#it won't let me write loki for some reason

[nostalgia-tblr]

just realised - i enjoy it when blorbos feel guilt. even about things i reckon could be justified to some extent, and things where i'd do the same myself in their shoes. i like making them sit about feeling bad for things they did, even (god, ESPECIALLY!) when they're the hero of the story. i enjoy their moral angst and their endless suffering.

what the fuck's that about then, eh?

[tinylilacbun]

 could you write a fic where Peter or Loki are caregivers and they have littles that no one knows about and they have some relation to the team and are at the tower one day not knowing their caregiver was going to be there the team doesn’t know they’re a little or that Peter or Loki are caregivers? Plz and Thx

Not So Secret Anymore

Pairing: daddy!peter x little!romanoff!reader

Warnings: age regression, reader has social anxiety (just projecting here), sorry for any spelling mistakes!

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You and Peter had been texting each other for a while now, getting close quickly by the fact that you both were in the agere community.

The way you found each other was just because you had messaged him over tumblr, telling him how comforting his blog was for you whenever you were in littlespace and now he was your caregiver over screen.

You haven't met each other yet but face timed a lot, still getting comfortable with each other. Peter never presses you into meeting him, knowing how hard it is for you given your social anxiety, so he'll wait until you feel up to it.

It's funny how you both share something so deep yet never have you told him you're Natasha Romanoff's adopted daughter and Peter never told you he is spider-man for obvious reasons.

It seems the universe had other plans for you both though.

You have just gotten back from Starbucks, getting something for your mom and yourself. Today was a rather anxious day for you because you will be becoming kind of a part of the avengers. You won't be participating on the missions, more stay at the compound to plan said missions and monitor them safely far away, helping over comms.

After the security let you in you instantly bee-lined for your mom's office, knocking on the door before entering, seeing her seated at her desk. She smiles when you enter the room, pushing the stack of papers to the side and waves you over.

You walk over to hand her the cup of hot coffee, chuckling at her groan of relief.

"You're my savior." She hums, taking a sip and notices you tapping your finger repeatedly against your own cup of cocoa. "You nervous?"

"Is it so obvious?" You ask and she mocks your tapping a bit more aggressively and you shake your head laughing. "Yeah, ok, you got me. I'm just scared to mess up..."

"I get it, really. But making mistakes is normal, it makes you do better for the next time. Just go with your gut feeling and you'll see what happens. Besides the others have a lot of experience and know when to listen to instructions." She assures you, getting up from her seat to stand right in front of you, placing her free hand on your shoulder to give it a gentle squeeze. "You'll do amazing, I just know it."

"Thank you, mom." You smile at her.

"Alright, then let's go. It's time to make official to the others." She says making her way towards the door, waiting for you to follow.

Swallowing the lump in your throat you follow after her, walking out of her office and towards the meeting room where everyone else was already waiting for you both.

As you stand before the door you hesitate, taking a few deep breaths. You just couldn't help being nervous, standing in front of people even if most of them basically watched you grow up by Natasha's care was still scarring you.

"You ready, sweetheart?" Natasha asks, making sure you really want to do this.

Taking a deep breath you nod with a small smile, your grip tightening a little on your cup as the door slides open.

Everyone in the room stops talking and turns to face you both. Your attention instantly fell on the slightly curled brown haired boy who's back was still facing you. When he did turn around your eyes widen, instantly recognizing the boy as your caregiver.

His eyes widen as well, neither of them saying anything. To your relief Natasha starts talking.

"So, most of you already know my daughter..." As she did the introduction for you your eyes never left Peter's, subtly shaking your head for him not to say anything about you both already knowing each other.

He presses his lips to a thin line, his gaze already telling you 'we'll talk about this later'.

After you and your position got discussed everyone left to do their own thing. You speed walk to your room, feeling someone following after you with a few feet distance.

You walk into your room without closing the door, standing in the middle of it. Peter quietly snuck into your room as well, looking out the hallway if anyone saw him before quickly shutting and locking your door.

You spun around as he approaches you. "What are you doing here?"

"What are you doing here?" He stresses but before you could answer him he pulls you into a hug. This is the first time you ever meet each other in person and a feeling of comfort and happiness rushes through you.

He pulls away, cradling your face in his hands.

"I-I live here. You already know by now who my mom is a-and today is supposed to be my first day working with or for the avengers." You explain, trying to stay big as the urge to slip came the second you saw his face since you normally regress when you're face timing.

"Hell, you could tell me anything and everything about your littlespace but that you're Black Widow's daughter never seemed interesting enough?" He laughs, squeezing your arms a little form excitement.

You shrug, giggling. "And you never found it interesting to tell me you are a part of the team?" Suddenly you realize something.

You know everyone on the team, except for the mysterious newcomer with the red mask you have only seen on tv or the news paper.

"You- You're spiderman?!" You squeal and Peter put a hand over your mouth.

"Shh, don't want anyone knowing I'm in here right, little one?" You practically melt in his hold when he uses the pet name you love so much. He retracts his hand, smiling at you. "You're even cuter in person."

You quickly wrap your arms around his neck, burying your face in it. Peter immediately wraps his around you to pull you closer, enjoying to finally have you in his arms after months of texts, calls and promises of cuddles. He only let go when you pull away, grinning at him.

"I would have made our first meet more special just so you know." He declares and you shake your head.

"Is alweady special enough..." You whisper, tears building up in your eyes.

He frowns at your tears, wiping away the ones that slip. "You don't have to cry. Daddy's here now..."

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Taglist

For everything:

@my-river-lilly @pauntedblacknails @fanfictioniseverything @devilslilbabysblog @buckymydarlingangel @hallecarey1 @daybreakwinter @loveshineslikethesky @wandaslittlewhore @vase-of-lilies @white-wolf1940 @simpingbutch @mischiefsemimanaged @alina02 @teddybearsgrr @doozywoozy @angelbabydoll28 @glxwingrxse @lilymurphy03 @veryvaughnny @lokigirlszendaya @youngstarfishdinosaur @little--baby--bear @minideathgoddess @rach2602 @aagn360 @gh0stgurl @flourishandblotts-inc @fluffyblanketgecko @lovelyy-moonlight @yoruse @kissforvoid

[darkficsyouneveraskedfor]

Dirty Work 6

Warnings: this fic will include dark content such as bullying, familial discord/abuse, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You start a new gig and find one of your clients to be hard to please.

Characters: Loki

Note: I had the worst Monday that could have ever existed. Onto Tuesday.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)

I love you all immensely. Take care. 💖

"I trust this should be amenable to your work," Mr. Laufeyson holds open the door along the east wall of his study. One you've never opened before though you're familiar with the space within. The library also opens into the hallway and keeps you busier than many of the other rooms. "When you should require it. I expect much of your work will keep you afoot."

You peer past him, his tall figure like a second shadow. You clutch your kit tight and nod. You didn't exactly bring the tools for this new role.

"I should have a blank ledger somewhere, oh and a pen of course," he advises, "given our new... arrangement, I would require a contact point."

You nod and tear your attention from the full shelves and luxurious velvet chaise. You won't get to enjoy those but they give the space a much more welcome feel than the rest of the house. You face Mr. Laufeyson as he keeps the door propped open with his foot. He slides out his phone as if it's a task. 

"Never to worry, I wouldn't bother you much so long as you do your work adequately," he assures, "but in case of... emergency."

"Oh, erm," you sputter and reach into your hoodie pocket, revealing the tiny flip phone.

"Hm, vintage," he muses, "as you would."

He holds his phone, gesturing to it with his other hand. You teethe your lip before you recall the digits of your number. Your plan doesn't include a lot of talk minutes but he doesn't promise much of that. He keys them into his screen.

"You'll have mine," he taps his thumb and your phone chimes. "In case."

"Thanks, uh, Mr. Laufeyson."

"Mmmm," he hums again. "Suppose you would need some sort of proper device, a computer of sorts." He clucks and checks his watch, dropping his arm with a huff, "I've an important event shortly, I'll try to venture by the electronics shop before I return.”

You nod and fold your phone, slipping it away as you peek back into the library. He inhales deeply, "suppose you should begin. The list is on the writing desk.”

You accept the command easily. You’re even thankful for it. It gives you a proper reason to find distance. You go to the desk and look over the typed list. You don’t sit, hesitating as you wonder if it would seem lazy, maybe even presumptuous.

“Let me fetch that ledger,” he says before letting the door drift closed.

You run your finger over the top line. ‘Create a schedule’. Hmmm. You look over the bullets that fill the paper. You can only assume he refers to all of that. It’s straightforward, you can handle a schedule. It’s everything that comes after that gives you doubt.

“And you’ll have to review what my wife, ex that is, left in shambles,” Mr. Laufeyson interrupts as he pushes through again. “Her little folder is here. She was always fond of order, even though she left me in much less. This is what’s left of her handiwork,” he approaches coolly and sets down a plain fawn coloured ledger, a fountain pen, and a white folder with golden flowers on it.

“Thanks,” you eke out as his hands linger on the edges.

You sense his gaze, discerning and weighty. He leans forward slightly and you nearly take a step across as he points to the list. You follow the line of his arm and his extended finger.

“Another point to add, ‘acquire work attire’,” he instructs and turns his hand over, flippant flicking his finger in a gesture to your plain hoodie and worn gray denim. “I trust my pay should afford that necessity easily, however should you require a write-off, I suppose it could be argued as a professional expense.”

“Sorry, Mr. Laufeyson,” you frown in embarrassment, “I didn’t…” You look down at yourself, wanting to hide behind your arms. 

“You wouldn’t think of it, just a maid,” he dismisses, “very well, I think you have more than enough to begin. I should be some hours.”

“Yes, Mr. Laufeyson,” you agree. He is correct, there is more than enough to keep you busy.

“I will review the schedule upon my return,” he affirms. “Should you require refreshment, you recall where to go.”

You nod and cautiously reach for the ledger, sliding it closer as he backs up. You slowly sit, hovering before you let yourself rest. He lingers by the door as you roll the pen aside and put the ledger and folder parallel. You open the former and line up the list inside the cover, resuming your perusal of the bullet points.

The door closes and you keep your attention to the paper. You don’t dare a glance up until you hear his muffled footfalls cross his study. You feel as if he’s waiting for you to make a mistake. You think you might be too.

🧹

A clunk sharply pierces the tenuous peace of the empty house. You hadn’t heard the door or his approach, not even right next door, not until the hefty thunk. You listen but keep your nose down. 

You’re just about done with the schedule. Two cleans throughout the week to spread the duties evenly. The main floor on Mondays, and the upper on Thursday. You’ll be able to fit in an unexpected tidying between your other to-dos.

You flutter through the pretty white and gold folder. The embossed suede speaks of a sophisticated owner. You wonder why she would ever abandon it, though you assume, a separation may not inspire sentiment.

You turn over another note. This one about the gazebo. A blurb on a repair. You’ll have too go out and check to see if it was actually done, there’s no confirmation of the job. You stop to admire her loopy writing, as elegant as the folder.

The door opens without pretense. You sit up and wiggle the pen between your index and thumb. Mr. Laufeyson as a flat white box in his hand, along with a smaller one on top. He does not near you, instead place his lot on the square table by the window.

“Here,” he orders shortly.

You rise and leave the pen in the centre of the ledger. You cross to him as he moves the smaller box aside and unfolds the two smaller flaps from the large one. You can’t help but watch curiously.

“This should suffice,” he shimmies out the cardboard insert, revealing a sleek silver laptop, “hmm?”

He shifts it towards you and lets you look it over. You put your hands behind you to keep from touching. You lean in just a little.

“It looks nice, Mr. Laufeyson. Thank you.”

“For your work, of course. These days, it is a requirement. And this,” he takes the smaller box and offers it up, “a proper work phone. It is more professional. Any calls on my behalf, you will make on this. That relic you have won’t do much.”

“Uh, yes, Mr. Laufeyson, that’s really thoughtful.”

“Thoughtful? Practical. Company property, of course,” he insists, “another point to add. Set these up. They should be functioning by the end of the day. You’ll need them to keep up with the rest of your tasks.”

“Yes, Mr. Laufeyson. I will put it on the list.”

“Mm,” he circles around you, striding to the writing desk before you can react. You follow at a few paces, not wanting to crowd him. He takes the pen and uncaps it. He adds the bullet himself. “There you are.”

“Thank you, Mr. Laufeyson,” you recite again.

He snaps the lid on the pen and his lips twitch, not quite curving, “I’ll review,” he snatches up the open ledger, your schedule open to see. You almost rush forward. You meant to rewrite it before you handed it over. It has scribbles all over it. You won’t argue.

“Go on,” he steps around the desk, waving to the side dismissively.

You return to the table and gather the laptop and phone, along with the stray box. You bring them back to the writing desk and stay standing as you free the laptop from the insert. You let your eyes edge along the top of your vision as Mr. Laufeyson sits on the chaise and browses the ledger.

You refocus and investigate the cord buried in the box as a collection of booklets fall out. You sort through them and find the one in English. You start on the front page, reading over the different buttons and features. The diagram is especially helpful. You’ve never had a computer before, not that it belongs to you.

You squint as you read the precautions. Your mind flits back and forth between your current task and everything beyond. You would go to the library sometimes and spend an hour on the PC, and in school you did all your work in the resource room. This is much fancier than any of the boxy computers you’d used before.

It says you should plug it in and charge to full before booting. You unravel the cord and search for an outlet against the wall. There’s one not far. You hook up the cord to the port on the side of the slender laptop then trail it to the wall. The little light on the side glows yellow.

Then you take the little box. A phone. The flip phone was second-hand but this is shiny and new. You’re like a kid at Christmas, not that you got much for the holiday, even when you were younger.

You slide out the small device. Your hand is unused to it. It’s not clunky like your phone. It feels easy to drop even if it’s bigger than the flip. You peel off the plastic film around the border and across the screen.

You take out the booklet and read it as closely as the first. Same thing; charge before use. You don’t want to mess up any of this. You plug it in above the computer and place it on the closed lid. You carefully sit in the chair, careful not to jostle the cords.

You peek up and find Mr. Laufeyson looking at you over the top of the ledger. His green eyes gleam and flick back down to the page. You hope he doesn’t see how clueless you are. This stuff that’s all so normal to everyone else is new to you. A job alone is a novelty still.

“You may ask it,” he says abruptly.

You wince and shrug. You don’t know what he means. His brows tweak in amusement.

“You’ve not asked about time off. I am unaware of your previous commitment, what days you had to yourself.”

You didn’t think of it but he does seem to think of everything. You twiddle your fingers on the desk. You would work as much as you need to. You still haven’t seen the final hospital bill.

“Mr. Laufeyson, I worked three shifts per week, but I was on probation,” you explain carefully, “I can work more than that.”

“How much is more?” He wonders, his thumb tapping the corner of the ledger.

You blink. You don’t know what’s appropriate. You don’t want to say too little and come off lazy, or say too much and seem ignorant. 

“Six?” You utter, “six days, Mr. Laufeyson?”

His thumb stills, “per week?”

You nod. His eyes narrow and his lips thin in consideration.

“Should do,” he accepts and his eyes fall back to the page.

You think you got the right answer. You look down at the bullet points. It seems like a lot written out but surely it can’t be. Besides, the more you think about it, the more exciting it is. This house is so beautiful and this list means you get to explore it.

You don’t sink too deep into the moment of optimism. Mr. Laufeyson stands, still intent on the ledger. He paces blindly around the library, a click of his tongue as he reviews your handwriting.

“There will be some nights,” he intones, “other occasions where I require you in the evening.”

“Mr. Laufeyson,” you accept as you flutter the pages of the laptop instruction booklet.

“Mm,” he hums flatly, “I do think the cook liked you, didn’t she? Suppose we might retain that service for the time being.”

You nod and make a note in the corner of the list; simply, Corissa. He shuts the ledger and grips it tight. He walks around the table then turns back, coming back to you. He lays down the book on the desk.

“I won’t know until the day in question. You understand, this would be on-call. I’ve a busy life and so will you,” he girds, leaning on the book as he bends over the desk. “You will be doing more than watching little birds flapping around the garden.”

You nearly recoil as he plucks the memory out so precisely. That was careless of you. You should’ve kept your head down and just got to work. It’s a warning you’ll remember.

“I won’t, Mr. Laufeyson, I understand,” you assure.

“Not to say that you can’t,” he stands and pushes the bottom of his jacket back, hooking his thumbs in his pockets, “but only when there are no other pressing matters.”

“Yes, Mr. Laufeyson.”

He sighs and tilts his head back, “you must resist distractions. You are prone to it. I’ve noticed.”

You chew your lip and accept the remonstrance. You’ll take it instead as advice. He is right, you do find yourself bewitched by this place at times.

“Like that man,” he says staunchly, “don’t think I forgot. I will warn you, he is my brother… regrettably. He is well above the staff and he knows it.”

You take the hint. It’s improper of you to stare. Even if he had touched you. Or maybe, you misinterpreted an accident.

“Yes, Mr. Laufeyson.”

“Hear me when I tell you, he is not interested in the likes of you,” he sniffs, “with any luck, he won’t be much around for you to believe anything of the like.”

You nod and pick up the pen, nervously rolling it between your fingers. His reproach scalds your cheek. To think he assumes you would ever think of something like that. That you might encourage a stranger in that way.

He watches you for a moment before he spins away. He checks the time on his wrist as you reach for the ledger.

“Very well, I must be at my own work,” he declares, “as I trust you will be diligent in your own.”

[lokimobius]

WIP Wednesday

It's that time of the week again! Thank you for the tag @elodiah <3

I've been slowly but surely working on the next chapter of 'you’re not saying you’re in love with me (but you’re going to)'. I’m not a fan of the way I’ve worded any of this but it’s a very early draft so!!!! ENJOY!!! 🫡

Mobius, I have asked Casey to accompany me this morning. He's helping me find something. I'll tell you about it later. I hope the coffee is to your taste. See you at our usual spot.   Loki Next to his name, Loki had drawn a smiley face with horns, and Mobius laughed at the silliness of it. The face felt familiar to him for some reason, but he just couldn’t place it.    He looked around at his apartment and smiled. Loki had really made himself at home here, and he felt his heart flip. Perhaps that meant that Loki wouldn’t leave after all. He walked back into his bedroom to find the tie that he’d discarded the night before and took a long sip of his coffee. He let the taste wash over his tongue. Loki had done quite well in making it. It was just to his taste. He’d have to let him know when he found him. Now that he thought about it, these would make fantastic points to add to his list. Unconsciously, he walked over to his bedside table and recited the sentences he wanted to write in his head. Loki remembers how I like my coffee.  Loki has made himself at home in my apartment. He leaves his stuff everywhere, but that means he's comfortable. He won't leave, will he? :( He froze. Shit. What was he doing? He needed to stop this. He had to get rid of the notebook. 

tagging @kcscribbler @loki-is-my-kink-awakening @in-my-loki-feels @impulsemuppet @thosegayoldmen

@ilaytrapsfortroubadours @devilbearingtrouble @silentxsymphony @andthekitchensinkao3

[samd1o1]

Hey I don’t want to comment for real bc I’m sick of arguing with people on tumblr

I just wanted to say that in that post about deadpool and wolverine’s queerness, you are like 1000% in the right. Normally I don’t feel this strongly about stuff but anyone who thinks that Disney seriously and earnestly “delivered” on deadpool (and wolverine?) being queer is delusional

I mean, I love the movie. I’ve seen it twice and giggled my way through it both times. Obviously I enjoy the queer aspect of their relationship. But what you said about being able to be critical of your favorite media is important. The fact that people are arguing that there are no issues with the gay jokes in d&w but ACTUALLY it’s all indicative of a genuinely made film about two queer men is like actually SO crazy

Thank you, yes! The movie is absolutely amazing in the fact it's funny and well written. And yes I like the gay jokes, they're cheeky and enjoyable. But I think they'd be more enjoyable if any amount of Wade's (and also Logan's) queerness was taken seriously. Even just a little seriously.

I think the part that annoyed me about the movie most was Wade breaking up with Vanessa. Yeah it works for the movie and his character development. But at the same time I can't help but assume the reasoning for it was so queer people could go "hey they're both single, maybe just maybe Deadpool and Wolverine will get together?" No they won't this is Disney. He'll probably be back together with Vanessa eventually (even if it's not immediately).

Like I said on the comments of the post you're referring to; saying this is good queer rep is just an excuse so Disney (and Marvel) doesn't have to actually try to make good representation. The MCU has had many issues like this before. The single Loki bisexual conversation only for them to chicken out on the mlm ship they were hinting at in S2 promotions. Loki also being labeled as genderfluid in promo stuff just for him to be referred to as a male Loki and such. Characters who are canonically bisexual in the comics like Starlord showing absolutely zero hints to their queerness. Eternals is the only real representation I can think of, but it felt very one note and boring. Like that whole movie.

In conclusion Deadpool is a great movie but my biggest gripe is just that the queer aspect is not taking seriously. As much as I love the Honda Odyssey scene, it would be cool if it wasn't just a weird mix of coding/bait. Queer coding is still a great writing tool. Using metaphors for queerness in fantasy can be fun. But the reason queer coding existed in the first place is because you weren't allowed to show any queer people on screen. But times have changed! You can show it, but Disney are cowards. The movie is also queerbaity as they set up things like Vanessa's break up only to start them almost back up again with Logan himself telling Wade to go for the girl. Not to mention all the promotional posters like Deadpool and Wolverine as Beauty And The Beast. Disneyland Deadpool is also being VERY heavy on the gay jokes, which makes me feel like they KNOW who their main target audience was gonna be with this movie, but they still need to cater to the movie dudebros as well. Maybe one day guys, maybe.

It's important to be critical of even your favorite media. If you weren't then it could never improve. Let your voices be heard! And to the people who think movies don't deserve such debate; why do you think that? So many people say that so they don't have to discuss representation in media but then turn around and rant about the comic accuracy. Also what do you think happens in a writers room? Criticism is important in media even to professionals. A movie is a group effort, many people had different ideas that eventually came together and made Deadpool 3. They also probably had many ideas that were shut down and not put in Deadpool 3 for various reasons. Some most likely being criticisms.

Ok I'm done ranting now. Deadpool 3, great movie, one of my favorites. But it would have benefited not only itself by being true to Wade and Logan letting them be their authentic queer selves; But it also would have benefited the queer community.

[thebestofoneshots]

Hey love.

So i was just tagging a post about morally grey characters and letting them do whatever they want, and it got me thinking that Siri is for sure in that catagory. I mean yeah hes a 🦁 but he was raised by 🐍's. And yes he's charming, loving, caring; a real Patrick Swayze character but i think, because of the way he grew up, he'd be more than willing to go to extremes to protect the family he built.

For example, if someone was becoming a problem (like Snape) he'd always be suggesting ways to 💀 them (i think? in his own way, that was what 'the prank' was). Or if someone was inapropriate to one of the girls, that person would simply disapear. Siri is in 🦁 for his courage and bravery but they're all traits he's developed from the way he was raised, not because he's inherently the hero. Siri is couragous because he's already faced what most wizards are scared of; he's brave because weakness was exploited.

Anyway, i spiraled on this for a little. I love the way you write Siri in GC and wanted to know your thoughts on it 🩷🩷

Oh, I 100% agree with this one. Being a Gryffindor does not exclude you at all from being morally grey. In fact, I think the traits of a Gryffindor are easily juxtaposed with a well-written morally grey character.

While I don't think he'd go into the extremes of 💀 someone for insulting a friend, I do believe he would retaliate in some way, be it a prank or a straight punch in the face.

And being morally grey will never exclude you from becoming a hero. Of course, their story won't be as clean-cut as Captain America's or Superman's who have very strong moral compasses, but it is the depth these stories have that makes the characters even more charming.

Think of names like Loki, Bucky Barnes, Moon Knight or even Din Djarin (The Mandalorian): these characters all started with questionable attitudes, and they were all extremely morally grey if not downright villainous, and even then, with their background and with the world giving them everything to become a villain they didn't (some of them did for a while). They fought against that, and eventually, in their own way, ended up doing good. Not because they were inherently good like Cap or Suppy, but rather because they chose to be like that. And, frankly, I believe that makes them even more compelling.

Sirius is no exception, he was about ready to unalive Peter back in the shack and it was because of Harry (whose moral compass I believe developed from how he was mistreated by the Dursleys and hanging out with Ron and Hermione) who stopped both him and Remus and convinced them they had to take Peter to justice that he didn't yield to those dark desires. A choice that, even though was morally correct, ended up costing Cedric's life, and the comeback of Voldemort.

I mean, there is a reason why he punched Evan with no restriction (GC canon) and did The Prank on Severus (HP canon). Sirius is impulsive and reckless, which goes fairly well with other Gryffindor traits. Even Harry is a bit reckless at times.

I also don't think Sirius is the only one. Remus, while having a stronger moral Compass, also kind of fits into this category, at least when he starts doubting himself and his belonging in the Wizarding World. I mean: Why fight for a world that does not accept you?

And yet he did, he fought for them over and over again, because he believed in change, he had it all to become a villain like Greyback and chose not to do it, and that speaks a whole lot for his moral character, perhaps making him braver than characters who had a clear-cut moral compass since the beginning.

Can you tell I like these dark-leaning characters by now? I feel like it's pretty obvious at this point.

I LOVE writing Siri, I think he's an incredible character and getting to explore his thought processes and emotions in GC has been a delight. It truly fills me with joy that you're enjoying reading him as much as I'm enjoying writing him ૮꒰ ˶• ༝ •˶꒱ა ♡

Read Gilded Constellations

[holdmytesseract]

Lil' Announcement...

It's nothing bad, I swear. Rather good. 😁

I have been struggling a bit with my writing - like you know. Now, I'd say I have it under control again. The smol writing department in my brain isn't misbehaving anymore - which makes me honestly very happy. I've been writing A LOT of Baby Fever fics lately and I decided that I need a break from it. Don't get me wrong. I love this AU with all my heart, but we need some distance, in order to work perfectly together again. Therefore, I'm postponing the wedding (again, as well as the requests in my askbox) and write some other stuff. I need a ✨change of scenery✨. I hope this helps, 'cause I want the wedding to be perfect.

To cut a long story short, I decided to open up requests again. 🥳 Not that long, though, 'cause I've still got a few left and if I have too much I feel under pressure quite fast. 🙈 Plus, I don't want y'all needing to wait so long. So, I thought about a 'new concept' for doing this...

Rules:

I will only leave them open for a few hours (12 max. Depends on how many requests I get... I think I won't take more than 15 😬)

Everything that gets send in after I close them again will be deleted. I know this sounds hard and I'm really sorry for that, but I need to draw a line. Every time I opened requests and got 10 (for expample), I ended up with 15 - long after I closed them again. I've always been so kind to still accept and write them, but this puts me off my stride. I don't close them without a reason. Closed means closed. I hope you all can understand that.

No nonnies anymore. I love nonny requests - don't get me wrong. But I had a lot of moments in the past, where I wished to talk to the person who sent me the request and I couldn't. If you don't want me to publish your blog name, no problem. Just tell me and I'll keep you anonymous.

There are things I'm not comfortable with to write. Please respect that and take a look at my Request Rules for that.

I can't promise you that I'll write your request. This is something that happens VERY rarely. Sometimes there's simply no inspiration for a certain request and it's neither cool for me to pressure me into writing it, nor for you who gets a shitty story to read in return. I hope you can understand that as well. Happens really not that often, though.

Please be patient. I'm not always the fastest writer.

Characters I'm going to write for:

Loki (No requests for the Baby Fever AU please.)

Tom Hiddleston

Will Ransome

Jonathan Pine

James Conrad

I wouldn't say no to a Magnus Martinsson request either... 👀

Well... I think that's it... 🥳

Let's get started! 🔥

Peeps, who might be interested in knowing this... @fictive-sl0th @muddyorbsblr @lokisgoodgirl @eleniblue @aagn360 @mochie85 @multifandom-worlds @lokiforever @anukulee @chennqingg @loz-3 @jennyggggrrr @lady-rose-moon @lou12346789 @evelyn-kingsley @iamlokisgloriouspurpose @smolvenger 🧡 Absolute NO pressure, though. Just thought you might be interested. ☺️

[godsofhumanity]

any Tyr and fenrir hcs?

YEAHH TYR ONE OF MY FAVE GUYS EVERRRR AND FENRIR THE BEST DOG OUT THEREEEE (sorry cerberus fans)

ok. i feel like you can't talk about Loki's children without talking about the father himself. so let's start there. note: everything i'm about to write is pre-Baldr's death by a LOT.

i don't believe that any specific lore is given regarding Angrboda besides her role as Hel, Jormungandr and Fenrir's mother, so in my invention of events, i hc that Angrboda lived in a camp of giants that, while not overtly hostile, was encroaching on Asgardian territory and Odin, not willing to provoke all out war but not ready to risk being suddenly overrun with giants, sent out his favourite "diplomat" Loki as his eyes and ears in this giant camp to make sure everyone was keeping to themselves.

but Loki's mind works in... mischievous ways. he meets Angrboda in this camp and, obviously, they develop a relationship... a relationship that detains Loki in the camp for much longer than Odin originally sent him out for.

it's pretty known that Loki comes and goes as he pleases, but i think Loki's absence worries Odin and so eventually Odin goes out to this camp himself in the guise of a crow, and he discovers why Loki has been absent for so long; there are three children there, Loki's-- Hel, Jormungandr, and Fenrir.

a war unwittingly breaks out, and i think the Asgardians lay waste to the small camp of the giants, and while i don't think Angrboda is killed, she is badly injured and too weak to put up a fight for her children.

now, i don't think Loki actually truly cares for his children. at least, he's not in the running for Father of the Year. i think he's just a manipulator and schemer, and so he asks Odin to spare the children because they are his own and they're only infants. i think Hel is just a young girl,, maybe 8 or 9 yrs in mortal terms, Jormungandr is slightly younger, and Fenrir is just a pup... a tiny little thing, still wrapped in swaddling like a baby.

so Odin relents, and he brings them back with him to Asgard. Odin has some prophetic abilities, but not clear or detailed... i think he glimpses the destruction that the children can cause and so he elects to divide the children from each other and allocates them to be certain gods' responsibilities... i won't go into details about this since you only asked for Fenrir and Tyr, but naturally, Odin asks Tyr to watch over Fenrir.

i hc Fenrir to be the youngest of Loki's monster brood. he has no recollection of his mother, no relation with his father, and though his siblings have always been "siblings" in every sense of the term, while he was with Tyr, i think he didn't remember much of Jormungandr or Hel.. these relationships only developed properly after Tyr's "betrayal".

this is important to me because i think it establishes that Tyr really was Fenrir's only family. despite Tyr, like many other Asgardians, not really liking Loki, i do not think he grudged Fenrir.

Odin did not intend for their relationship to be sweet or friendly or familial, but Tyr does not raise Tyr with contempt. he treats him with respect and kindness. they become equals.

i'm not quite sure how to categorise Tyr and Fenrir's relationship-- Fenrir wasn't Tyr's pet. nor was he really a son or a brother. he simply came to be a friend. like a best friend. someone you could count on no matter what.

i think Fenrir, while he was still "reasonably sized" would have accompanied Tyr in battles. they would fight back to back.

i also have a hc of Fenrir always finding his way into Tyr's bed, like dogs do... and that was ok while he was a cute little pup, but the bigger Fenrir gets, the less room there is.

Tyr i think, becomes closer to Fenrir than he thought he would be. Fenrir is the only one of his siblings to live in Asgard, since Tyr lives in Asgard, therefore, i think Fenrir would have seen Loki. and i hc that Tyr would get frustrated and protective of Fenrir when Loki would make comments about Fenrir or mock him as having become a "pet".

but, not everyone shares Tyr's sentiments. for many Asgardians, Fenrir is and always will be known as Loki's son. and people don't like Loki.

i hc that Odin has a dream, which of course, he interprets as a revelation-- in it, a giant wolf attacks Asgard.. a premonition of Ragnarok to come. seeing how large Fenrir has grown, Odin decides that Fenrir must be leashed for the protection of everyone.

i think Tyr protests this... he knows that Fenrir has a good soul, and he's actually nothing like Loki. but i think there's a majority vote to use a leash and chain him.

thus, Tyr is forced to participate in the scheme.. only, Tyr believes that the chain will simply hold Fenrir fast... he doesn't know it's really a muzzle, and a chain so short that Fenrir will never be able to move from that spot or open his mouth. this is something only Odin knows, and he keeps this a secret from Tyr because he knows his son will fight it.

so, as the myth goes, Tyr assures Fenrir that he can trust him, that it's only a precaution. i think Fenrir would have been very confused about it all, but he loves and trusts Tyr, so when Tyr gives him his word, he agrees to lay still while they bind him. Tyr even places his arm in Fenrir's mouth as a gesture of trust.

except... the chains are heavier than they thought... and they burn. they singe Fenrir's fur, and in pain and anger, Fenrir closes his mouth on Tyr's arm, and everyone's freaking out because there's blood everywhere and there's a giant wolf wreaking havoc... and Tyr realises Odin's true intentions, but he's wrenched away from the scene far too quickly.

and by the time he's recovered and goes back to see Fenrir, the wolf is long gone... chained up somewhere else, in a dark, lonely cave, far away from Tyr, thinking forever that Tyr knew about the chains and betrayed him.

thus the relationship crumbles into fine dust.

curiously, Fenrir is not the one to kill Tyr in Ragnarok. canonically, it is Hel's wolf, Garmr who kills and is killed by Tyr... but Fenrir does kill Odin. i don't think it contributes anything by swapping these kills around and saying that Fenrir kills Tyr and Garmr kills Odin just to add a little poetic justice... so instead, i think that maybe Hel is the one who delivers justice for her brother and slays Tyr (i do think that Hel genuinely loves her siblings, and fights for them. i think they respect her too and fight on Loki's side during Ragnarok at her say so... but i won't expand on that here hehe). and perhaps, i wonder whether Tyr truly fights back...

i do hc that the guilt of betraying Fenrir is something that weighs deeply on Tyr's conscience, and i don't really think he's the same guy after that. he's darker, and more serious, and he laughs just a little bit less.

and Fenrir's not the same either. hatred and wrath consume him... he is no longer the fun, sweet pup that ran through fields under blue skies, but a cynical, blood-thirsting wolf. he doesn't trust anyone besides Jormungandr and Hel after that.

[blindtaleteller]

Hi. Send good vibes to you 🤭 I love your posts 😻

I saw your answer about Frigga - her role as a lady. I wanted to ask ;D In my version, Sigyn was left without parents and has never been to Asgard. She grew up on Earth. I won't reveal too much of the plot of the fic, but she is supposed to have a certain ability that will slightly affect her personality😇

Coming back to the question… because I talk too much ;p It's an alternative to the Loki series. I rely mainly on advertisement Hyundai Commercial' PROMO. So Loki escaped, no TVA, Loki is now free on Earth😊

He's building a base on the island - mercenaries and such, he protects it from sight of Heimdall. The Avengers are after him…

And… finally… He is lonely, so while going to the library, where he was looking for maps of some artifact, he saw Sigyn napping… And he kidnapped her 😁😁

So…I won't reveal Sigyn's side of the story because I'm writing from Loki's POV. But let's just say that she is very polite towards him, calm and nice, she is not agressive and not say any bad word or beg of freedom. She is calm and just do things like art or watching tv. As far as he knows, she hasn't tried anything in terms of escaping. He put her up in nice apartments, dresses and such. He kidnapped her - because she is very attractive and he is lonely - it's a variation of the scene from the comic book, where instead of kidnapping there was the murder of Theorica and a false identity. And butterfly effect - I'm erasing Thanos and his plot - here, Ronan found the stone faster, killed Thanos, but before he got to Xandar, he overcontrolled his power and disintegrated into nothingness. End😎

How will Loki treat Sigyn in this, I would like your opinion, because I love your posts 😁😁depends on his upbringing, views and all new situation. Tell me bit about Loki's side of story. I will very grateful for writting 🥰

So.. this got a little long, even trying to cut it down but! I hope this helps..?

Okay, this is actually a little difficult to answer for more than a few reasons that I can boil down to the following that would affect the answer most, for a lot of reasons:

Circumstance and especially psychological status of the era

Time/Era of changing events

How much your timeline has changed

How much comic you're stitching into the story (which I am assuming is mostly MCU based??)

And those things are, of course interwoven.

Being lonely with his personality in particular as we've seen it, wouldn't be much of a reason short term (when I say short I mean anything less than five or maybe even five hundred years: for someone who has an equatable lifespan to an Asgardian totaling at 5000 years or possibly more; as one of several reasons and examples) to kidnap anyone on it's own. This is especially, extra true if you've kept any of his history from 2013.

But that's likely to be especially true of anything kept from the MCU timeline from 2012 and prior, which I'm guessing is the case with the things you've mentioned. The big pieces would be how the events of Thor 2011 went down, whether or not his time as a captive of Thanos during 2011 still happened, and what if anything else changed during the failed 2012 invasion.. in that order: because each one affected his character (mind, emotional state and more) and the events that followed both personally and universally in huge ways.

When the Ronin/Thanos fallout happened and how is also important; but only after answering those questions: because if those things happened similarly whether it was to mostly retain his character integrity or any other reason (and I really do suggest you keep the majority: those events do help him shape himself,) then he would likely still have incredibly great interest in making certain the stones were out of the reach of any remaining remnants of Thanos' forces or generals, and anyone like him that might crop up. Remember: at his core this is a person who spent five years pretending he was dead after Thanos' threat through the Other wearing the face of a 'father' he likely despised loving regardless of that love being a likely result of his nearly brainwashed status as a Fostered captive prince.

Ultimately, if this is the way I think it is: it's pretty likely he had a breaking point between stress and more to further excuse taking Sigyn, and probably would feel guilt for it after the fact; with little to do about it other than just roll with it and try to make her as comfortable as possible. Even more likely that's the case with the Avengers looking for him, to have to worry about how they might label or suspect her as an innocent after he HAD grabbed her on that broken whim. I think it's very likely that her presence would be a double-edged sword at first as a result: adding to his stress, while both needing her calm and questioning it. After all, he hasn't been given a lot of proof that trust in others is a thing he should trust on more than a disposable surface level with his background, elder or current.

I could go on in more detail, but ultimately .. lacking the details of those things and approach is what makes this a very difficult ask to answer.

And they are very important details when it comes to a question like this, because and as several of the muses has pointed out and I've put on page in extras myself: the details are what make the sum. Especially in AU or Alternate timeline stories.. in large part due to the fact that the changed details especially are what make them 'alternate' to begin with, if you get my meaning.

Your best helper to answering that question more clearly yourself though and in my experience; is how much you know and understand about the character, and especially their background. Remember, they have to have a reason to do or say or react to something that fits them for it to feel or be genuine. And the only way that happens from a writers perspective is to drop everything else, put yourself in their place and circumstance and history: and write how that person would react to what you're throwing at them in all regards with those things and their reactions to them as well as how they feel about all of that and their own role in those things taken into account.

Keep in mind that this is my suggestion and my way of doing things, and..

That can be difficult on several levels and even exhausting at times, too. But and for me; it is also the most honest way to go about it without losing the very important core of the character (or characters) you write for.

This is, I guess.. another way of saying and using the muses favorite term 'turn the gem' if you manage it: as you have to be able to change your perspectives or be adaptable as that character if it's a single perspective anyway, for them to reach a true and clear understanding of others and their perspectives in whatever story your're writing.

If you're stuck, don't be afraid to backtrack and write another version of a section or interaction sequence either: and don't be too afraid to stretch outside of your personal boundaries either, to get it where it feels reasonably right from their direction.

I've done that numerous times, and in some cases written almost a dozen alternate scenes; some of which went entirely different directions before settling on the ones I preferred. Even then, there have been even more times I've gone back after writing and readjusted some things, or added small details.

Don't rush yourself. Take your time. And don't be afraid to correct yourself when needed, to tell the story you want to tell with and about the character (or characters) you've chosen to represent with that writing.

[nostalgia-tblr]

not to Discourse, but about Sylvie snapping at Mobius:

She was right. She could have said it nicer (well, someone else could have - i adore Sylvie but i wouldn't really say she's consistently 'nice' and there are very obvious reasons for that in her backstory) but it's true, Mobius has been bizarrely chill about so many things this season, to the point where it does seem odd, actually. I think it's easily missed (maybe?) partly because fandom has decided long ago that Mobius is some sort of therapist/social worker who is always calm and so emotionally insightful and his role in fanfic is to be supportive at the more obviously fucked-up characters. But like. He's also fucked up. He's already said that he's avoiding finding out about his old life in case it was good, so it's not like "Mobius won't let himself think about the sad things" is a new idea, is it?

I don't think Sylvie gets why he's like this (or she wouldn't have been so angry, for a start) but those two have spent very little time together (I think we the audience sometimes forget how little) and I know shipwars are inevitable and eternal but the show really does kind of break down into Loki-with-Mobius and Loki-with-Sylvie almost like two parallel worlds that interact less than might be expected. So why does Loki not "stand up for Mobius" there? Well there's the fact that it's true and that Loki was (unlike Sylvie) there when Mobius said he's scared of uncovering his old life so is more likely to connect the dots. And the element of "oh no my faves are fighting! i cannot take sides or at least one of them will hate me! i shall just stand here awkwardly and say nothing!"

I assume Loki and Mobius will talk this stuff over at some point, but in this episode there's not time for any of the several conversations that need to happen (and presumably this is a deliberate writing choice to drag things out a bit keep the tension up) and idk about anyone else but I would find it a bit weird if Sylvie had instead been unusually gentle (for her) and softly asked Mobius if he's feeling okay or does he want to have a chat about anything? Perhaps over a nice cup of tea and some chocolate biscuits? Nah, she's tense, of course she's going to snap. Ideally she wouldn't have done that but *gestures vaguely* what about any of this situation they're all in would you describe as "ideal"?

Maybe she'll apologise in one of the remaining episodes. But if she does he'll say that her observation was right, if not delivered in a way he'd have preferred.

tl;dr - Mobius is fucked up too and Sylvie (who has just in as many words says she thinks being soft makes you weak) is not diplomatic at the best of times, let alone while the multiverse is in the process of collapsing/exploding/whatever-the-fuck-it's-doing.

[haleyhunwritess]

Congrats on 1k!!! I wanted to send in a GIF but I don't know how to do that as anon 😅 So instead could you write a 🍒 dark drabble for Loki x little!reader where she runs away (or tries to)

🍒 drabble for little!reader trying to run away from loki (dark)

a/n: i actually don't know if you can send in gif/pics as anon but i think you could send a link to it maybe? or you could always message me (if you're comfortable with that of course) the gif or image you would like for the 1k headcannons. also beware this one is has dark themes.

𝐡𝐚𝐥𝐞𝐲’𝐬 𝟏𝐤 𝐜𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐨𝐧 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

"Are you sure you haven't seen her? I swear I thought I saw her over here. She looked very upset, and she kept saying someone was trying to hurt her." The elderly lady asked Loki the same question for the third time.

She showed up at his doorstep a few moments ago to introduce herself as his new next door neighbour. He knew that wasn't the reason she was there though.

He accidentally left his girl unattended, and the poor thing thought it was a good opportunity to escape. When he turned around to crack the eggs into the pan, she bolted for the door and ran to her new neighbour for help.

When the neighbour opened the door, she was met with the sight of a frantic young lady, crying and asking for help. At first, the elderly woman found her attire a bit strange. She looked like she was at least in her early 20s. Her attire, however, was a pink nightgown with immature patterns and prints all over. Nonetheless, she noticed how distraught the girl was and she invited her in. When the poor old lady returned from the kitchen to bring her some water, she was gone.

The poor innocent elderly lady, standing at Loki's doorstep, tried to not-so-subtly peak inside his house. She was convinced he knew where she was but all he did was act dumb.

"Goodness, that sounds awful," He clicked his tongue, looking around his property, pretending like he was looking for her, "I wish I knew where she was but no I didn't see anyone come around here. There's no one out there either."

She definitely wasn't convinced but Loki couldn't risk hurting another neighbour right now.

Loki pretended to think for a moment before saying, "I'll tell you what, ma'am, if I see her I'll ring you right away."

She sighed and nodded, "Alright, young man, thank you for your help. Yes, please let me know right away."

"Of course, ma'am. Have a wonderful day." Loki smiled at her, then shut the door behind him. He waited by the window to make sure she went back to her house before making his way back to you in the basement.

"You know, I thought you were smarter than that, little one. I thought I told you to stay in your seat, darling." He tutted, picking up the paddle that was on the table next to you. You whimpered at the sight of the paddle, and quickly took moved back on the mattress.

"Tell me, dear," He pulled you back towards him, "Didn't I tell you to stay here?", You slowly nodded, afraid to move still.

"Then why do you insist on behaving like a stupid little brat?" He struck you hard across your cheek making you cry out loud, "Huh? Tell me!"

"I-I'm s-sorry...Please I'm sorry! W-won't do it again!" You apologized over and over again, crying your heart out.

"Oh I know you won't do it again love. You remember the chip that I put in you last week? The one that tracks where you are and everything," Loki smiled as he pulled his phone out and opened and app to show you. You nodded in response, wondering where he was going with this, "Well, now it has a new update. There's the first track option of course, but now there's another option called elimination."

There was a picture of you on there with two options under it. However, out of the two options, the only one you could focus on was the last one.

Loki's thumb hovered over the last option, and you whimpered in fear, "Because if you ever try to leave again, you'll be gone with just the click of a button."

[gyllenhaalstories]

Hi! just wanted to let you know that I love love love your account and your stories especially your plus size!reader ones 🫶🏼

I was wondering if you could write some more in the future with other jake’s character (david loki, john kinley etc…) only if you want it to obviously 🙏🏻 !! xoxo

Have a good day/night <3

hi anon!!! thank you so so so much, this is one of the biggest compliments you could ever tell me! 🥰 i love writing plus size!readers and giving myself and all the other plus size babes out there some representation. this is why all of my fics are written for plus size!readers. literally all of them. i try to think of things someone with my body size could be able to do and what jake/character could also do in return. this is why i focus on saying that jake/character helps reader sit on a different surface or move into a different position rather than just do it like it's nothing, this is why there is almost never any mentions of wearing the other person's clothes unless i specify it's oversized old and loose or if it's more obvious that the piece of clothing in question is big to begin with (for example: det loki's coat and boots from my recent loki fic!). reader won't get folded like a pretzel who's a contortionist on the side, reader won't be picked up and carried, things like that. some characters allow for more creative freedom (like dalton! if he can flip his opponent like a pancake that means he can manhandle a plus size!reader without issues, i've sort of decided that all my dalton fics will be with a plus size!reader for that reason) but overall i try to be mindful of that in everything that i write. there are so many amazing stories out there that are more fitting for smaller bodies, we deserve our own stories too!

my motto is (if you want to win the lottery, you have to make the money to buy a ticket): if someone of my size can't do it, then i'm not writing it. i appreciate you so much for taking the time to send this! it's encouraging me to write more explicitly and openly plus size!readers. if i can make one plus size person feel seen and desired while reading my fics, then my mission is accomplished! i'm sorry for rambling, this is something that i'm very passionate about. i'm definitely planning on writing more plus size!reader fictions, no matter how self-indulgent they might be. even if i don't specify it in the description of my fics, reader is and will always be plus size!!! 💖💖💖

[le-panda-chocovore]

Hello.... If you don't mind me asking, who are your favorite romantic relationship's couples in books/ manga/ anime/movies/tv series (can be canon or non-canon)? Feel free if you want to write the reasons or not of why you love them...Thanks if you want to answer....

Hello !

That's a dangerous ask, I don't know if I'll be able to answer... Do you have any idea how many books/manga/movies I read/watched and how much I loved them ? Making me listing things is like the worst thing you could ask T_T

I'll skip books because 1. I don't usually ship people -or all my ships are canons- when I read a novel and 2. there's way too many books I can't sort them all.

Let's try this game ~

Okay I'll only talk about my absolute favs, even tho I know it'll still be too long

Manga / Anime !

MHA/BNHA : EraserMic, BakuDeku (i KNOW they're toxic but I have a very precise idea of their relationship)

JJK (I'm already crying why would you make me do this) : SuguSato.

AssClass : Karushuu, Karmagisa, GakuRen (no I couldn't choose one true pair)

Haikyuu (ah... you lost me here, good luck for reading lol) : Iwaoi, KuroKen, BokuAka, UshiTen, BokuAkaKuroKen (yes the four of them), MatsuHana, TsukkiYama, KuroTsukki, AkaKen, BoKuroo, AsaNoya, KageHina, SugaSawa

ATLA : Zukka, Sukka (suki x zuko x sokka), MaiLee

ORV : Kim Dokja x Yoo Jonghyuk

OP : Shuggy

Death Note : L x Light

19Days : Jian Yi x Zheng Xi

Shows & Series (animated or not)

Helluva Boss/Hazbin Hotel : Static Moth (vox x val), FizzarOzzie, AngelHusk, Charlie x Vaggie

The Sandman : Dreamling also known as centennial husbands ( Dream x Hob Gadling)

Good Omens : AziraCrow also known as ineffable spouses/husbands/wives/idiots, Adam x Warlock, Newt x Anathema

Loki disney+ : Lokius

TGP : all the canon couples

Young Royals : WilMon

Movies :

Avengers/MCU : IronFrost (Loki x Tony Stark), Stucky

LOTR/Hobbit : Gigolas, Bagginshield, SamFrodo

HP (I know, we do NOT talk about this franchise) : WolfStar (Remus x Sirius)

Let's stop there because I can't think of anything else right now and there are already way too many ships lmao. It'll be worse if I justify them, anyway most of them are obvious so I won't need to lol

Just gonna precise some little things :

About AssClass my vision is Karmagisa / GakuRen when we're talking about Junior High but Karushuu if I imagine the after-manga when they're in High School

Haikyuu is just, multiship, allship, ship everywhere and everything, heterosexuality doesn't exist anyway. Polyships ? Of course, since they all love each other !!

Hear me out for One Piece, Shanks and Buggy are that messy ex-couple that hate each other because they were never able to move on, so they still fuck sometimes.

Never ask me something like that again, I will lose myself in thoughts (please don't hesitate to ask for more, I love talking)

[tinypinkmouse]

So I had this ridiculous cracky fic idea and despite my best efforts I haven't been able to get rid of it. So here's the idea, I guess.

Okay bear with me for a moment here as I start with saying that I'm not up with current Marvel canon or fanon, and I don't know where people are at with any of that these days. In spite of that I was thinking of Loki (definitely have not seen any of the show, there is a show, right?). Anyway, I liked the thing people did at one point where they mixed Marvel Loki with whatever bits of mythology you please and more or less ended up with single mother of monsters Loki.

Onto to the actual idea then. So, what if Loki sends his kids away to some hopeful safety? Because he knows bad things will happen to them otherwise. Well, okay, unless they're all the same age, some bad things would probably already have happened to some of them. Lets go with some combination of prophecy, them being monsters and Odin being an asshole.

In that case, lets say Hela is the new one. Yeah, not accurate to anything probably but whatever, the thought of baby Hela is cute and anyway, I figure the others are easier for Loki to sneakily free once Hela is born so he can send them all away at once. If he did one at a time there would be suspicions so it needs to be everyone all at once. So Loki plans, Hela is born and then he gets everyone free. Right. Totally makes sense so far.

And then he sends them all away because for reasons he can't go with them himself. Hopefully if he stays behind people either won't be interested in going after them, or he can somehow prevent it from happening. Anyway, to the actual point of all of this. The kids end up on ancient Haixing, just in time to be found by baby!Shen Wei and Zhao Yunlan as Kunlun.

There's an eight legged horse and Zhao Yunlan has no idea if that's a thing in the past or if he should be very confused. Anyway, what with all the Yashou around, I'm pretty sure they'd be down with the idea that not all people are always people shaped, and these are kids and there's even a baby and obviously someone needs to take care of them.

Right, so, I have no plans whatsoever for writing a story where Shen Wei doesn't end up taking a dirt nap and raises some not very human kids together with Zhao Yunlan instead. Because look a very large and determined snake could probably prevent Zhao Yunlan from being Hallows-snatched and maybe Ye Zun doesn't fall down that hole either and so Shen Wei doesn't need to fall either.

Okay so maybe I also had a thought about how the whole not falling happens. Because Sleipnir while being a horse, maybe technically should be able to shapeshift, he just never has. Possibly because of something Odin did even. Anyway, the first time he does turn into a human is when Shen Wei is trying to hold onto Ye Zun, so he can help hold on because hooves are just not good for holding onto people. Why the kids are there in the first place, well, Sleipnir is a war horse so that makes sense. And maybe some of the others just kind of... snuck after them or something. Because why not.

Yeah, so. Then the kids have three surrogate parents suddenly. (Well once Shen Wei and Ye Zun talk through things anyway, but I figure they'll get there.) And then eventually, (once the first Thor movie has had time to happen) Loki falls through the void and instead of ending up wherever finds himself on Haixing. And yes, I realise I've now stuck everyone in old timey Haixing, because I don't think it's going to take ten thousand years for Loki to find his way there. Idk, they can figure out the Treaty and Dixing's place in things in the meantime and raise some kids and generally try to give everyone some space to recover from their various traumas. Before throwing Loki and all his issues at them, and his feelings about his kids finding other family even if that is a good thing because Loki sent them somewhere where there was someone who could keep them safe even if he didn't know exactly where that would be.

Yeah, that's about it. I definitely haven't thought about any of this. Because it's a ridiculous idea, and spending time thinking about it would be ridiculous.

[black-feather-fiction]

hi, I know you wrote it awhile back, but I wanted to ask about the pronoun changes in Saint MILF Villain. Even though Loki uses a range of pronouns, it's always so clear when the narrative is talking about them and when it isn't. How do you achieve that?

First of all, thank you so much, I'm overjoyed that it worked for you ☺️☺️☺️❤️❤️❤️❤️!

Secondly, that's a very good question, and more complicated than one would think, which is why I'm going a bit into detail (long ramble warning)!

Pronoun switches for characters are not the easiest things to handle in narratives. Some readers will say that I didn't achieve it in the Saint MILF villain series - I got feedback that the pronoun changes got too confusing for them and felt like too much. So before you go into it, stay aware that your audience is heterogenous. What is crystal clear or even too on the nose for some is completely incomprehensible or confusing for others, and not only concerning pronoun switches but concerning practically everything. I've been a professional author for some 10 years now, have published 4 novels (none of them in English, sry) and one constant fact about reception is how wide-ranged it is. So making a text comprehensible and easy to read but not platitudinous is not something absolute. Rather, you toe a line you yourself have drawn in the sand because you speculate that most of your readers need exactly so many context clues to follow you. Speaking from experience, it doesn't always work out, either in one direction or the other.

But that being said, let's dive in: cohesion in fiction is always a matter of context clues and assumptions. On the one hand, you don't want to repeat Loki does this, Loki does that, but even with just two characters with the same unchanging gender in one room, a pronoun can become ambiguous.

This is why many authors use synonyms like "the trickster", "the raven-haired god", "the taller man" and so on. They want to clarify who they mean but want to avoid repeating the name because it was drilled into us at school that repetition is bad in written texts.

Personally, I'm not a big fan of "the brunette" and other such descriptors and try to use that tool sparingly. This has reasons I won't go into right now (but will if you ask me to). If in doubt, I'd rather repeat the name a bit too often than write "the blonde". Nicknames are a bit of an exception - those I like to use a lot, also because they tell us something about the person that's using them.

However, the plethora of "brunettes", "blue-eyed men" and so on tells us that pronouns and narrative cohesion have a troubled relationship, even when nobody switches their gender.

Other ways you can establish who is meant with a pronoun, especially when someone switches genders:

* establish the character with the name once and then use the pronouns until a different character acts. Use the name again when it switches back

* more difficult and not as straightforward: suggest with actions, the character's emotions, their knowledge, their reactions etc who it is

* Establishing a clear perspective and not changing it for a while helps a lot. As readers, we then expect introspective things (thoughts, emotions) from the pov character, and perceived things (looking from the outside at someone) from everyone else (fe "Loki had always thought that they were very humorous, they were called a mischief god after all, but Sif apparently didn't agree with them. Or at least she didn't laugh." )

* the language a person uses can be a very good indicator of whose perspective we're following (fe "Thor had always been an arrogant oaf, but always so very protective of them when it suited them the least, and now the mortal knew so too" )

* explicitly acknowledging a pronoun switch by the pov (fe "That was the first time in years that Loki thought of herself as female") is a way of telling the reader that the switch is no accident and serves a narrative purpose. Often, the acknowledgement is also useful to tell the reader what the person thinks of their own fluidity. Then you can make the pov character acknowledge the second switch too, maybe with less emphasis, and the third time you might already dare switch without comment.

* in the MILF villain series I started with very few switches between binary genders and then made the switches more numerous later on and introduced "they". That way the reader can slowly accommodate themselves with it. It also helps to have longer passages with one pronoun.

* eliminate other sources of confusion: a pronoun switch will be better accepted once a place and the characters are already established and in a scene that is not too full of action. It's easier for the reader to follow the switch in this case than if the scene is already confusing, takes place somewhere new and with a lot of new characters.

Generally, readers like when information is paced and they have time to digest one thing before the next is introduced. But that's its own narrative science.

* reread and edit: often, we only detect the confusing passages when we reread the text. Or you might find out that at a certain scene, you can do with fewer clues. Either way, it's immensely helpful

* adapt your writing to the "difficulty" of the narrative situation. If three persons interact who all use "she" pronouns, then you will need more clues as to who you are referring than when three persons with three different pronouns are interacting.

For the same reason, it's immensely more difficult to handle two gender switching characters interacting in a scene than one gender switching character and several others that don't switch.

* mix and match: usually, a mix of several tricks gets you further than sticking to just one strategy.

* finally: let someone beta read it if that's possible - especially when it comes to avoiding confusion and making a text comprehensible, a different set of eyes is wonderful to have. I almost always have a beta and they see a lot of stuff I don't (this text f. E. is unbeta'd and that shows).

And because I for some reason can't delete the question function in this post, here, have a question:

[just-another-blog-of-fluff]

Can we get a teaser from your next prompt?

Admittedly, I hadn't started writing beyond plot-mapping until the last few days 😅 I'm finally starting to regain some motivation and mental capacity to write now that I've settled into parenthood a little more.

It will likely still be a bit before I have a completed fic to post, but here is a preview of what I have written out so far (under the cut) - bear with me, I'm VERY out of practice. As a refresher, the next prompt is where the reader forgets their relationship with Loki due to a spell/blip in the multiverse (see my Masterpost for more details):

"Darling, are you alright??"

Your head snapped up the moment you heard the door slam open. As your gaze met Loki's, your eyes widened.

"You... how did you get in here?" you demanded.

"I... walked?" he responded in jest, tilting his head in confusion.

"You know what I mean! How did you get in the tower? How did you get past security??" There was an unfamiliar animosity in your tone that made Loki uneasy.

"I don't follow."

A laugh burst from your chest - not the bright, infectious laughter Loki had come to love, but a sharp, sarcastic bark that cut like a dagger. "You don't think I know who you are?" Your hands clenched into fists at your sides. "Why are you here? Is this some pathetic attempt at vengeance against the Avengers?"

Loki took a step towards you and you flinched, taking a compensatory step back. You squared your shoulders and straightened your posture, shifting your weight defensively to your toes as though preparing to run. He paused at your harsh reaction, his brow furrowing.

"Darling, is this your way of getting revenge on me for earlier? I told you already I-"

"Earlier? I've never met you - what do you mean earlier??" Your eyes flashed with a look of panic and indignation. "Have you been spying on me?? Biding your time until you could barge in here and take me as a hostage in your sick little game?"

Loki was beginning to feel a burning sense of desperation in the pit of his stomach. You were being completely nonsensical, acting as though you were frightened of him. The former would-be tyrant was well acquainted with glances of terror from the general public, but not from you. Never from you.

"If this is a joke, it isn't funny any longer." Loki began advancing toward you once again.

"A joke?" With your gaze firmly fixed on Loki, you reached blindly behind yourself, hand fumbling along the surface of the table before closing around the barrel of a syringe. You whipped it out in front of yourself threateningly, knuckles turning white from the intensity of your grip. "I'll show you just how serious I am!"

"Now hold on a moment! Please, darling, let's be reasonable here-"

"Stop calling me that!" you demanded furiously, raising the syringe higher as if to frighten him into submission. Loki lifted his hands up in front of himself in surrender, halting in his advance.

"I don't understand what's going on here, but I swear to you on my life I would never cause you harm. You have to believe me!"

"Believe you? The God of Lies?" That sharp, sarcastic laugh escaped your lips once again. "You must think I'm a fool. I may be a simple medic, but I'm stronger than I look. I won't be taken down without a fight!"