#it feels a bit 'i liked the idea but not the execution' which i don't think is a necessary comment to make

[useyourtelescope]

Got a comment on an old one shot fanfic saying they liked my idea but would have 'liked it a lot more' if I'd done x thing......like okay you write that take on the prompt then???

[street-smarts00]

Clingy

Spencer Reid x Fem!Reader (BAU!reader)

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WC: 3.7k

Summary: You tended to be very expressive with your friends when showing your affection. Whether it showed in pet names or physical touch. Only thing is, Spencer thinks he’s falling in love with you, and all of your sweet affectionate actions are starting to take a toll on his unrequited heart. At least, he thinks it’s unrequited. 

Tags: there’s a tiny bit of miscommunication but not too much that it will make your head explode like it does mine. Make out but nothing grown/spicy. Friends to lovers. A bit of hurt/comfort

A/N: Not beta read don’t kill me! yoooo spence is so in denial about her feelings in this but lol so real king. This is mostly from his POV but I had to cheat a few times. Hope i can live up to the hype that complimentary colors was. I low key don't like this one as much but had to execute it cause the idea was cute.

You were starting to drive him insane. Criminally insane. You could invade his thoughts at any waking moment of his day and take over his mind. Every affectionate pet name, every soft fleeting touch, hell every time you look at him, he would replay the moment in his mind like a broken record. If he was in a crowded room, his eyes would always fall on you. 

After being with the BAU for a while you became good friends with your coworkers. And with that, came your habit of calling your friends sweet nicknames. Anything from sweetie, to honey, to babes, and the one that broke his heart the most, my love. 

At first he didn’t understand why you were using terms of endearment that were typically used in a romantic relationship, but in a platonic way. At some point he caught on that you were similar to Garcia when it came to expressing your love for friends. Similar to her and the way she has her own sweet silly way of expressing how she cares.

Nevertheless, some small part of his heart still broke when you called him those names. He adored your sweet caring nature and the fact that you cared enough about him to call him terms of endearment. But every time a nickname fell from your lips, he was reminded you only meant it platonically. 

It was his own personal torture to constantly be reminded he would never be your sweetie, your honey … your love. But the nicknames weren’t enough to drive him insane. While it drove him to the brink of insanity, he was able to keep his head somewhat still on his shoulders. 

Not long after the heart warming but crushing nicknames, you showed your true love language. Physical touch. It showed in many forms. It could show when poking JJ in the shoulder and giving Emily a high five. Or nudging Morgan in his side with your elbow. You even managed to get a fist pump from Hotch and Rossi. And of course the welcome and goodbye hugs from Penelope. 

You were a bit hesitant at first to express this love language of yours with Spencer due to his aversion to touch and germs. However, you observed that he would gratefully receive occasional touches. Whether it be a hug, high-five, or even the rare ruffle of his hair -which of course would be from Morgan. So you approached him and asked if he was comfortable with physical contact. 

When it came to you, he was more than comfortable. You could take him in your arms and he would simply melt into a puddle on the floor. Except he didn’t say that and his reply was closer to a mix of stuttering and rambling about how you could never make him uncomfortable and how he just doesn’t like germs. 

Now he’s not saying he regrets his choices. He wouldn’t ever take it back. He enjoys every single lingering touch between the two of you. Actually “enjoys” would be a severe understatement. Every single time you ruffle his hair, lean your head on his shoulder, or even just carefully touch his arm, it was as if a thousand volts of electricity were flowing through him. Like he could light up the city even. You were the best part of his days and the reason breath filled his lungs. You brought a light into his life that made him feel safe and warm. 

He desperately wanted your affection, your attention, your touch, to mean something more than he knew it to be. But sooner or later, touch after touch, he started to go insane. Somewhere along the way he had daydreamed so deep he had lost his mind. 

You had officially driven Spencer Reid insane. 

He was promptly whisked away from his thoughts when he felt the tap of a folder on his shoulder and a light thump on his desk. 

“Hotch wants to know your thoughts on the consultation from Colorado,” you started. 

He blinked back into focus glancing at the papers on his desk. 

“Hey, you alright?” You asked with concern. “You look like your head is in the clouds.”

“I’m fine, just lost in thought,” he answered with a small smile reassuring you.

“Don’t get too lost. Can’t have your genius brain short circuiting on us.” You chuckled as you took a small step closer to him and playfully ruffled his hair. 

“I’ll try not to,” he grinned and pushed his hair back after you messed with it. 

“Well I’ll be back soon, my love. Gotta go bother Penelope,” you joked before making your way out of the bullpen. 

His gaze was lingering on you as you left. His thoughts started to drift to you again as his cheeks turned pink.

“I’ll be back soon, my love,” Morgan mimicked in a higher pitched voice with a grin as he approached Spencer's desk. In response Spencer turned his chair away from Morgan to hide his now red face. 

“When are you two going to start dating? You guys already act like a couple.” 

“We do not act like a couple,” Spencer argued. “She just sometimes calls me pet names, that's normal for her.” 

“You don’t see it do you?” Morgan furrowed his eyebrows and was seconds away from chuckling. “She’s been giving you quite a bit of attention lately. Practically clinging onto you.” 

“I mean I- I don’t think so. She does that with everyone, it's not just me. She just happens to be very affectionate with friends.” He answers as his voice almost cracked. 

Morgan shook his head, “Oh no it’s more than that. Have you ever noticed that she calls you “my love” but she calls us “love”? Or when we’re on a long flight back home and you two are all cuddly on the jet. How she always seeks out your company and finds an excuse to talk to you or about you.” 

Spencer couldn’t speak. He had so many words on the tip of his tongue but his voice wouldn’t make a sound. He sat frozen and mouth slightly agape as his brain started to go into overdrive. 

Morgan's face softened at Spencer's reaction. “It’s different with you kid. Friends don’t act like that.” 

“You and Garcia do.” Spencer countered, this time definitely with a voice crack. Morgan lightly chucked. He was well aware that his and Penelope’s friendship was a bit different than other male/female friendships. 

“Okay you got me there, but you and Y/N aren’t me and Garcia. We may flirt with each other a lot but that’s our thing. You two have this care for each other like nothing I've ever seen.” 

Spencer was left stunned once again and Morgan could practically see the gears in his head turning.

“You may not notice it now, or hell you may not let yourself notice it now, but it’s true.” 

Those words rang in the back of Spencer's mind for days. Of course on a regular basis you would occupy his mind at any given moment. But now it wasn’t just thoughts about you. His mind was over analyzing almost every interaction between you and him, trying to find what Morgan had talked about. Some form of evidence that proved what you felt for him was beyond what he had initially thought. 

He was recounting all the recent times you had approached him out of the members of your team. He recalled all the times you were either hanging out or on the jet and you found yourself tracing patterns on his arm. He was rethinking when you started to use nicknames around him and how it could be different with him than with others. It turned out Morgan might be right, as Spencer realized the numerous times you referred to Garcia or Emily as “love”, but in the rare instance you said “my love” it was only ever directed to him. 

The idea of you liking him back had become an all consuming thought, but he was too terrified to ask you. What if Morgan was wrong? Profilers have been wrong before. He became petrified by the idea of asking you about it and possibly finding out his feelings were unrequited. But most of all, he was scared of losing you. Scared that if he brought it up he would make things awkward and ruin your friendship. He couldn’t lose you, not over something as trivial as his feelings. 

Unfortunately the mental toll this was taking on his mind started to show. Not so obvious that the everyday person would notice, but you weren’t an everyday person. You grew to know him like the back of your hand. So of course you started to notice the little changes in his behavior. His ever so slight flinch when you would initially touch him. His eyes which used to linger on you and catch your eyes from across the room, now focused almost anywhere you weren’t. The way his body froze when you placed a hand on his shoulder. The way his eyes partially widened when you called him anything other than his name. 

He tried to hide his worries from you, but you could tell something was bothering him. 

Something about you.

His overall behavior didn’t reflect that he was avoiding you or distancing himself from you. He still talked to you and acted around you like normal. Instead it felt like he was holding himself back from receiving or truly appreciating your affection the way he used to. 

~

Days had passed and the team was sent on a case. While this case was an emotional rollercoaster for everyone, it had affected you the most. The victims had reminded you of yourself and the unsub and all of his delusional reasoning for his actions had hit very close to home. 

The team caught the unsub and closed the case quite late in the evening. Everyone was exhausted after the grueling past few days and decided to spend the night at the hotel to rest and leave in the morning. You however, still felt an ache in your stomach from all the anxiety felt throughout the day. You couldn’t seem to relax and let that weight off your shoulders. So you went to the one person who could help.  

Spencer was getting ready to go to sleep, peacefully reading a book in bed when he got a knock on his door. He placed his book down and when he opened the door he was greeted by you in pajama pants and a zip up hoodie, clearly also winding down for the night. 

“Hey,” you greeted. 

“Hi, what’s up? Is everything okay?” he asked, a bit concerned as to why you showed up at his hotel so late at night. He opened the door wider signaling you were welcome inside. You entered the room and stuffed your hands in your pockets as he closed the door. 

“I’m okay I just …” you cleared your throat. “I know this case has been a tough one but today’s been really hard for me. I’m still wired and awake, I can’t seem to relax enough to go to sleep,” You abruptly stopped your rambling to catch your breath. 

“This might sound dumb but, I’m in desperate need of a hug right now,” you finally admitted quietly.

He hated seeing you so timid and closed off. How you made yourself smaller than you were, all because you were asking for your basic needs to be met. 

“You don’t have to explain yourself.” 

“Huh?” 

“You don’t have to explain why you need a hug. You can just ask,” he said reassuringly. 

“Oh.” 

“Physical contact has been shown to increase levels of dopamine, serotonin, and even oxytocin; therefore, decreasing levels of stress and anxiety. Some people might even argue that physical touch is a fundamental element of being human and experiencing life.” His other way of trying to validate your feelings was of course rambling a string of facts and information from his fingertips. 

You couldn’t help but smile. God he loved it when you smiled. 

“So is that a yes?” you asked since you never exactly got an answer from your question in the first place. Even though you knew what his answer was. 

The corners of his lips turned into a grin. “Come here,” he says with outstretched arms. 

You practically ran into him at his offer. He wrapped his arms around you as you placed yours around his neck. He wished this moment could last forever. All while at the same time Morgan's previous statements were circling around in his head. 

He tried his best to push them away. He tried to tell himself this was not you acting on any potential feelings for him. This was simply you reaching out to a friend in need. 

He took note of the way you held onto him so tightly, almost as if he could leave at any second. It made his heart ache. 

“You feel tired,” he almost whispered. 

“I am,” you mumbled back, face buried in his neck. 

“Do you wanna lie down?” 

You lightly patted him on the back, “Don’t worry I’ll leave you be and go to sleep soon. I just need a minute 

“I meant … I meant do you want to lie down here?” He stammered. “So you’re not alone. You seem like you need a friend right now.” 

His own heart almost cracks when he says friend. But that’s what you need right now, a friend. 

“I’d like that,” you said with a small smile. 

You separate from him and he leads you to the bed holding your hand. He sits down against the headboard and waits for you to join him. 

You awkwardly sit down on the bed, eyes darting in all directions of where he’s sitting. “I- what should I …” 

“You could sit down the way you do on the jet,” he kindly offers. 

You relax at his words and move to sit at his side. He wraps his arm around you as you rest your head against his shoulder. You both sat there in a moment of silence, enjoying eachothers company. He was getting lost in the sweet smell of your perfume; the small bit of it that still lingers from the long day you’ve had. 

He started to recall all the times you two would be close like this. It didn’t happen very often. Sometimes on a long jet ride home from a long or stressful case. Or sometimes when the team went out for drinks and you would be tired from dancing. In the rare occasions you two were like this, you would tend to draw patterns on his arm or leg. 

So he decided to finally return the favor. With the arm he had wrapped around you, he started to dance his fingertips over your upper arm. 

He felt you practically melt into him at the action. If you could get any closer to him, you did. 

He continued tracing your arm with an overwhelming amount of care. It made you consider his previous actions compared to how welcome you were now in his arms. 

“Spencer, I’m gonna ask you something, and I need you to be completely honest with me,” you spoke with a hidden hesitation in your voice. 

“Of course I’ll be honest to you. I always will be,” he furrowed his brows at the thought of you being scared of him lying to you. 

You let out a small, almost shaky breath. “Am I clingy?” you murmured. 

This made his hand on your arm stop. He shifted his sitting position so he could face you better but also didn’t want to let you out of his hold. 

“No, never,” he told you with assurance. “Why would you think you’re clingy?” 

He saw you hesitate once more before you gave him your reply. “I was just overthinking things. Worried I was taking the physical contact thing too far or that I’m a bit too affectionate at times.“

“Why would you be worried? You’d never take things too far. You’ve always been respectful of other people’s boundaries.” 

You sighed with a shaky breath. He could practically see through you and see you considering your response. 

“Because I thought I was making you uncomfortable.” you looked down to avoid his gaze. 

He was quiet for a second, absolutely baffled as to how you would think you could ever make him uncomfortable. “Why?” His question was a barely audible whisper.  

“You seemed different. All of a sudden you would freeze when I touched you. You became jumpy and skittish when I talked to you. I thought I was too much for you but you didn’t want to tell me about it.” 

You shifted away to face him and his hand fell from your arm. You fidgeted with the sleeves of your hoodie as your face went blank. 

“You could never be too much for me,” he spoke with a soft voice. He tried to reach his hand out to hold yours but your hand disappeared in your sleeve at his touch. 

“Then why were you different all of a sudden?” You narrowed your eyes at him. 

His cheeks started to turn pink, “I- I wasn’t.” 

“Yes you were.” 

“Y/N please,” he begged. 

“Spencer,” you whispered as your eyes bore into his. “You said you’d be honest with me.” 

He licked his lips and his face turned red. He was stuck between a rock and a hard place. He couldn’t find an escape route. He had no choice but to tell you. And once the flood gate opened, he would never be able to close it. 

“I was freaking out,” he blurted. 

“I was freaking out because Morgan implanted this idea in my head that you might possibly have feelings for me based on the way you act around me. I’ve been obsessed with that thought since he mentioned it. So I freaked out almost every time you touched me, talked to me, even looked at me,” he rambled on anxiously as he tried to explain himself. No holding back now. 

“I tried not to let it change my behavior but I guess it did and I am so sorry for that. I never wanted to give you the impression that I was uncomfortable. To be honest I don’t think you could ever make me uncomfortable” 

You were silent for a moment. He couldn’t read your reaction. Your eyebrows slightly raised with your lips parted. He could only see surprise, which was typical, he just didn’t know if this kind of surprise was good. 

“Why were you so obsessed with the idea of me having feelings for you?” 

He could’ve sworn his heart was going to beat out of his chest at any moment. 

“Because I think I’m falling in love with you.”

 Here we go. Flood gates. 

“The idea you might like me back became an all consuming thought because I never before thought it was possible and I never wanted to get my hopes up. Actually, I pretty much think about you all the time so it wasn’t that far from normal. ” 

“You’re falling in love with me?” you asked barely above a whisper. 

“Yes,” he spoke softly with full confidence. 

The only change to your appearance was your eyes widened a bit more. It made Spencer's heart sink to his stomach. 

“Listen, I understand if this makes things weird between us and I am so sorry. I just couldn’t ..”

He couldn't finish his thought, you were too busy locking your lips with his. It was a sweet but cautious kiss, almost as if you were testing the waters in uncharted territory. You felt him freeze against you so you leaned away, breaking from the kiss. 

Not even seconds later Spencer placed a hand on your face and was diving back into the kiss with fervor. You instantly reacted as your arms found their way around his neck and your hand was digging in his hair. The kiss was intoxicating. Both of you trying to get a taste of the other after what felt like eons of pinning. 

He wrapped his arms around your waist while his one hand snuck up to the small of your back where your hoodie had exposed your skin. It sent a shiver up your spine while you let out a shaky breath against his lips. You tried shifting in your seat to somehow get closer to him. With his hands against your waist he helped guide you to sit in his lap straddling him. 

When you finally break from the kiss your faces are red and Spencer rests his forehead against yours. You focus on the sound of his breath and the feeling of your heart practically beating in your ears. 

Your hand moves to play with the hairs at the nape of his neck. “I guess I didn’t do a very good job at showing I had feelings for you.” 

The corners of his mouth lift up into a giddy smile. “No, you did. I’m just oblivious.”

“Sounded like you were in denial,” you lightly teased. 

“That too,” he chuckles. 

After a moment of enjoying each other's presence, you pull away from him just far enough to look him in the eyes. 

“I know I call everyone pet names, but every time I used them with you, I wanted it to mean something more. Part of me would always hope you would one day call me those names back,” 

Spencer swore his heart could give out at any second. He never expected to hear this from you and it made him lightheaded.

“This may sound childish but.. I never craved attention so badly, until you gave me yours,” you added. 

He licked his lips and smiled. With his hands still on your waist he traced mindless patterns at your sides. “You have my complete and undivided attention, my love.”

His words made you giddy. You bit your lip to keep yourself from giggling. Although, he would never be opposed to hearing your beautiful laugh. 

There were no words to describe the way that you felt. So without thinking, you leaned forward once more to capture his lips with yours. 

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Tag Requests: @nomajdetective

[dan-crimes]

Honestly I wonder what a good formula is for making a fandom so PASSIONATELY hate a character cuz people HATE morally grey characters more than villains a lotta the time BUT very SPECIFIC morally grey characters that aren't all chalked up to being Secret Heart of Gold type deal

[sluts4matt]

okay, i feel like this could be crazy? please take this any direction you want. like reader is at a party (like tara’s party) and her and chris get in a fight over a photo that was posted during the party. this has been on the mind, and im just not the correct person to execute this idea. but please take this any direction and change anything, please and thank you! i love your work please keep posting 🫶🏻

JEALOUS

pairing: rough!dom chris x sub!reader

summary: a picture of you a little to close to another guy at tara's 1 milli party is posted on the internet. chris does NOT like that at all and has to teach you a lesson.

warnings: SMUT, rough sex, spanking, degradation, daddy kink, dirty talk, oral sex (male receiving), unprotected sex, light bondage, blindfolding, choking, orgasm denial, pet names, slight dumbification (because i love it so much ), light fluff at the end

word count: 1652

author's note: i really hope i did your request justice @lovelysturniolos i HAD to feed into everyone saying chris and tara would look cute, i'm sorry, sue me. kind, constructive criticism welcome.

"what the fuck is this?" your boyfriend, chris, asks holding his phone to you. his tone wasn't an amused one which was very unlike him. "what?" you mumble, furrowing your eyebrows as you bring yourself closer to his phone.

the two of you had the house to yourself for the evening, and currently sat on the couch in the living room. you looked at the picture, you were wearing your sparkly black dress, the fabric hugging you just right.

you hand was placed on some guys arm. why? you were absolutely hammered and ended up trying to make chris jealous out of your own jealousy. he had been close to tara almost all night, and while his attention was on you, part of you seemed to think he'd rather pay it to her.

you and chris had ended up losing each other within two hours of being there. but when you found him, and he was talking to tara with tha big ass grin of his. the one he always gives you. you couldn't stand it.your hand immediately found the guy nearest you, batting your eyelashes at him while you giggled at the jokes he told.

all in hopes that chris would look over and see, but he never did.

guess a picture was taken though, so you'd still technically be getting what you want. "who the fuck is that guy? huh?" chris demands. "honestly chris? couldn't tell you," you shrug. "but it was someone who was nice to me while my boyfriend was off with another chick," you mumble the last bit, but chris catches it.

the dry chuckle that leaves his mouth sends shivers down your spine, and the way he was staring at you made your stomach feel tight. "i don't give a fuck about tara," he says.

"really? coulda fooled me," you retort. chris' jaw clenched, and he stood up from the couch, grabbing you by the arm and pulling you off the couch.

"where are we going?" you ask as you try to keep up with his large strides. "i'm gonna fuck some sense into you," he states. "and then, we're going to have a little chat about who the fuck you belong to," he tells you, opening the door to his (your shared) bedroom and shoving you inside.

"chris-" "strip," he says, cutting you off. his voice was stern, and left no room for arguments. he walked over to the closet, grabbing the silk ties and blindfolds that sat in a box on the top shelf. you stripped your clothes, watching chris as he got into the box.

"hands behind your back," he commands, walking over to you. "chris-" "shut the fuck up," he snaps. "unless you're gonna say the safeword, please, shut the fuck up," he repeats. you nod your head.

he places the tie over your eyes, and brings your hands behind your back, tying them together. "get on the bed," he tells you, smacking your ass as you walk towards the bed.

you climb onto the bed, sitting in the middle of the mattress. "chris, i-" you're cut off by chris' hand covering your mouth. "if you're gonna be using that mouth, it's gonna be for something useful ma," he tells you. "so, either stop talking, or put that fucking mouth to work," he says.

you nod your head, and chris removes his hand from your mouth. "yes daddy," you mumble. "what was that baby?" he asks, knowing he heard you. "yes daddy," you speak up, earning a satisfied hum from chris.

"that's more like it," he says, taking his shirt off, and kicking his sweats and boxers off. he grabs a pillow from the head of the bed, and puts it under your knees.

"open your mouth," he tells you. and you obey, opening your mouth and sticking your tongue out. chris grabs the base of his cock and guides it into your mouth.

you swirl your tongue around the tip, kitty licking it. chris grabs the back of your head, and pushes himself into your mouth until he hits the back of your throat. "fuck, your mouth feels so fucking good ma," he says, moving his hips and thrusting into your mouth.

he pulls himself out, and smacks your face with his cock a few times. he rubs his tip along your lips, smearing pre-cum all over them. "such a pretty fucking face," he muses, shoving his cock back into your mouth.

he groans as you take him back in, hollowing your cheeks as you suck him off. "fucking choke on it baby," he groans, pushing your head further down until his cock hit the back of your throat, over and over again.

you gag on his dick, tears beginning to leak from your eyes, dampening the fabric of the blindfold. saliva dripped down the corners of your mouth.

"fuck, i'm close," he moans. you move your head faster, bobbing your head, gagging and choking on his cock. "shit baby, that's it. gonna cum down that pretty fucking throat," he moans.

he pushes your head down again, and holds you there, letting his cum paint the inside of your throat. "fuck, fuck," he breathes, his chest heaving. he wraps your head in a makeshift ponytail around his hand tugging your head back.

he admires the way the black blindfold contrasts against your tan skin, "so pretty baby, too bad you thought you had to make me jealous to get my fucking attention." he says.

he takes his cock from your mouth and wipes the remaining saliva and cum off on your cheek. "now, i'm gonna fuck some sense into you, and after that, we're gonna talk about why it is you're my fucking girl," he says, pulling you up and positioning you how he wants.

his favorite position had your ass up in the air and your cheek pressed against the mattress. he rubbed your right ass cheek before raising his hand and landing a hard smack down on it. the sound echoed in the room, and the stinging sensation had you moaning because of the pain and pleasure.

"this ass, mine," he says, landing a few more harsh slaps down. "this pussy, mine," he continues, sliding his cock between your folds and pressing the tip at your entrance. "mhm, fuck," you gasp, as chris pushes himself into your cunt.

his right hand finds its way in-between your shoulder blades, shoving you down further as his left hand has a steady grip on your hip. his hips smack against your ass, the sound echoing throughout the room, accompanied by his groans and grunts and your loud moans. "i wanna hear how good my cock is," chris tells you.

"fuck daddy, so big. feels so fucking good," you moan, gripping the silk fabric tied around your wrists. "so fucking tight, ma," he says, his right hand sliding down to grab the fabric tied around your wrists.

he tugs your body back, forcing himself deeper into your cunt, causing your breath to catch in your throat. his hips move a million miles an hour, chasing his release, choked whines left your mouth that had you gasping for air, drool running down your chin.

"so fucking pathetic, look at ya," he chuckles, watching as you come undone underneath him. "such a whiny bitch, can't even speak." he tugs on the tie again, pulling you up. his left hand slides up to wrap around your neck, squeezing lightly.

"gonna cum daddy," you babble, your high approaching. "no you're not," chris says, denying you of your orgasm. he pushes you back down, pounding into you with no mercy, "chris," you whine. "wanna act like a slut to get my attention, gonna get treated and used like one."

"fuck daddy," you whine, the knot in the pit of your stomach becoming tighter. "chris, please, need to cum," you beg. he moves his left hand up to grip the hair at the base of your skull, "don't you fucking dare," he threatens.

"gotta earn it baby," he tells you. "how do you earn daddy's permission?" he asks.

"please," you moan, unable to think of anything else to say. "not what i'm looking for," he says, bringing his hand down on your ass, leaving a red handprint on your skin. "fuck," you hiss. "daddy," you cry. "please, please, fuck," you beg.

"that's more like it," he grunts. he leans over your body, his left hand reaching up to hold the headboard while his right stays in the same place.

"go on then, cum on my cock," he whispers, biting down on your earlobe, tugging on it. his words send you over the edge, and you come undone underneath him. your pussy spasms around his cock, squeezing and clenching, milking his orgasm from him.

he fills your cunt up, coating your walls white. his thrusts become slower, and the grip he has on your body is softer, until he stops altogether, and pulls out of you.

"good girl," he praises, running his thumb along your entrance, catching the mixture of both of your orgasms and bringing it to his mouth. he sucks the digit clean, humming at the taste.

he lays down next to you, pulling you into him, "now, who do i belong too?" he asks, holding you close. "me," you answer. "mm, and who do you belong too?" he asks, kissing your head. "you," you reply, leaning up to kiss him.

"good girl," he hums, placing a kiss on your nose. "want me to doordash panda express princess?" he asks, nuzzling his face into the conjunction of your jaw and neck. he peppered small kisses making you giggle. "nap first," you tell him.

he nods his head, grabbing the blanket and draping it over the both of you. he presses a final kiss to your temple, whispering, "i love you baby," before the two of you drift off.

tag list:

@sturnioloa @junnniiieee07

[ozzgin]

I've kept my promise and returned with dino smut. Switch it to a dinosaur hybrid if you're too afraid of the full package. Content: gender neutral reader, NSFW (gangbang), monster dinosaur smut

"You've got to be kidding me."

You kick the wheel and walk away, trying to steady your breathing. This can’t be happening. Behind you, the guide continues to tinker with the car engine. He has a reassuring smile plastered on his face, but you can tell from the cold beads of sweat that he’s just as terrified.

You are stranded in a desert filled with dinosaurs. Scientific miracle? Sure. Presently your death sentence, too.

“Don’t walk too far from the vehicle, (Y/N), otherwise I can’t reach you in time if something happens.”

“What, you have a black belt in dinosaur fighting or something?” you scoff at the man.

“Now listen, do you think we didn’t anticipate these scenarios? I am equipped with this little guy here”, he says, pulling out a small, electric device. “Has enough juice in it to shock a T-Rex.”

Maybe he has a point. The Jurassic Park proudly dons a reputation of flawless service and guaranteed safety. Surely they must be equipped to deal with something as insignificant as a car breaking down in the middle of a guided tour.

You attempt to smile back, gathering some courage. In your newfound peace you didn’t really notice that the massive rock behind the car has moved, or that it was never a rock to begin with.

A wide row of razor teeth engulfs your official tour guide, and the enormous mandible closes with a loud snap. The upper half of the man detaches in a surreal, surgical cleanliness. You stare, mouth agape. It takes you a second to process the execution you’ve just witnessed, but the ear-shattering screech swiftly wakes you out of your trance.

Escaping from an entire pack of ancient predators feels rather futile, but that doesn't stop you from crawling up the steep hill, hoping the damned creatures can't follow. Had you known your comfortable car ride required survival skills, you would've worn a different pair of pants.

What's even more ridiculous is the nature of your perpetrator. Of course, you tell yourself, you had to trust a company that can't differentiate between the Cretaceous and the Jurassic. What's one or two million years? What's one or two dead humans in the grand statistics of their park?

You finally reach the top of the hill, and trip over some overgrown roots. Your collapse is cushioned by the scarce bushes patching the ground. Suddenly, you feel the branches vibrating against your burnt cheeks. Dear Lord, futile indeed. The heavy, bulky legs of the Carnotaurus approach you in a chaotic trample, nonchalantly stepping over your last bits of hope.

Knees scraping against the rocks, you close your eyes and shield your face, bent over like some beggar awaiting punishment. You're petrified. Did the guide feel anything when his innards stretched and tore under the unforgiving mouth?

The rough, scaly skin of the monster brushes against the back of your thighs. There it is! Flesh coming undone, bones giving in to the...wait. What are they doing, exactly? You subtly tilt your head, trying to catch a glimpse of the strange event.

It seems that your resigned position has given them different ideas. The horned beasts investigate your scent with peculiar interest. A brief altercation ensues, in which they lock their horns together and their tails swing around threateningly, nearly crushing you in their blind aggression. You cry out and try to distance yourself from the thundering scene, but a clawed foot pins you back into the ground.

You suspect your present captor is the winner of the conflict, standing above you triumphantly as the others wait aside. Is this the part where you become a grand meal? Its enormous teeth graze your clothing, and the threads come undone.

In a most unexpected turn of events, it's you who ends up stuffed. You don't know what pain to focus on: your back hurts from the rhythmic swaying, bare skin grating against the parched earth; your privacy is burning from the sudden, invasive stretch, as the creature buries itself deeper with each hungry pound.

Eventually, a familiar knot begins to form in the pit of your stomach. The thrusts become smoother, your legs weaker. Shameless moans begin to roll out of your drooling mouth, and you hold onto the Carnotaurus' rugged hips. Its mouth is slightly open, panting and groaning, blowing hot air against your already feverish body.

Your own high is interrupted by a thick, hot wave of fluid abruptly crashing against your inner walls. The beast detaches itself from you, leaving you heaving, dripping and sighing in disappointment. The least you could've gotten from this erotic absurdity was a decent orgasm.

Your naked body is suddenly shrouded in shadow. You look up to see a different member of the pack positioning itself between your legs. Glancing at the others, a horrifying, perverted thought occurs to you: they're taking turns, fucking you relentlessly.

Perhaps you will get your chance, after all. Or multiple.

[ikeuverse]

CRIMINAL LOVE — p.sunghoon

PAIRING: killer!sunghoon x rich!fem!reader GENRES: angst, smut, maybe fluff WC: 4.6k+

WARNINGS: weapons, drink, drugs, swearing. mention and execution of murder, blood, fights (physical and verbal). unprotected sex (the details of the sex parts i'll add as i post the chapters), but there are more than two, for sure. lmk if i forgot anything else.

SYNOPSIS: paid to kill people, sunghoon finds himself in the biggest dilemma of his life. getting paid the most money his profession has ever given him to kill a woman. but he can't do it because it goes beyond his principles, who has never laid a finger on a woman. what will he do when the twist is right in front of his eyes?

NOTES: i had this initial idea for jay, but i don't know why i thought i'd write it for sunghoon. i've modified a few things and i'm thinking of making it a story with a few chapters. i hope you like it!

TAGLIST: i don't know if i'll do it, but…

masterlist | prologue | part 1 | part 2 [...]

None of this was new to Park Sunghoon. The eyes stared at him in fear, shining with a pair of panicked features as they begged for their lives. His index finger against the trigger of the gun before he asked to speak his last words and then fired. Seeing the body slowly collapse in front of you, the eyes losing life and the blood dripping through the fabric of the clothes and onto the floor. This was a very familiar scenario, even more so as a hitman.

If anyone ever asked him why he lived this life, the answer would come quickly: easy money.

Sunghoon got used to being on the streets in search of a job to maintain his almost miserable life after the death of his parents. His grandfather, an alcoholic who barely stayed at home, was the only living relative he had. And the only person who could give him a roof over his head at fifteen.

Wandering the streets in search of something solid led Sunghoon to meet all sorts of people and ways of making ends meet. He worked with a bit of everything until he found the job he had settled into today. It was through Jake, one of the first people he befriended, that he learned what it was like to kill for money. His friend's father had a scheme and paid him well enough to eat, dress, and live in his grandfather's house, which he barely saw.

Jake and his father became a family to Sunghoon, even if it was in the worst of environments, but it was the only thing he could get close to that bordered on a good feeling. The boy couldn't call it love because he'd never heard it from any of his friends, although they could say that they respected and cared for each other, but love, for Sunghoon, was too strong.

Who would say about love when, in fact, he was hired to kill? Often people from his own family and for financial reasons. So how could he believe that love existed when his job showed otherwise? Of course, everyone had family problems… Look at him! Sunghoon wasn't the greatest example of this, but come on, he would never have his grandfather or anyone else killed in his own home. It was bizarre, but unfortunately, that's what he dealt with most of the time. And that's what filled his pocket and made him change his life.

Moving into his apartment after his grandfather died, having more contact with Jake and his father about the business, and even getting on a bit more when things started to expand. This was all thanks to Sunghoon's skill and eye for instigating Jake's father to think bigger. It was risky for him to try to suggest that they think big, such as killing some CEO in debt or someone high up.

You've got to be crazy, he heard Jake mutter once, at an informal meeting they had after a successful case. Sunghoon could be crazy, but when it came down to it and money, the highest cases paid well. And that's what he asked Jake's father about until they had their first diplomat client. The amount to be paid was so high that they had never thought of having it in their bank accounts.

"We need to kill about four people to get that" Jake muttered after looking at the amount. A sigh left his father's lips before he agreed.

And so began the great social affair between Jake and Sunghoon – along with Jake's father – for bigger cases with fat sums in their money accounts.

It was dangerous, but Sunghoon lived for it. He didn't have anyone else, he didn't have anything to think about except his well-being and how he could have what he wanted more peacefully after living in poverty for years. He didn't want to go through the insecurity of not having anything to eat, or having to wander the streets looking for something to do or somewhere to stay so that he wouldn't have to be alone in a house where he didn't know who would come back. But now, in his apartment, he shared the peace of knowing that everything was his. Every little thing in there had been earned by him, even if the money wasn't in the cleanest way, but someone had to do that kind of work.

And it wasn't as if Sunghoon would kill just anyone either, he had strict criteria about this that he made very clear to Jake and his father before things got as strong as they are today. Like killing people who had only done some kind of harm to those who had asked for it. Like women who had been beaten by their husbands, or someone in particular who had physically or mentally hurt whoever was hiring the service. Or that person posed a risk to the society in question and they knew that no authority would do anything about it. So they did. And the most important thing of all was that under no circumstances would Sunghoon lay a hand on a woman.

But the universe seemed to play tricks on him that morning, arriving at the office and seeing Jake's eyes light up. It would be pointless to ask why, considering that he was one of the first to receive clients and their proposals, so someone had probably come to Jake to talk to him and give him a huge sum of money.

"Dude, I think we're rich" he threw himself into the leather chair that initially belonged to his father. But as long as the older man didn't arrive at the office, Jake took possession of it until that happened.

"What do you mean?" Sunghoon held back a laugh as he walked a little further into the office, throwing his body into the small armchair opposite the desk Jake was sitting at "A client with good money?"

"Better than that" he sighed, throwing his head back "This client wants to hire our services for two people, but the price is—"

"Jake, spit it out" Sunghoon said quickly.

"Bro, she'll pay two million" he looked directly at Sunghoon. That amount would cheer the boy up if he hadn't heard it before, or even been paid for it "For each of us, and for each of the two people we're going to kill."

Wait, that was new to Sunghoon. Two million for each of them, totaling two people to kill, so… Four million for him, and four million for Jake?

"Man, that's…"

"Insane, I know" Jake interrupted him as if he already knew what his friend was going to say. But something seemed a little off because he didn't have that much energy to say that amount. Normally Jake would have been bouncing around the room literally like a child, totally losing his hitman pose as he commented on the four million that would be playing around in his bank account for the next few weeks.

"What's wrong?" Sunghoon asked at once, noticing the change in his friend's mood as the seconds passed. Jake now looked a little uncomfortable in his father's chair and shifted his body a few times to try to find a comfortable position, opting to lean his elbows on the table and tilt his body a little.

"You know it's four million each, right?" he asked, watching Sunghoon agree "And that the percentage we give my father on each client is very small because, well, he already has a lot of money…"

"Speak up, man. You're stalling on something." Sunghoon wasn't out of patience, but he knew that Jake tended to talk too much when he was nervous. What could have happened to make him like this?

Jake nodded in agreement and continued to lean on the table, leaning towards Sunghoon, who settled into the armchair and imitated his friend's position on the other side. Leaning his elbows on the table and looking at the boy in front of him, who was now looking at his hands.

"A woman wants us to kill her brother and…" Jake slowly closed his eyes "Her niece."

Sunghoon felt a ringing in his ear and then his whole body tensed up. He couldn't explain why he had that reaction, but just mentioning that there was a woman for him to kill made everything seem completely out of place to him.

"You're kidding me, right?" Sunghoon asked.

"I really wanted to, man, I swear" he whined, watching Sunghoon's withdrawal appear little by little as he slid his arms off the table and leaned back in the armchair.

"And what did those two do to make her want to kill two people at once?"

"I don't know" Jake shrugged. "She hasn't told me yet, she's arranged a meeting and my father wants to go along. It's too high…"

"You two do it" he stood up, walking to the middle of the room before he heard Jake calling after him. Without turning around, Sunghoon closed his eyes and took a deep breath. He waited a few seconds before finally turning to his friend.

"I can't do this without you, bro. You know we've been working together forever" Jake began.

"But what are my conditions?" Sunghoon asked, and for a moment he saw a glimmer of regret in Jake's eyes. For mentioning or even thinking that his friend might do this kind of thing. Maybe the money had messed with his head a bit and he wouldn't deny it, but Jake knew Sunghoon well enough, he just wanted to try until he couldn't anymore. Even though he knew it would come to nothing because Sunghoon would never accept.

Silence was Jake's way of responding, not knowing exactly what to say because he knew Sunghoon's terms well. Everyone was aware and in agreement, so why change their minds at that moment?

"I just need your help, then" he said after some quiet time.

"I'm not putting my hands on either of you, be warned," Sunghoon said, a little angry about the whole situation until he saw Jake nod silently, implying that he had nothing more to say.

Then, as if on cue, he left the room and walked around the building in search of something to clear his mind of what had just happened. It was an unimaginable amount for him, but Sunghoon wouldn't go against his principles for it.

For the first time, he had refused something that Jake had asked of him. And he felt immensely awkward about it.

You could feel the migraine invading you little by little. The side of your head ached like never before, while your eyes stung and you tried your best to pay attention to people and their words of condolence.

It had been a week since your grandfather's death, and the only sincere tears you had seen – apart from your own – were those of your uncle. He was the closest thing to real family you had after your father's death a year ago. Having him around was comforting, especially as your family was driven by money and scandal. Everything revolved around social and financial status. Your grandfather's company was the focal point of all that arrogance in the family members.

But now, with his death and the will read, you had to assimilate that the only beneficiaries were you and your uncle, the one who was still crying over his father's death and trying to understand how it had all happened. And then there was him, a well-groomed gentleman who eschewed the stereotype of the rich old man and business owner who walked around with a glass of whisky in his hand. On the death certificate, his grandfather had died of cirrhosis, but you were surprised. Even though he wasn't a health professional, you could assume that this would be different, to say the least, since the old man had never drunk a drop of alcohol.

“This is terrible for your health” he once said. “Try never to drink more than necessary. And at parties, I promise to serve you the best natural juice.”

Those words always lingered in your mind because your grandfather was serious, in his own right, but he was very loving. You became so attached to him that you took an interest in the affairs of your grandfather’s company with a genuine gesture of helping him, which he appreciated.

Maybe that was what had made him put your name on that paper, inheriting half of the family fortune. While your uncle got the other half.

Millions and millions, or should say billions? It was so much money that you swore you would die and the amount would continue to yield in your account even though you used it almost every day. That was why you knew that some people who had always been there for your grandfather’s money were now furious because they couldn’t enjoy a single cent of it.

“We are so sorry for the loss of your father, Yvone” someone’s voice took you out of your thoughts, making your eyes dart around the people around you. A well-dressed woman with a tired expression was greeting your aunt. She didn’t have a trace of sadness on her face. That stranger seemed sadder than your aunt over the loss of her father.

“I’m sure you are too” she tried to fake a sad voice that you recognized from afar. Your stomach almost churned as she hugged the other woman.

Suddenly, your embarrassment became even greater, because your aunt's gaze was immediately on you. She seemed angry, with something bad inside her that immediately wanted to be directed at you. Your gaze soon turned away from her to try to find your uncle who was desolate.

Your steps through the environment were fast and precise, the sound of leather shoes against the devastated floor was inhibited by the sound of other people's voices and laments. You weren't running, but the things inside your body said very well that you seemed to be in a hurry.

Your eyes quickly spotted your uncle a little further away, sitting on a bench alone outside. You walked a little calmer towards him until you sat next to the man. He didn't need to look up to know that the only person with compassion in that family was you.

"I wish this nightmare would end" he said quietly, a sob breaking out of his voice when your uncle raised his head and continued to look ahead.

"I still can't believe it" you sighed. Your eyes are locked on the events in front of you. Some people were coming and going from your grandfather's mansion with small flowers in their hands or pieces of paper, like written notes of thanks. Of course, he wouldn't read them, he was dead. But it was a way of thanking everyone he knew, and the reading would be up to you and your uncle. The only ones who cared about the sentimental side of things.

"Do you think Yvone hates us now?" your uncle asked, finally looking at you. His eyes looked like they were going to pop out of their sockets and bloodshot from his eyeballs, they were so red. You swallowed a sigh and just nodded.

"For the reading of Grandpa's will? Of course" you laughed humorlessly, listening to him accompany you.

As if summoning a haunting, just saying her name out loud made your aunt's figure appear in the doorway of the mansion. She welcomed people by trying to look sad or convincing whoever was arriving. Her eyes quickly fell on you and your uncle, further away from the house and sitting on a secluded bench. She didn't show any reaction but took her cell phone out of her pocket to do something you didn't even care about. Her attention was on the man next to her.

“I can’t be happy knowing that my father left all this for me and you” he ran his hands through his hair, almost pulling it out if it weren’t for your hands stopping him. You held one of his hands and kept it in your lap.

“It’s okay uncle, I’m not happy about this either” you said. “Money won’t erase anything that’s happening to the two of us, you know that.”

Of course, he knew. You and your uncle could sometimes say that you were born into the wrong family because you were the only ones who didn’t count on money. Even though you knew that your whole life revolved around it. Even though every interaction you had since the day you were born was driven by money. It wasn’t your fault for being born into a family like that, but you could deal with it and think about how you spent what you had.

“How about you come in and get a drink? I bet you’re thirsty” your uncle said quietly, making you look at him after some time of contemplation while still watching people entering and leaving the mansion.

“I think I’ll go in a little while, I want to stay here a little longer” you smiled sadly at the man as he stood up and just waved in your direction. Just as you knew when he wanted some time alone, your uncle was also able to understand when you needed it.

Leaving him and going back into the mansion, you saw him disappear among the little people who had now gone inside the house. You remained there, looking around that immense land that your grandfather owned. One of them, to be more exact. You remember playing with your uncle and your father to guess which was the largest land your grandfather had in his name. Of course, the two older men always let you win, even though it was a rather unfunny game. But it was one of the few moments when the three of you were together, aware of the money you had and trying to make good use of it.

Your body slowly shrank with a small gust of wind, indicating that the weather was changing from sunny to something colder and almost rainy. You looked up at the sky, noticing the clouds beginning to darken. Rain was the last thing you wanted, but maybe you needed it. To wash away all that heaviness you've felt since your grandfather died. Rain could help wash away the dirt that remained beneath your feet and wash away all the bad feelings and burdens you would face in the days to come.

The decision to go back inside wasn't so difficult as your body shrank a little more, curses spilling from your lips as you missed a coat or a blanket that could cover your arms. Just a tank top and silk pants weren't a suitable outfit for the moment, but it was the first thing you could think of to wear when your aunt summoned the whole family to pay homage to your grandfather at his mansion.

You got up from the bench and stretched your whole body, trying to shake off some of the day's exhaustion and thinking about how you wanted to go back to your apartment and take a shower. Get all those sticky, fake hugs off your body. Those words buzzing around in your head lamenting what had happened. No one there really cared, so you at least paid attention to the fake tears in front of you.

You walked in slow steps to the front door, trying to avoid walking in with anyone who might greet you. You didn't want to talk to anyone anymore, just to be there long enough to leave. But your steps were quickly stopped.

Feeling a hand around your waist, you looked up to find your aunt standing in the doorway just as something covered your mouth. It all happened too quickly. Your vision began to blur as you struggled against a body that seemed much bigger than yours. Your hands were useless at grabbing any kind of skin to scratch because the arms holding you were covered.

You don't remember much, but the only thing that didn't leave your mind before passing out was the cynical smile of the woman right in front of you.

“What did she ask for?” Sunghoon was exasperated, pacing back and forth as he looked at your unconscious body on the other side of the room.

“To torture her and get a video of her saying she wants to pass everything on to her aunt…” Jake began.

“First of all, I never agreed to this” he interrupted his friend, controlling himself as much as possible so as not to scream and wake you up. They had just taken off the masks and all the equipment when they laid you down on the small mattress with almost no foam.

“My dad just asked you to help me bring her in, I know.” Jake sighed. “I don’t want to do this either, but—”

“Dude, listen” Sunghoon looked at him. “We can deny this and say fuck you to those four million. Seriously, there’s no way we can continue.”

The desperation in his voice was completely real, Jake could feel it. He was also desperate about all of this, although it wasn’t something new for either of them. But the cruelty in how his aunt was making requests of them without even knowing them or having finished the job. How demanding she was and how she wanted everything to be done as quickly as possible. Sunghoon never had bad feelings about his work, he just went there and killed whoever was necessary. But as soon as he looked at his aunt through the gap in the mask and noticed her smile, the way she behaved in front of the people who were entering the house, without even noticing that he and Jake were carrying her to a black car with no license plate.

He didn't know what he was doing, he didn't know why he had accepted all of that. Sunghoon was breaking one of his biggest rules and all because of money? Four million wouldn't pay for his principles even if his job was one of the worst possible. He already had too much blood on his hands, but that didn't matter when you had a woman unconscious and almost ready to be killed by Jake.

Arguing with Mr. Sim was out of the question, he had already tried since he received the offer and saw the man's eyes light up at the amount. Even though he knew that Sunghoon's biggest criteria were at stake.

"If you're not going to kill her, at least help Jake bring her here" was the only thing he said after finishing the little discussion he had started. He couldn't win this one, he couldn't deny something that he had at least managed to keep going.

Now here he was, pacing back and forth and going over what your aunt wanted Jake to do to you.

For one lousy moment, Sunghoon felt a twinge of regret and compassion for you. Your calm countenance while you were unconscious and the way you seemed harmless, something clicked in his mind telling him that you weren't as bad as the woman said you were. Maybe she'd done the worst kind of propaganda just to make you look bad enough for them to kill you.

"Sunghoon, hey" Jake called out quickly, taking off his black glove and throwing it on the table "What are we going to do?"

"I already told you," Sunghoon sighed once again, stopping walking and feeling his throat irritated because he had already shouted at Jake the whole way "Let's give up that four million, it's not worth it."

"Is that all I'm worth?"

Sunghoon looked in Jake's direction and they both froze. Eyes wide, breathing almost labored as they searched for something to cover their faces. But it was too late. As soon as Sunghoon crossed the room and focused on you, there you were. You were sitting with your back against the wall, your hands tied by the ribbons perched perfectly on your lap. Your hair was completely messed up, but he could still see every detail of your face. How, even so, you looked very beautiful.

"Shit" Jake cursed softly, turning away while Sunghoon stood there staring at him. He felt his friend pull him a few times so that you wouldn't stare so hard at his face that you wouldn't recognize him if something went wrong. But Sunghoon simply couldn't move.

"It's okay, I've seen you. I've been awake for a few minutes" your voice was hoarse, perhaps from lack of use, and because you tried to scream before Sunghoon put the cloth over your mouth to force you to faint.

Jake hesitated to turn around but did so when he saw that his friend wasn't moving at all.

"If you say anything—" Sunghoon made Jake look like he was speaking rudely when he landed a weak punch on his arm. He didn't know why he was defending you like that, not least because that was Jake's role, to be rude at first and gradually hurt whoever was in front of them.

Knowing this, Sunghoon already sensed that he would start being rude until Jake's hands were on you to hurt you. And he didn't want that.

"What did you hear?" Sunghoon addressed you for the first time. His eyes still glazed over at your completely weak and staggering figure in front of him.

He noticed that your eyes were bright, maybe watery, and if you blinked a little more, tears would fall like waterfalls. He was already weak just knowing that he had done this to you, seeing you cry would do what to him? Sunghoon didn't want to know. That case was getting too emotional.

"Just the four million part" you moaned a little in pain as you moved and felt your back crack. That mattress was terrible and you assumed you'd been on it for a long time, but it wasn't important. Your mind was elsewhere and on how you were here, so before you could even think of anything, you asked "It was her, wasn't it?"

"Her who?" Sunghoon and Jake asked at the same time.

For a long minute, you were quiet, just thinking about the little interactions you had with the woman who was supposed to have done this to you. Your heart ached, that wasn't possible. You never thought she could do that.

"My aunt told you two to kill me," you tried to keep your voice steady, "did I?"

It was the turn of the two boys to be silent right in front of you. Jake moistened his lips and tried to find the words to answer you, pondering whether or not to be rude to you. Not least because he didn't want to be punched again by Sunghoon. He swallowed dryly and looked away a few times, wondering whether or not to tell the truth.

"I triple it."

"What?" Jake raised his voice, echoing throughout the room as he looked in your direction and then at Sunghoon.

"I say I'll triple that amount" you moved again, trying to find a more comfortable position on that shitty mattress that was making all your muscles ache "If you don't kill me."

Jake laughed. Nervously, perhaps, but he tried to look a little more cool as he walked towards you and bent down right in front of you. Knees bent enough to bring him close to your face. If you were in the best condition, you could lift your leg and kick him in the knee, only to stagger and fall backward. But you just wanted answers.

"Do you think we're open to negotiations, princess?" he shifted his gaze between your eyes and your mouth but remained in your gaze, which was still sparkling. Jake didn't want to seem arrogant, but that's how he'd been taught.

That's how he learned to deal with that kind of situation, listening to everything and every possible appeal before doing his job. But he never received a counter-proposal, especially one as high as that.

"I don't think you'll even get paid that four million, actually" you looked at him, your voice becoming more and more shaky, "but since the whole inheritance is with me, I'll triple it if you don't kill me."

For a second Jake looked back to Sunghoon for support at that moment. He knew that his friend would probably accept because it would give him the chance to never lay a finger on you.

"Instead, I want you to kill my aunt."

That turn of events was making Jake and Sunghoon's heads spin. Hearts pounding as you let a single tear fall down your cheek. You tried to look convincing and strong talking to two guys who were about to kill you.

But being able to protect yourself was one of the few things you learned because it wasn't the first time someone had approached you out of interest. So why not use the money you had to your advantage? You never thought you'd be able to do that kind of thing, but you'd try anything to make sure no one killed you.

And if the case was to have those who wanted you dead killed, then you'd start with that.

© ikeuverse, 2024. do not copy, translate or steal my stories.

[comicaurora]

I'm not a writer whatsoever and am currently listening to the OSPod Publishing special, and was really intruiged by your description of your character-driven stories as being similar to a DnD campaign. Could you please elaborate a bit on what you mean by "it's good when the characters surprise you"? It's likely an obvious writer thing, but I would've thought that an author wouldn't be surprised by where their story or characters go since, well, they're the one writing it. Regardless the comic is amazing so however confusing your process may be to me personally it's clearly effective

It's a little bit difficult to explain!

A lot of the writing process is just sitting down and writing it - laying out the setpieces, describing what the characters do, writing and tweaking the dialogue for impact. But in my experience, the vast majority of the REAL writing process happens internally, and large chunks of it are out of conscious reach of the writer. This unreachable space is where new ideas form, and why no writer has ever been able to answer the question "where do you get your ideas from?"

This is why a writer can beat their head against writers block for weeks at a time, then wake up one day with a solution and the entire next chunk of storyline fully formed. My dad calls this phenomenon "the better writer in the back of your head." A lot of the creative process doesn't happen in the front of your mind, where your ego and your inner voice live. Most of it is deeper down. This is how your mind is capable of surprising you in any context, including dreams or unexpected emotional reactions - your mind is a lot larger than just the parts you can consciously feel.

When I put a character in a situation, I can make a conscious decision for what they'll do and then execute it, but I can also listen for ideas bubbling out of that inaccessible region of my mind. Most character ideas start out as a small set of conscious decisions on the part of the writer - "I'll make him a classical hero with a strong sense of justice" or "she'll be a strong but weary leader putting on a brave face" or "I'm playing an edgy rogue with a dark past" etc etc, quick and basic elevator pitches. But the characters come alive when they're allowed to grow down into the inaccessible parts of the mind, where consciousness gives way to emotions bubbling up from even deeper processes. Once the characters are allowed to start feeling things about their story - like "maybe that classical hero doesn't actually feel great about the lord they serve" or "the weary leader has an endless wellspring of vengeful rage to keep her going when she falters," more creative ideas for their next move start bubbling up. Things that don't flow logically from their elevator pitch, but make sense for the character that grows out of that pitch as they're allowed to engage with the world and story around them.

The way I build characters puts a focus on how they're feeling in any given situation, which is completely separate from what I, the writer of the plot, need them to do to move the plot in the direction I was planning. So sometimes I'll be writing something, and a little bubble of inspiration will pop up and let me know that, unexpectedly, this situation is really getting to one of the characters. And I can choose to keep them on track, or I can let their internal compass take over and see what makes the most sense to them at that moment of the story.

Characters are not real people, and they aren't as large or complex as a human mind, but in my experience, if you build a character solidly enough and give yourself room to play, they will grow down into your subconscious wellspring of creativity, and your mind will volunteer ideas to you using their voice. You don't need to use them, but it's very useful to cultivate them, because sometimes those ideas are better than anything you could consciously stick together in the public-spacing front of your mind.

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[bsdawgz]

「 ✦ All to Myself ✦ 」 Bungo Stray Dogs, Port Mafia: Ryūnosuke Akutagawa

A/N: aku won the poll! thank you everyone who voted and everyone who has been so supportive of me and my fics ♡ after writing this little ~drabble~ about what it would be like sleeping soundly next to aku, of course i just had to follow it up with some soft smut, too hehe. if you voted for atsushi, don't worry – i'm prolly going to write one for him next!

genre: f!reader, established relationship + virginity loss, fluffy smut!

content warning: MDNI! mentions of aku’s childhood trauma. bj, virginity loss (aku), brief blood mention (back scratching), a teeny bit of possessiveness, unprotected sex THIS IS MAD RISKY IRL JSYK, tons of reassurance, validation + validation seeking, and lots of saying "i love you" 🥹

summary: on a cold, february night, a night like every other night in this kill-or-be-killed world, fingers are reaching for fingers clumsily, pondering the meaning of the word safety and wondering if it’s possible to find it in another person.

“you’re making a really cute face right now, ryū,” you giggle, poking at your boyfriend’s cheek. boyfriend – the idea of it was still so foreign to you and him both. you never thought that akutagawa would end up confessing his feelings to you – let alone having feelings for you in the first place. ryūnosuke was short-tempered and, as you quickly came to know as a civilian, feared. however, your friendship with gin had brought you close to him and now, here you two were, perhaps against all odds.

ryū's cheeks flush at your compliment; he paws your hands away from his face, still not used to your casual touch. his eyebrows furrow; his nose scrunches. “don’t mock me,” he mutters, averting your gaze awkwardly as he moves his weight away from you. then, a quiet smile settles on his lips as he steals a glance at you from the corner of his eyes. your face lights up in response – there’s that tiny crack of tenderness, a secret kept just between you two. it makes warmth spread all over you, then all over him.

tonight is a cold night, a night like every other night in this kill-or-be-killed world. somewhere in a slum not far off from yokohama, there is a family of orphan children sleeping in a slum. on a suicide mission about a mile east from akutagawa’s apartment, a group of port mafia executives are breathing their last breath. in the alleyway just around the corner, there is a man with a gun pressed to his temple.

but on this cold, february night, a night like every other night in this kill-or-be-killed world, akutagawa and you are inside – sitting on a mattress that has barely been slept on, fingers reaching for fingers clumsily, pondering the meaning of the word safety and wondering if it’s possible to find it in another person.

“can i… kiss you?” the request is so simple, but so special. affection is such a strange thing like that. akutagawa’s eyes widen, as though he’s bewildered by his own words, surprised that he's made such a request in the first place. but it’s too late to take back the words now – not that he wants to, anyway.

you’re both inept, fumbling to get closer to each other. shaky hands reach for your waist as you crawl into his lap, making him shift at the sudden closeness. it’s not your first time kissing someone, and you’re by no means a virgin, but akutagawa and you have never even cuddled, let alone been this intimate together. you feel timid fingers awkwardly stroking your hair, then his lips hesitantly brushing against yours. for the first time, ryūnosuke has no idea what he’s doing, and there’s no hiding it – there’s an intense heat radiating throughout his body and a clamminess in his hands, which he simply doesn’t know where to put, every time your lips meet. when he feels the soft, wetness of your tongue caressing his, he pulls back, an ashamed look on his face. “i… sorry.”

“you’re making that cute face again…” your voice is gentle, caring. you don't mean to tease him, yet a wave of embarrassment rushes through him. he looks away, absolutely frustrated with his inexperience and the way that you see right through him. he feels so incompetent. he’s just about ready to protest, but before he can, you plant a kiss on his cheek, giving him yet another reason to blush. “it’s okay, just let me show you,” you coo, threading your fingers through his. “just trust me. okay, ryū?”

he looks at you and nods sheepishly, letting you guide his hands back onto your hips. tilting your head to the side, you bring your lips to his once more. it’s a passionate kiss – long, languid, full of tenderness. this time, when you sweep your tongue into his mouth, he lets you in willingly, sinking deeper into your kiss, his fingers grasping the fabric of your blouse tighter. when you finally pull back, akutagawa’s cheeks are pink to the tips of his ears, making you giggle as he slowly lets go of you. “mhm, that was much better…” you hum in approval, playing with the hands that are laying in your lap.

your touch has always been different from what he's used to – you're kind, forgiving. you are the embodiment of what he's spent his life convincing himself is a weakness, yet you've proven to him that it's your greatest strength. he nods at you, an almost serious look on his face like he's memorizing your movements, then he leans in for another kiss – you feel his fingers meshing through your hair as he brings you closer. he’s gentle with his hands as he weaves them carefully through the strands, cautious not to snag or tangle them as he tucks them behind your ear.

then, to your surprise, you feel his lips elsewhere – the heat on his mouth on your neck, his soft breath traversing down your skin as he traces a line to your collarbone. “is it okay?” his voice holds nothing but compassion – a forbidden trace of humanity in akutagawa that he spent his life unlearning for the sake of survival – a speck of vulnerability that proves you're not you're not so different from him, after all. he crumbles, shatters under you. you nod in response and guide him to your shoulder, unbuttoning your blouse.

“ryū…” his name forms on your lips before you even have the chance to think it, but it’s only natural now – “do you love me?”

your words catch him off-guard. of all the things you could ask him, he never would have expected this – yet, just as you, he finds that he already knows the answer and that all he has to do is confirm it. “yes.” it’s a quiet response, uttered like a secret, as though if someone were to discover the truth, it would mean certain death for the two of you. then, he meets your gaze waveringly, suddenly realizing that he’s exposed his hand without knowing your own response. “do you love me back?”

there’s no denying it in the way you touch him, taking his cheek in your hand as you plant a soft kiss to his soft, waiting lips. “i love you. i always will.” – those words he’s never heard that make his hands tremble. he reaches for you – and for once in his life, he feels what he’s been yearning for is falling perfectly into his fingertips. the scent of your lavendar shampoo, lingering in the tendrils of your hair; the softness of your skin against his lips; the quiet sounds of your gasp when his teeth graze your neck – he wants all of it –

– is it really okay for him to have it?

can he have you like this? –

he’s unbuttoning the rest of your blouse now, trailing gentle kisses down your chest. clumsy hands struggle to unclasp your bra before palming and squeezing at the swell of your breasts, cherishing the experience of feeling another human being’s naked skin for the very first time. you gasp as he thumbs over your hardened nipples, then you feel the wetness of his mouth exploring the exposed skin with slow flicks of his tongue. his wandering hands feel up the sides of your body, eager to burn your shape into his memory. he doesn’t have to say that you’re beautiful – his eyes tell you so as he gazes at you hazily through thick lashes, exploring every part of you attentively. “ryū–” you moan out, your voice a whisper. “can i touch you, too?”

nodding, ryūnosuke undoes his shirt and slacks while you finish undressing. slipping the now-unbuttoned shirt down his toned shoulders, his body tenses at his complete vulnerability. the thought of being unclothed without rashōmon at his disposal is terrifying. “we don’t have to,” you reassure him, bringing your lips to the back of his hand. “you don’t have to give me anything.”

“– but i want to.”

he interrupts you quickly, embarrassed at the sheer neediness in his voice and appalled by how easy it must be to read him right now. “i want you to touch me.” he looks away, embarrassed – there's no one in the world that he trusts more than you. then, gulping, he steadies his voice, finally meets your gaze determinedly. “i don’t want anyone else but you to touch me – will you touch me?”

you nod, then you seek him.

he grows in the palm of your hand. it's the first time he's ever felt the touch of someone other than himself, and his eyes watch you carefully, timidly – the way that those slender fingers of yours curl around the base and stroke him. your touch feels so different than his own. your movements are slow and intentional, so unlike the way he touches himself when he’s just trying to finish himself off in a hurry.

your gaze is hot on him, and he feels his cheeks burning under your scrutiny – and oh, wow, your hand is so small and so soft – and it feels so good wrapped around him like this. his breath is stuck in his throat; stifling a sound as you palm the wet tip, he watches as your finger collects a string of precum leaking at the slit. then, a muffled noise escapes him as he feels a wetness teasing at him – is that your tongue? wait... is he moaning right now?

he gasps, eyes widening as he realizes what’s happening – the gorgeous sight of you on your knees for him, in between his legs. you’re kissing the inside of his thigh, your hand still firm around him, and then your mouth is full of him, and he’s stammering out your name relentlessly. he’s out of breath, fingers threading through your hair, petting your head as you suck him off. “– a-ah… feels… good…” he's shocked at how vocal he is and wants to hide his face out of embarrassment, so he lets his head fall back and covers his eyes with his arm, hoping you won't see the sort of face he might be making for you.

then, you feel him reach for your breasts once more, molding them to the shape of his hands, before he tugs you into his lap, pulling you into another deep kiss. “can i have you?” he asks. there’s a hint of desperation in his voice. ryūnosuke is staring into your eyes seriously now, a certain urgency reflected in those dark, blackened irises of his, as though he’s afraid you’ll disappear before his eyes and might vanish into dust, as though this is some false reality. murmuring a soft ‘always’ in affirmation, you feel him press his mouth to your skin once more and litter your neck and shoulders with kisses, hands traversing across your skin like he can’t get enough of your body, craving to memorize every morsel of you.

“i love you,” he whispers, voice faltering as he meets your gaze. he melts into nothingness against your open mouth, pouring himself into your kisses, and soon, he grows hungry. his movements become more aggressive, fingers digging into the flesh of your hips, carving craters into the dips in your skin. you feel him mark you, his teeth scraping your neck slightly as he sucks harshly on your tender skin, leaving behind splotches of pink and red. your fingers tangle in his black and silver hair as you bite back a moan at the pang of pain and pleasure intertwined – but your thoughts are filled with nothing but him as you chant in your head, i love you, i love you, i love you.

then, you ease him inside of you slowly, and you hear him moan softly into the crook of your shoulder and tighten his grip on your waist as you sink onto him completely. “nghh–...” the feeling of your wet warmth is too much to handle – he feels like he could cum any moment just from being inside of you. he never imagined that his first time would be raw – and that it would feel so, so good like this. you’re pulsing all around him, squeezing him so perfectly. with you gripping him so sweetly, he can every single one of your movements – each agonizing throb of your aching core. it’s like nothing he’s ever experienced before.

what if he doesn’t last long? just the thought of it makes him feel so embarrassed and ashamed of himself – but as you lay a kiss on the protrusion of his cheekbone, looking at him with those kind, compassionate eyes, he’s reminded that there’s nothing he has to prove to you right now. he blushes, cheeks turning red, then brushes his lips against yours again. “it’s okay, you can go slow if you want,” you whisper in his ear, as though you've read his mind.

his movements are awkward, just as you’d expect from someone with no experience, but you guide him until his thrusts are steady. “is… is it okay? am i… doing okay?” ryū asks anxiously. there’s that incredibly cute, worried expression on his face again, that face that he makes when words fail him and confidence escapes him. his cheeks are flushed with heat as he looks up at you, waiting to hear your validation.

"don't worry so much," you murmur, caressing his cheek with your thumb. "you don't have to hold back with me, ryū. i want to make you feel good, okay?

i love you."

you feel akutagawa's weight shift on top of you. then, those eyes – eyes that echo your own emotions, eyes that are baring everything, are peering at you yearningly. in the sliver of moonlight peeking through his bedroom curtains, you can see all of him now – pale skin reflecting the silver glow of the sky, raised scars on his body that immortalize a traumatic past, bruises from pushing himself past the point of redemption in training. this is no hellhound – this boy is distinctively human; and these are the markings to prove it.

"i love you, too," he says breathlessly, in a voice as earnest as your own, "i love you so much."

he buries himself inside of you once more, pleasuring in the warmth of your walls and the way that your body grips him. there is no need to hide tonight from each other tonight, not when it's just the two of you in this room. as you wrap your legs around him, you feel his pelvis meet yours in slow, deliberate strokes. he focuses his attention on you completely. he's so beautiful, so loving – and you wonder what good you might have done in a past life time to be loved so tenderly by this man. allowing yourself to be swept into the tide of hips, you moan out his name as his pace quickens – as he pushes himself into you deeper, closer, until you're clinging onto him, your fingers burrowing into his shoulders. "ryū... you feel really good, ryū…”

the way that you coo for him makes his eyes widen –

"say it again. my name. please.

tell me i make you feel good. i need to hear it again..."

and you'll say it again – as many times as he wants. his name spills out of your lips like a broken dam and you overflow, mouthing 'i love you' over and over into the crease of his jaw as your nails rake across his back, piercing flesh and pricking blood.

"i... i own you now... you belong to me – you're mine, okay? only mine," he tells you, gazing into your eyes longingly, desperate to have the words repeated back to him.

but of course you’re his – you’ve only ever been his. “yours, ryū,” you whisper back, reaching up to stroke his cheek with your thumb, and for just a moment you could swear there’s tears about to well up in his disbelieving eyes. “i’m all yours – i’ll always be yours.”

tonight, it is cold, february night in yokohama. it is like any other night in this kill-or-be-killed world –

– except tonight, ryūnosuke and you are inside his apartment, sheltered from the cruelty of the outside world. your fingers are interlocked as you hold one another tightly, in the most intimate of ways – and for the first time in ryū's life, he feels his trembling hands become still, his breath become steady, his heartbeat slow.

outside, there's a drizzle of rain that's begun to prickle at the window panels in the shadows of his darkening room. somewhere in the slums, just at the outskirts of yokohama, there is a boy that looks like him, who knows nothing but suffering, who owns nothing at all, who has no one at all.

but tonight, none of that matters –

tonight, all that matters is this man in front of you, who is pulling you tight against his chest, and that soft voice rustling in your ear, whispering, "i'm yours, too. i'm all yours."

author ps: eeeek i hope i did ok!!! wc was a bit higher than usual b/c i really do love aku, so i'm a little nervous T_T i really did enjoy writing this one, so i hope that you also like it and that i did aku justice. also, if anyone is interested in being added to a future taglist, please let me know and i’ll set one up!

© BSDAWGZ 2024. Do not steal or repost ANY of my works! That’s plagiarism, and it’s mean. :(( Beautiful dividers by @ v6que~!

[armageddon-generation]

Empire of Death was bad and cemented several fundemental flaws in this season.

I watched this in the theatre, and the contrast between everyone's excitement before Empire, and their universal disappointment leaving the theatre was super disheartening. I'm gonna try to articulate my problems with episode, and how they're linked to fundenental structural issues of this season.

SPOILERS BELOW:

Sutekh

The moment the UNIT characters died the story was robbed of any stakes. (Also? Kate and Ibrahim?? During Pride month?? Disgusting)

Sutekh was pointless, big CGI spectacle who was barely there. Saying he's been latched onto the TARDIS since Pyramids of Mars was such an asspull. Why couldn't he have latched on during Wild Blue Yonder? wouldn't that make much more sense??

You're telling me the guy who holds all life in contempt is invested enough in learning the identity of Ruby's mum he willingly reveals himself??

And then they defeat him by dragging him through the Vortex just like before, which it's been explicitly stated *didn't work* last time? He just *lets* Ruby leash him??

The 'death of death is life' bit, and the idea of the Doctor representing life as a Ying to Sutekh's Yang, is a cool concept just jammed in there with no real buildup or depth.

The issue is bringing Sutekh back takes so much effort- a literal, clunky clipshow of Pyramids of Mars, a whole episode spent building up to the reveal of a silly anagram entirely unrekated to Sutekh's previous appearance. And it just... amounts to nothing. What a silly way to cap off a season meant to be jumping-on point for brand-new viewers.

Mel was just takingup space. Pointless.

Ruby's Mother

I don't have a problem with the *concept* of Ruby's mum being normal. I really like the idea thematically. The execution was terrible.

First of all it leaves so many unanswered questions (why the snow? Why was time changing? Why was she shadowed? Literally just for the sake of the mystery-box?) and represents the worst thing about this new era- RTD using fantasy logic to handwave any logic at all, and just do whatever he wants without properly justifying it.

Second, I *hate* how easy and simple and neat the reunion is. Ruby seems incapable of getting angry with anyone. She has never once argued with 15, or Carla, or anyone besides that one moment in 73 Yards. She has never expressed any kind of negative feeling towards her mother for abandoning her. And it's fine for her to reach that conclusion! It's just bizzare we never see Ruby struggle with her feelings beyond the shallow goal of wanting to find her.

(Also Carla? Has nothing to say?? Just welcomes that woman in with basically no comment? Carla is a 2D cutout of a person, used as a plot device and otherwise relegated to the single character trait of I Love My Daughter. The children yearn for the ilk of Jackie Tyler, Sylvia Noble, even Francine Jones.)

15 & Ruby

The emotion behind 15 & Ruby's split felt entirely unearned because we've never seen their bond develop. They never argue, never disagree, Ruby hasn't learned anything about herself or grown or changed. The closest we got to that is 73 Yards, which was undone. She was already brave and kind and musical and sure she loved her adoptive family when we met her in Church on Ruby Road.

Similarly, 15 tells us Ruby encouraged him to talk about family in a way he never has, but that was in what, two moments across the season? And they seemed random, unrelated to Ruby being with him. New viewers will assume 15 is just that open anyway- he was discussing fatherhood with a dead man's hologram- and old viewers assumed trauma-dumping was just a new trait of 15's personality, not Ruby-specific.

The problem is we're told Ruby & 15 are best friends but it isn't earned. I liked 15 crying initially but both he and Ruby do it so much (15 cries about 5 times in this one episode) it loses its impact and I'm becoming numb to it. There is no contrast, no downtime.

Season Structural Issues

I think the biggest problem is Season 1's storytelling priorities. It's much more interested in selling *the show* (look at our big budget! And guest stars! And how flexible our format is! Musical episode! The Beatles as props! Bottle episode! Indie folk-horror! Black Mirror! Gay Bridgerton!) it forgot to put effort into developing and investing us in its characters. I liked a lot of the individual stories this year but in retrospect a lot of them feel like they're wasting space that needed to go to essential character and theme setup.

These skewed priorities, combined with the cut down episode count, really impact the pacing of the season. Ruby and 15 were barely together! Even in Rogue they were seperated for most of the story!! We only loop back to a flashback of 15 meeting Carla in Rogue!

This is made worse by the baffling insistence on a 45-minute runtime. We know key sequences were cut from almost every episode, with highlights including:

The Gobin King invading Ruby's flat and her banishing him with scratchcards in The Church on Ruby Road: Her missing 'companion saves the day' moment!

Refrence to the Toymaker in The Church on Ruby Road, which was itself referenced in The Devil's Chord. 'I told you about the Toymaker when we first met' sir, objectively you did not.

The TARDIS jukebox playing the Sugarbabes' Push The Button in the opening scene of Space Babies, hastily cut around in the final edit. This is the setup of a running joke still in the episode, and part of the story's climax. The first encounter with the Bogeyman was also longer, with 15 taking particular interest in its skin

Extended scenes in Abbey Road from The Devil's Chord, including an apparently significant speaking role for Cilla Black, according to her annoyed actress.

Cut dialogue from The Devil's Chord explaining the musoical number was caused by Maestro's power lingering, and that banishing them undid everything they'd done. Fans inferred thos based on the rules established in The Giggle, but again, new fans haven't seen The Giggle and were left clueless.

An opening sequence for The Legend of Ruby Sunday where 15 & Ruby meet Susan as a nanny in 1947 America, a blue-skinned waitress, and an astronaut meeting a colony of giant, sentient ants. At the end of this we actually see 15 decide to go to UNIT for help. In the broadcast version he just sorta shows up.

Really what Empire of Death exposed to me is how emotionally hollow the season was. I enjoy the exoperimentalism, but not at the cost of character. And then in the finale Russell reverts to almost a parody of his RTD1 finales, with the nonsense logic and lack of consequences. All the worst bits of Last of the Time Lords and The Giggle put in a blender.

[descendant-of-truth]

I do think they kind of shot themselves in the foot when it comes to the events of Sonic Forces, not because they were bad ideas or even because they were poorly-executed, but because of how it necessitates a change in character dynamics that Sega isn't willing to let happen.

Sonic canon is now existing in a time where Eggman's succeeded in taking over most of the world before, along with imprisoning Sonic for, and I need to emphasize this every time I mention it, six months straight. If Sonic's going to be jokey and casual with Eggman after that, then we need to be able to tell that it's something of a front that he's putting up, or else the character continuity makes no sense.

Recall how, in Adventure 2, Sonic would mock Eggman a bit when he thought he had the upper hand with the fake Chaos Emerald, but not because he wasn't taking him seriously as a villain. He knew that the situation was tense, he was talking big just because that's his personality.

Also recall how he completely dropped the humor whenever things got really bad. Well, he's seen things get pretty much as bad as possible in Forces, all because of Eggman, and I just can't buy the casual nature of their interactions in Frontiers because of it. No matter how casually Sonic acts around him, it's gotta be clear that he doesn't feel comfortable with him. And as entertaining as their dialogue in Frontiers is due to that vibe, it's out of character at this point in the timeline.

Yes, Sonic was the same way with him during Forces. But Frontiers was fully willing to let Tails have more serious, grounded feelings about what happened in Forces, so why not Sonic?

And seriously, what's with this trend of letting literally everyone but Sonic experience residual effects of Forces? Tails shows lasting guilt/anxiety regarding Infinite's first attack in both the games and the comics. And in those comics, the Restoration is all about rebuilding the world after the war, pretty clearly being shaped by their experiences. Meanwhile, Sonic mentions his imprisonment exactly once, and it gets brushed aside immediately.

I understand that Sonic wouldn't want to talk about it, but at a certain point, he doesn't really need to. A shift in how seriously he takes Eggman as a threat, showing his distrust whenever possible, would easily be enough to get the point across. Maybe make a point about him being a little antsy in tight spaces or something (which is the same way Forces communicated the effects being captured had on him, by the way).

And honestly, Eggman should feel a little different, too. He's now someone who's come so close to complete world domination and still lost, I feel like we should be seeing... I dunno, something. A different edge to his hatred for Sonic after such a monumental failure, maybe. Anything to show that Forces mattered at all to the major players involved.

Like, I don't think I'm asking for much here. If we can shake up the status quo of the series by allowing Eggman to be an Actual Dad with a Child, we can allow Sonic and friends to treat him as a legitimate threat who can't be trusted. But nooo, Eggman has to be silly enough to continue the Brand Image, which means that Sonic doesn't even get to have retroactive character development like Tails did

[picturejasper20]

The missed potential of Vlad Plasmius

Danny Phantom is an animated series that is known for having good elements and ideas that a lot of times they don't feel properly executed and explored as they should have been. One of best examples of this is Vlad Masters/Plasmius as main villain of the show.

For those who have been following for a while you know that i have been critical about the way Vlad as character was written in the show. It is something i have discussed with other people about, how different aspects of him that could have explored better and rewritten in other ways.

What i want to do in this post is explain more in depth why Vlad, while having some really good things, fails to be written as a villain and character in a way that satisfying and how this is something that hurts the show in general.

Something i want to highlight is that this is going to be more than the problems his character has in Season 3 and it is more in the series as a whole.

What are priorities? Can i eat them?

One of the main problems i see in Vlad through the show is that the writers didn't seem what they wanted to do with him as character. There didn't seem to be a real goal with they had planned for his character and the more you analyse it the worse it gets.

A good example of this is his relationship with Valerie Gray: In spite of being one of the main relationships in the series and Vlad being the person who gave Valerie the equipment to become a ghosthunter, there are only two episodes that explore the relationship between the two- Reign Storm and D-Stabilized.

Near the end of Shadows of Gray it was revealed that Vlad was the one that had been sending Valerie all the packages with ghost hunter equipment for her to use it yet it wasn't until around fourteen episodes later that Valerie got to learn about this in Reign Storm.

Then the series doesn't explore this relationship again until Season 3 episode D-Stabilized, which is the last episode before the series finale, leaving all the things this episode explores answered.

Another problem is that the show doesn't seem to know what Vlad's main goals are and he is constanly chaging them for some inexplicable reason.

A lot of this comes down to Valerie not appearing more episodes because of some weird network restriction but stil, it is weird how Vlad's dynamic with Valerie wasn't properly explored.

If you think about it, it had a lot of potential in showing how manipulative Vlad could be and maybe him even growing a bit of a mentor-pupil bond with Valerie over time. It could have brought a lot of tension to Valerie and Danny's relationship with Danny trying to make Valerie see that Vlad is using her and Valerie denying this. This could have helped with Valerie getting a lot of more of development than she got too.

In Season 1 his goals remain quite consistent with him trying to get rid of Jack Fenton and make Danny and Maddie become his ¨family¨. This gets explored in his three main appearances from that season and even when he is goal is different like in ¨A Million Dollar Ghost¨, it still manages to be tied to getting back at Jack.

However, in Season 2, the writers seemed to forget about Vlad trying to get his revenge on Jack and instead constanly change his goals or just drop them when they get introduced.

The most clear case of this is that Reign Storm has Vlad getting the Ring of Rage and Crown of Fire from the Ghost King. These items were treated as something that was part of a huge plan for Vlad later on- only to never get addressed again the rest of the show. We never got to see why Vlad was looking for these artifacts and what he was planning on doing with them. It doesn't help they don't get any mention in later episodes too.

In ¨Secret Weapons¨ and ¨Kindred Spirits¨ he returns more to his original goal of having this twisted idea of ¨perfect family¨ that he has but it is jarring that the ring and crown from ¨Reign Storm¨ don't get any mention.

Vlad trying to get revenge on Jack isn't brought up in these episodes neither. I think it would be easy to assume he just gave up but if this was the case, it could have easily been addressed in a scene from these episodes.

And in Season 3 it just becomes a whole mess in terms of directions with his character with almost not having a consistent plan at all aside from what it looks like it is to be becoming more powerful and giving up on the idea of trying to make Danny join him.

...Except it doesn't because D-Stabilized explores again this idea of how he still wants to have Danny as son by cloning him. Something that had been hinted it wasn't the case anymore from previous episodes.

Lack of backstory

All this is tied to the problem of how the writers and, mainly Butch Hartman, lost focus of what they really wanted to do with Vlad and what type of villain they wanted him to be.

Which goes to...

Another major problem that can be easily picked up when it comes to Vlad is his lack of proper backstory in the series.

Vlad Plasmius is a character that at his core is defined by being obsessed about his past and the ¨what could have been¨. He believes that Jack stole the life that he thinks should have been his if the protol portal accidental hadn't had happened.

And yet we barely know anything about his past and his relationship with the Fentons. It is something that barely gets explored when it should be given more importance since it is the main reason most of the main plot of the series is happening in first place. The series leaves a clear correlation between the proto-portal accident and Vlad becoming a villain... so why we don't get to see more about his backstory aside from a short flashback?

The fact we know so little leaves the whole situation between Jack and Vlad uncertain because it never gets explained what really went down between the two and what happened to them after the college incident. This on itself is frustrating since we don't know if Vlad pushed Jack and Maddie away, if Jack and Maddie didn't try reaching out or something in between.

It is something i simply can't understand why the writers didn't bother exploring it. I mean, after all there are secondary villain characters that do get their backstory explored, yet not Vlad, who is supposed to be the main antagonist.

Then around Season 2 the episode Masters of All Time appears and tries to give the idea that ¨Vlad was always evil¨ by showing an alternative timeline where he didn't got hit by the portal but he is still as terrible if not worse than his version from the main timeline.

This writing decision is just so weird because Vlad's introduction episode established that he turned evil after he got blasted in the face by ectoplasmatic energy and was left hospilatilized for years, losing some years of his life trying to recover. As i stated, his main motivations are him trying to get back Jack since he blames him for what happened at college, there aren't exactly any indications that ¨Vlad was always evil¨ before Masters of All Time episode.

Some have pointed out that this idea has its implications as well, as it feels like it is trying to potray as Vlad more evil than necessary to lessen the damage that Jack caused by accidentally leaving his best friend in the hospital for years, probably even trying to justify such terrible thing under the logic of ¨he was always evil anyways, he probably deserved it¨

It feels that the writers were trying to made excuses for what Jack did and didn't want to acknowledge the fact that Jack did something bad and Vlad actually has a reason to angry at him. They didn't want to explore the complexities of said situation and instead choose it to turn it more black and white.

While we know that King Andrias's backstory doesn't excuse the terrible things he did, it does give a lot more depth to his character and explains his psychology well, putting him a bit in the role of a ¨tragic villain¨ in the story. It also gives us the idea that he wasn't always like this, something that had been hinted and build up in previous episodes to this one.

For contrast, in the animated series Amphibia one of the main antagonists, King Andrias, does get his backstory explored in an episode from Season 3 called ¨The Core and The King¨.

In this episode it explored how he used to be part of a trio of friends until one of them betrayed him and how that event completely changed him as a person. From that point on King Andrias became someone bitter, manipulative and cruel, obsessed with chasing a past that never happened just like Vlad did.

Much like Andrias from Amphibia, Vlad Masters could have had an episode exploring how his life was like before and after the proto-portal accident; how was his relationship with Jack and Maddie, how his actual family was or if he had one. We could have seen what other events lead him to become a villain too.

At the same time this could have been a great way of using the established parallels he has with Danny Fenton, as he was created to be a foil for him. Vlad's relationship with Jack and Maddie could have been a good contrast to Danny's with Tucker and Sam. For example how Vlad's fell apart after the ghost portal accident while Danny's friendships didn't.

There are a lot of interesting things that could have been done with Vlad's backstory and it is very frustrating that the series didn't do anything with it.

What type of villain is Vlad supposed to be really?

The lack of priorities for Vlad's character and the super weird handling of his backstory in the show made me question: what type of villain was Vlad intended to be for the series?

Because on one hand it seems they wanted for him to be this Lex Luthor like character who was superior to the main protagonist in every way and did what he wanted because he could. He is just supposed to be read as a bastard, nothing much else in between.

This doesn't mean the character can't have backstory or some postive traits, but at the end of the day he does what he does because it is just the way he is.

However, this doesn't fully work because a lot of Vlad's characterization feels quite contradictory to that since he has more of a tragic backstory and he is motivated by desire of getting revenge and to be loved and have a ¨family¨, something he becomes more and more desperate to accomplish as the series progresses.

If he was intended to be just someone who does evil for the sake of lols, then it fails in doing that because he doesn't see himself as a villain and feels justified in doing what he does due to his own past.

On top of that the writers wants to make us believe that ¨Vlad was always evil¨, so that kinda cancels out the idea of how he is supposed to be a ¨tragic villain¨ because he was bad from the start. This means that this idea fails in execution as well.

And if he is supposed to be a ¨tragic villain¨, then the series also messed up with that since it refused to explore and elaborate on his backstory and psychology further, not showing how he became the person that he is today and making it this take feel shallow as result.

The series wants us to believe that Vlad is lonely and miserable but it doesn't do much of an effort of showing us that and instead we are told by the characters that how is we are supposed to see Vlad.

We don't get any scenes of showing if he avoids making any other friendships or how empty his own mansion feels. I think the closest to this would be the scene at the start of Infinity Realms. Outside of that there isn't much else.

In the end it is unclear what type of villain Vlad was intended to be, leaving a character that suffers from some bizarre identity crisis that the writers didn't seems to know what to do with him, specially in Season 3. We don't know what Vlad is supposed to be due to the show lacking priorities and a proper plan for his character.

In conclusion

As someone who really likes Vlad as character, it quite hurts me to see how messy his writing as villain and character can be. A lot of times it is contradictory and other things feel like they were done in poor taste.

There are secondary villain characters that feel more consistent than him like Spectra and Technus. It just baffles me how bizarre his direction in the series is since he is the main antagonist of the show. He should be better planned but for some reason he wasn't.

If this series have had better direction and continuity then maybe Vlad would have been a lot more consistently written and a lot of the aspects i mentioned would have been explored properly.

Vlad Masters is a villain character that has a lot of potential that deserved some better direction and someone that had a clear idea of what they wanted to do with him.

[justaz]

i've had this au idea for a while and have tried writing it but i don't get far into it before abandoning it so ill post it in case someone else wants to write it or take some inspiration from it or what have you. s4ep1/2 au.

merlin uses his magic to just latch arthur's feet to the ground as well as lancelot's when he sees him creeping towards the veil. merlin turns to face them as he walks backwards, revealing his gold eyes and magic to arthur which barely registers in his mind as he understands what merlin's doing and Panics. he's yelling and almost begging and demanding merlin to get back here you idiot. i'm the king you listen to me

and merlin just smiles and is like when have i ever listened to you? and steps into the veil, sacrificing himself and closing it. with his death, his magic releases arthur and lancelot who are just like. what the fuck. and grief-stricken. and angry. anyways they go back to camelot and lancelot stays with gwen and they mourn together. gwaine is. a wreck. the knights are all grieving. arthur is just. gone. like. he closes himself in his chambers for like two weeks. he doesn't sleep, he doesn't eat, he can barely function. anyways merlin watches him from the veil as a spirit, he watches all of them and is a little guilty about causing them so much grief and heart ache but he rather them be sad and alive than dead so he doesn't regret it that much

magic lore i made up - since merlin gave his life in an exchange, he gets to remain conscious and aware within the veil. the other spirits that roam around are focused on whatever's keeping them there (and keeping them from moving on to the afterlife). there's a lot of sorcerers in camelot who are angry and crying because they were executed by uther - their heads cut off, their bodies charred, or their necks bent at odd angles. they wander around calling for justice. anyways ygraine's life was also taken in an exchange so what i'm saying is ygraine and merlin best friends arc.

they both watch over arthur with worry and then one day arthur just storms out of his chambers and down to the library and buries himself in books, searching desperately for a way to bring merlin back. with how little he's eating and sleeping, arthur ends up passing out and has a nightmare. merlin reaches out on instinct wishing to comfort him and ends up getting pulled into his dreams, only with his intention being to comfort, his arrival shifts the dream from a nightmare into something a lot more pleasant - merlin and arthur together and alive and...courting? it looks like? arthur leans in to kiss him but the dream dissipates right before their lips meet.

anyways, that happens a few times with a few different dreams as arthur searches for a way to open the veil again and bring merlin back. i have two different endings for this though. one is, since merlin is emrys and immortal, after some time the cailleach comes back and is like "immortal asshole. i took some of your eternal life force but you're still immortal but the veil is still sealed. i can't keep someone who still has all this life. get out." and just pushes him out of the veil and into his body again. OR arthur finds a way to bargain with the cailleach and sees his mother with merlin and bada bing bada boom (i forgot to add that arthur at some point finds out about his uncles treachery lmao) trades agravaine's life for ygraine's and then his father's (he can't stand to see his father wasting away and sees this peaceful death as mercy) for merlin's. and he gets his mom and bf best friend manservant back.

after everything settles down, arthur finally has time to focus on merlin's magic but with the trauma of almost losing him, he finds he really can't care about it and just repeals the ban to keep from even thinking about executing him so merlin will never be in danger again. ygraine is also happy about this bc i hc she had a little bit of magic. she learned from her gf nimueh. bonus hc bc i feel like it - ygraine and uther were married and loved each other, yes, but ygraine took nimueh as her consort and uther took balinor as his consort.

okay thats all. if anyone actually writes this or anything similar to it, it'd love to read it. pls tag me or dm me <3

[ohnoitstbskyen]

I rewatched your short about the superhero skin for jayce, and you bringing up iconic hero designs got me curious as to what your thoughts are about the character designs in something like my hero academia

(specifically I was thinking about all might but that might have something to do with the fact he’s probably my favorite)

I mean honestly, if I have a criticism of All Might it's that he sort of has the Superhero Jayce problem that his costume is more designed to be a visual parody/homage to western superhero costumes than it is designed to be All Might's costume.

So you've got the so-tight-you-can-count-his-abs spandex, the Superhero Boots, the bold colors, and visual signifiers of American-ness from his blonde hair and tanned skin to the red white and blue primary colors in his costume, right?

So all of this says to me "THIS IS AN AMERICAN SUPERHERO ARCHETYPE WHO IS AMERICAN FROM THE USA HOWDY HOWDY BANG BANG GUNS HOT DOGS AND OIL WARS", but what I feel is missing are all the themes and ideas that are specific to Toshinori - wanting to be a symbol of hope, a promise of a better tomorrow, the heroic spirit of being of service to other people... that's all a bit absent.

Those things come through way better in his depowered, emaciated form, and the ways that the contrast between the two is employed. It highlights the artifice and fragility of hero society, something which the story... well I've not read it since the raid on Chisaki's base so I dunno how well it's executed on the theme, but the story certainly seemed to have ambitions address the fakeness and fragility of the system of celebrity superheroes as "keepers of the peace" and All Might's two forms do a good job embodying the duality of that.

Hero society creates villains, there's a corrupting rot at the heart of it, and it's eating the symbol of peace from the inside out, and the "Symbol of Peace" is ultimately a false front projected by someone who cannot possibly sustain it. All of that works very well.

But his costume specifically? Eeeh. It doesn't really feel like a costume that was designed to be an iconic representation of the hero himself (think Super-Man's S, Spider-Man's webbed suit, Batman's black cowl and glowing eyes, etc), so much as a very broad, vague thematic statement for the story itself to work around - which is a perfectly good use of a character design, I just don't think it expresses the character wearing it as much as good superhero costumes usually do.

Again, I've not read MHA for a long time, so take my criticisms with a grain of salt, I might have a completely different take if I re-read it.

[yanderes-galore]

Can I request a short scenario about Gojo falling in love with Sukuna’s favorite lover? They got unsealed first & was discovered by Gojo. Darling tried to escape one problem only to acquire an even worse one

Darling is gender neutral and it’s Romantic Yandere Gojo

~Anon~

The plot was a bit complicated yet vague so I hope the idea I came up with works ^^; I don't know much about the Heian Era so I am guessing. AU where Jujutsu High is actually Jujutsu University for the sake of ages and plot.

This deviates from the request a bit but I hope you enjoy it anyways :) The end is a bit butchered as I had no ideas :( The yandere behavior is vaguely implied, I wish this was executed better but I was working with what I had. Constructive feedback is appreciated.

Possible Manga Spoilers, Please read with caution.

One Long Century

Yandere! Satoru Gojo Story (Ft. Sukuna)

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Violence, Possessive behavior, Slight rivalry themes, Jealousy, Stalking, Darling hates relationships, Themes of toxicity in relationships, Delusional behavior, Forced relationship.

The Heian Era was known as a legendary time for Jujutsu Sorcerers. After all, this era was where Sukuna and Kenjaku originated from. Speaking of which, there was another Sorcerer that history recorded who dealt with these two.

You were Sukuna's favorite lover, out of all the partners the King of Curses had, you were his best. You were experienced in utilizing Curse energy, which made you a favorite. However, you never wanted to be tied to the monster.

Sukuna took you as a partner due to your abilities as a Sorcerer. While you were originally his enemy, he broke you in due to his strength. You were never stronger than him but he liked your potential. Truthfully, your plan was to die trying to take him out.

You never got such an easy fate.

No, instead Sukuna contacted Kenjaku to speak of immortality. You understood Sukuna wished to live forever, but you fully expected to die here. Unfortunately... Sukuna didn't want to waste such a good partner.

"Make them a cursed object, too. I want them to follow me eternally."

You were never like Sukuna. No, your morals were more pure than his. You had the morals of more modern Jujutsu Sorcerers.

Protect the weak... For you are strong.

Against your will you were made into a sealed cursed object. You reluctantly lay in wait for a time where you can awaken. With the body of a host... you can be reborn.

Even if you didn't wish it.

---

For a century your cursed object was passed around and stored. Legends and rumors told of your relationship with the King of Curses. It was often said that you could calm the King of Curses if things ever got out of hand.

Eventually, like some of Sukuna's fingers, you found your way into the protection of Jujutsu University in their Cursed Warehouse.

You weren't chosen to be reborn until enough of Sukuna's fingers were collected. Higher-ups realized that if something goes wrong they should have you ready. Which lead to a host being chosen...

And you being reborn.

It felt... strange to be reborn in the modern age. Everything was so different, from the amount of Sorcerers to even the clothes and buildings. You were brought back for a reason it seemed.

You feel like you're being judged.

You can't blame these modern Sorcerers for suspecting you. Sukuna was known for sadism and being known as his favorite lover didn't help. However, you did your best to prove your true allegiance.

Any side fighting Sukuna works for you.

You didn't meet Satoru Gojo until you were allowed to be "used". Their wording disturbed you, yet you try not to judge in turn. They have their reasons to be worried.

Unfortunately... meeting Satoru Gojo comes with reuniting with... Sukuna.

You were told that Sukuna had taken host in a student named Yuji Itadori. Satoru Gojo was given the job of being his teacher and being a handler. Your job?

Stick by them both... and keep Sukuna under control.

You loathed the idea... but you hated the idea of Sukuna going unchecked more. As a result, you comply with the order. This makes you part of Gojo's group.

It also gets you involved with Gojo and Sukuna... the blights of your life.

---

As expected, being in the group started uncomfortable for you. Gojo was curious of an ancient Sorcerer such as you. One who wasn't malevolent... but kept alive for some reason.

Admittedly you weren't as strong as Gojo... but you were up there.

You then met the younger students who accompanied him. Yuji (Sukuna's vessel, according to your intel), Nobara, and Megumi. They were all quite interesting and powerful in their own right... and over time you found yourself attached to them.

Then there was Sukuna, the King of Curses and your supposed lover. He festered within Yuji, much to your disgust. You dreaded whenever he took control.

You could never have a normal conversation with Yuji without Sukuna popping in to taunt you. He was unfortunately still flirtatious, seeing you as his lover. He didn't care if you hated him... just like all those years ago.

You wished you could just stay enemies with him.

You wished you weren't brought back.

Arguments often occurred between you and Sukuna. It was usually verbal as Gojo was around to prevent physical fights. For the sake of everyone around you.

Speaking of Gojo, you often spoke with him. You both often acted as mentors and guardians to your group. Originally, the air between you was tense.

Then Gojo realized he could get along with a strong Sorcerer such as you from ancient times.

You don't mind Gojo at first. He helps you adapt to modern times now that you're able to be out and about around other people. You two even bond well in battle against Curses.

Sukuna often mocks the fact Gojo is so close to you. The King of Curses is still possessive of his remaining lover. You often hear Sukuna vowing to take you back once he takes full control of his vessel, Yuji.

You plan on preventing that with Gojo.

You help Gojo train his students. For the most part you stay out of the way of other activities unless it's Sukuna related. Occasionally you even help with Kenjaku issues once those become known.

Soon months begin to pass and Gojo grows more... intrigued. He knew attachments could be dangerous, especially with an individual as mysterious as you. However...

It didn't stop Gojo from falling for someone he shouldn't have.

Gojo's obsession with you doesn't go unnoticed by Sukuna. In fact, he often acts out more around Gojo. Which leads to more work for you.

You begin to notice things when Gojo leaves your side less. He often excuses his actions as the higher-ups just wanting to keep you monitored. You believe it since Gojo is technically monitoring two dangerous Sorcerers.

In reality, Gojo can't keep his eyes off you.

He originally didn't want to think of the idea of being in love with you. Yet despite the difference in your eras and origins, Gojo still managed to be playful and interested in you. You even played along.

If anyone was worthy of Satoru Gojo...

It was you.

---

Gojo is really your only guide to getting around this new age. You have power, but without him you could've been misguided. At least, Gojo seems to think so.

As you work with Jujutsu University, Gojo only seems to grow closer to you. He often asks how you manage to get Sukuna under control and what you've learned throughout the ages. If anything, you're the most valuable asset he and the rest of the Sorcerers has other than Yuji/Sukuna himself.

Gojo's strange behavior doesn't get better as you work with him. It perplexes you. After all, you aren't that much of a threat. So why is he so close at all times?

If only you knew the true extent to his feelings.

You haven't thought much of romantic relationships due to your circumstances. After all, Sukuna is still around and he's turned you off to such relationships. Which is why it disturbs you when you notice Gojo's... obsession.

It's fitting that the strongest craves the strong, no matter how forbidden it is.

However, when you see the signs, you're reminded of how you were treated all those years ago. The possessive glares, then hostility towards those who don't accept you... it's familiar.

Gojo's much nicer and more playful than Sukuna...

But it appears they're both their own type of monster.

Whenever Gojo pulls you into an embrace, you shove him away. Whenever he playfully teases you, you go cold. You don't wish to be trapped again....

Yet Gojo never stops to consider his actions....

His hold on you is always tight. His confession for you was rather sudden once he did say it. When you tried to refuse, his behavior didn't change.

In fact he only seemed more violent towards those you fought against... Including Sukuna.

"We're good partners, aren't we?" He asked you, a smile on his face. "So wouldn't we be good... romantically?"

You hate that you still persist even now.

Even now, when you just want to rest, Gojo's there. You begin to dislike company of any type by this point. Yet you're forced to endure as a Jujutsu Sorcerer.

Originally you could deal with him being overly affectionate. The hugs were even originally comforting. You kept telling him you didn't like him romantically, but he seemed to ignore such a thought. You were tired of him constantly being by your side no matter where you go.

Although, snapping would only bring you trouble.

If you snapped, the higher-ups would order you exorcised and their control over Sukuna would falter. That or Gojo himself would seal you so you're harmless. As much as you hated it...

A century ago you told yourself serving Sukuna was your duty. Now, in modern times, you tell yourself that serving alongside Gojo is your duty. It didn't matter what happened as long as the weak were protected....

It was once again your duty to please.

Gojo was so focused on you two being strong together, he never thought about what you think. In his eyes, the strong belong together. No matter what.

Instead of piercing red eyes, you're met with glowing blue ones. Instead of the King of Curses, it's the strongest Jujutsu Sorcerer. There may be differences...

But in the end you're still left with a monster...

A monster that has so much more power over you... A monster that claims to love you... Just to take everything you have all over again.

A long century has passed... and nothing has changed.

"We'll be unstoppable, won't we, baby?"

[befuddledcinnamonroll]

Taking a break from squeeing over all this juicy stuff on my dash for a moment, I have to say that what both Saint & YinWar are doing here is really important for the creative side of QL.

Let's be clear, most media executives are not creative people. They may have some business acumen (though most I think fake it quite a bit), but a vast number are incapable of understanding what it feels like to be creative, or how to connect with the people (us) who engage with creative material in any kind of passionate way.

Which is why they so often make decisions like "this college BL was cheap to make and did well - let's make 20 more". It's why they keep adapting books that fit pre-established norms while ignoring the vast number of QL books in other genres. It's why they so often will only take a "risk" once it's already been proven profitable by some smaller more independent enterprise. It's why they are chomping at the bit to replace writers with AI (I hate calling it that, it's not remotely intelligent), because they truly don't see the difference between an algorithm and a human being. Both can produce "content" and that's what they care about.

Now I'm sure that part of YinWar making Jack and Joker is because they want to play in something cool & fun (get it boys!), but also they're no dummies. Partner in Crime was a test, and they saw how the people reacted.

Same with Saint. Each series pushes the QL bubble open a little bit wider, because he understands that despite what most executives think, we as viewers are not a mindless monolith that you can endlessly feed the same content to.

And vitally, what they get and most executives don't, is the FANDOM of it all. They know we want to pour over gifs & photos, and swoon over this sexy moment, and talk about that cool bit of action. We want to be fed.

We're not subtle about what we like. If you take the time to actually pay attention to us

The ironic thing is that I think both of these productions are going to do very well, and then more executives will jump on the genre bandwagon and recycle ideas, without understanding just what it is that makes us so feral for these particular properties.

But in the meantime, I am grateful for creative people who fight to make their own content. How much more colorless our world would be without them.