#is to switch mediums

[mediumgayitalian]

do you ever deal w writer’s block? love your fics btw!

oh man ALL THE TIME. i actually frequently have to stop mid-fic and switch whatever i’m writing on bc my brain is stuck. i’ll start in my notes app sometimes, but i get stuck there SO fast, and switching to laptop only helps sometimes. what i usually need to do, and this is weird and embarrassing as shit, is text fics to my friend in instagram DMs 💀💀 the combined pressure of her literally watching me type and the character limit per message, forcing me to send and accept what i have, keeps me juuuuussstt stressed enough to finish. and sometimes i write on napkins or notebooks or my arm or whatever.

OH AND!! i got this advice from a veronica roth interview, which i’m even more embarrassed about but whatever, is to literally start over. she said her writing process is to write something, rip it up, and then start again, because then she knows which parts are important (bc those parts come up again in the second try). me personally i think that’s stupid as shit, so i never delete/destroy anything i write ever in case i can reuse it (and i have dozens of times), but the retrying advice is pretty sound tbh. if i’m stuck, i literally just stop, put the first draft away, and start a second one without even looking at the first one.

if neither of those work, i honestly leave the fic for a while. sometimes i return to it, sometimes it’s just not meant to be and it stays in my drafts forever. either way, don’t get too attached and don’t worry too much. you can write!

however if i’m stressing about posting before i go to bed and i truly cannot get ANYTHING to work, i write a random line of dialogue and see what happens from there.

“I told you to cut that out!”

“That looks disgusting, man.”

“Hey. Look at me, sweetheart.”

“You think that’s safe for, like…normal people? No offense.”

“Well, I like you.”

“Oh my God! You’re here!”

“You think she’ll notice if I swipe it?”

these are just the random ones i came up with now. i’ll just type out whatever response pops into my head, and a little tiny conversation/situation usually blooms around it. i never worry about length, either, i’ve posted things that were forty words before lol. my goal is to write a lot, and let quality come as it does, not really to stress too much about what i’m writing.

[trashdorito]

I swear they better not mess this up

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[northernmoments]

Two of my latest paintings

[ancha-aus]

Ghosts & Medium AU Drabble - Moon Ritual

Not the drabble idea i mentioned before but one I wanted to write quickly :3

I am sure you can guess who this one is about :3 It is time for the gang to summon and meet Nightmare.

*----------------------------*

Dust checks the circle he had been drawing before leaning back. Still not quite right. Damnit. This is a hard design to get right. He rubs some of the chalk away and starts with making the design again.

Cross, or well Killer in Cross's body, leans over his shoulder "Dusty!! I am bored! are we done here yet?" and he leans against Dust's back.

Dust freezes and notices that Killer is letting a hand wander. Dust hits backwards and hits the other in his face. Killer backs up wiht a groan and dsut glares over his shoulder "Stop trying to molest me every five minutes." and he turns back to his circle.

He fucking hopes this works. Otherwise Dust is not sure how to get Killer to unsync from Cross's body.

Cross floats near him. still hiding his face "I am so sorry." Dust just shrugs as he keeps working on the circle.

Ash glares at where Killer lays holding his skull groaning "You are a disappointment and a waste of life force and soul energy." Ash nods and floats towards Dust's side.

Dust tries to focus on the circle but hears Horror gently tell Killer to not bother Dust when he is working. That distracting Dust could end up getting him hurt.

Dust checks his notes again before looking back at the circle. It seems right...

Cross looks over his shoulder and tilts his skull "It is unlike any demon summoning circle i have ever seen before..."

Dust hums "It shouldn't." It wasn't a demon summoning circle at all after all. All the symbols and texts he had found decribed this being as a Fallen. Which can be read in different ways.

But Dust reasoned a demon wouldn't be called a Fallen. especially not a powerful demon. So he skipped the whole standard set up and worked from scratch.

Whichc is why it took him a while to get this one ready but it should work!

Of course Dust hasn't been able to test the ritual he made just yet and it isn't like you can really practise rituals safely. The whole summoning a being makes that a bit complicated.

Dust sighs as he steps back from the circle and nods. That is the best he can make it with his limited supplies.

Dust walks to the side and starts making a larger containment and shelter circle around the ritual circle. Best to make sure that whoever he summons is protected. It would be useless to summon someone only for them to die or get destroyed by say the very air.

Ash frowns as he checks the circle himself "You didn't specify which type of being you are summoning."

Dust shrugs "I don't know for sure what it is." He has ideas but if he puts in the wrong species he may just make the circle blow up on him. He can know, it happened before.

Ash frowns at it before floating to his side again "Make sure to add a desummon symbol just in case you can't make a deal and need to get rit of it."

Dust nods "Will do." He makes sure to put the desummon sigil between the containment circle and the shelter circle. Making sure the shelter one is the most outwards one and the being can't reach through the containment one to mess with the desummon sigil.

Once finished he checks all the marks and sigils before nodding as he walks back to the spot he had been preparing for himself. He checks his own protection circle and makes sure to prepare an antimagic shield as well. Ready to be activated when he wants it to.

Well. That is all the preparations he can do for this.

Well...almost. he turns towards the ghosts and actual person following him around "I am going to do the ritual. I need everyone, ghosts included, to stay within this circle." It will be a bit snug but he didn't feel like it was a good idea to experiment with hsi protection circle right before summoning an unknown being.

Horror frowns at him "Will you be okay? Takes a lot of magic."

Dust nods "I am fine."

Horror still looks deeply unhappy "But you skipped breakfast and lunch for this... shouldn't you eat before doing this?"

Dust shrugs as he walks towards the safe spot "I will be fine." and it isn't like he got the fonds to buy something at the moment. He needs to make the little he have last longer for as long as he can.

He just does not want to try to do another job and have Killer invite another ghost along. Nothing against Horror, he is very nice and behaves while being helpful, but he does not want another ghost anchored to his soul. There are already three now and Dust does not want to figure out what happens to a soul if too many beings use it as anchor.

He enters the circle and a moment later Killer is hugging him from behind. Dust glares "Killer!" fuck Cross's body is very warm and solid. That guy may be a priest but you would think he is a soldier or fighter or something with how strong he is.

Killer just hums as he tugs his skull and face right by Dust's neck and shoulder "What is wrong my bunny? I am in the circle aren't I?" Dsut can hear the grin in his voice. Then Killer hums happily "mmmh.... so warm and you smell so nice."

Dust glares and wiggles a bit but he is very stuck "You are fucking weird. Let go now. I need my arms for this."

Killer moves his arms around and he is now hugging Dust's lower middle and has his hands on his hips.

Dust uses his newly freed arm to hit Killer in the middle wiht his elbow. Fucking hell what the fuck does Cross EAT?! That guy's body is fucking all muscle and that is fucking impressive for an actual skeleton. How much trianing does it take for a skeleton's passive magic to be that strong and trained?!

Killer groans but finally lets go.

Dust glares at him "Back of the circle or so help me I am kicking you out and let whatever i summon do whatever with you."

Cross yelps and flaots closer "wait! Dust! Please don't! That isn't Killer's body remember!" he looks begging at him.

Dust sighs and nods. He knows. Which is why he hasn't done much more damage to the stupid flirt.

Talking and thinking about that stupid flirt. Killer lays on the ground by his legs and winks "I don't mind you on top of me Dusty. Just had to ask and I am happy to provide~"and he winks again!

Dust swears he sometimes wonders if there is just something in Killer's sockets which makes him wink this much!

Dust sighs and checks if all the ghosts are near as well. Everyone seems fine so he holds up his hands and concentrates. He knows that the blue in his eye light lights up. colouring all the circles first blue.

Dust lets his magic explore the circles and what to do where. Once he has a good feeling for it he concentrates and any blue turns a violet colour.

Dust mutters some old spells from long ago. They don't do anything but they help him concentrate his magic. Ways to make it easier to use the magic.

The summon circle lights up purple and Dust waits. He knows Ash is holding his breath.

Then it turns bright cyan and flames seem to rise form the circle. Dust pulls his own magic back as the summoning circle has been activated.

Ash shudders as he glides close to Dust's shoulder "that.... is very powerful... what exactly are you summmoning again?"

Dust feels his soul fill with anxiety. Maybe this was a bad idea... He glances around and sees that everyone seems troubled. Killer is shaking and has taken to holding Dust close against his front. Arms locking him in place but this time Killer doesn't even seem to be trying to sneak a feel. Just holding him close. Dust can feel Killer's soul shivering and shuddering agianst his own back.

Horror seems close to hyperventilating as he seems to hold his own middle. Staring in front of him and his other hand seems to be worrying his headwound.

Cross is straight up shaking and muttering things to himself. looking close to a panic attack.

Then Dust remembers it, something specific in the notes he took. he grabs his notebook and starts searching for the right pages.

A being that brings negativity. It finds your weakness and exploids it for its own amusement.

Is this being causing this?

"Dust?"

It has to be right?

"Dust!"

But then it would be strong enough to already affect people without really having to be present!

"Dust!!"

Dust glares at Ash "What I am thinking." Obviously!

Ash points and Dust turns only to freeze.

There is a being made of someking of black goo. It is dripping in the circle and staring right at them with one shining glowing cyan eye.

Staring.

Waiting.

Dust quickly checks his notes. It isn't a fae so the fact the others said his name shouldn't matter. It is a being which thrieves on emotions and-

oh.

Dust closes his sockets and takes afew deep breaths. Mind over matter.

He is fine.

He prepared for this.

This thing can't hurt him.

He is okay.

His soul calms downa dn with it so do his emotions.

He looks at the others "Calm down. They won't be able to get to us." his feet is right by the activation symbol for the magical shield. HE doesn't think this is magic and so won't waste it right now. "It gets its powers from negative emotions. probably is causing them too. chill."

Ash looks at him and nods. He concentrates and obviously calms down. Dust knows his brother well and his brother knows him. Ash knows Dust wouldn't say that unless he is very sure.

Cross looks unsure but floats closer to Dust before calming a bit. seemingly trusting Dust to know what he is saying.

Hah. Dust hopes so.

Killer frowns at him and just pulls him closer. He clearly still doens't trust it and that is fine. as long as he remains calm and collected... which Dust knows is too mcuh to ask of Killer because it is Killer but Dust puts that out of his mind.

horror is harder to calm down just because Dust doens't know Horror that well but it seems Horror had been watching them already. Dust speaks calmly "Nothing you feel is what you feel really. It is just them doing this." Dust hopes. He isn't sure if this being can actually physically make their fake pains real but his shielding should protect them from it. It is too protect against harm after all.

Horror frowns but nods and pulls away from the wound and his middle.

Okay. Okay. He got this.

"Impressive. Waht gave it away that it was fake?"

Dust is shocked by this being's voice. It is deep and calm. The eye seems amused but Dust isn't sure how to ready this being just yet.

His growing and forming migraine isn't helping either. It is getting almost painful to concentrate on them. And Dust knows it is because this is a strong creature. Almost like his body tries to warn him when he gets near something too powerful for him to handle.

This being is much too powerful for him to have summoned. Oh shit.

The being tilts its head as it continues to look at him.

Right! It had asked a question.

Dust considers not answering them but if he wishes for them to break the bonds keeping Killer stuck in Cross's body he needs to have abit of a positive standing.

So. Chitchat.

Dust shrugs "Looked through some stuff... it mentioned you are connected to emotions and bonds made with those. Not specifically harming others at a distance."

The being nods as it looks abck to the circles "Interesting circles. I never seen any like them before. Usual people try the more..." they smirk "Traditional circles to get me. You know the ones. sacrifices."

Dust frowns as he looks to the side "Fucking idiots is what those people are. Why use does something that uses emotions have of something dead?"

The thing's smirk grows and they nods "Very true. Rather unimpressive and does not do well to impressive someone. For that matter. You have my attention. What did you wish of me... Dust was it?"

Dust nods "It still is." he rubs his notebook "I want to make a deal."

They grin and purr as they speak "Of course you do. What would you need of me?"

Dust points with his thumb over his shoulder to Killer "There is a poltergeist in this body that should not be in it. I want him out of this body so the original spirit who the body belongs to can enter it again."

The being tilts his skull again before focussing their sight on Killer. Dust can hear Killer start to growl and feel his grip on himself tighten.

The other looks amsued "You sure? He seems very fond of you."

Dust makes sure to look unimpressed and keep his voice deadpan "That is the problem. As spirit he is a lot easier to ignore. Now he is mobile and can cause property damage."

The being chuckles as they look at them all. Their magic glowing and reaching but the shield does its work and keeps them out. Dust raises a brow and the other smiles innocently "Can't blame me for trying." then a moment later as he looks thoughtful "huh... interesting."

Cross sounds nervous "what is?!"

The other looks amused "What exactly caused you to.... have your body... borrowed?"

Cross looks embarrassed as he crosses his arms. Yeah no. Dust does not have time for this. "The spirit was first anchorred to me. I asked Cross to remove said anchor. His ritual went wrong and this is the new situation."

The other chuckles as they shake their head "Of course it didn't work. You did a trade ritual."

Dust stops. So THAT is why the ritual circles had looked weird! Cross looks panicked "waht is that?! It can't have been... I used a ritual from old priest scrolls!"

the other nods "Yeah that would do it. It used to be the only way priests could get dmeons and spirits out of the victims bodies or away from them. By offering a trade. instead of just feeling parts of alive or temporary possessing they would offer their own bodies for the spirit. Giving the spirit a much better place to reside and live instead of the victim." more amsuement "of course... the priests using this also made sure to eat and drink holy to make sure that while their body was a free ride it also became a deathtrap."

Cross looks beyond alarmed "I didn't know that! Dust!!"

Dust holds up his hands "You came to me with that ritual. How was i suposed to know what it did?"

Cross waves his hands "You always know stuff about rituals!"

Dust groans but looks at the other being "Can you fix it?" because that is the real question.

The other seems to think for a moment. tap their chin before making a so-so motion "I may have a solution but it isn't what your friend probably wants. I can not undo the ritual completely but i can change it. I can make it that the poltergeist is no longer the holder and owner of the body."

Cross is already nodding but Dust frowns "What would happen if we did that route?"

They look amused "It means that his body? Becomes more of an... open territory, at least temporary. It means that if the spirit is strong enough and stubborn enough they can claim the body for a while to inhabit. the exact limits depends on the spirit and the body."

Cross sputters "You mean! My body becomes like a... a... rental?!"

the other stops and seems to think it over before nodding "In a way. Eventually your body and spirit should recover enough themselves to make it so you are anchored to your own body again. That is usually how the priests regained full control themselves after destroying the being they trapped. They would stay on holy ground to make sure no spiritis challenged their claims over their body. but that is all i can do."

Dust frowns "would cross need to be the only one in his body for that to work?" if that is the case they would need to get to the chapel real soon after Killer got evicted.

The other shakes his head "Not specifically. He would get his claim over his body back faster if he stayed on holy ground but even on neutral ground as someone else possesses him his body would know this is not the spirit that is suposed to be in it. and eventually kick it out. again, when this happens depends on the spirit and body themselves."

Dust frowns. meaning. Cross will eventually regain his full body control but it would take time. Killer, or any spirit for that matter, could possesses him and gain control over Cross's body. Leaving his spirit out of it. This would stay this way until either Cross can repossess himself over the spirit's control, or until cross's body realises the problem itself and kick out the uninvited guest.

He looks at Cross "Can you live with that?"

Cross seems to think before nodding.

Cool. at least this ritual and the near mental or emotional breakdowns weren't for nothing. Dust turns back to the being "What would you want in return for payment?"

The being hums and grins "a favor?"

Dust glares "No."

The being sighs but doens't sound disappointed or surprised "Can't blame me for trying." then he looks at them again. clearly in thought.

They nod and smile "I want a very specific thing. An artifact I lost a while ago. I want you. To find it and bring me to it so i can reclaim it."

Dust raises a brow "So you wnat me to find it and summon you near it?"

The other smirks and shakes his skull "I want you to make haste to find it. So i will remain here in this realm as you search it. the deal is completed as soon as i have it back in my possession. and then any debt is repayed."

Dust stands there and groans "Are you fucking kidding me!?" he covers his skull as he just hangs his head in his hands.

Killer holds him clsoer "Dusty? what is wrong?"

Ash however is cursing as well as he figured it out too.

Dust glares "I already HAVE three spirits stuck to me! Two of which who werne't invited! Why would i add another one to that!?"

The other smiles as he crosses his arms "that is my price."

Dust glares "I am not even sure if i can savely make another anchor. This is too high risk." not to forget he doesn't even know if this being needs a stronger connection or takes more magic to be here. Dust only has so much energy and magic.

The being waves it off "I wouldn't be anchored to you. I would be anchored to the very concept of our deal. The reason I would be here and be able to stay would only be because of the deal. the deal is completed? I will return to my realm and you would be debtfree."

Dust frowns as he thinks it over. okay at least not another anchor. he frowns "What if i can't get the artifact?"

The other being smirks "the debt would remain. but i am not unfair. sometimes people can still complete tasks from beyond the grave and i am patient."

Dust frowns "what is even the artifact?"

The being smiles "Why would you need to know?"

Dust glares "I would need to know if i need to find it."

the being considers it before nodding "It is an artifact normally used for rituals connected to the god of destruction."

Dust thinks for a moment before his sockets widen. He may have a clue... He knows that the cults have been obsessed with a god of destruction.

Dust nods "Okay. you break the bond now. and in trade i help you get to that artifact." Ash looks unsure but clearly trusts him tom know what he is doing.

The being smiles as he holds out a hand. it glows cyan "So. we have a deal?"

Dust nods "We have a deal." he exits the protective circle and goes to the very edge of the containment circle.

They stare at each other.

the being smirks as they hold out a hand "I. Nightmare. King of negativity agree to the terms of the prediscussed deal. which consists that i will remove the spirit stuck in Cross's body and remove the claim it has under it. In return Dust will assist in the search of the artifact used in rituals of the destroyer. once this artifact is foudn the deal is complete and will be done."

Dust takes a deep breath as he raises his hand and covers it with his own magic aura. only a soft weak violet light compared to the fluorescent blue that the being, Nightmare, gives off.

They shake hands and Dust can see the magic settle on his own hand and a small cyan mark on his hand. it is shaped like a moon.

He takes his hand back and Nightmare steps out of the circle "Very good circle work. I look forwards to working with you." Nightmare walks right over to Killer in Cross's body.

Killer glares but Nightmare does not look impressed. He grabs the soul and motions towards the soul. the soul turns cyan blue and Nightmare pulls his arm and hand back.

Dust watches as the soul is forcefully removed ffrom Cross's body and Kilelr's spirit follows it.

Cross's body goes limp as Nightmare holds Killer away from the body. a small line of red connecting the two. Nightmare grabs the line and snaps it.

Cross gapss and dives back into his own body.

Ngihtmare releases both Cross and Killer and crosses his arms.

Cross taps and checks his own body before falling to the ground "oh fuck... fuck i am me. Dust! Dust thank you so much!"

Ngihtmare looks amsued "It will take time before spirits can't easily possess you anymore. I would skip making or doing rituals for a while."

Killer pouts and floats over to Dust and pouts at him "But dusty. Now i can't join you in bed anymore."

Dust glares "You weren't welcome to begin with."

okay.

okay!

Cross's body situation is mostly sorted or will be sorted over time.

Which just leaves. getting Killer and Horror disconnected from him.

Maybe after this deal is complete he can discuss with Nightmare about other deals to unanchor both of them.

For now! Best repay the debt before he adds to it...

Time to do some more reading and research on this cult of destruction.

[im-not-buying-it-ether]

Realizing the Ben 10 love might’ve been a prelude to my Billy Batson love

[crabsnpersimmons]

Do you sketch in pencil or do you just go straight to pen?

thanks for the question! it depends on what i'm drawing!

if i'm just doodling without any plans, i may go straight in with a pen. it's a habit i developed from my school days because i didn't like the feeling of pencil on paper. these are examples of when i just went straight in with pen:

the first two i drew with felt tip pen and ballpoint pen respectively and left the sketch as the lineart. the third one, i sketched with a ballpoint pen, liked it, and decided to clean it up with white out and add cleaner lineart on top.

now, if i know i'm going to draw something complicated or something i know want to clean up later, i'll usually start with a coloured pencil sketch and then... decide if it's a lines first day or colours first day. you'll usually notice some stray sketch lines because i honestly don't care to clean them all up perfectly. Some examples here:

usually, i do lines first because that's what i'm used to. also because getting the lines done gets me closer to a finished drawing (a bad habit of mine is stopping once the lines are done). but recently, i've been being too precious about doing lines, so i decided to switch things up and colour first, which has been helping me to not overthink my lines too much.

[angelpuns]

Genuine question!

Are there any plans to revisit the reverse kid leo universe? Like with teen leo and little brothers? I really like that idea so I'm just wondering

Nope. I do have a collab planned far far far faaaaar in the future, but I personally do not enjoy drawing the spinoff and I don't have ANY ideas for it like ever, so I have no plans of continuing it myself/in an official capacity. It tends to confuse people about what's canon/what's not, too, and I'd like to avoid that :/

I usually do try and keep up with what everyone else wants to see ( and for some reason a lot of people like the spinoff?) But its so far out of my interest zone that I just really can't draw it smh

Writing the script for the collabs has already been so so difficult cause there's just like...no ideas.

And also a funny plot hole is that Leo in the spinoff could literally go back to his time whenever he wanted. There's like 0 stakes. Idk I'm rambling but the TLDR is no lmao

[ducktracy]

30 second MS Paint self portrait but my director pointed out that i always start every meeting doing this and said that my energy is admirable and something to aspire towards. and i'm documenting this because i genuinely think a part of my brain is subconsciously being influenced by HIM

[pyrotechnicarus]

what's your experience re: the difference between writing prose and scripts 😭 i have to write plays for the first time for school and i miss my wife Purple Prose

Congrats on writing your first play! And I definitely empathize -- switching from one form to the other was hard for me, and something I still struggle with. Musical theater is arguably the novelist's crutch into scriptwriting because we have access to songs -- the kind of access to the characters' thoughts and intentions you get throughout a novel, you can inject into a song, whereas straight playwrights (especially realist playwrights) don't always have that built-in genre convention for theatricalizing their character's minds.

Unless you're working at a level of heightened text in your play that allows interior monologues to be spoken aloud or narrators to describe things (which, hey, you might want to consider!) then you'll have to really work on externalizing both beauty (your beautiful descriptions of things in your short stories? now someone has to say them out loud. Who would? What sort of person would speak this way? Would anyone?) and character development (often my playwriting teacher says that every shift in a piece has to be signaled through an action. A character can't just change their mind. That change doesn't exist to the audience until they do something with that new perspective -- hurt another character, avoid a situation, indulge in something they've opposed before, etc.) Writing for theater really forces you to make your character arcs visible in a way that prose doesn't.

On the other hand, you now have access to a ton of other tools that you didn't have as a prose writer! These usually fall under the broad umbrella of "theatricalization," but really just mean everything you can do in the theater that you can't do in any other medium. The intercut scene before Me, Myself, and I in Adamandi -- the casual, silent cohabitation of the past couple and the present couple at the start of Ghost Story -- the use of the edge of the stage to represent suicide in Adamandi -- all only work because the theatrical audience is willing to accept thematic intersections of space, time, and character because of the boundaries of the stage. When can two things happen simultaneously? When can your character make eye contact with an audience member? When can they leave the stage? What does having collective physical bodies perceiving your art allow you to do - when are they crying together, laughing together, when does their pulse race? Can you make them feel scared? Try out writing scenes that take place in the dark, in a spotlight, with a silent actor onstage, or with significant costume changes that can carry an equal amount of the story to your stage directions and spoken text.

Finally, I guess my overall advice would be to study plays you admire (my benchmarks are currently Is God Is, Escaped Alone, Streetcar Named Desire, M. Butterfly, and various Paula Vogel plays -- And Baby Makes Seven is my fave but The Baltimore Waltz is probably a gentler introduction to her) for their conventions and copy the shit out of them. Imitate their formatting, for a bit. Steal a staging that works in your context. Cut your dialogue down viciously -- words and exchanges that take a few seconds to read on the page take precious minutes to say out loud. Watch out for conversational cul-de-sacs -- ideally each line should advance the scene, advance the characters, and advance the plot. If your character is saying stuff like "What's your name?" then maybe the scene needs to start later -- you want every line to be one that only that character would be able to say.

Relatedly, and I think a failing of mine when I made the switch that is now getting better: don't rely on tone indicators to do the work of adaptation. Your actors and directors will ignore them, first of all, but also each line should contain its proper reading -- it should be clear from the context of the scene whether your character is saying "Hello." (angrily) or "Hello." (haughtily). I try to limit myself to 10-20 tone lines per 90-page musical script, if that's a helpful benchmark for you (this is different from stage directions, but you should also not be using stage directions to take the place of good dialogue. Anything inconsequential -- he paces or chewing his lip or with a sly grin -- ought to be cut.)

Anyway, overall, have fun and do whatever it takes (including disobeying all the advice above) to FINISH IT! You'll only know once you have a full draft A. whether you want to keep going with this medium and B. what your storytelling is Like; how you can improve it. Good luck!

[chimchiri]

Hot take but German VA Mizu > English VA Mizu

German Mizu has a deep, kinda raspy(?), but clear voice. Like a wolf. Amazing. English Mizu has a kinda deep? Also raspy voice but like do you have something in your throat? Do you need a cough drop?

German trailer for anyone curious:

[autism-corner]

edit -- og

hey so @frenchfrywrites about that last ask.... lets give this man some meat o7

(thank you @silentstreetserenity for the raw & @pulpbeing for the initial ask =w=b)

[ephiesoul]

At this point, I don’t even know.. I might be developing a problem ✨

[outer-edges]

The Last of Us 1.04 x 1.09 // the 'you're cargo' to 'it wasn't time that did it' pipeline

[owmylasagna-blog]

🍐 slowly turning the place into Edd’s house one stupid pear at a time

[dangans-ur-ronpas]

fanganronp doodles

the protag, one of her supposedly super-talented classmates, and monokuma...kinda??