#it would definitely be one of like three films I go see ten times
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elfpylon · 1 year ago
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I want pacific rim in imax 3D again waaaaaahhhh waaaaaaaahhhhhhhhhh
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starkwlkr · 5 months ago
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happy life, happy wife | hugh jackman
an: “you attract what you fear” GUYS IM SO SCARED OF A 55 YEAR OLD AUSTRALIAN 😭 definitely thinking about making marvel actress!reader x hugh an actual series… i have ideas
marvel actress!reader
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Deadpool & Wolverine Press tour - Hot Ones
Hugh felt like he was going to die. Each wing was getting hotter and hotter, but immediately when he heard his wife’s name he forgot all about the spice.
“Hugh, your wife is part of the Avengers, how does it feel having your wife be part of such a huge franchise? Have you two talked about a potential team up with the X-men and the Avengers?” Sean asked.
“My wife . . . Oh god, I think I’m crying-”
“I can’t tell if you’re legitimately dying or completely in love with your wife.” Ryan told Hugh.
“Wait . . I am completely in love with my wife and I would legitimately die for her.” Hugh gasped as he rearranged Ryan’s words.
“Is that in the contract she made you sign when you married her? ‘I vow to die for you’. My contract said I had to give all my money to my kids and wife.” Ryan said.
“No, she’s amazing, um, if I start talking about her I think I might go on for hours,” he laughed. “Our kids do want to see their parents fighting the bad guys together. We would love to team up, maybe it could happen.” Hugh smiled.
“The entire movie would be them making out and her beating the shit out of you. I’d pay to see that.” Ryan added.
•••
Comic Con 2024
Like RDJ, your last Marvel movie had been Avengers: Endgame. After being in ten mcu films, it was time to say goodbye to your character.
But that was in 2019.
At this years comic con, you were back. The cast of Deadpool & Wolverine had taken the stage and showed their appreciation for the fans. After their panel, it was time to announce Marvel’s upcoming projects. Kevin Feige announced the Fantastic Four, Thunderbolts, Captain America 4, and finally the new Avengers movies, which everyone was extremely excited about.
After showing the title card for the upcoming Avengers film, Kevin turned to the audience.
“Something people have been asking, as of late, is who the heck is going to direct these two movies?” The audience clapped.
From the side of the stage, you were nervous. What if the fans didn’t like the idea of you directing the next two Avengers films? Your worrying caused Hugh to come to your rescue.
“Hey, they loved you as an Avenger, they will love you even more.” Hugh kissed your forehead. “If anyone says anything about this decision, they have me to deal with.”
You laughed at his words. “I really love you so much.”
“Love you too, bub.” Hugh was about to kiss you when Ryan cut in.
“I really love us too. I convinced half of the people here that we’re a throuple.” He said in the most serious tone ever.
Kevin announced you as the director. Your doubt of the fans not liking the announcement was proven wrong when you walked the stairs to the stage and stood next to Kevin. They cheered when they saw you were back.
As you said a few words, thanking Marvel, Kevin and the fans, you were being recorded by Hugh, who was being recorded by Ryan.
“That’s my wife!” Hugh cheered from backstage, holding his phone in his hand.
“She’s Marvel Jesus now, holy shit!”
•••
WIRED autocomplete interview
“Is Hugh Jackman married?”
“Yes, to me, Y/n, probably to half the population,” Ryan answered. “He’s Australia’s biggest slut.”
“All the times, I proposed.” Hugh laughed. “But yes, I am married and I love my wife very much. She’s stuck with me forever.” He lifted his hand to show off the wedding band.
“Funny, because she texted me right now. Her and Blake are in the courthouse getting married. So Deadpool three was actually made so our wives could divorce us and marry each other.”
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tgmsunmontue · 25 days ago
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Season to Taste - 30/? WIP
Explicit Hangster - Celebrity Chef Bradley and Naval Aviator Jake Seresin who have a relationship spanning the globe before they realize how tightly bound they are to one another. Heading into this little world.
PROLOGUE/ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE TEN (interlude) ELEVEN TWELVE THIRTEEN FORTEEN FIFTEEN SIXTEEN SEVENTEEN EIGHTEEN NINETEEN TWENTY (interlude) TWENTYONE TWENTYTWO TWENTYTHREE TWENTYFOUR TWENTYFIVE TWENTYSIX TWENTYSEVEN TWENTYEIGHT TWENTYNINE
Reminder that decade chapters are Ice/Mav interludes.
CHAPTER THIRTY INTERLUDE (Ice / Mav)
                They have a few episodes to catch up on now, because Pete’s been away training and he promised he wouldn’t watch without him. He’s been itching to watch, getting more and more impatient. Mainly due to Slider sending him a message with I know something you don’t know followed by a row of shit emojis, interspersed with the exploding head. He’s not sure what it means, but he also hadn’t known how to respond at the time. It had prompted Slider to call him, which had been nice, except Slider had gotten annoyed about something before saying he needed to go and talk to someone, and that to call him if he needed anything.
                Cryptic bastard.
                Mav gets home and they settle in, bowls of pasta which has become the go-to comfort meal for Mav to eat while he watches Bradley strut around a kitchen looking happy and competent and, he suspect, safe and well. They get through the first two episodes, and there’s drama around the new restaurant, and orders being wrong, and then there is Violet, the young woman who refers to Bradley as her cousin. She’s grinning into the camera, telling them they have a surprise for Bradley, and he wonders if they’ve flown over some more of his Italian family and friends. They’ve done that before, and it’s sweet to see Bradley be so loved that are allowed to be close to him.
                Then the screen is blurry, but the blurriness immediately reduces to be centered around one figure. Violet is talking to the blur like it’s an old friend, laughing and joking. But Tom’s eyes are caught on the fact that the blurred figure is very clearly in uniform, and only the top half is blurred. He’s leaning forward, and he notes Pete is as well, not that his attention was anywhere else, but he’s now lazer focused.
                “This is Bradley’s boyfriend,” Violet is saying to the camera. “We’re going to surprise him. He’s back early from his deployment so Bradley isn’t expecting him.”
                “He has a boyfriend in the military…” Pete says, and his voice is doing something odd and pitchy, but Tom is already running his head through any and all deployments he knows of that finished early, because this isn’t just military, but the man is wearing brown shoes, which is something he’s familiar with. Mav hasn’t picked up on it yet, seems to be squinting as if it will somehow make the blurriness fade into something he’ll recognize.
                Aviator.
                Bradley’s boyfriend is a naval aviator.
                What are the fucking chances.
                “Yeah,” Tom murmurs, because this is what Slider had been teasing him about. Not only did Slider know about the boyfriend but Tom would put good money on him also knowing exactly who it is.
                On screen Bradley’s face is completely lit up, then he’s kissing his boyfriend. At least Tom assumes that’s what happening behind the little section of blurred image. He feels a surge of pride and happiness that at least Bradley never had to deal with DADT, is clearly happy and well adjusted and his boyfriend is clearly happy to kiss him with an entire film crew recording.
                “Can we find out who it is?” Pete asks
                “By we I assume you mean me...”
                “Of course.”
                Tom could just ask Bradley. That would be the easiest solution. And the one Slider will definitely push him toward.
                Except Bradley hasn’t shared this with him, and that hurts.
                He hasn’t asked, either. Because he doesn’t want to pry. Doesn’t want to be that asshole parental figure that is always asking about a partner, or kids, or a wedding. He knows what that’s like and he’s tried very hard to avoid that. Except if Bradley thinks he doesn’t care then he’s over-corrected terribly and he will need to ring Bradley and let him know that is definitely not the case. But first he’s going to ring Slider and pick his brains.
                “Thought I’d be hearing from you…”
                “Yeah well… god, I’d kill for a cigarette.”
                “I thought you quit.”
                “I did. Doesn’t stop me wanting one.”
                “Okay. Well… I’d say something about your oral fixation and Mav but I don’t want to get black out drunk tonight to wipe the mental image. So. Bradley has a boyfriend. I’m assuming you picked up the little detail…”
                “Of course. He’s a naval aviator.”
                “Sure is!” Slider replies, and Tom can feel his overwhelming sense of amusement through the phone.
                “And you know who it is.”
                “Yep.”
                “Are you going to tell me?”
                “Hmm. Thinking about it.” Tom rolls his eyes.
                “Slider…”
                “Don’t you think it’s kind of funny? That despite everything, the kid has ended up with a naval aviator.”
                “Don’t marry them off yet.”
                “They’ve been together over three years, I won’t be marrying them off but I also wouldn’t be surprised to get an invitation in the mail.”
                “Three years…” Tom repeats, a little shocked and now feeling more hurt that for some reason Bradley didn’t share this. What reason did he come up with?
                “Yes. Now, with all the deployments it’s not quite the regular standard relationship, but Bradley knows that. And they… they’re sweet together. Reminds me of his dad that way.”
                That hits Tom like a one-two punch, because what does Bradley even remember of Carole and Nick’s relationship?
                “Call him and talk to him Tom. I think he’ll be more than ready to talk now.”
THIRTYONE
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astonmartingf · 9 months ago
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BEST OF INTERVIEWS: KATARINA LOMBARDI (MERCEDES AMG)
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LICENSE TO DRIVE ; f1 driver!oc x platonic! f1 grid
. . . best interview moments with katarina during her time in mercedes amg (2017-2020)
amgf i said i'm not writing but really i just miss her, every single day she's on my head actually, the amount of hcs i have in my notes about miss katarina... crazy
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"What is your go to activity if you're sad?" Katarina reads the question from a random pile of papers before setting them aside at the edge of the table.
"I watch Kimi winning the 2007  championship in Brazil. To me, that was an important highlight. I was ten at the time, I felt represented as a Finnish-Italian, Kimi winning Ferrari... Good times."
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"In an interview you said that you started karting when you were three." The reporter asks, as you nod your head in reply.
"Did that make your journey easier or harder as a driver?"
Katarina thinks for a moment before speaking to the microphone, "It definitely had some advantages, the journey wasn't the easiest to be here, as a female there were some hurdles that I had to wait and make space for myself. But there were definitely privileges that I was aware of, one being that I lived in Europe and there are a lot of tracks to practice, not only that but my mother also taught me a lot as a former racing driver. These can happen hand in hand, so when people discredit my achievements as a woman in motorsports by countering that I am privileged, I am aware of that. Racing is a privilege, and to see how far I've made as a woman makes me even proud of my achievements. It wasn't the easiest, but it's rewarding."
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"What are the three things Katarina Lombardi can't live without?" Lewis asks, reading the question on a cut piece of paper inside the bowl.
The female tilts her head, "Maybe food? What? I could just answer things like water, food, air, or do you want personal things?"
Lewis cackles at the side, clutching his belly, "Okay, I think this is to get to know you more so maybe apart from the obvious I mean... what else? I also can't live without these three so I think they meant a personal item."
Katarina laughs, thinking once more, "My notebook, I have a journal— well multiple journals so those I would want to keep with me. Maybe my cross necklace as well, we have to remove jewelry when racing so sadly I remove it but instead of looking for my watch I want the necklace back on after races. Last would be my manager's cell phone number."
"What? That's so random." Lewis exclaims, laughing once more at her outlier response.
Katarina shakes her head, "No you don't get it. I haven't got my phone number memorized, but my manager's, I know it at the back of my head. If I'm in trouble or someone wants to ask me something I give them my manager's number, easy. Not their personal number of course, the work one but yeah, it saved me a couple of times... A lot of times actually..."
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"How well does Katarina Lombardi, know about Lewis Hamilton?" Lewis reads the cue cards in front of his hands, filming another video for Mercedes.
"Not that well I'm telling you." The female whispers under her breath while playing with her own cards.
"That's not even the question yet!" Lewis steals a glance with raised brows appalled by his teammates response. "Not that well? I'm offended."
Katarina bursts into laughter, "Wait that wasn't the question? Shut up!"
Lewis stares blankly into the camera, pulling the cards closer to him, shaking his head in disappointment. "Wow... I thought we had something— I thought we were friends, and you pull this."
Katarina shakes her head in denial, "No wait! Let me explain, I thought that was the question. What are we filming today?"
"It's a quiz, look here it reads, "How well does Katarina Lombardi know about Lewis Hamilton" that's the video about."
"I thought the video was about something else, I swear believe me." Katarina shakes Lewis' arms as the older man turns away from her.
"Now you're just saying whatever you want." Katarina is left laughing, trying to console Lewis sulking at the other side of the couch.
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"What do you think of the 2019 season?"
Katarina scrunched her nose, "Worst season ever."
Her reply caught other drivers off guard, Max, Sebastian, and even her own teammate Lewis turned around in confusion. Katarina shrugs, "I mean, Kimi is not in Ferrari so it's shit."
Her reply caused other reporters and journalists to laugh, "What's so funny?"
Max shakes his head, pulling the microphone to him, "You caught us there, I thought you've gone crazy, you have five, six wins and constantly on the podiums. When you said the season was the worst I was about to argue."
"I thought it had something to do with me, please, watch your words. Almost gave me a heart attack because what was so bad about the season?" Lewis adds laughing along with the others.
"Well I'm sorry, I can score points and still be sad, without Kimi who else will represent me? We all know I'll never drive for that silly horse."
The drivers turn around to face Sebastian, lips pressed in a thin line, forcing himself not to laugh, "I'm contractually not allowed to say anything but I think everyone in the grid knows that."
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"What are your prospects for the upcoming season?"
Katarina grabs the microphone, thinking about giving a PR answer or one of her own, "Well, I don't have a seat for the 2021 season but I'm always available and talking to teams so, I guess we'll figure it out together."
"How is the season going on for you at Mercedes right now?"
"Well, it's still the same, you got to perform for the team, even now more since I need my portfolio to look good for the next team. I'm joking it's still fine, I'm talking to Toto and Lewis and it's all good, I do know who is replacing me so it's fun and exciting. You'll find out soon, no need to worry about me and the upcoming season, I'm still here to race for the team and hopefully the season will be good to us and for my future endeavors. Thank you."
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tobiasdrake · 1 month ago
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Digimon Adventure: Our War Game, epilogue
Well, we finished the movie but I wanted to take a moment to go over these epilogue slides. Especially for those fans who only know the OVA from its appearance in Digimon: The Movie, where the slides are skipped over so it can move on to adapt Hurricane Touchdown.
So, in the wake of near-nuclear annihilation how is everybody doing?
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We close out Takeru and Yamato's story at the barbershop. It seems Sho has convinced Yamato to fucking do something about his scraggly-ass hair.
This somewhat bridges the gap between Our War Game and 02, where Yamato's hair is still a bit unkempt but no longer looks like a porcupine died on his head and he kept it as a hat.
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Jou finished his entrance exams and looks like he's about to drop dead on the spot. Diablomon really fucked up this kid's day, and he still doesn't even know any of that even happened.
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Speaking of people who have no idea what happened, Mimi is home from her Hawaii trip and everybody's got suntans. The Tachikawa family is as close as ever.
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Hikari is still at that birthday party despite Taichi screaming at her multiple times to drop everything and come home. She has elected to invoke the rule of Go Fuck Yourself, a popular choice among women who've been treated rudely by domineering men.
She, too, remains blissfully unaware of the horrifying fate that nearly befell Tokyo today.
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Yamato's grandma seems to be enjoying the peace and quiet since Yamato and Takeru ran off.
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Nobody ate any of Yuuko's destroyed cake. Diablomon truly did get the last laugh in the end.
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Koushiro finally gets to go home after what must have felt like ten years in Susumu's office.
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The Digimon return to Gennai's secret mansion to continue... Whatever they're doing with their lives.
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And this is the big one. Sora types out an email to Taichi that reads: "Dear Taichi. I'm sorry. Thank you for the present. Sora." Then we close on the true final shot of the film: A picture of Sora, smiling and wearing the hairclip that Taichi gave her.
As with Yamato's haircut, this also serves to bridge the gap between series as 02 will see Sora no longer covering her hair with headgear. The emotional landmine Taichi stepped on has finally been cleaned up.
So. How we feeling about this film.
Assessment: My biggest complaint is that not one of the show's three female characters got to actually do anything.
Half of the cast was written out, with only Taichi, Yamato, Koushiro, and Takeru having any significant roles - and Takeru's really stretching the definition of "significant" there. That's fine, but it does bug me that not one of the show's women apparently warranted any serious inclusion.
I think that's why they gave Yuuko so much screentime. To compensate for the fact that all three of the Chosen Children girls were excluded.
Diablomon is... pretty straightforward. It's a buggy Digimon made of bugs who eats data, and its eating of data causes more bugs. There's something simple and childlike about its demeanor right up to the end, but any sympathy I may have had for it vanished instantly with the reveal of the nuke.
That the nuke was not a reaction to Taichi and Koushiro but rather something it did right at the start of the film really gives it a lot of added menace that didn't seem present in its earlier stages. And yet it's not super clear if Diablomon even grasps the severity of what it's doing.
But it's unambiguously both aware of and complicit in the nuclear threat. That didn't just happen by accident as a result of a bug. The whole thing with the clock shows that Diablomon knows it launched a nuke and is making a horrifying game out of it.
Which is... All it really does. It doesn't feel like it's trying to destroy the world on purpose. It would have fired more than one nuke if that was what it wanted. It just feels like it's playing games. With extremely high stakes.
What an odd creature.
The stuff in Shimane with Yamato and Takeru was a lot of fun. XD More than I expected it to be. I kinda love the barbershop randos.
Sora and Taichi's drama seems like it's meant to be the emotional center of the film. This is what we open on, and it's what we close on. It's something we keep coming back to as the OVA progresses.
But it's also kinda flat due to Sora basically being a glorified cameo like Jou and the other girls. Without giving Sora any kind of active presence, there's not really anywhere it can go. All we can do is listen to Taichi wring his hands and complain about the drama they're having until his email arrives and it suddenly stops happening.
It's hard to do interesting interpersonal drama as a solo act.
I think the missile itself is the breakout star of this OVA. If there's one thing Our War Game is remembered for, it's... Well, actually, it's the debut of Omegamon. But if there's two things, then it's being the one where an evil Digimon tried to nuke Japan.
All in all... still a fun OVA. Now, there's nothing left between us and Adventure 02. The old guard are retiring to middle school. It's time for a new generation to take over.
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supernovafics · 1 year ago
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series masterlist | last part
pairing: modern!actor!steve harrington x fem!reader
word count: 8.1k words
warnings: explicit language, angst, fluff, smut (18+)
summary: it’s ten months of texts, phone calls, voicemails, anything to make it feel like everything isn’t too different. and for the most part, it works. until you and steve finally see each other again
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EPILOGUE | ❝𝒇𝒐𝒓𝒆𝒗𝒆𝒓 𝒉𝒐𝒎𝒆❞
You: How’s New York so far?
Steve: Good aside from Tom trying to force me to do more press stuff than what we initially agreed on and I’ve only been here three days
You: I kinda miss that british man
Steve: That truly offends me</3
You: I’m sorry<3
You: Okay very very important question
You: Empire State of Mind or Welcome to New York?
Steve: ???? 
You: You’re in New York for the next month so one of them has to be your signature song (and yes this is coming from the person that has only been to New York a handful of times. shut up don’t mention it) 
Steve: Can I say no to both of them?
You: No.
Steve: Okay then 
Steve: The Taylor Swift one
You: Solid answer
You: Now I will start your morning right every day you’re there by sending you lyrics from that song :) 
Steve: Oh god
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
Steve: What was the name of that show we watched for almost five hours at your place that one night?
You: It sincerely hurts me that you forgot the name of Brooklyn Nine-Nine….
Steve: Yes, that’s it! I was thinking about this one episode we watched of it but I couldn’t remember the name
You: Are you about to watch it without me? (if the answer is yes that hurts me even more)
Steve: Yes I was… But now no way I would never watch it without you
You: A true friend. Thank you 
Steve: Oh wait I’m just now realizing how late it is where you are. How are you even talking to me right now? 
You: Yeah, it’s 2am but I can’t sleep. First day of real filming tomorrow. First day being AD. And yes all the pre-production stuff me and Jessie have been doing since we got to Spain two weeks ago has been perfectly leading to this moment, but now it just feels so fucking real and even though I know I’m not gonna mess up or anything I’m still nervous
Steve: You’re gonna do great and actually I think it’s impossible for you not to be really good at what you do  
You: Thank you
Steve: I would suggest that I call you and we watch an episode of Brooklyn Nine-Nine to take your mind off things but you should sleep 
You: No actually can we do that? I’m wide awake right now and I don’t think I’ll be able to fall asleep anytime soon 
You: Also fun fact: I’m actually able to function better when I’m running on barely three hours of sleep 
Steve: That’s a huge lie but okay
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
“… Please leave a message after the beep.”
You listened to the all-too familiar sound of the “beep” and then began speaking. “Okay, I know it’s like three in the morning in LA right now, so it completely makes sense why you didn’t answer. But, anyway, I just landed in London last night and now it’s morning and I’m at the coffee shop that you told me I should go to while I’m here.” 
“It’s really, really great, and I hate how right you are about the tea being amazing, and it actually makes me change my mind about how much I dislike tea. Oh, also, I got my first ever British scone from here and it’s so good too. I think I’ll probably be spending every day at this place while I’m here for the next month.”
“And I know you raved a lot about the breakfast sandwiches here too, so I will try that tomorrow. I think you said that the bacon one was your favorite, but please confirm that because I can’t fully remember… Oh, wait, nevermind, it’s definitely the bacon because I do remember you saying that you miss it a lot.”
“I could bring you one back if you want? No, wait, actually, that wouldn’t make sense because even when I leave London, I’m still gonna be in Europe for three more months… Wait, I see that they sell coffee mugs here, though, so I could definitely bring you back that if you wanted me to? They have some cool options.” 
“Alright, I think I’m just rambling at this point so let me shut up.” You let out a small laugh. “Okay, bye.” 
Call Ended
-
You: *image attached* 
You: Enjoy that picture of me being the most touristy tourist in the world :) 
Steve: I can’t believe you’re doing the leaning tower of pisa pose thing
You: I had to. I couldn’t come here and not do it. It feels like tradition. A rite of passage, if you will
Steve: You’re such a dork 
You: Joke’s on you because I fully take that as a compliment, so thank you 
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
The feeling of your phone vibrating in the back pocket of the jeans you were wearing surprised you because you thought you had turned it off for the day. And then seeing Steve’s name take over your phone screen further surprised you, but you didn’t hesitate to answer the call.  
“Hi,” You said. You were on a break for the first time that day, so the timing of his call was actually kind of perfect. “This is a pretty nice surprise.”
“Hey, how’s it going?” It felt really good actually hearing his voice for the first time in what felt like forever.  
“Pretty good. I never thought I’d actually find myself truly missing LA, but now I kinda can’t wait to be back there in three weeks,” You answered, saying what had been on your mind for a while at this point. “How’s Vancouver?” 
“Nice so far. It’s actually been snowing a lot, but I like it.” 
“I hope you've been doing all of the snow and Winter activities; making snow angels, sledding down hills. Y’know, all the stuff they do in children’s Christmas movies.” 
You almost immediately heard Steve laugh at your words. “The apartment I’m staying at here has a balcony, and last night after it stopped snowing I made a really small snowman.” 
You smiled. “I love that. Please send me a picture of it.” 
“Okay.”
Things became quiet for a moment, and it was a silence that easily felt comfortable and you didn’t mind it at all. Simply knowing that Steve was on the other end of the call felt like enough. 
“This is a random thought, but we never usually talk on the phone. Mainly because our time zones are insanely different, so the timing is never right, and we’re either leaving each other voicemails or just texting, which is fine. But it’s really nice hearing your voice. It’s just… really comforting.” You let out a soft breath. “Where I am right now and where I’ve been the past five-ish months have become my makeshift “homes,” but talking to you actually feels like home, in a way… And I know exactly how disgustingly cheesy that sounds. Don’t say anything about it, or I will end this call.”
Steve laughed a bit. “No, I agree with you. We’ve talked about feeling lonely before, but even though we haven’t seen each other in what feels like a really long time, whenever we text and especially when we talk on the phone, it’s hard to feel lonely. It’s like all of these miles between us don’t really matter, which is nice. You’re my “home” too.”
You were quiet for a second, fully taking in his words and smiling at how happy they made you feel. It was the kind of happiness where you also kind of felt like crying. 
You loved what you had been doing currently with your job and you wouldn’t have changed any of it, but you also really wished that you could see Steve right then; you would’ve killed for a hug.  
“Okay, I think I should go before I start crying,” You said, only slightly joking with your words. “Also, I only have ten more minutes of my break, and I haven’t eaten since this morning.” 
“Oh shit, I’m sorry.”
You shook your head even though he couldn’t see you. “No, don’t be sorry. Like I said, I really like when we can actually talk to each other. I like hearing your voice.” 
“I like hearing yours too,” He told you and somehow it was easy to hear the smile in his tone. “Okay, I’m gonna hang up now. Go eat something.”
“Aye, aye captain,” You said with a small laugh. “Talk to you soon.”  
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
You: I just watched the final cut of Fear of Lonesome with Jessie… Enjoy this picture of me currently bawling my eyes out at the ending
You: *image attached*
Steve: Sorry for making you cry?
You: It was worth it, honestly
Steve: You’re coming to the cast and crew screening next week right?
You: Of course. I will happily cry at this movie again :)
You: It’s kinda really fucked up how good of an actor you are 
Steve: Thank you? At least I think that’s a compliment
You: It is<3
You: Anyway I’ll see you next week then
You: The first time in a really really long time. Holy shit 
Steve: That feels a little weird to think about. But a good kind of weird
You: Yeah definitely the good kind 
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
It was a moment that was ten months in the making. 
Ten months of texts, voicemails, and sporadic phone calls. Ten months of being so far apart from one another, but doing so much to make it feel like you weren’t. 
It was all leading here— seeing Steve in person at the small theater in West Hollywood that had been rented out for the night’s occasion. And when you saw him, talking to random members of the cast and crew, it didn’t exactly feel real, which made you not say anything. 
Until he saw you and your eyes met and small smiles were quickly shared. You gave him a small nod before you got pulled into a conversation with someone.
He looked a little different, hair grown out a bit more and there was something minorly different about his stance, but overall he was still your Steve. Well, not technically yours, but close enough. You then wondered if he thought you looked any different. You personally felt a bit different, in a good way; like you’d become better over the past ten months, and in some ways, more of yourself. 
It was almost amusing how, most of the time, the time seemed to move slowly over the past ten months, but now it was suddenly moving so much faster. 
Everyone left the lobby area and started making their way inside the room that the screening would be happening in since it was scheduled to start in five minutes, but you and Steve lingered back, walking toward each other until there were only a few beats of space between you two. 
You smiled at him again. “Hi.”
“Hi.” He stepped forward to close the rest of the distance between you and pull you in for a hug, but you stepped back. 
“Oh, I don’t know if I’m allowed to hug you. Y’know given that you’re an engaged man and all.” You tried to be completely serious with your words but it was hard not to laugh at least a little bit.
According to many celebrity news outlets, Steve and his female costar of the limited series he’d been filming in Vancouver for the past five months were dating. It was a rumor that started about two months into filming, and there had been no confirmations about the said relationship but there were also no hard denials, so the speculations continued. And then there were even a handful of news outlets that went quite insane with their headlines and said that the two were secretly engaged. You both had laughed about it then when you sent that article to him, because the rumors were hilariously ridiculous, and you couldn’t not joke about it now. 
“Ha ha,” He said, voice deadpan. “I didn’t even get to tell you, but Tom suggested that me and Lily actually start fake dating because, in addition to all of this giving so much more press to the show, it could also help me. If I’m dating someone it will fully “kill off the asshole image.” I immediately vetoed that idea, though.”
Although the asshole narrative that surrounded Steve still existed— not as prominent as it once was but it still lingered whenever his name was brought up by the media— it was hard to see him like that anymore.  
You let out a laugh. “Of course Tom would suggest that.” 
“Yeah, he’s…” Steve trailed off with a quick shake of his head. “Anyway, c’mere.”
You walked into his open arms that time, pushing up on your toes to circle your arms around his neck as his wrapped around your waist. Your eyes fell shut as he held you tight and it was then that the time felt like it started to move slow again. 
“I have something for you,” You told him after a moment, words getting somewhat lost in his neck but he was still able to hear you. “A little gift. It’s in my car, I’ll give it to you after.” 
“I also have something for you,” Steve whispered, and you opened your eyes at that.
You pulled back from the hug, still smiling at him. “Great minds, hm?”
He nodded and matched your smile with one of his own. Seeing him right then still didn’t entirely feel real just yet, so you went quiet once again and the two of you simply looked at each other. 
During the past ten months you and him had talked pretty much all of the time, but there was something different about this moment. Feelings that you thought you had successfully pushed far away rushed right back to the surface. 
“We should head inside,” He said, breaking the silence and pulling you out of your thoughts, which you were grateful for because you really didn’t want to think right then, especially not about that.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
You were the one that suggested Steve come back to your place and the small gift exchange happen there. 
The screening felt as if it ended too soon and the inevitability of the night itself ending started to hang in the air. However, you couldn’t allow that to happen; you wanted this night to last as long as it could. 
Steve agreed with your suggestion and thirty minutes after various goodbyes were said, the two of you were sitting on your couch as a frozen pizza that you’d just bought yesterday cooked in the oven because both of you were hungry. 
You were already wearing the navy blue oversized crewneck he got you that had “Vancouver” embroidered in white across the front of it. It was comfortable and perfect, and a simple gift but also the best thing you’d received in a while. 
“I hope you like this,” You said as you handed him the gift you’d gotten for him; a cream colored mug with the logo of a coffee shop in brown lettering on the side. “I know you said that you were okay with not getting a mug from that coffee shop in London, but I just really wanted to get you this one.”
Steve looked at the mug for a second and then at you, a smile on his face. “Thanks.”
“You’re welcome,” You said and your fingers started mindlessly playing with the hem of your crewneck as you continued speaking. “I’ve missed you a lot this past year. I know we talked so often and everything, but being right here, in person, feels really nice.”
“I’ve missed you too,” He said softly before he placed the mug on the coffee table barely a few feet away and then met your eyes again. “There were so many times where I wanted to just drop everything and go see you. Rearrange plans or cancel some stupid press stuff and meet up with you. Even if it would only be for barely a day or whatever. I just always wanted to see you.” 
You wanted to tell him how much you related to his words. You wanted to say how there were a countless amount of times where you had yearned to do the exact same thing. However, you couldn’t find the words to tell Steve any of that, so instead you only looked at him for a bit.
It was almost funny how many times you had become at a loss of words so far that night simply because of him. But it was as if the fact that you were suppressing so much made you unable to say pretty much anything. Because you were scared of where exactly your mind would go if you didn’t immediately shut down some of your thoughts that involved you and Steve, especially now that he was right here instead of thousands of miles away and no longer solely limited to the confines of your phone.  
He was your friend. Best friend. And it had been so much easier to pretend that that was where you and him solely began and ended when you both were so far away from each other— when he wasn’t right in front of you and you weren’t so easily reminded of how close you two used to be in such a different way. 
Those same revived feelings from earlier that night came right back again, and they practically increased tenfold because you found yourself wanting to kiss him so fucking badly. And, of course, there was a part of your mind that immediately told you just how bad of an idea that would be. However, at that moment, you became okay with all logical thinking being pushed out of the window. 
In your mind it felt like you were moving in slow motion, scooting closer to him on the couch and sliding into his lap so that your legs were on either side of him, but in reality it was happening so much quicker. However, you stopped there before you did anything else.
You could see some confusion in his eyes and also something else that you couldn’t fully decipher, maybe he was contemplating things as much as you had been before you decided to take this sort of plunge.  
That look was almost enough to wake you up and remind you of what had been agreed upon all those months ago, but it wasn’t enough to make you pull away from Steve. However, instead of sliding off of his lap or moving things further, you gave the metaphorical ball to him. 
You let silence hang in the air as the two of you simply looked at each other and you gave him the opportunity to push you away. To tell you that there wasn’t any part of him that wanted this to happen. That he was so far past feeling anything like that toward you anymore. That he never even thought about it.
You would’ve been okay with any of those things happening because even though it would’ve hurt, it would actually make things a thousand times easier. 
But, he didn’t do or say any of that. Instead, he closed the last bit of space between you two and slotted his lips against yours. 
It was an immovable and obvious fact that you had missed him so much over the past ten months, but you now realized that you had missed this just as much. A soft kiss that almost immediately turned into something more with one of Steve’s hands coming up to cup your cheek and the other finding your hip to keep you steady. You couldn’t help but moan into his mouth when his tongue ran across your bottom lip making the kiss deeper, and your hands fisted themselves into his t-shirt to bring yourself impossibly closer to him. 
For the time being, you effectively turned your mind off. You deliberately chose not to think about what this exactly meant or what it would come to mean. All you focused on in that moment was how fucking good doing this with Steve felt. 
Your hands found the hem of your crewneck because you suddenly felt way too hot and you pulled away from Steve for a second so that you could slip it over your head, leaving you in just your black tank top and shorts.  
You became so lost in the pure happiness of everything that was happening right then that you couldn’t hear anything except your heart pounding in your ears and the soft sounds Steve was managing to elicit from you due to the way he was squeezing your hips.  
“The oven,” He mumbled against your lips, which slowly snapped you out of the haze you were in. “The oven is beeping.” 
It was then that you heard the incessant noise; almost too loud and clear. 
You abruptly pulled away from Steve and maneuvered off of his lap. “Oh, shit.”  
He followed you into the kitchen as you opened up the oven and used a mitt to grab the circular pan the pizza was on and place it atop the stove. 
“That was, um…” You trailed off not knowing exactly where you wanted to go with your words. 
Steve shook his head. “It’s okay. We don’t have to talk about it.” 
“I don’t regret what just happened,” You blurted out. They were the words that pretty much mimicked what was said after the first time you two ever had sex. But, instead of those words first coming from Steve they were coming from you. “And I don’t really know what that means, and I kinda don’t wanna think about what it means right now. I kinda just don’t wanna think at all right now. Sometimes I feel like I think way too much when it comes to us.”
He was quiet for a second before he nodded at you. “Okay.”
His hands found your hips and you were softly pressed against the side of the kitchen counter. You two shared a look that felt as if it was saying a million things, none of which you particularly wanted to decipher right then. 
Before things could stay silent for too long, before you accidentally let your mind fall down a spiraling rabbit hole, you nodded a bit and mimicked Steve’s previous word. “Okay.”   
His hands came up to cup your face before he leaned in to kiss you again. You didn’t waste a second to push yourself onto the counter and Steve’s lips found your neck, roughly kissing and nipping at the skin. Your hands started playing with the hem of his t-shirt before circling in the loops of his jeans and pulling him flush against you. When you felt his hardness press against your inner thigh, you took in a sharp breath and let out a soft moan. You were completely certain that you would’ve let him pull off your shorts and underwear and do whatever he wanted to do to you against your kitchen counter if you weren’t reminded of something else. 
“The pizza?” You mumbled, a bit unable to form the question coherently because all you could really focus on was the feeling of Steve’s mouth against you. 
He pulled away from your neck and met your eyes. “We can eat it after.”
He didn’t have to specify further for you to know exactly what he meant. You smiled and pressed a quick kiss against his lips. “Yeah, after sounds perfect.” 
It became a blur of movements after those words fell from your lips. His hands found the backs of your thighs and he picked you up— the abruptness of the action made you simultaneously yelp and laugh as your arms came up to circle around his neck. You were carried to your bedroom and softly placed down against the unmade bed. Clothes were quickly shed until there was nothing between you and him. 
No words were said in these rushed moments where hands and mouths roamed almost everywhere on each other's bodies; the brief looks shared and breathy noises coming from both of you were enough. 
It was as if one mind was being shared or a song that only you two knew the words to was playing and both of you were singing along. Your hands were in his hair, softly pulling because the groans he’d let out were probably the hottest thing you’d ever heard. And his middle finger softly teased your clit as he whispered the filthiest things in your ear because he knew just how much that would make you lose it. 
It had been almost a year but neither of you forgot these little things about one another and it almost felt like second nature to be with each other in this way. There wasn’t a hint of nervousness or awkwardness, and maybe that was saying a lot more than you wanted to admit. 
You were positive that if you fully thought about what was happening right then, your mind wouldn’t hesitate to yell at you that this was a bad idea; that it would only make things complicated, and start you both back at square one. 
However, it would also tell you that the times in your life where you felt your happiest and most comfortable mainly consisted of moments with Steve, and that was something that felt as if it would never change. 
Therefore, when he slipped inside you with a low groan that you caught with your mouth and proceeded to make you come faster than you had in such a long time, it was hard to feel anything but completely happy. 
Your legs wrapped around him, coaxing him deeper inside of you and soft “pleases” fell from your lips begging him to come. And after a particularly hard thrust, he let out a loud “Fuck” and came inside of you, and you couldn’t do anything but moan at the feeling of his cum painting your walls. 
The weight of him crushed you in the most comforting way possible, and you tilted your head upward a bit to meet his lips in a soft and lazy kiss. The two of you stayed just like that for a while, coming down from your highs and letting your racing hearts return to normal. Your head fell back against your pillow, eyes closing, but you didn’t feel tired. 
“When those articles about you and Lily dating started coming out, I knew exactly how ridiculous the rumors were because I feel like we have the kind of… friendship where you’d tell me if you were dating someone… But, there was still a small part of me that believed it for a second, and it was actually so hard to not feel a little sad about it.” Your words came out quiet, and you actually had no idea why you had just said all of that— perhaps that confession did not make for the best post-sex pillow talk conversation. But, for some reason, you wanted to say it. 
It was a thought that had weighed on you all those months ago, and you knew that you couldn’t tell that to him then because of what it implied. And you weren’t entirely sure why and what made this moment different from then. 
Steve was quiet for a bit and his face was buried in your neck as he softly spoke. “I don’t really know what to say to that.”
“It’s okay,” You whispered back. “You don’t have to say anything. It was dumb of me to feel that way about it.” 
He rolled off of you and the feel of his warmth against you was something that you missed almost immediately. For a second you thought that maybe you ruined this moment, whatever it was, but then he said something.  
“What are you doing this weekend?” He asked, and you were grateful for the randomness of the subject change. 
You let out a breath that you didn't know you’d been holding and turned on your side to face him. “For once, absolutely nothing. It’ll probably be the last time I actually have nothing to do before the documentary I’m helping out on starts filming in a month, and I have to do some pre-production stuff for it soon.”
Work was honestly the only thing in your life that felt completely certain, so it always felt easy to talk about.
“You should come to New York. I’m going tomorrow, and I'll be there until the premiere here for the movie next week. I have to do some press stuff and have a few meetings. A bunch of boring stuff, but you should come for the weekend,” Steve said, one hand finding your bare hip and softly rubbing the skin. “To make the boring stuff a lot less boring.” 
You couldn’t help but smile at that, and you nodded at him, quickly deciding not to think too heavily about your answer. “Okay.” 
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
It was a little surprising that it wasn’t surprising how easy things fell back into that old place with you and Steve. Back to what sort of resembled the “arrangement” that had started during filming a year ago where you two pretty much acted like you were in a relationship, but neither of you would say the words or wholeheartedly acknowledge that fact. 
There was a lot that you two would eventually have to talk about, but you decided that that would be a bridge that you’d cross once you were hours away from getting on your flight back to California. And it was a flight that kept changing because you didn’t want to leave New York just yet; you didn’t want to leave Steve yet. 
So, your weekend trip extended days upon days until Wednesday came and it was agreed upon that you’d just go back to Los Angeles Friday morning when Steve was heading back there as well because that was the same day as the movie premiere.
You had a little work to do during those first few weekdays you were there, but you found it easy to respond to emails and make the phone calls you needed to from the comfort of Steve’s apartment, which was smaller than his place in LA but of course still massive and had a great view of Central Park. The dining room area became your makeshift “work from home” spot with your laptop at the table at pretty much all times. And while you did that, Steve was off doing press stuff for the movie, or he was in meetings; the things aside from filming that came along with being a famous actor. 
And then when the day would change into the evening and then night, you two were together, doing everything that you both had desperately missed doing. You two still knew each other’s bodies so well, and it was as if that fact was only further and further proven every night. 
It was hard not to be close to each other when for so long, you hadn’t been able to be, and because of that, things became a little different this time around in comparison to what the “arrangement” had been. There were little touches and affections— holding hands while sitting as close as you possibly could on the couch or Steve kissing you goodbye before he’d leave the apartment— that hadn’t happened before because of the lines that had been metaphorically drawn, but they felt pretty blurred now. 
A sort of routine quickly and almost effortlessly formed and it gave you that glimpse into what you and him could be if the circumstances were slightly different. And it was hard not to admit that you completely adored what this “what if” looked like. 
“We need snacks.” Your words were random and abrupt and Steve only looked at you amusingly. 
It was Wednesday night, days before things would inevitably change, and you weren’t completely sure what they’d change into— if they’d go back to the normal you had created with Steve where the two of you were friends and nothing more, or if things changed into something else entirely. You still completely avoided thinking about it all, and it was pretty damn nice living in this fantasy world. 
The two of you were on the couch in his living room. Your legs were draped over his lap and a blanket covered you both.
One of Steve’s hands was absentmindedly rubbing your leg beneath the blanket as he spoke. “There’s some stuff in the pantry.” 
“If we’re about to spend the entire night watching The Hunger Games movies we need more than just the chips to keep us alive.” 
His eyebrows furrowed at your words. “Am I underestimating how long these movies are?”
“You definitely are,” You said with a small laugh and pressed a quick kiss against his lips. You then pulled off the blanket that had been draped over the both of you and stood up from the couch. “I’ll go to the convenience store down the street.” 
Steve got up as well. “I’ll come too.” 
You quickly shook your head. “No way. It’s kinda insane how the paparazzi seem way more ruthless here. I think they’re always camping outside the building.” 
Over the past few days, you had come to the conclusion that it was lucky that Steve lived in an apartment building because whenever you would leave and come back, no one could ever know that you were there for him. And you knew just how big of a field day they would have if they did know, especially because of the dating rumors that were still circling about him and Lily.
“Yeah, way too many famous people live here,” Steve said as he followed you into his bedroom.
Your small suitcase, that had only been meant for a weekend trip and was packed as such, was a haphazard mess in the corner. You slipped off the shorts you were wearing and pulled on a black pair of leggings.  
“And yet, I’ve still not run into Paul Rudd on the elevator since I’ve been here,” You jokingly said and expected Steve to laugh, but instead he bypassed your statement.  
“Wait, it’s raining. You sure you’re gonna be okay out there?” 
You smiled at his slightly concerned face. “Okay, I know I’ve been living in LA for a long time now, but don’t worry I have in fact experienced rain before.” 
Steve shook his head at you but still couldn’t help but laugh a little at your words. “Hold on.” 
He almost immediately walked away, heading into his closet, before you could ask him what he was doing, and then returned moments later with a hoodie and umbrella. 
“I was already planning to steal a hoodie, but thanks for the umbrella,” You told him with a smile as you put on the plain black hoodie. “What kind of candy do you want me to get?”
“Skittles.” 
“Solid answer,” You responded with a nod. 
The two of you headed toward the front door and you put on your shoes that were next to it. Once you were done, Steve handed you the umbrella. He then pulled the hood of the hoodie over your head and then leaned in to press a kiss on your nose. “Don’t meet Paul Rudd on the elevator.”
You laughed a bit. “I’m sorry, but I really, really hope I do.” 
You didn’t meet Paul Rudd on the elevator, and you told Steve that with an over dramatic sad sigh when you came back from the store twenty minutes later, a bag full of junk food in hand, before you both settled back on the couch.
The two of you were only able to fully watch the first two Hunger Games movies before falling asleep an hour into the third one, around two in the morning. You half-woke up when the credits were rolling and then lightly poked Steve awake so that you two could go to his actual bed for the rest of the night.
“This is how it would be, y’know,” Steve said in the morning, words slightly getting lost in your hair.
The two of you were cuddled in his bed, your back pressed against his front and one of his arms draped over your waist. You had just finished having a half-awake discussion about what to do for breakfast before he said that he had to leave soon for the final day of press interviews for the movie, but he told you about a bagel place nearby that you’d probably like. And then the conversation shifted to a pinky promise agreement that you and him would finish the final two Hunger Games movies that night. 
Things became quiet after that, with both of you savoring the last few minutes you could spend in bed, and you found his hand, intertwining it with yours and pulling it up to kiss the back of it. 
You almost shifted around to face Steve after he abruptly said his previous words, but you felt too comfortable in your current position to do so. “How what would be?”
“You and me if we decided to be something real.”
 “Steve,” You said softly and then decided to shift around so that you were looking at him. His hair was a little disheveled and he looked pretty tired, but he also looked so cute. If he hadn’t just abruptly pushed open the door to the conversation that you knew needed to happen, you were certain that you would’ve kissed him right then. 
“I’m just saying...” He said as his shoulders upturned in a small shrug. “Also, I’m slightly kidding. This week has been really good, and I’m glad we got to have it, but I know things will go back to… normal soon. And that’s okay.” 
Hearing him say that— confirming that things would just go back to how they were, a friendship where you both seemed to just lie about what you really wanted and how you felt— made you get hit with the sudden realization that you hated the thought of going back to that.
However, for some reason, you couldn’t find the words to tell him that right then, so instead you nodded at what he had just said and plastered on a fake smile. You made your voice sound as light as possible. “Yeah.” 
He left the apartment forty-minutes later and you left it twenty minutes after that, deciding to go to the bagel place he suggested because you were hungry and also because you didn’t want to be alone in his apartment with only your confusing and contradicting thoughts to keep you company. 
However, somehow as you walked aimlessly around Central Park— your bag with your plain cream cheese bagel in one hand and iced coffee in the other— that was when it felt like the dam broke, and your mind started spiraling because it finally felt impossible to keep avoiding and pushing your thoughts away. You were finally facing the bridge that you had told yourself you’d eventually have to cross, and in your head, you could see that the end of it was leading in two completely different directions. And you knew the exact direction you wanted to go in. 
Your friendship with Steve was supposed to be more than enough. That was what you had told yourself that night at the wrap party to convince yourself that you were completely okay with only having a friendship with him. 
But now, after these past five days of getting that glimpse into what something more could look like, you knew that just being friends really wasn’t enough, and it never would be. And although a part of you still felt a little scared to risk it all, there was an even bigger part of you that didn’t want to give this up anymore. 
You couldn’t give up how completely and irrevocably happy Steve made you in more ways than just friendship. It was a mixture of the butterflies you’d get in your stomach whenever he would pull you close to him to press a soft kiss against your forehead or cheek and the wide smile you’d get on your face when he’d come back to the apartment after being gone for hours. It was also how he would look at you so adoringly when you would ramble about work stuff and how he could easily manage to convince you to stay in bed for “five more minutes;” five minutes that would always turn into at least ten but you never cared. 
Steve Harrington made you the happiest you’d ever been and you suddenly became tired of continuously avoiding that fact.  
It was a series of quick but definitely long overdue actions that happened next. 
You found yourself sitting on a park bench with the thought of eating your bagel or drinking more of your coffee long forgotten for the time being, and instead they simply sat next to you, because there was something else you needed to do at that moment. You pulled out your phone and went to Steve’s contact, pressing the call button before you could think twice about it. 
It went straight to voicemail, just like you knew it would because he always kept it off during interviews, so you waited for the way too familiar “beep” sound and then started speaking. 
“Hi,” Your voice came out softer than you expected it to, so you cleared your throat. “I knew that you weren’t gonna answer, and I’m kinda glad that you didn’t because I just want to get all of this out all at once. So, stay tuned for a very long-winded ramble from me.” You let out a small laugh. “Um, anyway, these past five days that I’ve been here in New York with you have been so good, like insanely good, and I’ve been avoiding thinking about what would happen after this and what would exactly change between us. And I was completely okay with not thinking about any of that because it made it easier to just live in the moment and be happy with what we’ve been doing. But then this morning, you said that it’s okay that things will go back to normal soon and that finally made me think about everything, and I realized that I don’t want us to go back to “normal.” I actually kind of hate the thought of doing so.” 
You stopped for a moment, gaze becoming fixated on a group of friends that had blankets spread out in the grass and were having a picnic not that far away from you, and then you looked at a couple that was walking down one of the paths holding hands. 
After taking a quick breath, you kept going. “You’re so important to me, and our friendship is so important to me too… But I love you. I’m in love with you. And because of that, I can’t just be your friend. I want more, I want us to be something real; and that’s pretty much exactly what you said that night at my apartment almost a year ago. I’m so sorry that it’s taken me this long to realize just how fucking great we are together.”  
Your hand that wasn’t holding your phone to your ear began absentmindedly playing with the hem of the sweatshirt you were wearing; it was the Vancouver crewneck he got for you.
“I want us to have days like this past week forever. And I know that this week has kind of been a fluke because, for the first time in a really long time, our schedules worked out pretty well. But we can make this work. I know we can. I was an idiot to say that we don’t make sense before because we do. Yes, our lives pull us in pretty different directions most of the time, and it sucks, but it's okay because it doesn’t change how I feel about you, and it never will. And I think that's the most important thing. It's why I know we, us, can actually work.”  
You leaned back against the wooden bench and let out a breath. “Okay, wow, I’m so surprised that I haven’t been cut off yet… I’m currently sitting on a park bench in Central Park, and I got a bagel and coffee from the place you mentioned. I haven’t tried the bagel yet, but the coffee’s pretty good…” You trailed off with a shake of your head and then laughed a bit. “I have no idea why I’m telling you that right now. Um, anyway, I’m gonna stop talking now, and I’ll see you back at the apartment later. Bye.” 
When you ended the call and pocketed your phone away, you felt an immediate weight lift off of your shoulders and you let out a contented sigh that turned into a small laugh. 
You waited for a second, though, waited for something that resembled dread or regret to suddenly hit you, but it never did. And that was what let you know that what you’d just done was fully the right thing to do. 
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
Hours later, you still felt nothing but complete contentment with what you had done, leaving the minute and a half long voicemail that would, in fact, change everything. You wanted it to change everything. 
After responding to a handful of work emails and then enduring an hour-long phone call with one of the Producer’s of the soon-to-be filming documentary, you were in the kitchen searching for some sort of a snack to eat. However, hearing the sound of the front door opening halted your rummaging. 
“Hi,” You said, watching Steve enter the apartment and then close and lock the door behind him. 
He met your eyes almost immediately. “I really loved that voicemail.”
You smiled at him, at how quickly he wanted to address the elephant in the room before it really even had a chance to enter. “Yeah?”
He didn’t hesitate to nod his head and he smiled back at you. “Yeah. I’m never deleting it.”
He looked so happy as he walked over to you where you were leaning against the kitchen island, and that look made your heart constrict in your chest. 
“I love you,” It didn’t feel the tiniest bit scary to say the words right to him, they just felt so honest and undeniable. Your voice was soft and your arms came up to wrap around his neck, hands immediately finding home in the hair at the nape. 
“Mm,” His eyes slipped shut as his arms circled around you, pulling you against him.  “Say it again.” 
Your mouth was right against his ear as you spoke. “I love you.” 
He hummed again and then pulled back a bit, his nose brushed against yours and his lips did the same. It was all so teasing, like he wanted to take his absolute time with kissing you. However, now it didn’t have to be slow or drawn out because none of this was going to abruptly end; there was no expiration date apart of this like the arrangement you had a year ago. 
“I love you too,” He said before finally slotting his lips against yours.  
There was so much expressed in the soft kiss. It completely felt like the beginning of something new, something better, rather than simply a continuation of what you two had. The kiss was so certain and sure and it only further confirmed to you that everything happening was right and good and perfect. This was what you had wanted from the moment the two of you made that pinky promise during the wrap party; the one where you both said that you wouldn’t let your friendship end. Technically, it wasn’t being broken. 
You pulled away when you started feeling lightheaded and you met Steve’s gaze as you allowed yourself to breathe for a bit. You were quiet for only a second. 
“This will work,” You whispered. 
Steve nodded and then pressed a kiss to your forehead. “Yeah, it will.” 
The three simple words comforted you, they wrapped around you like a warm blanket, and you savored the feel of them. For the first time, probably ever, your overthinking mind felt sated; it couldn’t find anything wrong about this moment. You finally felt like you could breathe so goddamn easy because there was nothing to truly worry about, and you found yourself wanting to cry at that feeling, but you didn’t. Instead, you kissed Steve’s cheek and then his other one, and then his nose and forehead. 
“This is random, but I’m really, really glad that I was forced to be your assistant.” 
Steve laughed a bit at that. “Sometimes it doesn’t even really feel like that's where we started.” His hands found yours, intertwining them and giving them a light squeeze. “But, I’m so fucking glad that it was you.” 
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
author’s note: i'm gonna miss these two<333 i hope yall enjoyed this series! its been a rollercoaster fr (a good one for the most part though lol) i might do lil blurbs for these two someday because i'm way too attached to them and i have some minor ideas of some things i'd wanna do involving them.... but that probably won't happen for a while because after somehow being able to put out chapters weekly for this i do in fact need a Break lmao but anyway thank you for reading and enjoying this series🫶🏾🫶🏾🫶🏾🫶🏾
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autumnmobile12 · 9 months ago
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"If you're too short to stare down your nose at someone, keep your chin down, your eyes up, and don't blink. It's not as threatening, but it will show you are not afraid." -Mai (probably)
...
In exploring various avenues to go about a Ghost Hunt/My Hero crossover, one of the more entertaining dynamics I think would be the interactions between Mai and Endeavor.
To put it bluntly, there is a strength behind Mai’s character that I don’t think we in the Ghost Hunt fandom give her near enough credit for, and that is the fact that on a fundamental level, Mai is fearless.
As per general anime protagonist behavior, she is almost exactly like Deku when it comes to doing what she perceives to be the right thing.  Reckless, yes, and she is often running headlong into danger, but it’s important to remember Mai has also never been afraid to call anyone out on their bad behavior.
Within minutes of meeting Ayako, she called her out for talking down to her classmate, a classmate she was not even particularly close to.
She often calls out Masako and Naru both for their condescension and attitudes.
Takigawa was physically holding her back from going after the faculty at Rokuryou.
She called out Lin pretty quickly for his bullshit.
And she straight up yells at everyone in the very first case for their bickering and posturing even though she barely knew any of them.
In canon, Mai jumps at ghosts and she is easily unsettled/frightened, but even against Urado, she still has the inherent resolve to think, ‘Okay, you need to go.’
Also recall the fact that she has not hesitated to out Naru twice on minor secrets solely because he pissed her off.  That whole bit in the Labyrinth case where she demands to know why he didn’t tell them the full reason why they were there and he just answers with how ‘some people don’t know when to keep their mouth shut.’  Yeah, he didn’t say that because he didn’t think she could keep the secret.  Homeboy straight up knew she would weaponize that information if given the chance.
For all her compassion and the ‘good girl’ vibes we remember her for, Mai is petty af.
...
This is why I like writing Mai as an adult.  Canonically as a teenager, she’s already formidable in her own way.  As a young adult who’s dealt with Naru and company for a few years and has subsequently gotten used to the constant razzing and sass the whole group brings to the table (and let's be real, nobody in My Hero Academia would be prepared for the full force of SPR's combined sass,) adult Mai would be a force of nature.
So as intimidating as Endeavor is, I legitimately think Mai’s reaction to him would be a resolute,  “I don’t care if he’s three times my size and on fire, nobody speaks that way in my presence and gets away with it.  Hold my purse, hold my beer, time for a verbal ass-whooping.”
And then there’s Yasuhara saying, “Go off, sis,” and filming for posterity.
Speaking of SPR's favorite bespectacled fiend, Yasuhara has definitely hit on everyone in the top ten.
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Yasuhara and Mai both have probably ended up in this situation, possibly at the same time and the end result is always the same:
Naru stepping in.
"What exactly is your plan here? Putting them down or harming them are your only two options right now, only one of which is the smart option. Unhand them. You're embarrassing everyone."
...
SPR really be the Animaniacs sibs to every Pro with an ego. Which is, like, 90% of Pros. And villains.
...
But yeah, general cattiness between Mai and Endeavor:
"I didn't see you there, Taniyama. Perhaps your lackluster and unremarkable costume was to blame."
"Not all of us are trying to signal that Gondor calls for aid."
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merrybloomwrites · 10 days ago
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The Danger of Rubber Chickens and Crocks
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Summary: Ian insists he's fine after a fall on Challenge Pit, but that doesn't mean you don't worry about him.
CW: falling, bruises
WC: 1.2K
AN: For some reason, I find inspiration in Challenge Pit videos. This can be read as stand alone, but I imagine it in the same universe as No Pain, No Gain
Inspired by this week's pit video:
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If someone asked you which Smosh videos are your favorite to shoot, you might have to think about it for a moment. Reddit stories are always interesting, and you get to be comfy on the couch while Shayne reads you wild stories. Scripted sketches are what got you hired at Smosh in the first place, and will always hold a special place in your heart. And who doesn’t love getting to play video games at work?
But honestly, your answer would have to be challenge pit. Sure, plenty of your shows lead to chaos and silliness, but not the way challenge pit does. You never laugh harder than you do filming those videos, and it always feels like you’re just messing around and hanging out with friends. 
Every time you see a new video get pitched you hope that you’ll be chosen for it. Of course you can’t be in every one, the cast always rotating to keep it fresh and keep the fans happy, so it’s always a fun surprise when you see your name on the list. 
For this episode the three challenges are trying to draw the perfect circle, guessing who is the dancing imposter, and the quiet place challenge, which involves you all wearing crocs with rubber chickens taped to the bottom while running away from a blindfolded, pool noodle wielding Amanda. So, just a normal day at Smosh. 
It’s been a while since you and Ian have both appeared on one of these videos, and honestly pretty long since you’ve done any videos together. You know it’s not on purpose, that your relationship isn’t trying to be hidden or anything. It’s just the way the scheduling worked for the past few shoot months.
So you’re extra excited to be able to do this silly video with your boyfriend by your side. Add in Angela, Shayne, Amanda, and Chanse, and you know chaos is imminent.
The first challenge begins, and Shayne draws a frustratingly near-perfect circle. Ian does as well, which, that’s annoying that they’re both so good at this. You and the others, well, you definitely don’t do the worst of the group, but Ian and Shayne totally have you beat. 
The next challenge just leads to sillines, and at one point you’re laughing so hard that you hold on to Ian in order to not fall to the ground. Somehow, Shayne wins once again. This leads to the rest of you becoming extra competitive for the final game.
The rubber chickens are, as always, a huge hit. Sure, they’re loud and annoying, but they make everything about one thousand times funnier. Add in Amanda wearing a helmet and blindfold, it’s truly a ridiculous scene. One you’re getting paid for. 
When the game begins, you’re given ten seconds to run around and confuse Amanda. You’re trying your best not to laugh at the sound of the chickens as everyone sprints in circles when it happens. You watch Ian slip and absolutely eat shit as he crashes to the floor. 
Everyone immediately stops, and even though Ian gives the thumbs up that he’s okay, you’re worried. It was a hard hit, and you know him well enough to see that it caused him some pain. He sees your concerned face and silently reassures you that he’s fine to keep going.
At Ian’s insistence, the game continues. He does get up and starts running again so he’s obviously not injured, though you notice his hand rubbing at his leg a couple of times. He doesn’t give up, but he does play dirty by hiding behind the pillar multiple times, and then when it's just you two left, hiding behind you. 
He manages to win, but you all do give him some crap for hiding, even though it’s technically not cheating. The video wraps up with Shayne being announced the winner of the episode. 
When the shoot is done, you turn to Ian and ask if he’s really okay.
“I’m good, promise. I mean, my leg is sore, but nothing to worry about,” he says.
“Alright. It just looked like a bad fall. I got worried.”
He grabs your hand and gives it a squeeze, stating, “I’m fine. Probably looked worse than it actually was.”
You smile, relieved to see that he really is okay. He leans in for a quick kiss before the two of you part to each go to your next task of the day.
Due to your schedules you don’t see Ian until later that night. He had an afternoon meeting he knew would run long so you’d driven separately that morning so you didn’t have to wait around for him. By the time he gets home you have dinner on the table, one of his favorites. 
After dinner the two of you load the dishwasher together and settle on the couch to watch a couple episodes of a new show you’ve been binging together. 
It’s a perfect evening.
But then it’s time to get into bed. And while normally you enjoy the part of the night when Ian takes off his pants to get comfy, tonight is a different story.
“Ian!” you exclaim looking at his thigh.
“What?” he questions, confusion clear on his face.
“You said it wasn’t a bad fall!”
“It wasn’t,” he replies, still unsure on why you’re bringing it up now.
“If it wasn’t then why is there a bruise on your leg?”
He looks down and you can see the moment he sees what you’re talking about. His expression turns sheepish now that he’s been caught.
“You need ice,” you state. “Get in bed and I’ll grab it.”
“I can go get it-”
“In bed. Now.” You order before softening and saying, “Let me take care of you this time. You’re always helping me when my clumsiness gets me bruised. It’s my turn.”
“Well alright, I guess I can let you tend to me,” he replies, a fond smile on his face. 
Ian does as he’s told and accepts the ice pack when you return. He keeps it on his leg for the recommended twenty minutes and then you bring it back to the freezer so it’ll be cold when you force him to use it again in the morning. 
Cuddled up in bed you say, “I don’t like when you get hurt.” 
“I know. I don’t like when you’re hurt either,” he replies. In the dark room it’s easier to have these more open and vulnerable conversations. 
“I just don’t want anything to happen to you. I love you.”
“I love you too,” he says. He holds you closer and presses a kiss to your head. Safe in his hold, you fall asleep.
By the time the episode airs weeks later Ian’s bruise is totally healed and any memory of pain is gone.
Which is why, when you watch the completed video for the first time, you can’t help but burst out laughing at the fall. While you had been worried watching it happen live, now that you know he’s okay, it’s an absolutely hysterical wipeout.
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AN: Thanks for reading! I have a couple more Ian stories in the works, but feel free to send requests!
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darklydeliciousdesires · 8 months ago
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Sky Full of Stars - Chapter Nine.
Huge thanks to those of you still reading this! It's so strange when I come to post, as in the writing we are well into part three of the story and currently six years ahead of this time, and so much is different to how it was back here! I can't wait to share that with you all :)
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Previous chapters - One Two Three Four Five Six Seven Eight
Tag list - In the comments
Words - 4,136
Warnings - 18+ content throughout. Minors DNI!
Waking up in her bed, for a second his brain tricked him into thinking she’d still be there, Adrien reaching to find nothing but an empty space. He sighed a little, looking at the time on his phone. Eight ten in the morning. It’d be one twenty-five in the afternoon in England, where she’d flown to three days before to begin filming, his own five-week stint in France to film Midnight in Paris beginning the following week.  
His flight was two days from then, but he had a few commitments in the city planned prior to leaving, so had stayed at hers since his place was such a haul to get to and from. Five hours drive, or an hour and a half flight and then fifty minutes by car from Syracuse airport. It made sense to stay put.  
One particular commitment he was looking forward to took place later that day, meeting someone he hadn’t seen since before Christmas, someone who when she glanced up from the table as he approached, looked a thousand times healthier than she had before.  
“Homeslice!” Jen spoke warmly, standing to give him a huge hug after he’d placed his tea down. 
“Hey you. God, you look amazing! It’s so good to see you,” he replied, kissing her cheek. And hell, she truly did. She had colour in her face, her eyes were bright, and her smile lit up the entire room. It was about a million miles away from the pale, heroin sick mess he remembered seeing in the hospital back in Pittsburgh. Also, she’d gained a few pounds in weight, and it suited her. She was still slight in frame, but definitely less scary thin than she had been. 
She was dressed so differently too compared to on tour Jen, wearing a pair of grey skinny jeans and an ecru coloured sweater that sloped off one shoulder, the only thing remotely rock and roll about her look being the reveal of her half sleeve of tattoos, as well as a smudge of smoky eyeliner. 
“Thanks, man. Got that fresh outta rehab glow!” Indeed, fresh out she was, leaving the facility the week before, staying a little longer than she’d originally intended in order to feel completely certain that she was strong enough in her tentative recovery to do so.  
She’d been in regular contact with Jade, also talking to him a lot over the phone as well, the pair striking up a friendship, much to his girlfriend’s joy. It was important her favourite people got along well. Truly, what had happened had bonded them on a very special level, Jen knowing she could never, ever repay such.  
Sitting down, her face crumpled a little, waving her hand dismissively as she began to sniff. “Ignore me. I’m okay, I’m alright. I’m just so grateful to you. You saved my life, man. That’s like, the biggest deal there is.” 
“Hey, come on,” he spoke, grasping her hand, his face softening. “I did what anybody would have done, finding you like that.” Gracious as always. Jen squeezed his hand tightly before letting go, picking up her coffee as he continued. “So, how are you finding being out in the world again?” 
“Difficult,” she confessed, widening her eyes a fraction. “I’ve learned so many coping tools now though, how to get through situations that would previously have made me use. Still, doesn’t stop me from missing it.”  
“I meant to ask you over the phone, but I take it that it’s nixed you being able to take opioids for your back now, right?” 
She nodded. “Yeah, I can’t even risk using anything derivative. It’s a slippery slope, man.” 
He could well imagine. “Do you mind if I ask you why you turned to heroin? Tell me to butt out if you want. I tried to ask Jade if she had any ideas, but yeah. She shut it down immediately.” 
She laughed softly, shaking her head. “She handled it about as well as I expected her to. Is she still blaming herself for not noticing?” 
“Oh yeah,” he revealed, eyebrows fluttering upwards as he scratched his chin. Trying to tell her otherwise had fallen on deaf ears, as they both knew it would. For him at least, it was becoming a concern. Her coping mechanisms for distress were not healthy, and it worried him, how much she internalised what caused her pain. 
“She needs not to. I was a sneaky son of a bitch with it, man. As for why, yeah, you can ask. You’re the one who found me OD’ing, I fucking owe you that much, Adrien.” Sipping her coffee, she took a breath, ready to tell all to who truly was the first person outside of her immediate family and therapy circle. He made it easy, though. Jade was right; he was a fantastic listener, as she’d discovered through tentatively getting to know him on tour and over the phone while in rehab.  
“Taking the pain pills, it wasn’t all about my gnarled up back, dude. It’s like, I have all of this crazy energy constantly whirling, I always have. It’s why my dad - may he rest - was the first person who put a set of drumsticks in my hand when I was six. I was always tapping, tapping, tapping, y’know? Except dad happened to notice it with a natural rhythm.” 
Adrien nodded, listening without interruption as she took it back much further than he was expecting.  
“He thought it’d occupy me, learning to drum, burn out a little of my zany energy, and it did to a degree. But nothing ever stopped the noise in my head, which I’ve since learned has been me suffering from high functioning anxiety for pretty much most of my life, man. The therapist I saw in rehab really helped me identify it all, dug to the root cause. Smack eventually became my outlet for shutting my brain off so I could fucking sleep.  
“I didn’t make it easy on myself, snorting blow as much as I was to shake the sluggish feeling I had. At first, I was just shooting up a few times a month, when being drunk or naturally exhausted didn’t work. It was the classic thinking of not seeing I had a problem, because it was only once in a while, y’know? Addicts, they ain’t always like those dudes from that movie Trainspotting. It can look different. This chick I met at the centre, she was a fucking CEO of a massive company, shooting up at the weekends to just feel all floaty and nice for the afternoon before returning to her life.  
“She was like me, though. Not a longstanding user, but got more regular, and then she fucked up and took too much. I won’t be fucking up again, because I fucking love my life and having been so close to leaving it, it frightened the shit outta me, man. Again, I am so fucking sorry for putting you through that. I know I’ve told you a million times, but I gotta make my peace with it, that it was a guy who I barely knew as you were back then, my best friend’s boyfriend, no less, who found me.”  
God, she was such a force. Her revelations made him see her in a completely different light to how he once had. She still had that energy about her, but it was tempered now, probably down to her finally receiving the correct treatment for her anxiety, he guessed. “I think you’re really something, just seeing you had a problem and dealing with it so head on. No hiding, no denial, just like, ‘yep, this is what’s wrong, and this is what I gotta do to fix it.’ That’s a really admirable trait.”   
A shy smile danced across her mouth, Jen running her hand through her long, wavy hair. “If my shit needs fixing, then I’m not gonna run and hide from it. Can’t do that and not expect the inevitable implode.”  
He looked a little uncomfortable for a second, in indecision whether to voice what was on his mind. Luckily for him, Jen read him like a book. “She does it, we both know that she does, and yeah. You ain’t the only one who wishes she didn’t.” Taking a deep breath, she puffed her cheeks out, smiling thinly. “To be fair to her, it’s a behaviour she’s fallen into without much checking from those closest to her. We all did, man. Us girls, I think from a very young age, we didn’t hold one another accountable for our shit, y’know?” 
“No, I don’t,” he smiled, a little baffled. “Explain?” 
“So, you know how young we all were when we first started out. We were seventeen when we cut our first album, except for Jess at sixteen. We were kids, still. Children! And we got thrown into the machine, these five babies who were catapulted to huge fame so damned early. Too early, man.  
“With every person who praised us though, there were another five wanting to cut us down, from critics even to contemporaries in some cases. It bonded us so tightly, protecting one another from it. I think we took care of each other so damned much, that we never saw our flaws, or we let each other get away with it more than we should have. I'm not saying it’s anybody else’s fault other than our own, like me and my addiction, Katie being very aggressive when she sets her mind to it, or Jade being a control freak who internalises her pain, but yeah. It’s what we did.”  
He remembered back to how he’d felt at seventeen, and then tried to apply how he would have coped if his fame had begun right there and then, going from a nobody to someone effectively shot out of a canon into such huge prominence. It made him shudder. No wonder they’d bonded so closely. “That actually makes a lot of sense, that you’d protect each other to that kind of degree. I worry about her still continuing to do it though, at almost thirty-two. I know I haven’t been on the scene long, but your friend? She means the world to me.” 
A happy grin illuminated her mouth, reaching to cup his face momentarily with both hands. “You’re such a good fucking guy, Adrien. I’m glad she’s found you, because some of her exes...” she trailed off, letting out a long breath through gritted teeth. “Ivan was definitely the worst, because of what happened, but yeah. There were some straight up douchebags for a time. Of course, she blamed herself for all of it going wrong, because that’s her.” Pausing she fiddled with the handle of her coffee mug. “There’re things I could tell you, but you should probably hear it from her, y’know? Except...”  
“Except she isn’t likely to tell me until she stops panicking that she’s gonna mess up what she has with me, too?” he offered, watching her nod deeply.  
She pointed a well-manicured finger at him. “Bingo, dude. I mean, she does seem like she’s settling to the idea. Probably because she can see that you’re not a douchebag like the rest were. You don’t have any red flags she’s actively ignoring. In fact, the only thing she’s mentioned so far that’s negative is that you sometimes give her tummy ache with that big ole’ cervix banger you have between your legs!” 
It was an unfortunate moment for him to finish his tea, snorting with laughter into the cup and almost choking. “Oh, god,” he groaned, wiping a hand down his face as he felt his cheeks warm a little. “You girls, shit. You all probably know much more about my junk than I’m comfortable with.”  
She barked a laugh, thinking how adorable he was, how easily embarrassed he got. “Yeah, but it’s all good, man. All good!” Pausing, her smile crinkled her eyes, cocking her head. “She thinks you hang the moon and stars, my gal. She’s really in it with you.”  
He nodded. “I do know, yeah. It's nice to hear it confirmed from one of the people closest to her, though. I haven’t ever met anybody like her. She’s so ridiculously lovely, so down to earth as well. One thing I really like about her is just how normal she is. There’s nothing pretentious about the woman. Just before Christmas, she mentioned that she was going out for lunch with her friend Tony while I was heading to an interview. I opened her apartment door and there’s Anthony fucking Bourdain standing there! Or the time I came downstairs shortly before she went away and she’d just chilling on the couch, drinking tea with Iggy Pop like it’s the most normal thing in the world.” 
She shrugged lightly, playing with the little empty packet of sugar next to her coffee mug. “It is for her. She doesn’t see people’s fame; she just sees them.”  
Of course, she did. It was what had drawn him to her so much when they first met. “That’s if she even knows who they are. I’m still not over the whole Dalai Lama thing. God, I nearly ruptured something when she told me about it!” 
Throwing her head back, her laughed filled the space. “Ahh, shit, yeah, yeah. That was the best one I think she’s ever done! There I was, man, on the side of a dirt road in Kathmandu, crying with laughter at her.” 
Their coffee date wrapped up shortly after, the pair moving to their next destination. They were heading to watch The Conversation, the film that Jade had taken a pause in touring from to film, and which had premiered in the US two days before, the lady herself attending the London premiere the previous evening. It was her first major role, playing Lydia Todd, a prolific serial killer confined to a psychiatric unit, starring across from Edward Norton, the FBI profiler tasked with conducting a series of interviews with her.  
Adrien had been looking forward to it just as much as Jen, both taking a seat at the back, chatting quietly while they waited for the lights to dim. For the following ninety-seven minutes, they were glued to the screen, the performance of the woman they both adored absolutely flooring them. The way she played creepy, calculated, yet a little vulnerable wrapped up in a bow of somebody who was horrifically psychologically damaged was flawless.  
“What we’re watching,” he leaned to whisper in Jen’s ear, “is the movie that’ll put our girl on the map.”  
He wasn’t wrong. The critical acclaim Jade received in the weeks that followed had the industry buzzing, her name and status in the acting world elevated hugely. There she was, riding a huge wave of success, and he couldn’t be there to celebrate that with her by her side until March. He counted the weeks, then the days of Skype calls, phone conversations and hundreds of text messages keeping them both going, until before they knew it, she was jumping into his arms again. 
“Oh, my life, I missed you even more this time around than the last!” she exclaimed, her bum being squeezed in his big hands as he carried her through her apartment, sharing kisses, thrilled to be wrapped around him again. “And I want to show you just how much, but I need a shower. I smell of armpits and plane.” 
“Alright, I guess I’ll reluctantly put you down.”  
It wasn’t for long, though. After washing and working shampoo from her hair, she was rinsing the conditioner out when she heard the bathroom door open. “Couldn’t wait, hmm?” 
The shower door opened, his body pressing to hers, arms encircling her as his mouth buried against her neck. “Not even for another second.”  
That hunger was matched, her arm winding back, hand sinking into the soft of his dark hair, hair she couldn’t believe had grown so much in two months. A sigh poured from her sensuous lips like wine as his hands gently squeezed her tits, nipples pinched to pebbles, his cock hardening against the small of her back.  
Her skin skittered with the hum of reconnection as his hands lowered in an alluring glide over her wet skin, anticipation starting to melt down her spine. He didn’t leave her waiting on it for long, one hand descending to push into the heat of her folds, the other gently clutching beneath her jaw as he turned her head, leaning to plant a kiss of fire and honey upon her lips.  
Tingly heat prickled as his fingers glided through her folds, the sweet dew of her pussy slicking against his touch, a shuddered breath fluttering from his mouth to hers as she quickly began to gush against his fingers. Their want spiralled like a tornado, kisses becoming more urgent, her body wracked with shivers as he rubbed tight circles over her clit, her walls stinging with the need to feel him inside her. 
Turning, she wound her arms around his neck, Adrien lifting her, shunting her body against the tiles and without ceremony or warning, dropping her straight down onto his cock. He kissed the gasp the fell from her mouth, teeth nipping her lower lip, grunting low as her legs tightened around him. His fingers dug a hard clench beneath her thighs, driving up into her with force as the water cascaded down his back, lips sliding from hers to once again tease hot kisses against the column of her throat.  
Panting against his mouth, she stared him in the eyes, nails dragging through his hair, fingers clenching to tug gently. “God, you turn me on so much. You’re so fucking gorgeous.”  
Truly, he’d never felt as heavily coveted by a woman as he did the one who had completely captured his heart. She near constantly made him feel good about himself, not that he particularly suffered with confidence issues. It was always nice to hear how much he stirred her desire, though.  
Rutting into her core hard, he groaned deep as his mouth found hers again, lost in the eye of her storm even though truly, he was the one driving it, all the love, longing and need for her mingling and sending him mindless. The blaze of him caught at her edges, sent sparks skittering within her blood, his hips driving like a piston against her.  
It was too wild to last beyond pure, basic urgency, a heated fuck of primal need within the water and steam, sending them both soaring rapidly to their bliss. It ripped through her like a current, her nails clawing down his back, that feral edge toppling him as he spilled deep into her, teeth clamping upon the side of her neck. It glimmered through them gently in the wake of such intensity, tiny pin pricks suffusing, both panting hard as he set her back down to her feet, entwining as they kissed.  
Once out, dry and dressed, they headed out for dinner, both catching up with one another properly. 
“Seriously, do you have any idea how proud of you I am?” he began after they’d eaten, Jade moved to his side of the booth they’d been seated in, his arm draped around her shoulders. “Watching you as Lydia wasn’t like I was seeing you there. Jade was gone, it was all her, this complete other person.”  
To receive such praise from her extremely accomplished boyfriend, a man whose talent was so renowned, it honestly bowled her over completely. “I was so nervous about it. I worried constantly that I’d overplayed her in some moments and fallen victim to underplaying in others. She was so complex, and I wanted to do the nuance of the character justice, so hearing you say that really does set me at ease.” 
Kissing her head, he smiled widely. There was no bullshit with her, not false modesty. She honestly had fretted – and still was – over the performance that had earned her such critical acclaim. “You were amazing. I said to Jen that it was the movie that’d put you on the map, and I was right.”  
Turning to him, she rested her forehead to his, nuzzling him softly. “I love you so much.” 
“And I love you about a thousand times more, Moo.” 
Crinkling her nose, she shook her head. “Not possible.” 
“Yes, possible.” He kissed her softly, pointing at her. “Don’t argue with me.”  
Laughing, she reached for her drink, leaning into him as she finished it, the simple happiness of that moment something she knew would be remembered for a long time. They headed back to her apartment after that, walking the twenty minutes hand in hand, enjoying the weather beginning to finally warm as winter made way for the imminent arrival of spring.  
Once in her building, she checked her mailbox, Adrien telling her he’d forgotten to collect it for the last couple of days. As expected, it was full. 
“Look at this!” she exclaimed, yanking the bundle out. “She’s nine months pregnant with post!” Her words made him laugh, finding himself playfully whacked upon the shoulder with the clutch of letters as they walked into the elevator.  
Placing the letters down on the counter in the kitchen, she pulled a bottle of wine from the rack, Adrien disturbed from kissing the side of her neck by his phone ringing.  
“It’s my dad, I’ll be in the lounge.” 
She smiled, pouring a glass and placing it into his hand. “Okay, sexy mans. Tell him I said hi.” 
He winked before turning, Jade pouring herself a glass before sorting through the pile. Invites to gala’s, functions, other celeb-type events all in the form of fancy cards sent in decadent looking envelopes, and amongst them, a handwritten one. The postmark stated Omaha, Jade frowning as she slid her thumb under the sealed join, trying to figure out who she knew in the Nebraskan city, the realisation suddenly hitting her when she took in the handwriting.  
It was the neat scribe that had written three years' worth of lovely birthday and Christmas cards to her, from a woman whom she had been very fond of, once upon a time. What reason did Polina Kuznetsova have to contact her now, though? 
“Dear Jade, 
I am contacting you on behalf of my son, for of course he cannot. I truly do hope this letter finds you well. Ivan is doing great in prison; his father and I are very proud of his progress after being so very ashamed in the aftermath of the way he treated you. Please, do not think my words in this letter will ever condone what he did, for I do not, but you must understand a few things. The steroid use, it changed who he was. It did. You know that as well as I do. He was night and day in difference, the man he was when using and when he was not. He feels much remorse for how he treated you, and he wants for you to reach out and contact him. His details are included below.  
You two made a wonderful couple, and he wishes to build something again with you in view to eventually reconnect and repair the damage he did upon his release. I think that you should consider this, I honestly do. He still loves you, and to be brutally honest, you both had blame in the relationship. You put your career before him time and again, and I cannot blame him for being hurt over that...” 
She didn’t need to read the rest, the words from a woman who might have said she didn’t condone her son’s actions, but didn’t give a damn enough to even for one second consider what her letter would do to a woman who truly - not that she’d admit it - wasn’t over what had happened to her. Her words about the blame, too. It hit her like a knife to her chest... 
“You never make time for me, Jade! Always this tour, or that movie! You on the move constantly, that’s why it happened! It was your fault that we...” 
The panic of it, his voice in her head, everything she’d so tightly pushed down began to rise. It was too much. Her limbs felt light and tingly, the breath stolen from her lungs, turning to grab her bag. It was without stalling or thought that she ran from her home, back out into the New York night, needing to be alone as her emotions crashed within like a bomb.  
It was beyond her completely that who she should have run to was the one she’d left behind in her apartment.  
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olderthannetfic · 2 years ago
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audience question: what books/movies would you give (or have given) your kids to become their formative media? i'm interested to see what makes the cut 👀
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I'd let them have access to my library. If it's a book, I'll let them figure out when they're ready to handle it.
(Works fine as long as you're a decent parent and answer questions that come up without being a weirdo about it and freaking them out so they never ask you anything again.)
For films and other things... hmm... it's tricky because all of the formative tings for me were the genre I'd call Weird Art Films About Weird Sex.
If my kid were shaping up to be that kind of weirdo at 14, maybe I'd leave some of these around, but I think it would be pretty intrusive to thrust them upon anybody outside of a film school seminar. Maybe Harold & Maude. My parents rented that when I was a tween. It made An Impression. It's rare for me to see something even two or three times, but Harold and Maude I've seen dozens.
I still think the opening to Harold and Maude is one of the best of any film:
youtube
You immediately know what kind of people both of these characters are and that this isn't going to be a simple comedy, dark or otherwise.
The first time I watched it, I knew nothing about the film and was surprised at both this and all of Harold's other antics. It's hilarious until it isn't. It's a movie about zest for life vs. wanting to die, and it walks an interesting line tonally. I remember rewatching it to show it to friends in college... and for the first time understanding that look Harold gets when he sees Maude's arm.
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There was definitely media I loved pre-puberty, but the things I remember are all like Nancy Drew.
I consumed vast quantities of mystery, and it's probably why I'm a mystery novelist today, but I don't remember anything specific that feels formative in other ways. I wouldn't try to stop a kid from reading trash. I remember how infuriating it was to have adults constantly trying to make me read something "better" than Nancy Drew. But I wouldn't specifically hand my kid those or any of the other formulaic junk series (Sweet Valley High et al.). They'll find whichever ones are popular at the time just fine.
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There's a very particular feeling of my brain lighting up that I remember mostly from my teen years. Those media made me quiver and have to pause the movie. I felt seen or maybe I felt too much to handle. That's the feeling I associate with formative media for me.
Here are the ones that instantly spring to mind even after all this time:
Velvet Goldmine - Music fan investigates the glam rockers of his youth, meditating on his sexual awakening and trying to solve the mystery of where one of them went. Ewan McGregor's tweet is the sequel. I will accept no other outcome.
Crash - James Spader at the peak of his beauty falls into the world of car crash fetishists who are dealing with the ennui of modern life and the alienation of the big city and technology by becoming perverts. Contains people going down on scars and tattoos, fetishy leg braces, and what teen me assumed was homoerotic subtext. (Spoiler: it was not subtext.)
Matador - A serial killer murders her victims like a bullfighter would; she stalks her favorite retired bullfighter who is also a serial killer. Antonio Banderas plays a dweeb like always in Spain. (The rest of Almodóvar's 80s and 90s movies were also favorites.)
Kissed - The fluffy necrophilia movie
The City of Lost Children - Less horny, but what is up with Miette and One's vibe? Visually a feast. Ten times the movie Amélie is. Sorry, not sorry.
Cemetery Man - Rupert Everett kills zombies in this bizarre Italian horror movie based on a comic book character drawn to look like Rupert Everett. My stepfather thought it looked like something I'd like and rented it for one of my birthday parties in high school. Around the time of the quasi necrophilia sex scene I realized 1. he'd chosen well and 2. he had clearly not read the back too carefully.
The Pillow Book - Japanese-Chinese novelist named after Sei Shonagon has a battle of literary wits with the publisher who blackmailed her father into sex with him. Involves a lot of calligraphy on naked men, including Ewan McGregor.
Sex, Lies & Videotape - Unfulfilled housewife has her world turned upside down when her shitty husband's college best friend comes to visit. This dude has become unable to be with women after a bad breakup and interviews and videotapes women discussing their masturbation habits for his own private use. Contains a famous and stupid quote about men falling in love with the people they sleep with and women becoming more and more attracted to the people they love, but the movie is far less gender normative than the character saying that.
Tesis - Uptight film student who pretends not to like violence decides to do a thesis on violence in Spanish media. Her advisor dies while watching a mysterious tape he got from somewhere. She steals it, finds out it's a snuff film, and investigates with the help of a creepy horror film nerd.
The best scene is when they're watching some violent shit she asked him for ("for her thesis") and she says "What kind of people watch this stuff?"
He answers: "You, for example."
That one I discovered when my roommate in Japan was watching it a couple of years after college. Many of these I saw in high school. That's the range where I remember things being particularly formative. Or maybe it's about what I'm open to at different points in my life: I think weird art films can still make me feel too much, but I don't always like that feeling, and I don't seek them out as much now.
Knife+Heart made me flash back to that era though. It's a neon-drenched period piece about a lesbian director of artsy gay male pornos investigating a serial killer targeting her actors. The sheer levels of meta insanity and horny murder scenes, my god!!!
Running through all of these are themes of ambiguous sexuality, often queer but also non-genitally-focused, massive quantities of voyeurism, meditations on what it means to be a fan, and a boatload of death=sex=death vibes.
--
That's not quite what you asked, but basically, my own formative media isn't something I'd share with just anyone. If people want to watch necrophilia-filled art films of the 90s, I think they need to choose that for themselves.
I guess all that access to Beatrix Potter and watching basically no TV other than Mystery! or Masterpiece Theater (i.e. UK costume dramas catering to a teaboo market and co-funded by the US) during my early childhood had an effect. So did going to schools where we studied Asian American history and read Dragonwings.
None of those media stand out. I'd share them with my kid, but one example is as good as another. Knives Out delivers substantially the same experience as most of them. Watching whatever anime is hot now will be as good as watching the anime I liked when I was young.
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jessthetea · 2 months ago
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If he’s the one liking her post, it doesn’t mean that they are still together. He still likes posts from his ex and I do think that he doesn’t want any speculation about it either, so we cannot be 100% sure, but I think that him liking her post does not mean that they are still together.
That is true that he does follow one of his exes and likes her posts and that we cannot be 100% sure but at the same time, let’s think about it. Why now liking a post from her after not acknowledging her and ignoring her on social media for almost 6 months? Why wait three days after her post and two days after his post about honesty on Halloween (a day after Halloween mind you) to just like it especially since he knew Liam? Why not comment on it and why didn’t he make a post of his own ( although I do understand people have their way of grieving/don’t like to post) You cannot tell me that he didn’t see her post the day of because Jamie lurks online all the time, because the day she posted that and his post the next morning is too perfectly timed. So it really would not make sense for him to wait nearly 4 days to like her post to me. We also have to remember that one time when she had posted a snowboarding video, and Jamie only liked it, and then two or three days later I believe “he came back and commented” and the comment doesn’t even sound like something he would say meaning that she’s the one that left the comment especially since she did it when he was filming ST like he is doing now. So it wouldn’t surprise me if she somehow got into his account and left a like because just like the other admin said she saw his tweet freaked out and liked her post from his account. This is the same woman who sent old pictures of him and her at the airport like they’re new to try to debunk the breakup rumors as well (Who else would have those photos? ) so we cannot put it past her. Now whether they still being together or not, from Jamie’s actions and Jess’s constant failed attempts, nine times out of ten they are not together hopefully. Something is definitely going on as to probably why Jamie can’t publicly announce the break up yet and it has Jess written all over it and it’s frustrating but yes without proof, we don’t know until something else happens. But that sudden like to her post is very sketchy.
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scifrey · 2 years ago
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Cling Fast: Chapter Seven
By Losyark The Sandman (Netflix with some sprinkling of comics canon, and Gaiman Cinematic-Literary Universe canon) Dreamling (Hob Gadling x Dream of the Endless | Morpheus) Unfinished (tentatively 10 chapters) PG-13 (for now) Unbeta’d
*
Author's Note: Those of you who have been following along at home will note that Hob's co-owner of The New Inn is now named Patrick instead of Dennis. No reason for the change, except that there were too many 'D' names floating around and I was loosing track of who is who.
*
Hob wakes up with a splitting headache, but otherwise no other effects from his hangover. Except for the sinking feeling that comes with remembering that he screwed up his 1589 feast again.
Would it be pathetic to try a third time? Especially knowing now that Morpheus rarely eats, and when he can be persuaded to, it's never British fare.
Yeah, it would be pathetic.
Hob rolls onto his back and presses his hands to his face.
He doesn't remember drinking more when he got home, but he was definitely out of it when he hit the Dreaming. It felt more like somebody had slipped something into his water bottle, but he can't imagine that anyone on set would drug him. Besides, the fey food artist had kept an eye on it all day for him, and it wasn't until after they'd parted ways with a handshake that he really started to feel woozy.
When he turns to look at the clock, groaning and sandy-eyed, he finds a light dusting actual dream sand sprinkled on his bedside table, along with a glass of water and a bottle of paracetamol. The clock reads 4:13am, so Hob takes a pill, drinks half the bottle, and sweeps the sand onto his face.
One of these days, I'm going to scold that anthropomorphic personification of a concept for leaving his shit all over the place, Hob thinks. But not today. He sinks back into sleep, grateful for Morpheus' thoughtfulness, and spends the rest of the morning laying on his back in the grass of Fiddler's Green. He and Gilbert make shapes out of clouds, and chew on coriander stalks amid a bed of flowers that Hob calls foxgloves, but Gilbert corrects him and calls gillyflowers.
"Two very opposite things," Gilbert says gently, through the rustle of the wind through the boughs of a nearby copse of French willows. Hob is reminded what the fey food artist said, that flowers scream their secrets.
"Never got into floriography," Hob confesses to Gilbert. "You know, back when it was all the rage and people were sending each other bouquets that said 'meet me in the garden at midnight', or 'my father says I am never to see you again', or 'I want you to do me dirty seven ways from sunday.' Maybe I should."
Gilbert's laughter is in the babble of a brook. The dream doesn't elaborate though, because Hob's alarm rudely interrupts them. All thoughts of tracking down a book on flower language fly from his head as he drags himself through a quick shower, and races down the back stairs of the New Inn while the transpo van idles in the drive and honks obnoxiously.
*
Hob gets to wear a few different costumes today, which is nice. He was sweating to death in the black velvet. They're filming all the scenes that need to happen in the study today, which will all be woven into the ten different episodes, so Hob's in and out of the wardrobe trailer on the front drive constantly.
That's why he notices that someone's left the outside door to the solar standing open.
This is one of three doors to the solar, the one that leads directly out into the back garden, where his bench and apple tree still blessedly stand. The other two doors are off the kitchen, so the maids could bring El her afternoon indulgences directly, and another that was knocked into the outer wall of the withdrawing room.
While the door is open, the heavy curtains are still drawn to protect the fragile textiles within from sun damage.
Hob has been desperate to catch just a glimpse of the eden he'd built specifically for his wife. He's seen the photos on the postcards in the gift shop of course, but it's not the same thing. Those pictures have it dressed for the Edwardian era, to reflect the last time the house was occupied by a family.
But the set-dec team has re-dressed it according to the descriptions in El's diary, and the merchants receipts for the fabrics, flowers, and furniture. They'd even found notes on what kind of pottery and dishware El had kept in there, a screed in the loveletters between Eliza and Will as the maid raged over the ridiculousness of having special dishware that the mistress will only take her supper on when it's being served in the solar.
Hob sneaks over to the door, and cautiously pokes his face in. Nothing is moving in the cool dark of the room, and he can't hear anything, so he slips inside and closes the door behind him. Not all the way, though, in case someone has just stepped out and left it open on purpose. He doesn't want to be caught where he shouldn't be.
Shouldn't be, he snorts to himself. I built the damn place.
The cameras are all in the study, nobody is here but him, so Hob gives himself permission to react. He feels his face crumple, and bites his lips to keep in the noise trying to crawl out of his throat. The study is right on the other side of the brick wall. He doesn't want the crew to hear him, or they may make him leave, and he's not ready for that yet.
God's Wounds, thank you, Hob sends up the prayer, but he's not sure to whom. He’s not sure it matters. Thank you for letting me have this.
The glass is different. It's newer, clearer, smoother; clearly a later addition. The small diamond-shaped panes have been replaced by long, modern sheets. But the size of the frames are still the same, wide as Hob's full arm span and at least ten feet to the ceiling. The windows are separated by a single row of red brick, the frames black metal, a dark red drape pulled across each of them. And the roof, which in Hob's day was thatched, is presumably now also made of glass, as there are light canvas tarps pulled taught on a winding pulley where the solar meets the rest of the house.
The floors are piled with carpets, to dampen the echoes that the glass had created, so El could hear herself playing. The ones the production has provided are far too modern in design, but the camera isn't going to spend a lot of time pointed at the floor, so it doesn't matter. 
What does matter is that the furniture is absolutely correct, and exactly where it used to be. The little cluster of a table and chairs, where El and Robyn used to do his numbers lessons together, where they'd snack on fruit and sweets while Hob was a docks, is in the corner by the door. On Sundays, when the three of them had just returned from church, Hob would sit on the bench under the apple tree with his pipe, and watch Eleanor pull Robyn into her lap at that table, and feed him bread pudding and tell him stories that would make him giggle and clap his hands.
Beside that, under the windows sits the long, skinny sofa. It has miniscule padding and none of the springs and memory foam of the modern version, but Hob fell asleep stretched out on it's welcoming yellow damask, listening to El pluck her way through a new piece she was learning more afternoons than he's ever napped on his current sofa. It's been recovered, but it's the same piece, because, when he runs his hand along the wooden arm rest, he can feel where Robyn scratched in an 'R' with a letter knife.
The brick wall opposite the windows is bare and exposed now, but there used to be a tapestry that, like the ones in the entry hall, have likely been removed for the sake of preservation. If they weren't thrown away or repurposed by the new family. They used to portray the bounties of the first Garden, every plant, and animal, every fruit and flower woven together in intricate, tiny detail. There had been black and red snake in the apple tree, and Hob had liked the little bugger immensely because he reminded Hob of his Stranger.
A furniture chest, what Hob would call a sideboard or a dish hutch today, stands against the bare brick. It's not the same one, that one had portraits of El's parents painted on the upper doors, but the style is similar enough that it's not distracting.
And at the other end of the solar, surrounded by massive potted ferns and an array of flowers that Hob had never paid much attention to, save for appreciating their perfume, is Eleanor's chair.
It's a grand, double-wide thing, with a matching footstool and only one arm, so El could play her lute comfortably without jamming her elbow against the side. He'd commissioned it specifically for this room and this purpose, having it covered in flaxen cloth-of-gold to match El's hair, and carved all over with little cherubs and their own heavenly instruments. It had been his wedding gift to her, and had lived first in the study, beside his desk, so they could spend their evenings together as he worked. But then he'd build this addition when he'd learned she was pregnant with Robyn, a thank you and a celebration, a little private Eden for Eve carrying Hob's new beginning, and new life.
And it's… it's all perfect.
Hob presses his hands against his chest, turning in circles to take everything in, emotion that he can't name pulling on his stomach and limbs like gravity. This place should be filled with laughter, and music, and sunlight. Instead the cool dark is as quiet as a tomb.
Hob gives into the pull of the earth and sinks onto El's foot stool, burying his face in the seat of the chair. She should be here. It should be her lap he rests his head on, like had so many evenings, where he'd perched on this exact same stool, back against her knees as she warbled in her thready, soft voice. Instead it's just fabric, and empty nothingness. Because his child killed her. His love killed her.
"Eleanor," Hob weeps, throat constricted. "I'm so sorry. I'm so sorry I couldn't save you… or our son. Either of them… I'm so sorry I didn't protect him…"
"Hot mic?" someone says from the corner, behind the plants.
"No, I turned it off to change," Hob murmurs, and then realizes with a start that he's not alone after all. He jolts upright, wiping at his face. Makeup is going to scold him again. "Christ! I—sorry! I didn't see you there."
"That's fine," the voice says, barely more than a whisper. "I sneak up on most people."
A short, voluptuous woman that Hob charitably would call extremely beige, steps out of the shadows. Her hair is beige, styled in a stringy, unwashed bun. Her skin is beige, the kind of milk-pale White that humans get in northern Europe. She's wearing a set of boring beige overalls. The only color comes from the handful of embroidered throw pillows she's carrying.
Set dec, Hob's mind supplies. She's probably the one who left the door open. They're staging this space to film.
"I'm sorry, I should go," Hob says. "It's just that the door was open and I—"
"You can stay," the woman says, moving to distribute the pillows on the sofa. "They don't need you on set right now."
"I must look ridiculous," Hob says, "Sitting here in a costume, mourning a—" he swallows hard. "A woman I never met. I just… you know, being here, I really feel what Sir Gadlen must have—"
"It's fine," the woman says, and steps up beside him to deposit the last throw pillow onto El's chair. "Grief gets its hooks into you in weird ways. People try to avoid despair, but it can be good for you. Helps you get it all out. So you go ahead and cry."
Hob thinks she's going to pat his shoulder, but she ends up cupping the back on his neck. Her palm is cold, and a bit uncomfortably damp to be honest, the kindness in her touch as she grants him this permission is what undoes Hob.
He tips forward, forehead pressed against the seat of the chair, arms wrapped around his middle, and howls. 
He doesn't think he's cried this hard since Eleanor died, since her labors exhausted her, and even that challenging, stubborn spark that she'd always carried in her heart was extinguished. Since taking another breath became to taxing for her poor body, and as Hob petted her sweat-dampened hair back from her face, and kissed her temple, and told him how much he loved her, and begged her to just push, to just hold on, to just stay, please El, please, don't go, don't do this, don't leave me— Since poor wee John strangled in the womb, wrapped in his cord and stuck in his mother's body, dead before his first breath, went with her.
The set dec woman just crouches on the carpet beside him, rubbing his back soothingly, and making soft, encouraging sounds. She smelled revoltingly musky, which was the only thing that kept Hob for accepting the hug she was clearly offering. She'd probably spilled something on her overalls.
Hob sniffles and pulls a prop handkerchief from his sleeve to pat at his face. His head is throbbing, and he feels hollowed out.
But…but not in a bad way.
"Thank you," Hob says at length. "I think I… I really needed that."
"It was beautiful," the woman whispers.
Something in the way she says that is familiar.  
“I know you," Hob says, looking up at the woman blearily. "How do I know you?"
"We used to drink together," the woman replies. She smiles sideways, like the expression is uncomfortable on her face and wants to flee immediately. "Years and years ago."
"Oh," Hob says, and thinks, It must have been the early 90s, when I spent most of days fucked up on coke. She looks good for her age. But then again, so do I.
"Thank you—" he says again, but then her walkie crackles to life, and Celia's voice comes through.
"Anyone got eyes on Doc Bob?"
"Got him," the woman replies into the mic. Hob jumps to his feet, patting at his face with a prop handkerchief he hastily pulls from his sleeve. The woman shoos him toward the door. "He's traveling, landing in five."
Bob squeezes her shoulder in thanks and jogs over to the door between the solar and the study, letting himself in.
It's not until after the makeup assistant has fixed his face, and they're part way through filming a scene where Glenn—now playing the part of the steward that robbed him blind—that Hob realizes he didn't get his old drinking buddy's name.
When they wrap for the day, Hob looks around for the beige woman, but she's nowhere to be found.
*
Tuesday rolls around again, and Hob has to beg off his usual meeting with Morpheus to sleep on camera. Hob's already been filmed tossing and turning on the narrow cot in the printer's shop (a corner of another BBC production's period drama set, while they were off for lunch), and groaning with exhaustion in a fetid boarding house bunk (a hastily slapped together set of plyboard and just-dried paint that still smelled strongly when his nose was next to it).
Now they've retrofitted the actual bed that he used to share with Eleanor with a bunch of modern supports to prevent the ancient frame from cracking under his weight, and a modern mattress disguised to look like a feather tick.
On the floors below him, Harriet is making herself comfortable on a bedroll by the bread oven, which as a kitchen maid she has to keep hot and ready at all hours; Glenn is in the servant's wing, enjoying a bed with a frame at least, but he'll still have to be up at dawn to begin his duties; and the graveyard shift skeleton crew are luxuriating in their campervans on the front drive. Robert Gadlen the Third gets to sleep until he damn well feels like it. Hob, however, has an alarm set for 8:00am so he can pop out to one of the campervans for a shower before reporting to wardrobe and makeup to begin a new day.
At least this shot is easy. All Hob has to do is stand alone in the bedroom, look into the camera mounted in the corner, remove his wrapper and cap, say a few lines, and crawl into bed. They'll then film him sleeping, and speed up the footage in post to provide a timelapse of his comfortable, cozy night's rest to juxtapose it against Harriet's and Glenn's restless one.
Hob gets the go-ahead from the crew manning the monitors outside over the walkie on the mantelpiece out of frame, claps loudly so sound can get a speed count and level on the boom mic that's mounted beside the camera, and then steps into the shot. The camera's red light blinks once, twice, three times, then glows steadily.
"For the master of the Elizabethan Manor, staggering to bed drunk and sleeping late was only for Saturdays and special occasions," he says, doffing his cap and hanging it on a peg driven into one of the posts by the head of the bed. "If he was a good god-fearing protestant, it was early to bed, and early to rise. Sunday mornings saw him, and his family, off to church or face a stiff fine. Work days for the Lord ended around sunset, no matter what time of year it was, unless he literally wanted to burn the midnight oil getting his accounts and correspondence up to date."
They had filmed that bit earlier in the afternoon, so now Hob peels off his wrapper, leaving him in only a tired old knee-length night shirt and his leather house slippers. Wardrobe had offered him a vest or pajama pants to wear under it, but Hob was quite comfortable. He'd worn something like this to bed for hundreds of years.
"But this particular lord," he gestures at himself, "has had a long day hunting, and riding, and I'd like to not waste candles needlessly. So, I'm off to count sheep. Sweet dreams."
Hob sits down on the side of the bed, swings his legs around, and pulls the blanket up to his chin. And then he screws his eyes shut because he's already had one emotional breakdown today, and he's not keen to have another by thinking too hard about how the canopy of his old bed has not changed. 
"Clean take, Doc Bob," some AD or other says over the walkie talkie. "It's in the can. We're done."
"Sweet dreams," Hob calls back as a sign off.
"Same to you, Doc," the AD says, and the walkie goes quiet.
Hob peeks at the camera, with it's red eye. It's still recording as agreed, so Hob, exhausted and genuinely sleepy, sinks into the pillows and closes his eyes.
He dozes for a bit, and comes back to awareness in an exact replica of the room his sleeping body is currently in. It takes him a second to figure out what disturbed him, and then realizes it's the sink and shift of the mattress beside him. For a second, he's terrified that he's dreaming about Eleanor. That he's going to roll over and find her laying there, dead and horrid, half-decomposed and skull-grinning on her pillow.
But a gentle voice says, "No nightmare would dare."
Hob lets out a breath of relief, and wriggles onto his side to smile at Morpheus. He is laying down over the covers, head on the pillow, face-to-face with Hob.
Incoguously, there's a single flower laid on the blankets between them, a small white-and-yellow daffodil.
"Hello, stranger."
"Hello, Hob. This is not your bedroom."
"It used to be," he whispers. "I missed you these last few nights. What brings you here?"
"You," Morpheus says plainly. "It is Tuesday."
Hob laughs. "Well, yes, I do suppose it is. But as much fun as it may be, Morpheus, I'm not spooning you in my dead wife's bed."
"Spooning?"
Hob snorts. "You know, for a god of sleep who has probably either seen or crafted every wet dream that every teenaged boy has ever rued, you are a bit of a prude, my friend." It's easier to joke about it in the Dreaming, when he is asleep and the pain is safely tucked away in the Waking world.
"I know what spooning is," Morpheus says drily. "I was simply unaware that you desired it."
"Hey, you're the one who popped up here." He gestures at the Dreamscape of his old bedroom. "You know, We used to share the bed all the time," Hob says. "Even the queen slept with her lady's maid when they were here, did you know that? This sleeping alone lark is a relatively recent phenomenon for us humans."
Morpheus gifts him with one of those ridiculous self-satisfied, haughty smirks. "I'm unsure if you've been paying attention, my friend, but I am the god of sleep—"
"Oh, shut up," Hob sasses. "I'm supposed to be resting. You know what, I've changed my mind about the spooning. Either get out or c'mere and give me a cuddle."
Morpheus looks reluctant to take Hob's invitation as a serious one, which absolutely cannot be borne. The skinny bastard is still touch starved, no matter how much pre-scheduled hand-holding they do on any given Tuesday.
Hob reaches for Morpheus' shoulders, attempting to push him onto his other side and snug up behind him. Morpheus resists, clearly deciding that as a celestial deity, it's his right to be the big spoon. The daffodil ends up above their heads on the pillow as they wrestle playfully.
Hob, who secretly has no problems at all being cradled by his Stranger, eventually lets Morpheus win.
They settle that way, Morpheus' hand played against Hob's heart, and he's suddenly quite glad that his groin isn't pressed up against his friend's arse when a puff of Morpheu's breath against his nape gives Hob some terribly naughty ideas.
And some places that they touch that Hob is pretty sure a body can’t–Morpheus seems relaxed enough to loosen his hold on on his human-shaped corporation. There are extra limbs tangling sweetly with his feet, a dark mist spilling over his shoulder like heavy incense, tangible but foggily opaque, the glow of stars in Morpheus’ eyes reflecting back at Hob from the canopy of the bed. It’s sweet, that he feels safe enough around Hob to be himself.
"Hob Gadling," Morpheus says gently, "Are you well? Only your sleep has been tumultuous."
There's no point lying to Morpheus, especially here. "It's a lot. It's—" Hob starts, before interrupting himself with an unexpected hiccough of a sob. He's cried enough for today, though, so he swallows it back. "It's just so much harder than I thought it would be."
The confession shreds his throat. Shame crawls up his face, flushing his cheeks and making his ears tingle with the heat of the horrible blush. He curls in on himself, a miserable comma. Morpheus presses himself in one long line against Hob, probably trying to comfort but instead making Hob tense and hyperaware of every place that they touch.
"Hob…" Morpheus says again, worry tinging his voice. "I did not mean to push you into an situation that would cause distress."
"And you haven't!" Hob assures him. "At least not on purpose. I just… it's a lot, is all. I had a good cry today, and they’re right, you know. It does help with the–" he does the pulling-heart-out-of-chest-squish motion. “I hate every second of it, but I’m glad of it, you know? It’s good pain. It’s… pain I’ve put off feeling for too long. A goodbye that I’ve let linger for centuries.”
“Like a nightmare whose lesson you ignore, it will only continue to plague you until you listen,” Morpheus murmurs, and Hob can feel his lips movings against the collar of his nightshirt which is absolutely unfair.
“Yeah,” Hob agrees, swallowing hard and pretending that the dryness of his mouth is from the old building, and not his situation. “And I mean, I feel like I’ve been gutted, you know. All my insides scooped out. But that’s okay, because maybe it’s time for something new to take its place.”
You, Hob lets himself think, but doesn’t dare say out loud. I wouldn’t mind if the emptiness was filled with you.
Morpheus raises his free hand, and gestures into the air. Dream sand sparks into existence in an arc, but instead of falling onto them, it hovers there, swirling and pulsing. Like a snowglobe, the sand moves in the open space beside the bed, forming figures and landscapes.
"Shall I tell you a bedtime story to soothe you to a more peaceful slumber then, Hob Gadling?"
"Bedtime story?" Hob says, sitting up. "Wait, aren't I already asleep—"
The door to his chambers pushes open. Hob's sore and swollen heart leaps into his mouth at the noise.
"Bob?" Henrietta calls into the darkness. "Are you still awake? I was doing my video diary and I could hear your voice through the chimneys and I… what," she hisses, freezing a few steps inside with her eyes the size of saucers, "the absolute fuck."
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smokeybrandreviews · 4 months ago
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Crisis at the Borderlands
Borderlands was always going to be terrible. In order for that film to be a thing, it needed a hard R rating and there was no way 2K was going to let that happen. Leave money on the table by alienating the children audience? For shame! I’m not a looter shooter guy so I never played the Borderlands games, but I am aware of most of that world’s lore. I understood, pretty early on, that this thing was definitely going to get a film adaption and the only way to do  it, was to lean heavy in the absurdity of it all. I’m talking Guardians of the Galaxy meets Deadpool. You need the crass vulgarity and over-the-top gore in order to properly realize Pandora in real time. Eli Roth is good at that. It’s an odd thing to see because it’s almost as if they were shooting for Guardians and landed on the first Suicide Squad, when the second one was right there as the blueprint. I wouldn’t be surprised if this thing was shot for the R and edited around the PG-13, which would mean there are SWATHS of this film on the cutting room floor. I haven’t seen it and don’t really plan to but I hear there is a pretty great film in to be seen, if you can cut through the mire of mediocrity. A pretty common critique floating around is that Borderlands is simultaneously the most expensive and cheapest looking film you will ever see. All of that ambition, all of that6 potential, all of that budget, lost in the wind. This thing cost a hundred million to make, and had an eight million opening weekend. Hard pass, all across the demos. Who was this movie for? Where did all that money go? I can tell you where a big chunk of it went; The cast.
The worst thing about this film, and the one thing I absolutely knew was going to tank it, was the cast. When I saw Cate Blanchett in that horrendous wig, I knew this film was doomed. Never mind about the atrocious green screen, why the f*ck did you cast Blanchett, a damn near sixty year old woman, in the role of Lilith, a Siren who is very much not that? No shade to Blanchett, she is gorgeous and one of my favorite actresses working today with a range to be envied by anyone, but this was not the look, chief. Jamie Lee Curtis is an even more egregious miss as Dr. Tannis. Just, how? How do you look at Patricia’s model and see a sixty-five year old woman? How do you get Kevin Heart and nor, say, Terry Cruz for Roland? I mean, they nailed Tiny Tina and Mad Moxxi and I’ll even give them Jack Black as Claptrap, but your leads are all wrong. And, more to the point, expensive. Cate and Jaime are Oscar winners, which immediately jacks their rates through the roof. Blanchett is known to do her thing in the geeky pool, no one will come close to her Hela, but Curtis has a disdain for that type of stuff. Her rancor over Marvel proved that much but, her willingness to pop into the One Piece adaption is pretty chill. Either way, you’re paying top dollar for those two and Hart ain’t showing up for less than ten million on any project. Those three right there probably account for a quarter of the budget, if not more. And they’re all miscast! It’s nuts! Sh*t smacks of Corpo panic induced by microtransaction greed. Considering this is 2K we’re talking about, I wouldn’t be surprised.
It’s nuts to me because you could have cast younger, less expensive stars, gave it the R rating it need to thrive, and made this movie for substantially less risk. Someone like a Vanessa Kirby would have been dope as Tannis and I can’t unsee Samara Weaving trouncing about as Lilith. Both of them are excellent actresses, both of them have a solid fan base, and both of them are cheap. I already tapped Cruz for Roland and you can throw the most money David Eddings has ever seen, his way and have him voice Claptrap in the film, giving an organic tie to the games, and allow the rest of that budget for scripting and world building. That’s the strength of those games, the world around those characters, Obviously, develop relationships and make them compelling because no one cares about a journey if the characters aren’t solid but it’s the world around them which drives a lot of that pathos. There is heart in those Guardians films but you’re nuts if you think traversing across space and interacting with alien civilizations didn’t go a long way to bolstering that endearment to those films. Ivan totally see a neon drenched, kinetic ass violence streak, chock full off heartwarming character moments and saturated in CG blood splatter, absolutely killing a January to mid-March box office. There’s no way, especially after the reception to that initial trailer, you release this thing after Deadpool and Wolverine drops. That movie was going to kill, regardless of quality, because it’s the swan song to Fox-Marvel. That was their Endgame. You’re not stopping that momentum as proven by the fact the entire thing has leaked online and the f*cker is still doing numbers in the box office. Corpos are dumb. Avi Arad got his name on this was a huge red flag and guess what? He’s delivered another turd. Bless him for nurturing Marvel in the beginning but it’s readily apparent he needs to step aside. He’s too old school for his own good and just delivered a tepid reminder of what video game adaptions used to be, but without anything to redeem all of the horrible choices made.
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tgmsunmontue · 9 months ago
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More than movie magic... 10/24
Hangster AU. Explicit (eventually). Jake is a Hollywood actor and Bradley is a stunt coordinator. Jake's about to make a few self-discoveries. So is Bradley.
ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
PART TEN
                Jake knows being annoyed with his mom is unreasonable, but a part of him also just can’t help it, she’s an annoying person hell-bent on making him do something he’s been putting off. God, he can never tell her that he’s had Bradley’s phone number for over a year, she’ll never let him live it down. It’s Wednesday morning now, so he has three days, assuming she doesn’t change her mind on the timeline. Now that he’s had two proper full-night’s sleep his brain feels less like it’s been put through a grinder and sat in pickle juice for days on end. He’s also feeling like he’s adjusting back to the right time after a couple of weeks skipping through time zones and continents for the promotional tour.
                He’d spent a fair amount of time last night lying in bed mulling over the fact that Bradley has been here for over two weeks, has met both his parents and cousin Freddie and Uncle Andy. Not all of the cowhands have watched him grow up, but a few did. He’s definitely met all of the current ones more than once. His other aunts and uncle all live in surrounding farms and ranches, his parents ranch the main central point geographicalluy, which is why they had based so many of the key building developments here. So the chance of Bradley having met several more members of his extended family are alarmingly high. He has no idea what he was thinking when he suggested this ranch as a potential location.
                He goes down to the kitchen, only to find it empty and he guesses the welcome wagon is well and clearly gone, now that he’s been home a whole twenty-four hours. Then his not-tired brain kicks in and he realizes that if his mom isn’t here then she’s likely in the mess hall, talking to people. He scrambles through getting dressed and then dithers over riding Blitzen or taking a car, but seeing his dad pottering around in the family stable decides it for him and by the time he steps into the stable his dad has already got Blitzen saddled up, is looking amused and no doubt his mom has talked his ear off.
                “Good luck today,” his dad says, slapping his shoulder.
                “Did mom tell you?” Jake asks, double checking the tightness and running his hands over Blitzen, stroking her nose so she can smell him and he smiles when she snorts and licks him.
                “I meant with the first day of filming. But yes, the other thing too I guess.”
                “Right. Okay. Yeah,” he says, sucks in a breath. “Thanks dad.”
                It’s still early, not even seven, although he’s got makeup at eight, so he doesn’t have a heap of time, and now that he thinks more, he’s got work, which means his time to actually talk to Bradley before his mom’s ridiculous ultimatum isn’t actually three days, but more like a few hours of spare time, which isn’t very much all, because he doubts his free time and Bradley’s free time are going to overlap. The ride between his parents house and the main buildings isn’t even ten minutes at a walk, and he does take it at a walk, despite the urge to suddenly just ride away at speed. He’s not a teenager anymore, although no doubt his mother would argue differently.
                Of course, when he leads Blitzen into the stable Bradley is there, brushing down Buttercup and talking to her under his breath and he doesn’t know whether to feel blessed or cursed. There is going to be the ghost of Bradley Bradshaw on his family ranch for years regardless of whether anything happens between them or not. He’s not prepared to see him, hasn’t thought about what he wants to say, what he can say. Fuck.
                “You’re up early. Already gone for a ride huh?” Bradley asks, gesturing toward Blitzen with his head and Jake reaches for her and begins taking off the saddle and bridle, hanging it in one of the empty stalls.
                “Just a short one. I miss it when I’m in Hollywood,” he admits.
                “You seem pretty at home here…” Jake gives him a sharp look, wonders if he knows. It’s not exactly a secret, it’s even meant to be part of the promotional PR for the film, the whole city boy returned to his roots and finds romance while saving his family ranch. “I figure you grew up near here, everyone seems to know you.”
                Jake blinks.
                Somehow, despite being here for over two weeks, Bradley hasn’t made the connection that this is Jake’s home. He feels a little inkling of amusement and wonders if this is how his mom feels when she’s telling him that he’s smart and yet somehow a dumbass at the same time.
                “What do you think of it?”
                “The ranch?”
                “Yeah,” Jake says, because that’ll do as a nice safe starting point.
                “It’s like a well-oiled machine. I can’t begin to imagine what work needs to happen, but everyone seems to know what needs to be done and just gets on and does it. I didn’t realize we’d be filming on such a large working ranch, it’s pretty amazing to see.”
                “And the land?”
                “Well, I’m a city boy, grew up thinking nothing could beat the lights of Hollywood. But got to say the night sky out here is beautiful.”
                “Hmm,” Jake hums, because he agrees, still enjoys going out camping just to get away from as much light pollution as possible and spend the time staring up at the night sky and a part of him wants to extend an invitation to Bradley to do that, wants to do that with him.
                “I’ll let you get to breakfast, I’m heading out for my own early morning ride. I’ll see you later.”
                “Yeah, sure. Enjoy your ride.”
                He watches Bradley leave, is still watching him when Bradley turns his head to look back at him and instead of looking away Jake just raises his hand in a wave of acknowledgement.
                Baby steps.
PART ELEVEN
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construingseacats · 1 year ago
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Umireread: Legend of the Golden Witch - Chapter 10: The Six Chosen by the Key   
Sun, Oct 5 1986 - 6:00AM
The following contains spoilers for the entirety of Umineko. Please do not read if you are yet to finish it.
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I’m so excited for this chapter, you have no idea.
Extremely funny mental image of Yasu going to Natsuhi’s room, seeing the charm, then deciding “well if she’s off the table then I’m killing that asshole who gave me night duty while he did his crossword”. Of course, she probably had to kill Gohda to help avoid any incriminating testimony from her changing her assigned position last night, but it’s still funny to think about.
Since the rest are the adults, it’s easy to think about Gohda being an odd one out and the obvious replacement for Natsuhi, but given the above I wonder who the unfortunate backup was. Maybe Rosa? Or potentially one of either Rudolf or Kyrie, originally intending to only kill one of the adults per pair?
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I love how Genji goes “Sorry. The Telephones are down” then “By the way Gohda is missing”, and completely neglects to mention that Natsuhi’s door is coated in bloodstains. Just leave the most obvious detail as something for her to find out for herself, you know.
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“Natsuhi had a pretty good idea” is SUCH a funny line. Not even concerned by the horror movie trope, she already suspects which family member did it. I wonder who her mind immediately jumps to - although let’s be real, it’s probably Eva.
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Eva tries to check on Kinzo and Natsuhi immediately shoots her down. It’s really funny how blatant the cover up is. Like, you’re unlikely to question it, since we keep getting fantasy scenes of Kinzo in his study, but it sure is there if you go looking for it.
Speaking of - the moment we see Kinzo in the office here, we’ve accounted for 17 of our 18 (with 5 known missing). Good game Shannon, we have our six chosen by the key.
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Natsuhi, alone in the study, worries about how much Eva is going to tear into her, and then immediately makes up a pep talk to make herself feel good. I’m telling you, these study scenes are a goldmine.
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Yeah, Eva absolutely would have been the one to leave bloody scratch marks all over Natsuhi’s door.
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Here we go
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HERE WE GO
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…Okay, you can have that one. Saying it’s a sigh of relief right as they uncover the bodies is very cheeky, but the irony balances out how tense the scene is. It’s a breather for the reader as well.
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We actually get a breather with the kids as well. Final moments of innocent Battler caught on tape.
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Chills. Full chills.
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And here it is. 
Allow me to indulge for a moment.
When I was a kid, my first anime was The Haruhi of Melancholy Suzumiya. I watched it through low-resolution fansubs that had been posted on a YouTube that was still in its youth, with each episode awkwardly split into three parts since you couldn’t upload videos longer than ten minutes. I probably watched that at an age that was slightly too young for it, but as a kid who only knew the world of animation through the veneer of kids cartoons and Matt Groening shows (except maybe that one time I watched Spirited Away when I was 5 - which also left a stark impression on me), it really opened my eyes to a world of new media that I hadn’t even conceived of before. I really wanted to see what else there was.
Anyway, my second anime was Higurashi no naku koro ni.
If I was slightly too young for Haruhi, I was definitely too young for Higurashi. But that was part of the appeal, I suppose - the prepubescent desire to cast away the shackles of childhood and prove your maturity. That you’ve grown up. I legitimately remember 10 or 11 year old me showing a friend the scene of Rika stabbing herself in the head while going “look at what I’m watching now! Look how mature I am!” - admittedly, this was to a friend who had allegedly already seen all manner of films rated 15 or 18, so it arguably would have been relatively tame to them, and boasting about your maturity is undoubtedly the most immature thing a person can do.
While the initial appeal there was that Higurashi was “mature”, it was still really interesting. There was good intrigue there, the plot had me hooked, and from start to finish it was a really good piece of media. I’m pretty sure my younger self saw the scene where the sound of gunshots are covered up by fireworks at the local festival and thought it was the smartest plot point in any piece of media ever. Anyway, a short while later, I heard that there was going to be a sequel anime to Higurashi - a new show, called Umineko.
Now, I had a fine time with the Umineko anime. I would have been 12-13 as it was airing - still eager to consume media I was too young for - and, with no bar for quality, I enjoyed it. There was cool gore! The mystery was exciting! The red truth was such a neat concept and the witch fights were badass! Sure, it may not have had as much of a lasting impact on me as Higurashi, but it was still good, right?
Well, it wasn’t good. In fact, pretty much all the anime reviews I saw for it were negative. There were still a few fools like myself who had enjoyed it, but there was one thing I kept seeing - a sentiment that was effectively universal. A simple statement.
“The Visual Novel is so much better.”
I held onto those words for a few years.
I don’t know what the instigator for it was, but somewhere down the line, I decided to act on it. I bought the original japanese version of Episodes 1-4 and 5-8 through what I believe was the old Witch Hunt site - quite possibly one of the dodgiest deals I’ve ever made, as anyone who procured Umineko back in the old days can attest to - and applied the fanmade english patch. The PS3 sprite mod looked so much better than the original sprites, so I installed that as well. And, 10 years ago, I started playing.
It was… fine. I wasn’t a huge fan of how the text covered the whole screen, rather than appearing in text boxes, like it did in the other VNs I’d played. I say that as if I’d actually played any VN other than Katawa Shoujo at that time. But, I remembered liking Umineko, so I pressed on. I pressed on through the boring introductions, through the boring discussions of the inheritance, waiting to get to the cool parts where Beatrice showed up and the magic fights started happening.
But then, we got to this scene.
There I was, sitting with my laptop on holiday, with my cheap earphones plugged in, as the cousins approached the gardening shed. As the adults told them not to get any closer. As they did so anyway.
What followed is some of the most unrelentingly raw reactions to a visceral scene like this that I’d ever seen in any piece of media, ever. This wasn’t the dulled impact that the anime had hit me with - this was a full, unfiltered, uncensored dive into the immutable affliction of being human. They’ve got no faces - you could feel Battler’s unmitigated despair oozing from it all. These weren’t just characters reacting to a scene in a book. This was something more.
This was the moment that I fell in love with Umineko.
Perhaps I gave too much background to that statement - perhaps I’ve fallen afoot of the same criticisms I levied against the earlier parts of the tale for not getting to the point quicker. But that is the play-by-play of how, 10 years ago, this scene went straight for the jugular and bled me dry. This is where I knew I wasn’t just reading another version of that anime I’d seen the years prior, I was reading something special.
I would be remiss to say this is entirely down to the writing - a lot of this is also heavily driven by the blaring tones of goldenslaughterer. If Umineko was simply a series of 8 books, it wouldn’t have had the same effect on me as it has done for the past decade. If this scene wasn’t equipped with one of the most perfect aural accompaniments imaginable, I don’t think it would have stuck with me as much as it did. But the palpable emotion dripping from each word - the killer performances from each of the VAs (Jessica’s screams are INCREDIBLE) - and the musical storytelling doing just as much heavy lifting as the writing is… it’s an inimitable experience. This is what everyone was telling me that I was missing out on back in the halcyon days of 2009. They were right.
Perhaps it was for the best that I did give it those few extra years, so that I could truly appreciate the masterwork being crafted before me. I can’t imagine even beginning to comprehend the themes or the mystery of this tale at age 13, when I scarcely did so at 17. But regardless of the what ifs, this is the path that led me to what I consider, with no exaggeration, a pivotal moment in my life. It’s hard to describe the emotions that were stirred as I approached this scene for the reread - if I had to approximate it, then it would be unbound excitement mixed with trepidation, a great interest in re-experiencing such an important scene tempered by a fear that it may not have been as good as I remembered.
Of course, it wasn’t going to hit me in the exact same way that it did the first time round - you cannot recreate the sensation of a sucker punch when you know that it’s coming. But I can say, with certainty, that this scene was just as good as I remembered. That it still hit all the points that made me fall in love with the story originally.
I cannot wait to keep reading the rest.
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Honestly, after what I’ve just said (and my feelings at large), it feels sacreligious to stop and dissect this scene. It’s something you want to just let play out, to absorb the experience - part of me wants to just skip straight to the end.
But still, I’d feel remiss not to mention Nanjo’s acting here - he goes into doctor mode and then realises “wait, I need to be more emotional” before dropping it immediately. One of those moments that doesn’t arouse suspicion on a first read but feels super blatant afterwards.
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In for a penny, in for a pound. Hideyoshi looks and sounds so pained having to perpetuate the crucial lie over here. You can really feel the thoughts running through his head of “do I expose it? Is it worth it?”
AND THEN WE GET HIT WITH WORLD END. I cannot stress how much music matters to me and accentuates the experience; a sound novel utilised to the full extent of the medium can truly produce a story that no traditional paper novel ever can.
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Phenomenal work from the VA here - they clearly got the memo that this is a panicked “no” of not wanting the lie to be unveiled, rather than one of sincere desire to protect George. Again, you can still interpret it as the latter, so you’re unlikely to pick it up on a first read, but absolutely there on the reread.
There’s an incredible parallel made here of George holding onto Shannon’s smile, while Battler is doomed to remember the gored faces of his parents. Not only is this great by itself, it’s yet another example of fantasy versus reality, with George being able to hold onto happy memories by being ignorant to the truth (even if that truth isn’t a real truth in this case).
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“Proved beyond doubt”, the narrative says, about the one body that we should doubt.
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No commentary - this is just a great line and I wanted to highlight it.
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And so all the associates chime in to cover it up.
I feel like it’s fairly easy to miss how well Eva is taking the whole thing in this scene. Everyone else is traumatised, and she’s holding up remarkably well.
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Interesting how it’s the associates setting up the howdunnit as well! I suppose Yasu wants to make sure that element isn’t missed by the would-be detectives.
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And so Umineko tells you to your face that this is the story about a serial killer who wants to be discovered. I suppose there’s already elements of that in the letter to solve the Epitaph, but it’s really made explicit here.
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I’m still riding the high of the first twilight. I’m not sure if there’s any other scene in Umineko that I’ll gush about to that extent, but I know there’s plenty of moments yet to come that won’t fail to blow me away.
I know it’s integral to the story, and it wouldn’t work otherwise, but I do have to say that the howdunnit hook adds so much to Umineko that wouldn’t be there otherwise. Some of my fondest memories from the first readthrough was trying to figure out how it was all done (without ever considering the scenes that were lying to us, oops). I’m really looking forward to going through that all again, with the lens of love.
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seikilos-stele · 1 year ago
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At one time, I was a prolific writer, now I’m a busy commentator who flings an idea now and then when people seek me out. The one thing that did not change in either role was that I could not work on more than two projects at the same time -possibly three-otherwise, they would begin to influence each other. Perhaps I have a limited attention span.
Today, I opened my in-box to no less then ten of your potential projects, and at least four WIP.
That was today. In actuality, I believe that you have about seven WIP that have been active in the last ten days. I want to know a few things about both the ability and the methodology for managing this many projects.
First, I want to note that while all the WIP & finished projects are of the same Fandom, essentially, that is all they have in common. We have potential TV episodes, AU, OC, Angst, Hope, Illness and so forth. No easy bridges for immediate crossovers.
So what is the trick?
Do you keep each fic logged into your head so that you can pick them up at any moment? Do keep the detailed outlines close at hand, so you can review before you begin?
I can imagine that working on one fic my possibly inspire ideas for another WIP, or do all others remain outside your scope when actively writing? Do you ever conflate multiple WIP (bleed characteristics from one fic to another)
Do the 5X a character did this or that always begin as a group concept, or have you ever looked at prompts a say, “Hey! These ideas all share a them” and decide to combine them.
Finally, one of my absolute favorite collections of yours was the NighThrawn fics. At some point you broke them up up. Were they created originally to be a related collection?
I hope I’m not distracting the creative machine, too much!
Ooh!! No worries, I'm not doing anything creative at the moment 😆 I'm annoying my brother by practicing Louis Armstrong songs over his silent films. (Ain't Misbehavin'....fits really well with Sangue Bleu...somehow).
Um, let's see. I'd say that some days a fic really gets you. The long one I just wrote on Sunday, the 18K oneshot about a political prisoner coming home from the war and making friends with an "enemy" kid -- that's the sort of idea that comes at the right time, when you're in just the right mood, and you can breeze through it in just a few hours. It's like the stars align and everything goes perfect.
But most of the time I just really want to write and I like to have a full stable of ideas to choose from. Like, it's easier if you can just pull up a list, scan through it, and pick one. You can write 1K, and then when you get sick of it, you can pick a different idea and keep going. Spit out another 1K, switch ideas, do another...
I don't keep them logged in my head, I 100% forget all about them as soon as I switch to a different fic 💀 The only reason I get anything done is because Google Docs always suggests your most recent documents to you when you open it up in the morning. As soon as it stops suggesting a doc I basically forget about it forever. I definitely need the outlines to refresh my memory, and I've sometimes had to stop working on fics because I wrote my outline down in two different spots and can't find it or remember where I was going. Very bad memory for that stuff.
Hmm, as for conflating multiple WIPs, or ideas bleeding over, definitely yeah. Sometimes a seed will be planted in WIP 1, develop a little in WIP 2, get more interesting in WIP 3, and then become fully realized in WIP 4. To go back to the political prisoner fic, you've seen how that works. It's like:
What if this character was a political prisoner, and he got rescued, and then later he moved back to his hometown and met--
Oh shit BUT WHAT IF that traumatic incident I mentioned in Chapter 2 actually also involved Character B!
OOH and then what if Character A and B were both rescued by C--
Wait a second back to Idea 1, what if B and his wife were there at the end, and they--
OOH WAIT I really want to write that idea with the kid, back in his hometown, let me just--
Hey hang on a second I could totally finish Idea 1
And why have I never addressed A's abandonment issues? I'll mention that right now, in Fic #1, but I really need to add it to Idea #4 and write that as its own oneshot...
And for now, 6/7 are written, so that's not a bad record. I hope to do the last one soon. It was the same with Thrawn fics, you'd be halfway through a oneshot with a set plot when you suddenly think of a cool touch that you'd love to explore more, so you finish that fic and immediately start another one, where you go really in-depth. Or you think, "I would love it if this horrible whumpy trauma happened, but I really can't justify it with this plot. I should construct a whole DIFFERENT plot so I can write this scene!"
Hmm. I don't think I've actually done a 5 Times fic that started out as separate ficlets. I wish I did that more. It would work better. Usually, I come up with the 5 Times title and then wrack my brains trying to contrive six entirely different scenarios that are still interesting to read.
For the NightThrawn fics -- well, I got really into Thrawn/Pellaeon, but I didn't feel totally at ease with their voices and personalities. So I had a word generator spit out 30 prompts for me, and I wrote one quick and easy Thrawn/Pellaeon fic per day for a whole month. A little while later I realized how few NightThrawn fics there were, and it really upset me because NightThrawn was THE pairing for me after reading Thrawn 2017. I was totally flabbergasted that people shipped him with Eli! So I applied the same treatment, I grabbed a list of 15 random words and started writing. 15, not 30, because I had to prioritize a collab with NadiaYar. (Well, I mean, I love writing with Nadia. Any collab with her takes priority over whatever random time-waster I'm fiddling with for fun XD)
I think I originally posted them as separate ficlets -- then changed my mind and re-uploaded them as a single multichapter collection. And changed my mind again, and re-uploaded them all as separate ficlets XD Back then, too, I was always juggling WIPs. I remember the 30-day Prawn ficlets were coming out at the same time as Signal Lost // Contact Regained, so every day I was writing about 1K for Prawn and then racing to SLCR to complete my daily chapter and maintain my posting schedule. That got really frantic toward the end. I had a good head start but I ended up taking a month or two off SLCR entirely before I regained interest and wrote the ending.
OK I think that's all XD Thanks for asking, I'm really glad to see the Asker's Studio is back. It was a really bright moment for the Thrawn fandom imo and you made a lot of fic writers happy with questions like this. Your brand of insightful commentary and questioning isn't common in fandom these days -- and I'm sure it was NEVER "common", but even less so now, as fandom becomes more mainstream. So thanks again, and I can't wait to see who else you asked, and read their answers.
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