bc i don't think it should. I'm still forever grateful they've been helping me keep my T going until I find a primary care doc, but at the same time...what the fuck? I said this would be an issue, and i need to stay with my usual supplies. If that was an issue for them, i was willing to buy syringes myself from the medical gear shop I've used for extra supplies before (that will ship out here, I've checked.) Why won't she just fucking. listen, and talk to me? if all she could do was 1 ml syringes, fine, BUT FUCKING TELL ME THAT BEFORE SO I CAN JUST BUY MY OWN

Like. I will get this done. ill use these crap syringes up bc I refuse to waste them.

But now I'm overly nervous and worried im gonna fuck it up with the new syringe, or that it will hurt more or take even longer to inject than usual, so my hands are too shaky to do it! im already a day late with it, and I'd bet ten bucks I wont be able to calm myself enough to do it until tomorrow. Yes, this is also autism bs of needing things the same but like. I've had to do a lot of adjusting since last year, and have made efforts to accept changes and sporadic things. it's been hard as fuck, but I've fucking done it. so why can't i have one fucking thing like this stay the same? just my inj supplies, that's it! I'll accept and deal with other changes but for fuck's sake, she KNOWS I'm nervous abt fucking up my injections (bc i always want them to go well so i get as much med in me as i can, with minimal tracking out after it), why the fuck wouldn't she at least tell me if she was limited in syringes/what she can rx?

Why don't docs listen when i talk, and why won't they just talk and be honest with me like a fucking adult. is that honestly so fucking difficult?

Apparently so 🙃

[pagesofkenna]

I really like how I've got my liar's dndb color scheme going so I want to show it off even tho hes baby lol

his name is Nairandur but the gm has trouble reading long weird names so I broke it up for him. hes an astral elf sorcerer but if you ask him he's a high elf bard, just a silly little golden-haired prettyboy with a violin! he's definitely not trying to manipulate everyone into loving him so he can step on them on his way to ultimate power!

we're doing Spelljammer so I used this Star Trek picrew for his icon (gm said we were basically all redshirts right now lol)

[softgrungeprophet]

man just realized i am kind of invoking a small element of the "evil twin in the attic" trope (or basement in this case) with the windowverse clone stuff, in some ways, which all things considered isn't unfitting

[casekt]

Creativity is such a weird thing, like you either have it or you don't, and sometimes it goes away and comes back, it's really like divine wisdom but the wisdom I get imparted with is of a 58 year old man and his sexcapades or whatever

[lith-myathar]

.

[7nuh]

WAS IT 'CASUAL' WHEN...? — TWST 1ST YEARS

Headcanons on the 'casual' things you do with him that made him wish that there was something more between you.

CW 𓂃 sfw, gn!reader, reader is implied to fit in Deuce's clothes in his part, pining

CHARAS 𓂃 Ace Trappola, Deuce Spade, Jack Howl, Epel Felmier, and Sebek Zigvolt

AN 𓂃 mostly* edited now 😎👍

ACE TRAPPOLA — you slept in the same bed?

Ramshackle isn't exactly known for having the best facilities or furniture, and that is a fact Ace has to make peace with whenever he gets kicked out by Riddle. It's always a little too chilly at night and the floors still creak beneath his feet. Even with a makeover, half of the beds are broken and that stiff couch downstairs is your next best bet at getting some semblance of sleep.

You insisted you really didn't mind sharing a bed at all and Ace took you up on your offer. In his words, "if you say so then!" Just create an invisible partition down the middle and the two of you should be fine. Sure, yeah, that'll be infinitely more comfortable than the couch, and Ace absolutely agrees. He repeats the thought to himself over and over again— this is supposedly the better alternative, isn't it?

Yeah, totally. He tries to convince himself that it's really not a big deal for him to be inches away from you at night and feel your warmth spreading through the sheets. God, you'd think he's a weirdo if you woke up and caught him staring right now, but he could always twist it into a dumb joke about your sleeping face looking like an ogre. Consequently, he would have to watch your face twist in annoyance and pretend he wasn't watching every rise and fall of your chest. He would rather lose his magic entirely than admit the ugly truth and make himself vulnerable to you.

Ace does realize he's being embarrassingly sappy and romantic, and he's disgusted at himself for these thoughts, but he can't help it. He can't change the fact your lips look so soft and your eyelashes are so pretty. This is freaking him out so much more than it should. Does this really mean nothing to you? Do really only see him as a friend? Fine, then the two of you are just friends sharing a bed then!

It's really nothing! Ace was the one who joked about it months ago, after all. But things (and his feelings) have changed and he cannot ignore that. Back then it wouldn't have been such a big deal, but now it is and he cannot calm his heart down no matter how hard he tries.

You're right there. It's not the first time he had to share a bed with someone but it's different now because it's you. He did the math and the two of you are only 10 inches apart. Ace almost reaches for you in his weakest moment until he remembers that the two of you are supposedly just two friends sharing a bed. You're doing him a favor by sheltering him for the night, that's all.

Ace retracts his hand right away at the very last second. He might have as well taken the goddamn couch (lest either of you wake up in each other's arms).

DEUCE SPADE — he lent his clothes?

You came here with next to nothing. You had exactly one change of clothes and pocket lint for change, so Deuce, being the righteous and honorable student that he is, decided to lend you some of his clothes for the meantime. It's what a good friend would do! It's a temporary arrangement that would last only until Crowley spares enough change for you to buy another set of uniforms.

But this arrangement drags on for so long even when you have a functional closet and multiple sets of better-fitting clothes. Deuce never really noticed until recently that a third of your (albeit very limited) wardrobe actually belongs to him. But whenever you tug on his sleeves for his latest sweater, he doesn't have the heart to tell you no.

When he went home during break, his mom even noticed that certain sweaters and shirts had gone missing. "I left them at the college," he tells her as to not worry her. It's technically the truth— it's back with you in the college (and you're probably wearing them right now; the mental image is enough to fluster him all of the sudden when it never did before). He has to get them back eventually since those clothes are his. He's sure you wouldn't mind? Right?

Simply asking for them back is the difficult part for Deuce. You're there in front of him wearing one of his older shirts that fit snugly around your figure and he's at a loss for words. It's worn down and outright hideous as hell but the very first thought that comes to mind is that you look good in it.

Ah, yeah. You walk around campus on non-school days wearing his clothes 1/3rd of the time and nobody else knows that those jackets and shirts and sweaters and button-ups are all his. You make even the ugliest ones look good, or maybe it's because you're the wearer and you always looked good to him? Do his eyes need to be checked...? Deuce is tortured by these thoughts while merrily go about your day. You're laughing at something stupid that Grim said and he can't hear anything else. There's a fight in the courtyard but he can't see anything else. There's a midterm tomorrow but he can't think of anything else. You're too distracting.

When you finally do remember to return a shirt or two, Deuce tells you there's really no need to return them. He insists that they're better off with you, but you laugh and remind him that you're no longer the same pathetic charity case you were at the start of the year.

The truth is, your scent still lingers on recently returned shirts. It's the closest he'll get to being skin-to-skin with you, and Deuce is supposed to ignore that but he cannot. Or maybe he's the only one making this weird for the two of you because it doesn't seem to bother you in the slightest (and he's bothered by that).

But when Deuce looks at the recently returned shirts in his hands, he hopes he has a chance. He hopes you think of him as much as he thinks of you. He hopes the odds of him not actually liking you after all make your guts churn and set butterflies in your chest at the same time. He hopes he isn't the only one yearning for used shirts, lingering scents, and ghost touches. But at the same time, you've only ever asked these kinds of favors from him... Deuce doesn't want to assume anything, but a blush creeps upon his cheeks all the same and he continues to hope for more.

JACK HOWL — you played with his ears and tail?

Beastmen weren't a thing back in your world, so seeing them regularly made you morbidly curious about their animalistic features. Jack was easily the best candidate to satisfy your intrusive thoughts because just who else could you ask about this? Leona wasn't exactly an option and Ruggie might rope you into some scheme of his. And Jack owed you a favor, after all, so this is what you decided to ask of him.

Jack's ears twitched— did he hear you correctly? His face scrunches up in confusion because you barely knew each other for you to be asking something like this. How could you ask something so personal from him? It's in your innocently eager expression that he realizes what's going on... you just didn't know. Fine, it should mean nothing to you and thus he agrees to let you pet his tail and ears for five seconds. Maximum.

It's supposed to be a one time thing but he finds him involuntarily offering up his tail whenever you look him like that. He's not even sure how it got to this point. After all, there are romantic connotations of having your tail petted by someone else and... nevermind. Ruggie and Leona have started simultaneously teasing him over it the very moment they caught wind of this peculiar arrangement. It doesn't help that Jack's tail is particularly sensitive and reactive, but he keeps a straight face no matter how much it embarrasses him.

Jack doesn't understand why you're so fascinated by his tail and ears because there are so many others just like him. However, he supposes it's not an entirely terrible feeling, though, to have your fingers absentmindedly rake across his tail and hair as the two of you study. It's relaxing, even, but he won't tell you that. Jack will never tell you that it gives him goosebumps all over and makes him shiver whenever you play with his tail. Or that he's begun wondering what it would be like to have your hands elsewhere, or for him to touch you in similar ways in return.

He doesn't understand why he craves your company but doesn't question it either. All he knows is that your hands are so soft and gentle and that he likes the way the corner of your eyes crinkle when you smile in satisfaction. And when you hum a soft tune as the gap between the two of you closes, he wonders if he's the only one feeling this tension.

"Again?" Jack huffs. The pretext of this being a silly favor has been long forgotten. He should probably tell you soon that you shouldn't be doing this, but you just look so pleased with yourself when the two of settle down in a lesser-known corner of the library. The routine persists, the cycle continues. Hours later, the both of you have gone through multiple bags of chips, two movies on his laptop, and his tail is now comfortably curled around your abdomen as you read a book and he tends to his beloved cactus.

Again? Jack silently asks himself whenever he sees your face in a crowd. Could the two of you spend hours in a comfortable silence while the unsaid implications haunt him? He's started to ask himself— were you just playing dumb at this point or just plain stupid? Or what if you had known all along and the two of you were just dancing around it?

EPEL FELMIER — you kissed him?

Epel eventually learns to use the way others perceive him to his advantage; there's strength in appearing to be weak and striking when the iron is hot. Still, he couldn't help but wish to be seen for his talents and strength instead of his beauty at the first glance. The first assumption everyone makes of him, for god's sake, is that he's a fragile little thing from a rich family, and, quite frankly, he's sick of it.

So he's secretly delighted when none of his charms worked on you and you yank him by the ear for even attempting. A few curse words and rough shoves later, both of you are on the floor, grappling and wrestling against each other. The two of you are laughing so hard and swearing so loudly that you'll probably wake up the rest of Pomefiore at this rate, but neither of you care. It's just the two of you right now grasping at each other like your life depended on it.

It's a nice change of pace to be openly exchanging insults instead of restraining himself. He enjoys the comfortable rhythm the two of you share— from all the brawls and the bantering and the hugs and to the kisses on the cheek. Yes, kisses. They started as simple thank you's after a few favors here and there, and just one of them is enough to make a mess out of Epel for weeks. Better yet, you only seem to be showering him with more and more of your attention and he relishes in it.

Ah, things are finally working out for him! He found someone he could confide in and he's sure that there's a spark between the two of you. By the end of the year, he might have someone to bring home and brag about to his relatives—

All the momentum halts when he sees you across the hall granting the rest of your friends the same levels of affection. From all the brawls to the bantering to the hugs and the kisses, none of those were ever solely his to take delight upon. It doesn't matter that he opened up to you about all his fears and insecurities because he was never special. You were just the kind of person who got along and felt comfortable with everyone around you, but Epel hates that he has no one to blame but himself. He willingly walked your warmth but it was never his to take.

It finally dawns upon him that you have never seen him in a romantic light and that was why you were so comfortable around him. In retrospect, the bond you two shared was more sibling-like than anything— and believe him when he says he's incredibly grateful that the two of you were that close —but it doesn't make it hurt any less to know that your affections never carried any romantic intentions after he had pinned for you for so long.

Even when he takes a step back, you're cruel in a roundabout way by continuing to be so kind and loving towards him. How was Epel supposed to make sense of your relationship after realizing he misunderstood you...?

And he also hates to admit this, but his self-confidence takes a huge blow from this. Epel genuinely thought he could be loved for who he was based on the time you spent together. It gnaws at him and eats him alive to finally know the truth, and sometimes he wishes he never found out at all.

SEBEK ZIGVOLT — you wrote him love letters?

So, Sebek asked (demanded) to be penpals...

It's all because Lilia told him it would be a good exercise of diplomacy, he insisted. As the young master's bodyguard, he will have to be as courteous as possible even in unpleasant company. He also rationalized, admittedly partly because of you, that forging bonds with magicless humans may be a worthwhile endeavor after all! It's all rather suspicious (and you suspect his real intentions have something to do with your friendship with Malleus), but Sebek has never been one to lie about his intentions. If anything, the popular opinion was that he's a little too honest and should learn a thing or two about holding back.

There's something very unconventional in sending handwritten letters in this day and age of modern technology, but also something very romantic and fantastical— much like the many fictional knights he had read about. It helps a lot that he's not directly confronted by the fact you are very much a magicless human who shouldn't be in NRC whenever he spills out his heart's contents unto multiple pages. It was a way for him to release his frustrations, celebrate his achievements, and talk about the dull, little things thats happened in his day-to-day life to someone who listened.

And listen you did. Turns out, when you're not subjected to his 1000 decibel shouting, Sebek is a rather earnest guy who worked hard and acknowledged others who also worked equally as hard no matter their disposition. To say the least, you understand why Lilia found it so entertaining to tease him.

It completely flies over his head that you had been flirting with him for months through these letters. Your everyday interactions with each other had been completely normal, so how was he supposed to notice?! It takes multiple rereads and many late-night discussions with the other Diasomnia dormers to decode and understand all the double entendres and hidden 'i love you's' in each and every letter. It was so needlessly difficult, but Lilia laughs in his face and pats him at the back for a job well-done.

"There's no way," he thinks to himself late at night and finds himself doubting Lilia's claims for once. But when Sebek steals a glance in your direction and you smile back in return, he's never felt weaker in his knees. You're absolutely and undeniably magic-less... but somehow you had casted a spell that made his chest tighten and shut him up. He hadn't even realized how much time he was spending with you and thinking about you when he wasn't.

Except nothing has changed in-person. You're acting like you hadn't meticulously hidden your affections for him in those letters, and he was starting to seriously doubt all of it. Yeah, were you event smart enough to pull off all that? As some magic-less human?

Actually... Sebek realizes that you are capable of outsmarting him after getting to know you much better through those letters. He's never been one to deny where credit it was due. Now, Sebek's just deeply ashamed that he failed to accurately assess your character before making judgements based on superficial traits. He knows better than anyone that you're witty, charming, brave, kind, beautiful, ambitious—

Oh no.

Oh no.

Sebek simply explodes on the spot once he realizes that he had been oblivious to his own feelings for you too. He had thoroughly examined every aspect of this conundrum except from within. Quite embarrassing from an esteemed knight of the prince of nocturnal fae to be this slow, really.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[chaepink]

can u make headcannons on sub!yan’s tendencies in the relationship?

also can i be 🉑 or 🌝 anon?

dating sub!yandere boys hcs ♡

sub!yandere boys when they date you.

wc: 1.1k+ words | masterlist

dom!fem!reader, unhealthy relationship, mention of killing/murder, both sfw and nsfw!, mention of feminization, bondage

note: yes you can be 🌝 anon!

— your yandere would be possessive of you, even more compared to when you two were just friends

— well, you thought you two were just friends. he already assumed you two were together sometime earlier during his friendship with you

— he would do anything for you in order to make sure you're happy and safe

— a friend of yours is getting too touchy with you? well the next day that friend is ignoring you and when you confront them, they look at you scared and quickly scurry away from you. did your yandere do something to them? surely not

— a weird guy keeps following you around your neighborhood? well a couple of days later you see on the news that his body has been found near a river and weirdly enough, you havent seen your yandere on the days before the guy's death

— you complain to your yandere about how a teacher gave you a bad grade on something you worked so hard on? suddenly your grade changes to a A and that same exact teacher suddenly resigns from the school

— he'll try his best to know where you are most of the time and try to follow you back home to make sure you're safe (though its really obvious, you don't acknowledge him so he thinks he's actually doing something)

— but no matter how scary and possessive they are of you, they just want to be good for you, really

— its almost as if they're a puppy for you, always there for your beck and call

— give them a simple command and they'll do it immediately, no questions asked

— ask them to buy you a snack from the nearest store? he'll return back with a bagful of others that he thought you would like

— they're super clingy and always want to be near you

— somehow they manage to have the same exact classes that you have and at the same time. maybe you guys are just lucky? little do you know that your yandere hacked into the principal's computer to change his schedule to fit with yours

— if you're sick, they would immediately fetch you some medicine and make so many bowls of your favorite soup that you're not sure you could finish them all

— they would be so sad when you're sick cause that means they can't be as close as they usually are with you :(

— in bed, nothing changes at all. rather, he becomes even more infatuated with you

— they're still so good and obedient for you, always following your commands. its cute

— like what i said with him doing it with no hesitation, your yandere is eager to do what you say

— tell him to get on his knees? say less as he's already doing so, staring up at you with such innocent eyes

— tell him to open his mouth for you to stick your fingers inside? he opens wide and sticks out his tongue in such a sinful manner, hazy eyes absolutely begging you to make him choke on your fingers as drool drips down his chin

— order him to suck your strap and get it all wet? he's quick to get in between your legs and get his hands on the fake dick, his mouth going straight to bobbing it up and down and gagging as it hits the back of his throat. he'll try to subtly grind his hard on against your foot without you noticing but you do anyways but he's being a good boy so you allow it

— and oh my god is he so shameless in public

— no hesitation in telling you what he wants you to do to him when there are people around

— you'll be at brunch with some of your friends and suddenly you'll feel a hot breath on your ear, such sinful words coming soon after

"im wearing lingerie under my clothes, your favorite set too. wouldn't you like to just ruin me right here and now? make me cry and look so pretty while you show everyone im yours?"

— safe to say that you immediately dragged him to the family bathroom and fingered him until he was gripping onto you for dear life, begging and crying out for you to stop and take pity on him (he's lying about wanting you to stop)

— when you're out with errands or just at work, he'll take such sinful pictures of himself to send to you randomly

— the pictures would include his legs spread out, a obvious bulge in his underwear, and something adorning his body whether its lingerie, a maid outfit, or rope that's tied so tightly on him

— if he's feeling like teasing you even more, he'll send whimpering audios that beg you to come home and fuck him and if you listen close enough, you'll hear some wet noises that let you know that he's masturbating

"f-fuck, [name] come back s-soon, please? i-i miss you so much! i- ah! i-im wearing your favorite outfit right now! i'll be a g-good ngh boy waiting for you ♡"

— itll end up with you rushing home after you're finished to fuck him dumb in that outfit, making it stained with his tears and cum

— he knows you can't really get him pregnant but your yandere just loves those straps with cum in them that you can just shoot inside him whenever you're fucking him fast and rough

— that'll make his eyes roll back and head throw backwards as he lets out such a loud mewl at the feeling of your fake cum filling him up

— and afterwards he'll tease you by using his fingers to push the cum thats gushing out of his hole back in before licking his fingers

— although your yandere is a good boy for you most of the time, theres times where he's a brat

— he'll talk back to you whenever you command him to do something or cum without permission

— but just some long edging or overstimulation will break him and turn him into a sobbing mess

— tying his hands to the headboard and keeping his legs spread apart whilst a vibrator is inside him on the highest setting is his favorite punishment

— your yandere thinks you don't know that since you do it all the time but you actually do know it, you just love the way his face is stained with his drool and tears while his chest and the sheets underneath him is covered in his cum afterwards

— such a slut but we love him for it

ty for reading to the end! ❤ - chaepink

╰┈➤ masterlist | rules

[bi-writes]

i NEED to know how simon would react to his mail order bride getting all pretty one night.... like maybe the night of their wedding... and she's all nervous because she thinks he expects sex and she's so paranoid about offending him or making the wrong noises or just being a nuisance

mail-order bride

simon and mail order bride did not having a wedding; they are married before they meet. have a peek into their first evening together. (18+)

simon laid your suitcase down onto the floor of his bedroom. you look around anxiously, eyeing the bedroom that is supposed to be your own. there's a king-sized bed in the middle of the room, matching dark-wood nightstands on each side. there's one that's clearly being used, a phone charging there and a half-full glass of water.

there's a dresser on the far wall, littered with picture frames and small trinkets, seemingly from other countries. little russian dolls and different fabrics from different places, wooden elephants and small dishes of wonderful patterns. there's a few drawers open there, and when you make your way closer, you can see it's because they're empty. he must've emptied them out for you to use.

there's one picture frame that's face-down. you pick it up to peek at it, and you smile when you look at the picture there. it's simon and a few similarly-looking people. simon is in uniform, face clear of scars. there's an older woman on one side of him, and then on the other side is a little family of three, a sweet couple and a little toddler on the woman's hip. you put it back down facing up before turning back to your suitcase.

you were supposed to just put your pajamas on. simon had been cleaning up the kitchen, and you figure that meant it was time for bed. you rummage through your suitcase, going to reach for your pajamas when you see the little lingerie set you packed.

it still has the tags on it. it's a red pair of lace panties with a matching bra, complete with little crystal bows and lots of detail. you clutch the lace in your hands, looking towards the door. simon doesn't seem like the kind of man to ask you to do something you wouldn't want to do. but you don't know what his expectations might be. you don't know how he intends his wife to behave.

you stand and take the undergarments with you to the bathroom. you change into them, sliding the pieces on and adjusting them until they fit you nicely. you swallow hard as you look in the mirror, smoothing your hands over your body; your tummy, your thighs, over your breasts. you don't know if he'll even like what he sees. you don't know what he expected you to look like, if he got to choose, if he knows what you are underneath and wanted you because of it or in spite of it.

when you come out of the bathroom, simon is rummaging through one of his drawers. when he turns around to face you, he immediately turns back around.

"fuckin' christ--what the fuck are y'doin'?"

you flinch at the bite of his voice. you wrap your arms around yourself in an attempt to self-soothe, your eyes tearing immediately as you take in his reaction.

"i..." you stutter. "i...i-i thought--"

"you thought wot?" he snaps, and when he turns around to come closer, you panic, taking the straps in shaking hands and starting to pull them down your arms for him. "no, fuck, stop that--"

he puts his hands over yours before your breasts can spill out of the bra. he narrows his eyes at you, shaking his head, and you start to cry softly.

"s-simon, i'm sorry--i-i thought--"

"shhh," he shushes you. "just...quiet."

your bottom lip trembles as he takes the lace straps of your bra delicately and brings them back up, smoothing them back onto your shoulders. you close your eyes when he cups your cheeks, big thumbs wiping at your face as he soothes you silently.

when simon emerges in the bathroom, he tries to be subtle as he cups himself through his boxers, sighing deeply as he flicks the light on. he jumps a little as he steps back, the cat sitting on the edge of the sink and staring at him knowingly.

simon gives it the finger before shooing it back outside.

[five-rivers]

Little thing inspired by various Justice League summons Danny posts I've seen about.

.

Interdimensional travel was hard.

It was a true statement, and one that, in retrospect, was obvious. Of course interdimensional travel was hard. It was reaching out of your reality and into one that had an entirely different set of rules. However, having an interdimensional portal in one's basement tended to skew one's understanding of these things. That was why it took Danny so long to realize that the Observants were actually worried about him.

"Wait," he said, looking up from the (admittedly very passive-aggressive) report the crowd of Observants had just dropped on his (already crowded) desk. "You want to change my summoning ritual because you think other dimensions might hurt my human half?"

"Some of them certainly will," said one of the Observants, testily.

"I didn't know you cared about that," said Danny, still somewhat stunned.

"We normally wouldn't," admitted the Observant, "but although the position of Ghost King is, politically, a figurehead, you are metaphysically vital to the Realms as a whole. Damage to you is to be avoided, when possible."

"Uh huh," said Danny, looking back down at the summoning ritual change paperwork. Although, through a combination of Danny's own nature and the nature of time across dimensional barriers, Danny still looked fourteen and spent a great deal of his time going to school in Amity Park, he had years of experience interpreting the Observants' paperwork under his belt. "Yeah, it's just that I don't think this is the best way to, like. Do that."

"It is the best way to protect you!" said the Observant who had, apparently, been selected as the group's spokesperson.

"Maybe," agreed Danny, who wasn't entirely sure that was true. "But I feel like some of these modifications would kind of be a problem for wherever I wound up."

"Then they ought not to summon you."

While Danny agreed with that sentiment in spirit (getting summoned was almost always inconvenient and annoying), in practice, he wasn't so sure. "I don't think there's any way to communicate that to the guys who are summoning me. Like, some of them get me with old Pariah Dark rituals. And most of them don't really care if their mistakes screw over other people, so..."

"Next to the well-being of the Realms, that is a minor concern."

Danny didn't disagree with that, but he wasn't about to waste time arguing with the Observants about it. They just didn't get it. He tapped his finger on another section that was bothering him. "Also, this seems to keep me from getting out of the summoning circle at all. If someone is summoning me to ask for help, that's going to keep me from doing much."

"It will also keep you from inadvertently exiting into a hostile environment."

"Even in my home universe?" asked Danny, pointedly. "This seems like something more geared to imprisonment than protection."

The Observants were silent.

"Oh, come on, guys, really? Again?"

The Observants scattered.

Danny sighed and picked up the paperwork. He didn't think it was all bad ideas, honestly, but he needed a second opinion that hadn't tried to stuff him in the Sarcophagus of Forever Sleep Mark 2.

Maybe Clockwork would look it over for him.

.

"It isn't an entirely terrible concept," said Clockwork, "except for the obvious drawbacks."

"The whole being trapped in the summoning circle bit," said Danny.

Clockwork nodded. "To be fairer than they deserve, there is no way to modify that portion of a summoning ritual in some types of universes but not others. Not from our own side of things, in any case."

"And I mostly can't get at the other side," said Danny with a groan. He perched on the back of Clockwork's chair. "I do want to make sure that I, I don't know, fit with other universes enough that I won't completely demolish them just by existing."

Clockwork hummed. "There are some ways to do that. There are drawbacks, however."

"Bigger drawbacks than accidentally nuking a planet because my radiation is different than theirs?"

"It depends on your perspective, I suppose."

Danny sighed. "Go ahead and tell me, then."

Clockwork picked up a pen. "You are a shapeshifter. You have multiple forms, one of which cannot be harmed through any normal means and which similarly would have little negative affect on the environment unless you acted to cause negative effects. Change the current ritual so that a summoning puts you in that form, and then further change it so that you cannot leave the circle unless you are in a form that will not automatically cause harm or be harmed by the laws of that universe."

"You mean my Ghost King form."

"All your forms are your Ghost King form."

"You know what I mean."

"I do," said Clockwork, smiling.

"It freaks people out, though."

"Your current form might, as you say, freak people out," said Clockwork. "If your summoners were, say, ants."

"Is that likely?"

"Not particularly. But consider the multiverse. Not all of your summoners will be human."

Danny crossed his arms, frustrated that there wasn't an easy solution. "I guess I could always shapeshift into something nonthreatening after. Hard to see if it's something safe without running into

"You can do more than that."

"I can?"

"Yes," said Clockwork, setting the pen to paper. "Let me show you."

.

The summoning circle shimmered and shivered as Constantine and Zatanna recited the chant, their voices rising and falling. Batman and other members of the League stood by, watching, waiting.

This, this ritual, wasn't their first choice. It wasn't their second, third, or fourth choice, either. But nothing else they had tried worked, and the entire world was at stake.

They were summoning the King of All Ghosts. An eldritch monstrosity that had once tried to conquer all realities. But the alternative was worse. Much worst. At least, with the King of All Ghosts, there was a chance that they could negotiate and that it'd want the Earth more or less intact for the sake of conquering it. At least, with this kind of summoning, they could offer a sacrifice, a bargain, a deal.

And if Constantine was good at anything, it was deals.

The lines of the summoning circle flared green, then pure white, and, without any other fanfare, the King of All Ghosts was there.

It filled the circle with starry darkness, struck with nebulae and aurorae. The clouds rippled as a star died near its heart, fiery cataclysms spreading throughout the being. A crown like the accretion disk of a black hole burned around its highest extremity.

Something like a voice, echoing and many-layered, emanated from the being. "Nghftùsh phlarûm âzgûm (1)." It paused, and the League felt it examine the area more closely. "Ko wgâ âzgûm nghftùsh derza. Ko gok hubhûfh fhtù gâh mglwnuh...(2)"

Constantine swore. "Oh, bollocks, I don't know that one. Would it be too much to ask that one of these things speak English? Just a little?"

"Nghftùsh ak. Ko ngngi. (3)"

"Zatanna," said Batman, "could a spell let us understand one another?"

"Kù-nghînku bùr fùmúu umni snîgûrip. (4)" It seemed to bend closer for all that it didn't move. "Nghftùsh laglúfhâk krîk ko phlî ak phlorza. Chthe nî hîhnâ, ka. (5)"

"I think I understand a little," said Captain Marvel, raising a hand. "I think it understands us just fine."

"Hagthu. Nghftùsh ngngi ùk nî chthe kûmpù nû gâ. (6)"

"It wants to get out of the circle," said Captain Marvel.

The veils of green light that shrouded the being rippled. "Dal phlù. (7)"

"Not without an agreement in place, you're not," said Constantine.

"Gagthashîzgathg. (8)"

"God," whispered Flash, "that hurts my throat just hearing it."

Batman shot him a glare, then stepped forward. They'd prepared a list of demands. Most of them were negotiable, but it was better to start something like this with things you were willing to remove or throw away. It took several minutes for Batman to read the whole thing.

"Ku. Chthal lohúfhâk hagthu. Fhta nghftùsh kâk phlorza ko thru. (9)"

"What did it say?" asked Batman.

"I'm... I think it said it'll do it, but it needs something from us in return."

Batman nodded. They'd expected something like this. Whatever it asked for, it would, without a doubt, be exorbitant. Then, they'd go back and forth, reducing each of their demands until they'd reached a deal both sides hated, but could accept. Constantine had bet that, at minimum, the King of All Ghosts would want the entire population of Earth as slaves.

"Nghftùsh kâk hû ko mglwno nî phnglâ gho-lobi. (10)"

"Uh," said Captain Marvel. "I think he said one of our lives."

"Hik! Rlo phlarâk kruk nîk ghû. (11)"

"Not just any of us," said Marvel. "It has to be someone who's a parent."

A tension fell over the room. They'd known they'd have to sacrifice something. A single life wasn't much, but for the King of All Ghosts to specify a parent...

"But are you sure it's just one?" pressed Constantine.

The King of All Ghosts gave off a sense of... exasperation? "Úzg, hû. (12)"

"One," said Captain Marvel. "Just one."

"And just us, not our kids or anything?"

"Nghftùsh ngngi ùk e nghuu. Gù phlarâk fush ko du? (13)"

"No, it doesn't want children. They're... wrong, somehow?"

"And it's not a sex thing?" Constantine sounded... strangely hopeful.

"Hik! Fhtùl! (14)"

"No," said Captain Marvel. "And... something about fat, maybe?"

"Oh, we're definitely getting eaten, then," said Constantine, with forced cheer. "I volunteer, then. It's not like my kids are sitting up waiting for me or anything."

"Hik nuk. Ngngi ko. E hâta phlarâk lerzaolûm. (15)"

"Not you, there's... something wrong with your soul."

"Oh, he's a picky eater, too, huh?"

"Let's not antagonize him, okay?" said Flash. "He's kind of-- He's kind of looming, right now."

And so it was. Somehow. Without moving.

"Who will... satisfy you?" asked Batman.

The entity did not move, but it managed to indicate Batman anyway.

"Very well," said Batman, before anyone could even attempt to talk him out of it. After all, his life for the lives of everyone in this universe was a very good deal. "Take me."

For the first time, the King of All Ghosts moved, all that darkness, all that light, rushing towards Batman.

There was a burst of blinding light.

When everyone opened their eyes again, a boy with black hair, blue eyes, and a jawline that bore more than a passing resemblance to Batman's was stepping out of the summoning circle.

"That's much better," he said, stretching. "No offense, dude, but you kind of suck at Ghost Speak." He turned to Batman. "What I was asking for was a template so I could exist in your universe and do what you want without accidentally blowing it up because of incompatible physics, but whatever. Not sure how you guys got me eating you out of that."

"You wanted a human appearance so you could better conquer this world?" asked Batman.

"Uh, no? You've got a pretty strong clause against conquering the world in your paperwork there. You're probably thinking about Pariah Dark, but he's old news." The boy smiled widely. "Let's get started on your problem, okay?"

I've been summoned.

You haven't summoned me before. You have a nice space station here...

I can. You can't.

Inter-dimensional language differences are so annoying.

I hope you can do something. This will be difficult, otherwise.

Good. I don't want to be in this circle forever.

Close enough.

Figures (literally, 'certainly').

Okay. That sounds good. But I need something from you.

I need one of you to be my template (literally, life-pattern).

No! It's like being a parent.

Yes, one.

I don't want your children. What is wrong with you?

No! Gross!

No way. Not you. You're crazy (literally, your soul is cracked).

[acid-ixx]

prequel: again &. again. (platonic! yandere batfam x neglected! gn reader)

directory: prequel, chapter one, chapter two, chapter three, chapter four, chapter five pt 1, chapter five pt 2,

read until the end for an author's note.

what hurts more when it comes to neglectful batfam that adopted you after jason's death (that eventually turns a 360 after you have left) is probably the fact that they always had time for you, it's just that they never chose to spend it on you; an extra burden to their family rather than an addition. if they had time to spend, they spend it on anything or anyone else but you. it's not that you don't share interests with them, it's just...! they have way more priorities that push you further back into their list of 'to do's'; though you know you'll always be the last of that list.

bruce has to juggle so many tasks as the billionaire playboy "brucie wayne", a father of an ever growing family, and gotham's dark knight vigilante but somehow, you're aware he could easily fit in one or two more children into his already booked schedule— he just never seems to consider you worthy enough apparently. or maybe it was because you were too silent, you set boundaries compared to your other family who are outspoken about what they want, what they need— but there's one thing for sure that sets you off from your siblings; you're not a vigilante.

you were merely a child of a one night stand; a child raised too well. you were behaved, you never complained, and you were just, you. and being normal (at least in their level of extraordinary talents were you a mere droplet) amongst a family of talented individuals makes you easily a ghost. was bruce to blame with his neglect? definitely. if he was able to balance his life so easily, then maybe as the world's best detective would he notice you packing your things day by day without update. maybe that was why you never once hesitated the moment you stepped outside the manor, permanently.

dick's excuse would always be "sorry, baby bird! but i promised to spar with damian today. ah, but you can watch from the sidelines!" or he would be too busy saving bludhaven to even acknowledge your presence. sure, he smiles at you with those shiny teeth of his, but despite him looking at you, he never notices you for more than a second, right after he would skidadle his way to another sibling's room, bothering them to spend more time with him, never you though. it occurs to you that he has only entered your bedroom once, and that occurrence was years ago. even then, he didn't last a minute inside there before running away once more.

family matters more than anything to dick. hell, he was enraged at the announcement of jason's death and even beat joker to a bloody pulp when he realized tim fell into his hands. he's ready to defend damian, barbara, steph, cass, and duke with his life. it's his duty and obligation as the family's eldest brother, of course. but were you considered family to him? were you considered a sibling in his eyes, or were you just the resident roommate of the mansion? you question that endlessly because everyone, family and friends, seem to be smitted with dick, but you eventually gave up trying to vye for his attention. it's fine, really, if you were just another civilian to him, because he was just another person to you too. just like in a circus, you would always be the intermission rather than the main event. and with that, you take your leave.

jason was the most forgivable to you, second to tim. he was never there, and he would've probably put effort into spending time with you if not for the fact he despises bruce and the mansion and wouldn't and couldn't last a second stepping into it. he never met you when he was robin, it was only right after his death did he discover were you taken in and that added fact alongside tim being his replacement turned him bitter with resentment. though his hatred for you receded over time, he wouldn't really be caught taking a minute with you because he always sneaks inside the mansion and crime in gotham never seems to lessen. because of that, and your unwillingness to become a vigilante to kick ass with him and the others, he wouldn't be able to fully take an hour with you.

casual talks are unavoidable, though, when at the dead of the night he would be caught sneaking in to eat some leftovers and you were conveniently awake at the same time as him. he'll recommend you some classic literature he read or 'cafes/restaurants that criminals visit the least' lists, but before it would turn into a full conversation, jason would already be wearing his signature mask again, and with a pat on your head and a "talk to you soon, can't guarantee it'll be tomorrow again though, only here for alfred's meals of course," and he'll be gone. you shouldn't have let your hopes high, you wished you didn't because, duh! he wasn't there to talk to you, specifically. you were just there to bide his time! wiping tears away from your eyes, and with a heavy heart, you book an apartment away from the wayne manor with your own atm card; hope irreversibly dead and unable to revive a sliver of faith, even if it was dipped in the lazarus pit would it never come back as the same.

tim drake is always tired. just like bruce, his days are filled with investigation, crime fighting, and worst of all; high school. that's of course that least of his worries the moment he drops out. tim was never the guy to talk much. he only does when he needs to make an impression for others, or when he needs to manipulate people for potential information. his life revolved around fighting, from when he solved the case of bruce wayne and dick grayson being batman and robin respectively, up to his current identity as red robin and occasionally robin. he'll often be found in the batcave working with babs on a case or working alone in his room.

it's no mistake that you were the most distant to him, never once knowing about his interests or even hobbies and vice versa. it was a given that at the very moment you pass a glance at him, you knew it was a 'mind your business' type of relationship with him. if you were a mere ghost to dick, then you were just a spec of dust to tim. it was unfair to assume he would never care for you, he does! only in a way where you were another person to save if you ever were endangered, but would that be enough to stalk you to the point he gains every insight about you? not really. you weren't one of his friends, like kon who he would spend weekly video game challenges with; and you probably don't exist as his sibling in his own little world filled with coffee and computers. yeah, your feelings about leaving him weren't as bitter as the caffeine he drowns in his system, but you were still hurt either way.

damian wayne, from his birth, was taught and raised to prioritize his mission as an al ghul, to be the one continuing the legacy and to shed blood on anyone who opposes. when he was given over to bruce, it took a hell lot of effort to turn a new page and become the next robin. it was, with no doubt, that despite his 'redemption', he would be a tad bit crueler to you than the others. unlike tim, who he persistently bothers, you were untalented, worthless, and a stain on the reputation of the wayne's. even jason, his father's greatest mistake, had more value than you.

maybe it was fine-tuned jealousy, maybe he was mirroring his father and dick's actions towards you with his own sick twist of violence. either way, you would rather avoid the boy, lest you face the wrath of his sword. it wouldn't be wrong if you came to hate him, actually you do, but despite your endless game of cat and mouse with you as the unwilling victim of the chase, your poor heart couldn't fathom the thought of not excusing his actions as that of a child's. you tell yourself everyday, 'just ignore it, he was raised like as to be a menace after all' but you can't deny the bitterness and the clenching of your teeth whenever you stumble upon a room and see your father and your younger brother watching a movie together. the resentment eventually builds up until you blow up and just, give up. within your final moments in the manor, you figured to leave some belongings that you collected overtime that were supposedly memorabilias that you wish to show off to your family. like his pieces of art, you could only explain your life in the family as black and white and as bleak as the streaks of charcoal that rubs against the pages.

when dick was jogging through the desolate halls of the manor, he noticed the place seemed to be more... empty of some sort. and he knows pushing that feeling into the back of his head would only result in more questions than answers. so he decides to enter the spare rooms one by one until he comes across your room (he doesn't know it was yours, though), turning the knob without knocking.

that was when his eyes seem to dilate. his nose catched a faint whiff of bleach (was the room deep-cleaned?), vision seemingly closing in on the few furniture left alongside a diary and other boxes left neatly on your bed, with other smaller trinkets left untouched on your bedside table. he didn't remember you mentioning anything about leaving, hell, he doesn't want to admit his lack of memories about you but—

wait...

didn't he promise to take you out for dinner months ago...?

reblogs and interactions are encouraged and appreciated.

a/n: this is one of my favorite pieces of writing i have ever done and i like it a lot so i hope whoever reads this likes it too. if you all want to read more of this, then please leave a comment or reblog because i heavily appreciate it and it motivates me further to write this type of content! the reason i have come to a long hiatus is because, as stated, the lack of interaction with content. like i said, i will still write for genshin but i am open to expanding my fandom list. (p.s. i hope you like the way i had to connect their interests or a part of their past to the reader.)

heavily inspired by @klemen-tine's work: Glass Bones and Paper Skin, @gotham-daydreams' work: Not [], and @onmyyan's work: Ain't No Sunshine.

[prokopetz]

I'm not gonna claim that most Tumblr polls are anything like rigorously structured, but I've seen a lot of folks rather smugly asserting that having a "not applicable" option that ends up dominating all other responses is evidence that the person who created the poll is incompetent, and y'all: under the specific circumstances in which these polls are constructed and distributed, that outcome is evidence of good poll design, not bad poll design. Yes, even when the "not applicable" responses outnumber all other responses ten to one. There are several reasons for that:

At the time of this posting, Tumblr polls have no "see response" button. The only ways to see a poll's distribution of responses are to wait for the poll to conclude, or to respond yourself – and not only are people on social media typically curious and impatient, many of them also know that there's no way they'll remember to check back later once the poll has concluded, so in practice, their opportunity to see the results is now or never. Adding a little note to the poll insisting that people who aren't part of the targeted demographic should refrain from voting isn't necessarily going to restrain that impulse. Indeed, it may end up encouraging folks who otherwise wouldn't have picked a random result-revealing response to do so, because fuck you, don't tell me what to do.

Many respondents genuinely won't realise they're not part of the targeted demographic until after they've voted. It doesn't matter how much text you add to contextualise the poll, because they'll read the poll first, and if they read the accompanying text at all, it's only after they've responded. Heck, a lot of folks don't even bother to read the question before responding to a poll; they just start going down the options and reflexively click the first one that seems like it might apply to them, then go back and read what was actually being asked (and complain in the notes if it turns out that they misunderstood). Even a well-meaning person can only comply with instructions they've actually read; for those folks, clicking the "not applicable" option is what compliance looks like.

Even folks who do fit your poll's targeted demographic can fall prey to the imp of the perverse. Giving the most accurate response rather than the most entertaining one can be a real struggle for a lot of folks; in scientific analysis of polling data, this is known as the "mischievous responder bias". In an informal setting like Tumblr, it's reasonable to suppose that the mischievous responder effect might be exaggerated compared to polls conducted in more formal contexts, and a well-designed poll is going to take that into account. A humorous "not applicable" option provides an escape by affording folks the freedom to screw around with the knowledge that they're not polluting useful data by doing so; in practice, the "I am a toaster" option is a mischievous response filter.

What this adds up to is that a poll where 90% of the responses hit the "not applicable" button is more likely to have yielded useful data than a poll with a narrow target audience where some unknown percentage of the responses represent folks not reading the instructions, clicking random options to see the results, and/or taking the piss.