#isleofdogs

[archoptical]

[lifebaseandspice]

今さらながら犬ヶ島を観た。分かりやすいストーリーライン、不思議な日本と、ところどころツッコミたくなる日本語（毒ワサビとか）が面白かった。

[lapswood]

Beyond the Barrier #riverthames #thamesbarrier #flowingriver #cityscape #isleofdogs #architecture #skyscrapers #cablecars #cranes #blueskies #whiteclouds #textures #contrasts #galaxys20fe #photography #instagram (at Thames Barrier) https://www.instagram.com/p/CpFz4dMIs8Sj3PoBV-URM4PBMrn0uNj2NnSu0A0/?igshid=NGJjMDIxMWI=

[minarachelle]

This one? A must see, definitely. Go see it for yourself.

[myselfesteemwonthelp]

Big cities trigger my claustrophobia. I love the idea of the skyscrapers and the multiple cultures, but when I’m amongst it it makes me want to run and hide. It doesn’t take anytime at all for the novelty to wear off. #nightphotography #nightlife #london #isleofdogs #canarywharf #eastlondon #lights (at Isle of Dogs, East End, London) https://www.instagram.com/p/Cp701swozvi/?igshid=NGJjMDIxMWI=

[naturalexplorer]

1st part of walk from North Greenwich to Greenwich. This part of the Thames walk/Olympian Way goes through old wharves, derelict areas, and new construction and contrasts to the stunning architecture around the Old Naval College. Greenwich. To follow in part 2. #greenwichpeninsula #thameswalk #thamespath #milleniumdome #isleofdogs #canarywharf #explorelondon (at Greenwich Peninsula) https://www.instagram.com/p/Cm7RLwgDrOI/?igshid=NGJjMDIxMWI=

[henricavyll]

Wes Anderson’s “Isle of Dogs” is like no other stop-motion film, so it makes sense that its animation process was like no other. Instead of CGI, the movie’s art department made thousands of characters by hand. “[It’s] probably the most ambitious stop-motion film certainly I’ve ever worked on,” says the movie’s head puppet master, Andy Gent. “There’s always a lot of detail … When you create miniatures they have to be absolutely working miniature versions of real life.” Gent says Anderson zoned it on every little thing and made sure miniature buttons, zips, and watch dials all had the details of their real-life counterparts. For instance, Gent says the original script called for a minute-and-a-half sushi preparation sequence. It took seven months to shoot. In the film, a chef slices up fish, which involved magnetizing the already cut silicon pieces to resemble a whole fish. Then, when the knife slices through it, it would open up to the internal pieces, Gent says. It took a lot of planning, testing with paper cutouts and plasticine, molding, plus hand painting to ensure the shot was exactly right, he continues. Occasionally, a sudden change can derail hours of work, like when the team had built multiple gloves for the chef’s hands in the sushi cutting scene, only for Anderson to change his mind about jump cuts. “We’d plan for one eventuality and then it changed around, which often happens. You’d be like, ‘Well why do we need to do this? Why are those the rules?'” Gent says. “It took three animators because it broke quite a few people to get through the shot. Seven months later we end up with one minute of animation.” ─ Variety 

ISLE OF DOGS (2018) dir. Wes Anderson | Making of the Sushi Scene

[bitesthestuff]

Jane is worth it

[wesandersonblog]

[raurquiz]

#HappyBirthday #gretagerwig #actress #producer #director #NightsandWeekends #TheHouseoftheDevil #nostringsattached #FrancesHa #LolaVersus #jackie #IsleofDogs #whitenoise #HannahTakestheStairs #NorthernComfort #MistressAmerica #LadyBird #LittleWomen #barbie @streammaxla

[archoptical]

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