#is this just a bad rant in art form?
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stimpry-ified eridan meets 2016 fanon eridan hat happens next will SHOCK you
#homestuck#eridan ampora#art posting#it is currently 3:18 AM.#im fucked vro#hehehe#WAS this made because fanon eridan depictions annoy me?#next question.#is this just a bad rant in art form?#dont ever ask me that again.#lukewarm take erifef is MID#if youre looking for pale eridan ships then#like#cmon#erigam on top#erikar pale is pretty cool too#but i like erigam <>#and for redrom eridan ships#well#you know#equidan on SOG#i also like eridrik quite a bit but equidan is my top tier ship
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to love and be loved
#haikaveh#my art#sorry the color value and quality is so bad it started out as a random little doodle on the corner of my canvas then i got attached..#im obsessed with their canon relationship and absolutely adore the dynamics and also i want to see them in a loving marriage together!!#i should really put more effort into making my art look appealing instead of drawing raw emotion in shitty quality and calling it a day...#genshin impact#alhaitham#kaveh#i tried my best to show it but kaveh is smiling i hope its legible...legible?? seeable? the art form of readable#wait i can just say readable#is that a word..#some parts of this sketch is bothering me so much like some of alhaithams hair#and bits of the scarf especialy but im learning to let things go....#and also the cloth on his arm being folded just wrong fuck. ok maybe if i colour this later ever ill fix those..#sorry abt the rant as always have a great day/night and i love you
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not to be about opera again but to be about opera again. as an art form it has the reputation of being super stuffy and something for snobs who don't know how to have fun only but honestly this was one of, perhaps even THE main theatrical entertainment for centuries. i wish people knew how hard these things can go and how engaging they can be. like characters kill and die and fight wars and (almost) commit human sacrifice left and right. characters fall in love they mourn they're ecstatic they cry they're furious it's an extremely dramatic and emotional art form! and i understand that opera does not appear approachable bc of the general conventions of the art form but i promise old works can be fun and engaging if you go watch them with some preparation beforehand (reading the libretto helps) - not to mention not all operas are old bc there are so many modern operas which engage with topical events! also the music slaps.
#le triomphe de trajan (1807) out here calling for a man's execution with this banger:#point de grace pour ce perfide; que tout sons sang coule sur un autel#(no grace for this treacherous man; let all his blood flow on an altar)#this is also annoying to me when people write historical fic and the characters treat the opera as this elitist thing#that they don't know anything about.#you know when they go to the opera reluctantly and then they have no idea what's going on on stage or who the composer is.#which is. very unlikely for anyone with the money to attend an opera in certain opera houses in the 19th c. tbqh#like im more of an expert on paris and vienna idk what it was like in london#but if you were decently (upper) middle class or nobility (esp in paris) you went regularly. this was like a whole social space too#i recently read a fanfic and one of the characters was like 'oh it's in italian. i don't know that' and the other character went like#'it's by a man called donizetti what did you expect'#(this was situated in 19th century london)#like first of all. donizetti was NOT a librettist he was a composer he did not write the text#and second of all. he worked on french operas ?? so did rossini. and spontini.#opera was an incredibly international art form. also bc productions would be performed in different countries all the time#(sometimes changed and/or translated but not necessarily)#and again like i said. this was one of THE main forms of entertainment. people were familiar with its conventions! it was well-liked!#ofc bc of the seating prices it was not very accessible to lower classes most of the time#but lbr most characters that get written into an opera scene in fiction are at the very least decently bourgeois lol#i wish people knew how to properly historicise forms of entertainment whose reputation has changed in the modern era#from what it was a century or more ago#very adjacent to people 'cancelling' old lit bc of 'bad takes' like idk how to tell you this but people thought different back then#completely different world view from what we have today. that does not make lit from that era irredeemable it is just from a diff. time#acknowledging that and reading the text critically but also still enjoying it are things that go tgt here#ok rant over (it is never over)#curry rambles
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Your watercolor piece is so BEAUTIFUL!!! its so hard to see fanart of traditional media and you absolutely *ate* with that one 🥹 the colors are so delicate and i love all the white space you left in between
aaaaa thank you!! always happy to see people be excited about traditional art :D
#asks#rebelwithoutabroom#honestly always makes my day when people get excited about seeing fanart done traditionally#Im gonna rant a moment in the tags now since Ive seen a few people bring up the composition and all that#I was!!! very much influenced by old illustrations to the OG three musketeers#and also very much inspired by the works of the illustrators of the golden age of illustration#(I got to see some harry clarke pieces in person so I kinda went digging thru it)#I was actually about to ditch the entire idea at one point!#really liked the thought of it but not the execution#so I looked thru all these classic artists of the golden age#and then picked up my antique artbook of ludwig richter (his art is really lovely go look him up)#and while going thru the pages I kinda just realised that oh yeah I can just. fake the background#the side alley with the arches is a bit of a weakness of mine#whenever Im on holiday and see one I have to take pictures#I did actually do an illustration in a very similar setting with a similar angle last summer#so I decided to put it down on paper and hey. not bad#I really enjoyed painting this one I like how soft the watercolours came out#it actually looks like watercolour this time! yay!#(I say to myself demeaningly because I aspire to paint like luděk marold one day)#but yes the archway of the alley kinda forms a frame around dream and george#and then you have sapnap breaking it by his fall and his stuff scattered on the floor Outside the frame#all while george is stepping out of the frame to pursue him and dream clutching his arm like 'baby no :((('#and the very light ivy clinging to the wall calls back to the ornate frames of flowers that were used in illustration a lot#i need to do more of these. I really hope to tbh#I had a really good time painting this one#Ive had a really good time painting in general as of late. missed this
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people who justify their dislike something via moralization are the most miserable boring lazy people out there imo.
pointing to something and just saying its problematic is not a legitimate form of media criticism. sorry.
#I am begging people to learn the difference between weather something is bad (<- claim of aesthetic truth which requires proof)#or just not for them (<--statement of subjectivity which does not require evidence)#I award no points for pointing out a plot detail and saying it's ''''''problematic''''' as if it means anything at all. you've functionally#contributed nothing#can you elaborate on that? otherwise why'v you even say it#what happened to engaging with what the text#I find that most people will use it as a conversation ender like that absolves them of trying to articulate their thoughts#to claim there is nothing more of value this piece can offer after they slap this label on it acting as if they inoculated themselves from#any form of reproach they might receive. it's an incredibly insincere and incurious form of approaching art#at this point I don't trust anyone who uses the word 'problematic unironically. say what you actually mean#low-key becoming the same with weird(o) if you truly feel the need to obfuscate then you might need to reassess your phrasing#personal#rant post#writing#fandom#it's disheartening because I remember the there was less of it and it was less accepted#if you don't want to think about something too hard (which I too am guilty of occasionally-i get it) then you don't have to but know your#aesthetic testimony loses significant value
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do you have a twitter account and a few minutes to help me out?
i am being impersonated by a spam bot and twitter won’t deal with it but i have A Theory as to how to Make Them Pay Attention:
this creepy impersonator using my avatar popped up the same month i started posting links to my gofundme (🥺) on twitter, so it’s probably intended to scam would-be donors, whether via DMs or showing up in my replies to redirect people to donate to the wrong place or something.
support has been (predictably) useless so far-- i think the reports are ending up in the wrong basket and i’m getting automated nonsense as a result. here’s what i want people to do:
1. go to the scammer's profile 2. click the (...) icon 3. click report 4. choose "Everyone On Twitter" 5. “They're being impersonated or shown a deceptive identity” 6. "Pretending to be them" > 7. enter @doodlemancy and select that account from the list (NOT doodlemancyart; they’re impersonating my main account, that’s what we want support to see) 8. choose No (you are not technically a Legal Representative) 9. choose Yes, Continue 10. if you have the time, write a little ditty in the Additional Context about how this popped up the same month as my gofundme and is probably trying to take advantage of people wrt that by impersonating me 11. submit! (THANK YOU SO MUCH!!!!)
also lmao @ the nonsense they put in the bio... like i don’t think anyone is actually at the wheel here, but it’s creepy to have this floating around and i want it gone.
#i'd dmca them but like#they'll forward my personal information to the fuckin weirdo scammer#because that's how dmcas work#twitter is not secure enough to trust with that info right now anyway#and also i tried to do it with a fake name and a bunch of admonishments about their bad policies#and the form is too broken to let me report just a profile picture#it says it's not on twitter lmao#this site sucks so much i hate it#i hope someday i don't Need It for art self promotion and stuff#i never wanted my eggs in this basket#this is a very long tag rant sorry
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Meeting Student!Gun Park for the First Time: Part 1
Part 2! G/N. 3.2k. Remember when Gun wanted to get his GED? Well. Stranger to~ Masterlists
"How old are you?"
"20."
Press X for doubt, you think, and that's the exact meme you send over on chat.
"20 like 20 or 20 like you're mid 30s and planning your mid life crisis 20?"
You know you're being rude and making a terrible first impression. It's the first day of a new school year, of a new school in fact, and for some reason the class is held on video call and you're all forced to pair off with a classmate for an icebreaker introduction.
It’s already cringe worthy and awkward enough, icebreakers must have been created as a form of torture. To add insult to injury, you're sure this guy is bullshitting you.
"I'm 20." He deadpans.
Momentarily, you’re stunned into silence. It stretches almost a tad too long before you manage to choke out, “My bad. Sorry."
Wow. You're torn between thinking that's a rough 20, this guy has easily got 40 years under his belt and oh no, when is your puberty and hormones gonna kick in like that.
And that's also the exact moment this 20 year old Gun Park takes a drag on a cigarette and you decide that it's definitely a rough 20.
"So what do you do for fun?" You probe, and you have the distinct feeling he might say something like alimony, planning his third marriage, investing in the stock market - whatever someone in their 50s might say but-
To your surprise and glee, his body language turns shifty.
He likes to game he says, like it's a dirty little secret. Amongst other things. Mentions something about training and martial arts and you fight to keep a straight face as it turns out you were also right about investing in shares and the stock market.
Gaming, however, is what you latch on to.
"Cute. I bet I could kick your ass."
"Oh yeah?"
"Oh yes."
And this is how you ended up at 4am on a school night, playing Tekken with your new classmate and getting your ass kicked.
"One more!" You screech down the mic, after the KO sign appears on screen, mumbling something about cheating and how if you can time this combo just right-
There's a huff of laughter coming through your tinny headphones and an amused "Fine."
.
.
Dark circles under your eyes grow. It's been a week of straight losses.
You blame the sleep deprivation on Gun Park, though really you have your own stubbornness to blame.
He never tends to say much during the gaming sessions apart from the odd expletive and you rant enough after each of your defeats for the both of you.
Sometimes this will earn you a chuckle and he will snidely add that you asked for this, you were the one who was supposed to kick his ass. This would piss you off enough for another game or three in the hopes of defeating him and getting to gloat.
Which unfortunately has not happened yet.
With a sigh, you hope your camera quality this morning is bad enough and pixelated enough that your poor sleep habits don't show.
You scan over your classmates, the few that have their camera turned on and find him.
Gun looks completely fine. He looks completely fine in what must be 4k and ugh, you scrunch your nose up in annoyance.
You keep an eye on him through the class. Observe how he's usually paying rapt attention, scribbling and typing up notes every now and then.
It's impressive how studious he is.
In comparison, you're daydreaming. Thinking about lunch, other combos or characters to play to counter his own when you catch on to the back end of a sentence as your teacher mentions ‘this’ is something to pay attention to as it will be on the pop quiz.
Huh? You blink a couple times. What is ‘this’? Unfortunately she swiftly moves onto another topic.
You type out a direct message to the only person you know.
You: I missed that, what did she just say?
Gun: You should have been paying attention.
You: Fuck you man!
You see his eyes dip to the bottom of the camera screen, briefly moving as he presumably reads your message.
He smirks.
That night he kicks your ass again.
Then as consolation, reveals what will be on the pop quiz.
.
.
If Gun looked like that in 4k, nothing could prepare you for how he looked in real life.
You're setting up your laptop and notepad in the classroom, the first actual in-person session, when someone takes a seat next to you.
Initially you feel a surge of irritation that they could have sat anywhere else and chose to sit next to you, then you look at the offender and-
Hold on.
You double, triple-take-
Is that?
It must be.
Shit.
It's fucking Gun Park.
You don't entirely regret your initial comments on his looks because this guy definitely does not look 20 but goddamn he looks-
He chooses that moment, when your jaw is on the floor, to turn to you and give you a nod of acknowledgement.
"Y/N."
"H-hi." You manage, and even to your ears it sounds like a simpering fool.
He must have thought so too if the quirk of his lips is anything to go by.
The cherry on top is that you expected this guy to smell like stale smoke, instead all you get is fresh laundry and something faintly dark and heady like leather and cedarwood.
Fuck.
Control yourself, a disapproving voice in your head says. Even that sounds vaguely like Gun.
It does nothing to stop your wandering gaze, peering at him in your periphery when you think he's not looking.
After you have taken your chance to not so discreetly run your eyes up and down his form, the only thing that makes you feel better is his hair. Because yeah he might be hot, but holy shit that must be a gallon of hair gel in there.
.
.
The other thing, as it turns out, that makes you feel a lot better is that he doodles.
It’s utterly charming.
Someone like Gun Park doesn't look like he doodles, but in between lines of his chicken scratch (seriously, who can even read that), there's little stick figures.
Maybe all the time you thought he was being studious he was just drawing-
Wait. You squint at the picture.
Is this guy for real?
"Are they fucking?" You whisper, using your pen to point at the page.
He doesn't answer straight away. There's a moment of surprise as he reacts like this is another secret of his he has unwittingly let you in on before his nostril flares and his eyes narrow and you grin in response.
Your grin grows when he grits out an answer. "No. Fighting."
He doesn't call you a dumbass but you can hear it loud and clear tacked on at the end.
"Whatever, pervert." You counter. You guess if you squint even harder then you suppose they could be fighting. Although the way one is lying on top of another is very suggestive. You don't hesitate to point that out to him.
Gun closes his eyes and counts to ten.
.
.
Even without a seating plan, one forms.
Places taken by chance on the first day becomes a regular arrangement.
You exchange a few words with your classmates, familiarise yourself somewhat with their names and faces. Pieces of their backstory, why they're here studying for a GED but take your spot next to Gun regardless.
No one really talks to him, you've heard them saying he's menacing and intimidating. Yet when your first encounter of him was mistaking him as someone about to hit mid life crisis, how intimidating can he really be.
Besides, he still doodles his lewd figures that he insists are not in any way shape or form comprising sexual positions. So no, you don't find him intimidating at all.
.
.
Gun, as you have come to know, is a man of few words. He is also unsurprisingly not great at literature.
What you don't yet know is he likes to say what he means and mean what he says. His patience only extends to The Art of War, so all the flowery prose and poetry only serves to irritate him.
If Gun glared at you the way he's currently glaring at the textbook, you think you may either burst into tears or burst into flames.
Luckily you do neither of those things but you do take pity on him. Leaning over, you ask him quietly if he needs help.
He doesn't respond but the pen he's clutching in his right hand snaps in half.
Alright then.
Half an hour later, when the class empties out you ask Gun to follow you to the library.
He hesitates, and you add "if you've got time" to give him an out. In the end he doesn't take it and trudges obediently after you.
You very quickly learn that he really doesn't like literature. You're explaining and working him through the analysis and also mildly offended at the bored look on his face.
"This is a waste of time," he interjects and there's a sullen undercurrent to his words.
"Just memorise the analysis then." Exasperation tinges your tone, "That's all you need to do to pass."
He arches a brow at your words.
"They're testing your memory. So just remember what our teacher says."
There's an angry air of resignation as Gun nods, and you slide your notes over for him to copy.
.
.
Not long after, you have your first minor evaluation on the literature material.
You notice during the test that while the vein in Gun’s temple is prominent and he’s clutching his (new) pen tighter, there’s barely any pause as he fills in the answers.
A few days later, the graded papers are handed back. There's a sigh of relief from Gun.
He gives you a smile, small and genuine, eyes crinkling at the corner.
"You owe me one," you tell him jokingly though he takes it to heart and gives you a stern nod.
.
.
Gun repays his debt, with a coffee.
He places the paper cup on the desk in front of you. Logo of the coffee house to the side but still visible. It's new, expensive, and there’s regular lines around the block.
Of course it would be from there.
The issue is, who repays a debt with an espresso. He didn’t even ask for your drink of choice!
"Thanks for this thimble of coffee," you remark as Gun sniffs in distaste at your comment, placing his own matching cup in front of him and saying something about how it's the best untainted way to drink it.
Of course he would also be a coffee snob.
You tell him you usually like it with a bit more cream and a lot more sugar and he mutters that you sound like Goo.
You think that's an insult.
"Well, at least Goo has good taste," you snipe back with a grin.
Gun closes his eyes and counts to ten.
.
.
You: Are you doodling or actually writing notes?
You: Cos on camera you look very studious but I’ve seen your notepad
Gun: None of your business
You: Still drawing your disgusting pornographic stick men then
Gun: They are not-
Gun: Whatever
.
.
You: Ok, maybe that espresso wasn’t terrible
Gun: I know
You: Who’s Goo anyway?
Gun: …
Gun: No-one
You: Suuuure
.
.
You: Tekken tonight?
Gun: Aren’t you tired of getting your ass kicked?
You: >:(
.
.
You: Do you wanna go over the new lit material in the library this week?
Gun: Ok
.
.
Gun: Thanks for your help
You: :)
.
.
Gun: You’re tired. You should game less.
You: Spoken like a coward!
Gun: Dumbass
You: Hey!!
.
.
Gun: I’ll bring you an espresso tomorrow. You need it.
You: Does it have to be an espresso?
Gun: Yes
You: …Thanks
.
.
To anyone else, the figure standing in the doorway is just smoking. To you, it suspiciously looks like they’re waiting.
It's not a crime. Gun Park can wait for whatever or whoever he wants.
What really throws you off is his smoking. You've seen him casually take one single drag before throwing the whole cigarette away. Even to you, it seems like a waste.
However, this time he smokes one all the way to the filter before stubbing it out. Then does the same to a second, and third.
Strange, very strange.
You approach him. Taking gentle steps, in case he might get spooked and bolt which is really a ridiculous notion for someone like him. Nevertheless, you keep your footsteps light, yourself clearly in view and you wander over to him.
"Hey," you say, with a somewhat forced smile. He doesn't acknowledge your greeting apart from a brief nod.
"... Everything ok?"
It's a perfectly normal question to ask but a vastly bizarre one for Gun. He doesn't look like the type of person where people casually enquire about his well being.
He must have thought so too if the look he gives you is anything to go by.
In response, he stubs out his cigarette (his fourth!) then asks, stilted and stiffly, if you want to come back to his for a game of Tekken.
At least that's what you interpret as he seems to be crazy cryptic.
"Are you interested in Tekken?"
"...Yes." You wonder what on earth this question is because did you hallucinate all those games you played together?
"Then meet me. After class."
"Where? Here?"
"No. At mine."
"Where's that?"
"..."
He gives you another look, as if you're the one trying to coax a secret out of him despite him offering.
Gun dips forward, murmurs quietly into your ear his address and some vague directions like it's highly confidential information.
You nod along, thinking what is with this guy.
.
.
So firstly, what the fuck.
Then secondly, what the fuck.
Don't think you hadn't noticed the designer brands Gun wears. If they're fakes, they're very convincing fakes. But you're almost certain they have got to be counterfeit when he brought you over to a junkyard claiming this is where he lives.
You've seen films like this. Granted, it's less in a junkyard and more in the middle of nowhere in America where college kids meet their gruesome ends in fantastical ways.
You never thought this would happen to you. You have sorely miscalculated.
Is this Gun Park (if that even is his real name) going to butcher you and leave your body on top of a pile of scrap metal in the corner?
Instead of a night of gaming where you’re the one KO-ing him, he’s actually the one that’s going to chase you around wearing a mask and wielding a knife or axe?
"You’re here. Come in," Gun says, opening his front door just as your inner monologue begins to truly spiral out of control and you're considering doing a runner.
"Eh?" You grunt like an idiot, not noticing when the shack appeared nor when you stepped onto his porch, or the side eyes Gun had been giving you.
He gives you another look, likely regretting inviting you at all, and leaves the door ajar for you to either enter or turn back and go home.
.
.
"This is... nice," you lie, through the skin of your teeth.
Gun sees cleanly through your white lie and exhales a huff of amusement.
It's sparse. Peeks of luxury here and there - the extensive PC gaming rig, the entertainment system and consoles, to name a few.
Apart from that, it's barely a home.
"Take a seat." He offers, and it sounds more like an order. Obediently you sit on his sofa, feeling very much a guest.
"You're not in danger," he says, bemused at how awkward you are in his domain, how tense you hold yourself.
'That's exactly what a killer would say,' you think and when you hear a low chuckle, you realise that you said it aloud.
"Don't worry," Gun reassures and it doesn’t really help before he strides off to somewhere in his house and leaves you sitting alone.
He returns back minutes later as you’re in the middle of admiring his entertainment set up and going through his vinyl collection (because obviously someone like Gun has vinyls) with a coffee for you that looks much more milky and to your taste than the usual ones he offers.
“Thanks.” you take your drink and return back to your seat.
Taking the first sip, you finally manage to relax. Sinking into a sofa that is much more comfortable than at first glance and you take in your surroundings a bit more.
Sort of. You actually take in Gun Park more.
He’s casual, in a way you have never seen or even considered. Dressed in a t-shirt and grey sweatpants, hair floppy and the only styling is done with his hands running through his hair now and then to keep it back.
Even during the online classes, he is usually dressed up in an open collared shirt.
If you thought he was hot before, it’s nothing compared to now. There’s an air of domesticity, the drink he made for you cradled in your hands, and the distinct feeling that not many people have had the luxury to see Gun in his natural habitat, so intimate and vulnerable.
You wonder if this is how he looks all those nights you’ve been gaming together.
You catch his eyes, having been caught checking him out and he raises his eyebrows at your blatant staring.
Blood rushes to your cheeks as he chuckles into his own espresso and takes a sip.
.
.
"Holy shit, I won!"
You're familiar with the KO screen. What you're not familiar with is being on the side of victory. You're usually a hair trigger away from rage quitting, from throwing a tantrum down the mic.
Finally. All your hard work has paid off. Time spent thinking of combos, attacks and defences (which would have been better spent studying) is coming to fruition.
You peer over to Gun, expect the controller he is clutching to maybe have been crushed into pieces with his freakish strength. Expected nothing except for a vein throbbing on his temple.
What you do find is-
Gun looking at you, fondness in his eyes. He's taking in your grin, letting your gloating slide.
Doesn't do more than roll his eyes when you perform a victory dance of sorts around him.
And when you get in his face to tell him that you're the winner, you're the best-
(More words are on the tip of your tongue but your gaze drops to his lip, drawn to the small smile he wears.
It sinks in.
The patience he has, the attention he gives, the way he has opened his home to you.
From the very first meeting, the even-handed way he has dealt with your insults, entertained you to the early hours of the morning on Tekken.)
Gun reaches out, tugs your hand and pulls you into his lap and agrees.
"Yes. The best."
You think it's a lie, an embellishment.
But the way he holds you - tender and precious, and the way he leans forward to rest his forehead against yours - soft, like you might break - can't be anything else but the whole truth.
(Update! Part 2 here!)
#lookism#lookism x reader#gun park#gun park x reader#park jonggun x reader#park jonggun#wannaeatramyeon
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I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!
Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!
This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.
Quick reality check for everyone who's made it this far before I end this train wreck of a rant:
People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!
#im just so done...#i feel bad for the person who creates a mewtwo and gives them a scarf#cause god forbid people will think they're copying TC or some bullshit like that#with that kind of logic nobody is allowed to make mewtwos with vitiligo!#Blu had it first therefore I own the concept of vitiligo! nobody else can use it or else I'll accuse you of stealing!#sorry i don't make the rules#will i regret making this rant later?#...probably#😮💨
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@ii-neg-confessions is really stupid
@ii-neg-confessions is kind of what it sounds like, a blog about inanimate insanity to spread hate and negativity and I feel like people shouldn't be so open to absorbing hate all the time
I wrote a better worded version on my phone but the drafts thing apparently doesn't work so take this kind of lazy one instead cause I don't really wanna spend any more of my time on this earth trashing an admin on a confessions blog who most should know is just a negative nancy hater who needs to get off they damn phone
time to "see through the bullshit" and "simply call out this bullshit" instead of "mindlessly consuming slop and following the herd"! /quoting their blog
also if you are gonna say "ohh don't give them them attention that's what they want" hold that thought cause this post isn't FOR them, its to educate ABOUT them and show people they're stupid. Its your choice if you wanna block them. Also, this is my space to criticize whatever I want, block whoever I want, etc. so I'm gonna post this rant here and let people act under their discretion.
anyways more under the cut
update on 12/09/24; rephrased/added context to some stuff in the Adam Katz segment.
update on 12/09/24; added a funny thing at the very end of the post.
update on 12/10/24; removed Adam Katz segment for correcting and editing.
[removed temporarily]
This is one of those things that when I read it I audibly said " are you fucking serious" cause truthfully I don't think they are being serious here.
To make fun of people that are POSITIVE? you actually must be absolutely MISERABLE to make a whole word to try and describe people who are positive in a negative light. I don't have much else to say here other than they must be genuinely sad with their life to do this.
small bomb break just to preface something
death threats (I'm gonna talk about that)
I'm not gonna go into their blog and criticize every word they have ever said, because I simply don't want to, but feel free to add onto this in the comments or re-blogs, cause I think its important to acknowledge this person and see them for who they are... and act accordingly of course.
anywayyy...
I've seen a lot of the OSC unanimously say that Mil has sent death threats to the II crew which I believe is true considering their overwhelmingly negative behavior and opinions towards most people who like ii/the crew themselves. I wanna of course start by saying that (as obvious as it should be) DEATH THREATS ARE NEVER OKAY! In some places in the world, even online they can be ILLEGAL!!! Its never okay to tell someone that you are gonna kill them, or that they should kill themselves, no matter how bad you think their YouTube show is, or how true you think your preconceived notions about peoples life or political stances are, death threats of any sort? NEVER OKAY! The fact that they went out of their way and spent that time (and most of their time) blatantly hating on this thing that was never about or for them is really disgusting.
I never will say that I don't think its okay to have negative opinions or state said opinions, but from what I can see from this entire blog, its more than that. Its more than sharing criticism, its spreading hate about something a lot of people hold dear to them for no other reason then the fact that you hold hate in your heart
Some more stuff I wanna say (in bullet point form!)
I'm pretty aware that Mil has some issues, whether that be relationship, familial... its none of my business. If she's reading this, just know there are people who can help, help is always available to you.
for a blog that's all for "seeing the truth" you really love to delete everything you don't agree with (even if its negative)
using art and not taking it down even after asked to is really rude, everyone should know that.. well except for Mil, who still has the post up
people calling everything that is appealing to the audience "fanservice" is so stupid is that the only word you know? do you only know how to use buzzer words to catch your audience instead of giving genuine points?
I was gonna say some more but I got distracted, and also I'm already sick of their shit so
okay bye bye!
p.s. ; a hefty handful of screenshots I didn't wanna write a whole paragraph saying they're shit to
this one is just sad to read like who hurt you
blatantly threatening a hack against AE's channel (also illegal)
shit like this makes me believe that this account is ragebait
more "posies" talk (makes me giggle)
looking pretty defensive to me (definitely a dream stan)
self indulgent insert but uh maybe its cause cobs is in the show hmm idk maybe though
death threats arent okay even if mil sent them to others (it will only repeat the cycle)
this is just funny to me, the ii crew has gone back and deleted scenes that aren't good, they have said they were young at the time and they are growing and changing people and apologized for what they did, what else do you want? do you want them to beg for forgiveness at your shoes?? you're fucking weird.
""digital footprint" isn't real" says a lot
what do you mean?? they're hating WITH YOU!!!! just because they can see good in the show doesn't mean they're corny! full post here
maybe because the songs are... musical inspired... maybe you just hate fun... (they literally say they do what am I talking about)
hating for no reason again (and ignoring everything anon said except for the thing that caught their eye; hatred)
okay I'm done, Mil is exhausting, @ii-neg-confessions is exhausting, I'm forever a "posie" I guess
if you read this far also... hi! thank you for reading all of this and educating yourself! remember that despite their hatred, there's still lots of love and care in this world and you deserve the most of it! please get some water and a snack, and have a wonderful day!! <3
okay that's my rant bye
p.s.
stop following me, mil
#inanimate insanity#ii#object show community#osc#object shows#osc community#osc discourse#discorse#ii confessions#ii neg#ii negativity#animationepic neg#inanimate insanity negativity#inanimate insanity neg#posie tears#posie#info
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watch and learn ♾️ minghao x reader.
“show, don't tell.” # day four of (the)8 days of minghao.
☆ includes: mature content, mdni. alternate universe: non-idol, art student!minghao, f!reader, best friends & roommates, pet name (‘pretty’), cussing, nude modeling/drawing, fingering, implied oral [m receiving]. word count: >4,000
It takes you all of five minutes to figure out why your best friend-slash-roommate looks like the world has crashed down on him.
The answer comes in the form of a piece of art on the coffee table. You crane your neck to check the bright red mark on Minghao’s latest homework. “A grade of ‘B’ isn’t so bad,” you offer, even though you can already see how he’s going to react from a mile away.
Sure enough, he shoots you a sidelong glare that would be withering if you hadn’t been on the receiving end of it for years.
“That’s what the ‘B’ stands for,” he deadpans. “Bad.”
You’ve long since reconciled with Minghao’s tendencies when it came to his academics and his art. With a half roll of your eyes, you settle down onto the couch next to him. The offending assignment stares up at you.
“It’s not bad,” you say as you eye the piece. In your honest opinion, it really isn’t terrible. A part of you must admit, though, that it’s not really up to Minghao’s usual standard. The strokes are not as defined; the edges are a little rough.
What’s supposed to be a piece for his The Art of the Human Form class looks more like something akin to abstract impressionism.
Minghao lets out a low sound of displeasure at your feedback. “You don’t understand,” he says frustratedly.
When you don’t immediately respond, he runs a hand over his face. “Sorry,” he sighs. “I just— I really need to pass this class.”
You give him a reassuring pat on his knee. For a moment, the two of you just sit on the couch, staring down at the homework that’s brought him so much grief. “What’s your issue with the class, anyway?” you ask after a long moment of silence. “Is it the professor?”
“No, the professor’s good. Great, even.”
“Your material?”
“That’s never been the problem.”
“Well, what is it then?”
A groan slides past Minghao’s lips; he lets his head fall on to the back of the couch. You turn to glance at him and you see the way his face is contorted with defeat. The words he speaks next sound like they were an actual struggle for him to verbalize.
“I’m not good with live models,” he admits. A beat. He seems to realize that you’ll see right through him, so he adds, “Nude live models.”
You sink your teeth into your lower lip. Minghao catches the telltale sign of you holding back your laughter and he turns to glance at you again. “What?” he grumbles.
“You’re too… polite, Hao,” you say delicately, leaning back against the couch until your shoulders are pressed against each other.
“You think I’m a prude.”
“I didn’t say that.”
“You were thinking it. ‘Polite’ was just your way of letting me down gently.”
This time, you don’t hold back the fond giggle that escapes you. It was no secret that Minghao was a bit of a prig. When asked about his lack of experience with dating or intimacy, his answer had always been the same: Too busy. Too busy with uni to fuck around and find out, to mess with people he didn’t really care about.
Some of Minghao’s annoyance seems to ebb at the sound of your laughter. He gives a slight shake of his head like he’s ridding himself of an unbidden thought before saying, “Maybe I should just drop the damn class.”
You nudge him in the side with your elbow. “You’ve never given up on anything in your life,” you chide. “Don’t start now.”
The platitude does very little to lift Minghao’s mood. He goes into a rapid-fire tangent about his gripes with the class, ranting about everything from the models to his coursemates. You zone out a bit— knowing it was sometimes for the best to let your best friend go on and on— until you feel the buzz of your phone in your pocket.
Right. You had a study session.
You try to extricate yourself from the conversation by cutting through Minghao’s tirade with an absentminded, “Well, if you ever need my help, you know where to find me.”
That shuts him up.
“Wha— what?” he stammers.
Both of you fall into a terse moment of silence. It’s like you’ve just realized what you said, what you’ve implied, and you mentally curse yourself for spacing out to the point that you’ve suggested something so out of left field.
You rise from the couch without glancing down at Minghao; a part of you thinks this might give you some more courage to double down, to feign nonchalance. “If you need any help with the class,” you say as breezily as you can manage. “Like, if you need somebody to model for you or something.”
There’s an almost distressed way to how Minghao says your name, then. “I’m supposed to work with nude models,” he repeats, like he’s not unsure you caught it the first time.
“I’m aware.”
“Are you—”
“Only if you need it, Hao. It’s not that deep.”
It is kind of that deep, honestly. Your heart feels like it’s going to beat out of its chest, but you do your damndest to keep your expression neutral as you go to grab your things. You’ve never been so grateful to have a valid excuse to cut your time short with your roommate.
“If it’ll help you stop complaining,” you joke in a bid to inject some levity in the conversation. “Then I’m all for it.”
He only lets out a disgruntled mumble in response. His words are incoherent, lost in the way you’re already halfway out the door.
You call out your usual goodbye. “Text me what you want for dinner.”
His typical response— “Take care”— hits just as the front door closes behind you. You might’ve imagined it, you think, but Minghao’s voice sounded just a little bit strained around the two words.
It takes Minghao two weeks to come to a decision.
Clearing his mind helped, but it’s really the most recent graded assignment that gets underneath his skin. A ‘C’. Minghao has never gotten a ‘C’ in all of his years of art school.
You’re working on something by the dining table when Minghao bursts into your shared apartment.
“Does the offer still stand?” he spits out before he can change his mind.
“Hm?” You glance up at Minghao, unsuspecting as ever. “What, getting pizza for dinner? I mean, yeah.”
Your nightly text exchanges about what to have for dinner is the last thing on his mind. He takes a fortifying breath, his fingers clutching tightly around the strap of his messenger bag.
“Not dinner,” he grits out. “The other offer.”
Good Lord, he thinks with despair as you stare up at him skeptically. I’m really going to have to spell this out.
He decides to go for the ‘show, don’t tell’ route. He fishes through his bag until his fingers snag his latest graded homework. Wordlessly, he crosses the room and sets it down next to your laptop.
Your expression of confusion gives way to one of something that resembles sympathy. “Oh, Hao,” you say, and the words grate in his ears.
“I don’t need your pity.” His sharp words are dulled by the way he’s raised his fingers to pinch the bridge of his nose in a gesture of sheer exhaustion. “I just need to practice.”
The realization of your flippant offer being taken seriously seems to dawn on you. Minghao wants to die then and there. He’s already backtracking, attempting to take it back before you can say a word.
“Forget it,” he says. He can only hope his ears don’t look as red as they feel. “That was stupid.”
Your hasty call of “no, no” has him freezing. “Sorry, I just— wasn’t expecting it tonight,” you say.
Minghao can’t even look you in the eye without wanting to die of shame. You go on, your voice cautious as ever. “The offer still stands. Of course it still stands.”
He attempts to sputter out some words about you not having to do this, about not wanting to make you uncomfortable, but you’re already getting to your feet. “Don’t make this weird,” you reprimand him.
“But this is weird,” he protests weakly.
“I’m your roommate. I’m your best friend!”
“That’s precisely why this is weird.”
You’re standing in front of him, now, trying to rearrange your expression into one of sternness. It doesn’t really do much, considering the way you’re at least a head shorter than him.
“I’m the best shot you’ve got.” You plant your hands on your sides and tilt your chin up. There’s a hint of a challenge in your gaze. “So what’ll it be, Xu?”
“No need to pull out the surname,” he says dryly. After going through a single, quiet prayer in his head, he jerks his head towards the living room. “Let’s go at it, then.”
“Now?”
“When else?”
It’s your turn to blush this time. Minghao tries his darndest to keep a straight face as you stumble over your complaint. “I haven’t showered yet—”
“That’s nothing new to me,” he shoots back, earning him a swat to the chest. He rubs at the spot you hit before grumbling, “Fine, fine. How long do you need to get ready?”
“I’ll be quick,” you promise him as you dart off to the bathroom. Minghao resists the urge to say that he doubts it.
His worries aren’t unfounded. By the time you emerge from your ‘quick’ shower, over half an hour has passed. He’s doodling absentmindedly in his sketchbook when he hears the door creak open.
“About goddamn—” The last word catches in his throat as he turns to face you.
Minghao has seen you in various states of undress in your years of friendship. He’s seen you in the skimpiest outfits before heading out clubbing, seen you in sinful bikinis during your yearly beach trips. But this? The sight of you in a beige bathrobe with the belt left untied, revealing a hint of your bare front?
He clutches his pencil so tightly that he’s scared it’ll snap.
“About time,” he manages, even though he’s not entirely clear what he’s referring to.
It takes an hour for you to regret your offer.
Once the initial shyness had passed, all that was left was the restlessness. Minghao had put one of the dining room chairs in the living room for you to pose on, and you’ve spent the better half of the past sixty minutes just sitting there with your feet flat to the ground.
It’s surprisingly easy to comply with Minghao’s mumbled requests. Shift a little to the left. Move your hand to your thigh. Stop moving.
The last command is muttered with a lot more frequency. When you try to cross your legs. Stop moving. When you go to scratch your elbow. Stop moving. When your eyes wander over to some nondescript point in the room. Stop moving.
“You’re brutal,” you rumble after his nth ‘stop moving, please’. “This is inhumane.”
“You signed up for this,” Minghao answers, his gaze briefly flitting over his sketchbook before going back to his work.
There’s something undeniably attractive about the way Minghao’s fingers are clutching his graphite pencil. A lot about him was attractive— the way his brow furrowed in concentration, the purse of his plump lips as he worked. But his fingers were a whole other monster all together. Long and lithe, with the nails painted to whatever he thought matched his flavor for the week. You can almost imagine what those fingers would look like in your—
Minghao drags you out of your unbidden daydream with a call of your name.
“Could you tilt a bit to your right?” he says gruffly. You scramble to comply, almost like you’re terrified he might have heard your thoughts if you didn’t move fast enough.
He lets out a small ‘tch’ of disapproval at just how much you twist. “Not like that,” he protests, putting his pencil down for the first time in the past hour. “Only about an inch. No, no—”
“Pose me, then.”
Where did this brazenness come from? You think that your tenseness is partly to blame, but there’s also an undercut of provocation in your tone. Surprise flits across Minghao’s expression for only a moment.
He schools his expression into something more neutral as he places his sketchbook face down on the couch. This is a bad idea, you think, as he crosses the distance between you in small, measured steps.
It’s a bad idea, you muse, because if he touches you, he might just feel the rapid thump, thump, thump of your pulse.
If he does notice, he makes no indication of it. His gaze is perfectly cool as he gently holds your shoulders. You can see the pencil marks on the side of his palm, the smudges of graphite transferring to your otherwise unblemished skin.
Minghao does as you’ve asked. His pushes are light as he maneuvers you to angle yourself some certain way, and you swear there’s not a single breath of oxygen in the room.
“There,” he’s saying as he goes to take a step back.
Something akin to panic rises like bile in your throat. You don’t know why, you don’t know what has possessed you, but one of your hands shoots out for Minghao’s retreating form. He pauses when your fingers wrap around his wrist.
“Where—” The words escaping you are almost a gasp. “Where do you want my hands?”
Minghao looks down at you, his eyes imperceptibly wider now despite his attempt to keep calm. “Right where you had them,” he replies.
You swallow around the lump in your throat, your hand sliding down to clasp his instead. “I— forgot where they were,” you say. It’s a lame excuse, but Minghao doesn’t seem like he’s about to call you out on it. “Show me again?”
His hand is limp in your hold. For a long, terrible minute, you think you’ve overstepped.
Then, something in Minghao’s jaw twitches. The hand that’s holding yours pushes your arm, just enough for your elbow to rest on the back of your chair.
He goes to position your other hand right over your upper thigh. Near where you want it, where you need it, but not quite there.
Your teeth sink into your lower lip as you bite back a groan of frustration. Minghao catches the look on your face.
“Why?” he asks quietly, his voice a touch tight. “Uncomfortable?”
“No.” You freeze at how your response comes out almost like a whine. Minghao freezes, too.
You try to think of propriety and professionalism. You try to think of your years-long friendship with Minghao; of how awkward it would be to keep being roommates if you’ve somehow overread into this situation.
All that goes out the window as you shift your hand slightly upward. His hand— the one still on top of yours— follows as your fingertips brush over your core. Your tone is shaky as you prompt, “It would be better here, no?”
Minghao’s gaze snaps from your hand near the apex of your thighs, to the barely-concealed heat burning over your cheeks. His sharp features are perfectly controlled but there are the smallest signs spurring you on. His dilated pupils, the bob of his Adam’s apple.
“You want it here?” He isn’t moving his hands. He also isn’t moving away. He looms over you, one hand holding your upper arm; the other, still close to your center.
“I’m open to suggestions,” you say, your eyes roaming over his face for any signs of discomfort.
A beat. And then—
Torturously slow, Minghao begins to move. He guides your hand closer to your heat until your fingertips are pressing a little more firmly against your entrance, where wetness is already beginning to pool. You clench around the feeling of nothing as Minghao remains careful about not letting his own fingers touch you just yet.
“I think this is good.” His voice is lower now. “What do you say?”
You feel like your entire body will betray you if you try to say anything. For now, you opt to only give a jerky shake of your head.
“No?” A corner of Minghao’s lip twitches upward in the ghost of a smile. You cling to that familiar grin as he pushes your hand up just a little more, just enough to have the tip of your middle finger pressing into your entrance. At this point, he’s moved his own fingers to wrap around your wrist.
“Not enough?” he coos, even though he doesn’t look like he’s faring any better himself in the department of restraint. “What about here, then?”
Minghao tugs at your wrist until your middle finger is sliding right into your slick.
Your breath hitches in your throat. You feel your hand twitch, but Minghao only tightens his hold around your wrist.
“I need you to answer me,” he mumbles, his eyes never leaving yours. He’s keeping you from moving your finger any further, and something about his demeanor tells you that it would be a bad idea to use your free hand to regain some control. Not when he was looking at you like this.
“More,” you croak out.
Minghao’s tongue darts out to swipe over his lower lip. “More,” he repeats, his own voice equally broken. He finally breaks his gaze to look down at the way your finger is buried inside you, at how your hand is completely his to move. “Alright, then.”
Wordlessly, he guides you into pulling your finger out and then easing it back in. This time, his focus is entirely on the way you swallow up your finger with each shallow thrust; how his own movements are dictating your pace, your pleasure.
You writhe in the chair, feeling absolutely mortified at how quickly you can feel heat building in your stomach. It’s been simmering for the past hour; this was only leading you to the tipping point. And Minghao isn’t even touching you yet at this point, just helping you get off.
“Hao,” you exhale, your breath warm against his face. He finally looks back up at you and you can see all of his want on his expression, clear his day. “Hao, I need—”
Him. You need him. That’s what you mean to say.
But your best friend seems determined to drag this out for all its worth.
“You need to stop moving,” he murmurs as he deftly pries your index finger free from its curl. “I don’t think I’ve said that enough.”
This time, he helps you push two fingers into your heat.
Your head lolls back and your lips part in a silent gasp. Minghao seizes the opportunity of more skin being bared to him. He leans down to press a chaste kiss to your jawline, then to your collarbone. All the while, he keeps driving your own fingers into you.
It feels like a special kind of purgatory.
“Please, Hao,” you plead.
“Words,” he mumbles against our skin, rewarding— or punishing— you with a particularly sharp thrust of your two fingers. You fold in half at the sensation, only managing to still sit somewhat upright by virtue of Minghao’s other hand holding your back up against the chair. “Use your words, pretty.”
You bury your face in the crook of his neck. There’s a wretched quality to your voice as you pant, “Need you, please. Need your fingers instead.”
“And why’s that?”
“‘Cause—” You clench around your fingers; he feels your body tense underneath him. Both of you let out small sounds of pleasure at the reactions. “Your fingers are better, they’re— they’ll get me there faster— please, oh—”
Your incoherent babbling seems to amuse and appease Minghao, enough for him to give in.
He pulls your two fingers out and, before you can whine about the loss, he replaces them with two of his. They’re as brutally precise as you’d imagined them to be. Your knees almost close in an attempt to tide the pleasure that’s about to crash down, but Minghao holds your thighs apart with his other hand.
“Don’t.” His voice is strained with effort. “Wanna see you. Please?”
It’s the tacked on please that bowls you over, that has you nodding helplessly. You’d do anything Minghao asked if he asked in that tone.
The squelches of his two fingers thrusting into you are obscene, but not quite as filthy as the sounds that slide past your panting lips. You moan and whimper and whine, and each little noise only seems to have Minghao moving with renewed vigor. He’s pulled away from your neck to watch you, but his eyes keep darting from your microexpressions to the way his fingers are swallowed up by your velvet heat. It’s like he can’t decide where to look first.
“You’re a work of art,” he chokes out, his teeth grinding together as he focuses on your face. “So goddamn beautiful— sitting here all nice and pretty for me.”
One of your hands fly to his hip in a desperate bid to hold onto something, to anything of him.
“Gonna finish,” you sob as you force your eyes open to meet his. Inadvertently, you cant your hips upward to meet one of his sharper thrusts, and the friction has the two of you moaning a little more. “Hao, fuck, can I—?”
“Please,” he pants. “I need it. I need it so, so bad—”
You climax with a silent scream, a sound that’s muffled as you lurch forward and press your face back into his neck. His other hand holds the back of your head in a supportive gesture as you come undone, coating his two digits in your slick.
Minghao lets out a low cuss as he presses a kiss to the crown of your head. “You’re so beautiful,” he says dazedly, sliding his fingers out of you carefully. “How are you so beautiful?”
All you can manage is a shaky laugh as you come down from your high. As you keep your head pressed against Minghao, you catch sight of the tent in his sweatpants. Tentatively, you reach up one hand to cup him over the fabric.
He says your name like it had been punched out of him. “Hey—” he tries to say in warning, but his body betrays him by bucking into your hand.
“How long has that been there?” Your voice trembles, thick with a heady mix of exhaustion and desire.
Minghao’s gruff response comes as your fingers twitch around the outline of him. “Since you stepped out of the damn shower,” he admits lowly.
You let out a contemplative hum. There’s still a low ringing in your ears, a slight buzz in your brain from the last vestiges of your orgasm, but it can’t just be you who’s having all the fun.
You shift back a bit so you can meet his gaze. You’re torturously slow as you palm his aching hardness, and you revel in the way Minghao reacts above you. His eyes have all but rolled into the back of his head and breathless little gasps are rising from the back of his throat.
“You’ve posed my hands,” you say, trying— and failing— to keep your tone even. “Wanna show me where my mouth should be, Hao?”
His fingers tighten at the strands of your hair. He lets out just one more cuss before he’s using his other hand— the one still coated with your release— to pull down his bottoms.
“Watch and fuckin’ learn, pretty,” he breathes, and you have a good feeling that he’ll make good on the threat.
(Minghao gets an ‘A’ on his next assignment.)
#minghao x reader#xu minghao x reader#the8 x reader#minghao imagines#minghao smut#the8 imagines#the8 smut#minghao fanfic#the8 fanfic#seventeen x reader#svt x reader#seventeen smut#svt smut#svt imagines#୨ৎ muse .ᐟ svt#୨ৎ penned by ylangelegy#seventeen imagines#ylangelegy the8 days of minghao#( eep! sorry im a day late LOL )#( ill double post one of these days )#( apologies. im like. not actually very good at smut so i fought tooth and nail to get this right )#( me talking like i didnt set up the prompts like OK?? HJDCAC )#( nyways... the only smut in my 8 days LOL )
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I just had a thought while thinking about your possession au.
So I know you posted some joke art about Ingo confronting a Zoroark acting as his (possessed) brother, but what if the Zoroark WAS trying this time.
So imagine ; Ingo with maybe Lady Sneasler and Irida walking through the Alabaster Icelands, and they get confronted with a Zoroark. It takes Emmet's form and starts terrorizing Ingo, taunting him with "You'd never hurt me!" and everything F!Emmet said before.
And Irida watches as Ingo, her cool and collected if a tad lost warden just... shrink back in fear.
Now just about any sane person would be afraid of a Zoroark, but she can tell that this is MUCH more than just that. This is *personal*. He normally never hesitates fighting Zoroarks when they take the forms of others, but this time he is terrified of hurting the man behind the illusion, and of the man himself.
Judging from everything the illusion of Emmet is shouting (even illusions and how they behave have *some* truth to them), and the way Ingo is terrified, she deduces that maybe the place or family Ingo originally came from wasn't ideal, to say the least. Ingo frantically telling Irida that he loves his supposed abuser only reaffirms her concerns.
Eventually, this becomes somewhat of an open secret among both clans that Ingo's 'man in white' is, to say the least, not good. And how is Ingo supposed to dispute that? He loves this person, and he vaguely feels protective of him, but he also feels afraid whenever he think of him.
Cue Emmet somehow getting into Hisui.
For some extra angst, he took care of his F!Emmet situation, somehow. (Maybe when they both went to Dialga to go to Hisui, he went 'wait a moment, you're not supposed to be there' and separated them)
Naturally, when Irida finds out that the man in white is actually here, she panics. Everyone tries to a. Keep Emmet from finding out Ingo is even here (which doesn't work, he came here KNOWING Ingo is here so he can tell everyones lying to him), b. Know Emmet's location at all times, so that c. They can steer Ingo in the opposite direction of where Emmet is, for his own safety until they can either get Emmet to go back to where he came from, or do some (incredibly biased) investigation.
Cause Sinnoh help them if Emmet IS actually as bad as they suspect, cause if he is even half as good as Ingo, then the amount of people who could potentially stop him can he counted on one hand.
Sure, he SEEMS nice if a tad intense, worrying about his brother, but who's to say he's not just a good actor?
I dunno, maybe the climax is Emmet finding Ingo but the Ingo protection squad (consisting of Irida, Sneasler, etc.) is keeping him back and throwing the not completely baseless accusations at Emmet, him saying "hey I was possessed by a future alternate version of myself, but hes gone now I swear" ("well that's awfully convenient"), and Ingo has NO IDEA what do to (cause he said that once, didn't he? He said that the thing was gone, but then it wasn't, so he has no idea if he can fully trust him or not).
OR, F!Emmet arrives still in Emmet's body and just starts tearing through everything to find Ingo. He's an unstoppable force that will not stop until he finds his brother. And he is nearly everything that Zoroark showed Irida. They are desperately trying to keep Ingo away from him, to no avail.
What're your thoughts on this? Do with all this what you want, and thanks for reading my rant.
OK SO THIS WOULDN'T BE CANON PER SAY (more like an offshoot au?) BUT SOME INTROSPECTION ->
so i might have explored this very idea in a couple of discord dms! but for the most part, yes, ingo would be very much scared of the man in white/the zoroark since his last days with emmet were very much tainted with future emmet's influence, but i wouldn't say f!emmet went so far as to abuse him - emotionally torment for sure tho. still, ingo would very much react, even with amnesia, with a sense of fear and apprehension to seeing him. mixed and very confusing feelings
when emmet does finally get to ingo in hisui in the actual au, him and his future self has actually teamed up (as the last installation suggests). that isn't to say emmet is angry at his future self (bc he is FURIOUS even now at how his future self treated ingo and made the last few weeks he had with his sibling so miserable for everyone) but they have a sort of ceasefire since they want the same thing rn
but similar to your ask, ingo doesn't react positively. he still doesn't remember much but he knows that: 1) he knows this figure and that he is someone important to him 2) does not want any harm to come to him 3) he, for the life of him, is scared of him. the clan is rightfully ultra suspicious of them and maybe puts him on watch (and maybe subjecting him to various interrogative talks to get him to explain everything) that the emmets accept without much fight -> f!emmet feeling extremely guilty for what he has done and believes he deserves the treatment/deserves to not be forgiven + emmet knows that the clan is protecting his brother and can't fault them for handling the way they do
f!emmet and emmet both have a lot of work to do if they want things to go back to the way they were, if they even can
BUT YEAH VERRRRRRRY LONG RAMBLE BUT VERRRY INTERESTING NONETHELESS SKSKK
#poor traumatized ingo skskks#possession au#emmet#kudari#subway boss emmet#ingo#nobori#clan leader irida#irida#abuse mention#long post#pla#pokemon legends arceus
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If the primarchs had social media
Lion: There is nothing on his accounts. Not even a profile-picture. Someone is still logging into them every so often. Fulgrim: On all the plattforms. Primarely family-blogger: look at my perfect kids, my perfect spaceship, my perfect partner, my perfect healthy breakfest, my perfect make-up. OnlyFans-account on the side. Get‘s into controversies all the time. Perty: Angry rants. Has spent to much time on Twitter. Old man yells at cloud type of stuff. Jagh: And this is how we‘ll break the speed-limit today! Talks about bikes, how to mod them, drives them around very fast, ect. Occasional horse-pictures. Leman: Puppies! Just cute dog-pictures and -videos, of every canine he encounters in the galaxy Rogal: He isn‘t very good at social media. Sometimes posts bad selfies or pictures of his building projects. Completly ignores all of Pertys hate-comments Konrad: He writes fanfic. Edgy, dark, not very good fanfic. The protag is a clear self-insert and Mary Sue and brings justice to all the settings he puts them in. A ton of spelling errors. The plot barely holds together. He is very proud of it. Sang: He has official accounts with pretty pictures of him everywhere, but he has some private accounts that are just like his art and sometimes cute family pictures. Also why can I see Sang having a Vtuber-persona he livestreams with so people don‘t recognize him? Ferrus: Appears on Fulgrims accounts fairly often. Maybe does some gaming-content on the side Angron: Everything is very sporadic and when it‘s there it‘s pretty angry. Surprisingly talks a lot about issues with his disabilities and that he needs way more help than he get‘s and also all his trauma. Struggles a lot with typing and forming sentences, so it can be hard to understand at times. Roboute: A channel with tutorials for stuff like running a planet or putting on armour. If people ask him to explain something he can just send them a link. Morty: Not very active, sometimes pictures of some funky plants and little texts about them. Magnus: Video-essays. He dissappers for months and then returns with a four-hour-video (minimum) about the most random topic. Hugely popular. Horus: Look at my sexy abs! Look at my huge bicep! Soft-porn-pictures of him and his sons. Probally also had OnlyFans. Lorgar: Social media is great for preaching! So he does that! Deletes all his accounts after monarchia. Vulkan: Food! He loves trying out new recipes from diffrentc cultures! At the start of every recipe is a pagelong story, which people actually read Corvus: Also writes Fanfic. Very, very good fanfic if a bit edgy at times. Kind of has a rivalery with Konrad. Also runs a very active blog, about both writing and justice, with occasional bits about guerilla-warfare Alpharius Omegon: Just the worst trolls. Dozens if not hundreds of sockpuppet accounts. They are having a good time.
#warhammer 40k#primarch#silly headcanons#lion el'jonson#fulgrim#perturabo#jaghatai khan#leman russ#rogal dorn#konrad curze#sanguinius#ferrus manus#angron#roboute guilliman#mortarion#magnus the red#horus lupercal#lorgar aurelian#vulkan#corvus corax#alpharius#omegon
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The full playtest draft of Eat God is up. For those just joining us, I'll let the document's own intro do the talking:
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Eat God is a game where you take on the role of a small gremlin-like creature. Though you're just as much a person as anybody else, the setting's dominant human culture tends to regard your kind as clever vermin, which means you don't get a lot of respect – but it also means you usually aren't seen as a threat, which may occasionally work to your advantage.
Unfortunately for the people in charge, you're not just any clever vermin: you and your companions are God-eaters, wandering practitioners of an esoteric discipline – part existential philosophy, part martial art – which affords you a limited capacity to bend the laws of reality to your will. As its name suggests, the God-eater's creed also has serious objections to authority in all its forms.
In a typical session of Eat God, you and your friends will arrive in a community that's suffering under some abuse of power, and proceed to cause problems on purpose. Owing to your limited outsider's perspective, your efforts may not necessarily help, but they'll definitely ensure that those responsible have a bad time. Actual theophagy may or may not be involved, depending on the situation at hand.
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... or, for those not inclined to read between the lines, you're a bunch of muppets with Looney Tunes super powers wandering around a gritty fantasy milieu stirring shit up.
This is a little less finished than I prefer my first drafts to be, but I'm sixty pages deep and well and truly sick of filling out d66 tables – it's time to get it in front of eyes that aren't mine!
If you're coming in from the previous character creation teaser, revisions in this version (apart from, you know, the actual rules being present) include expanded treatment of Facets, minor rewrites to several Traits, major rewrites to at least a couple Rebellious Arts, and at least four entirely new d66 tables to play with.
You can find the link above, or right here.
As always, questions, criticisms, and bizarre rants are welcome!
#gaming#tabletop roleplaying#tabletop rpgs#eat god#game design#violence mention#cannibalism mention#religion mention#swearing
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Discord 18+ - Twitter - Masterlist
Pairing: Nanami Kento x Female Reader
Story Summary: Following his mothers passing, Nanami inherits his family's rundown bakery. With the bakery on its last leg, Nanami reluctantly takes on the task of trying to save what his family has worked to keep for decades, but he can't do it alone.
Genre: Bakery/Coffee Shop AU
Warnings: Workaholic meanie Nanami, employee x boss relationship, but also enemies to lovers, death, grief/mourning, profanity, jealousy, fluff, angst, Nanami owns a bakery, parental loss, Nanami is bad at feelings, I don’t know if I’ll do smut for this one but sexual tension, mutual pining, Nanami is sort of an asshole here
Art by: Ilameys + (Unknown artist (right pic). I'd love to credit the artist so if you know who it is, please let me know!)
Chapter 2 - Wienerbrød
Chapter Summary: You try to bake something new!
You kick your shoes off as you enter your apartment. With your phone wedged between your ear and your shoulder, you groan in irritation as you storm into your living room.
“I’m telling you, Shoko. This guy is such a fucking asshole. Shut me down the second I asked him a simple question,” you’re ranting as you flop down onto your couch. “He’s got to be the most pessimistic person I’ve ever met. He did nothing but pick apart the entire bakery and tell me how shitty it was, tried to establish some strange dominance thing in the kitchen after offering me the job… the kitchen,” you stress dramatically, wavering your arms as if Shoko can see you. “My domain! Can you believe him? He doesn’t give a shit about the actual bakery. He’s a total businessman type. Stiff, boring as hell and a dick. I don’t know why I said yes to the position. I’m going to hate my life.”
You exhale sharply once you’ve finished your tirade. On the other end of the line, you hear your friend inhale deeply. You didn’t have to ask to know she was sucking on a cigarette, likely almost finished with it and prepping her second, maybe third. After a short beat of silence, you hear her exhale. “Hmm, is he hot at least?”
“Extremely,” you admit through gritted teeth, rubbing away the tension quickly forming between your brows. “That’s the worst part.”
You hate to think it, you loathe to admit it, but Nanami was so very fucking attractive, like stupid hot and it pissed you off! Those thick arms practically bulging through his dress shirt, those veins that exposed themselves and ran enticingly along his forearms when he rolled his sleeves up. His chiseled features, those sharp cheekbones, even his frown was attractive. And god, you didn’t even want to think about his waist.
Anyone with eyes could see Nanami Kento was an insanely beautiful man, modelesque even. But it only served to piss you off more. His constant gloomy attitude was so off-putting, it almost took away from his beauty, like a rain cloud threatening to cover a blue sky.
“Anyway,” you sigh, putting a stop to your own thoughts as you stare up at the ceiling. “That’s beside the point, Shoko. He’s an asshole, but it’s obvious he needs help to get his bakery up and running. I think it’s family owned. He told me that he grew up in the bakery. Seemed miserable about it, though.”
“Interesting,” Shoko manages, though she sounds rather disinterested. “Well if he had to pick anyone, he definitely hired the best person for the job. You’re annoyingly positive.”
“Okay, rude.”
“I just mean you’ll balance his negativity well. Just try not to let him walk all over you. You’ve worked with plenty of dickheads before. What’s one more?”
You hum, your mind already accepting your fate. “I guess you’re right.”
“You know I am. The guy clearly needs help and you love this kind of thing - taking something old, miserable and rundown and making it loveable again.”
You hum again, listening as Shoko blows out another breath of smoke. “And who knows? Maybe you’ll do the same for the bakery, too.”
“Right. Wait– what?”
“I gotta go. I’ll call you later.” She says, voice light with humor. The line goes dead and you roll your eyes at your friends comments as you let the day's events wash over you. Nanami said he wanted to sample some of your desserts on Monday and see some new recipes. You can do that.
The moment you’d stepped into the bakery’s kitchen, your mind raced with possibilities. You felt at home there. The kitchen felt like it had been loved, like it was properly used and cared for, albeit old and a little rundown. That was okay. It gave the kitchen personality and you loved that. You wanted to continue giving the kitchen the love it deserved.
Nanami told you he’d grown up in that kitchen, but he truly seemed to hate even being in the building. You tried to picture a chubby little blonde boy with his arms crossed and a scowl etched across his face standing in the kitchen covered in flour and icing. Adorable, but definitely not the man you’d met today. You wondered how it came to be that he now owned this bakery when he seemed to despise it.
And you wondered if there was a way to get him to learn to love it again.
You shake your head, pushing the thought away. It wasn’t your job to turn his frown upside down, so to speak. It was your job to make sure the bakery was successful as it’s Head Baker and that’s what you intended to do.
- - - - - -
The weekend came and went just as quickly and now you find yourself standing in the kitchen of the bakery with Nanami as the sun barely begins to rise over the city. You pile your notebooks onto the large metal table in the center of the room. Nanami reaches over, taking the notebook sitting atop the stack.
“Are these your recipes?” He asks, flipping through the pages.
“Yep. These are some pastries I created on a whim. I was thinking we could go through and select what you like, maybe tweak some so that they fit more of the vibe you’re going for with the bakery. Or are there any pastries you’d like to keep from the previous owner?”
Nanami’s dark eyes shoot up from the notebook to look at you. You hold his gaze, trying to find anything behind those eyes aside from the clear hatred he holds for this bakery, but you don’t. It’s frustrating.
“No,” is all he says.
“Okay…well, we can start from scratch then. Let me know what you see that you may like.”
Nanami replies with something between a grunt and a hum. “I’ll review a few of these and will follow up. If you want to get comfortable and organize the kitchen to your liking, go ahead. Please try and have a sample pastry ready within the next few hours.”
He turns to go into his office without so much as a look back.
You sigh, trying to get used to this silence you were sure you’d be working in everyday whether Mr. Nanami was there or not. You couldn’t wait to establish a menu so you could bring staff on. At least then you wouldn’t feel so alone.
You wander through the kitchen with a notepad, looking through all of the smallwares and jotting down what you see in case you need to place an order. There seems to be many of the supplies you need here already and in good condition - spatulas, mixing bowls, flour sifters, icing tips. The bakeware also seems to be well supplied with an array of bread pans, muffin tins and cake pans. This place was fully stocked as far as you could tell.
You shuffle over to where three mixer appliances sit on a counter against the wall, setting your notepad down to inspect them. They’re a little older, but they turn on and mix just fine. You’d bet they mixed better than some of the newer models. You decide you’ll keep them.
As you lean one of the mixers over to check its condition, you find a small booklet lying underneath the stand. You pick it up, gently setting the mixer back down before you open it to inspect it. It’s a tiny black leatherbound journal with very faded gold lettering in a language you definitely don’t know.
And you? Well, you’re nosey as hell, so you carefully peel back the cover, taking in the elegant writing etched onto the first page.
To my baby boy
There’s some strange writing scrawled beneath this in what looks like English letters. You can’t really tell, but it seems to be some message in whatever language this is. You turn a couple of pages and let your eyes roam over what’s written within. The rest of the pages you can read fairly easily as they’re in English. You can see immediately that these are recipes. The booklet is full of pastry dishes, both sweet and savory. They appear to be foreign pastries and you feel your heart race with excitement as you imagine making them because while you were adventurous with your baking, you’re positive you haven’t tried to make any of these.
And Nanami did want to sample your baking, so why not give him something he’s not going to see in your portfolio?
Eagerly, you begin moving through the rest of the kitchen equipment, taking out what you need to begin.
- - - - - -
The kitchen is full with the smell of fresh dough baking. The quiet hum of the ovens working calms you as you sift through the recipe in the booklet you’d found earlier. You decided to make one of your original creations while also trying your hand at this new mystery pastry in case Mr. Nanami liked both…or one…or none. Shit, you didn’t want to imagine him not liking either.
You stare down at the ingredients already in the mixing machines.
“Alright. So, water, 2 large eggs, a teaspoon of salt, unsalted butter, active dry yeast…” You read through the remaining list of ingredients until you reach the end. “And now…flour?” You squint down at the notebook, the words scribbled messily on the paper, time having faded the ink. You can’t really make out the measurements written out. It looks like 2 ½ cups. You’ll try it and hey, if it doesn’t work, you’ll simply adjust the recipe to find the right mix. Easy.
Just as you’re sorting through the measuring cups, Nanami emerges from his office with your journals, mouth set in its usual hard line as he makes his way to you. He sets the books down, and you swear you see him inhale the sweet scent of the pastries currently baking in the oven before softly exhaling. You open your mouth to say something before quickly shutting it because he’s back to business in about .02 seconds. You really can’t read this guy, so you don’t try to. You redirect your focus back on to your task.
“These look good,” he tells you, his finger tapping on the book stacked on top. “I placed a post-it note on the recipes I think may work for the soft opening, but I’d like for you to make a sample of them beforehand. Maybe just a few a day.”
You nod, acknowledging his request but far too focused on scooping your guesstimate of flour. Nanami eyes you carefully, brown eyes staring as you carefully run your finger over the top of the flour. The excess falls carelessly onto the table and just before you pour it in, Nanami speaks, his voice halting your movements.
“What are you making now?”
“Hmm?” You ask, glancing over at him. “Oh, something called…” you peer down at the booklet, “Wee-ner-brod?” You’re one hundred percent positive you butchered that pronunciation, but how do you even pronounce ‘wienerbrød’?
Clearly Nanami knows because he surprisingly lets out an amused chuckle before he asks, “Wienerbrød?” With what you assume is perfect pronunciation. And you’re not sure why, but the sound of his deep baritone laugh makes your stomach twist in a strangely pleasant way.
“Yes! That!” You point to Nanami with your free finger. “I’m making…” you stumble your way through the pronunciation again and get another small laugh from Mr. Nanami which makes your own lips curl up in a smile.
“I didn’t know you knew how to make Danish pastries.”
“I don’t, but you don’t learn without trying.”
“True. What step are you on now?” Nanami asks curiously, coming up to stand next to you. This close to him, you can truly see just how large he is. Not to mention, he smells incredible. You ignore the way the mix of the aroma of baked goods and his cologne almost makes your eyes want to roll back. You’d never smelled something so tantalizing before.
Nanami calls your name and you clear your throat, trying to re-focus.
“Oh, um…well I’ve added mostly everything and now I need to incorporate the flour - about 2 ½ cups.”
“Your calculation is off.” He affirms gently, eyeing the measuring cup in your hand.
You snort, “Are you suddenly an expert in Danish baking or something?”
“I can throw a few things together.” He says and you peek over to see him rolling the sleeves of his very nice (and probably very expensive) shirt up to his elbows. Your eyes roam over, drinking in the sight of those thick veins that you couldn’t get out of your head over the weekend protruding from his forearms, the way his muscles flex with the slightest movement and you wonder for a moment what it would be like to grab onto those arms while he –
“As I was saying,” Nanami’s quiet voice interrupts your reverie. “2 ½ cups is close, but you actually need 2 ¾ cups for this recipe.” He reaches in front of you to grab a ¾ measuring cup and again, you’re assaulted with the scent of his cologne. Your mind erupts with thoughts of nothing appropriate for an employee to be thinking about their boss, but you can’t help it!
You blame it on that damn smile of his and that laugh. It’s thrown you off of your game.
Nanami takes the measuring cup you’re holding and replaces it with another. “You also need to use your hands to mix this.”
You might faint.
“Is that…” you lick your lips, mouth suddenly feeling dry. “Is that completely necessary?”
Nanami slowly adds small amounts of flour into the mixer bowl while kneading with his other hand. “It’s time consuming, of course, but it allows for more control over the dough. You can feel the dough's texture…if it’s too dry or if it’s too wet. From there you can determine if more water or more flour is needed.” You watch as his brows furrow in concentration, a little surprised by his knowledge around dough. Though it shouldn’t be surprising given that he grew up in this very same bakery. Of course he’d know.
And once again, your stomach does somersaults.
Damnit, he was definitely going to need to stay out of the kitchen if you were going to stay employed here.
As Nanami continues working through the recipe, you chat idly about general things. He tells you a bit about his time as a businessman, but doesn’t elaborate on what exactly led him to own a bakery. And you tell him a bit about yourself, trying to keep the conversation light as this was the most you’d both interacted since your interview and you’re surprised by how well it’s going. You don’t want to ruin it by poking and prodding.
As the conversation goes on, you watch him very carefully as he works the dough, ignoring the way your heart races watching him do the very thing you do almost daily.
“The end result should be somewhat sticky,” he states.
And oh god, something was getting sticky alright…and it lay between your legs. Your eyes are glued to the bulging muscles of Nanami’s forearms working the flour into a thick doughy substance between his large, thick fingers. Your gaze moves up his stupidly sexy arms, to his biceps straining against his shirt and you imagine him flexing so hard, it rips to shreds, falling in tatters to the floor. The cartoonish image almost makes you want to laugh. And you would have if your eyes hadn’t continued their journey, higher to his tight shoulders moving in circles as he presses his palms into the dough. Higher to the tension in his jaw, the muscles rippling as he grits his teeth with focus. The kitchen suddenly feels unbearably hot and you’re not sure if it’s the ovens running causing the temperature to rise or the view in front of you.
Nanami had never mentioned he knew how to bake. But why would he? It was your job to know. You also never thought to ask after the sour note your interview ended on despite you still being offered the position. You could not stand him upon first meeting and now here you were practically drooling into this batter over how incredibly sexy he was when he was baking.
Nanami slowly pours flour in again as he kneads the dough with expert precision. The way he grips it in his hands, the way his fingers deftly sprinkle flour into the mix. You wonder what else those big hands can do.
The oven timer dings and you snap out of your lewd thoughts, pretty sure sweat is forming on your forehead from your fantasies. You spin around quickly to slide on oven mitts before you pull the pans from the oven. You’d chosen to make miniature fruit tarts with a vanilla pastry cream. A simple recipe, but absolutely to die for. Setting the tray down, you return to Nanami’s side just as he finishes kneading the dough.
And you try to hide the frown pulling at the corner of your lips when you realize you’d lost your perfect view.
He moves to the sink to wash the remaining dough from his hands, returning with plastic wrap to cover the mixing bowl. “I hope you weren’t planning on completing that today,” He says before turning to head toward the walk-in refrigerator. When he emerges, you shoot him a questioning look.
“I was going to let the dough rise for a few hours while I worked on some other things.”
He hums in acknowledgment, but shakes his head. “For this dough, you need to do a long rise for the best result. Overnight is best.”
“Okay, you’re the expert Danish pastry baker apparently,” you tease, earning you another small chuckle from him and you feel your face heat up at the sound.
What is with you today?
“How did you come up with the idea to make Wienerbrød anyway?” He questions suddenly. “Just seems a bit random given what recipes you’d given me to review.”
“Oh!” You rush back over to the mixers excitedly and grab the booklet, holding it up for Nanami to see, a wide grin on your face. “I found this under one of the mixers. It has some strange language I can’t read in the front of it…I’m assuming it’s Danish? But some delicious sounding recipes from what I could understand when I skimmed through. I decided this would be a good idea to take myself out of my comfort zone to try something new.”
Nanami takes a step forward, squinting hard at the little journal in your hands. Suddenly, his eyes widen slightly and he snatches the book from your hold. He opens it to the first page, where the foreign message is scrawled down before he snaps the book shut, his lips pursing in displeasure.
He pinches the bridge of his nose and sighs in clear irritation. “Next time you find something that is very clearly a personal belonging, please bring it to me before you take it upon yourself to poke through something that isn’t yours,” he snaps, his voice clipped.
The shift in tone takes you aback.
“Oh. I’m sorry, Mr. Nanami. It just seemed to belong to someone who knew their way around baking so I–”
“I didn’t ask for the reasoning behind your nosiness,” he cuts you off and you feel your own irritation begin to slowly rise. “Is this a habit of yours? Digging through people’s belongings and taking things that aren’t yours?”
You scoff, folding your arms across your chest defensively. “If you’d let me finish, I’m trying to apologize –”
“I don’t want an apology. I want you to show up here, bake and leave. Not spend your time digging through someone else’s belongings.”
You inhale sharply, trying to gather your thoughts. This conversation has taken an unpleasant turn and the last thing you want to do is have a blow up with your boss. You feel like you’ve actually made progress with him today and this feels like a setback waiting to happen.
“Again, Mr. Nanami, that wasn’t my intention. I just wanted to try something new. I had no idea this book…” you wave your hand in his direction. “...would be such a sore spot for you.”
At this, Nanami seems to bristle. “My sore spot,” he stresses the words, “is nosey employees who don’t just do the job I asked them to do. I asked you to make a sample pastry –”
“And I did,” you cut him off, gesturing to your tarts cooling on the table. “And I had enough time to try my hand at something new, which is why I wanted to try something new and present it to you.”
You sigh when Nanami meets your response with silence.
“What’s the issue here? You had no problem with helping me make this until you saw that book,” you say, pointing at the small black journal he holds. Your gazes lock in an intense staredown and even as Nanami annoys you, you can’t help but find his frustratingly pretty brown eyes completely mesmerizing.
Ugh, stop.
“The issue,” Nanami stresses, “is you sticking your nose where it doesn’t belong.”
“Excuse me? It’s just a recipe book. Why are you so upset about it? Is it yours or something?”
“Again, poking your nose where it doesn’t belong.”
“Mr. Nanami, with all due…respect,” you grit out the last word because he was really starting to piss you off, “if we’re going to be working together as closely as we are, there needs to be some trust here. It’s just a recipe book. I apologize for overstepping, but you can tell me why referencing this book to make Weenerbrod is such a big deal.”
You could swear you see the ghost of a smile on his lips just before he rolls his eyes, correcting your pronunciation of the pastry again, just as he turns his back to you. “You are my employee, I am your employer and that’s it. My helping you to bake a simple bread does not make us friends. Please complete the sample pastries I requested of you and we can reconvene once they’re finished. End of discussion.”
Nanami heads to his office without another word, slamming the door behind him.
You can only watch him disappear from your sight, seething. Left standing in the kitchen alone after yet another faceoff with your new boss, you’re suddenly reminded of your earlier conversation with Shoko.
Just try not to let him walk all over you. You’ve worked with plenty of dickheads before. What’s one more?
You resist going after Nanami and giving him a piece of your mind, instead following his instructions to finish your samples. You won’t push him. Clearly that little book meant something to him and he had no intention of sharing. And he was right. It wasn’t your business to know…
…But you can’t help feeling upset that the light mood of earlier is now gone.
You sigh, ignoring the pit in your stomach as your anger begins to subside. Instead, you move to the walk in refrigerator, gathering the ingredients to make the vanilla cream for your tarts.
Your mind is still racing with the conversation that just took place even as you mix your ingredients and pack the cream into the icing decorating bags. You realize for the first time since meeting Nanami that he wasn’t only this stoic tyrant that enjoys barking orders. He was someone with interests, someone with depth, someone who clearly enjoyed the art of baking the same way you do. You saw the look in his eyes as he guided you through making this pastry. And while you’ve barely known Nanami, you’re familiar with the look on someone’s face when they’ve participated in their passion. He looked…happy. Clearly, there’s more to Nanami than you know.
More to him than what he was willing to show you. For now.
You’re annoyingly positive.
Shoko’s words make you roll your eyes as they echo in her head. Because you know she’s right.
#jjk fanfic#jjk fic#jjk x y/n#jjk x reader#kento nanami#nanami x y/n#nanami x reader#nanami x me#nanami kento x you#nanami kento angst#nanami kento x reader#nanami kento x y/n#nanami kento smut#jjk nanami#jujutsu nanami#jujutsu kaisen nanami#nanami x you#kento x reader#kento x you#kento x y/n#anime x reader#anime smut#anime angst#kento nanami x reader#kento nanami x you#kento nanami x y/n#nanami baker au#baker nanami
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Hazbins bad character design
I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.
I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.
Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.
(rant under the cut)
One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.
The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.
Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.
Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.
In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).
The first thing would probably be that characters don't look their age mostly.
Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).
The body types being all the same also doesn't help.
Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.
And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.
Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.
While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.
What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.
Joy = yellow (bright colour often associated with the sun/light)
Sadness = blue (cold colour often associated with tears/rain)
Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)
Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)
Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)
Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).
Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.
Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.
Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.
And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.
And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).
There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).
And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).
In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).
I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.
This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.
#hazbin hotel critical#vivzepop critical#hazbin hotel criticism#hazbin hotel critique#anti vivziepop#character design
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Lil rant abt Caine
Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.
The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked
The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!
Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.
This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.
Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.
My favorite Caine lines/line deliveries so far:
"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."
"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"
"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"
"Kaufmo abstracted? Why didn't anybody tell me?"
"Bubble you can't say that"
"-ZOOBLE WAIT!"
"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]
"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."
That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~
"Who knows what could happen..."
Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.
Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]
but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!
#tadc caine#tadc#i'm just here for the free food.#the amazing digital circus#digital circus#tadc theory#tadc thoughts
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