#it would be lovely if you wrote more but also if this is where you stop just rest

[kamaluhkhan]

WE DESERVE A SOFT EPILOGUE, MY LOVE.

pairing: vi x firelight!reader word count: 2k summary: after years of thinking her dead, ekko brings vi to the firelight base. you don't really know how to react when the girl you grew up loving is now a woman you know nothing about and still, somehow, feel everything for. warnings: arcane level angst + lesbian yearning. reader is referred to with she/her pronouns. reader has tattoos and a star-shaped birthmark behind her ear (y'all know vi loves a nickname and i thought 'stargirl' was v cute so i had to make it work). fic gets slightly suggestive at the end ;) author's note: happy act iii release day!!! i wrote this instead of working on my thesis oops. in my defense, vi has sparked something in me that i simply cannot ignore. i'm also working on a werewolf! pitfighter!vi x vampire slayer!reader fic (set in the same universe, just with a slight twist) sooo that might be done before part 2 of this fic (which is where the smut happens hehe). anyways, thank you for reading!

inspired by that quote: "i think we deserve a soft epilogue, my love. we are good people and we've suffered enough" by nikka ursula

even after all these years, vi is still the first one to notice you. 

her eyes widen as she hesitates to pull away from ekko, but you clear your throat to catch both of their attentions.

“i thought we were gonna question her together.”

ekko wipes a stray tear from his cheek and stands up a little straighter. 

“you were taking too long,” he shrugs. “don’t worry — she’s clean.”

you trust ekko’s judgement, but you still can’t reckon with the fact that vi is alive. you’d splashed cold water on your face just before to make sure you weren’t dreaming. 

“i don’t know.” you walk closer until you’re standing arms length from vi. “the vi i knew wouldn’t be caught dead with a topsider, let alone an enforcer.” 

you examine her carefully, and you imagine she’s doing the same to you. vi looks more grown up — stronger and sharper. you’d spent so much time in limbo, not knowing if she were alive or dead. you aren’t sure how to react when the girl you grew up loving is now a woman you know nothing about and still, somehow, feel everything for. 

“i guess the shoddy undercut is a pretty clear give away,” you deadpan.

vi quirks an eyebrow at you. “shoddy, huh? you know, your tattoos look like they were drawn by blindfolded children.”

she smiles, all bright and toothy. the scar on her upper lip stretches, achingly familiar, and you decide there’s nothing you want to do more than to bring her into your arms, to bring her closer, so you do. 

her hair tickles your cheek as you whisper:

“i did those tattoos myself.”

vi chuckles, and you feel it vibrate across her body to yours.

“i know. they’re beautiful.” her index finger traces the star-shaped birthmark behind your ear; you shiver. “i was just messing with you, stargirl.”

vi was the only one who ever called you that, said you made her life brighter or some other sweet nothing that would effortlessly fall from her mouth.

gods, she was the first one who even noticed that birthmark on your skin. 

“i was messing with you, too. the hair — you look hot.”

you feel her heart beating faster against your chest as she smiles into your shoulder.

she’s here.

she’s not some ghost from your past.

she’s really here. 

you’re so overwhelmed by how solid she is against you that you start to pull away, but vi catches your hand before you can fully untangle yourself from her. 

“that’s all i get?” she wonders, licking her lips.

you’re tempted, very tempted, to give her more. maybe you would have, until ekko clears his throat behind you.

“should i….give y’all a moment?” ekko asks. “i’ll go get the piltie.”

you then remember who vi came here with; she might not be working for silco, but you stand by your suspicions at her bringing a topsider to the lanes. 

you slip your hand from hers. you roll your shoulders back as if that would really shake away the hold she’s always had on you.

time has passed. things have changed. neither of you are kids anymore, and you don't have the luxury of indulging in a frivolous crush.

“it's fine, e. let’s show them around.”

“still a night owl, i see.”

vi finds you perched on one of the trees highest branches, surrounded by firelights as you sketch something. you close your sketchbook instantly and place it on the other side of you when vi sits down.

“thought you’d be in bed with that enforcer of yours.” 

“her name’s caitlyn.”

“caitlyn,” you scoff, shaking your head. 

the bitterness you try to hide is all too transparent to vi, who has to bite back a laugh at your pettiness. 

“you say her name like you’re gonna hex her. never pegged you as a jealous ex.”

“technically, we never broke up,” you point out. 

a firelight lands on your hand, and you let it crawl up the lines etched on your skin. 

“if that’s the case, i owe you an apology for cheating on you when i was in prison.”

you frown, but say nothing, your eyes following that same firelight as it illuminates your tattoos. 

“don’t worry, i’m kidding!” vi pauses. “mostly.”

the firelight flies away, and you huff out an annoyed breath. 

“whatever. i don’t care who you’ve fucked, or who you’re fucking. and, you don’t owe me anything. it’s not like we’re anything to each other, anymore.”

vi sucks in a sharp breath — she wouldn’t have expected such harsh words from you.

“is that why you can’t even look at me?” she finally asks.

you’d been strictly business since you first reunited hours ago. you expertly distanced yourself from vi all throughout the tour of the firelights’ base, and throughout dinner, too. 

where’s the girl she’d spend hours goofing around with, who always had a witty response to her sarcastic remarks, who smiled at her in such a way that made her chest glow? where’s the girl who brightened vi’s life when it seemed like the darkness would never leave?

“i don’t know,” you admit. “part of me still can’t believe you’re alive. i know that i should be happy that you are, but i keep thinking about everything i could have done to protect you, and powder —”

“hey. it’s my job to worry about everyone, remember?”

“you weren’t here.”

“i am now.”

she gently moves your chin so that you face her, so that you can see that she’s not going anywhere, at least for tonight. 

which is probably more time than either of you thought you’d ever have together again.

vi notices how your eyes flick down to her lips and back up, and she feels something spark in her chest. but then, you shake your head as though trying to wake up from a dream and turn away once more. 

“that enforcer of yours —”

“she’s not my —”

“whoever she is, she talked about how we all need to heal. i just keep thinking about what you’ve been through, what we’ve all been through…. how it never really stops. healing would be nice, but it’s hard when you have to keep fighting every day. you remember what ekko said, about why we chose this place?” 

of course, she remembers. 

“that if even a seed can survive down here, maybe we could, too.”

 “we. who’s ‘we,’ vi?” you laugh, but there’s no joy behind it. “we’ve gotten used to surviving without each other. maybe it was meant to be that way.”

“that’s not fair.” 

“a lot of things aren’t fair.” you gesture around at the base. “this — this community — took blood, sweat, and tears to build and i just know how easy it would be for someone to destroy it all. which is why we fight, obviously, to protect all this and each other, but i’m scared that we can only do so for so long before we burn out.”

you press your knees to your chest and curl into yourself. vi notices then — the slump of your shoulders, the shadows beneath your eyes, and just how deeply exhausted you must feel, down to your bones. 

you let out a shuddery breath. “is it even all worth it?”

vi swallows the tears building in her throat. you had always been the hopeful one, and it makes vi’s chest ache to think about what you must have endured to lose the brightness that had been woven into your being. 

that's part of what got her through these past few years, and there's no way she's going to let it fade.

“i....i think so,” vi starts, trying to find it within her to be inspirational. “maybe it'll make a difference in the long run, even if we don’t see that now. maybe someone, someday in the future, will be able to not just survive, but live in a better world.”

you raise an eyebrow at her, and vi swears there's a slight smile on your face.

"what?" she asks, her cheeks heating up.

"i'm just...surprised. how is it possible that prison made you less cynical?”

there's a glimmer to your eyes that wasn't there before, something playful, and vi decides to lean into it.

"oh, it wasn't prison," vi says, nudging her shoulder against hers. "see, i ran into this pretty girl from my past and she's this totally badass freedom fighter now, so i think there's some hope in the world."

you snort. "good to know you're still an unbearable flirt."

"i thought you loved that about me."

you laugh, a sparkling sound that vi wishes she could carry with her wherever she goes. it’s contagious, too, and vi finds herself giggling along with you. when it dies down, you rest your head on her shoulder, something you did even back when you were only friends.

“i missed you,” she admits. 

“yeah?” your voice is softer than a whisper. 

you lift your head and vi cradles your face in her hands.

vi nods. “so fucking much, and i want to prove it. if you’ll let me. please.”

“vi,” you exhale. she’s so close now that she can feel you breathing against her lips. “i can’t. you’re with that enforcer.”

“we’re not together,” vi assures, bumping her nose against yours. 

she leans in ever so closely to kiss you, but you move away. 

“you’re still with her, though, and you’re leaving in the morning,” you continue. “things are already so….complicated. i just don’t think we should start something we won’t be able to finish.”

with nothing more to say, you gather your sketchbook and pencils. vi’s sure that you’re not going to bed, just off to nestle into another hiding spot for the night, away from her.

maybe you’re still putting up a cold front, protecting yourself because that’s how you've been surviving in this world where the risk of losing everything lingers, and only gets heavier as you grow older.

but, gods, vi really has missed you, the you she remembers so vividly, the you that shone through just moments ago. she knows that glowing heart of yours is hardened by layers of ice, and she’s determined to make them all melt away.

so, vi gets up, heart beating in her throat, and calls after you:

“haven’t we already?” 

you stop in your tracks. you slowly turn around to back at her.

a moment passes, maybe more. the two of you suspended in time. your eyes are telling her a million different things – you’re confused, you’re scared, you’re tempted, you’re tired – and all vi can do is unsuccessfully blink back more tears because it’s true, how your story together never got the happy ending you deserved. 

“please, y/n. if this is our second chance, even just for a night —”

she’s cut off by you crashing your lips against hers.

the two of you were young, really, just girls when you first kissed. it was awkward and messy and though it ignited something in the pit of vi’s stomach, it was nothing compared to this.

she lets you guide her as you please, lets you press your warm body against hers against the trunk of the tree. she lets your lips mold into hers until her lungs are burning. 

your chest is heaving as you pull away slightly; vi bites back a whine, feeling empty. but air isn’t what she needs, she’s sure of it. what she really needs is more of you.

you study her like a work of art, like you're committing her to memory in case she slips away. your thumb wipes away a fallen tear, across the tattoo on her cheek. 

fuck, no one's held vi this tenderly since, well, you.

“you’re so beautiful.”

vi blushes, becoming increasingly flustered. she'd wanted to make this about you, take care of you in all the ways she'd imagined, but the way you're looking at her, touching her....she's not a religious person, but vi thinks she might have stumbled into her own, personal heaven, with you having some divine hold on her, soft and bright and passionate.

you're kissing down her neck, nipping at her collarbone when you repeat: "you're so fucking beautiful."

“yeah, i know. they should build statues of me,” she breathes, closing her eyes and trying to keep upright on weak knees. she squeezes your hips in an attempt to keep herself steady.

you’re the only person vi can recall calling her beautiful. 

sexy? oh, yeah. charming? definitely. hot? often. 

no one else calls her beautiful, though, let alone makes her feel like it the way you do.

“bad at flirting and full of yourself," you tease. "some things really don't change."

by now your lips are travelling lower, and vi doesn't want to miss a second watching you have your way with her. when her eyes flutter open, vi gets a glimpse of something over your shoulder.

“hm, i guess drawings are a good place to start.” 

she gestures with her chin, which she instantly regrets as you pull away to follow her gaze, eyes landing on the sketches of her from your fallen sketchbook.

“you weren’t supposed to see those,” you groan. "they're personal...."

it's cute, how flustered you get after making vi all hot and bothered.

vi smirks. "personal, huh? had some fun picturing me when i was gone? missed me so much you had to draw me back to life?"

"well, no - wait, yes, obviously, i missed you, but --"

vi cuts you off with a searing kiss.

she tugs on one of your belt loops to bring you closer to her. vi presses her thigh between your legs, relishing in how your mouth opens in a perfect gasp. vi takes the opportunity to bite your bottom lip and you whimper.

“don't be embarrassed, baby," vi mumbles against your mouth, thumb rubbing soothing circles into your hips. "you know i missed you, too. 'cept i'm not talented like you, so my creative imagination had to carry me through some long nights."

“is that so….” your hand slips underneath her tank top, and you manage to pull a groan from vi by scratching your nails against her stomach. “maybe you can clue me in to what, exactly, you’ve imagined.”

vi grins triumphantly. she places a kiss on your birthmark before whispering in your ear:

“sure thing, stargirl.”

[acowardinmordor]

I only had Steve repeating his senior year because I wanted the kids to know Eddie already, but thinking about it? This messes Steve up so so much more. He obviously met Robin, who asked a few pointed questions that made him go oh. about his life and his identity.

He’s back for another year in high school because of post concussion symptoms. His parents are probably pissed. He’s trying to rebuild his own sense of self without defining it with popularity, but he’s stuck in the place where he was the most popular before. And is now one of those loser super seniors.

Enter Eddie, who had been on Steve’s radar as a vague awareness of maybe-attraction in previous years. And the guy is protecting his kids. Encouraging them. He’s also as close to Out as he can be in Hawkins. He knows who he is. He’s unapologetic and doesn’t let trends define him. He’s who he wants to be. Of course there’s hearteyes.

But Steve isn’t comfortable with himself enough to talk to him directly. Hence the letters.

And maybe at first he wasn’t even sure that Eddie liked getting them. Or was even reading them. Probably wrote about how he was anonymous because he didn’t think Eddie would actually like him if he knew. It’s been a theme from the start, and it was probably the first thing that Eddie talked about when he could finally write back.

Eddie totally said that anyone who wrote letters like that, who was that kind and clever and generous and funny, would always be someone Eddie liked. Loved. That it wouldn’t matter if X was ugly, that it wouldn’t even matter if X was a girl. That Eddie would still want to know them.

And that’s when you have those insults. When Steve was finally finally brave enough to be around Eddie. To come to Hellfire. Because Eddie had promised in the letters to teach X how to play, that he’d be so so patient because X told him that he probably wasn’t smart enough to play.

Eddie has to betray everything he’s said.

And it is specifically because Steve Harrington is anathema to Eddie.

Proof that who Steve wants to be, tries to be, is wanted, but who he is in real life, not on paper, isn’t good enough.

(Yes, Robin had to be hugged into submission to keep her from slashing Eddie’s tires)

But, tag writer whose user name I can’t recall, Steve didn’t write his last letter in the car. He dropped off the boys, went home, and wrote something longer at first. He tried to find a way to explain to Eddie that he’s trying. That he wants to be a better person who Eddie would be happy to discover is X. He writes it, and he doesn’t believe that it will ever happen. That he can ever be better.

Anyway, Steve totally gets Vecna’d in this AU, and Eddie is one of the focal points.

[beloveds-embrace]

My brother in christ I NEED MORE ANGST, I crave it actually. Like I need duchess to get pregnant by Konig but since it isn’t John’s him and the boys start acting weird then BOMB,

she loses her baby from stress….

I need angsty secret baby where the father is an asshole cause he’s still hurt that she kept his kid from him.

And don’t think I forgot abt that little ghoap stunt you pulled four hours ago. SHE LEAVES but instead of telling them, she wants to see how long it would take for them to notice she’s gone, And that my friend is where my other idea come into place[evil tiktok face]

Angsty ghoap + secret baby….

omg if that happens, especially if reader was really looking forward to the baby despite knowing all the difficulties, she’d be crushed. She was slowly regaining a semblance of peace and happiness with König, but now? All gone. Maybe postpartum depression, too, leaving you painfully, horribly vulnerable and stuck in a house with John and the boys even if König is there.

(What if he can’t be there, though? A doctor who snitched, who had seen how König’s worry and anxiety over you isn’t normal for a simple knight, and the rumors that start from the whole mess means your own damn parents have him forcibly taken back to their estate, far away from you? Just crumbs to think about :3)

AS FOR THAT, oh my god this by @baduzzxy is so fucking delicious?? I recommend 100/10 (though it’s on the deliciously darker side, rather than angst)

HOUR COUNT TOO??? ur so cruel to me anon smh. no longer brother in christ 🙂‍↕️ jk

Secret baby with thosw two seems to be a common theme for that little drabble i will Most Definitely Not Expand Upon (haha. Noona that’s what u told urself for everything u wrote haha.) and I fully support it!! They are assholes through and through, using you as just a temporary fix so surely they won’t care for their babies. Surely. Since they don’t even seem to care for you.

Wrong. So, so very much wrong. But also extra angst: they love the babies, they don’t think they love you :)

[bunnliix]

Somebody I used to Know

I wrote this a couple weeks ago when I was feeling angsty, so this is not a reflection of my mood today, since I got Stray Kids tickets! But, have some angst with this fic because this fic hurts/

Pairing: Chan x reader Summary: You realize the distance between you and Chan, and think about your friendship with the idol. wc: 2.6k Genre: Angst Warnings: Angst (it's really angsty y'all), hurt/no comfort, reader being sad, crying, anxiety, reader having a really rough time here, panicking on the side of Felix and Chan, yelling I think, this is just really sad and we got no happy ending. Nets: @mirohs-aurora-society Beta'd by the lovely @palindrome969

It had taken you a while to realize just how distant you and Chris had become. You had been friends with him for years, even before he had left for Seoul to pursue being an idol. Despite the long distance between the two of you, your friendship had remained strong, both of you finding time to maintain it and spend time with each other.

Now, you had realized that more and more time passed between the times you would talk with him. It made sense, Chan had gotten busier as time had passed, Stray Kids shooting up in popularity. But it had really been in the last year that he had messaged you less and less. You had to message him first most of the time nowadays, and even then, the likelihood of getting a response quickly, or at all, wasn’t great. You felt like you found out more about what he was up to via social media, than from Christopher himself. You were used to hearing every little thing that happened, both for himself personally, and for his group. You didn’t quite know when that stopped, but it had, and that feeling and realization hurt. You had been one of his closest friends for years, and now you felt that he was an acquaintance, almost a stranger to you.

And now here you sit, in a hotel in Seoul, having planned a trip to see him and the others. Felix had helped you plan this trip, seeing as you hadn’t gotten a chance to see Chan in a couple years now, due to busy social and work lives. You were grateful to the other Aussie, but now as you sat here to unanswered texts from either man, you felt that maybe this trip had been stupid. You figured Felix would make sure that there was time for you two to meet, but you guessed he forgot, even as close as two days ago, when you checked in for the final time before flying here. 

You laid back on the bed, when your phone buzzed and when you pulled it up to your face, you saw it was a message from Chris.

‘Sorry, I can’t talk now. Can we talk later?’

You sighed, feeling tears well in your eyes as you responded, ‘That’s fine. Talk to you later Chris.’

You wallowed in your sadness for a while, losing track of time while you let yourself drown in the silence of the hotel room. You didn’t know what to do now. Felix still hadn’t answered you, and it’s not like you had ever gotten any of the other’s numbers. Sure, you could go to JYPE and try to see him there, but you didn’t think your chances of even getting in would be good. That left you with a trip to Seoul where you now had nothing to do.

After another hour of laying there, you decided to get up, decided to go and explore the city. Because why not? You should at least use your time here wisely, and despite being friends, you had never travelled to or explored Seoul before.

You decided to wander, letting yourself be guided wherever your feet took you, finding yourself walking down side streets filled with little shops and buying whatever caught your eye. You spent the majority of the daytime that remained like this, just finding the little family run shops and cheering yourself up by buying things that made you happy. 

When you returned to the hotel later that evening, having had dinner and carrying multiple bags, you also found yourself getting a message from Felix.

‘Sorry! I was busy today, the group had rehearsals for our concerts in a couple days. Also, there will be a ticket for you, for the concert in two days. You’ll also have backstage access after the concert ends.’ The message said, along with the location of the concert.

Well, you guessed this will be your chance to see Chris then, even if it was just at a concert. You moved to drop your bags on the table in the room, moving to figure out a suitable outfit for a concert. You found more than a couple options, leaving them laid out to ask Felix his thoughts on them later, figuring the idol might have some opinions.

(linebreak)

You looked up at the arena hosting the concert, finding yourself among thousands of your friend’s fans, and somehow seeing the pickets of him and those dressed up like him only made you feel sadder, not happier. You had been effectively ignored by Chris, the man not having messaged you. And that shouldn’t have surprised you, but it did make standing here today even harder. You no longer felt like a friend, you felt like one of their fans. And no hatred to their fans, they’re wonderful people, but you hated being reduced to coming to a concert for a chance to even see him, let alone talk to him. 

You found a staff member, and asked them for directions to where Felix had told you to go, to retrieve your ticket and anything else you needed. You were quickly directed to where you needed to go, finding one of their managers and after proving you were who you said you were, you were then ushered to the line up with the rest of those who had won the battle for floor tickets. You didn’t really care if you were at the front, and found yourself towards the middle of the line. Though this didn’t stay that way for long, finding yourself pulled by a staff member to your rightful place, at least as far as the number on your wristband told you.

Because you had arrived late, and maybe to the displeasure of those around you, you didn’t have to wait too long before you were let into the stadium. You found yourself right against the barrier, despite your wish not to be that close. But here you were, and within a half an hour, the group your friend led was walking out onto the stage for soundcheck.

You watched as they waved at all of their fans, and you guessed you were now included in that category, and you noticed that Felix saw you, smiling and waving at you, which you returned, though you knew your smile was strained. You could see how the blonde wished he could say hello, but this was not the time nor the place, and he was quickly swept back into the group to start the soundcheck rehearsal for the fans. You watched as they performed song after song, and interacted with their fans in between.

Somehow Chris never walked by your side of the stage, though almost every other member had. You instead watched him as he interacted with the crowd of fans, saw the genuine smile on his face as he did, remembering a time when you got those smiles too. You felt tears well in your eyes, and you quickly tried to blink them away, and just as you wished hadn’t happened, Felix walked by and saw the tears in your eyes before you could hide them. You know he saw them, his eyebrows furrowing in concern and worry, but before he could do anything, he was grabbed by Hyunjin, who dragged him away.

You just stared at the stage for the rest of the soundcheck, which thankfully only lasted for another fifteen minutes. You didn’t quite know what to feel anymore, all of your feelings hitting you at once. You moved towards the back of the area you were at, letting others take your spot at the barricade. You didn’t want to be up close anymore, you fear you would sob if you were there the entire time. And being at the back allowed you to stay away from the view of either Aussie idol when it came time for the actual show to start.

(linebreak)

“Y/n’s here tonight,” Felix said, as he sat down next to Chan.

“What? She’s here?” Chan said, confused. How was she here at the concert, let alone in South Korea? He didn’t know she was supposed to be here, and she should have told him that she was here.

Felix nodded, “Yeah, she’s out in the crowd. She looked like she was going to cry at one point,” he said, both to himself and to Chan, a bit confused at Chan’s reactions. Felix had told the older Aussie that his friend was coming to Korea to see him. How could he have forgotten? He remembered it clear as day, he told the older man while he had been in the studio with 3racha.

“Oh,” Chan said, not sure what to say. He didn’t really know what to do with that. Maybe she was just emotional to finally be able to see him performing? To his knowledge, she had never gotten the chance to see him or the group as a whole perform live.

Before Felix could say anything more, their manager stuck his head into the green room, interrupting anything the blonde was going to say, “Guys, five minutes till show time, let’s go.”

Felix lost any chance of saying anything further, as the group of eight men walked out to start their concert.

The start of the actual concert came very quickly, and you watched as they all came out, their energy insanely high, and even as your emotions swirled within you, and the realizations of what your choices were, you felt yourself be absorbed into that energy as well.

You were merely an observer within the thousands of fans, feeling like you were on the outside of it all. You watched every interaction Chan had with fans, and though you knew it wasn’t the same, you realized that his happiness here was more than you had ever received in recent times. He seemed lively, happy, enjoying life, and as the concert continued, you realized that you no longer had a place in his life.

You realized that no amount of effort you could put into this friendship would make it work. Chan had stopped putting the effort in, and maybe it was time for you to do the same. Taking one long look at your friend on stage, seeing him looking over towards you, though you doubt he even saw you, you saw him smiling and happy, and that was the best way you could think to remember him. You only ever wanted him to be happy, and maybe his happiness didn’t include you anymore. 

Feeling a tear trail down your cheek, you turned and started walking away from the floor, and walking away from your shot at talking to Christopher. You knew that you could have taken the chance to talk to Chris and figure all of this out, but would it really do anything with how much the friendship had died already? 

You silently walked out of the stadium, a clear contrast to all the happy and excited fans who filled the stadium. You had located one of their managers, who had been alerted to your presence, by their recognition of you, and returned the lanyard that would have granted you backstage access. You told them, when asked, that you weren’t feeling well, and that you were returning to your hotel.

It took a while to get back to your hotel room, and instead of changing, you just crawled into the bed and laid there, zoning out and staring up at the ceiling as tears fell down your cheeks. You didn’t know how long you laid there, until your phone started buzzing like crazy, and you found that both Felix and Chan were messaging you. You numbly read through their messages, and as you took a couple deep breaths, you created a group chat for the three of you. 

You first thanked Felix for doing his best to get you and Chan the opportunity to meet up again and hang out. Because you were thankful. He had been helping you do this, as well as informing Chan about it, all while being busy himself. You even thanked him for the concert ticket, and that you were grateful to see them live, just once. As you kept typing, messages from the two came flooding in, each one more concerned than the last. When Felix stopped typing, you think he must have come to one of two conclusions, either you were ending the friendship, or doing something worse than that.

‘Christopher, I will always cherish our memories together, the decade long friendship that we shared. But I think we’re on different paths now, I think fate has said that our journey ends here. So with a heavy heart, I wish you all the best, and I’ll always love you, even though we won’t get to talk anymore. Goodbye Chris.’’

You left the group chat after that, not seeing any of the responses from either idol, and while it took you a moment to push yourself to do it, you deleted both of their numbers. Setting your phone down and ignoring the buzzing, you pulled your laptop out, deciding to cut your trip short, and rebooking your flight to leave midday tomorrow. You knew that as much as you’d like to stay here longer, if you wanted to avoid contact with your now ex-friend, it would be better to leave.

You then moved to pack up your things, not that you had many to begin with, as well as laying out your comfiest outfit for the morning, and packing away the outfit you had on currently. But not before taking one last selfie in it, so you could look back on this day, as sad as it would be.

You had arrived at the airport a couple hours early, having checked out of your hotel room early, knowing Felix had known what hotel you were in, and hoping to avoid that interaction. Thankfully the check-in process was quick, seeing as you were there much earlier than others would be, and it was just under 30 minutes before you were making your way over to security. You were in line waiting to enter security when you heard someone call out your name. You turned your head to find Chan, a hat and mask on, but neither hid his eyes, his eyes that were red and bloodshot as he stared right at you.

“Please! Talk to me!” Chan begged you, standing on the other side of the barrier that separated the two of you.

You couldn’t find it in yourself to muster up the words to respond to him. You knew this was the coward’s way out, but you just turned around and moved into security all while he kept calling out to you, his cries getting more desperate.

You went through security, knowing that he was still on the other side hoping that you’d turn around and come back out. But you couldn’t.

Instead, once you passed through security, you opened up your phone to send him one more text.

‘I’m sorry it had to end like this, Chris. I’m truly sorry. I’m a coward who can’t muster up the words to explain why, but this is better for both of us. I won’t have to worry if you really still want to be friends or if I still have a place in your life, and you can forget about me and continue making your fans happy.’

You knew you could absolutely be the villain in this story, and you were okay being that. No matter what, you couldn’t hurt him. Chris was too good for you to ever do that. You turned your notifications off as you put your phone in your pocket, heading to your gate, and leaving this all behind.

Taglist: @bethelighthalazia

[lovelytayforce]

I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" This leaves Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being a 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There is absolutely more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love, despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first official date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication he's putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed that control. (It's worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is completely different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above).

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating as the show airs.

[faithshouseofchaos]

Max' older brother who charles has had a crush on since they first met, where charles figures out that older brother has been holding back in raceing so their dad focuses on him so he doesnt hurt max, and charles is in awe because older brother could have made it into formula 1 a while ago and charles doesnt think hed be able to do something like that if it were him, so charles decides to help male reader as much as he can without being noticed.

I had someone else try and write this to see if theyd been as enthusiastic as you in writing it but no its like they didnt understand the ask @/playinbillie if you want to see what they wrote. Also this was kinda one of the two stories i had for you i didnt actually know the pairing i wanted for this one so i just made it charles, but the other is a oliver x kimi x male reader.

.

Unspoken sacrifice — Charles Leclerc x male!reader

Word count— 1777

Fluff slightly angsty

The sound of the engines roaring around the track echoed through Charles' chest as he sat in the stands, his gaze fixed on the cars speeding past. But his attention wasn’t on the race; it was on him—Y/N.

Max's older brother. The one who could’ve been great.

For years, Charles had watched from the sidelines as Y/N, despite his obvious talent, kept himself from rising through the ranks of racing. Every time they’d go karting, every practice session, Y/N would leave everyone in the dust—except for Max. The family dynamic was always clear. Their dad, a former racer himself, was invested in Max. Obsessed with Max.

But Y/N? He was always the silent presence in the background, holding back in ways that didn’t make sense to Charles at first. There was something about Y/N’s racing that seemed... off. Too controlled, too careful, like he was playing a different game entirely. Charles hadn’t realized why until recently.

It was after one of the practice races, as he sat next to Y/N on the cool metal bleachers, watching Max celebrate his victory with their dad, that it clicked.

“Y/N, why didn’t you go for the win?” Charles had asked, his brow furrowing.

Y/N gave him that knowing smile, one that always seemed to hide more than it let on. “Because he needs to be the one who shines. Max... he’s the one Dad focuses on. You know that.”

Charles stared at him, confused. “But you— you could’ve taken that first place. You’ve always been better than me, better than Max.”

Y/N’s gaze shifted toward the ground, his voice quiet. “Sometimes the best thing you can do is step back.”

Charles frowned, his mind racing. “But why? Why hold back? You could’ve been in Formula 1 by now. Why give that up?”

Y/N was silent for a moment, the weight of the years they’d spent together suddenly sinking in. “Because, Charles, if I push too hard, Dad would want me to push Max harder, too. And Max isn’t ready for that. He’s not me. I’d rather see him succeed than risk seeing him burn out.”

Charles was stunned. He hadn’t realized how much Y/N had sacrificed—not just his dreams, but his entire future—for the sake of his younger brother. It wasn’t just about racing. It was about family, about love, about keeping Max safe.

And it broke Charles’ heart.

The thought of his older brother never having the chance to race for real, to chase that Formula 1 dream, made him feel a sharp ache in his chest.

"That's... that's really something, Y/N," Charles said quietly, feeling an overwhelming surge of admiration for the older brother he'd never truly understood before.

Y/N shrugged, a bittersweet smile tugging at the corners of his mouth. “It’s what family does, right? You put them first.”

But Charles wasn’t sure if that was enough anymore.

He’d never be able to do what Y/N had done. He would never have the strength to hold back when it mattered, to throw away his own potential for someone else. Y/N had given everything, and Charles had only just realized it.

And now, watching Y/N quietly fade into the background again, Charles made a decision.

“I’m going to help you, Y/N,” Charles said suddenly, surprising even himself. “I don’t know how yet, but I will. I won’t let you fade into the background.”

Y/N looked over at him, a surprised yet knowing look crossing his face. “Charles, you don’t need to—”

“I know,” Charles interrupted, his voice firm. “But I want to.”

Y/N gave a small chuckle, ruffling Charles' hair. “You don’t have to do anything for me, kid. You’ve got your own career to focus on.”

Charles didn’t reply, his mind already planning how he could work in the shadows, how he could help his brother rise again without anyone noticing. Without Max ever knowing.

He wouldn’t let Y/N’s sacrifices be in vain.

And maybe, just maybe, they could still achieve the dream Y/N had set aside for so long.

Over the next few weeks, Charles found himself subtly changing the way he approached his time with Y/N. Every practice session, every karting weekend, he was paying more attention—not just to his own racing, but to his older brother’s every move.

It wasn’t hard to see how much Y/N was holding back. He wasn’t just playing it safe; he was actively limiting his own performance, choosing more cautious lines, braking earlier, and settling for second or third place when he easily could’ve taken the win.

It frustrated Charles more than anything. Watching Y/N squandering his potential, doing exactly what he’d done his entire life: taking a step back for the sake of someone else.

And it made Charles feel helpless. He wanted to shout, to demand that Y/N race to his fullest, that he deserved more than the life of a background player. But he couldn’t. He understood now why Y/N was doing it. He’d made that sacrifice for Max—and maybe even for their father. It wasn’t just about being in the spotlight; it was about keeping the family dynamic intact.

But Charles wasn’t going to let it go on forever.

One night, after a particularly difficult race where Y/N had barely edged out Max for a second-place finish, Charles made up his mind. He needed a plan. He needed to help Y/N, even if he had to do it in secret.

"Y/N," Charles said casually as they were cleaning up their gear, the two of them alone in the garage. Max was off with their dad, discussing strategies for his next race. "Have you ever thought about going to some of those off-season testing events? The ones where they bring in reserve drivers, or... younger talents?”

Y/N gave him a sideways glance, his expression unreadable. “I’ve been to a few. A long time ago. But you know as well as I do, they won’t give me the time of day. Not with Max in the picture.”

“I think you’re wrong.” Charles smiled, trying to hide the excitement bubbling up in him. “What if I can get you into one of those events? Just a test run, no pressure. I’ll set it up.”

Y/N gave him a bemused look. “And how exactly are you going to pull that off? You don’t have the connections—"

Charles leaned in closer, his voice low but confident. "I do now."

For the next few weeks, Charles worked quietly behind the scenes, making calls and sending messages to everyone he knew—engineers, team managers, even his own contacts within the F1 world. It wasn’t easy. Y/N wasn’t exactly a household name, and most people were only interested in the young stars, not a 25-year-old with years of untapped potential. But Charles didn’t care about the odds.

He couldn’t let Y/N’s talent slip away, not when he knew what his brother could truly do.

It was a month later when Charles finally received the response he’d been waiting for—a private testing session for a mid-tier team looking to give fresh talent a shot. It wasn’t Formula 1, not yet, but it was a step in the right direction. A foot in the door.

He waited until the perfect moment, when Y/N wasn’t expecting it, and told him about the opportunity.

“Y/N, I got you a test with an F1 team. You’re going to drive at their private session next week.”

Y/N blinked, looking at him as though Charles had just said something absurd. “What?”

“I did. You’re driving for them next week.”

At first, Y/N didn’t believe it. He laughed, like Charles was making a joke at his expense. But the more Charles pushed, the more he explained how hard he’d worked to arrange it, how he’d bent a few rules and called in a few favors, the more Y/N’s expression shifted from confusion to disbelief to... gratitude.

But even then, Y/N hesitated. "Charles, you know I’m not—"

“You are ready,” Charles cut him off, standing firm. “I know it. I know you could’ve made it into F1 years ago if you’d wanted to. I won’t let you give up on it.”

There was a long silence. Then, slowly, Y/N nodded, a quiet smile tugging at his lips. "Alright. But you better not tell Max about this. He’ll never forgive me if he finds out.”

Charles grinned. “Deal.”

The week of the test, Y/N’s nerves were palpable, though he tried to hide them. As they stood by the track, Charles watched him suit up, a wave of pride crashing over him. His brother was about to show the world what he could really do—and no one would know who had pushed him there.

Charles knew it wasn’t enough just to get Y/N the test. The hard part was making sure Y/N knew he had someone in his corner. Someone who believed in him—not as the background player or the second-best brother, but as the talented, driven racer he’d always been.

The test went better than Charles could have hoped. Y/N drove like he was born for it. Fast, fearless, and precise, he outpaced every expectation. By the end of the session, the team’s engineers were already talking about bringing him back for more testing.

But Charles didn’t want to get ahead of himself. This wasn’t the finish line. This was just the beginning.

As they packed up to leave, Y/N clapped him on the shoulder, a grateful, somewhat overwhelmed look in his eyes.

“Thanks, Charles,” he said quietly. “I don’t know what to say... I didn’t think I’d ever get a shot like this.”

Charles smiled, the weight of the unspoken promise hanging between them. “You don’t have to say anything. Just keep driving. I’ll make sure you get there.”

The next few months passed in a blur. Y/N’s performance in the test had caught the attention of several teams, and before long, he was back on the radar. Charles helped when he could, keeping things quiet and making sure that Y/N’s success stayed under the radar. Max never knew what had really happened. And Y/N, though hesitant, slowly began to believe that maybe—just maybe—he could make it to Formula 1 after all.

But it wasn’t just about racing anymore. It was about a bond between brothers, one that went beyond the track. A bond that said: I’ve got your back, no matter what.

[i-love-ptv]

I Just Ride ˏˋ°•*⁀➷

(Prologue?)

Pairing: Knight!Rafe Cameron x Princess!Carrera!Reader

Wc: 719

An: Heyyyy guyssss…..So this was supposed to come out for HALLOWEEN but i got lazy n wrote other things.

I debated on posting this, i was thinking of making a series, but that depends on whether or not y’all want it! so lmk loves!

Feedback is always welcome and encouraged! <3

“This would be monumental for the family, Rafe!” Rafe’s father, Ward, exclaimed.

Rafe remains unsure of how long this conversation has been going on, he fears his horse will have passed on by the time his father decides to make his voice scarce.

Ward Cameron was one of the mightiest knights in all of Kildare Kingdom, if not the.

Everyone knew that he only cared about the family legacy; for the wealth that came from notoriety.

His eldest daughter, Sarah, was arranged to be wed to Prince Topper Thorton. —But it was painfully aware that her eyes lingered elsewhere, they always remained on the Thorton family’s jester, John Routledge.

Ward is even in the process of accommodating his youngest, Louisa, despite her constant protesting. All the young girl wanted was to become a knight, just like her big brother Rafe. But of course this behavior was not allowed in Ward’s book. No, Ward’s daughters need to be nothing but royalty, and the only way was through marriage.

Ward and Rafe’s step-mother Rose had an almost dictatorship-like relationship. Ward’s word goes, no matter what. Nobody even in the family dared to disobey his order.

Hence why, although he isn’t interested in the slightest, Rafe knew he wasn’t going to get out of it.

“Think about this, Rafe! You are already a knight, my son! Now you would just work for one family!” Ward shouted, growing more agitated by the second.

“Unfortunately for you, father, I am not interested,” Rafe maintained with a blank tone.

Ward huffs, raking his fingers through his hair frustratedly. “My word is final, that is it.”

“But-“ Rafe attempts to object.

“That is an order, Rafe! You are to serve the Carrera family, and provide them with the utmost respect,” Ward almost snarls.

He continues, “I wish not to hear another word about the matter, Rafe. Start packing, you will be residing there as well, they’ve offered you one of their spare rooms.”

Rafe stomps to his room, similar to how a young child would.

It’s not like he has a problem with the Carrera family, It’s quite the opposite actually. They treat him with such niceties that would make anyone fawn; since he was a Cameron and all.

The youngest, Kiara, albeit continuously holding a grudge towards Rafe, wasn't his main concern.

You, were his main concern.

You somehow always managed to have that twinkle in your eye, even when falling bored.

You always smiled at him brightly, and he knew that it wasn’t fake like the others’.

You held beauty unlike the rest; Rafe swears there could never be a time where you don’t look divinely ravishing.

He’s thought about writing you a letter, confessing his admiration for you and his want to have your hand in marriage.

Unfortunately, the Cameron boy knew that seeking a relationship with you was futile. After all, was just a mere knight, and you deserved to be married to a man of royalty; since wealth was no issue for Rafe.

Rafe doesn’t know if he’d even be able to handle being in the same vicinity as you, let alone guard you and take up your sacred space.

The thought alone makes his stomach fill with the flutters left behind by butterflies, but he also feels giddy, believe it or not.

He’d be able to see you freshly from your slumber.

….That's rather strange, isn’t it?

It’s not like he was an odd stalker of some sort, he just wanted to be bare witness to the beauty you behold, especially when you rouse from your nightly escapades.

The mere thought of being in your presence makes his heart pound against his chest. The tight feeling makes him reach his arm out and grip his nightstand for stability, as he drops onto his bed.

It’s late now, and despite his urge to just succumb to slumber. Rafe packs his bag, which will reside on his horse tomorrow morning.

Once he’s done, he flops onto his bed, resting under the covers on his back, looking at the ceiling in thought.

‘How would this transpire? Only a god would know,’ he thinks to himself. He thinks about praying, although he doesn’t really have the words in his throat.

Rafe finally rests his head on his pillow, and hopes for the best.

[cicadabooks]

aaaaa finally i feel justified for reluctantly finishing the first Monk and Robot book with a :/ face, and then feeling even more :/ :/ :/ about reading the 2nd book. Which I did not read, and it looks like this was the correct choice, for me.

"Underbaked" is a decent summary of the first book - people (....often white people I feel like....) would recommend the book and how they loved it, and when I finally read it, I was just like.... This author is over-reaching and floundering around in areas she doesn't know much about. (And also this book felt very White Person writing world building to me.) Even the final pep talk by Mosscap rubbed me the wrong way. It was obvs just Not the Book For Me. (Also winning a Hugo.... It's not the worst book, but...? I think people are being bamboozled a bit.)

I remember the author's approach to nature was weird. I remember thinking "people live in nature, we're part of nature, and to just have the two drastically split is disturbing. Also I don't think this author has ever actually walked through the woods, or at least not more than three times."

OP's line above ("The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature.") is making me specifically remember what I didn't like. :( wtf. Are indigenous people and their land stewardship a joke to you. Where were you when the Dakota Access Pipeline protests were happening last decade. That was a large amount of news. At this point, this is a you problem, Becky Chambers.

Also shoutout to "also tbh I think Becky chambers has also just never gone fishing in her life and was not curious enough about her own concept to research how you're supposed to kill a fish" in the comments section from OP -

Because, as I mentioned earlier, I had the same reaction even in book one!? About doubting if the author actually spent time in nature, or considered nature a lot, or knew much about nature (for a book that... spends time in nature...). Neither the first book's vibes, or this wretched fish thing, are the vibes of people I know who spend time in the wild (as a hobby or professionally).

(Also, I think those people I know, and me, and many other humans, would be miserable being cut off from wild nature. Some things are just in the blood. I was always yearning for the ocean growing up, and I swear it was handed down to me by blood from my mother who grew up on an island. When I finally lived in a place near the ocean and got to be in ocean waters a lot more, I was like YES I AM HOME and happy in my bones. Every time I get too sad it's because I have spent too much time away from ocean and some proper wilderness.)

(and we're not even getting into how much human culture, esp indigenous cultures, have cultural transmissions tied in with nature.)

(Like I know OP's essay was more examining passivity and the implications at large in these books.... Whereas looking back, I think I got stuck on "Humans aren't allowed to go into nature" in book one and I was horrified by this and I never got past this part. This book was a dystopia for me.)

Anyway OP thank you for summarizing the 2nd book, yikes and also that was fun to read.

Also this is all ironic/sad because I actually liked the author's first book! When I read it years ago. (A Long Way to a Small Angry Planet) It was fun! I love me a motley crew of people in space ships becoming friends and having adventures. I had issues with the handling of sex/gender stuff, but at the time I gave it a pass. The rest of the books in that series didn't stand out to me, but I picked up whatever the author wrote anyway. I was disappointed when I picked up these monk robot books more recently. We're not even having, like... having that much fun here :( There's apparently fish dying in bizarre ways.

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[alloftheimaginesblog]

ready (klaus mikaelson)

plot: klaus always knew that one day you'd take him up on his offer.

character: female vampire reader x klaus mikaelson

inspired by something similar he says to caroline

"One day, love, you'll come to me. Might be in two years, might be two hundred but mark my words, you'll realise I was right along. I am the only one who can fulfil your wildest desires and your largest dreams. When you realise that, you'll come knocking on my door and then... well, love, then I'll give you the world."

It had been three and a half years since Klaus Mikaelson had said this to you. Three long years. He'd came into your life as a villain, you were supposed to hate him. He had killed, harmed and tortured so many of your friends (and his sister had tortured you a fair few times) and yet, he was always so delicate and gentle with you. He'd been interested in you pretty much ever since he came to Mystic Falls. You'd hated him... or at least, you tried.

He had gotten under your skin all of those years ago. He'd saved you too many times to count. He had shown you kindness and compassion, had recognised you for who you were; Klaus had seen you. You'd gotten to see a glimpse of the human side to him, not the scary big bad wolf, you'd started to see him. And when he left, with an invite extended your way, it took everything in you to say no.

Klaus hadn't stepped foot in Mystic Falls since he left and yet, every few months or so, he would write to you. Seldom did you respond but you enjoyed reading about his travels. Each time he wrote, he would send photos of the new place he was visiting usually with a list of reasons as to why you'd love it there with drawings he'd done and every single time he wrote, he attached a plane ticket to whatever destination with your name on it. You never used them, instead they gathered dust in a drawer which was full of his old letters. Klaus also always wrote exactly where he was staying at the end of the letter so you knew exactly how to get to him. Periodically, you'd go through and read some of them. They always smelled like him and had the same send off each time.

'Unequivocally yours, Klaus'

You knew that if you needed him, he would be there immediately. He had promised you as such. And the one time you called for help when Caroline got bit by a werewolf, Klaus couldn't be there in person but he sent Elijah with a few vials of his blood (extras for any future emergencies). He would do anything for you and all he wanted was the chance to show you as such.

So when this month's letter arrived with details of his new adventure complete with a plane ticket to Italy, you decided to take the chance you'd regretted not taking three and a half years prior. Your friends were oddly supportive which surprised you but Bonnie had told you she wanted you to be happy and if he's what made you happy then so be it. Damon wasn't impressed but he rarely ever was. Stefan urged you to your happy ending. Caroline approved, she'd seen the way Klaus would've done anything for you so even though she didn't like him, she knew that he was the real deal. Elena was supportive, she'd gone for the 'bad guy' in Damon so she understood the inner conflict and told you that it was okay to let yourself be happy.

So, you packed a bag and headed to Italy.

Getting there was the easy bit; the hard bit was finding the courage to knock on the front door. Your heart hammered in your chest as you stood on the grounds of what you could only describe as a small castle. It was beautiful, with glorious gardens and fragrant flowers. You swallowed hard before taking a breath, this is what you came for, and you knocked three times.

After a few seconds, you could hear someone's voice approaching. Klaus.

"-I didn't ask you to go to such lengths, brother, though I have to say I do appreciate it-"

He opened the door and his expression turned from one of mild annoyance to complete shock.

"Elijah, more important matters have emerged, I'll speak to you later." He hung up, pocketing his phone quickly. He looked good. The Italian sun suited him, turning his hair a shade blonder and making his blue eyes pop, "(y/n)..." A slow, wide smile spread onto his face.

You swallowed hard, "Hi, Klaus."

He stepped aside, silently inviting you into his castle, and with a small smile you breezed past him. He closed the door and led you through to a grand room with various couches and paintings. You looked around incredulously, "This place... it's incredible."

Klaus smiled, "I told you that you'd like this one."

You looked at him and felt nerves bubble in your stomach. You'd came all this way and now... you didn't know what to do. Klaus eyed you curiously, trying to gauge how you were feeling, "Do you need something?" Oh, how he hoped that you were here for him but he had to be sure.

You shook your head, finding words too hard to find, and instead looked back to the paintings, "These are beautiful, did you do these?"

Klaus appeared at your side, making you jump slightly, "Sorry, love," he smirked. He was so close to you, so near that you could smell his cologne. Your heart raced. His hand reached out past you to touch the painting, "I painted all of these, yes. This one is my favourite."

"The colours are lovely," you nodded.

Klaus smiled, quickly vanishing and then returning to your side, "Here, look in the mirror and then look at the painting."

You frowned at him but complied regardless of your confusion. He handed you a small hand mirror which you looked into and then at the painting, "I don't get it," you said to which he urged you to look again and then you realised, "my eyes."

Klaus grinned, "There we go, love," he beamed proudly, "my favourite colours and shades to use. They crop up a lot in my paintings. Go, look," he encouraged you forwards, "take a look and you'll see how often you feature in my paintings."

For a moment, you walked around the room, soaking in the subtle (and sometimes not so subtle) hints of your eye colour in every single one of his paintings. It touched you causing you to feel warm inside and you couldn't understand why. You looked at him. He stood on the other side of the room watching you with awe filled eyes, "But why?" You asked softly with tears filling your eyes, "Why me?"

In an instant, he was in front of you, chest touching yours, with his eyes locked with yours, "Oh, love," he whispered, hand reaching out to graze your cheek softly, "It's always been you."

You looked up at him, "You asked me if I needed something earlier." Klaus's brow furrowed and his hand stilled - fear; fear that you weren't here for him, fear that you needed something and then you'd disappear again. "I do need something, Klaus."

"Anything."

"I want... I need you." Your admission was quiet but he heard you loud and clear, "For years, I've regretted saying no to your offer to come with you. I want to live, Klaus. I want to be free. I want to be happy and that means letting myself be happy with... you."

"Me?" Klaus asked.

You nodded as your own hand found its way to rest on his chest, "I'm ready to fall in love with you, Klaus. I just hope I'm not too late."

He grinned, wider than you'd ever seen him smile, "You're right on time, love," he said before his lips crashed to yours. And for the first time ever, you let yourself give in.

[thatnonameuser]

Ooh hearing about the events in your Yandere au, I can only imagine how fed up MC is by the time of Playful Land that, when they’re all locked in, I can just imagine her immediately joining Jade and Lilia in trying to destroy the locks. If only to have something to vent all her anger and frustrations on which promptly bites her in the butt via puppetification.

Especially after a day of running from one group to another and having forced, sort of date moments with the various boys. Vil and Floyd instantly locking in on the “order the losers around” during the pool game that MC’s like “I’m in danger we HAVE to win”. There will nearly be a brawl on who gets to sit next to MC and multiple folks glaring at Grim for smugly sitting in her lap. At least Rave Up is far less annoying song than Neige’s when she’s forced up on stage with the gang.

Wonder if Fellow would be more of a platonic yandere towards MC, and possibly one to Gidel too, taking extreme lengths to make sure Gidel’s cared for and protected.

I imagine she saw straight through Fellow’s free ticket scam  and didn’t want to go like the other rational people, but Grim wanted to and she got dragged into it. 

And the ‘date’ moments. At this point the MC is fed up with all the drama and chaos of being the darling to so, SO many yanderes, so she’s just completely numb to their shenanigans.

So she goes on the ‘dates’ begrudgingly. 

The rollercoaster, there’s fighting on who gets to sit next to her. She argues that if they don’t calm down and figure out where everyone sits like rational people, she won’t ride at all. So they play rock-paper-scissors for it. And yes, Grim sits on her lap. (She regrets that, because Grim had a bright idea to try and eat the tuna, but Grim is better than any of the others.)

The game area, she gets roped into that bet and while she’s terrified of losing, she can’t deny the wonderful possibility of ordering the losers to leave her the hell alone. So obviously she’s on Ortho’s team, after seeing him play so perfectly. Victory is sweet when it saves her mental health.

The most fun she’ll probably have is with the last group in the Seabed Stroll, mostly because it’s with two of the more chill yanderes (and Leona’s there too) and the attraction was cool. Also she’ll laugh her butt off watching Jack and Leona riding the merry-go-round. 

While the MC avoids being on stage like the plague after the VDC, she does have a little fun with that, Maybe that’s what relaxes her fears about Playful Land.

(But first imagine if Playful Land had a Tunnel of Love, the fight that would have broken out definitely would have destroyed the park)

Only to be proved completely right after they get locked in. And then after they get locked in, she immediately tries to break the locks to escape, and only to realize she can’t move and becoming very, very panicked at the realization that she’s at the mercy of either the kidnappers or her very, very obsessed yanderes. (she picks the kidnappers BTW, it's the lesser of two evils).

Obviously, she gets her own cage as a puppet. After all, you’re the best out of all of them in the eyes of the Fellow and Gidel, and you would fetch a high price if the boss sold you.

But to amend the yandere types, I orginally wrote a romantic yandere for Fellow/Ernesto, (check the masterlist) but platonic also works too. Maybe he lets her out because ‘she’s not one of the other NRC students so his boss doesn’t want her’ but actually because he’s more interested with keeping her out of being a puppet slave for the rest of her life, and that the boys deserve it for what they put her through. But since she tried to run for it, she gets to be a puppet for now until the trade off is over with.

Think that’s all I’m gonna say for now till I get around to doing that event. Thanks for asking, anyways!

[astronicht]

I love the very subtle but important presences of bez and pecco in tavullia radio!! and also everything else about it obviously. would love to know if you had any more thoughts about like what they're doing thinking seeing feeling! the image of pecco running into freshly fucked and sucked marc at the espresso machine he can't use and making him a tiny coffee enchants and delights me. in my mind he is suffering horrors. thank you for such a perfect fic!!

thank you Leah!!!!!!!!!!!!!!!! <3 <3 So in my head etc Pecco and Marc are already technically or already have been teammates. I was thinking as I wrote it "is this next month? or is this december after the 2025 season?" haha. Either way Pecco is like. In a phase of life where he has decided that he is professionally obligated to have some form of rapport with Marc. And if they've been working together for a bit, they awkwardly kind of already DO, just not. NOT in this setting. Always on neutral Ducati ground. THIS scenario (freshly fucked and sucked marc at vale's ranch, in pecco's friendly ranch kitchen, where he was NOT expecting visitors) is NOT part of this carefully polite professional rapport. Unlike the rest of the guys Pecco can't just grunt and shuffle past (he totally could have; Marc did not want to talk to anyone). He's forcing himself to try to be normal and thus extending everyone's suffering lol. They don't even dislike each other. This somehow makes it all worse.

Pecco made Marc a Turkish coffee instead of just getting out one of the 3-5 mokas kicking around because he has gotten into foodie youtube and Turkish coffee came up, and he carefully bought the correct little cup to boil it in and the correct finely ground coffee and he has like, watched videos on how to get the foam right. Very much your friend who gets really into foodie youtube and is suddenly making what you think of as simple staple dishes with all the right utensils and the correct dipping sauce that no one in ur family ever bothered with. He actually had come in to make a coffee for himself before practice (i think he's considering doing a little mentoring? which never interested him much. Marc appears in moments of Pecco identity or professional crisis, in this universe) so you have to picture Pecco out there somewhere with a little cup of Turkish coffee and haunted eyes, wondering if he can drink it.

Marc actually wanted tea, or to have the balls to wander around the ranch in boxer briefs and a t-shirt smelling violently like sex, but he saw the giant fuck-off luxury espresso machine and was like. the look of it annoyed him so he was definitely going to force it to work or just break it. a little bit his instinct to push at vale a little, to try to figure out where the lines are, or to know for sure that vale isn't going to snap over something normal again.

So that was the mood and then pecco came in and was like oh god. oh god he's going to touch the espresso machine and we'll have to have it repaired again. oh god we won't be able to tell vale that marc did it and we'll have to blame celestino again. Just polite Pecco voice being sooo normal like Hi Marc Would You Like A Coffee :) [intense suffering]. He is overcompensating and being as normal as possible bc marc looks fucked ouuuuut and also is doing the terrifying dead fish eyes and slight grin he does when in extreme physical pain and forced to converse, bc he's dissasociating and also does not care enough to make nice expressions for pecco. (Vale used to fuck himself to sleep despite insomnia -- like he just did -- all the time when Marc was 22 and the memory is a bit much.)

Bez meanwhile is having a total gay... crisis isn't the right word. ring of keys dot mp3. the particular egg-cracking feeling of seeing something you didn't know you desperately wanted until you want it violently and think you're gonna cry for no reason. seeing it is both horrifying (for the same reasons pecco is horrified; marc is fucking motorcycle dad) and makes him want so much it fills his mouth with spit, and that scale of desire is weird and confusing and almost a high. but also he LIKES having a grudge against Marc. It's comforting. It's so awful to be jealous of him, while also realizing he's not jealous that Marc is fucking Vale, because in the end Bez is also being forced to realize that he doesn't exactly want to fuck Vale (well, it's complex, but he doesn't want to fuck Vale like Marc wants to fuck Vale and thus Marc even managed to get a win over Bez by being gay in the way Bez would've liked to have been gay).

Anyway!! Bez got wronged in this fic, I don't want to assign him "italian son with sisters who never learned to make coffee". But i did do that. Also he feels twitchy and guilty about the falsely attributed coffee thing for days. Probably vents to Celestino, who is like "why are you talking about coffee bez i am at the club. did i break the espresso machine again bez?? i can't hear u maybe there's better signal on the roof [call dropped as cele's phone dies and isnt' charged for 3 days]"

[dresshistorynerd]

His family owned the arsenic mine and he divested his interest in it eventually, though of course profiting off of it was certainly a hypocrisy he engaged in for several years even after becoming a socialist. I can't really ask much more than he should have done it sooner, since he could hardly decide how his father had made his fortune. I agree that his continued denial of arsenic poisoning was insane, but his factory did stop using arsenic in 1879, 6 years before he send that letter. And he didn't use the other poisonous dyes that were used frequently at the time. I'm sure his position on arsenic specifically was influenced by his family's fortune coming from arsenic mine and the need to be defensive about it. My point was rather that there has been no debate at all past many years weather viscose method is dangerous to workers or not and still it is used, even though the owners know and believe it's dangerous, which clearly he wouldn't have approved of. Overall his factory was reported to have good working conditions, much better than what was typical at the time.

I know he was a Victorian man and while I fully admit I very much enjoy his writing and work, I'm not hero worshiping him. I do have many criticisms for him, but surviving under capitalism in a way where he tries to make some positive impact is not one of them. I know every write up on him loves to paint him doing business as a hypocrisy and a point of criticism, but I find that very silly. He never became rich with his business, though it did most of the time bring him enough money to live a comfortable life (though there were times during which the business was not as great and he lived a less middle class life), because he despised commerce and did it enough in order to do arts in his own terms and survive. This whole criticism feels so much like that meme "you criticize society yet you live in society, curious, I'm very smart".

I would much rather criticize him for his racist attitudes. Even though he was anti-colonialist and opposed the British Empire and he didn't believe in inherent biological racial qualities, he did accept the premise that there were distinctions between races, he just thought those were caused by the living conditions of different peoples both environmental and the material conditions forced upon them. It's still racist. He was also clearly ignorant about many different cultures, especially non-white ones, and did sometimes engage in cultural supremacy. He also was part of feminist causes, but he very much did uphold very binary gender roles evident in the way he wrote about men and women, even as in some ways he tried to oppose them.

Edit: I took this comment in a way it wasn't intended, understanding now better the point, I can agree that it would have been better if I had brought up some of those valid criticisms too in the original post. For context, here's the additional exchange we had!

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no egency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[kirkodiletears]

I wanted to answer this question: (it's only a speculation)

"How intense is Luo Binghe love for the original Shen jiu and why is he so damn fixitated him for is it his looks or personality lol ? I'v read so many fics of Shen yuan identity reveal with Luo binghe and the peaklords that always ended positively but do you think it'd be the same in the canonverse? Like if Shen yuan were to reveal he wasn't the original would they react positively or negatively?"

I think 1st thing he feel in love was SJ's looks

"Shang Qinghua: “What was your first impression of the other person?”

 

Luo Binghe continued to reminisce and lightly said: “An aloof and remote, distant and untouchable immortal.”

then he started to do anything to gain SJ's attention/favor... He befriended with SJ's favorite disciple NYY, even if she always got him in trouble, then after he was pushed down to the abyss he realized that SJ would never return his feelings so he decided to destroy him, meanwhile he started to cope with it and started to pretend that SJ was a scum villain who couldn't love anyone but himself (that's probably why he never seen SJ's memories even if he was able to do so) and when YQY died he and SJ's reaction finally shattered his illusions...

Well, in my opinion, you pretty much nailed it. Especially keeping in mind the original intentions of Airplane to write PIDW as a yaoi novel with SJ (SQQ) and LBH as a OTP.

P.S.: Apparently I better quote the text of SVSSS, chapter 81 to be precise, to avoid ignorant comments. There's a huge misunderstanding going on in the English-speaking segment, probably dew to an English translation of SVSSS. Some readers are mislead by two quotes, that they take as a contradictory, which in truth, they are NOT.

The first one is from a Chapter "The story begins". It is the last chapter of the novel, after this the extras start. And this particular chapter is a culmination: this is where the truth is reveled. Like in a detective story, where we finally find out, who the killer is. This meant to become a real "bomb", that makes a reader go WOOOW!!! And this is THE KEY for understanding the whole story: the plot and the characters, especially Luo Bing-mei (and Luo Bing-ge). And speaks about the intentions of the Airplane. (original scrapped outline(c))

The second quote on the other hand speaks of an EXISTING PIDW. (original outline(c))

The first quote, from the final chapter:

Shen Qingqiu looked him up and down. “You don’t look crushed at all after all this foolish messing around ended up completely changing your own novel.”

Shang Qinghua said, “You can’t say it like that ah. Maybe you think it’s just all foolish messing around that isn’t worth a damn, but for Bing-ge, your foolish messing around is probably the meaning of this entire world.”

... holy s***, Great God Airplane Shooting Towards the Sky was able to say something like that?!

Shen Qingqiu was terrified. “F***. You didn’t turn back into the original character, did you?”

Shang Qinghua said seriously, “Don’t be like that. I’m also a young person with literary ideals. Of course, I have my own reflections and emotions.”

Shen Qingqiu laughed coldly. “What literary ideals? How come all I saw in the original work was shameless fanservice?” Not to mention his hand speed that could produce ten thousand words a day, and the courage to even occasionally explode with twenty thousand. If he didn’t have such equipment, there was no way 《Proud Immortal Demon Way》 would have been able to hold out before it was serialized!

Shang Qinghua spread his hands. “You think that I always wrote shameless content that lacked any integrity from the very start? I’ve also written belles-lettres4 before, but they were all unpopular, so I had no choice but to go down a path that catered to the masses. It must be said that writing novels is a very lonely undertaking. Rather than writing a stallion male protagonist who’ll be stereotypical in the end, it’s more in line with my philosophy for writing to create the current Bing-ge━this kind of weirdo male protagonist whose character is a bit more complicated, has contradictions and conflicts, and has a rough destiny.”

Shen Qingqiu concluded, “So, your philosophy for writing is to write about gay guys?”

Shang Qinghua: “Do you look down upon gay male protagonists? Works of art and artists all like to create gay guys. Belles-lettres favors gays, do you know that?”

He waved his arms wildly and passionately. “Cucumber Bro, if the System hadn’t chosen you, this faithful die-hard reader, perhaps the plot wouldn’t have deviated so thoroughly, thoroughly to the point that it deviated all the way back to my original scrapped outline. Even though the me back in reality━who couldn’t endure the loneliness and was under financial pressure━chose to finish writing 《Proud Immortal Demon Way》 according to other people’s preferences and what they found cool... now, all thanks to you, essentially everything that I wanted to write has already unfolded in front of my eyes. Cucumber Bro!”

He patted Shen Qingqiu’s shoulders with deep sentiment and solemnity. “You... are the chosen one; as for my career, I have no more regrets!”

... why did it sound like the System and this world were both products of Shang Qinghua’s resentment over scrapping that outline and going with what was mainstream?

Shen Qingqiu, who shamefully became this kind of “chosen one”: “Who’s your faithful die-hard reader?”

Shang Qinghua waved his hand and one-sidedly declared his victory. “I’m not going to talk to you; you’re an anti-fan.”

Shen Qingqiu was about to say, “I’m only an anti, not a fan!” when he suddenly heard Shang Qinghua starting crooning something like, “Emotions are warm, kindness hard to bear, lips moving together, desires turning the evening to the next morning, never resting from dawn to dusk.” The crucial point was that melody, which sounded extremely familiar to the point that it made Shen Qingqiu’s hands and teeth itch. He pointed at him and said, “Shang Qinghua, what are you singing?”

Shang Qinghua continued to croon. “The warmth of emotions makes gratitude hard to bear. Lips to lips, locked in a kiss. Let this night linger ‘til tomorrow’s dawn. Day after day, night after night; never to end. Will tomorrow be another today? When ‘til Zheng Yang reaches its zenith? As Zheng Yang ascends, the voice of Autumn stirs. A sheathless Xiu Ya, a spurt of cold nectar. Tragic pleas amidst choked sobs, thus in vain; for he rises again5...”

Shen Qingqiu was in disbelief. “F*** you—why don’t you just try and sing another line?”

Shang Qinghua said, “Great Lord Shen, why aren’t you listening to what I’m saying? You must never go around casually f***ing people. Bing-ge will go crazy. I’m telling you, this Resentment of Chunshan is equivalent to Shi Ba Mo6. You two are the legendary national homos, do you understand? I have no problems with you shutting me up, but ultimately it’s useless. You can’t possibly make all the countless people in the world shut up...”

The second quote, from the extras: "

System: 【Basic accomplishment of《Proud Immortal Demon Way》’s original outline, slight deviation of romance plot, objective accomplished. Function to return to original world download complete. Activate return home sequence?】

Basic accomplishment of the original outline, that he agreed with, all the holes which needed to be filled were filled. But, this “slight deviation of romance plot” isn’t quite right. Bing-ge is gay no━how can you say this is a “slight deviation”? Ay okay, okay. In fact, in his original outline, Bing-ge didn’t have a romance plot; he was doomed to fade away, alone and unaging forever. If you insist on adding a plotline, that’s whatever, but he’s wasted this many words… you mean he can return to his original world?!?!"

The second quote is very poorly translated into English. What it actually means, is that Bing-ge does not have ANY SIGNIFICANT RELATIONSHIP, LOVE. Nothing to do with he amount of partners he fucks. And yes - the ending for the tyrant he became in PIDW is not happy in a slightest. This is how his relationship with the harem is described by the PIDW reader's forum in the novel:

"Airplane really doesn’t know how to write romance plotlines, best if he just doesn’t. I feel like Luo Binghe doesn’t have feelings for any of his wives, he just wants to use them. And I can’t see any of those women with real moving emotion for him. "