#it really does ruin every character and their arcs

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[inflammatoryfandomblog]

I do find it interesting that ATLA managed to use a very black and white narrative (stop Evil Empire) to tell several character stories with some nuance, while TDP claims it has a nuanced conflict and flattens everything to try and make up for that, ultimately leading to protagonist centred morality more than anything. And if they didn’t want me to compare the two then they should have let go of the ATLA references right away.

you're right and you should say it.

the constant and shoehorned references to ATLA do not really do this show any favors. honestly might be part of the problem (why are there 7 primals with color-coded elves? to follow ATLA's pattern of marketable separable elements. why is it an adventure story with a core crew? because ATLA was like this too. etc etc.)

but anyway. yeah. ATLA had a very simple main conflict to provide a constant source of tension throughout the show (even if they dropped the ball at the last season re: the plot), and this structure allowed for episodes that explore other aspects of the setting and characters while still making everything feel relevant and tied together by said conflict. it's not some arthouse show by any means, but it has good compelling story work into it. genuinely great show.

tdp immediately opens up with the nuance and it never really delves deeper. you'd think that opening with characters being aware of the cycle of violence stuff would be interesting and the show would explore that more, but it just... flatlines there. there's no progression or graduation or exploration of themes as the seasons go on like in ATLA. very rarely are there new questions being asked or arcs that feel sensical.

honestly the main characters having to be perfect in every situation is the biggest problem with tdp. the mains are not allowed to have shortcomings or mistaken judgements or anything to meaningfully interact in any way with the nuanced set-up. they emotionally exist entirely outside it, which ends up making them the Messiahs of Peace Who Can Do No Wrong. good for fandoms i guess, people bitched and whined about bato and the water tribe for years. but it's not very good for storytelling.

and also, they're just bad characters and the writers can't put two and two together while still asking you to take their world very seriously.

anyways i'm just rambling at this point. good observation.

[fictionadventurer]

Of course the sequel to Out of the Tomb would be a vocation story. Tanza's let go of sin and embraced virtue. Naturally, the next part of her story would involve her figuring out what she's going to do with her particular gifts and interests. Especially if what she should do doesn't necessarily line up with what she'd want to do if given the choice. With all the crazy political stuff bringing in questions of duty and image and danger, it's the perfect fit. I can't believe I didn't figure it out before.

[shippy-from-apocalypse]

Soulmates can be Fun and they have some REALLY creative prompts, that being said they're usually not my Cup of tea

I get frustrated because they have SO MUCH potential (and when they're really explored it can make GREAT stories) but mostly it stays surface level

Curious, I haven’t really seen any real trend among aspec people and the ship tropes they do like, however I think I kinda seen a trend in what they dislike. So in the tags tell me if you’re aspec (ace and/or aro) and if you dislike soulmates, and I mean the most straightforward romantic non subverted kind (but if there are versions you like feel free to elaborate)

[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[cerastes]

Habe you ever had a "did we even play the same game?" moment with someone?

My favorite game ever used to be Metal Gear Solid 4, it’s still up there in my top favorites, and this time at a party I met a guy that said he didn’t like MGS4 because he felt like it ruined Snake as a character and that it misrepresented him. I asked if he could elaborate and his response was that they took this Rambo dude, this super manly war hero and emasculated him into a weak old man.

I need you to understand that Solid Snake was without exaggeration fundamental in my growth as a person: I am from a latino country, grew up in what’s widely considered the wrong side of the tracks in the middle of nowhere, being macho, manly, tough was incredibly important to me, because that’s how it was in there, and Snake (plus “The Knight In Rusty Armor” by Robert Fisher) basically made me question all of what I’d grown up thinking up until then, because Snake isn’t a badass because grrr manly beef jerky I kill and swear, he is this incredibly solemn guy who hates what he can do, but is the only one that can do it, and if he doesn’t do it, then nuclear war happens, or worse. There’s a whole angle of expectation as a narrative arc in regards to Snake: Meryl expected a glorious, boisterous war hero, Otacon expected a grizzled, badass action hero, Liquid expected Himself But Better In Every Way, Ocelot expected a tool and nothing else, Naomi expected a callous and cold killer… And they were all wrong, he is, ultimately, an exhausted man that cannot stop no matter how much he wants to stop, because if he does, the world might likely go up in literal flames.

So to hear this self-proclaimed superfan of Snake say this just made me skip anger and go all the way to pity. In-universe, those in the know of Snake worship him as an actual God of War, and it’s a common thing that gets addressed in-universe: The whole point of MGS2 is that Raiden could never have won if he tried to be Snake, because you don’t want to be Snake. Snake hates being Snake. Snake isn’t manly because he beat a tank on foot one on one, Snake is admirable because he does the right thing, even if he’s breaking down molecule by molecule as he goes and he wants nothing more than to fuck off and raise dogs in the arctic, but keeps on going anyways because he can do something about it. The most important message he imparts on Raiden and Meryl is Don’t Be Me; Create A World Where Snake Doesn’t Need To Exist.

I felt pity because if you feel like MGS4 misrepresented Snake, then you really and explicitly are exactly the kind of fodder PMC nobody that feeds the proxy wars in MGS4. I think only by skipping every cutscene you can come out thinking that way. The only thing super about him was ficial.

[bambooswordwielder]

Obsessed with the fact that Shen Yuan only transmigrates when all the Peaklords have settled into their positions for a few years because the idea of Shang Qinghua being stuck watching Shen Jiu and Liu Qingge arguing for nth time about some budget detail that is DEFINITELY getting overblown now and just being stuck thinking

"Damn this would've been such a good enemies to lovers plot line... Imagine how much I could've made off of them..." and regretting not monetising their rivalry more before he killed off Liu Qingge ( "Oh and the angst Shen Qingqiu would've faced after his secret lover died and everyone blamed him for it! Fans would've been begging for more extras!" 🐹💔)

Like all the peaklords are desperately trying to mediate and fix the situation and Shang Qinghua is just imagining his one hundredth Fix-It Fic/AU where Shen Jiu is the King's trusted scholar and Liu Qingge is the King's personal bodyguard

Everyone thinks when a single tear falls from Shang Qinghua's eyes its because during Liu Qingge and Shen Jiu's fight they destroyed both his newly drafted budget (for the fifth time that month) and the fact they also destroyed the table (for the third time that week and the week just started)

Reality is Shang Qinghua is crying because he thought of an angsty death scene for the two Romeo and Juliet style because both their families couldn't accept them being together

Years of this pass and at some point he even picks up writing again (specifically about characters clearly based on Shen Jiu and Liu Qingge) and he gets really popular, popular enough his novels start to flood all of Cang Qiong and even Liu Mingyan takes some inspiration from them

Everyone knows damn well that the characters are clearly meant to be Peaklord Shen and Peaklord Liu, but no one tells because they all are legitimately waiting for the next volume of "Battle-to-your-poisonous-heart-and-peaches"

Does everyone know it's Shang Qinghua... Noooo.. Would anyone admit if they did know.... No.

Then all the sudden on day Shen Qingqiu suddenly looked in the dictionary and discovered what the word 'nice' is and now he doesn't abuse his students 🐹🤯

He even let himself get poisoned and potentially ruined his cultivation for life for Luo Binghe of all people!? Um excuse Airplane Logic, but the MC is supposed to only get all the good stuff AFTER he falls into the abyss!

And what's this about Liu Qingge helping to 'clear' his meridians so he has to personally visit Qing Jing peak every week?? Def something is off, an author knows fishy when he sees it

For how many years Shang Qinghua is stuck watching these two do their whole "You're my precious Shidi" and "I'll always be here for you" act and he's just stuck eating dogfood wondering when exactly is the marriage extra coming in and why the System won't tell me why Shen Qingqiu is acting all happy go lucky now

Shang Qinghua notices Shen Qingqiu talking to Yue Qingyuan more, he notices Qing Jing disciples running straight to Shen Qingqiu with joy and excitement rather than the reserved fear they had before, he notices how Shen Qingqiu only glares at him twice every meeting than before!

Maybe this isn't his version of PIDW, maybe it's a fan made version where Liu Qingge and Shen Qingqiu fall in love and with the power of love and friendship Shen Qingqiu learns to be kind and to care and isn't going to cause Luo Binghe to go down his dark path and maybe they can all have a happyily ever after—

*Endless Abyss Arc*

"Oh fuck–"

[Before Endless Abyss Arc]

*Shang Qinghua watching from a distance as Luo Binghe is practically clinging to Shen Qingqiu's side. Shen Qingqiu pats Luo Binghe's head and Luo Binghe does THAT smile he only does for his wives*

"Well this is an interesting fanfic..."

[After Airplane Reveal]

"Wait... So you're actually a transmigrater as well, Cucumber-Bro?"

"Yeah, and?"

"..."

"Why are you staring at me like that?"

"Do you hate, or have you at least at some point hated, Liu Qingge?"

"I– No–Wait what???"

"Let me reword it. Have you ever considered murdering him at one point?"

"WHYAREYOUASKINGMETHESEQUESTIONS!? YOUKNOWWHATHAPPENEDTOSHENJIU! IMNOTRISKINGHISFATE!"

"... So I'll take that as a no."

"OBVIOUSLY!?"

"So it's just a normal Friends to lovers 😮‍💨 No flavour 🙄"

Shang Qinghua was then brutally attacked.

[During the Five Years SY was dead]

*Shang Qinghua watching Liu Qingge go every single day to fight Luo Binghe for Shen Qingqiu's body*

"Oh my Airplane.... It's not a enemies-to-lovers... It's not Teacher X Disciple... It's a bloody love triangle with both! Oh how much money this plot would've made me 💔 I would've been able to pay for four months worth of rent and groceries!"

Random Disciple visiting An Ding: "Um.... Is Shang-Shibo okay? He fell on the ground?"

An Ding Disciple: "Leave him. He does that sometimes. Now about your budget request..."

*Shang Qinghua screaming in the background*

Random Disciple: "..."

An Ding Disciple: "..."

Random Disciple: "Should we check on–"

An Ding Disciple, now dragging other disciple away: "Let's settle this at your peak."

Years later when Bingqiu have already had their wedding and everyone has become somewhat tolerant of their relationship, Shang Qinghua just sighs loudly and Shen Yuan asks him what's up. Shang Qinghua looks him in the eyes and just shakes his head.

"My ship...💔"

"..."

"OW– Why did you have go hit me on the head!?"

"Because I don't want to know what's going on in there and I need to make sure what's in there stays in there."

[darkshrimpemotions]

The thing is, Guillermo being too kind and pure of heart to eat humans was always a fucking lie. Like??? Obviously, I think. And the Cannon Capital arc isn't really a departure for his character, it's us seeing all his worst traits highlighted in an environment that makes them MUCH less fun and sympathetic.

Guillermo has always been an intensely stubborn, self-serving character prone to tunnel vision who was willing to turn over pretty much every corner of his soul if it served his goals. Even if he did sometimes feel bad about it or force himself not to think about it so he wouldn't feel bad, he still did it.

He's still the guy who befriended people with the express purpose of luring them in to be killed. For years. He's still the guy who offered one of his oldest friends up to be murdered at an orgy, and only changed his mind at the very last second. He's still the guy whose version of trying to have a normal human life for once involved lying to pretty much every human in his life--his bio family and his boyfriend--about every aspect of his life but his name. He's still the guy who dismembered the corpses of his victims--yes they're still his victims even if he didn't strike the killing blows himself--in the front yard each morning with a dreamy smile on his face as he talked about the heart wanting what it wants.

Sacrificing Nandor to serve his goals at Cannon Capital is really not that different than sacrificing Jeremy to serve his goals as Nandor's familiar, except that in this case he had a lot more time to think about it and still did it, not via silence or omission but via a direct act of betrayal to Nandor's face. Perhaps it's because he never had to suffer any real consequences for his betrayal of Jeremy that no lessons were learned?

It's also really telling that when you reset Guillermo to his base state via sleep hypnosis, it's the sweetest, most wide-eyed and innocent version of him and STILL the first thing he does is offer himself up to be a vampire's familiar, all in a bid to have enough power that he can't ever be bullied again.

It's understandable. It's reprehensible. It's really ugly in a way that's harder to laugh off when you attach that to an extremely timely, familiar (heh) real-world scenario such as a venture capital firm that makes their money through shady real-estate deals that absolutely gut local livelihoods. But the Guillermo we're seeing right now is just as tunnel-visioned and stubborn and selfish as the Guillermo we've always known. We just very understandably like him less for it when it's real-world monsters we've all seen ruin real lives instead of fantasy monsters that are silly and fun to watch.

But this isn't out of character or off course or a step back. Guillermo is deep in denial and clinging to the Cannon Capital job because he can't face what he's lost as of the end of season 5. He's replaced Nandor with a master that's worse in every way, he's still clinging to the house while pretending he's separating himself, he's still sleeping on the remains of the makeshift coffin Nandor bought for him. He tells himself he is facing it and moving on, but I hope this time we all know that's a lie.

And I'm here for it when it all falls down around his ears, and he finally has to face himself. I'm really excited for it, actually!

[twilightkitkat]

I think that when it comes to characterizing Worst Wolverine as opposed to his other variants, the most important thing to remember is that Worst Wolverine is tired.

Almost every version of Wolverine has experienced loss in some way. He's lost lovers, friends, and his memory from before the procedure that nailed adamantium to his bones. But normally, the story depicts him as being angry, lost, and confused. He's still in the stage of grief where he tries to seek answers, make it right, and enact vengeance. The grief is fresh, like an open wound that keeps being scratched open even when it tries to scab over.

Normally, Wolverine is still somewhat in shock, or the intense wave of emotions that follow. His story is about his immediate reaction to grief and his action to combat it. He follows his impulses—he gnashes and snarls and claws until he murders whichever villain took what mattered from him. And only then does he start to grieve. But the story cuts off just right as he begins to sort through the emotions, not when he's in the midst of it.

Worst Wolverine has already been angry. He's been lost. He's been confused. He lashed out against the world in a fit of impulsivity that cost the X-men their reputation. He already sought revenge against a world that murdered his family and he had to live with the aftermath. For over a decade.

His story didn't end when he avenged his family, nor did it begin again when a new distracting plotline started. No. He had to sit quietly with his grief. Learn to live with it.

He wasn't just a character built on intense, conflicting emotions, because he had to keep surviving even after they died out. He didn't just have to live through his immediate reaction to grief, but live through the solitude of waking up every uneventful day with nothing to live for.

Worst Wolverine is tired. Unlike his other versions, he didn't have anything left that tethered him to reality. He had to come to terms with the fact that he lost everyone before he even let them know how much he cared. He had to confront his own feigned indifference, his gruffness, and all of his flaws while knowing he could never go back and fix it. He had to live with his own spiraling mind, thinking over the what-ifs and the could-have-beens and the if-onlys.

And he eventually reached a state of complete apathy. Where his only solace was drinking enough to drown out the voices in his head, to blur the images seared into the backs of his eyelids. (But even that didn't help. Not really. Not when everyone looked at him with scorn and reminded him of what he'd done. What he'd lost. What he'd ruined.)

It was in this state of exhaustion that Wade found him. Not the first person to approach him (to hook up, to sneer at him, but always with an ulterior motive) but the first to want something more. And when Wade pointed his gun at him, he laughed. Death was just a daydream to him. Something he wanted but could never truly attain. (A mercy he didn't deserve.)

But he went with him. And eventually helped him save the world. The one "good" thing he feels like he's ever done. The one thing he didn't fuck up.

And Logan is still exhausted. It's in his bones. It's in the wrinkles around his eyes. It's in his posture. But Wade helped him push past that for the hope of something greater. His entire arc in the movie was working past the fact that he's exhausted and grieving to finally let someone reach him. Move him.

And it didn't go away completely. Not with how he resigned himself to a life of isolation even in a new universe with a fresh start. But Wade called out to him. Pulled him back. Looked at an exhausted old dog that couldn't learn new tricks and still wanted to take him home.

Logan is exhausted. But now he can curl up next to Wade on the couch with the warmth and weight of someone next to him and finally sleep without waking up to another nightmare.

[phynixdotcom]

Man. The Herobrine really is summat else. We got:

A glitch of a ghost in the machine that causes every error in the game

The White Eyes character, stemming from a texture error, which becomes associated with the cave noise & eventually leads to the creation of the Herobrine myth

Transgender swag

The fucken. Brocraft stream that links to that ONE image & implies that either you or Herobrine are "asleep" & dreaming

The way that Herobrine myths kicked up due to the TF2 influx, after the devs made mention of the game

Every single unexplained structure in the game, all abandoned, all without a clear group that created them can & will be associated with Herobrine

The mineshafts. The ruined portals. The deep dark. It's kind of like a story, told in three arcs, if you squint right

Like something that used to live there, toiled in the soil along with the worms

Like something that got locked away, that wants to go back

Like something that needs to be kept out

Every single zombie looks like Steve. Does that say anything? Does it imply something about Herobrine, another reflection, but maybe a bit more sentient? With teeth that are a bit more sharp, with a malice that is a bit more cold?

Mojang putting the "Removed Herobrine" note in for YEARS, then one day dropping it, only to bring it back 3 years later

N*tch being scrubbed from the game's lore, so he's also (sometimes) scrubbed from Herobrine's lore, leading to alternate origins

He is the first player. He is the ghost of a fellow player. He is an architect, a miner, a builder. He is a friend to all the mobs, & an enemy to those that take all the trees & never replant the saplings. He is a curious onlooker, probably harmless. He is a deep loathing. He is a danger, a legend, just a myth, but is he?

The way that people's opinions of Herobrine have shifted through years, like a litmus test for Minecraft players as a whole

It starts with the eerie feeling of being in a room you KNOW should be empty, but feeling eyes on you, anyways & ends with a sad type of goodbye, a dreamer seeking a dreamer condemned

The way he's more quiet, more calm, less prone to the griefing & attacks he was once known for, like his fire has cooled with time

The Minecraft end poem. Maybe. Do you think Herobrine ever got to hear those words? "I love you," & "You have played the game well"?

The person with the Herobrine username, which has had the catboy Herobrine skin on for years o7

[avelera]

I’m curious, how much control do you think Viktor was in in season 2?

I have tried to analyze this but am honestly stumped. Because on one hand it is clearly his intentions and logic being used. Since the beginning he has been wanting to heal people afflicted in Zaun (while it was also to cure his illness I don’t doubt wanting to help those in need was a legitimate motivation). He does immediately go to heal people in Zaun and all the conclusions he jumps to through the season do seem perfectly reasonable for him. He was the type of person who didn’t even conceptualize in season one that something like the hexclaw could be used as a weapon. That and the hexcore showing that he was a pacifist to the point of it being a massive blind spot to danger. So it makes sense being shot by Jayce of all people while in his eyes he was healing people would cause him to go all glorious evolution mode as a natural progression of his arc.

On the other hand he definitely didn’t come back right. The show makes a point to show in season one that the hexcore has some level of physical control over him, and even when going to heal the shimmer addicts he is following Sky’s voice. The writers also confirmed that it indeed was not Sky and was the hexcore manifesting his guilt to push him towards to glorious evolution. And his emotions definitely seem to be muffled and unexpressive. I know this part is joked about a lot but honestly even the fact that he chokes Jayce is surprising because he is consistently characterized as a pacifist to the point of it being a fatal flaw. He doesn’t even commit an act of violence in a show filled with fight scenes until the second to last episode, let alone against Jayce of all people. I think the last thing season one Viktor would do is intentionally cause physical harm to someone, hence why it is only at the part where he is the farthest gone.

Basically if I had to guess I’d say it’s like 50/50 level of control, but you have written some great character analysis so I’m curious what your thoughts are as to how much of season two was Viktor and how much was the Hexcore

Honestly, Anon, I'm wrestling with this on almost a daily basis myself when I write fics. It's definitely not helped by the fact they avoided a lot of exposition in S2 in favor of pacing (the slower pace of S1 allowed for a lot more signposting and exposition of what was going on, I think somewhat to the detriment of S2) and the fact that we don't really get much of Viktor after he stops being the Machine Herald, because to my eyes that's the first time we see the real Viktor all season and it would be nice to get him to express some contrast with what came before (though of course it would ruin the pacing of a perfect moment).

I think you basically nailed all of the points of confusion. I've ever considered tracking all the points where his voice warps for clues, because I think there is something to be gleaned from how and when his voice distorts, but in what direction is also a curious question.

Was saying "affection" kept them together more or less than what Viktor would have said to Jayce? Would he on his own have said love? Or would he, in his infinite shyness, have not dared to mention emotion at all, because Viktor is an expert at pushing those closest to him away and hiding his own emotions? Was that the Hexcore trying to drag Jayce in closer by calling it affection, or push him away before it could gain strength by lowering Viktor saying "love" down to just saying "affection"?

On the other hand, during the Herald's villain monologue at the end in the Astral Plane, his voice is distorted for almost every line except, "This senseless waste," which does feel like a sincere Viktor line, perhaps the only one that is truly him that whole time, including when he said he was pleased to see Jayce, in that horrible mocking tone. Could that not be the Hexcore speaking there?

I'll offer what I think is happening:

In order to chart "What is Hexcore" vs. "What is Viktor" it's less useful to look at Viktor's motives than the Hexcore's.

The Hexore wanted to expand its influence. It wanted to become powerful enough to have its own army and to destroy the civilization around it as other versions of the Hexcore have done throughout history. I believe it reached those goals by posing them as things Viktor, on his own, would want to do like help the needy, thus hiding its ends inside of Viktor's motives.

Note too that people who have dosed up on Shimmer are more susceptible to its molding.

Hence we can assume that the Hexcore, in the guise of Sky, using Viktor's guilt about her and his own failures to help the undercity, guided Viktor down to the Shimmer victim encampment specifically.

Viktor is not a mystic. The most mystical thing he says in S1 is that the Arcane speaks through mages. But the Hexcore is a magical artifact. Something like the Hexcore also destroyed a civilization centuries ago, and the figure in Heimerdinger's memory looks like Viktor when he's cloaked.

So personally, I think we can ascribe any mysticism to the Hexcore's influence too. That means the Cult, for example. Also Viktor's, "You need not suffer anymore," and kind of making them all genuflect to him, feels very OOC and just plain wrong for Viktor.

Whereas Viktor in the Astral Plane feels like real Viktor. Even the fact that when we show his point of view out into the world he is himself in a field of stars, seeing the real world projected in front of him like Plato's Allegory of the Cave gives the impression of imprisonment, like he's looking out through the windows of his own eyes to a shrouded world he can no longer directly touch.

And note, for example, that Sky/the Hexcore doesn't want Viktor to heal Vander. That's all Viktor. I believe the reason is because it doesn't want to run out of energy too quickly.

Basically, I think the Hexcore is stringing Viktor along there as Sky, giving him a little terrarium of stars to play in, while using him as a vessel of assimilation under the guise of healing. These are on both sides, inner and outer, things that Viktor wants to do, so he's seduced. He doesn't fight it.

I also think at a certain point, the Hexcore Viktor gains enough power to be able to impact people who aren't dosed with Shimmer. I think this comes later though, which is why it's not interested in Jayce at first but it is interested in assimilating him later. At that point, again, those motives align with Viktor's own sincere desire to see Jayce again (maybe he's sick of all the hippies in the commune lol) and the Hexcore is happy to get rid of someone who could conceivably stop it.

But note, the Hexcore is still playing along with Viktor. It could forcibly assimilate Jayce, but Viktor wants Jayce to choose his side willingly, so it holds back. In part too because that disappointment is what fuels Viktor to give himself over the Hexcore's goals entirely and ask for Singed's treatment with Apex Shimmer. At that point, as the showrunner noted, it doesn't need the guise of Sky anymore, it doesn't need to string Viktor along anymore. He's bought into the idea of forcibly assimilating the world if he can't get Jayce to join willingly.

I also heard an interesting theory that I'd like to factor in: basically, until he gains access to the Anomaly, Viktor doesn't have the power to strip himself of the Hexcore's influence or overcome it. That's why there's no point in Jayce trying to get through to him sooner, it wouldn't do anything because Viktor would still be trapped in its web.

Once they have the Anomaly, Viktor as an ascended being can strip away the Hexcore's influence. And that's why I lamented that we don't get more of his thoughts in that scene. Because I think an interpretation can be made that the Machine Herald look is just the human form of the Hexcore, using Viktor as a vessel.

Once that outer shell explodes, it really is Viktor again, with all the power of the Anomaly and Jayce's rune at his disposal. Now he and Jayce can work together to reverse the damage, free all the trapped souls from the Hexcore's web, and save the day. But we see that only then Viktor is able to view his own actions as himself, and he's horrified. There I think we get Viktor's one true, sincere reaction to everything that has happened up to that point and confirm that, yes, while the Hexcore interwove its seduction through Viktor's motives, none of this is what Viktor wanted. The ultimate outcome was the Hexcore's goals.

Quick Doylist addition: I also think there's definitely a draft where it's all Viktor getting controlled, but the writers know that can be kind of boring. It's better when characters take action and make choices, rather than being controlled. So I think that's why they settled on a combination of "The Hexcore's end goals, but Viktor's underlying motivations being twisted to support them."

[flowersforvax]

I've read some very good meta on the looming ending of campaign 3 and why it does or doesn't work and- still after all this time my main issue (and I believe the root of others!)  is that we didn't get enough time with Bell's Hells.

Does that sound ridiculous after 120 episodes in the span of three years? Obviously!

But if we look at the in-game time it's been barely four months. We don't know Bell's Hells outside of the main plot and worse they don't know each other.

Between Imogen and Fearne and Orym's connection to the Moon Plot from the start there was very little low-stakes low-level fuckery. No downtime, no long travel, no filler episodes.

Even during high-stakes arcs Vox Machina used to take the time to talk and play and fuck around in the evenings before their long rests. (Cannonball contest in the mansion hot tub anyone?) But they took that initiative because they had already done the bonding and enjoyed spending time with each other.

The Mighty Nein as well! And they had the added bonus of nobody counting on them for anything at first- everything they did they wanted to do. And even when the seeds of their last enemy were planted very early on - they didn't know it would be the endgame. The emotions were high but the stakes were lower. There was no constant pressure to go go go, time's running out!

They got time to grieve. Bell's Hells never got that.

And who knows if the Mighty Nein in their early days would have felt compelled to do the heroics late-game Mighty Nein did! I don't believe so! But they had the time to become characters who would, characters who would make the decision to follow that thread, to put their lives on the line to save the world.

Additionally to the in-game time constraints I think the idea that this third campaign is the CULMINATION OF A TRILOGY put a lot of pressure on the players to always make the Right Choice so they won't ruin Matt's story. That includes both following the narrative to its conclusion whether that made sense for every character or not and- no deviations from that loosely held leash. No "Hey, Matt, nice story you got there, what if we become pirates instead?"

... The first time I really connected with Bell's Hells was during one of their very few night watches (a thing that was a staple in MN bonding time!). I loved when they were goofy, when they turned a break-in into a fake haunting for no reason at all. When they got to be ridiculous and pretend they were livestreaming porn.

My favorite moments of Bell's Hells were the few minutes they as characters got to breathe.

[bougiebutchbitch]

never gonna actually do it because it would be a MASSIVE project but

if I were to write a Shen Jiu redemption arc

it would be with the knowledge that his original character would die like he did in the book - aka, being a prideful, toxic, Binghe-hating, abusive&abused little shit to the end

...then, in classic fanfic fashion, he'd be reincarnated in his shizun-self with young disciple Luo Binghe locked in the woodshed after a beating. Aka, where Shen Yuan came in

of course once he gets over the panic

(and the confused morass of emotions upon seeing Yue Qingyuan alive)

his first thought is. I have to kill that fucking monster.

and he goes to do just that - but Binghe is the protagonist and the protagonist can't die/the System stops him/etc. etc. etc.

eventually, despite a... couple more attempts, Shen Jiu realises the only way he's going to change his fate is the long and hard way (aka, repairing every single relationship he's spent his whole life RUINING)

he starts acting in subtly ooc ways, specifically as a ploy to convince people to like him. He is constantly thinking about how he can manipulate their opinion of him to show himself in a good light, and he is not above undercutting other people to paint himself as a Sweet Innocent Shizun who only puts on a cold mask because he's easily flustered. He does his damned best to convince everyone that he's not really a villain. He's just misunderstood. He's still harsh to his disciples, but it's interspersed with far more (reluctant) praise, and always for a genuine teaching purpose, so he can pretend he cares for them really, deep down.

Oh - it makes him sick. His loathing of Binghe festers as the child slooowly begins to creep out of his shell and become more attached to him. He seeks to maintain as much distance from him as possible while still maintaining his 'kind shizun' demeanour, but of course, Binghe being Binghe (and barely needing an excuse to develop a terrible crush on his teacher) makes that very difficult.

Basically: I want Shen Jiu scheming on how he can trick the whole world into thinking he's not a villain, while he himself still considers himself a despicable and irredeemable monster who is cunningly cheating death. I want his intentions to be genuinely rotten. I want him to loathe everyone and everything, and internally gnash his teeth and roll his eyes and inspect any kindness he's shown, working it into that massive web of paranoia that hovers above his head and tells him all the ways in which his so-called 'friends' and disciples may still turn on him in future

I want him to not realise that actions matter far more than intentions, and genuinely endear himself to a lot of people, his shit personality and all. They're like - yeah, that's Shen Qingqiu! He's a backstabbing two faced son of a bitch, but he keeps pulling through for us at the last moment, and he obviously cares deeply about his disciples! We all love him! He might be a dick, but he's our dick!

All while Shen Jiu is very much stuck in a Paranoid Torment Nexus of his own creation

he becomes the peaks' horrid little cat, is what I'm saying

[shanastoryteller]

Shana, your tags on this post ...I need to know more! What exactly was the plan for Supernatural season 3 if it hasn't been for the writer's strike??? And how haven't I heard about this already?? I need the deets!

i'm so glad you asked :)

the original plan for season 3 was for sam to descend into using his demon powers to get dean out of the deal, and for dean to never go to hell. then the writers strike happened, the season got cut from 22 eps to 16, with only 4 after the strike, and that wasn't enough time to establish sam's spiral and powers, so changed the ending. it's on the wiki and there are some articles around about it

this was, in my opinion, the worst fucking decision they could make

it ruined the characters in a lot of ways and really unbalanced everything in a way the show never recovered from

the thing is that this arc is so well set up!

literally at the end of season 2 we get

"You're my big brother, there's nothing I wouldn't do for you. And I don't care, I'm going to get you out of this. I'm going to save your ass for a change."

sam has evaded azazel's every attempt to corrupt him. his shitty home life, all the demons he's exposed sam to, killing jessica, taking away his father, putting him in a literal life or death hunger games scenario. each time sam refuses to play ball

(sam's incorruptibility is what makes him qualified to be king of hell, but that's a different post)

he's the moral compass between him and dean. always has been. there is nothing in sam's messed up, twisted life that has pushed him pass mercy

but dean could do it. there's nothing sam wouldn't do for his big brother

john told dean that he had to either save sam or kill him. except he's never needed to save sam, because it's literally always sam making the measured, compassionate, merciful call. he's the one holding dean back, not the other way around

and sam straining towards darkness for the first time, for dean, would kill him. we'll come back to this

mystery spot, as an episode, is actually pointless if the plan was for dean to go to hell. because sam's sneak peek into what his life is like after dean doesn't do anything. i love this ep, but it's narratively pointless now

however

with the og plan, mystery spot is the turning point. it not only tells sam how miserable he'll be after dean is gone, but it also establishes what he's willing to do to get him back - pretty much anything. it's not theoretical pain, it's not theoretical grief. mystery spot is the thing that pushes sam towards being hard, away from the moral sweetness he's embodied for the past two and half seasons.

the next ep, jus in bello, shows this. sam is considering doing the terrible thing. he's now capable of considering the terrible thing in a way he wasn't before mystery spot. this is when his descent starts, when sam decides he's willing to trade his humanity for his brother's life

and then the writer's strike happened

right when it's getting good, right when sam's arc is ramping up, we lose it. and instead of picking it back up, pushing dean's deal to next season and giving it the weight it deserves, they say fuck it, and send dean to hell

but this fucks it all up. we have sam's "descent" with ruby and demon blood. except not really because he's not even hurting anyone. and dean's back, but not because of sam. sam didn't save him

this fucks it all up

because deans anger and fear and desire to save sam should have been tempered with the knowledge that he did that to save dean's life. that once more someone dean loves has made a terrible sacrifice for him, which he can't stand, which he hates. he has the self esteem of a gnat and the best people he knows keep destroying themselves for his benefit

i think the og build up was sam strengthening his powers to kill lilith, doing it, and then releasing lucifer at the end of s3. sam unwittingly starting the apocolypse to save his brother (does he regret it, dean wonders. it would be easier if he did)

and now everything is shit and dean's drowning but here and his brother has turned himself into something that's not unlike the kid dean loves so much it almost killed him, but not exactly the same. and now he understands john, because this is the sam that dean has to either save or kill, except he could never kill him. he loves him (and how can he kill sam for doing this when it's dean's fault, when dean made the deal that doomed his brother when all he wanted was to save him)

this is the flip that the show has been building towards. dean having to be the moral center for his brother for once. dean being the one saved. dean finally having to face his father's words and deciding once and for all if he's john's son or sam's brother

but instead dean goes to hell. and he's no one moral's center. because he broke in hell, he tortured people and he enjoyed it. they ruined dean with this. because instead of fighting and growing from his violence, they push him into it, and then they call him a righteous man. dean was the one harming people, he's the one that descended into darkness, not sam. sam and his demon blood had still only been trying to good, and in the end did do good, far more than anything dean did in hell, or has done since. his moral outrage, his anger, his disgust towards sam isn't only wildly out of character, it's hypocritical as hell. sam remains the moral, compassionate one, even through this. it never slides to dean. neither of them are really forced to grow or change, only to become twisted into each other in ways that hurt them both

this should have been the story of what sam would do to save his brother (anything) and what dean would do to save his brother (anything)

they should have saved each other

[ominus-potato]

As a MareWare ceo. What do you think of the people that call them a “problematic ship”?

I personally have no problem with the ship itself. I think it’s hilarious and offers a unique dynamic between the two. And I personally don’t care if people like the ship or not. But I feel like it’s a weird label to put on what is essentially just a hero x villain /crackship.

Ohh boy.

Okay so there’s a beeg misunderstanding around the Marware ship and a lot of people like to label it as victim x abuser bc Mr Puzzles indirectly tormented the SMG4 crew for a year.

Now, in my personal opinion, labelling all toxic ships as proships is a bit ridiculous bc with that logic, pretty much any ship could be argued to be a proship. I could argue that SMG34 is a proship because SMG3 harassed SMG4 for years and stole from him and tried to kill him. If we were in 2020 back at the peak of SMG3’s villainy during the YouTube arc, I can BET that there would be people calling SMG34 and Mar3 a proship bc Three essentially erased Four from existence and kept Mario as a prisoner until he was willing to cooperate. But of course, those ships are not proships, nor were they ever. But bc of that abuse rule, any idiot can make the argument that they are proships and a bunch of people waste a bunch of time talking about it.

But, if we are going to include the abuse rule, Marware still does not qualify to be a proship.

Why?

Because Mr Puzzles is incapable of actually hurting Mario.

We saw him try to intimidate and threaten him during Puzzlevision and Mario just kicked his ass every single time. Hell, Puzzles was cowering in FEAR of the man! And you want to tell me Marware is an abusive proship where Mario is the poor little victim? Oh please, he wouldn’t take that shit from Puzzles and you know it. It’s MARIO for Pete’s sake. If anyone’s the victim in this relationship it’s Puzzles /j

Also, although the crew were forced to perform in Puzzles’ shows against their will, Mario seemed to be actually ENJOYING Puzzles’ schemes which is ridiculous but true. The only time Mario really hated one of Puzzles’ schemes was when he stole his moustache and as soon as he confronted him, the first thing he did was smash his screen in as revenge.

If you want to write off the entirety of Puzzlevision as Mario being fully brainwashed (despite definitely not being brainwashed in the Gameshow Episode), then fine. We’ll just take a look at wotfi, the Puzzlevision movie, and the meme factory mini arc.

Wotfi 2024: Mario was the only one who wanted to stay in Puzzle Park when they first arrived, he was clearly having fun with a lot of the games (joking around with SMG4, smiling, clearly enjoying himself), in the wotfi song he literally said “I’m-a having fun! Let’s-a stay!” …..

Meme Factory Mini arc: Mario dropped in, danced around a bit, and got threatened by Puzzles. He didn’t even register the threat. He just stood there with a stupid look on his face. He couldn’t care less.

Puzzlevision movie: Mario gets threatened by Puzzles and immediately breaks his screen, demands TV time, and chases him around the entire mushroom kingdom trying to get his TV time back. He is completely unfazed by Puzzles yelling at him for ruining his 5 stars and instead continues to taunt him. When he gets told to ram his head into the wall 1000 times, he comes out completely uninjured afterwards bc Mario cannot get hurt like a normal person. SMG4 beheaded him in “No TV makes Mario not okie dokie” and he’s still doing fine. He clearly does not operate mentally and physically like a human.

It’s also worth noting that Mario is the ONLY character in the entirety of SMG4 who genuinely enjoys the creations that Puzzles is passionate about!! His shows, his theme park, whatever he does out of pure passion! Mario is there and in full support of it, no matter how terrible the parody may be.

If you want to bring up Western Spaghetti and IGBP then that’s fair. However, I don’t think Mario actually KNOWS Puzzles is responsible for those events. Think about it! Mario wasn’t there when Puzzles revealed he was behind those movies. And the crew themselves are seemingly over that whole thing as well. SMG4 is just irritated by Puzzles now. Meggy honestly seems to be the only one who is directly affected mentally by his schemes.

At the end of the day, you’ve got to remember that it’s a silly little meme show and a lot of what goes on really shouldn’t be taken that seriously. Especially with the character of Mario. But even if you want to take it seriously, you’ve got to look at the facts. Mario is too stupid to be mentally affected by what Puzzles does and physically, he is untouchable.

Marware is not a proship. It is not problematic. It’s is just hero x villain.

You don’t have to like it, but don’t go around calling the people who ship it proshippers

(This is not directed at you anon. Just people in general who misunderstand their relationship)

Anyway, live laugh love Marware

[flightfoot]

Top Ten Completed Miraculous Fics Of 2024

So here it is, my top ten list for the year. I'm gonna be adding this as a bookmark subcollection inside of the full collection. That way, people will still be able to see which fics I recommend most highly for the year, even if they can't find this particular tumblr post.

I've got a real range in popularity here. The most popular fic has over 2000 kudos, while the least popular hasn't even hit 20 yet, at the time of my writing this. Just goes to show that popularity doesn't necessarily track with quality, especially for fics that have more niche appeal to begin with.

All of these are over 40K this time. Longer fics just have more going on, so they dominate lists like this. Which is one reason I have the regular lists that are separated by wordcount, to let fics of every length have a chance to shine.

A lot of the lower entries here bounced around in placement. The top five remained pretty stable though, once entered.

Here's the subcollection I set up for them!

10.

Each Hum And Click by @echo-has-queries

Kagami thought her understandably high standards for a match in marriage would mean she could avoid being paired with a man by her mother. That she could keep perfecting her flying-machine skills and eventually take over her mother’s place in leading the Tsurugi steam engine manufacturing company without having to defer to a man. She would have thought that when her mother told her to test the Agreste boy as a marriage match she had been kidding - if her mother ever kid. But she was serious and there truly was no fault to be found with Gabriel Agreste's son - except for the small detail of course, that he was not human. So Kagami must turn to the only fine mechanic she knows in Paris to find a solution to this new dilemma. But perhaps the dilemma could turn out to be the solution itself. Written for the AU Roulette Challenge 2024 with the prompt: Steampunk AU

So this fic is entirely from Kagami's POV, and it is a treat! It's an Adrigaminette fic, which you slowly figure out from reading the fic, if you didn't check the tags - Kagami may have tried not to like Adrien, but he grew on her regardless, and then a few chapters in you find out about hers and Marinette's failed relationship. I loved slowly finding out why the two of them broke up, when there are clearly still strong feelings between them, and how it ties into Kagami's character arc and the overall themes of the story: standing up for yourself, breaking free from those who would control you, and forging your own path.

---

9.

Do You Read Me? by @19thsentry-blog

The problem with being a Couffaine was the hereditary bits. The stubbornness. The weird need to pick a fight with authority for no reason besides the principle of it. The way being a Couffaine meant falling in love, fast as a car crash, and just as deadly. It ruined you forever.

So basically, this takes place a few years after Season 5, in the post-Wish world. Luka takes over as the Ladybug Holder, battling Chrysalis in Marinette's place. It's causing him some strain, since it's hard to hold down a job when you need to vanish randomly for long periods of time while on the clock, and it doesn't help that Chrysalis is a lot sneakier than Monarch was.

That's not the core of the story though. No, the real story starts up at chapter 3, when Luka suddenly wakes up in 19th century London, supposedly having always been there, and talking to a 19th century version of Max. From there, he soon gets escorted to Felix, who is a detective around those parts and agrees to host him for awhile.

This is a Sherlock Holmes inspired story, with the setting ripped straight out of those old stories, and I think it does a great job of that! Felix feels natural as Sherlock, with his deductive abilities, and the mystery really does read a lot like a Sherlock story. Though of course, the ultimate cause is more magical in nature.

I love Luka's perspective in this story and his and Felix's dynamic, it just feels very natural and well done!

I was satisfied with how the mystery wrapped up, 19thsentry did a good job of making things make sense at the end, and it felt satisfying. If you want a story with some great characterization for Luka or Felix, or just feel like a mystery, this is the story for you!

8.

A Breach In The Brooch by @piromina

Ladybug and Chat Noir are the heroes of Paris. Hawkmoth is Chat Noir's father. Chat Noir is aware of this. Hawkmoth is not.

So this is an interesting spin on the classic "Gabriel recruits Adrien early on to help him" plotline. Mostly because Adrien is still Chat Noir in this AND still helping Ladybug as a superhero - Gabriel has no clue about his secret identity.

Plagg, unsurprisingly, isn't thrilled about Adrien refusing to tell Ladybug what he knows about Hawkmoth's identity, and that Adrien keeps following Gabriel's orders, even when he knows they're wrong. Though he figures out before Adrien does that Adrien's compulsion to follow his father's orders isn't just a psychological thing...

I really love Plagg in this especially, he's the MVP. He knows what it's like to be compelled to do or not to do certain things, so he's good at comforting Adrien over it and at finding loopholes for him.

---

7.

Phantom Pains (and other hints of you) by @buggachat

She couldn't remember anything. Not where she was going, where she'd been, why she was in this stairwell, or even her own name. But as she watched the blood pool at the base of the steps, she at least knew one thing for certain: the corpse was hers. Getting used to being dead was going to have its growing pains. — “Well, unlucky lady,” Chat Noir greeted with a bow, “Can I get your name?” “Didn’t we just talk about this? I told you, I don’t remember it.” “And I told you,” he reminded, “that you can just pick whatever fits you best.” — Ladybug and Chat Noir may not remember who they once were, but at least the two lost souls can find comfort in each other's company. But as Ladybug starts uncovering more and more memories of her life, letting the past go doesn't seem as easy as Chat Noir claims it to be.

So this is a beautiful, sweet, tragic love story of two lost souls wandering around with each other, yet with Ladybug still desperately wanting to be found, to remember who she was - and wanting to know why Chat so adamantly wanted to stay amnesiac. It's got some neat worldbuilding, and some fantastic prose. It's just a really nice little story!

---

6.

A Small but Stubborn Fire by @cardiac-agreste

What if you were the parent of a teenage superhero, but didn't know they were? All you know is the nightmares, the panic attacks, and the bruises. She's missing school, she's disappearing on you, and she's not telling you anything. So you assume the worst: Assault. Depression. A permanent rift in the family. And what do you do when you realize you weren't thinking dark enough? Because your fourteen-year old daughter is the hero who flirts with death on the nightly news. -- Come inside and read about one mother's struggles to raise her daughter in a dangerous world while avoiding the mistakes her own mother made with her.

This is a more serious take on the consequences of Hawk Moth's war on Paris, with actual bloody, painful deaths as a consequence of many akumas, and Parisians developing PTSD because of what they've gone through. Ladybug can fix all the physical scars, but not the mental ones, including her own.

I love the focus on Sabine here. She's not just presented as being a mom - though of course that IS an important role she has. But she's explored as a character in her own right, one with a lot of emotional baggage as a result of her abusive mother, and trying to not fall into her mistakes, but sometimes doing so anyway out of fear for Marinette's safety. She's a really fleshed out, humanly flawed character, sometimes admitting that she would do something selfish if it means protecting the people she cares most about, like her daughter, even if its at others expense. She grows and changes a lot throughout the course of the story, her perspective on many matters changing multiple times as a result of getting new information or seeing the consequences of her previous approaches, and adjusting as a result.

If you want a fic that more realistically explores the dark consequences of Miraculous's setting, that fleshes out Sabine, or just develops a character in a complex way, then I highly recommend you check "A Small but Stubborn Fire" out!

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5.

Finding A Way by @uptoolateart

Collège is nearly over! And what better way to celebrate than a class trip to Costa Rica? But with only a month left to tell Adrien she loves him, Marinette is feeling the pressure. Then – an accident at sea leaves them stranded together on a tropical island…alone. Or are they? Because those footprints in the sand don’t resemble any bird they’ve seen before. And what’s that roaring sound coming from the jungle? ‘Adrien…where ARE we??’ ***** A Jurassic Park / Camp Cretaceous AU that’s been kicking around in my head for over a year

I love the sense of danger permeating this fic, it really feels like Adrien and Marinette are stranded on Jurassic Park (well it's called something else in order to integrate it better into the ML universe, but it operates like Jurassic Park). They're making the best of it though, doing their best to survive - and along the way, getting closer together.

I like that it's not JUST them though, Gabriel and Nathalie find out where they ended up pretty early on and go to rescue them, with Alya and Nino stowing away. It was cool to see that side of things as well.

Oh yeah, this fic is rated M for violence and gore. It's because dinosaurs eat people alive and leave their body parts everywhere. If you can handle the Jurassic Park movie (or presumably the book the movie was based on, but I haven't read that), then you should be just fine.

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4.

Boulangerella by @aidanchaser

Once upon a time, magic was wild. The two princes of the kingdom have been tasked with choosing their brides by the end of their 21st birthday celebrations. Crown Prince Adrien Agreste will have to choose between a woman who can protect his kingdom, a woman offering the power to wake his sleeping mother, and the woman he has loved and admired for the past year. Then there's also the seamstress that he is suddenly falling for. By the time he realizes he doesn't have the power to choose at all, it may be too late.

I love a good fairy tale AU, and this is no exception. Aidanchaser started writing it before Season 5 came out, so it's wrong about some things. Most notably, Felix's posthumous father was a good and decent person here, and one of the twin rings is Felix's Amok while the other one is Adrien's Amok, instead of both of them being Adrien's Amok.

This was a well-crafted tale, with kwamis operating as Fae: they can give power, but only if the wielder gives something up to pay for it. For temporary usage of their power, it can be something small and innocuous, such as giving Plagg cheese in exchange for his help. More expansive uses of their power requires greater sacrifices however, even sacrificing more nebulous things such as memories or hope.

The kingdom's currently being terrorized by this unknown villain, Hawk Moth, as in the show. Ladybug and Chat Noir emerge to battle him, but for some reason (*cough, cough*), King Gabriel isn't fond of the superheroes and wants them captured.

Gabriel isn't the only threat out there, Lila's skulking around, hinting that she knows how to wake up Emilie from her mysterious illness, if only Adrien marries her. And she's not about to take no for an answer.

If you've been wanting a fairy tale/fantasy Miraculous AU, I recommend giving Boulangerella a shot!

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3.

He Couldn't Remember (Falling For Her) by @purpleautumnvision

"If I was given a choice in who Chat Noir would be, I would've chosen you." "And there's nobody else in the whole world I'd rather have as my little bug." Without secret identities in the way, Marinette and Adrien get to live out their love story and put their heads together to discover the identity of Hawk Moth... but an unforeseen twist puts the Miraculouses in Gabriel's hands. When he makes his wish for a world where his wife never became sick from using the broken Peacock Miraculous, the universe requires someone else to become sick in order to maintain balance. Who better than his greatest enemy, Ladybug herself? Adrien, with his memories rewritten by the wish, wakes up in a world without superheroes, without Hawk Moth, without Marinette, without friends, and without a clue as to why everything feels so wrong. Something's missing, but he's gonna find out what. Then he'll put his world back into place.

So this was a fascinating scenario, with Adrien waking up in a world where Marinette was dead while his mother was alive, a world that as far as he knew had always been the case... but having weird feelings he can't explain. And not just him, I love how much focus Alya gets here as well! Turns out that the memories are kind of hidden, but still present, and since Adrien and Alya never got to meet Marinette in this universe (she died just before the new school year began, at the same time that Emilie did in the normal universe) AND Adrien and Alya were her closest friends in the previous universe, their feelings towards her are closest to the surface and least impacted by the memories from this universe.

The other people in this universe... well, the class isn't taking Marinette's death well. It's fascinating to see just how much her death effects them, to see how it haunts them, and I loved seeing their reactions to Adrien's weird behavior about their dead classmate who he never got a chance to meet, it shows how strange some of this can look to the outside, and it doesn't help that these are grieving kids.

Just... this is a great fic, I highly recommend checking it out!

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2.

Symbiotic Whiskers by B1ackout

Adrien Agreste aka Cat Noir was given the cat ring miraculous to help Ladybug in protecting Paris. But something had found him first, a silent companion that granted him strength and power he never knew existed. Bonded with a symbiote, Cat Noir faces Paris alongside Ladybug without even knowing that someone left a magical ring in his room. (Canon Divergence)

This is a phenomenal fic that deserves more attention. It's kind of funny how he just goes "hey I've got superpowers, she says that the thing we have that gives superpowers is called the Black Cat Miraculous and that the being that gives them is called a kwami, obviously that must be what I have!" though that gets stretched more and more as Adrien's experiences with the symbiote contradict what he's heard about how kwamis work, and Tikki gets increasingly worried about "Plagg's" weird behavior. It's a dark, somewhat brutal fic (people die permanently, and they're not always villains), and it's absolutely worth a read, this is an excellent crossover!

1.

Withered Wings by @11jj11

Nino wasn’t sure if anyone had ever willingly took the akuma butterfly before him, but with his mind completely open to this apparent son of Hawk Moth he knew that he couldn’t turn him away. Not someone that was so afraid, not someone who would be left at the mercy of Hawk Moth.

This fic is amazing! Just... some absolutely stellar Adrino, with some nice Alyanette on the side, AND it's one of the best Enemies AU (well, sort of. Adrien's on Hawkmoth's side, but Nino isn't, exactly), in the fandom! I love how much we get of Nino's perspective, his determination to save this boy who's been thrown into these battles, who clearly doesn't want to hurt people but is compelled to do so, while balancing it with trying to prevent damage to anyone else as well. He has to be the one to look after Adrien, because no one else will do so.

I also love the focus Alya gets here, as Marinette's partner. She does an amazing job in the role, with every Miraculous she gets, even though she isn't a perfect wielder.

That's something else, I like the bits of worldbuilding this adds in, with people who fully embody the aspect a kwami represents being able to transform more fully. That does not mean, however, that an imperfect match is a bad thing, the kwami and wielder can still be very strong together and get along well, even if they don't perfectly align.

I adore how Nino had to balance his roles in this, helping Adrien without hurting others, even fighting back against the heroes as needed, as much as he didn't want to. And how understanding people were when they found out the full story of what was going on. It's a truly fantastic story that anyone who likes Enemies AU, Adrino, or just want to read a good Miraculous fic should check out.

I do want to warn that Gabriel and Nathalie are significantly OOC in this. Gabriel's even more abusive and colder than he is in canon, and Nathalie is WAY worse. This fic started before season 5, so it wasn't known what Nathalie's red line would be. As a result, Adrien's more downtrodden than he is in canon, since the consequences of disobedience are worse than being cut off from friends, or even being made to sit in a blank white room indefinitely.