#it shines within me

[neonbug2]

I feel better(ish) now but I like the art from when I didn't feel alright ❤️

[milkivikk]

ralsei posting bc what a precious fluffy boi ôwô

played deltarune for the first time last month and idk why it took me that long fr

been doing more sketches but i jus wanted to spotlight ralsei's preedy eyes for now ✨

[shyvioletlife]

It doesn't matter how much time passes, I am always in awe over the way that drosselmeyer is written in princess tutu. He is omnipresent from the word go, his meddling eyes watching the show with us and giggling about this wonderful tragedy that is set to unfold. Every time his eyes appear on the screen it feels not just like a god staring down the characters and making them dance to his whim, but like he is looking you, the viewer, dead in the eye and taunting you. A playwright who wants nothing but beautiful terrible tragedy for all involved inviting you to attend his latest theatrical debut.

I feel to the core of my being every time the characters lament their lot in life, doomed by the narrative, because that fate is not something ordained by uncaring gods. Drosselmeyer wants to see his characters grasp at any chance of hope or happiness only so he can watch the look on their faces as it slips from their hands and out of reach. He cares very deeply about their strife because he has hand crafted it just for them. As every episode passes I feel the desperation of the characters as if it is my own

The thought of undermining Drosselmeyer becomes insurmountably daunting, too, the longer the story goes on. The closer his work is to completion the more power he seems to hold, and the knot tightens its grip around every character in the story to a painful degree by the end. To become such an overwhelming threat as the final villain of the story is truly a work of art, and by the end of my watchthroughs I am always booing and yelling at the guy every time he comes on screen. Even though I know how the story goes I am wracked with the desire for Drosselmeyer to get his comeuppance and the cast of princess tutu to wrench their fates out of his grasp, and the catharsis of the end is as true and harrowing as any tragedy that man could hope to write.

[theoryofwhatnow]

i think post-nigel alex would’ve loved pre-alex nigel

[hawkfawun]

While I have those panels + Griffith and loneliness in mind hurt will never not be such a Griffith song to me...

as he shines so glaring within me the junk grows dull

he really could have it all... his empire of dirt...

[fate-defiant]

malenmalenmalenmalenmalenmalenmalenmalen

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[kismetconstellations]

@sockdooe, I could genuinely write up multiple essays about how poorly a lot of the general relationship-building and maintaining is handled in this show.

There are some truly excellent, stand-out moments between the main cast and the aliens they encounter, like Shay and the Balmerans, and even Slav, and the main cast and the Holts, the Blades, and members of the Garrison.

Shiro and Pidge's older brother-little sister relationship in the early episodes will forever be dear to my heart,

to the point that I cherish even the crumbs we get in the final seasons.

The banter between Shiro and Allura in Collection and Extraction is top-notch.

Not to mention everything else about their relationship when it's acknowledged.

Shiro and Keith have their deep, abiding bond.

And Hunk has amazing moments with darned near everyone, because he's Hunk.

But, yes, so many inter-team and beyond relationships were established, just to be tossed away.

Where's the resolution for Lance's failed attempt to connect with Shiro in the Astral Plane? Why did Shiro start riding in the Green Lion with Pidge on the journey back to Earth after so much significance was given to the literally death-defying depths of his and Keith's devotion to each other? Why set up Acxa having a thing for Keith and Keith going out of his way to save her,

only to do nothing further with their relationship and later hint at a romance between Acxa and Veronica?

(Have a bonus really awkward closeup of Shiro from that episode, as if he isn't disrespected enough in this grueling nightmare of a season:

It looks like they tried to make him white.（πーπ) )

Shiro and Hunk barely talk to each other, despite being the support pillars of Voltron, and its voices of reason. You have two half-Galra main characters, and they- according to what I've read- never have a single conversation? But, we can do a poor man's recreation of Shiro's confrontation with Zarkon in the Astral Plane, only with Keith, this time, so it's "better" because it's one Galra Paladin calling out the other as unworthy, even though said Paladins have absolutely no prior history with or emotional connection to each other and have done nothing between them to earn this moment.

Why did the Real Shiro and Matt never interact with each other at all after Shiro sacrificed himself to save Matt's life?

The majority of this can be explained by the simple fact that somebody in charge hated Shiro, and didn't want to have to do anything with him, anymore. The rest of it is just... sheer, bewildering, aggravating beyond all comprehension incompetence.

[musicalmoritz]

I want to make it abundantly clear that this is an aggressively TeruAoi-positive blog. I’ll admit I really disliked them at first and then I only liked them in fanon but I have completed my character development and decided that TeruAoi is top tier. At a certain point I started interpreting the Sunflower Troupe as Aoi and her boyfriends and ykw? I’m right

[averlym]

ghostwriter (their grandma would tell them she'd lose half her soul)

[lilacerull0]

i haven't even seen the episode yet, but learning about the fact that they didn't include such an essential aspect of the story is making me feel so irrationally sad

[eggsnatcheskneecaps]

Happy to report the RNG Gods smiled down on me and I got not one, but two Modric dupes BEFORE I finished the suit 😭✋

[tamaharu]

metafiction fans when kris dreemurr 🔥🔥🔥

me when im in an examining player and character agency and the relationship between the two within the structure of a video game competition and toby fox walks in the room

[prismit]

i struggle with an absolutely dreadful and massive art block that makes it stupidly difficult to even pick up my stylus for years.... and then that art block just randomly gets completely shattered to pieces by This Fucking Guy

and honestly i can't even be mad about it

[crescentfool]

beaming everyone on the dashh with good brain day vibes!!! i hope that you all can remember to extend self-compassion to yourself whenever you're feeling down about something 💙

[definitely-not-watson]

What I really love about Sherlock Holmes Chapter One is that this game does not hold your hand through nearly, if not, everything that you encounter. Cases, evidence, deciding which conclusion to go with, since each chapter allows you to make your own decision, hinging on consequences that you may have to bear with for the entirety of the game.

So not only do you truly have to feel like a fool sometimes when you don't have a direction (which would probably be the case for me if I were a detective, because I'm just that terrible) but you're also dealing with Mr. Drama King in the back of your head.

Yes I'm talking about Jon. I've (to the best of my ability) grabbed snippets from his journal of his personal thoughts about you when you so much as do something this little potato doesn't approve of.

Though let's be real, a few of the reactions he gives are mostly just him complaining about his impatience with you. I'm going to leave all this under the cut so that it's not some HUGE text that blocks everything on your dash:

First of all, I'm not that smart when it comes to finding certain articles, at least not in every case (I will say I think the main story paper digging feels a lot more generous than the DLC ones, my word I felt stupid sometimes). You take two seconds to flip to another police document or news article and Jon pretty much moans behind you like "Hurry up I feel like I'm aging" and it's like "I don't see you helping honey, PLEASE."

Yes I'm struggling in archives because I accidentally looked up the wrong thing. Now he's just being a little brat. He acts as though you dragged him to the grocery store like he was your youngest kid and makes him walk on the side of the cart always. And no he can't get a toy from the toy section and he's going to pout about it. The best thing is leaving the screen to retrace your steps or figure out what you missed and all you see is this 👎and it's like would you calm down, I'm doing my best!

He's also super sarcastic. Since Jon is a portion of Sherlock's own personality that seeps through, mostly the playful and self-loving sort of aspects, his humor is also as dry as his, which is probably why they're able to run each other into annoying circles without actually pissing each other off. You never win and you never lose when you argue with yourself do you?

I dunno which I prefer more: Jon's incredibly witty and improvised liners out in the free world where you can roam and he occasionally makes his presence, or his down-right back handed comments in his personal notes.

Though don't get me wrong, I understand when things don't mesh well with someone that you know better than anyone else could ever know someone and things don't add up or something happens.

My weakest points when it comes to figuring out the cases was definitely the recreation process. I feel like this is where the two kind of combine heads. This is where they're seemingly more in tune with one another. I really enjoyed having Jon be the one to piece together what happened, as though they were walking through it together without saying a word. Finishing each other's sentences with each point that was connected.

Making mistakes you couldn't pin-point precisely, and then when you finally get it you either feel accomplished or a little defeated because it's like "Okay well you knew that you just had a few steps to get there" and Jon's in the corner being like "We're supposed to be a team y'know" and it's like I know, I just suck at being a detective.

Jon's reactions to what you do in the cases almost each and every step of the way is what sold his personality for me. He's rounded enough to have himself as a separate entity to Sherlock, with his own opinions and thoughts and sense of morality. He's a fantasy nerd for goodness sake, drinks and smokes a lot more than Sherlock probably ever implies, and is never afraid to speak on the sensual things (I'm talking about Sherlock's unmentionables comment as well as the painting in the caravanserai)

Which means he's very capable of calling Sherlock out when he does something wrong. A healthy relationship with anyone you assign yourself to isn't immune to having arguments or disagreements. Much less, you're allowed to tell someone you utterly made a mistake.

Both of them have a sense of mortality and a sense of justice. When someone is wrongfully accused or being blackmailed, or even shot down, that's a red flag in their books. The only reason I'm calling him dramatic in this sense with these images is because I had been nearly a full clear on two separate bandit lair occasions, and scuffed the very last one at the last possible second and left the dude a corpse on the floor. IT WAS AN ACCIDENT.

Though however, the consequences of your actions that give you Jon's comments do in fact alter the image of his visage when you open his notes. If you've done this type of accident enough, it makes sense. Sherlock does not act this way, this is not Sherlock, what the hell is going on? Jon would have no ability to step in and take away the automatic to defend people. It's immoral, and the two of them don't need to stoop to a lower ground to gain justice for something else.

You're a detective, you do not get a say in who stays above ground and who goes, that's not your prerogative. And that's why I love reading these notes. A lot of them are not mentioned here because 1) they're mostly positive because more often than not I had some sense of understanding of what I needed to do, and 2) they're repeated in certain situations. Though I'm very tempted to have a playthrough of where I get more negativity in Jon's responses to see if there are any other quotes that I've not seen before.

There were already at least 30 pages worth of comments - but I really love his little doodles. This game lets you mess up, it's not going to reach forward and say "this is what you need to do" there's no hint whatsoever. You're bound to make these mistakes, and it's the comments given that makes you feel like you're truly a part of the action and story you're walking through.

You're not alone when you travel here, and what you do is painting a certain image of yourself to someone that cares about you. This is your story, and you're free to make these mistakes, you're free to take the information you learn, dissect it and learn what happened - but in the end, it's you that makes the ending decision. There is no one correct answer, but there are many consequences.