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gotskamstuff · 3 days ago

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I am actually heartbroken right now, there’s no other way I have to describe it if not heartbreak and the thing is that I don’t even mean it because of the emotions evoked by the story, it’s actual pain by seeing my favorite show being ruined.

‘Cause I’m sorry but the show is forever ruined for me and I won’t be able to look at it with the same eyes ever again. I’ve said it once before when we were discussing rumors and I’ll say it once again now that we have seen it become a reality…this to me goes behind JJ being a fan favorite and even behind the ship, this is genuinely something that made me lose trust in the storytelling and in the core that’s this show.

This makes no sense, ABSOLUTELY NO SENSE.

Once again I’ll repeat it, I’m no snowflakes when it comes to characters death in shows (hello? Game of thrones fan here? I suffered like a dog) but damn, there’s gotta be a sense for a character dying and there’s absolutely none here, this is also not the type of show when it would be needed.

I’ve always said it and a character like JJ could’ve ended only in ONE WAY to give justice to him and to his story: LIVING HIS FUTURE.

When I say this ruins how I view the show and my trust in the storytelling I mean it with my whole chest, this has ruined JJ’s story from season 1 episode 1 “The Pilot” to this day, JJ’s ENTIRE story doesn’t mean anything anymore…what was the reason for all this? JJ’s story has always revolved around him never believing to have a righteous future in store for him, never believing he could have something good for himself and you get the idea, his whole story arc was about him never seeing anything for him…and he doesn’t? HE ACTUALLY DOESN’T HAVE A FUTURE? What was the point? What was the poiny of seeing JJ struggling from day 1? What was the point of exploring his insecurities? What was the point of seeing him falling in love? This is what I find the most heartbreaking, if I put season 1 episode 1 on right now and I see JJ on my screen, the first thing that comes to mind is: What was the point of any of this? If he never overcame his struggles and still didn’t get closure with Luke? If he died still believing only a episode earlier that he still didn’t have a future for him? If he still struggled to accept the love and never overcame his insecurities? If he never got that future he dreamed about? (which yeah ok he got for like what? 5 minutes of screentime) …what was the point in JJ’s entire story if he never got to prove himself wrong?

The only right way a character like JJ could’ve seen his story end with dignity would’ve literally been living that future he was sure he’d never have: have a house, a job, a family, HAVE KIDS, grow old not being a drunk in prison. And they killed him TWICE in my opinion, physically and also morally by making him die not being himself and still with all that anger and fear inside him and without his story ever finding closure.

None of this does justice to JJ’s story and his arc.

This is honestly what I can’t wrapped my head around, the reason why JJ was a fan favorite was not casual…it was because of his story, when we say “we watch for JJ” is because he’s one of those characters in a show that you’re rooting for, that you wanna see defeat the odds and get the ending his heart deserves…and I’m sorry to the writers because unintentionally they made him the protagonist just as much as John B if not even more at times. When we say there’s no excitement to watch the show now this is the reason: what’s there to root for if we were rooting for their better future and this was the whole story SINCE SEASON ONE?

I had big hopes for this season and I actually enjoyed part 1 but wow was I let down, this ending just killed the entire show for me…there’s no sense in this.

I know I’m repeating myself now but I can’t stress this enough, it destroyed the show ‘cause it ruined the entire purpose of the story. Looking back now nothing about JJ’s story was worth the pain and suffering he went through and looking forward what’s there to say anymore? They’re gonna go hunt for this crown and get rich? Ok, wasn’t the whole moral of the story about the real treasure being their found family?

I loved this show since April 2020 and I would’ve gladly watched it for YEARS AND YEARS ON, but wow I would’ve rather seen it end in the trilogy or with this season with a different ending, leaving a good memory.

I’m not gonna lie…I knew this was gonna happen, I tried to not trust the rumors and I tried to think rationally but when Rudy and the producer unfollowed each other, when Rudy didn’t share anything about S5, when in part the whole story was building around the Pouges being mad at JJ and not saying “I love you back” I kinda figured AND STILL I was hoping to be wrong and I was hoping to be pleasantly surprised ‘cause I knew how bitter it would’ve left me.

And I mean it, I’m heartbroken AND MAD. The story totally ruined.

And can I get this straight, everyone is already jumping on Rudy’s ass ‘cause yeah let’s be real, he probably was done with the show and and all that jazz and it’s not cool at all, but IT HAPPENS ALL THE TIME…actors ask to leave shows all the time and in the end it’s still the writers call to decide how to make it happen, there are tons of different ways to write a character off ESPECIALLY A CHARACTER LIKE JJ, who always had that element of spontaneous take outs and with the blank paga that they had with the “surf trip”. There’s only ONE season left, I don’t think that Rudy would’ve refused if asked “hey of we can work around this, how about 5 minutes of screen time in the final episode?”…an open ending for his character that left the audience wonder “what’s JJ doing around the world?” “Where did he go?” would’ve been much more dignified for his story. In the end if they put a definitive ending to him and it was THEIR decision.

I’m actually devastated and I know it sounds exaggerated but this to me has also ruined the entire Jiara community as well…like what do we have left?

There was still so much they had left to their own story, KIARA’S STORY!! What was the point for her to fight so hard for him? to lose everything for him and get what in the end? TO HAVE HER WHOLE STORY REVOLVE AROUND HIM (‘cause that’s exactly what they did this season)? What a waste.

And it makes me incredibly sad ‘cause it has ruined all my excitement towards this part of the fandom that we built a community around…waht do we do with Jiara now? There was still so much I wanted to write for them in fictions and wanted to read from others but this has for the moment completely ruined my motivation to write for them and to even read their ff, knowing their story in canon ended and ended tragically, there’s nothing for their future. This is what I find so sad, there was left NOTHING to the imagination, nothing to let us wonder about their future.

This story ended today and I’ll never be able to look at it the same IF I’LL look at it. What’s the point of a story moving forward if the thing people were rooting for is gone? What are we rooting for if the Pogues are dead and the family is done? ‘Cause yeah, JJ was the core of the Pogues.

I find hard to believe that season 1 and 2 are the same show from season 3 and 4. The writing killed the show for good.

I hope WITH ALL MY HEART that I’ll be able to find back my excitement for my favorite show once again and that I’ll still be able to enjoy Jiara’s content again but I really find it impossible now.

I would’ve never thought that OBX, that show I watched in 2020 with genuine admiration for its story and way of portraying it could’ve been ruined like this. 💔

#outer banks #obx #jj maybank #obx netflix #obx4 #obx s4 #jiara #kiara carrera #outer banks netflix #obx spoilers #outer banks spoilers

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trulydeep · 1 day ago

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My feet are on fire tonight. I couldn’t wait to peel my toes out of my shoes and ice them. Might have to dance in flat shoes tomorrow.

Dancing today was … good. The dancing itself went well enough, we covered a lot in a relatively short time. We did some fun improv that I absolutely love and still feel like an awkward stork dancing, lol. But I have lately felt as if something is different with Q, a vibe. Maybe it’s just me but Q seems more reserved when we’re together, since this summer.

Of course it might have nothing at all to do with me, maybe Q is stressed about something. Or distracted. Or bored. But I worry that what X told me he said about me might be true after all, that he actually doesn’t like me, or that he’d be happier with just her.

I’m a notorious over thinker so I also worry that I’ve said or done something to offend him or give him the wrong idea. Maybe I went too far with my jokes. But geez, X’s joking has become excessively coarse and tacky and he’s perfectly fine with her when she does it. But then, I haven’t really been around them together much lately either.

X is constantly accusing any female who comes within ten feet of Q of coming on to him, including me. If she sees me talk to him, she’s suspicious. If I wear a cute outfit (something I enjoy), she’s suspicious. For the record, I am not now, nor have I ever been, trying to seduce Q. The entire idea is ridiculous. Q is certainly not interested in someone like me in that way and, in any case, I don’t think he could handle someone like me IYKWIM, lol…

Cringe. Hopefully it’s nothing like that at all and I have misread him.

✓

#mmmdancing #mmmystory

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error-dream-was-found · 3 days ago

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I just saw your idea about Quackity sucking at torture and I am SO intrigued 👀 Please do tell

(Also I absolutely love love love your writing <3)

Hiii, thank you for asking :)

And I'm happy to hear that you enjoy my writing <3

It's been a while since I came up with that idea and I can't seem to find my notes on it (I found like 15 other half forgotten AUs instead oops) but I'm pretty sure it came from some discussion with Flora.

The basic idea is that everything happens just as it does in canon and Quackity goes to torture Dream. This is where things get sketchy because as I said, this is a 100 % crack idea so ... what if Quackity just somehow managed to fuck up every single torture attempt?

I really wish I could find my notes on this because I know I had some specific ideas written down but let's go with what I remember. During the first visit I think he might've just underestimated Dream who in spite of being in the prison for a while now was still able to dodge Quackity and maybe even disarm him or something just it ends up with Sam having to interfere.

But it's okay! Quackity's got it! It was just a ... a minor inconvenience, nothing more. But ... things are just not working out during his second visit either, nor during the third one or the fourth one.

Dream is totally not giving fuck about what Quackity wants and for the sake of crack Quackity just miserably fails in all his attempts to torture Dream in the most ridiculous ways possible.

Like, he will get his axe stuck in the obsidian and can't pull it out, he drops a harming potion and hits himself instead of Dream, he sets himself on fire on accident (that lava wall had no business being over there!), he fails to realize that Dream is actually good in strategic games and his plan to hurt Dream for losing a game fails when the game drags on for way too long (bonus points if he loses somehow). Just some very weird (and hopefully somewhat funny) stuff happens.

Some time he doesn't even get to try his hand at torture because he gets carried away with wedding preparation and all (just imagine him forcing Dream help with choosing the decorations or something lol)

After his fight with Karl Dream is forced to be the therapist (he has no escape while Quackity cries about the state of his relationship), least to say Dream is very confused why Quackity thought he is the right person to ask about the relationship problems (srsly Q have you seen the state of his relationships???)

At this point Dream himself might try to give him tips, look he is not a fan of getting tortured but this is just sad, okay?

Perhaps he will manage to actually hurt Dream at some point but by then I think he would be too used to failing that it actually freaks him out more than it freaks out Dream himself. Least to say the rest of the "session" was spend fretting over Dream because god man you're bleeding! Dream is just there like ... isn't this what you wanted? And well yeah but also no! (Q has some very mixed feelings)

Overall though I think Q would maim himself in that cell more than he ever did to Dream. On accident of course. I never figured out the logistics of this one but it'd be hella funny if Q somehow managed to idk cut of his own finger or something of the sort which would just end up with him freaking out and Dream having to try to calm him down while also calling for Sam to bring a healing potion

I know that it's supper cannon inaccurate but it's really just a crack idea without any real plot behind it 😅

#thanks for asking I love talking about my silly ideas :)#please ignore the grammar errors my autocorrect loves to screw me over 🤦‍♀️#c!dream #c!quackity #c!dream and c!quackity #dsmp #dreblr #dream smp #dsmp au #can i tell you a story?

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maxwell-grant · 3 days ago

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The Penguin Episode 7: "Top Hat" Breakdown

There’s a constant referencing of stunted childhood about Mr. Cobblepot – a baby grown enormous, grotesque and as needy as he ever was. The Hugh Hefner of crime. But the Penguin’s sublimated the desire for the tit for a desire for cash, power and empire. And this is why he’s Gotham’s greatest – and most outlandish – gangboss - TheMindlessOnes

The Penguin is the greatest Batman villain for the simple reason that he's the meanest. What the Penguin has that no one else has is a simple abundance of pure, unadulterated spite. In Batman's world there's madness, obsession, will and strength - but ultimately it all comes back to crime, pure and simple. The Penguin's motivations are pure because he simply resents the whole damn world and will not rest until he gets his. The Penguin is a criminal, nothing more and nothing less, with avarice in his heart and hatred in his eye. - Tegan O'Neil

VLADIMIR CVETKO: We wanted Francis to never allow Oz to use his disability as a crutch, and to always have him be strong and move past it and use it to his benefit. But it is isolating. Like, it is. And so he'll never be the same as his brothers. And so there's an inherent jealousy of just his situation that's there - The Penguin Podcast Episode 7

RYDER ALLEN: He loves his brothers, but he loves his mom way more.

COLIN FARRELL: I think he probably all his life feels a little bit broken, and so he's constantly, constantly, looking for his mother's approval and her love. I think he's seen very up close and personal how his mother has toiled to provide for him and his brothers, and wants to give her a better life - Inside Episode 7

Massive props to all the actors here but especially to Ryder Allen, who is absolutely incredible as young Oz. It would be so, so easy to let this take on Colin Farrell's Penguin slip into pantomine but he makes it work brilliantly without feeling at all like an impression. He is so believable he even makes the adult version more believable. Like, that is the same guy, give or take decades of grime and grit and scars, but that's still the same little turd, just before he was truly practiced in hiding his simmering resentment, but already fast learning.

"My big strong bull of a boy", words that in Episode 01 embody such a dark aspect to their relationship began all the way here with Francis simply encouraging her sad little kid with a bum leg. I said as much in prior entries that it's Francis who lights the fire under him, that she is the force that pushed him from mere self-preservation into city-conquering ambition for her sake, and we see the most innocent form of that motivation here. Just a disabled kid whose mom loved him and wanted him to love himself more.

So the previous episodes had already given us small glimpses of what Jack and Benny were like when they were still alive - that Jack was presumably the older sibling and a baseball player and the de-facto "man of the house", given how readily Francis accepted the idea that he had gone downtown on his own to get the power back, and that Benny was presumably younger and more innocent or sweet, given she mistakes Victor for Benny and asks him to dance with her. The opening scene very much confirms and expands on these traits and already raises up Ozzie having a resentment for them, and where does that come from. That cocktail of self-preservation and insecurity and spite and overcompensating that defines him.

Because it's not even just that his mom loves them and he wants her to love just him, it's not pure greed, it also comes back to how little he thinks of himself, and how he's hyper aware of every advantage others have over him - He can't be the upstanding man Jack is, and he can't be the pure innocent source of joy that Benny is. He can't be trusted to talk to Rex like Jack, and he can't successfully drag her away from work to have fun like Benny. He can't go out and be relied on to take care of his mom like good and strong old Jack, and he can't run around the house like sweet and happy little Benny, can't join the three of them when they play and instead has to sit there and stew in rejection over all this love and affection he can't have.

I didn't think we'd get a glimpse of Rex, but the one we get is so fucking perfect. What we see so far shows he was basically just a piece of shit gangster, a cartoonishly evil Greaser extra with nothing special about him, he was just a guy Oz projected hardcore into because he got stuff done for Ma (and he wasn't even great for his mom, he underpaid her! Same shit Victor complained about with his own dad). Oswald stares at his money and his cigar and his attitude and already wants to be chummy with the guy while Rex doesn't even look at him, he talks to Jack only, and Francis doesn't want Oswald to be involved with him. But even so, he's the closest Ozzie has to an older male role model he looks up to.

And so it doesn't matter that Rex Calabrese's car wasn't actually made of gold,, because Oswald will grow up to tell his next little brother, the next Benny, about the gold cadillac of the man who blessed his block. It doesn't matter that Alberto Falcone was 100% right about Rex Calabrese being just a small-time asshole, because Oz elevated him into a post-mortem myth.

Really, he's doing the same thing Sofia does and that Bruce did, elevating paternal figures into personal saints and guiding lights on their great life missions, with Bruce shattered when he learned about Thomas' mistakes and how said failings shaped everything currently wrong with the city, and Sofia describing her abused scared but loving mother as "a force too great for the Falcones to handle")

I think, way more than the murder, this is the part that most speaks to me about this guy being fated to become The Penguin, that on some level beyond explanation this is just what he was going to be, that he can already think of nothing else but wanting to be this guy. Dude came out of the womb wanting to be a criminal.

Crucially important to where this is going is the fact that there was real love between these brothers. They play flashlight tag instead of regular tag so that Ozzie can be included. Jack is constantly trying to protect him, always shielding him from Rex, warning him that he's a bad guy, taking the two in the tunnels to protect them from the rain, telling them that Ma deserves way better than what Mr.Calabrese plays them. Benny wants to play zombies with Ozzie, wants them to go to the arcade and play Double Dragon forever, puts him up first at tag. And even if all Ozzie wants is to stay and help Ma, even if all his brothers do is get in the way of the only thing he wants, he also wants to play with them, he wants for Benny to think that Rex's car is cool, he is proud to tell Jack that he knows about Rex being a gangster, he wants them to like the things he likes and he wants to be involved when they play.

Just as important is the extent to which Oz was genuinely hurt by what they did at the tunnel - that to him, they pretended to include him in a fair game that was actively unfair, they broke the rules by leaving the area and then broke them further by hiding somewhere he couldn't physically get to and cheating at what they agreed to and laughed all the while, and that's why Ozzie angrily closes the door on them at first, to punish them for doing this to him.

Everything they do here, even Oz's decision to lock the door on them, is childish, because they're just kids playing around. Jack and Benny even apologize and say they'll start over, but then, what will become the pattern of his entire life begins. Naturally, we hear a rendition of his theme when this happens.

KEVIN BRAY: I don't think that Oz had an intention of taking his brothers out in that moment. We've all known that child as a child. We've known the child that just strikes too hard or hits somebody with something and never thought the consequences would cut them open and they'd have to go get stitches. And he didn't have the impulse control, you know, to think this through. - The Penguin Podcast Episode 7

LAUREN LEFRANC: In his mind, they go down the ladder into a deeper part of the tunnel because they know it's hard for him to get down there. That's not true, but that's what he thinks, because he personalizes things. And this is reflective of what we see from Oz in 101 with Alberto. Alberto demeans him, and Oz impulsively shoots him. As the water begins to rise and he knows the rain is coming down and he has every opportunity to stop it, he lets that impulsive act become permanent. It's not that he actively kills his brothers. It's that he actively does nothing to stop it. - Inside Episode 7

Penguin with the Iceberg Lounge built atop the 44 Below where the fucked up shit he's covering up happens / Penguin with the Underground Railroad built atop the foundation of his original moiders he's covering up

Thinking about a description that stuck with me from the podcast, that Francis sent him like a stealth bomber into the world. So stealthy that he even bombed her life and she didn't notice

"They're your boys, and they're freezing" For the entire show this has haunted Francis again and again, even right in front of Oz

I kinda expected, given the Pain and Prejudice mention, that Oswald was going to be indirectly or directly responsible for killing his brothers, and that this was going to have a vastly better idea for that concept, and that it did. I've seen lots of people describe this as the show asserting he was ontologically evil from birth and that's, well that's just dumb, and that would be too easy, that attributes foresight and planning to Oz's decision that simply wasn't there, and wildly misunderstands much of the point of the show. Oswald is not beyond reason or empathy or humanity or feeling, precisely the opposite - he is all too painfully human, all too painfully real, in the atrocities he does and the ones he does nothing to stop.

He just is fearless, and I think it has to do with his empathy. You’re going to go, “God, I hate this guy, but I see where that comes from and that does not make it okay.” There’s a sense of tragedy within all of that. -Matt Reeves

Oswald's decision to lock his brothers in a fit of cruel and stupid spite after they insulted him (even if by accident) mirrors his decision to shoot Alberto after he's insulted and his decision to rat out Sofia after being insulted. Oswald walking home and deciding to do nothing while telling a different story, because it ultimately benefits him to do so, mirrors his decade of silence over Sofia's imprisonment and his complicity in Carmine Falcone's murders while telling Eve a different story. It is, indeed, the worst thing Oz has done yet, but nothing about it is fundamentally different than the patterns by which he's acted since Episode 1.

It wasn't that his brothers were mean, not intentionally anyway, or even Oswald was always planning to kill them, he very clearly wasn't. But A: They did something that really hurt and upset and offended him, and so were the first to find out what happens when you do that to Oz. And B: They were the first people to be in the way of something Oz wanted, the only thing he ever really wanted which is his mother's love, and so it's good they had to go. Not a premedidated crime, not even something he actively wanted, but it was a happy acident turned chance, and he wound up taking it and doubling down on it.

It's evil and fucked up to the degree I think works best for Penguin being evil and fucked up: Not sadistic and over-the-top cruel, not the Joker or any of that fetishistically elaborate revenge bullshit he's had since Joker's Asylum, but as someone who profoundly does not care about what he has to do or who gets crushed along the way for him to get what he needs. Does not go out of his way to murder for the sake of it, but will not blink at whatever body count happens to get him what he wants, more indifferent than actively malicious and that doesn't actually make it a lot better.

I believe Oz to this day still loves his brothers. I believe he means it when he says "I lost em too", it's just he doesn't think about the contradiction involved.

As someone who never liked the hypothermia/forced into always going out with an umbrella origin (always thought the latter one was real forced and dumb as far as justifications for the umbrella-theme went), it's cool they actually did incorporate that classic Penguin origin element so strongly here. In the broadest strokes possible, they managed to work in "Penguin's mother lost her family due to hypothermia and so her smothering concerns for Oswald pushed him into situations where he was frequently belittled and mistreated until he became more and more insecure and spiteful and twisted"

That's the cornerstone around which everything is built, the rest of his life. And it certainly is the foundation, or the springboard upon which he is launched into the world, that decision that he makes as a child in that moment, and the reasons why he does it – so that he can have the isolation of his mother's love directed solely towards him." I think he washes his hands of it totally, and has convinced himself that it didn't happen the way it did. It's that grave. But it's in there somewhere – the darkness. - Colin Farrell

Something I should bring up is also the Portuguese title given to this episode: instead of translating Top Hat (which would be Cartola), they called it Manda-Chuva. Manda-chuva is a conjoined slang term for boss, big shot, head honcho, that kind of thing, but it translates more literally to "Rain sender/commander" (Manda = order/sender, Chuva = rain). Like you're the guy who makes it rain in the village, you command the rain and everything else. Fucking excellently horrible name choice here, like it better than the original title.

To quote @book--wyrm

the juxtaposition of the tapdancing and the raindrops and the slamming and the shooting and then the hum of the TV and the buzz of the streetlights (get back home when those go on) and the rushing of the water into the grillthat shot of the jar outside the window, all filled up with water, two toys floating in themthe highest point in his life. when his mom is still happy and whole and he doesnt' have to share her untainted love and he doesnt' have to think about the consequences of what he's done while his brothers are drowning in a sewer under the city

him literally turning away from the camera after the shot of his brothers screaming underwater, turning away from who he might have been—the steady, honest man, and the bright, innocent child as they drown horrifically, to stare at a glitzed and glamoured version of who he will eventually become

Oswald's first crime, the first time he learns he can get what he wants by skipping the line. That he actually can have everything if he just does things a certain way. It's the first time he won, the first time he managed to take out his enemies/competitors and won what he wanted for it, pushing his brothers out of the nest so he could hog mama all to himself.

Nobody has to know, nothing that could be done, they hurt me first, it didn't happen like that, I deserve this, I'm making her happy, I can take care of her.

"The city took them."

All he was doing was punishing them for playing a mean hurtful prank on him. And then he went home. And then at some point realized they were not going to come back, but he kept going. Isn't it warm here, with Ma? Isn't it everything he ever wanted? Look at the tv, the man with the top hat dancing away the night. Isn't it cool when he shoots down everyone in the back? Isn't it cool, this larger-than-life thing he will map his life around, showing him how much it rules to be like this? His very own Mask of Zorro, in Fred Astaire shooting his back-up dancers, The Gentleman Criminal taking form as he commits the most horrific despicable betrayal of his life. The fantasy he will spent the rest of his life grasping for and projecting on pieces of shit like Rex Calabrese and Carmine Falcone in the hopes of one day taking their place, while he at every turn works to destroy and undermine it.

It sprung from a very base animal selfishness, resulting from a perfectly understandable childish impulse, carried to unimaginably horrific proportions set to define the rest of his life. Ozzie Cobb never wanted to murder his brothers, but he got away with it, because The Penguin can get away with anything.

Oswald commits his first spiteful horrific childish self-serving murder, on the same day a sharp-dressed backstabbing criminal in a top hat dances before him and his adoring mother. He's seeing his future, the reward he gets for his first crime, and he likes it very much.

LAUREN LEFRANC: Without it sounding cheesy, love matters to him, and that doing right by whatever the (mafia) family traditionally would do isn't the most important to him. And that there's a brazenness to it, that he can do what he wants, and he can be with who he wants, and he'll make his family a mixed family. And that there's strength in that as well. That makes him a different man than we may have seen in different iterations of Salvatore Maroni -The Penguin Podcast Episode 7

"Fuck your guilt, just bring me an army" - That singlemindedness that makes Oz such a piece of shit, while also making him someone that you can follow and even look up to, a guy who can plausibly sell himself as Da Good Boss. He doesn't give Victor shit for what happened to his Ma, won't hear excuses and he doesn't care for them, we gotta get this done now. Like at the grave scene in Ep3, he doesn't want Victor's apologies, he wants him to get his shit together if he's gonna stick around (by what he thinks is entirely Victor's choice). He has no time for guilt or second-guessing or a conscience, not his nor anyone else's.

"Gentleman" is a term that's only been brought up once in some episodes and in the most bitterly ironic tones possible, here turned against Oswald by Sal berating him for having betrayed his gentleman's promise and thus now he'll get the same deal, which helped put something in perspective: Sal Maroni is right, he is a gentleman. In fact, if anyone in the entire show, if anyone in Gotham, could be described as a "gentleman criminal" the way Oz so desperately aspires to be, it would be Salvatore. And not only does he fail partially because of that, but Oz has nothing but contempt for him, only sees him as a sentimental preening idiot (exactly the way Carmine did) and not only that, he will spend the remainder of the episode dragging him down to his level and causing him to die for it.

I love that Oz tries twice to turn Sal against Sofia and it never works, not even a little. Zero pretense that she's not in control and Sal is fine with it, he just wants Oz dead more than anything else.

Definitely a good time to bring up that, the first time the name Oswald Cobblepot was ever introduced was in the Batman Sunday Classics newspaper strip, issue #119 in 1946, in a story about The Penguin's aunt who raised him, Miranda Cobblepot, coming to visit him after ten years, and him begging Batman to not reveal to her that he's a crook and hold off on arresting him until she's out of town. It's the first time we were also shown anything about Oswald's background and a maternal figure in his life, here seen as comically overbearing as well as completely oblivious to his criminal life, helping fight off mobsters and leaving while telling him to help his good friend Batman take these hoodlums to jail.

Miranda never really showed up again outside of this strip, but some of these ideas eventually carried over to mainline depictions of Penguin's mom, namely his dutifulness towards her and her control over him and her total obliviousness to his criminal deeds, which has always defined her. I bring this up because, while we've obviously seen before that Francis is his confidant and knows and encourages her son's brutality, dancing in giddyness when she hears about the Falcones being killed by him, it's a brutal contrast to her telling Sofia here that yes, she knows full well about the worst thing he had done up until the opening of this episode, she knows he burned alive a mother hugging her son, and she couldn't be prouder. Even now, she is the ultimate force in Oswald's life, the only authority he answers to and his guiding motivation, even as we learn now she was his greatest victim.

Francis burns with such eternal undying spite and hatred, the force that turned her boy from simple self-loathing self-preservation into city-conquering ambition, and she burns so strongly she trounces The Hangman in a verbal boxing match and cracks the façade that will be later shattered in the episode. Francis is tragic and sympathetic and loving only because she is interrupted with bouts of crushing despair and guilt and delude love brought on by her illness literally forcing these feelings on her, because otherwise she would be as good as, if not better, han her son at this. At steamrolling everything and everyone fueled by hatred, and hers still burns strongly at everything and everyone, except the person who most ruined her life.

Dr.Rush subtly but very clearly suggesting having Gia killed, lmao. I think it's good to have just one total pathosless bastard in the proceedings, when every other character has so much tragedy and history and whatnot. He has 100% wholly sublimated his guilt over the Arkham atrocities he was a part of into a drive to help his victim Sofia no matter what, and not actually improve as a person or rectify the problems he was a part of, thus becoming someone who can justify any atrocity because he's doing it in the name of someone else he must avenge and do right by.

A thing that @davidmann95 brought up for last episode that became extremely relevant for this one

this ep also illuminated Oz's true power for me: he understands more than anyone else the power of This Fuckin' Guy, and thus builds all his rhetorical swerves and master plans around painting someone else as that

he can't make people stop hating him, but he can make anyone the person you hate slightly more

His power is hate and spite, as is true of the Penguin, as he gets from his Ma. The one that fuels him, and the one he can stoke on others. Every reason they gave on that meeting as to why he's the most hated crook in town was twisted into an additional reason why they should hate the people he's up against more. Here, Oz tries to turn Sal against Sofia, and it doesn't work, so he buys a distraction by reinforcing his status as That Fucking Guy. Sal has him dead to rights in every sense, and Oz stokes up so much hatred that the guy actually fucking dies from it.

Hey Vic, don't you hate that your parents died over nothing? Don't you hate that the Falcones get everything and you get nothing? Hey Sofia, don't you hate how these old bastards treat you? Don't you hate how our friend Alberto got killed? Hey Crown Point, don't you hate how you've been abandoned? Don't you wish there was someone helping you get back at the bastards that left you to rot? Hey Gangs of Gotham, don't you hate those bastards up town wiping you out even more than you hate me and each other? Hey Sal Maroni, don't you hate ME? Let me remind you of why you fucking hate me so badly your heart's gonna explode.

Brought this gentleman Salvatore down to his level so hard that he made classic Sal Maroni, the seething vengeful bastard who will burn your face off if it's the last thing he does, into existence.

CLANCY BROWN: Oz is an American. He wants to win, and he wants to win on his terms, and he wants everybody to know it. That's why he throws the body out, you know. He throws the body out, for crying out loud. That couldn't have been easy. He throws the body out where everyone can see it.

LAUREN LEFRANC: No one is seeing this happen, so that then you sense Oz's delusion, right? He's talking to a dead man, and then he shoots him anyway, because he wanted to shoot him because he wanted to. And so, he got what he wanted, and he made it happen, even though it's not actually the way he imagined it. And then, what Clancy's saying, he throws the body out and then takes credit, like, "I killed him. I did it." And from that point on, in Oz's mind, he killed Sal Maroni. There is no other alternative. No one else is going to know that Sal died on his own. This is part of Oz's constructed narrative. - The Penguin Podcast Episode 7

I love how Clancy Brown put it, that Sal was all heart and passion and rage and so eventually it just had to go out. Perfect death. He is not the guy who can burn himself forever in the name of vengeance, he is not Oz and Sofia, he is not a Batman villain - he's the guy who dies to make way for them, and here, he dies denying Oz the satisfaction of taking him out. C'mahn man, twice already the big bad bosses of Gotham die before he gets to actually kill them, first Carmine and now this. Popping punk scrub bitch Alberto just wasn't that satisfying, and Sofia's just making everything too weird. With the Falcones gone, this was the guy he wanted to genuinely brag about killing to his mom, and now it's just gonna be another lie and delusion that Oz spins into reality.

Also further contextualizes why Oz is gonna be the guy who picks fights with Mr Vengeance. All he wants is to prove himself, but all his biggest opponents so far died on him before he could get satisfaction. He's happy to profit from the ring and from taking credit for killing Sal, and he may even rewrite his memory so as to delusionally believe he actually killed Sal, but the truth of that moment was personally wildly unsatisfying. He needs to be the big shot who clawed his way up there, he needs to be alone at the top, and he needs to push everyone out of the nest, like he did his brothers.

The station coin he pulls out of the car attached to his lie that the city took his brothers, and the ring he pulls out of the same car with the lie that he killed Sal Maroni

Just once in his life, he wants to say "I got you, I FUCKING GOT YOU!" to a big bastard who thinks they're better than him and died by his hand, and to actually mean it and have it stick, no asterisks attached.

Rules that even before we can fully understand how deep in Batman Villain territory she is, Sofia is dressing up in wild hair and black furs and heavy eye to visit Gia. It is still visibly her covering up and dressing more conservatively than her past outfits, but she is so inseparable from her trademarks at this point that she goes to a children's mental hospital looking like she's hunting down the Baudelaire orphans for their inheritance money.

Sofia fully replicating the same attitude that was weaponized against her to cover up her mother's murder, and then when she sees the scars and realizes the degree to which she's created another Sofia, pivots instead to embracing her while telling her as openly as possible that yeah, I killed your mom and dad, you should be happy I did, they were scum, please be happy I murdered your family, you're free now like me. She won't accept becoming the same monster that they were to her, so instead she opts to become a different one.

As much as Eve was wrong about Sofia being the Hangman, she was right that she thinks in black and white: her worldview is based around compartmentalizing everyone between Victims and Victimizers. She very much placed Eve in the latter category at first and everything she was doing in that conversation at first, prodding her about performing for men, about her relationship with Oz, about her shallow lies to men, about being good at saying what people want to hear, seeing her as an extension of Oz, everything was to confirm and strengthen her already existing bias and intent to kill her, until The Hangman came and in part she realized that killing Eve would firmly make her a Victimizer.

Everyone she has killed up until this point? Victimizer. Alberto, who was very much complicit and aware of the fucked up shit Carmine did? Victim, because maybe he couldn't have known, he fought to keep her alive and get her out, she loved him, and he was killed by a Victimizer. The Crown Point followers of Oz she'll bomb later in the episode? Victimizers. Julian Rush? Victimizer, but he knows his place. Sal Maroni? Victimizer turned Victim. Oswald? Victim turned Victimizer a decade ago. Francis shook her up, but she can still justify doing horrific things to a mentally ill woman because she raised the monster who did all of this to her and is proud to have done so, ergo, Victimizer. But in Gia, her comic book view of morality shatters, because she's confronted with a Victim who is so because Sofia was her Victimizer and this is not fixable.

And to her detriment, Sofia has enough of a conscience to be aware that she created another Sofia, and so she speedruns self-awareness and reverts to the old Sofia, which causes her to start dying on the spot under the weight of everything that has happened to her and she's become. And so it falls to Dr.Rush to actually do what he should have always done for her and save her, as well as put her back on tracks to do the most fucked up thing she has ever done, steering her back into the mindset she needs to survive this.

She wants two wildly contradictory things, she wants to be free from it all and she wants her eternal revenge on her nemesis and she will forsake the former in pursuit of the latter. Her most sincere desire is freedom and peace away from this fucked up world her dad created for her, but she will never make it if she stops, and the only way she will make it is if she buries the part of her father's legacy that is still actively around and ruining her life. All she wants is to be free and she never will be until she kills him, until she kills everything he embodies in her life, and in her quest to kill him, she will most likely throw it all away.

As @book--wyrm put it, "Oswald is pursuing his dreams, and Sofia is running away from a nightmare". Sofia dreams of Arkham, of the yellow wallpaper, of Magpie chanting Haaangman inside endless dark metal walls. She dreams of her mother's corpse, of being hanged and murdered in her place, of Alberto's murder, and everything that causes her to scratch and tear at herself until she wakes up. Oswald? He dreams of Fred Astaire tap dancing and shooting his back-up dancers, and to even think of anything else is unthinkable. Nothing else matters.

But in spite of struggling with a conscience and an understanding of morality that Oz fundamentally lacks, I also like that Sofia is more imaginative in her cruelty than he is. She is sadistic to a careful, measured, elaborate extent Oz hasn't really learned to be yet. Even the burning of Nadia and Taj, as horrible and sadistic and premeditated as it is, was still rooted in self-preservation and a failsafe in case they backed out on the deal and petty revenge for stealing his shit and ruining his deal. But Sofia took the time to have Dr.Rush hypnotize Francis so they could learn the most thematically appropriate location to torture and kill the two and then engineered an outcome just to psychologically torture him before blowing him up, knowing he'd find a way to survive even that and setting this up just to flush him out of hiding.

For those keeping score at home, in this episode, Sofia Gigante attacked his sidekick with a crowbar, sicced her goons to beat him up and steal his shit, kidnapped his mom and had her sidekick, the Arkham doctor who begged to be her Harley Quinn, do hypnotic mental torture on her, baited Oz into a trap within a trap within a fake surrender and with an accompanying speech about how the old game is gone and she is playing new ones, bombed his Batcave and his loyal army, banked on him surviving that so she could send someone to pick him off as he escaped, and is now taking him and his mom to a showdown at a deeply and thematically important place for them, which is also a fucking theater by the way. I've been raving about her being the real Batman Villain of the show since Episode 03 but at this point, she is more Joker than the actual Joker in this saga. She's fully thrown herself into happily and merrily pulling a grand horrible caper on him and his entire life and everything he cares about with little practical consideration to her own criminal empire but extensive thought given into the panache and thematic meaning of what she's doing, it's amazing.

Fun thing to think about, whether Oz would have left Victor to die down there along with everyone else, or really just if he would have bothered to warn him before he bolted to the hole made just for him. We've already seen Oz quickly sell out one of Victor's friends out to die, someone who could have been Victor himself if he had gotten away. We've already seen in the burning of Taj and Nadia how monstrous Oz can be without Victor around. And now here we see how quickly and efficiently Oz can ditch all "the good people of Crown Point", the people who actively put themselves in danger to save him from Sal, to die at a moment's notice.

Credit to @book--wyrm for pointing how the bottom two rungs of the ladder he climbs are broken. The first two bodies he ever climbed over to get what he wants.

And thus we see by their last scene together how Oswald and Francis's present relationship began. The moment he transformed into the amalgamate of everything she lost and needed in her life, when he needed to step and be everything that Jack and Benny and dad and Rex had to be for her, because it's just the two of them now and forever, Kids raised by financially struggling single mothers often very much have to pull double or triple duty and work to compensate for much of what a husband or uncle or support network are supposed to do (speaking from personal experience here), and so from an early age Oswald already had to transform into the character he'd play as an adult.

He has to be the replacement man of the house who leaves her to get shit done for her, and he has to be her sweet boy who tends to her emotional needs, and he has to be her big strong bull of a boy who survived and stuck around and now grounds her in reality so she won't lose herself, and he has to be the provider and caretaker that her husband failed to be, and he has to be her Rex Calabrese who won't take shit from anyone and make sure she gets what she asks for even if it's by illegal underhanded means, and it's too much. Following his first crime and his first victory, we thus get the first moment that Oz began to spin far too many plates to keep his life in one piece and avoid consequences for the shit he put himself and someone else in.

He broke her due to his need for her love, and she broke him due to her need for his love. He turned her selfish and cruel and broken like him, and she turned him into someone who would never, ever grow up and change past this. Oswald's maturity and Francis' hopes died with the two and now, as Oz said to Benny 2 back in Episode 3, "there is just this - survival".

So obviously the climax of the show / Oz's relationship with his mom is gonna happen in a theater club, of course. Of course it's the same place that he swore as a child his eternal mission to do right by her.

Though he lacks the money and the umbrella gadgets and bird armies and supervillain resources, they've managed to firmly establish what the Penguin has in extreme abundance, the superpowers in his soul that allowed him to make his way through the world and win.

Ozzie's failings are human failings, Ozzie's attitudes are human attitudes, everything done in the flashback, even the closing of the door, was fixable. But The Penguin is unmatched at getting away, with an almost preternatural ability to fuck people over to get ahead, to slip from a catastrophe and land right into another one. This is a guy who is, in his own way, every bit the absurd uncanny freak that any other version of Oswald Cobblepot has ever been, and if his lack of evening wear and verbosity makes him distinct from classically-flavored Penguins, everything that matters to the character is and always has been there.

This is a guy who is better than anyone at "the wiley schemes and the quick, last minute escapes, who always has a trap door, an unbrellachute, some other trick up his sleeve to thwart and evade his dark nemesis at the eleventh hour". This is a guy deep in unshakeable childish delusion and devotion to the hustle, who burns a bottomless black hole of ambition in his gut and who was born with cigarette ash for blood and a top hat instead of a heart. He may not have been born evil, but he was born ready. Ready to be the embodiment of Gotham's criminal element, to be a child's idea of a master criminal in much the same way Batman is a child's idea of crimefighter, born ready to do this shit forever and ever.

#dc comics #the penguin #batman #the penguin hbo #oswald cobblepot #sofia falcone #colin farrell #cristin milioti #clancy brown #sal maroni #lauren lefranc #matt reeves #hbo max

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sleepyparalysisdmon · 1 day ago

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SVT when you can't sleep

Requested? No! (But they are still open!)

Genre: Comfort

A/N: This is entirely self-indulgent because I woke up at 3:45am and couldn’t go back to sleep. For this reason, please forgive any typos or mistakes.

Seungcheol

Deeply disturbed when he finds that you are not next to him in bed. Gives it a few minutes, thinking you might have just gotten up to go to the bathroom or get some water, but when the time ticks by, he gets up to find you on the couch, watching TV. “Baby, what are you doing up?” He’ll ask concerned, glancing at the clock. When you say you woke up and couldn’t go back to sleep, he’s plopping onto the couch with you, making you curl into him. You feel bad because he needs his sleep, but he’ll brush you off, saying he’ll stay up with you any night. You do eventually doze off in his warmth while reruns of some sitcom play on the TV and he’ll carefully carry you back to bed.

Jeonghan

He feels you tossing and turning for what feels like hours. He’s tired and maybe even a little bit irritable when he touches your back, asking why you’re still up. He immediately feels bad for his irritability when you say you’re sorry, but that you had a nightmare and couldn’t go back to sleep. He’s tugging you into his side, patting your head in a ‘there, there’ sort of motion, asking you to tell him all about it. It becomes clear that you’re not going back to sleep anytime soon, but that’s okay, because he’ll just lie there next to you and talk, no matter how drowsy he is.

Joshua

Seems to have a sixth sense about when you get out of bed. You’ve barely got your slippers on before he’s asking where you’re going. When you say you just can’t sleep, he looks at the time, which is somewhere around 4am. He shrugs, getting out of bed as well, despite your insistence that he needs his sleep. He starts the coffee pot and gets a skillet out to make breakfast and you’re resigned to the fact that you both are now up for the day. He doesn’t have any complaints, not even when you both are dozing on the couch by 2pm.

Jun

When he realizes that you never actually got to sleep and are just laying in bed scrolling at nearly 1am, Jun simply takes the phone out of your hands and puts it back on the charger. “Play a game with me. Eye spy with my little eye…” You have to laugh because, well, it’s totally dark in the room now. But you play along because everything in your bedroom is familiar to you, even in the dark. You’re kind of touched at how aware of the little things in your room he is, even if he doesn’t live here (yet). Like he knows that you left a blue sweatshirt on the back of your vanity chair, or that there is little green detailing on your jewelry box. You doze off by about the tenth round and Jun keeps quiet after that.

Hoshi

He comes home late from practice and finds that you’re still awake, tossing and turning, and he’s concerned. When you say you just haven’t been able to settle down, he thinks for a split second and says, “Well, I was about to shower. Come with me, maybe the warmth will help.” There’s absolutely nothing suggestive about the idea. He even washes your hair for you, letting you relax as he scratches your scalp for way longer than was probably necessary. You’re out like a light as soon as your head hits the pillow. Now showering before bed, especially with him, is a regular occurrence to wind down.

Wonwoo

When he rolls over in the middle of the night to find that your beside lamp is still on and you’re still reading, he glances at the clock and then raises an eyebrow. “Must be a good book,” he mumbles. When you hum and tell him that it’s actually not, but you just can’t sleep, he’s sitting up next to you, leaning against the headboard. “Just how bad could it be?” He doesn’t acknowledge the ‘can’t sleep’ comment out loud, plucking the book from you and reading to you. He has to admit, the book does kind of suck, but he’s relieved to see that you’ve dozed off to the sound of his voice within a couple chapters.

Woozi

He knows your sleeping habits and also notices some of the things that don’t help it. But he’s hesitant to correct you, so he tries correcting these bad habits by correcting them in himself. Say you’re hanging out late with him while he works. The first thing he’ll do is turn down the caffeine at a certain point, saying he wants to actually get some sleep tonight. The second thing is that he’ll subtly rush to wrap things up quickly for the night so both of you can get home at a decent time. This technique won’t work every night because sometimes you don’t follow his lead or it’ll just be an exceptionally late night for him, but both of you tend to get better sleep when you keep a routine and cut the caffeine.

Didn’t you see this coming? The moment you say you can’t sleep, he’s serenading you. Sometimes it’s sweet and soft with the intent of soothing you, and sometimes it’s goofy and animated with the intent on making you lighten up when you’re particularly frustrated by your bad sleeping habits. Sometimes you scold him to rest his voice, but he Will. Not. Be. Stopped. He’ll sing entire albums for you until you’re sleepy again, so don’t test him.

Mingyu

Prepare to be cocooned the moment you say you can’t sleep. He’s so sweet and he also doesn’t work out for no reason. He’ll literally wrap you in the blanket and hold you tight against his chest, talking sweetly about what might be bothering you. Even if nothing in particular is bothering you and you just can’t sleep, that’s fine too. He’ll stroke your hair and keep you warm until you’re ready to sleep.

Minghao

He absolutely thinks it’s stress. He notices the pattern - when you have a lot going on a work or in your family life, you’re extremely restless. Like Woozi, he might make it seem like it’s for him when he says he wants to try out a new bedtime routine. He likes meditating and decides to do it before bed, asking you to join. Then, when you both are done, he pushes you towards the bedroom, following you with two cups of tea. It doesn’t work right away, but the longer he keeps up this little routine with you, the more he notices that your shoulders are more relaxed and you fall asleep faster.

Seungkwan

One night, you’re exceptionally restless and he asks what’s wrong. You complain that the street lights coming through the windows and all the city noise have been bothering you lately. He lets you be for the night - if you want to toss and turn for a while, if you want to get up, if you want to cuddle, whatever is fine with him. But the next night before bed, he hands you two small boxes, one with a brand new sleep mask and one with small noise cancelling earbuds, encouraging you to try them out. These two things will constantly be replaced and upgraded as needed as long as they seem to help.

Vernon

Might be a little dead to the world when he sleeps, but if you happen to nudge him in the middle of the night saying that you can’t sleep and you seem upset by it, he’s automatically offering to take a walk, no matter how groggy he is. Throws on some clothes and splashes his face with cold water in the bathroom so he can get with the program for you. Walks for hours if you need it - talking or in total silence, headphones or no headphones, holding hands or no physical contact at all. Absolutely does not matter to him. He’ll get back to sleep when you do.

Chan

Another one that makes it seem like it’s for him. He’s noticed your sleeping habits and how run down you seem by it, but doesn’t address it directly. Instead, he says he read an article that described how bad blue light was for sleep and he thinks he wants to try an electronic cleanse a couple hours before bed to see if it helps him. “Are you okay with that?” He’ll ask hopefully. Of course you agree, because it’s for him! He’ll resist the urge to giggle to himself when you pass out almost immediately when your head hits the pillow on the first night of this so-called electronic cleanse. He did not expect it his little plan to be successful so quickly.

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lastoneout · 3 days ago

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Hey so uh y'all know this is straight up radfem rhetoric that will do fuck all to actually combat the rise of fascism in this country while putting young people further at risk of being indoctrinated into conservatisim, right? Like this is 100% the basis of political lesbianism and is a direct pipeline to becoming a fucking TERF which is a direct pipeline to holding hands with Nazis, we should NOT be supporting or promoting the idea that the only way for women to be safe is to completely isolate themselves from men, especially in the coming years where unity with our allies, a group which includes men, will be the key to survival for so many people. The state of the world right now is based in part on the rampant spread of individualism and exclusion and distrust, why the hell would perpetuating that help??

Also this alienates women who cannot or will not abandon their connections to men(wanting to marry and love and have sex and children with men is morally neutral) and strips us of our ability to find allyship with marginalized men who are on our side and also will face extreme violence under this new administration. This will cut us off from black men and disabled men and intersex men and queer men and will absolutely be used as justification to completely fucking abandon trans men, who have already been completely abandoned by current mainstream feminism to the point that I cannot go five seconds without someone saying reproductive rights are an issue that only affects women when that is in NO way the case. Basically no one has been including trans mascs/men, nonbinary people, and intersex people in the abortion and birth control discussion this election cycle despite those groups needing just as much help and support on this front and that is a PROBLEM. Like trans men and intersex people who can get pregnant are going to be at a hellish level of risk going forward, infinitely more so than the average cishet perisex woman. We cannot abandon them further.

Plus for some of us marriage will potentially keep us safer or help us escape this country should we need to, I'm disabled and can't work I cannot just move to another country, but if I get married and my fiancé goes first and finds a job that can support us both that will help me. And like you can also get married to a man and still refuse to have kids in protest? Most of the people in our generation aren't having kids anyway? And tbh those of us who want to are not bad people nor should we have to put our entire lives on hold for god knows how long to stick it to the men. We live in hell right now, why the fuck should we be asking people to completely abandon things that could make them happy in a weird form of protest that won't work and is a gateway to being a raging Nazi transphobe??

And on top of all of that this also lets the hundreds of thousands of women who voted for Trump on purpose because they too have bought in to his rhetoric off the hook, which again, is where radical feminism leads because it is fundamentally based on the idea that men are always dangerous and harmful no matter what but women are always innocent brainwashed victims who can do no harm. And writing off men as a lost cause who are evil by nature and thus cannot be saved is also not only radical feminist bullshit, it's legit just conservative "boys will be boys" bullshit with a progressive hat. I am not giving shitty men a free pass to suck forever by pretending they are incapable of change, they can, should, and MUST be held to a higher standard. That is what I mean when I say radical feminisim is a conservative ideology, it doesn't believe a better world is possible because it assumes men will always be evil and should be avoided at all costs which upholds the status quo, it does nothing to actually challenge it.

(And hell, if all that wasn't enough, this is also flawed because the kinds of women who are left leaning enough to consider doing something like this likely already only associate with progressive men, so who are we even punishing here? No woman riding the tradwife MAGA waterslide is going to do this, so the only men who get punished are the good ones who are on our side, which helps who, exactly?? Like christ y'all this falls the fuck apart so fast the second you actually think about it.)

There are men who will be my allies in the coming years and women who will be my enemy. Women are just as capable of being bigoted fascist pieces of shit as men are, this election proved that. We waited for women to save us and most of them fucking didn't. How the hell am I supposed to believe women are inherently safer or better while looking at the breakdown of what demographics voted for Trump. Some of the most vile, traumatizing misogyny and biphobia I have faced in my life was at the hands of other women and some of the most outspoken feminists who work tirelessly to tear apart the patriarchy I know are men. My fiancé, a cis man, legit checked MY toxic masculinity yesterday, I recently came out as butch and have been trying to live up to that by staying as strong as possible right now, and HE had to tell me to knock it off and let myself cry. Gender and sex are not indicators of morality and acting like they are is pure, unadulterated radical feminist bullshit.

We can and should absolutely talk about the rise of alt-right beliefs amongst men in this country, especially young men, but we cannot ignore that young women are buying into that shit too and a lot of it is COMING FROM RADICAL FEMINISTS, I cannot fucking stress enough radical feminism is a direct pipeline to becoming a conservative, the TERF to tadwife waterslide is real and likely WHY so many young women are voting conservatively. The more we concede to this rancid bullshit the more women wander directly into the alt-right's open arms.

The problem isn't men, it's systemic misogyny perpetuated by both men AND women, and also fascism. Don't lose sight of the true enemy.

#current events #us politics #politics #us election #radical feminisim #long post #negative #cw nazi mention

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yanmuffins · 3 days ago

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asks.

there are quite a few asks on my ask box so i'm reply to some of them collectively on this post!

unfortunately he's alone in that. jon could have been his stacy but he's got a crush on reader and has too much fun with their invetions. damian thinks he's a traitor.

@megasweetbones

"perry and alfred used to be secret agents of the british royal family"

now that's a very old platypus.

i like the idea of tim being the most unsettled by the platypus out of everyone. tripping him might or might not have been on purpose. we'll never know! but after a while, tim is just conviced the platypus' got some weird business about it. typical wayne paranoia, sure, but he swears there's something about that weird little amalgamation of animals he can't really pinpoint. he swears he's looking at him weird. and he swears he's scaring him on purpose, appearing out of nowhere.

"calm your tits, tim. it's just a platypus." jason says, "they don't do much."

but tim really can't help glaring at perry the very normal regular domesticated platypus whenever he's seen in reader's arms.

@randomlyappearingartist

alfred absolutely knows about the invetions. no he will not tell bruce about them. he sees bruce and the others barely noticing reader exists, how dismissive they are, and he's like "i'll tell them to ask their father for permission first. if master bruce doesn't notice the legally binding papers or the outlandish gadgets around the manor then that's his problem, honestly."

the most he does is very cryptically allude to it, in hopes the family will take notice of reader. as expected, it doesn't work. he just lets reader do whatever they want as long as they consult their father firts and promise to be careful.

the thing about phineas! reader is that they are a regular teenager (if you take away the gifted genius who can build rocketships to the moon in a single day part) who's just in it for the fun. creating all those crazy gadgets and invetions, letting their creativity flow, having fun with their friends, spending every summer day like it's the last one before they go back to school.

if perry got them a job at the justice league, i think reader would deny it. they're not particularly interested in vigilantism or heroism for that matter. they might consider it after high school is over, but for now? all they want to do is be a teenager. not a very conventional teenager, but a teenager nonetheless.

and tbh it's more of a psychological thing, not being able to build. it's like all of those ideas are bottling up inside their head, going to waste, with them being unable to do anything about it.

well, it's not like they can't do anything about it, but having the batfam limiting what they can and cannot do, watching over their shoulder, isn't exactly providing them the enrichment they need.

but since damian and jon are determined to help, reader doesn't have to worry about that for long!

reader is actually a citizen of metropolis! or was, since they're now in gotham. a big adjustment.

the meeting between jon and reader happens thanks to damian. he's fully expecting jon to be an ally in busting his new sibling. he's complained about them countless times before, to the point jon's tired of hearing about them.

but he actually meets them and, hey, they're super cute and super cool! it's kind of amazing they come up with their inventions so fast. so he goes from reluctantly humoring damian to actively helping reader. maybe even with his own powers. damian can do nothing but shake his head and sigh wearily. jon is an idiot.

the scene in question anon is referencing, at 0:16.

the concept is so funny, anon, but hm... i wonder if jon wouldn't just straight up tell reader about it. he wants to be included, so i don't think it'd be long before he's using his powers to help reader with their inventions.

it is at times like these the batfam has to thank the universe reader is chaotic good and would never turn to villainy. because then damian can enjoy having a super awesome sibling who gives him all sorts of elaborate weapons for him to practice with!

nevermind that he's asking for these just so he can bring the weapons you built to bruce and prove once and for all you're not the harmless kid they think you are, but that's before he realizes the weapons are kinda good. and he kinda wants to keep them, which wouldn't be possible if he handed them over to bruce.

so he'll keep these a secret. just these.

#asks.#anonymous.

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elliehase-blog · 2 days ago

Text

We're simply meant to be

I just had to write something about them. ❤️💜 This time it's longer than usual, and not proofread (sorry) but if you enjoy this little piece, you can read the rest on AO3.

~*~

In the afternoon, Roman is still quite relaxed. He polishes the blade of his sword, humming verses of Sally’s song. Hey, why not? He is only 51% sure that this is a kind of date tonight. It’s not as if Virgil was in any way clear with his all-but-nothing sentence.

»You're right, Roman. We can live like Jack and Sally if we want to.«

There. The word 'date' has not been used in any form.

Virgil had laughed at this point, to Roman’s utter bewilderment. A delightful little laugh that took up all of his attention and everything else outside had ceased to exist. And of course Roman had not known how to help himself other than to take the whole thing to the next level.

»And sit together, now and forever,« he had said, and had taken Virgil’s hands carefully in his. In this moment, Roman had only felt his heart pounding against his ribs in a whirling drum solo.

After that, Virgil had turned away in embarrassment and mumbled something that sounded like, »See you later.«

So maybe it is a date after all.

Perhaps.

(It’s certainly not.)

For seconds Roman bites his fingernails helplessly. He had seen so many cheesy romance movies in his life that he liked to consider himself an expert in the field. There was nothing to surprise him, as he knew all the signs and all the rules. And if you can no longer rely on cheesy romantic movies, then what?

But somehow all these rules never apply to Virgil.

How did they get here in the first place? Aren't they supposed to argue and fight like in the good old days? Sometimes, Roman likes to picture the deep, passionate rivalry he and Virgil have for each other. He imagines them having endless discussions about Disney characters, staring at each other in a fiery way. And when no one is around, Roman sighs deeply and longingly at this point and buries his heated face in velvety soft red silk pillows.

In the evening, Roman takes a look at his imaginary wardrobe and starts hyperventilating. He’s never had a no-date before. With nobody.

He has no idea what to wear and if he has any piece of clothing that says, 'When you look at me, I can’t breathe, and whenever you’re around me, I talk a lot more nonsense than usual, but if this is a date, I’d be totally fine with it.'

Lately, Virgil had just been too nice and peaceful around him. He means, nice… within the scope of his limited possibilities. Roman can’t say that this is terribly unpleasant, it’s just very… irritating. He has to do something. Or rather, he has to delegate this problem very quickly so that someone else does it for him.

Roman was great at delegating. This talent was practically innate. That's why he calls Logan.

»We have a… situation,« Roman explains dramatically. »I don't know what to wear!«

Logan throws a 'What do you want from me?' look at him. He raises his eyebrows wordlessly and completely unimpressed and makes absolutely no attempt to move even a millimetre from the spot.

»C’mon, Teach, I need your advice here!«

Usually, Logan would not have been his first choice in terms of clothing and taste, but he also has that unclouded and focused sight that Roman needed right now.

»Pleeeaaase!«

Logan sighs and Roman strongly assumes that this is supposed to mean agreement. Probably, Roman had convinced him with his astute argumentation and natural authority. That, or Logan, for once just doesn’t think a discussion is worth the trouble.

»What's the occasion?« he asks without further ado, pushing his glasses up in an unconscious gesture.

»Something… important,« Roman says vaguely.

#sanders sides #sanders sides fanart #sanders sides fanfic #prinxiety #roman sanders #virgil sanders #logan sanders #patton sanders #humor & fluff

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tobiasdrake · 3 days ago

Text

Episode 2 of Agatha All Along and the show remains a fantastic rewatch.

This exchange is hilarious in retrospect. Agatha tells Billy right up-front that the Witches' Road is fake. But he refuses to accept that answer and accuses her of trying to deflect him from his goal.

Originally, this scene came off like Billy showing his determination and persuading Agatha that he has what it takes to make this journey.

But in retrospect... Yeah, he just sounds like a naive teenager who thinks five seconds of Googling makes him an expert, mouthing off to the one person who actually knows how bullshit this is better than anyone because she wrote the fucking con.

He is not the hero of the piece. He is a child making mistakes.

Even after she's forced to play along and pretend like the Road is real, she still tries to warn Billy off of it. Because. Yeah. The legend has only one purpose: to kill witches and feed Agatha. Speaking of which.

This is it. This is what persuades Agatha that attempting the Road con is worth doing.

The camera lingers on the locket and Nicky's hair. Which is almost a red herring, as it leads us to believe that it's the locket that convinced her. It's not, though; the locket and Nicky are deeply connected to the Road, so this is still meaningful.

But it's those words: "You really think you can outrun them with no magic at all?" That's it. That's why Agatha chooses to "go on the Road". Billy made a solid point, and she could use a shot of magic before she flees the Salem Seven.

So. Sure. You win, Billy.

Let's go eat some witches.

In retrospect, this is the funniest line in the MCU. He has no idea. He has no idea how in over his head is, what he's participating, or about the numerous murders he's about to commit. XD

Holy fucking shit, no wonder Agatha began projecting Nicky onto Billy. This double-act to trick Jen into dying for the Witches' Road con is straight out of Agatha and Nicky's playbook.

This was their life together. If Nicky were alive today, this is what he and Agatha would be doing.

Alice has sharp instincts. She calls out the Witches' Road as a con and she is dead-on.

Billy corrects Agatha's use of that particular phrase but Agatha knows what she said. She is intends to smash these nuts, not crack them. This was a red flag that went straight over Billy's head.

"Hi, this is really awkward but everything's about to fall apart around me so I just. Need you to stand nearby and look like you're participating while I murder three people. Cool? Cool."

"I promise that as soon as this is done, I will leave you standing there shocked and horrified, surrounded by corpses, and bail faster than you can say 'Witness Testimony'! You should. Probably also leave at that point. Because. Y'know. Cops. Haha!"

An interesting detail that Agatha makes Billy leave the basement. She's trying really hard to pull the wool over his eyes. She wants to carry out this murder without him realizing what happened.

If everything went as planned, she was probably planning on scooting upstairs like "Sorry you missed it, everything happened so fast, but uh we did the Road thing and I got my mojo back so HOP IN THE CAR LET'S DRIVE".

She doesn't want him to see the true nature of the Witches' Road. This is a departure from how she acted with Nicky, who was fully aware of and complicit in the murders they carried out together... But also came to be bothered by them.

XD Don't worry about it, Sharon. It does not matter if you sing it correctly. The song does absolutely nothing.

Agatha suddenly gets fucking fierce as they near the end of the song. Just pure scowling malevolence. She gets aggressive, like she's preparing for a fight.

Which, of course, makes sense in retrospect. She is, in fact, preparing for a fight. Getting her game face on. Readying herself to get nasty and provoke the coven into letting her kill them as soon as the song is over.

This is her predator face. The prey is in sight and the hunt is on.

But this hunt doesn't go the way they typically do. Because she had to do it in a hurry. Lilia correctly points out how weird it is for Agatha to suddenly be slinging out accusations and insults like this when. Like.

The Road was her idea to begin with.

Lilia's like, "What are you doing, Agatha? This is your thing. This temper tantrum feels a little forced and performative."

I love how spooked Agatha looks when they open the doors. You can feel her going "What the fuck what the fuck what the ACTUAL FUCK"

She is so freaked out, she breaks character. Why are you so surprised, Agatha? I thought you'd done this before.

Why do you look like you've seen a ghost?

I think this is it. Right here is where she pieces together Billy's identity. She takes a quiet moment, still looking entirely WTF WTF WTF, to feel how real this space she's stepped into is. This space that shouldn't exist.

A few seconds spent just... contemplating the stairwell.

Then, when she finally begins to truly descend, it's with a smile on her face.

She's got it. She knows what this is. She's the only witch alive right now who can truly comprehend what this is.

Then, once she steps out onto "The Witches' Road" and takes in all of its splendor, she casts a knowing look back at Billy.

Billy thinks this exchange is about, "Yeah, I knew we could do it. Great work, team. We made it!"

But really, Agatha's expressing, "Holy shit, Wanda Jr., this is a hell of a thing you've assembled. Okay. Okay. I can work with this."

#marvel #marvel cinematic universe #agatha all along

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enbysiriusblack · 2 days ago

Note

james x sirius and all or any

all 💀

1. Describe their first date.

they go to the forbidden forest and run around in their animagus forms for an hour. they then make out against a tree, eat some baked goods that james' parents sent him and come up with prank ideas

2. Who wakes up early/Who sleeps in late?

james wakes up early, sirius sleeps in late (sometimes. i feel like his sleep schedule would be all over the place)

3. What was their first impression of each other?

sirius thought james was interesting and seemed very free and easygoing and fun. james thought sirius was very funny and unique.

4. Who initiates affection? Why does the other not initiate affection as much?

both but i feel like maybe slightly more sirius. because sirius is more restrictive with wanting affection, that james knows he's more comfortable with being the one to initiate it first

5. Do they argue often? If so, what do they argue about?

they don't. sometimes very mundane/playful arguments but rarely, they tend to agree or enjoy compromising for each other

6. How do they make up/apologize after an argument?

i mean if they did have an argument, james would probably make it up with very sappy romantic gestures & words & apologies. sirius is just brutally honest and rationalises their argument & just says he's sorry if he is

7. How often do they say “I love you”?

everyday

8. What do they love most about the other? Why?

sirius loves james' sense of humour, his open heartedness, his abs, his passion, sense of adventure, competitiveness

james loves sirius' sense of humour, his biting wit, his handsomeness, his passion, his sense of adventure, his coolness

9. What do they dislike most about the other? Why?

nothing ever.

10. Do they share any hobbies or interests? How do these things bring them together?

they both enjoy sports & talked a lot about their quidditch teams when they first met, james finds sirius' mechanic hobby interesting but doesn't really understand the actual thing but tries to help out (he passes him random tools and yaps whilst sirius works). james loves hobbies. he has like 30. by that logic sirius is gonna share some of the same. but also they're so codependent that even if they don't particularly enjoy a hobby, they will embrace it in order to spend time with each other

11. How do they feel about nicknames/pet names? If they like them, what pet names do they use? If they hate them, why do they feel that way?

they mostly just use their marauding nicknames (prongs & padfoot).

james does call sirius pet names as a joke (love, darling, sweetie, etc.) just cause sirius gets icked out by them

they call each other mate whilst snogging, on a date, raising a kid, etc.

12. Do they have a difficult time when separated from each other, or are they fairly independent?

extremely difficult fucking time. practically impossible for them.

13. How do they keep in contact when they’re apart? Do they write letters, talk on the phone, or simply wait out the time?

the two-way mirrors & writing letters constantly

14. Do they enjoy PDA, or are they more private with affection?

james likes it but sirius isn't too big a fan of it. so they kinda tend to just sit on each others laps and hold hands and stuff but don't really snog in public often

they do not count affection in front of remus or peter as public. so they do that A LOT.

15. What songs remind you of their relationship?

you're my best friend by queen, treehouse by alex g, i wanna be your dog by joan jett & the blackhearts, invisible string by taylor swift, naked in manhattan by chappell roan

16. Would they ever get matching tattoos? If yes, what would these look like?

they absolutely would. it'd either be like sirius getting deer antlers for james and james getting the canis major constellation or just a super weird random thing like both getting a tattoo of a ham sandwich or something

17. How well do they communicate? Are they open with their feelings/thoughts or more reserved? Why?

very well. very open with their feelings & thoughts. however i think james would have trouble differentiating his feelings for platonic or romantic so would kinda be a bit wobbly in that aspect

18. How do they care for each other when one of them is wounded/sick?

like overbearing parents

19. Do they wear each other’s clothes/jewelry?

all the fucking time

20. How do they comfort each other when one of them is upset? Is this method of comfort effective?

sirius gets james to go play quidditch or go a run together or something and an hour or so into that james will tend to then end up venting. it is very effective

james finds a place for them to be alone and will seat close next to him and yap away about nothing for ages. also very effective

21. Do they enjoy domestic life?

very much so (james the stay at home husband/dad and sirius working in a job he loves <33)

22. Are they comfortable joking around with each other and being silly/playful?

very much so

23. What are the defining characteristics of their relationship?

codependent & hot

24. How do their personalities affect their relationship? Do their characteristics compliment each other, or clash often?

compliment each other in kinda clashy way? if that makes sense.

25. Do they share a room/house? If so, what does it look like and how does it compliment their personalities?

ish (i mean the dorm & living together at the potters for a quick minute). with the dorm (ignoring peter & remus' influences), james makes it a big of a mess which sirius has a tendency to clean up (however james will help when he notices sirius begin doing so), and sirius puts up a lot of posters. they'd also have like darts and a foosball table and stuff fs

26. What sacrifices do they make for the other

uhhh they'd sacrifice literally anything for each other ever. but specifically i can see sirius sacrificing meat when he's eating with james since james is a vegetarian (solidarity 💪💪), and james sacrifices uhh showing off ig

27. How do they say “I love you” non-verbally?

looking at each other

28. Who’s the better chef? Do they cook for the other?

james is the better cook but sirius is the better baker. they cook together (euphemia teaching them both)

29. Describe their nighttime routine.

brush their teeth together, get changed, sirius reads whilst james writes to his parents, they proceed to talk in their respective beds for an hour before james falls asleep, sirius then has a fag and reads more for a few hours before turning into padfoot and sleeping in james' bed

30. What are their respective love languages? Do their love languages work well together?

both are quality time and acts of service, but james also commonly give the other three too. so works well

31. Do they often go out on dates? What are these like?

probably all the fucking time. they'd go hang out with their friends then halfway through would call it a date and claim their friends are interrupting them

32. Do either of them drink? If so, who’s the lightweight, and how does their partner care for them?

depends. i sometimes write james as drinking, sometimes don't. i like to write sirius drinking a lot and then later going sober. but james would def be the lightweight between them nonetheless

33. How do they flirt? Who’s the worse flirt?

sirius doesn't really flirt (at least not on purpose). james constantly flirts and is shit at it

34. Do they have any inside jokes?

many many many

35. Is their relationship a secret? If so, why?

probably not. like you could say maybe giving the 70s but also 1. i can't see them giving it a shit, and 2. is wizarding society homophobic?? idk

36. How do they feel about having kids? Are they in agreement?

younger sirius def wouldn't i feel but like. as he gets older i think he'd lowkey want kids. james wants kids so bad.

37. Who’s more emotionally sensitive/cries more often?

james

38. Who’s got a quicker temper?

sirius

39. When and how did they admit that they loved each other? If they haven’t yet, why?

platonically?? like end of first year maybe. when they're having to leave at the end of school year

not platonically?? sirius offhandedly saying to james and james not realising he meant in that way and sirius corrects him and james is like "oh. right. well yeah, of course i feel the same, mate?? i love you in every conceivable way"

40. Do they have any regrets in their relationship?

hmm nah. idk. 🧍🏻‍♂️

41. What would they do if they lost the other?

well sirius would apparently go after the person responsible, spend over a decade in prison wrongfully convicted, escape to save his son, end up on the run then trapped in his childhood house, then dying

james would crumble.

42. What’s their relationship like with each other’s friends/families?

james despises sirius' family. curses them out on the daily. is their biggest hater.

sirius adores james' family so so so much and they love him too

they have all the same friends so 😭😭

43. If they picked out outfits for each other, what would they look like?

james would be in something a lot more stylish, a little more punk and black, and with half his chest on display. sirius would be in the tinest shorts ever, and james' favourite quidditch team's jersey (yes they'd be dressing each other in their own clothes)

44. Do they cuddle often? Why or why not?

always. in every form (animagi)

45. How do they support each other? How do they rely on each others support?

uhhh in every single possible way? they laugh at each other for failing like mundane stuff tho

46. Do they consider their relationship casual or serious? Is the answer different depending on who you ask? Why?

they deem it the most serious relationship ever ever ever (however early stages they'd be like confessing their undying love, snogging constantly, etc. then turn around and be like "oh it's just casual in that aspect and we'll probably stop soon, our friendship love is what's truly important and will never die"

47. Do they sleep beside each other? Why or why not?

all the damn time. constantly.

48. Do they talk about their future together? Why or why not?

yeah. they're always talking so ofc it'd come up at some point.

49. Do they keep secrets from each other?

50. Would they ever break up? If so, why? Who would handle the breakup better?

they would never. ride or die fr.

ask game

#prongsfoot #ask game #anon ask #sirius black #james potter

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thereareeyesinsidethetrees · 3 days ago

Text

blorbos are how we are coping with current events

so uh. here’s a few nice lighthearted gravity falls headcanons for you all (and yes there is a lot of ford centric ones here. no negativity about him on this post, please. preferably not about anyone else featured here either)

-both stan twins are trans. shermie was the first one they told about this, and he’s been immensely supportive of them. he started referring to them as ‘boys’ whenever he could, especially when filbrick was around (‘you boys ready?’ and stuff like that). even though the twins haven’t seen him in a while, and his relationship with ford is a little strained, they both still feel safe around him

-shermie’s daughter, the mother of the mystery twins, is transmascfem. they’ve always been much closer to her than to their father. it was her idea to get a cat, and she let the niblings pick it out. they collectively named it ‘smoky’

-both mystery twins are trans as well. as soon as he knew, stan made damn sure they were aware of his support for them. mabel told ford she was trans before dipper did, and he made sure they both knew he would support them as well

-the stan twins get a ship cat with polydactyl and name him icarus. he was supposed to work as pest control, but ford babied him too much so now he’s just there for emotional support

-upon figuring out how cellphones work, ford took an immense liking to the camera function. he frequently sends stan and the niblings pictures of anomalies, animals, or just cool stuff he finds

-stan keeps his cool when being insulted, but absolutely cannot stand it when the same happens to his family. type of guy to go ‘ok’ when you tell him he sucks, and then turn around and threaten to murder you when you say the same to ford or the niblings

-gideon is an exception. gideon crossed the line with mabel and now stan can’t help but get irrationally angry every time he sees or hears him

-ford isn’t as good at math as people tend to thinks he is, and he is. so anxious about someone finding that out

-ford has maladaptive daydreaming disorder, and so does mabel

-ford initially bought the painting in the attic of a ship in a storm because it reminded him of stan

-melody and soos got a tabby cat and named it metronome. soos chose the name because it was similar in theme to ‘melody’ and cause he thought it sounded cool. melody calls the cat ‘bloop’ and at this point it probably thinks that’s its actual name

-mabel uses exclusively edible glitter due to all the pets in her life (waddles, smoky, icarus, metronome)

-mabel helps pacifica realize that she’s transmascfemneu. this makes pacifica think about things a lot, and eventually she ends up in a qpr with mabel (featuring candy and grenda as wingmen)

-wendy is bigender and enby

-ford nearly cried the first time stan made pancakes after the portal

-it’s become a running bit to call ford anything but his name and at this point he’s just given up on correcting people and chosen to embrace it

-robbie’s first name is actually robin. his friends started calling him robbie when he came out as trans and the name just stuck. he’s still very attached to ‘robin’ though and has no problem being called that as well

-stan repaired his old winter jacket, though he doesn’t wear it any more. ford sometimes does

-because stan runs hot and ford runs very cold, ford has a tendency to come up to stan and hug him under his coat. stan is fine with this, despite his grumblings about ford just doing it to steal some warmth

-ford experiences cuteness aggression to the max, while stan really doesn’t at all. icarus has experienced both threats of being eaten/crushed and ford screaming into his fluff

-icarus has separation anxiety with ford

-stan doodles on ford a lot. the only rule is nothing on his face and do NOT touch the neck tattoo (destroyed as it may be from weirdmaggedon). yes, stanley, the all-star one. get that smug smile off your face- stop laughing-!

-ford’s sleep schedule has significantly improved since getting icarus. this is mostly because he sometimes falls asleep while waiting for icarus to move off his lap (can’t move til the cat does, y’know how it is)

-stan loves loves LOVES sunny cloudy days. they remind him of running across the beach with his brother, and watching the niblings throw water balloons at each other, and hearing his twin laugh as he tells jokes on the stan o’ war ii

-stan had ford custom engrave his lighter. he thinks it looks cool as shit

-ford has made several smoke bombs for stan. he has no clue what he keeps using them for, but he likes building things, so he doesn’t mind

-mabel has set up three music playlists for the stans. one only for ford, one only for stan, and one that’s visible to both where they can both add music

-mabel introduced ford to breakcore and noisecore. she was very surprised that he liked the two genres

-ford is agender and anattractional

-stan’s favorite smells are cinnamon, bergamot, and saltwater

-stan made sure to always have supplies to make brownies and hot chocolate on the ship in case of them need some mood lifting

-ford has a plaid weighted blanket. the cat laying on top of him every night also helps

-ford made sure stan got a good mattress that would work with his back before they set sail. stan argued with him the entire time, but he has been waking up in less pain since then

-ford always ends up hogging the blankets in any bed. more cover = better in his unconscious mind. stan doesn’t really mind too much, but he would like to keep at least one blanket some time

-ford makes a startlingly good seagull impression

#gravity falls #ford pines #stan pines #mabel pines #long post #headcanons #enjoy <|:3c #and now we are done with our lunch break so. back to college stuff! have a good afternoon everyone

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lightningarmour · 16 hours ago

Text

Absolute comics first thoughts

For the first time since the end of DOOMSDAY CLOCK I've been persuaded into paying money for a DC comic, and two, no less.

I've been 100% checked out of the DC sphere for about 5 years, only occasionally seeing some news here or there about the latest crossover event or fave character or what have you, and I regard those with the passing interest one might have in seeing a hot air balloon. Nothing has drawn me back partly because I'm old now and don't have the time or inclination to try catching up on years of crossover event, status quo altering storylines and yadda yadda.

I had heard about the new ABSOLUTE line of titles, but from the initial teasers and previews, not the least of which was the character design for Absolute Batman with his giant stupid fat bat symbol, I just wrote it off as them doing yet more edgy elseworlds stories, and thought no more on it until maybe three weeks ago. I saw a little roundup of details about Absolute Superman from an interview with Jason Aaron and it caught my attention.

I've gone on at length in the past about how I think that any earnest attempt at writing Superman for modern audiences that keeps true to the "idea" of Superman without making a cynical edgelord version of the character would need to depict Superman as a politically engaged, class conscious individual at least, and a full on Leninist at best. Now obviously I do not expect DC comics to publish a comic about communist superman without it being a laughable piece of propaganda like RED SON, but nonetheless, hearing that Absolute Superman is about a superman who is fighting a mining corporation to protect a community of abused labourers, and re-imagining Krypton as a caste-based society that was destroyed by reckless exploitation of the environment, I was certainly interested.

I resolved to check it out at least. I'd seen some of the details about Absolute Batman, that he's not a billionaire and whatever and still wasn't too interested, but realized I'd heard basically nothing about Absolute Wonder Woman. "She didn't grow up on Themyscira" okay what does that mean?

At this point both Batman and Wonder Woman were out so I looked it up and found some pages from Absolute Wonder Woman #1 and was pretty much instantly hooked because the art was tremendous, and Wonder Woman is flying on a skeleton pegasus with a huge Guts sword and like, that just fucking rocks ass, come on. So I was now sold on two Absolute series, I decided eh, what the hell I'll check out Absolute Batman #1, maybe I could be convinced.

So now that I've read all three first issues of the new ABSOLUTE Universe, I have some thoughts.

ABSOLUTE BATMAN #1 is a confused mess. I think that Batman, being easily the most popular DC character, with the broadest demographic appeal, has too much baggage. You'd kind of think that with a character like this where everyone knows his whole basic backstory, you could gloss over the details a bit more, but this issue is so concerned with establishing and referencing as many iconic Batman characters as possible, it's so bloated.

in this one(1) issue they set up or directly show you: Alfred Pennyworth, Jim Gordon, Barbara Gordon, Harvey Bullock, Killer Croc, Penguin, Riddler, Cat Woman, Two-Face, Black Mask, Ras Al Ghul, and of course we cannot go even one single issue without giving you The Joinker. It's too much. Ease off. We're not going to encounter probably two thirds of these people for ages. And, frankly establishing that half of Batman's presumptive rogue's gallery just so happened to be Bruce Wayne's childhood friends is dumb as shit. The dynamic between all of them is going to follow the exact same "gasp, could it be that my old friend is now a criminal?!" dynamic like 5 times in a row.

This is easily the most edgy of the current Absolute series and is basically exactly what I assumed the whole imprint was going to be, but it really feels in places like Scott Snyder wanted this to be a Batman that was darker and more violent but then DC editorial was like "no, Batman can't kill people" so he adjusted the script as little as possible to reassure the audience that he's rolling non-lethal damage as he stabs the shit out of people with his ear-knives and chops their hands off.

Despite all the parts I don't like about how they portray Batman, the thing that pisses me off is I really like the way they are doing Bruce Wayne.

Typically Bruce Wayne, the billionaire is kind of a hard character for me to like because of how much he serves this kind of great man power fantasy(yes, I know, superhero comics are inherently fascist) He has a vendetta against the concept of crime because his parents were killed by a criminal, so he takes it upon himself to "protect" Gotham, but in many depictions of Batman it's kind of like, what exactly is his connection to the city other than he lives there and presumably is the HQ of Wayne Enterprises. he views it the way a rich person would, dirty and too full of undesirable people who must be punished so that he, a wealthy socialite can enjoy the place without having to see the underclasses.

Making Bruce a working class urbanist is such a more interesting way of exploring the character. He loves the city because he grew up in it's streets, played in it's parks, attended it's schools, rode it's busses. Adding the layer on that that he became a civil engineer and worked with the municipal government does for the first time I've ever seen something interesting with Gotham by kind of interrogating the notion of what makes a city what it is. Is it the infrastructure, the people, the civil servants? It's the most interesting Bruce Wayne has ever been.

But then as Batman he's just fucking mutilating people and blowing them up with bombs and whatever. Yawn. I think that the Batman aspect also annoys me because it so blatantly disregards the central premise of the Absolute line. What if Batman wasn't a billionaire? Well then he wouldn't have access to tons of money and resources to do his Batman shit! So they like, half-ass that by giving him the kind of stripped-down arsenal. No gadgets and gizmos, just knives and a hunk of bat shaped metal used as a battle axe. But then oh yeah he also has some kind of miracle fabric that he can use as like tendrils or whatever and it's completely bullet-proof and so on and so forth. Like, Batman really really does not feel in any meaningful way like he is working at a disadvantage in this version of the story, and that just makes the whole thing so damn boring.

ABSOLUTE WONDER WOMAN #1 fucking kicks ass. This was by kind of a wide margin the best issue of the three series debut issues. I think that unlike Batman and Superman who both have quite a lot of baggage tied into their backstories and supporting cast and so forth, Wonder Woman has never quite achieved the level of iconography as they have so there's almost more freedom to do something new without hitting a bunch of prescribed plot points. In fact she might be the one of the trinity who has had the most attempts to re-imagine her and spruce her up to get people interested. I recall back in 2010 they did a big shake up that was not too dissimilar to this new take on the character. What if she never grew up on Themyscira? What if she didn't have the favour of the gods, etc. And I really liked that one, so I guess it's no surprise I'd be fond of this new version as well.

I think the number one thing that hooked me on this issue is the artwork, tbh. It's my favourite style so far of the Absolute comics, and everything just looks so cool and big and epic and awesome. That's it. It's just cool as hell.

The next most important thing is it has much better pacing than the other issues. You get a very simple, very effective set-up. The Amazons have been punished by the gods so this baby is being raised in hell by a witch. That's it. Good, effective time lapse of her growing up interspersed within the action scenes of her fighting monsters. It's simple and to the point but still leaves me invested int he mystery and wanting to know more. And again, it did not feel the need to shoe-horn a bunch of characters in so you can do the soyjack point at the issue. They could have easily shoved Steve Trevor in there as one of the soldiers responding to the freaky monster pyramid but that would have just been lame. It's confident enough in itself to not have to try and get you with low hanging fruit.

I don't really have much else to say, it's just cool and good and I'm unequivocally excited for more.

ABSOLUTE SUPERMAN #1 is a solid start. Now I'll admit I'm way more of a Superman-head than I am for Batman or Wonder Woman. This was the series that made me interested in the Absolute experiment in the first place, so I'm probably way more willing to be lenient towards a Superman title than say Batman.

That being said, this one also has like Batman, aspects I really like, and others I'm a bit iffy on, though not in as wide a gulf as Absolute Batman. As I said before, I've spent probably too much time trying to think of how to reinvent Superman in a modern context and, specifically, from a politically left-wing perspective, and I'll say that so far I think they're doing a decent job.

It's obviously nothing new to look at Superman as an immigrant story. Going all the way back to Siegel & Shuster, who were children of Jewish immigrants, the whole idea was what if this guy came from somewhere else. I think that the way that Jason Aaron has interpreted that concept for a modern context is actually quite brilliant. It's almost less of what if Superman was an immigrant than what if Superman was a refugee? Rather than unable to return to his homeland, but finding a new home with loving foster parents we are given the suggestion that he's never had a stable home since arriving on Earth. Moving from one place to another, nowhere to go home to, hiding among the economically exploited peoples of the global south.

It's such a riveting set up, I'm really excited to see how this version of the Character is informed by his history.

I also like the use of Krypton as kind of a heavy-handed double metaphor for stratified class society and the dangers of climate change. Like, it is presumably already dead and gone and unable to like, textually affect the story so who cares if it's allegorical nature is too on the nose. I also really like the notion of Kal El having like, living memory of Krypton, rather than only knowing about it from recordings on an alien flash drive or whatever.

I think the use of this "Lazarus" corporation as a kind of stand-in blanket evil corporation that does every kind of exploitative, extractive, broadly seen as morally wrong kinds of industries a bit hokey but hey it's a comic. I love the use of the Peacemakers as the like, corporate PMC security force though, that's fun. I am pretty curious if Lazarus is going to be a kind of fake-out Lexcorp. Like Luthor is the head of it but they called it by a different name so as not to ruin the surprise of his introduction. That or maybe it's related to Ras Al Ghul? Who knows, but I'm interested in what their whole deal is. They not only operate diamond mines and factory farms but also like, hunt down alien technology to reverse engineer?? And employ a Brainiac. curious as to what the deal is with the screaming jars. Does being shrunk down just like, really hurt? Seems like almost going overboard with the concept. Like not only does he shrink down cities and put them in jars but he also tortures the shrunken people? Like why, what's he getting out of it?

Some of the iffy parts for me include the suit AI thing he's got because I'm frankly sick of that trope by now. Ever since Iron man it's like every fucking character in comics has to have some kind of tech suit with a quirky robot voice. I'm willing to give it a chance on the grounds that it's like alien technology so sure whatever. I kind of like that he has to fucking charge the suit with a solar panel. I am curious about what exactly the breakdown is with the suit. He uses his x-ray and laser eyes so presumably it's still Kal himself who has super powers and they're not like, imbued by the suit. The suit seems like it is regulating his powers in some way. Like without it he couldn't control them and would cause havoc, but the fact that he has to like charge the suit's battery is kind of funny. Like, is the suit solar powered and his powers are just inherent no matter what, or does he still derive his power from sunlight as well? Fuzzy on the rules.

I also don't like the Lois reveal. It's just dull. Who care. The little teaser of Kent Farm is interesting to me. Feels like several different ways they could pivot:

Kal El's rocket lands and blows a hole in their barn, they find him and are frightened of him so they call the authorities/Lazarus and Kal flees.

Similar to above but they care for him like usual before Lazarus shows up looking for the alien craft and kill the Kents to remove any witnesses

Altogether it does enough things I'm interested in to keep me going with it despite the few quibbles I have. So far it's 2/3 on the Absolute universe and with the "phase 2" or whatever announced I'm 100% guaranteed also picking up Absolute Flash because it's my boy Wally and Jeff Lemire writing, like come the fuck on, how could I resist that.

#DC #dc comics #absolute comics #absolute universe #dc absolute #dc all in #absolute batman #absolute wonder woman #absolute superman #batman #bruce wayne #wonder woman #diana of themyscira #superman #kal el #clark kent #self indulgence #rambling

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aruanimess · 21 hours ago

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Round three, of me endlessly yapping on Reverse AU. I am still VERY new to this.. tumblr asking, notes and whatnot, so.. I apologise if I seem somewhat annoying and bothersome Anyway, less 'bout me, more on blondes! I'm going to try spitballing a few ideas there and there, because I don't have ONE big topic/arc to really focus on, so here we go!

1; Armin being captured after his identity is figured out. There are.. three way's of this going, in my opinion. >First, being that they managed to successfully take him down into the tunnels to capture him, possibly after some convincing by Annie, since he trusts her a lot? (Plus, if Armin sticks around to around S3 when they're all in that Cabin, hiding away from the Military Police and all. I think Annie and Armin would be.. somewhat awkward, between each other. Since, she cares for him, a lot and.. betrayed him.) >Second, same scene where his identity is discovered and remains at the top of the staircase, but more or less breaks down because he doesn't know what is right anymore, he cares for his new found friends, the thought of betraying them crushes his heart, so he gives up and surrenders peacefully. >Third, transforms and makes a run for the walls to dip, which could ALSO go multiple ways, but.. I don't really have much on that. 2; Warriors Reveal, though Armin is now in the midst of it. I cannot see Armin ever betraying Paradis Island and trying to capture Eren (a second time, mind you), now that Reiner decided to reveal their identites to the same bloke he tried capturing too - yikes. Armin could very well try making them surrender, in a subtle way so the situation doesn't escalate, nor turn his own comrades against him. So, he tricks them and everyone. Transforming along the other two to capture Eren, only to fight Reiner along with Eren but obviously ending in failure with Bert's Titan crushing them. On one hand, I think Bert would try getting Armin, though Reiner is too focused on the mission, he ditches Armin and makes a run for it.

3; Armin still gets captured by the Opaki, though he saves Annie from being the one to be captured by it. As fun and simple it would be if she was the one to be yoinked, so they couldn't use the power of the Colossal and rescue her, I decided to go differently with this. While Armin does end up getting captured, he isn't terrified that he can't protect his people, that they need him, without him he'll die. No, he's accepting his fate. They have Annie, they can still blow up the Doomsday Titan and they'll all be fine, he may die but will die at least doing something right for them, finally doing something useful after betraying his friends, and putting his life down on the line, as their Commander.

(I also agree he'd still be the next Commander that Hange would put the title upon, so.. it sorta means a lot, like he finally is one of them in some way? - I dunno, spitballing!) But, ahaa.. Yeah, that isn't happening. Annie is not letting that blonde go, despite they have a clear winning shot here, she is not about to let him die. Not now, there is still more to be said to him, with how she feels. So, the mission of saving Armin is once more! AND, to end it off, I like to think he'd still be suicidal and jump for the Parasite to hold it down along with Reiner, even if there's a chance of him dying from the Colossal's explosion.

I apologise having to read this entire shit-show of ideas in your inbox, I doubt I'll do more to not seem too big of a yapper, but we'll see! I hope everything is going well for you, have a wonderful day/night! Now, I depart. Toodles!

Hello, Rux!!

Please, never apologize for sending an ask! I absolutely love hearing your ideas and I’m very happy to know the reverse AU still resonates with people :D

Okay, now let’s see:

1. I do prefer the second scenario in the staircase scene. Armin at this point has nothing waiting for him back in Marley and as a character he generally prefers ending conflicts with talking rather than fighting so I believe he’d rather strike a deal and resolve this through diplomacy.

2. Now for the Warriors reveal… we do have to consider that this scene occurs very soon after Armin’s own reveal. Like it’s all happening within three days tops. There’s always the possibility that he’s too busy getting interrogated within an inch of his life to even attend these events.

Personally, I’m more curious as to whether Reiner and Bertolt would attempt to convince Zeke to launch an operation to “rescue” Armin at that point, or write him off as a lost cause. I think there’s potential for drama and bitterness in both cases. In the first scenario, you have a Reiner who fought to save Armin getting betrayed by someone he considered his friend, while in the second scenario, you have an Armin even more estranged by his peers in Marley, sad and disappointed they never even cared for him.

3. Here you’re gonna have to forgive me, because I respectfully disagree.

While Armin and Annie would absolutely act the way you described in the event of Armin getting captured by the Okapi Titan, I don’t see why the Founder Ymir would bother to kidnap him. In canon, she only does so because he’s the Colossus and is the only one with the power to stop Eren. So I’m afraid that our girl Annie would have to be the one getting choked by that tongue… (well that was a sentence I’d never thought I’d write xD)

As for the Commander part… I don’t know. On one hand, I do see how meaningful such a gesture would be from Hange, accepting Armin as one of their own wholeheartedly. On the other hand, the idea of an outsider coming in to “save” the Paradisians from their plight and lead them to the truth makes me feel kind of uncomfortable.

Personally, because I’m a useless bisexual with a one track mind, I’d love to see how Commander Annie could work. At the very least I’d like to consider the possibility of her assuming a leadership role. She’s not an out of the box thinker like Armin in canon, but she is very practical and very decisive when it comes to battle. In another world, raised alongside Eren and Mikasa and not as confined by her father and her circumstances, I can see her developing a keen eye for solutions, maybe not outrageous strategies, but clean simple yet effective and devastating in their consequences plans. She’s ruthless, she’s perceptive and she’s willing to give up her life to achieve her means.

Honestly? I’d love to see it explored.

#asks #armin arlert #annie leonhart #aruani #reverse au

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demigod-shenanigans · 14 hours ago

Text

Actual lengthy reply time finally (sorry this took me literally forever)

Yeah I did not want Leo to be alone right after this, and I didn’t want Piper to be alone with it either. Canon may refuse to let them go to Jason’s funeral, but I will let them grieve together, damn it!

The backstory/pre-plot part actually ended up being quite a bit more than just a prologue, it’s the first few chapters, but I hope it’ll still feel well-paced and fitting when we get around to the rest of them! I wanted to take the time to get into all the feelings and set up/resolve some stuff, plus sticking to the ToA timeline I had to get to the point where Apollo is back on Mount Olympus, which takes a minute. Most of it is relevant and will be back to haunt Leo later!

Responding to the bullet points by putting the relevant numbers in front (not sure why it apparently changed all of yours to 1. in this reblog, they’re correct if I look at your post?? Very strange)

2. Yep! Leo not feeling loved/worthy of love was a huge deal in HoO, and all canon did was put a girlfriend on it and pretend we’re good now, but we will not be doing that here! Leo will learn to recognize that he’s loved, and if it’s the last thing he does :)

4. This bugged me so much in HoO you have no idea. I actually kind of prefer HoO to pjo just because I adore all the characters, but plot wise it’s all over the place and we really miss out on a bunch of friendship stuff because it’s so focused on all the love triangles. I need more platonic Argo bonding!! Let them all be buddies!!

5. This is partially me being demiromantic but many if not all my favorite ships are characters that have strong platonic bonds first. Something something marrying your best friend. I also feel like Leo and Jason both took forever to realize they were into each other (Leo grumbling about Jason constantly being hot in his general vicinity being the reason why he doesn’t have a girlfriend will always crack me up, lol, and Jason spent so long doing what he thought he was supposed to/what was expected of him, including his relationship with Piper, that he didn’t really get to stop and properly have a sexuality crisis for ages) so I wanted to re-establish that for the fic, especially since valgrace fics are kind of split on whether they have jiper happen and break up like they did in canon or just never have them date at all

6. I couldn’t resist sneaking that one in. Insert lame Apollo dodgeball Leo Valdez joke LMAO

7. <3

That’s such a smart way to put it!! Leo is dealing with a lottt and we’re going to get into it a bit more in future chapters but yeah he’s definitely avoiding talking about some of it (in both the way that we the audience don’t see all of it and in him and Piper actively coping via distracting themselves and not talking about some of it)

Honest confession: I really struggle with Shel. I’m glad she exists, but she’s basically an OC when you try to work with her in fanon, because she really only exists to confirm Piper is sapphic and canon gives us absolutely no information on her. I know she’s Cherokee, I know she’s sapphic, I know she likes hiking and I think she has a piercing? That’s it. She’s just kind of a nothing character, which is fine in the books but makes it very hard to work with her in fanon content. Can we have at least a little additional input on her please? 🤲

Glad you think that works well!! Especially because I actually don’t find myself that funny? Though I think it probably helps that I’ve got a general tendency to get attached to traumatized joke coping characters, so I’m pretty familiar with it conceptually. The last book series I fixated on also did this a lot (intense explorations of grief briefly interrupted by memes LOL)

The audience knows stuff!! But Leo was not around for that! And he’s processing a lot at the moment but that just really makes it sink in how much he missed, both because he was gone for so long and also when he was there but so caught up in his own problems (and especially in seeing how “happy” Piper and Jason were apparently without him, because again Leo doesn’t feel worthy of love and has spent a lot of time in foster families who weren’t that great and made him feel like they’d eventually decide they didn’t want him anymore) that he didn’t see the cracks that Piper now tells him were there basically for the whole relationship. So yeah it’s a shock. On a lot of levels. But it’s a lot less earthshaking than the shock of Jason being gone, and therefore easier to focus on. The Piper related changes may or may not also hit him sometime in the near future ;)

Quotes section (please just in general know I’m delighted you did this it brings me suchhh joy to see what bits touched my readers the most):

-No spoilers, but I will say there’s a reason the fic starts out with memories of Esperanza. And yeah, the whole Jason situation is tearing open a lot of old wounds, specifically because of how similar it is: a situation Leo was unable to do anything to change that he feels responsible for (even though, realistically speaking, he isn’t). A loved one that got ripped away from him far too soon that he never got the chance to say goodbye to. A kind of desperate ache that nothing is ever going to fix.

I have a couple of grievances with ToA, and the way none of Jason’s loved ones are allowed to stay mad at Apollo is definitely one of them. Like, it’s established Jason died because of Apollo’s broken Styx prophecy! We’re told that’s the reason it happens!! Piper is the only one who gets to be mad at him at all, and even then she’s only upset for a single scene and has forgiven Apollo the next time they meet. Grief can be messy and nasty and people lash out sometimes! Not everyone needed to immediately be totally fine with the fact that Apollo got Jason killed!

-Glad you enjoyed that joke! I’m not super good with machinery so I worried I’d struggle with working that part into his narration but there’s some references to it I’m actually really happen with, and this is one of them :)

-Something something Leo is of the opinion that Piper should hate him how he hates himself! Also in this context, feeling a little evil about the fact that one of the reasons Leo doesn’t go to the Camp Jupiter funeral is that he thinks everyone would blame him for Jason’s death. The reality of it is that they wouldn’t! But when his mom died his aunt did blame him and so he automatically assumes that this time everyone will look at him and see that same blame written all over his face.

-English being my third language (technically second language going off of how well I actually speak it, I learnt French first but my French is shit lol), I’m really glad to hear it haha

-All of their lives are fucking weird, it’s a demigod thing, but Leo’s almost got everyone beat just based on the fact that the Queen of the Gods went out of her way to come babysit him. It’s even funnier because I’m pretty sure none of the others know this except for Piper and Jason. I wish we’d seen him tell Percy and Annabeth, I feel like that would have been a very funny interaction.

-There is something related to Leo in that box, which may or may not be something I’ve mentioned on this blog before ;)

-Unfortunately for Leo, there’s a bit more stuff he has to deal with before the Plot can start. For instance, the fact that he is (theoretically) in a relationship right now.

I’m so so glad you enjoyed this!! I’ve read and reread your comment a whole bunch of times now, and every time I do I get this huge grin on my face. This is the kind of comment i don’t get a lot but that when I do get it I’ll treasure literally forever. You made my whole month with this and it’s made me very excited to get back to the fic (which between exam phase and hospital stuff I haven’t gotten to work on nearly as much as I hoped lately)

The choiceless hope in grief

Summary: Leo Valdez has lived and died for the gods. Their war has shaped his life since he was a baby. With Gaia defeated, he sort of hopes he can finally rest. He has friends and some semblance of home to return to for the first time since he was eight years old. Just this once, he allows himself to hope the good things might stick.

But the gods aren’t done with them just yet, by the time Leo finds his way back, Jason is gone.

This time, Leo decides he’s done just taking the Fates’ bullshit lying down. If getting his best friend back means striking a deal with the gods and venturing into the Underworld… well, it’s probably not even the most reckless thing he’s ever done.

The caveat of said deal? He has to trust Jason will follow him, or his self-doubt will doom them both.

And after the life he’s lived, Leo is so intricately familiar with self-doubt that he could probably trademark the word.

Or: The only possible way for Orpheus to succeed is if he learns to think of himself as a person worth loving.

Word Count for chapter 1: ~5k

Rating: Teen and Up

So! *claps hands together* I’ve been threatening you guys with my Orpheus Eurydice valgrace fic for a while! Technically I wanted to wait to post this until I’m completely done writing the fic, and I mostly intend to stick to that! I’m only posting this now because I have a minor surgery tomorrow and I’d rather be anxious about fic related things than about the surgery in question. So, take this chapter as a preview of sorts, more to come soon-ish but probably not immediately!

A couple of important notes before we start:

-TW for suicidal ideation. It’s less Leo actually wanting to die and more his canon behavior of “I’m doing something extremely reckless that might succeed but if it doesn’t, my death is an acceptable consequence”, paired with general grief related self-loathing, but if you think you’re not in the right headspace to read about that, come back when you are or at least tread carefully. This fic pics up at the end of The Burning Maze, so especially the beginning is pretty heavy on the grief stuff.

-Since ToA is vaguely canon to this fic, Leo and Calypso are technically dating in the beginning, but they don’t really interact positively as a couple (honestly they don’t interact that much in general) and break up pretty early on. Just be aware in advance that they’re still together for a little bit.

-Fic title is from Talk by Hozier which is maybe a painfully obvious pick but it was too perfect for me not to use it.

Chapter 1: Leo and Piper have an extended sleepover

It wasn’t a discussion between Leo and Piper whether or not to go to Jason’s funeral. They came to the decision that they wouldn’t silently—or as silently as one could come to an agreement when all parties involved were sobbing.

Maybe it should have been a discussion. There was a part of Leo that worried he’d regret this later—his refusal to take this chance to say goodbye and let himself grieve.

But Leo remembered his mother’s funeral. Remembered the way his aunt Rosa had looked at him like she knew his mother’s death had been his fault. Leo couldn’t stand the thought of people looking at him like that again.

He also didn’t remember his mother’s funeral bringing him any sense of closure or comfort. He’d stood at her grave, afterwards, just as desperate and afraid and utterly inconsolable as he’d been before the funeral, except it had suddenly felt sickeningly final. The wound it had torn in his soul had kept bleeding for years, and the scars would stay forever. He didn’t need any of Apollo’s shitty oracles to know Jason’s death would be exactly the same.

At this point, Leo was pretty sure his sanity was being held together by a combination of jokes and a truly questionable amount of duct tape.

Beyond all that, though, Camp Jupiter was a battlefield right now. It would continue to be a battlefield for the foreseeable future.

Leo wasn’t a coward. It wasn’t that he didn’t want to go back and help. But one of his best friends was already in a box, and there was no way in hell he’d risk the other.

With how tightly Piper was clinging to him, maybe she was thinking the same thing.

For all his big talk about dragon escorts, Festus did most of the actual escorting on his own, occasionally torching what Leo hoped were monsters and not random public monuments. Leo, for his part, spent most of the journey crammed into the backseat of the car next to Piper, sandwiched between her and a bunch of moving boxes that seemed determined to flatten him into a Leo-shaped pancake whenever they took a sharp turn.

He’d spent so long thinking about seeing her and Jason again.

He’d talked Calypso’s ear off about them the whole journey, to the point where it had clearly started to annoy her. He’d thought about various ridiculous entrances he could make, and the fact that he’d probably get yelled at, but he’d also thought about sitting together by the campfire, sharing nachos. He’d thought about Jason hugging him so fiercely that he couldn’t breathe, and Piper cussing him out while she held him, making him promise never to do anything that reckless again.

Now Piper was actually holding him, and Leo couldn’t feel anything. There was a numbness in his chest. He wasn’t sure he had it in him to ever feel happiness again. Hell, even if he did, what was the fucking point? Every time anything even remotely good happened in his life, it got ripped away from him again.

They didn’t talk a whole lot for most of the drive. They cried until it felt like they couldn’t anymore, clinging to each other like desperate children.

Even if they’d wanted to talk about what had happened, Piper’s dad was right there, and despite the Mist usually working overtime for them, having him overhear seemed like a gamble. Or, well, maybe that was what Leo told himself. Maybe he just wasn't sure he was ready to hear it all. He still felt like he couldn’t think. He was overwhelmed to hell and couldn’t stop fidgeting.

Several hours into the trip, his stomach started grumbling. Piper dug through the bag at her feet and offered him one of her PB&J sandwiches, but Leo couldn’t eat. He hadn’t skipped a meal in forever—he’d been homeless and unsure when he’d even get access to the next meal enough times that it had been all but tattooed into his skull that he couldn’t afford to—but he couldn’t even think about eating without feeling sick. He thought about Jason. He thought about the state he’d left Camp Jupiter in and the fact that they hadn’t even been able to give the dead their proper funeral rites.

Had Leo’s help made any difference at all? Had anything he’d done in his life changed things even slightly?

Leo knew the Fates had intended for it to be fire that fell—for him to burn in a bright, hot blaze and turn himself to charcoal. But he’d refused to stay dead like a good little pawn, and now Jason was gone, and it was all his fault.

He wasn’t sure how Piper could even look at him right now, but he was beyond grateful that she was holding onto him as tightly as she did. It was the only reason he didn’t fall to pieces completely. The cog at the heart of Leo’s machine had broken in a way that made it utterly beyond repair, and now it felt like a matter of time before the whole thing came apart. Piper holding him was the only reason his remaining pieces were still functioning.

It should have been impossible for Leo to fall asleep under these circumstances, but he’d been traveling for hours and fighting before then and he’d cried out his remaining energy, so eventually, the world started to fade around him, reduced to just the sound of Piper’s breaths, until finally, those went, too.

~~~~

It would have been kinder, maybe, if Leo had dreamed up some shitty visions promising violent death and/or the end of the world. That would have been business as usual.

Instead, he dreamed of his time on the Argo II—of one of those early nights when the different groups were still getting to know each other, having a brief moment to breathe between their ridiculous tasks and saving the world.

It had seemed reasonable to catch each other up on what had happened on their end. Percy, Hazel and Frank had talked about rescuing Thanatos, and Piper, Jason and Leo had told them what had happened with Hera in turn.

This would have been a boring intel conversation at best, seeing as Leo had been there for all of their part, but they’d grabbed snacks and sat on cushions on the floor and made it a whole bonding activity. Jason had been wedged between Piper and Leo, and they’d taken turns storytelling.

And Jason had bragged. So much. But he hadn’t even had the decency to brag about himself like a normal human being. Instead, he’d talked about how capable Piper and Leo had been, somehow managing to make Leo sound like the coolest person he’d ever met. Which was ridiculous, considering he’d met everyone else on their team.

And sure, Leo made it sound like he thought he was amazing all the time, but he was exaggerating, which everyone, himself included, knew.

Jason didn’t seem to have gotten the memo, though. He had one arm wrapped around Leo the whole evening, and he got all starry-eyed when he talked.

“Leo took on three Cyclopes by himself. Three!”

“Dude, stop!” Leo had laughed, shaking his head. “I know I’m incredible and you’re blessed to be friends with me and stuff, but you weren’t even conscious for that part.”

“Still happened, though.” Jason had beamed at him. “You’re amazing, dude. I would have died about fifteen times on that mission if it hadn’t been for you. You guys should’ve seen him.”

It would have been easier if Leo had thought Jason was just trying to talk him up to the others to make them more willing to trust him after how badly he’d messed up in New Rome, but Jason wasn’t the type. He’d looked like he honestly believed every single word he was saying.

So, of course, Leo had refused to seriously deal with any of the things that made him feel.

“Sorry, Pipes, but I’m pretty sure your boyfriend is in love with me. It’s the fire powers, I’m afraid. I’m just too hot to resist,” Leo had joked instead, and Piper had untangled herself from Jason’s other side to throw Doritos at Leo, and everything had been right in the universe.

~~~~

Waking up from that, blearily blinking himself awake in the car full of moving boxes and remembering… that was a worse punch in the gut than waking up from most nightmares had been. And Leo should know. He’d had so many of those over the years that he was basically a certified nightmare expert at this point.

Leo wanted to go back in time and spend forever in that one evening, living it over and over and over again until the Fates or a temporal paradox or something eventually killed him. He wanted to hold on to what they’d been back then—the three of them together and happy and whole,back before they’d realized what the prophecy really meant.

He wanted to stay wrapped in Jason’s arm and hear him laugh at whatever stupid joke Leo came up with while he and Piper threw snacks at each other like ten year olds. He wanted to believe he could actually be the person Jason was bragging about—this invincible hero that could do just about anything and saved people’s lives.

But Leo had never been that hero. Even his sacrifice had been the selfish decision of a coward who wasn’t ready to die just yet. Jason had been their Superman. The guy who could fly and threw lightning and saved people from falling to their deaths. Jason had been the hero. And ultimately, that had been what killed him.

Leo wasn’t exactly sure what he planned to do once they got to Oklahoma. He should have been heading back to the Waystation, to give Calypso the normal life he’d promised. But he wasn’t thinking about Calypso, or the Waystation, and the thought of a normal life had gone out of the window the second he’d seen the coffin. Besides, the Waystation would mean people asking questions, wanting to know about his mission and asking him to talk about his feelings, and he didn’t want that.

The only thing Leo really wanted to do right now was not think.

By the time they got to the house, it was so late that cross-country dragon flight seemed inadvisable for visibility reasons alone, so Leo agreed to stay the night. Festus nuzzled him for a bit, got a fuel snack from the canister Leo had brought and then folded down into his million pound suitcase form for the night.

It took a little under two hours to carry all the boxes inside, which was an annoying amount of time to be carrying boxes but seemed like an absurdly short amount to move the contents of an entire life.

They spent some time in search of the necessities that needed to be unpacked, but the house was still furnished and also had running water and electricity as of a few days ago, so it wasn’t that bad.

While Piper went in search of some ancient camping gear so Leo wouldn’t have to sleep on the floor—this seemed silly to him, the floor was far from the worst place he’d ever slept—Leo asked Piper’s dad if he could help with dinner.

Tristan looked relieved at his offer, actually. He’d been staring at the assorted vegetables with a slightly lost expression, trying to hack at one of the zucchinis with a butter knife. It seemed like he was trying to remember how cooking worked and had just discovered he had absolutely no idea.

Considering how long he’d been an insanely rich guy with a personal cook, Leo guessed that actually might have been a pretty accurate read on the situation.

“You might want to try a sharper knife,” Leo suggested, which made Piper’s dad look absolutely mortified. “Try not to chop off any of your fingers, though. I think Piper’s been traumatized enough for one week.”

The words were out of his mouth before Leo could think to stop them. Tristan didn’t laugh, but at least it didn’t seem like he’d be tossing Leo out of the house over this. Maybe he realized people sometimes said stupid shit when they were grieving. Maybe Piper had just warned him in advance that Leo was like this sometimes.

Tristan just went to find a different knife, which would have maybe been concerning if he hadn’t gone back to hacking at the vegetables a moment later.

“Well, at least this one is actually cutting through the zucchinis. That’s already an improvement.”

“Yeah, I’m basically a cooking expert,” Leo said with a grin, only half-joking. He went to peel and chop up the carrots, and was done with those and about half the mushrooms by the time the poor zucchini had been hacked to bits.

“You and Piper went to school together, right?” Tristan asked after a while of them quietly chopping vegetables for the casserole, trying to make sense of things with information he didn’t have and that, judging from past evidence, probably would have made his skull crack. “You and her and Jason.”

“Yeah. We went to Wilderness school together.” Leo winced, trying not to think too hard of Jason while also trying to remember the lies they’d already told Piper’s dad. At this rate, he was pretty worried his own skull would crack, too. “Then all three of us switched to a different school. Then I was gone for a while.”

Tristan nodded like this made perfect sense, though he mostly seemed lost in thought. That was a little rude, in Leo’s opinion. If he went through all that effort to remember their elaborate setup of lies, the least Piper’s dad could do was appreciate it!

“I’m glad you’re here now, with everything that’s happened. Piper was really upset when you left,” Tristan said, still with that faraway look in his eyes. “The last few months were hard for her. Between the move and the breakup, she really could have used a friend.”

Leo promptly lost all rights to make fun of Piper’s dad and his vegetable chopping skills because at the word ‘breakup’, the knife slipped and he nearly sliced off two of his fingers.

“Fuck! Ow!” he said eloquently, trying to avoid bleeding all over the cutting board in his attempt to get to the sink. “Jason and Piper broke up?”

The question sounded absurd even to his own ears. Why would Jason and Piper break up? They’d been happy together.

Surely, Piper’s dad had to be talking about something else.

To Leo’s shock, Tristan nodded.

“A while ago, yes,” he said, but he didn’t go into details—possibly because Leo was bleeding all over the sink. “We should bandage that. Do you think you need stitches?”

“No, the cuts aren’t that deep,” Leo decided, turning on the faucet and holding his bleeding hand under the stream of cold water. Maybe he should have been more concerned about the injury, but his mind was still whirring at the thought of his best friends breaking up. Unfortunately, the cold water stung like hell. He hissed with pain. “Sorry for making your kitchen look like a crime scene right after moving in. Usually, I at least have the decency to wait a day or two.”

Because the house was a small, cozy place and Leo had not had the decency to curse quietly, Piper appeared in the doorway a moment later, an alarmed expression on her face.

“What happened?”

“I’ve been bested by a stupid potato,” Leo cursed, holding up his bleeding hand and wiggling his fingers for emphasis. He figured out immediately that this was a mistake. “Ow.”

“Stop that, dumbass!” Piper cursed, moving to stand beside him. “Sink was the right call, but you need to use soap or the cuts could get infected. Dad, any chance we have gauze lying around somewhere?”

Tristan didn’t seem to question why his daughter had immediately jumped into emergency medical treatment mode. He just abandoned the cutting board and headed for the front door.

“Not exactly sure what box our regular medical supplies are in, but I’ll get the first aid kit from the car. I’ll be right back.”

“Do we have to do the soap?” Leo whined, because fuck, that stung, but Piper nodded with a scary expression on her face, so he complied. “How do you even know this stuff? Are we sure you’re not secretly an Apollo kid?”

“I know this stuff because I’m friends with a bunch of morons who have zero sense of self-preservation,” Piper cursed, gritting her teeth. “You shouldn’t be around knives when you’re this distracted.”

“I can usually cook just fine when I’m distracted. Your dad was the one who told me you and Jason broke up in the middle of this stupid potato,” Leo said defensively. “Is that the Mist messing with him?”

That was the only explanation his mind had supplied so far that made any sense to him.

Piper shook her head. “We really did break up. That was a few months ago.”

Leo felt his jaw hit the floor.

“What the hell happened? You were together for ages. I thought- you always seemed so happy.”

“I know, but-” Piper broke off abruptly when her dad came back inside with the first aid kit. Demigod stuff, then?

Leo’s mind was racing. The breakup was a completely stupid thing to focus on, considering everything that had happened in the last few days. He knew that.

But it was easier to try and make sense of this than it was to try and make sense of the fact that Jason was gone and he’d never get to see him again.

“Is it alright if we do this somewhere else?” Piper asked her dad, taking the first aid kit from him.

“Of course. It might be easier to patch him up when you’re both sitting down, anyway.” He turned towards Leo. “Thank you for your help, but I think I can take it from here.”

Leo sent a silent prayer to whichever deity was responsible for protecting vegetables—Demeter, probably?—and gave what he hoped was an encouraging thumbs up with his uninjured hand before he followed Piper into the hallway to presumably be reprimanded some more.

~~~~ They ended up sitting on an old bed that looked like it had lived a long, miserable life and was excited for retirement, but the wooden frame thankfully didn’t break down under the weight of the new mattress or the additional weight of them sitting on said mattress. Piper explained that this had been her dad’s room when he’d lived here as a child, and that it would probably become her room now. Then she went very quiet and focused on bandaging his hand, clearly avoiding looking at him.

“It wasn’t because of me, was it?” Leo asked. The thought made him feel ill. “Please tell me it wasn’t something like, I don’t know, you two being unable to stand being around each other after what happened to me. I think I’d actually have to blow myself up again if it was.”

He tried to make it sound like a joke, but it didn’t feel like one at all. The thought that he'd managed to ruin his best friends’ relationship on top of everything else made it hard to breathe.

When Piper shook her head, it felt like a whole boulder was lifted off his shoulders.

“I actually think we would have broken up sooner if you hadn’t gone missing. We leaned on each other a lot after you disappeared. It wasn’t until we realized we wouldn’t find you and things started to settle down a little that I had time to think. And when I did…” Her voice went very quiet, and she still didn’t look up at him. “I realized I wasn’t happy in the relationship. I don’t think I ever was.”

“How did I not know that?” Leo wondered quietly. “I just… you two seemed happy to me. What kind of garbage best friend am I?”

Piper shook her head. “It isn’t your fault. I was telling myself I was happy for a long time. It’s almost- sometimes I wonder if I was charmspeaking myself. That maybe I kept saying I was in love with Jason until I convinced myself I actually was. And with Hera and my mom setting it up… I love-” her voice caught in her throat, and Leo felt like maybe he needed to throw up, “-loved Jason, but not like that.”

“Pipes, I’m really sorry.” Leo squeezed her shoulder. “That sounds like it was super hard for both of you.” Leo felt awful about the fact that he hadn’t even been around to comfort either of them, but it wasn’t like he could fix it now. It was just another item on Leo’s unending list of epic screwups he’d never be able to make up for.

“Jason was… well, he took it exactly like I expected him to. He was surprised, but he didn’t get angry or anything. He mostly seemed okay. Part of me wonders if maybe…” But whatever Piper had been thinking about, she seemed to decide it wasn’t important. “It was hard to get a proper read on him, and as nice as he was about it, things were still super awkward after. I'm terrified he died thinking I didn’t care about him.”

And then she was tearing up again, and Leo thought he would shatter if she cried.

“He knew you cared,” he said as earnestly as he could manage, pulling Piper to his chest again. “You love way too annoyingly for him not to have known. Hell, even I know you love me, and we both know I’m a fucking nightmare when it comes to this stuff.”

“I missed you so much,” she whispered, wrapping her arms around his back like it was the easiest thing in the world.

“Oh, I’m about to make you regret saying that,” Leo said, forcing himself to smile. “I’ll bring it up each and every time you say you find something I do annoying.”

“You’re annoying as hell, but you’re still my best friend.” He could feel her tears dripping onto his shoulder, and he knew that would make him start up again too. “I don’t know how I’d do this without you.”

And well, passing away from dehydration after crying too much would be a really lame way to die the second time, but everything was just too much right now, so if that was how he went, Leo wasn’t sure anyone could blame him.

~~~~

For the next couple of weeks, Leo stayed.

Helping Piper and her dad unpack was the perfect way to keep himself occupied and not have to think. Usually, a mundane task like this probably would have driven Leo nuts. But right now, it was a bit of a godsend—if not literally, at least figuratively. Being productive was always so much easier when it was done in order to avoid something you wanted to do even less. There was a reason his spaces in the foster homes had only ever been tidy when he had exams coming up.

He helped cook, too, and Piper’s dad became increasingly less garbage at it the longer this went on—like muscle memory was finally kicking in after years of disuse.

It was mostly good—listening to Piper reminisce about trips she’d taken with her dad and where she’d gotten the weird variety of items she kept in her room. When they weren’t unpacking, Leo and Piper played video games or watched movies or explored the area. Twice, during the night, they took Festus on a little flight to a nearby fast food place. Finding a parking spot was a bit of a nightmare, unfortunately. Leo would submit a complaint about their inability to accommodate celestial bronze dragons the first chance he got.

The first time they tried hiking—Leo didn’t even like hiking, he’d spent enough time outside for several lifetimes, why did he do this to himself—they got hopelessly lost in the woods, and of course, due to demigod bullshit, neither of them had brought a phone, so Google Maps wasn’t an option. It was probably for the better. The last thing that situation needed on top of them being lost was a monster attack.

They were already jokingly planning out their new life in the woods when, thankfully, a girl their age came to their rescue.

“A human being! Thank the gods. The squirrels weren’t talking to us,” Leo greeted her, which had Piper shout “Please ignore Leo!” loudly from the branches of the tree she’d been climbing.

The girl lifted her head, spotted Piper and promptly burst out laughing.

“What in the world are you doing up there?”

“Trying to get a better vantage point,” Piper sighed, making her way back down the tree. “We’re hopelessly lost.”

“Well, nice to meet you, hopelessly lost. I’m Shel,” the girl said, still grinning. Leo decided immediately that he liked her.

Piper had almost made it back down when she somehow missed a branch and fell the rest of the way. In comedic movie fashion, Shel moved before Leo had the chance to and caught her mid-tumble. “That was a bit of a dramatic way to get my attention, but you’re cute, so I’ll allow it.”

“Oh yeah, Piper’s got a bit of a thing with falling for people that way,” Leo commented, and Piper gave him her most murderous look while she got back on her feet.

“You guys need help getting back?”

“Please, yes,” Piper said immediately. “It turns out we’re both garbage with maps.”

“Maybe you just need a tour guide next time,” Shel suggested, winking at Piper, whose face turned scarlet. Leo wasn’t even mad about being the third wheel for once. He’d give her so much shit about this later.

And he did. And then Piper properly came out to him—no label or anything, mostly as extremely confused but sure she liked girls, which also made a few additional pieces click into place regarding her breakup with Jason. She ended her anxiety-riddled explanation by thanking Leo for being so normal and annoying about all this.

Which was how Leo realized he’d apparently never told Piper he was bi.

Or maybe he had, and it had gotten lost along with their other memories of Wilderness. Stupid memory-stealing babysitters.

Well, at least they got to hug about it now.

~~~~

It was strange how normal some days felt when nothing would ever truly be normal again. When in every moment Leo and Piper spent together, the gaping hole that had been ripped into their trio was so blatantly obvious.

The benefit and problem of this friendship was that Leo and Piper were both experts at not talking about things they were struggling with.

This wasn’t exactly news. From what little Leo did remember of Wilderness School, they’d spent months not talking about his mom, or about the fact that Piper’s dad kept canceling their weekend plans. They’d both known there were things left unsaid, but as long as they’d been able to cheer each other up, that hadn’t really mattered. It made sense, honestly. Put two people who hadn’t had a shoulder to cry on for ages in a room together and see what happens!

Right now, this meant they were expertly ignoring the box of belongings Piper had picked up from Jason’s school. It had been pushed so far under the bed during that first night that it was no longer visible, and neither of them made any effort to move it out of its new home since. They ignored the topic of Jason, period, until it inevitably hit them in the face again.

It was mostly dumb shit that set them off. Piper automatically reaching for vanilla ice cream at the grocery store because it was Jason’s favorite—seriously, who in their right mind even liked vanilla ice cream?

Sometimes, Leo would make a joke and burst into tears instead of laughing because he knew it would have cracked Jason up. They found old photos unpacking. One time, Piper’s dad suggested they make tacos and they started simultaneously bawling their eyes out.

Leo had spent a long time exactly like this—pretending everything was normal and okay when it wasn’t either of those things until he inevitably broke down. Then he’d started to actually feel sort of okay whenever he was with Jason and Piper. Now, he was sure he would spend the rest of his life pretending.

His appetite was too used to being stuck in survival mode for him to bow to nausea for long, so he went back to eating properly after a few days. He still cried himself to sleep most nights. He kept dreaming about Jason. The memories wrapped themselves around him like a safety blanket that he knew would get ripped away again in the morning. He always woke up feeling empty. Sometimes, he wished he could just go to sleep and never wake up again.

But other than that, it was mostly good.

Then demigod communications went back up, and everything went to hell.

———

Chapter notes:

Fun fact! I originally planned for this chapter (as well as the next few chapters) to just be backstory in my head and for me to maybe do a flashback or two. Unfortunately for me, Piper McLean waltzed into the room and refused to leave.

I do actually think the fic works better this way, but it will take a second to get to the plot! Hopefully you’ll enjoy the whole journey :)

I may not be able to have Leo and Piper go to Jason’s funeral without seriously messing with the plot of Tyrant’s Tomb, but I could at least pick the most evil reason possible for them not to go!

Side note: I sort of forgot that Hedge and Mellie were supposed to be here according to TBM, but by the time I remembered I already had this chapter written out and, as someone who cannot be bothered to figure out how to write them, I decided to just leave it. ToA is vaguely canon to this universe, but only for the most part. Some details are inaccurate, and I think that’s okay.

Anyway, thank you so much for reading! Comments and reblogs super, super appreciated as always!!

List of people that at some point asked to be tagged when I post this: @poppitron360 @ginnyluna @keefessketchbook (feel free to comment if you want to get taken off or be put on the tag list for future chapters!)

#tchig

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