#is the name of the studio who animated the seried

[paintsplash1712]

If we were to get a Kingdom Hearts Animated Series it would HAVE to be made by the team who made Rise of the TMNT! (Flying Dog Productions)

Like imagine these beautiful fight scenes with Sora and Riku fighting Xenmas!

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[superdorkcat]

Upcoming Magical Girl Projects

Magical girl fans are finally eating good after years of starvation. So good, in fact, that I decided to make a list of magical girl projects in development. This is a continually updating list whose history can be found here.

Mahou Tsukai Precure: Mirai Days - A new installment in the Precure franchise, Mirai Days will serve as a sequel to Mahou Tsukai, the thirteenth season. Set a few months after the season's epilogue, Mirai Days has the Cures reunite in order to face a threat against time itself. Premiering January 11, 2025.

You and Idol Precure - The 22nd season of the Precure franchise, You and Idol will replace the currently airing Wonderful Precure on February 2, 2025. While walking her dog, Uta Sakura comes across Purirun, a fairy searching for the legendary Idol Precure to save her homeland from the Chokkiri Gang. Uta then transforms into Cure Idol to take back the "sparkle" of her neighbors after it's stolen by a Chokkiri agent.

Puella Magi Madoka Magica the Movie - Walpurgisnacht Rising - The fourth PMMM movie, which will pick up where Rebellion's massive cliffhanger left off. While originally slated for late 2024, it has since been delayed to winter 2025.

Cute High Earth Defense Club Eternal Love! - The magical boy series is getting a new movie in winter 2025 as part of the celebrations for its 10th anniversary. The movie will be a time travel story that picks up a decade after the original series.

Maebashi Witches - A TV original production by Sunrise, Maebashi Witches is a coming of age story focused on a quintet of high schoolers who are approached by a strange and mysterious frog named Keroppe, who recruits them to become the titular group. Now working in a magical flower shop, the girls use the "Witchverse" pocket dimension to grant people's wishes with the power of song and dance. Has the same writer as Bocchi the Rock (Erika Yoshida) and is premiering spring 2025.

Princession Orchestra - A TV original coming in spring 2025, Princession Orchestra is based on a concept by Akifumi Kaneko, one of Symphogear's co-creators. The land of Alicepia's peace is destroyed when monsters called Jammerwocks attack, prompting a trio of young girls to step up the plate to protect the realm.

Winx Club - The western magical girl classic is getting a CGI reboot. While comments by Iginio Straffi imply that certain characters who were introduced later in the original series (such as Roxy and Nabu) will appear earlier, no specific plot details have been revealed so far. The series is coming to Netflix late 2025.

New Panty & Stocking with Garterbelt - Panty & Stocking is getting a second season after over a decade that's coming out sometime in 2025. A teaser trailer confirmed the OG voice cast's return and announced the production staff, but plot details are still unclear.

Magilumiere Magical Girls Inc. season two - Magilumiere is getting a second season, which was announced after the broadcast of season one's finale. No other details have been revealed.

Untitled Symphogear movie - A new Symphogear movie was announced in late 2023. However, no further details have been revealed.

Hua Xianzi: Zhi Mofa Xiang Dui Lun - A co-production between Tencent Video and Toei Animation's Shanghai branch, this anime is being billed as a "remake" of Lunlun the Flower Fairy. The heroine is Rumi, an apprentice at a homemade perfume studio who awakens as a Flower Child due to the power of a family heirloom. She's tasked with collecting and purifying the Rainbow Flower's scattered petals, only to clash with another Flower Child along the way and discover the surprising past of her feline mentor/sidekick.

Studio Pierrot's new anime - Studio Pierrot, which has made a variety of magical girl anime from TV originals like Creamy Mami to adaptations such as Tokyo Mew Mew, has announced that they're creating a new TV original magical girl anime. No specific details have been disclosed, but the caption for the teaser image ("I want you to sing once more...") implies that it'll be a magical idol anime.

Lolirock season three - After Lolirock's second season ended with a cliffhanger all the way back in 2017, it seemed like the story would never get a proper conclusion. However, the series's creator and director, Jean-Louis Vandestoc, announced on his Instagram in 2023 that creative meetings for a third season have begun.

Magic Knight Rayearth revival - TMS Entertainment is making a new Magic Knight Rayearth anime in honor of the franchise's 30th anniversary. Unfortunately, it's currently unknown what the format will be.

Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance - A new installment in the seminal Magical Girl Lyrical Nanoha franchise, this will be a new TV anime to celebrate the series's 20th anniversary. No other details are confirmed, but it will presumably be connected to the upcoming EXCEEDS manga that will begin in 2025.

Cardcaptor Sakura: Clear Card season two - The sequel to the magical girl classic is getting a second season that will adapt the rest of the manga.

Magical Girl holoWitches - A multimedia project starring six VTubers as fictionalized versions of themselves who work as both streamers and magical girls who save people when they get trapped in the magical Holocas World. There was a four minute extended trailer in May 2024, but the anime's proper premiere date is unknown.

I Don't Want to Be a Magical Girl - An indie project by Kiana Khansmith, which follows the story of a burnt out magical girl named Aika. While she ran away from her duties in pursuit of a normal life, her position as a Protagonist™ causes her to get dragged into adventures anyway. Khansmith is currently hard at work on the pilot, which has a voice cast consisting of Anairis Quinones, Bennett Abara, Christine Marie Cabanos, Aleks Le, Shara Kirby, Michele Knotz, and Marieve Herington.

New Ojamajo Doremi thing - As part of the celebrations for the franchise's 25th anniversary, Toei Animation released two new music videos for the series' 1st OP and 4th ED with the promise that a new project will be made if the videos reach a combined 5 million views. This goal has since been met. Due to the girls being adults in the videos, the new project will presumably be an adaptation of the Ojamajo Doremi 16-20's sequel series of light novels.

[doyoulikethissong-poll]

Maximum the Hormone - What's Up, People?! 2007

Maximum the Hormone is a Japanese heavy metal/hardcore punk band from Hachiōji, Tokyo, formed in March 1997. Their line-up has consisted of vocalist Daisuke-han, drummer Nao, guitarist Maximum the Ryo-kun, and bassist Ue-chang since 1999. Each member alternates singing lead vocals, often within the same song, with the exception of Ue-chang, who provides backup vocals almost exclusively.

The group is best known for their unconventional and experimental style of alternative metal music. Over their career, they have found success incorporating elements of heavy metal, hardcore punk, hip hop, pop, funk, and ska into their sound. Stylistically, their music runs the gamut from being dark and serious, to ironic or humorous, often with drastic shifts in tempo and mood over the course of a song. The band's eclectic nature frequently draws comparisons to System of a Down.

Bu-ikikaesu is their third studio album. It was the band's first album to chart on the Oricon charts, debuting at number five and selling 70,000 copies in its first week, after which it remained on the charts for seventy-eight weeks. The RIAJ certified the album Gold, selling more than 100,000 copies in Japan and 250,000 worldwide.

Three tracks from the album went on for use in two anime series. "What's Up, People?!" and "Zetsubō Billy" were used as the opening and ending for episodes 20–37 of Death Note, while the song "Akagi" was used for the anime of the same name. I've decided to add the Death Note intro to this post as well, for The Experience™. :)

"What's Up, People?!" received a total of 55,1% yes votes!

[lc-holy]

There's been some new info about season 6 and the new Special episodes to come, but I haven't seen anyone talking about it on tumblr.

So I'm taking the liberty of making a summary:

Season 6:

-Sébastien Thibaudeau (the show's writing director) has announced that writing for season 6 is complete. There will be several new writers this season.

-Thomas Astruc has shared an image showing him working on the storyboard for a season 6 episode.

-I'm just coming back to something that was said several months ago since some people don't seem to know: All the animation studios that worked on seasons 1 to 5 will no longer be animating the next seasons of Miraculous. The series is getting a visual upgrade. And ZAG has shared a preview of the new sets for the coming seasons.

-Now we know that the new animation studio to work on the next seasons of miraculous is DWARF. This French animation studio worked on the Miraculous movie.

Special episode:

-The new special "The end of Ladybug" (whose name is only provisional) will take place this year before season 6 airs. This will be the last time Miraculous will be animated in the style we've known since season 1. (No word yet on whether SAMG will continue to animate future special episodes.)

-The dubbing of this special has already been done in English.

(Remember: just because an episode has been dubbed doesn't mean it's ready for broadcast. The dubbing can be done while the animation of the episode is not yet finished).

Other specials:

-Thomas would like the next special episode to take place in Japan.

-Thomas said he had already written the Brazil special episode as well as the Bible for a spin-off. He has also written many other stories in the Miraculous universe, but for reasons unknown to him, nothing seems to be moving to adapt these stories for animation or comics. He asks fans who would like to see these projects come to reality to put pressure on ZAG. (politely, of course).

-Thomas retweeted a fan who created a petition so that the special Tibet episode could one day be made.

-He also explained one of the reasons why Miraculous could not be animated in the Ladybug PV style.

He asks fans who would like to watch Miraculous with this style of animation to petition ZAG, Mediawan or Toei.

I may do more posts like this when I have new information, if you're interested of course (I'll never share spoilers or leaks, don't worry).

[motziedapul]

Animation post from an animator (the situation is bad y'all):

Animation "fans" who celebrated the cancellation of Velma actually hate animation as a whole. Here's why:

A successful (many people watched it even if it was disliked) big name celeb show animated series getting cancelled is a bad omen for the animation industry.

Castlevania - popular and generally loved, fantastically animated, is currently on hiatus awaiting renewal, fearing cancellation.

Cartoon Network was closed down. Half the industry is out of work. Cancellations are increasing. Shows are getting removed from streamers.

Indies exist but are working with 20% of actual budgets of animated series and constantly underpaying artists - or the artists are simply not paid at all, working for passion.

LA animators are out of work, studios are laying off thousands. Every cancelled show is a bad sign.

They will never stop at the shows you hate. Everyone saying they wanted Velma or Big Mouth or any number of adult cartoons to end don't understand that IF THESE SHOWS DO END, there's no hope for your faves. They will stop existing.

Because if "profitable" and "popular" isn't enough, "good" and "well-made" isn't gonna be either. They're gonna cancel all your faves as easily, or heck, easier, than they'll cancel those shows you hate.

People who celebrate this don't "love animation". They don't #StandWithAnimation at all. They want it to fail.

[swampjawn]

Dungeon Meshi episode 21, being heavily dialogue-driven, was pretty straightforward animation-wise and let Ryoko Kui's stunning art speak for itself for the most part, but that doesn't mean that there aren't still some GENERALLY-INSIGNIFICANT-DETAILS-TO-SCRUTINIZE-AT-ARGUABLY-UNNECESSARY-LENGTH.

There was a strong emphasis on hands in this episode, particularly the second half, starting with this cut of Laios resting his on the Minotaur's snout.

The animators have taken this simple little panel (on the right) from the manga (btw, people who know more about this than I do, is there a name for this type of panel, which in film would be called an "insert shot"?)

and turned it into this highly detailed tracking shot that heightens the emotional impact of this moment for Laios. It feels very similar to the shot of Kabru bringing a piece of fish to his mouth that introduced him to the series!

The theme comes up again when Laios does a little bit of blair-witching in the corner after being rejected by house-kitty-pilled Izutsumi,

and once again a few seconds later with this added close-up of Marcille's hand when she tries to read the magical aura of the area.

This one clearly makes heavy use of reference footage, to the point that it almost looks rotoscoped until you notice little details like this line that warps unrealistically at the heel of her palm.

But with smooth, realistic motion like this, little details like that are much less important than the overall feeling of authentic shape and movement. This can be seen in a lot of Masaaki Yuasa's work, which often favors consistent motion and more frames over super polished individual drawings. Here's a thematically appropriate cut from Ping Pong for example:

(This one might actually be rotoscoped, I'm not sure)

If you pause on any individual frame, the lines look wobbly and inconsistent, but it comes together as a whole to create something that feels authentic - real.

The heavy detail in the hand anatomy and the way the skin wrinkles around the knuckles in these cuts feels like a hard departure from Studio TRIGGER's signature heavy stylization, but these realistic cuts have popped up here and there since the start of this show, and I think they fit Dungeon Meshi really well! It can be jarring go straight from wacky bombastic cartoonsmanship to realism, but while it is a show about the hungriest hungriest himbo and his family of weirdos, it's also simultaneously a show about anatomy, ecology, and the horrors of the human mindbrain.

This was expanded from an excerpt from this video where I break down the whole episode, so if you want to continue wallowing in the sludge with me, consider checking out the video!

Thanks for reading.

[autobots-one-half]

the Nerima Wrecker Crews' Guide to Ranma Fandom for Newcomers

With the release this month of a brand new anime adaptation of the eighties manga Ranma ½, a lot of new fans are joining an older fandom that may leave them...confused about some details.

See, when the Ranma manga began in 1987, series creator Rumiko Takahashi was already solidly-established from her success with the runaway hit Urusei Yatsura. It only took two years for an anime adaptation to begin airing....for a mere eighteen episodes, before being canceled. If you go back to the '89 anime, you will almost certainly notice some drastic shifts in art style and tone from the first eighteen episodes to the remainder, and that's because only a single season was produced by Studio DEEN before production shifted to a new directorial crew, who dubbed the following season Ranma ½ Nettōhen (Fierce/Hot Battle Chapter).

The thing is, between the original eighteen episodes being made while the manga was still relatively early in its nine-year run, attempts to draw in better ratings by heavily promoting fan-favorite characters, a need for filler episodes to let the manga catch up to the pace of the anime's releases, and even the biases and friendships of the respective directors and writers...some things wound up being different.

And as a result, the Ranma ½ of the Eighties and Nineties is very different from what we're going to get with the 2024 anime. The 2024 series is based on a manga that had been finished for decades, and between the official releases so far and some unfortunate early leaks, it shows plenty of signs of being far more faithful to the original manga.

So, we of the Nerima Wreckers' Crew are here to introduce you to a few of the things you might run into as a new Ranma ½ fan exploring the existing fan content that has accrued over the past few decades!

Be aware: you're about to read spoilers for a four decades old manga. Questions about something that we don't cover in this post? Leave a comment asking for more, after the jump!

Something to get out of the way first: we're the NWC as an in-joke: as both Transformers and Ranma fans (and in some cases, fictive introjects), we wanted to combine the 'Wreckers' group name from Transformers with the English-language Ranma ½ fandom's nickname for the group of martial artists, students, teachers, monsters, and other characters who populate the series:

The Nerima Wrecking Crew.

The principal setting of Ranma ½ is Nerima, a ward of the metropolis of Tokyo. There are 23 special wards, and Nerima is a real-life one that is found in the northwest of Tokyo—in fact, it was the 23rd and final ward! In English-language communications, the local government identifies the ward as Nerima City, so that's how we'll speak of it here.

Nerima is a large city that still retains a very suburban, even exurban character stretching back to its history of farming. There are even still farms within the city limits, including at least one dairy farm last we checked! It's part of Tokyo, but it has a kid of old-fashioned peaceful character...that makes it the perfect place for anime characters to disrupt. That kind of disruption led the English-speaking fandom to dub our favorite crew of violent martial artists the "Wrecking Crew", presumably after their propensity to bust down walls and buildings.

A lot of anime and manga take place in Nerima. Takahashi's previous hit series Urusei Yatsura, the cat-robot classic All-Purpose Cultural Cat-Girl Nuku-Nuku, the anime adaptation of Stop!! Hibari-Kun, even Tokyo Ghoul...okay, some of these are not quite the same genre as the others.

This is often attributed to the large number of anime studios based in the city, but Ranma's adventures in Nerima have a special bond with the environment that seems to go beyond, stretching back to the original manga. Ranma is often seen walking along (or falling from) fencetops above canals just like the above image from Wikimedia, and scenes set in nearby parks map fairly well to specific ones in Nerima City, so we can generally assume that the neighborhood where the Tendō Dojo is found is roughly in the Ōizumi area along the Shirako River seen above.

More specifically, it's in an imaginary neighborhood somewhere nebulously within those boundaries, a neighborhood that parts of the older fandom know as Furinkan-chō, AKA "Furinkan Town", after the Furinkan High School that Ranma and Akane attend—drawing a connection to the more official identification of the cast of Urusei Yatsura as living in Tomobiki-chō and attending Tomobiki High School.

A sober, dignified edifice to education...populated by a bunch of martial arts lunatics.

Some of whom are probably going to be pretty different in the new anime!

Meet the principal of Furinkan High School. Yes, this is a native Japanese man. Yes, he has problems.

Principal, Headmaster, or in Japanese Kunō-kōchō (no given name provided) is, unfortunately, the unfortunate father of the equally unfortunate series mainstay Tatewaki Kunō. The Principal here visited the USA for a while in order to learn from our education methods and came back an even worse problem than he'd left, becoming obsessed with the trappings of Hawai'ian tourism and the English language. In the original Japanese, his dialogue is heavily peppered with random English words and phrases (and an obnoxious Woody Woodpecker-style laugh).

The thing is, it's hard to translate a character randomly speaking English...into English. So, the official English translations of the original manga and anime had the Principal badly pepper his speech with Hawai'ian Pidgin phrases. It's going to be a little while before he shows up in the new anime, so it's hard to say for sure how he'll be translated...but it probably won't be that. So, new fans: you're probably going to encounter a few fanworks where there's a random fake-Hawai'ian man threatening teenagers with bad haircuts.

Teenagers like Hikaru Gosunkugi.

This is Gosunkugi. You'll probably see him next season, because we're going to perform acts of supervillainy if they don't make a second season. He shows up pretty early on in the manga, and has an important role to play in a major storyline...but he didn't show up in the original anime for 94 episodes after he was supposed to appear.

What we got instead was Sasuke Sarugakure. There's some debate about exactly why the anime-only character Sasuke was added: a diminutive ninja with thick eyebrows, prominent whiskers, buck teeth, and a miserable lot in life as the Kunō family servant. Seemingly...the only servant. Sasuke's role in the original anime seemed to have been not only to fill in for Gosunkugi in an early storyline, but to act as a comedic foil to the overblown antics of the Kunō family—especially absurd since the anime took the already comical wealth of the Kunōs from the manga, and exaggerated it to an absurd degree that seems all the more ridiculous when you learn that Sasuke sleeps in the crawlspace and gets by on fewer than three meals a day.

Oddly, this characterization as a comically impoverished ninja is a recurring bit in Takahashi's stories: Urusei Yatsura featured the job-hunting missing-nin Kaede, and the last few volumes of the Ranma ½ manga introduced the threadbare kunoichi Konatsu.

Get used to this image. It's probably all you're going to see of Konatsu for a good few seasons...because the original anime never got to that part of the manga.

Konatsu is a thorny topic in the fandom due to matters of gender that aren't helped by the original anime never getting to those stories, and the original manga chapters taking forever to be available in English. What can definitely be said is that Konatsu A: identifies as a kunoichi, specifically a title for female ninja, and B: is AMAB.

But this is a series that's all about playing with gender.

For example...

The Girl. An anime-only episode of Nettōhen presented a story of Ranma taking a blow to the head, waking up not long after and insisting on actually being a girl—identifying her life as a boy as being something akin to a bad dream. This version of Ranma knows she was assigned male and turns back into a male body when splashed with hot water, but she demonstrates a visceral dysphoria about it that is painfully relatable. The episode's plot is concluded and the status quo is restored when the pacifistic girl is struck once more in the head at the end, restoring the Ranma who is a confident martial artist and self-identified man among men...but an increasing number of highly-rated fanworks reference this single-episode anime-only story.

This isn't the only time an anime-only episode touches on the idea of Ranma who is solely identified as a girl:

Ranma and the Evil Within starts off with Ranma joking about staying a girl forever, only for it to be taken seriously by the recurring problematic antagonist Happōsai (seriously, he's just the worst, and for some reason the original anime production team decided to make lots of anime-only episodes featuring him). A magic incense is brought into play, splitting off all the femnine 'yin' from Ranma's masculine 'yang'.

This split-off half is characterized as unbalanced, magically powerful, and a threat to Ranma's life. So of course, she looks sick as fuck. But just like The Girl, she's a one-off character. Don't worry: if the anime runs long enough to cover all the manga storylines, we'll still get a story about a female-only duplicate of Ranma. But it's going to be a little while.

Speaking of girls in Ranma ��, let's touch on Akane's female friends!

Mostly going unnamed in the manga, Akane has several female classmates and friends who received more prominent roles in the old anime.

(gif by @roseillith)

The two most notable of these are Yuka (lighter brown hair), and Sayuri (darker brown, often in a ponytail). These names do get called out in the old version of the anime, though they don't seem to have much personality beyond "girls who are friends with each other and Akane".

This role is sometimes filled by others in the old anime. It's much harder to find episodes where any other girls in the class are named, but due to two of them recurring, fanworks often bring them up as Akane's other friends:

Meet Asami (wavy shoulder-length hair) and Hiroko (short hair and freckles)...or is that Makoto and Shikako? Sources vary on these names, and English language websites disagree on which are the 'official' names. If anyone can track down an episode where either one is named on-screen, we'd appreciate it!

Akane isn't the only one with school friends: Ranma's got a few recurring acquaintances among the male students, as well.

In the old anime, these two are specifically named as Hiroshi (lighter colored hair and wider eyes) and Daisuke (dark hair and narrow eyes). They're often treated by both the source material and fanworks as Ranma's sole "normal" guy friends, and in general behave like stereotypical high school boys...including openly lusting after Ranma's girl form, even after they learn that she and the male Ranma are one and the same.

Hiroshi and Daisuke show up more consistently as a pair than Akane's friends in both the manga and the original anime, and fanworks often pair them romantically with Yuka and Sayuri. But even with how common Hiroshi, Daisuke, Yuka, and Sayuri are (down to their incredibly average names), they deserve mentioning for new fans...

...Because the new anime renamed them all! "Hiroshi" is now "Shingo" (しんご), "Daisuke" is now "Kiichi" (きいち), "Yuka" is now "Noriko" (のりこ), and "Sayuri" is now "Tomoyo" (ともよ).

That's it for now, because there's a brand new episode out that we haven't had a chance to watch while we wrap up this post on our lunch break. Until next time, this is the Nerima Wrecker Crew, signing off!

[canmom]

Animation Night 189: Nonphotorealistic

There is a funny trend in animation-related terminology to define things by what they aren't. Animation is any technique for creating film that isn't live action. Limited animation is any style of 2D animation that doesn't follow the conventions of Disney's 'full animation' on 1s and 2s - a category that includes a wildly diverse range of approaches and techniques, as this wonderful history by Animation Obsessive describes.

In 3DCG circles, there is a similar term: nonphotorealistic. Which describes, naturally, anything that isn't trying to look like a photograph of a real scene. There has been a real boom in this of late, and just like the other terms, it really doesn't narrow it down very much. Other terms like 'hybrid animation' add a bit more hints.

Of course, if you've been anywhere near animation in the last few years, you'll probably know another term: 'Spiderverse style'.

There is no denying that Spider-Man: Into the Spiderverse (2018) by Sony Pictures Animation was an absolute landmark for animation. (I wrote about it way back on AN21, focusing more on the cultural angle.) The ludicrously stylish film pretty much set the direction for animation in the 2020s - making a bunch of money and awards and thus finally throwing open the door to 3DCG animation that doesn't look like the style set by Pixar/Dreamworks in the 2000s. Its sequel, Across the Spiderverse (2023), was even more ambitious and successful (despite a troubled production involving a lot of needless crunch). We'll be showing that soon in a Spiderverse double bill so look forward to it!

So perhaps not surprising that when people see the use of graphical styles, 2D elements, limited framerates and the like in 3DCG these days, Spiderverse comes to mind. In its wake have come various films and series that apply these and related techniques: 3DCG animation is more varied than ever, and it's cool.

It isn't really a style, tho.

Here I'm indebted to youtuber Camwing who has made a nice video overview breaking down the animation of recent movies in this vaguely defined paradigm. Among them we have The Mitchells vs the Machines (2021, also Sony), Puss in Boots: The Last Wish (2022, Dreamworks), and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, animated at the French/Canadian studio Mikros animation), and of course over on Netflix you got the wildly popular League of Legends spinoff series Arcane (2021, Fortiche Productions), and the romance film Entergalactic (2022, DNEG), tying in with an album of the same name.

None of these films has exactly the same style, but they all pull from a related bag of tricks. The core techniques are animating on reduced framerates for a 'snappy', high-clarity feeling, the combination of 2D and 3D elements in some fashion, and taking inspiration from traditional media such as paintings or comic books.

For example, Arcane and Entergalactic both use the trick of 2D backgrounds/projecting paintings onto 3D geometry, inhabited by 3D characters with a stylised shader. Arcane is dripping with 2D visual effects. Puss in Boots drops the framerate during its action scenes - the opposite of the old paradigm of full animation, where fast actions would get more frames. Spiderverse draws 2D expressions onto its 3D models to push them further, and is full of all kinds of colourful stylised rendering - screentone effects, kirby dots, outlines, the works.

It's tempting to link this to 2D-in-3D animation, and certainly many of these films apply this technique - this is the major niche where Blender has found its way into industry pipelines. But using 2D isn't mandatory to count here. For example, TMNT Mutant Mayhem has an incredibly striking storybook-painting style, accomplished largely by clever shader work and a strong sense of graphic design. Genndy Tartakovsky's canned 2014 Popeye project was planning to use a ton of 2D-style posing and squash-and-stretch, accomplished largely with rigged 3D models. There are many paths to take!

And mind you, I haven't even covered one of the biggest angles here. Search for nonphotorealistic 3DCG on Youtube and what you'll probably find most is information about cel-shading - aka 'anime style'. This has also advanced considerably in the last few years, with the techniques pioneered by Arc System Works in Guilty Gear such as editing the normals of characters for more precise control over shading, and minute adjustments to break up the mechanical feeling of 3D, becoming widely copied in both games and films. (And particularly, animated porn.)

Vtubers in particular have really run with this technique, generally speaking using cel-shaded models with edited normals, inverted eyes, etc. etc. to try and get the feeling of an anime character come to life. [You can see a lot of these state of the art techniques if you download Pixiv's free VRoid Studio software and import the model into Blender using the VRM plugin.]

Naturally this kind of cel-shaded approach has found a particular home in Japan. In anime, the biggest champions of it are certainly Studio Orange, whose hybrid approach involves planning out shots with 2D animation before matching them with the rigs. We've covered their adaptation of Houseki no Kuni in great detail on Animation Night 97; their Trigun reboot was perhaps even more popular. But cel-shaded techniques, 3D previs and the like have also made their way into big films like Eva 3.0+1.0 (AN66).

Although this type of rendering aims to recreate the look and feel of 2D animation as much as possible, it always ends up being something new: character models that would be too complex to draw, an ease to 3D movements and camerawork that would be challenging in 2D, and generally a new hybrid style. This is good! 2D animation is already very good at being 2D animation - it's fascinating to see what 3DCG becomes with that inspiration.

So with that brief overview, where does that take us tonight?

I'm not quite ready to do a Spiderverse double bill tonight, so instead the plan is to check out a couple of recent American franchise films that are taking on the new suite of techniques. I've mentioned them up above, but let me introduce them more fully here.

Puss in Boots: The Last Wish is a sequel to a fairly unpopular spinoff about a side character of the Shrek franchise (AN75). Not, on its face, very promising - which is why it is all the more striking that I was told on all sorts of sides that I must watch this movie. I'm finally going to make good on that.

The title character is a kind of feline musketeer type, now facing the end of his swashbuckling career as he's lost 8 of his 9 lives. Not wanting to hang up his hat, he goes on a quest to restore them. What makes it stand out its the action scenes, which go all in on the anime-influenced, extreme perspective and lighting, limited framerate style that we're discussing above. Apparently it looks sick as shit.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a fresh reboot of the venerable TMNT franchise, which pretty much describes itself in the title: four turtles (named after Renaissance painters, of course!) live in a sewer as ninjas, led by their aging master who is a rat. Starting as a comic book, it became one of the iconic toyline-driven TV shows of the 80s - but it's still going! Indeed, Turtles has been on a roll of late (at least going by animator scuttlebutt), with Australian studio Flying Bark Productions turning a lot of heads with their neo-Kanada School style (and for really stretching the definition of 'storyboard').

This new film takes a different approach to the bombastic action of Rise. It focuses on a new origin story for the turtles, telling a kind of coming of age story - but what makes it unique is the animation style and cinematography. Cinéma vérité is not a phrase you really expect to be associated with ninja turtles, but the film seems to really go all out in a way you wouldn't really expect from a franchise movie, shooting the young turtles in a handheld style and focus heavily on character. Marcel Reinhard's shader work, allowing the animators to isolate lights to specific objects and characters and introducing graphical elements of cross-hatching, stippling, etc. etc. to the lighting, gives it a uniquely painting-like feeling, augmented by a lot of 2D creativity in lighting and effects.

Turtles has never really been my thing, but this film looks unique enough that I really want to see it - and I hear it's a good film too.

So that's our bill for tonight! Puss and Turtles. Let's see what the big studios have been cooking of late...

Animation Night 189 will be starting around 10pm UK time (roughly three hours hence) and carrying on til about 2-3am same! We'll be on twitch.tv/canmom as usual. Hope to see you there!

[ecrivainalene]

Leviathan Panel at Otakon 2024

I was OVERJOYED to be at the Leviathan panel during Otakon 2024! I'll do my best to recap it below, but if you want a more coherent play by play, this Twitter user did an excellent job.

I've got a handful of photos, recap of Sharp Gender Discussion, plus misc. things I remember.

Not everyone was up for the entire time, but I snapped this photo near the end when everyone was on stage! From left to right: Waki Kiyotaka (Studio Orange), Yoshihiro Watanabe (Studio Orange), Scott Westerfeld, Christophe Ferreira (Quibic Pictures), Justin Leach (Quibic Pictures), Katrina Minett (Quibic Pictures), and Diana Garnet (ending theme vocalist).

New concept art! Looks like Dr. Barlow, Klopp, Alek, and Sharp, right before the Germans attack the Leviathan.

More under the cut!

Alternative shot of that art bc I couldn't get my lighting right:

Clanker and Darwinist technology designs. Watanave explained that Studio Orange's early days were spent doing contract work on Gundam anime, so I can't wait to see how that translates to the Clanker machines.

Some more concept art:

By the way, the entire series is being adapted at once - so we'll get the complete story at once! That in mind, the second image here makes me think of that maneuver near the beginning of Goliath to pick up the cargo.

Sharp!!! Look at them!!!

I don't have much to say about these but I'm fairly sure I hadn't seen them before. I am wondering if they downsized Alek's crew for the sake of the story, or perhaps we just haven't seem Bauer and Hoffman yet.

We got some new character art! The panel was very cryptic about who the character designer is. Apparently they're pretty well known, but they can't share it yet!

Volger I am so sorry your photo was unfocused. Forgive me.

The panel jokingly described him as "Alek's dad," which feels accurate. And maybe I misunderstood, but it sounds like he plays an even more important role in the anime than he does in the books. I've always considered Volger to be a pretty important character, so I wonder what else he'll do in this new series.

Klopp looks exactly like how I pictured him in my mind!! They said if Volger is Alek's dad, then Klopp is like his mom. Which is very fair but also made me laugh a lot.

Dr. Barlow!! She looks amazing. There was a lot of talk about the dynamic between her and Volger and how they're often playing mental chess games with each other. I'm really glad they're leaning into that dynamic.

And one more concept art:

This looks like the visit to Istanbul, which I'm desperately hoping means we'll see my favorite chaotic bisexual, Lilit.

That's all of the photos I have! They also showed us a preview of the show plus a live performance of the ending song with Diana Garnet. No video recording was allowed and I don't break rules, but believe me when I tell you it was stunning. The world feels so full of life and adventure and I can't wait to see the final show.

Tbh I was too busy holding back tears of joy but one thing I remember distinctly is there's a shot of Sharp getting ready for the day, and we see a sheet of paper with a bunch of names written and crossed out before finally (I think) "Dylan" is circled.

Which actually brings me to the Q&A part. TLDR, between the use of "Sharp" for Deryn's name, Scott referring to Sharp as "she/he/they" during the panel, and the scene I mentioned earlier, I feel really hopeful about how they're approaching Deryn's gender and identity in this adaptation.

I asked a question about this at the Q&A and voice recorded it, so I'll try to transcribe it here as best I can because the audio is not great lol. I stumbled through my question so I trimmed it down here but I'll transcribe the response as clearly as I can!

Me: I just finished re-reading [the series] for the first time since I was probably in high school, and one of the things that interests me about this adaptation is the approach to Sharp's character... I guess I'm just interested, like, was there a lot of thought put behind, or what kind of thought was put behind how to approach their character in the anime, I guess as a chance to re-approach the story however many years after it was originally written.

Scott Westerfeld: Yeah, there's a lot to that. The "girl dressing as a boy" as a trope was something completely different in 2007 when I started writing this than it is now. And so we really approached Deryn's identity as what was at stake rather than just... rather than just her being in disguise, it's about their recreating themselves and becoming a different person and transitioning and, and so... but it's always been interesting to me that the words that I wrote back in 2009, 10, 11, y'know, as an old guy who grew up in Texas in the 70s - who was David Bowie fan! - but otherwise didn't have a lot of access into issues of gender, I'm amazed at how many people have been [able to?] adopt Deryn/Dylan as one of their own. I just got an email a week ago from a trans boy whose chosen name is Dylan. So it is amazing to me how whatever imperfections or whatever problematics there are in the text, people still find their way into what they need from a character. And as a writer, I can say that I always respected that character, I always respected their choices, I always respected who they were. I never tried to stick them into a dress and have everyone go "Ooh now you're pretty 'because 'cause you're in dress!" We didn't do that, and I think that what may be important for people and I think that's why it's still what's gonna work here, but it's been fun to be able to update it and everybody on the team's been really great about understanding that.

TLDR I don't want to get anyone's hopes up too high, but I'm really appreciative of the care that's being taken with Sharp's story and identity in this adaptation. It seems like Scott and the others on the team are taking that into account, and I'm excited to see how it plays out.

Other random things I remember:

THERE WAS AN ALEK COSPLAYER. I took a photo with them but I won't post it without their consent. Just trust that they looked fantastic.

Scott said one of the first things he was told was that Alek can't actually kill Nikola Tesla because he's too well loved by people in Japan, which I think is the funniest possible reason for a change to be made in an adaptation.

Diana Garnet (they/any) mentioned how much they love Sharp (don't we all) and also how they used to work at a Barnes and Noble and remembers selling lots of Westerfeld books!

Scott said his approach in writing Leviathan was taking everything he'd always wanted to write about and basically throwing it together, because he was just coming off of the success of Uglies and figured he could get away with it.

If I remember anything else I'll add on to this post! Overall, it was a wonderful panel and I'm incredibly excited for this project.

[brucebocchi]

Ranking 2024 anime, Pt. 4: #20-11

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, and part 3 here. thanks!

You know, I'd really planned to keep my re-reviews much shorter but I'm finding it harder to do so when I get into the anime I actually liked. Maybe that's a good thing.

And away we go.

20. Solo Leveling

Portal isekai, sad loser secretly gains crazy powers and instantly becomes a stoic gigachad, menu screens everywhere, entry-level power fantasy. You’ve seen it before. Honestly, Solo Leveling is total slop. I wouldn’t have it any other way.

If you’ve watched a couple isekai, like, ever, you’re not going to find much new here. There’s some interesting enough worldbuilding outside of the dungeon stuff; I did find myself intrigued by the level consideration given to how much this preponderance of portals would influence Korean economics and politics, and even moreso that much of the story so far revolves around how those corrupting powers can lead to hunters using dungeons as their own playgrounds for personal gain at others’ expense. There also seems to be a larger malefactor behind all of the menu screens driving protagonist Sung Jinwoo’s growth and titular leveling, so there’s the hook.

Even putting aside the few interesting parts of the otherwise boilerplate story, Solo Leveling both looks and sounds pretty darn good. The soundtrack is laden with Hiroyuki Sawano’s trademark build-ups and drops, and though the character art and dungeon designs aren’t always the most eye-catching (early on it did look like A-1 Pictures was going to default to “fuck it, we’re making money anyway” mode), the action animation goes absolutely bonkers in its best moments.

The second season is already up and running, and although I can barely remember anyone’s name outside of the protagonist (maybe that’s on me, I consume very little Korean media and am not great at retaining Korean names), I’m in this for the long haul. Great turn-your-brain-off action schlock.

19. Wind Breaker

At this point you could put a sign that says “DELINQUENT WITH A HEART OF GOLD” underneath a box-and-stick trap and I’d walk right in. I am not immune to your Josukes Higashikata, your Ryujis Sakamoto, what have you. The angry and violent type who will nevertheless stick up for what’s right and remain fiercely loyal to those they care about. Wind Breaker is rife with characters who fit that archetype, but it’s not exactly a delinquent anime so much as it’s a Dudes anime. More specifically, a Dudes Rock anime.

Yes, Wind Breaker’s ensemble cast is almost entirely Dudes, and they do indeed Rock. Protagonist Haruka is a self-inflicted outcast, and his tsundere ass does not appreciate all the positive attention he’s receiving after proving himself in street combat prior to his transfer to an all-delinquents high school. Nevertheless, he wants to fight his way to the top of his new environment, and if that means sticking up for the little guy along the way, all the better. 

I love that Wind Breaker’s overarching messages of self-improvement and helping the weak without expecting a reward are basically anathema for the base power fantasies that largely come from light novels over the past decade and change, but even moreso that Haruka, loner that he is, keeps having to learn that he’s not going to get anywhere without surrounding himself with the right people and relying on their support. Battle shonen are usually pretty blatant with this stuff, but to see it spelled out so clearly in a series like this just hits right.

Wind Breaker looks terrific at just about every step, too. Every single thing I’ve seen from CloverWorks from the past few years has been a bop, which makes it that much more maddening that this is the studio that bungled the Persona 5 anime and supposedly botched The Promised Neverland in its second season. I get that not everything works out as planned sometimes but I find myself waiting for the other shoe to drop sometimes. I’m glad it’s been smooth so far, at least. Some pacing issues and a weird place to end the show, but I know for a fact I'll be there when this comes back in spring.

18. Laid-Back Camp, season 3

I am not immune to the Cute Girls Doing Cute Things genre, and when all is said and done I think Yuru Camp could very well stand alone at the top. A show this directly responsible for the uptick in camping culture and countryside tourism in Japan clearly holds some sway over pop culture, and it’s clearly deserved.

Returning to the present day after the 2022 film gave us a look at the Outdoor Club in adulthood, Yuru Camp’s third season gives us exactly what we wanted: More of the same. We largely focus on the solo expeditions of Rin, Nadeshiko, and the latter’s hometown friend Ayano as they trek to their collective meetup spot, and as the seasons change we get the entire gang together for some springtime hanami. It’s cute, it’s funny, it’s whimsical, it’s Yuru Camp. You know what you’re getting into at this point.

With studio Eightbit taking over the series in its third season, Yuru Camp still largely looks the same, and wonderfully so, but it can be a bit off at times: CGI vehicles look far more distractingly out-of-place, and for as gorgeous as the background art was in the first two seasons and movie, it can come across as a bit more uncanny this time out. I don’t know whether some of the shots of sakura branches were traced or run through some kind of AI post-processing from archival photos, and I hate to speculate on that, but given that this is the same studio that bafflingly under-animates the money printer that is Blue Lock, I can’t exactly put it past them.

Production quibbles aside, I can’t really complain about more Yuru Camp. It’s a bit lighter on plot than previous seasons, but this is a series that was light on plot to begin with. We get to spend time with these goofs, learn about camping and the Japanese countryside, and then maybe go touch grass ourselves. That’s a good message for a Cute Girls Doing Cute Things series to have: Go do your own cute things.

17. NieR: Automata Ver. 1.1a, part 2

The second half of this adaptation was going to be the metric by which fans of the 2017 action-RPG judged the whole work. The first half in 2023, covering the game’s A and B routes, was a solid if troubled production that did a good job of covering the narrative and action, even implementing surprising easter eggs from NieR Replicant along the way. Sloppy CGI integration in early episodes and a COVID-induced delay hampered things, though, so there were some nerves about the show’s return.

Any fears were quickly allayed once the second half of the series began, covering the real meat of the story in routes C-E. Ver. 1.1a immediately looked exceptional, with expressive character animation and fluid action sequences. Real pathos was instilled into the route’s early tragedies. Most welcome of all was the serious work put into expanding A2’s character and role in the story (as well as her backside). It felt like she’d gotten the short end of the stick narratively in the game, so it felt right to spend more time with her, tie her story in the present back to the past that was hinted at in the Resistance flashbacks, and just get to see her be a tsundere a couple times. I’m gonna have to go back and rewatch the whole series dubbed because I just know Cherami Leigh crushed it.

I’m of two minds about Ver. 1.1a as a whole: On one hand, this is just about as good an adaptation of the game as we probably could have gotten. On the other, a big part of what makes the NieR games’ narratives work so well comes from the fact that they could pretty much only be told through the framework of a video game. While Ver. 1.1a does a perfectly fine job of delivering the game’s narrative and providing its own take on the game’s extremely video-game-y ending, much of what makes NieR’s tragedies so impactful is the player’s agency (and occasional lack thereof) in these matters. 

Nothing can replace actually playing NieR: Automata as a means of experiencing its story, but Ver. 1.1a is a darn good companion piece, and one that may even hint at the future of the Drakengard/NieR franchise. Now if only Yoko Taro would focus on something other than gacha games and death game anime for two seconds…

16. Train to the End of the World

The writer/director duo behind Squid Girl came back to give us one of the best and most bizarre original anime this year. Train to the End of the World is overtly and unapologetically weird, and that’s the way I like ‘em.

This weird and wonderful trek across a warped and wildly varied landscape dazzles the eyes and rots the brain in unexpected ways, but it’s a stellar character comedy through and through. Shuumatsu Train’s oddball protagonists are goofy, galaxy-brained, and sometimes flat-out mean in ways that only teenage girls can be. The dialogue is expertly written and some of the punchiest I’ve ever seen in anime. The girls bicker, mess with strangers, and engage in the kinds of inane conversations you only have when you’re the most bored you’ve ever been in your life.

While rarely laugh-out-loud funny, Train to the End of the World is intrinsically hilarious. The sheer absurdity on display is the kind that leaves you just shaking your head in disbelief. One episode they’re playing House of the Dead to get out of a real-life zombie situation, and in another they’re acting out their favorite fictional anime that you, the viewer, are just expected to know about already. It’s a stupid show in the smartest ways; a classical Homerian epic with ruminations on the future, but also one where the girls threaten to wipe out a Lilliputian colony by peeing on it. It’s both eschatological and scatological. With the recent discourse over modern adaptations and interpretations of The Odyssey, this anime might as well be the nuclear option.

Train to the End of the World was a standout in a strong spring season, but it didn’t shake out super high in a long and darn good year of anime. That’s fine and all, but I really hope it ends up attaining the cult hit status it seemed destined for. 

15. Mayonaka Punch

This one had been distant on my radar for a couple of weeks after it premiered, but as soon as I found out it was a P.A. Works original, I picked it up immediately. Any original series by the studio that gave us Akiba Maid War’s glorious gut-wrenching insanity (as well as last year’s exceptional Skip and Loafer adaptation) is going to get my attention, and although Mayonaka Punch doesn’t quite reach the same highs as Akiba Maid War, it does try to match the latter’s most madcap moments.

I don’t have a better pitch than “Canceled YouTuber starts up a new channel with a house full of lesbian vampires,” nor do I really need one. Mayonaka Punch’s comedy largely revolves around the personality clash between the disaffected, avoidant Masaki and the pushy, hyperactive Live (who definitely wants Masaki for more than just her blood), but the whole cast is a riot. Throwing in a baby day trader, a taciturn fujoshi, and a big-titty pachinko fiend are just the right spices to make this a particularly tasty stew.

Chaos naturally ensues, and watching these women try to channel it into a successful YouTube channel is an easy recipe for comedy. Everyone has terrific chemistry and I was rapt with attention every time we got to learn more about each of these vampire girls’ history. What came as a huge surprise, though, was how potent some of the emotional hits ended up, even when it involved characters outside of the main pairing. The fact that the biggest one came in just the fourth episode was a masterstroke; I was already on board for the comedy but just like that I was fully invested in a character other than the one who wants to suck the protagonist dry. I’m not rephrasing that.

This one absolutely deserves to be a cult classic, and the door is left open just maddeningly enough at the end that I can only pray for more. Mayonaka Punch is a boatload of fun and deserves way more attention than it’s gotten. You can change that. Right now. Watch this show.

Prior to writing this, Fairouz Ai (Live’s voice actress and a huge presence in a handful of the shows I’ve already discussed) announced that she would be taking a hiatus from VA work following a PTSD diagnosis. I wish her all of the time, recovery, and support she needs.

14. Urusei Yatsura (2022), season 2

The opening salvo in the ongoing Rumiko Takahashi revival (weird thing to say about a mangaka who’s still alive and working, I know) returned this year for the second half of its “all-stars” run, marathoning us through retellings of the classic manga’s greatest hits, the oddest of its many oddballs, and its spectacular, heartfelt conclusion. More Lum is always a good thing.

I’ve written plenty about Urusei Yatsura’s remake following each cour except the first, and I don’t have much more to add at this point. It’s a classic for a reason and it laid the foundations for dozens of jokes, tropes, and standards that are fundamental to comedy in anime to this day. Even when some of the jokes may come off as trite or tropey, it’s easy to see just how and why it made Takahashi so successful. The exaggerated slice-of-life hijinks, outsized slapstick, and time-and-space surrealness are just as much of a treat as the deep, eclectic cast. And to top it all off, here’s Ataru and Lum being a couple of freaks who deserve each other.

Even though the 46-episode run certainly feels truncated compared to the 191 episodes, six films, and ten OVAs that came before it, David Production did a fine job of putting a modern touch on such a classic work and highlighting its strengths. And even though most of the run was an abridged run through the greatest hits, I’m really glad the studio made sure to dedicate the last few episodes to the manga’s final arc, bringing Lum and Ataru together in a beautiful and (briefly) satisfying climax.

And even for as satisfying as that ending was, it was nearly overshadowed by…

13. Ranma ½ (2024)

…the revival of Takahashi’s biggest hit.

Yes, right on the heels of the ending of the remake of her landmark romcom classic, came the announcement that her even BIGGER landmark romcom classic was also getting a remake. Ranma ½ is one of the hallmarks of 90s anime writ large, working late-80s Japan’s fascination with Chinese martial arts (partially due to Dragon Ball’s success) into a romantic-comedy framework that also accidentally served as the genesis of the harem genre. I’d somehow never actually engaged with Ranma prior to the remake, so I was happy to get in on a new ground floor and I was immediately sold.

As the youngest daughter of the Tendo Dojo, Akane Tendo is put in a predicament when her father betrothes her (at her sisters’ urging) to his friend’s son, Ranma Saotome. Though both are skilled fighters and a good match in that regard, Akane is a bit of a hothead and doesn’t much care for boys, so she’s not a fan of this arrangement, but it’s made all the more bizarre by the fact that Ranma is also a girl sometimes. Thanks to a bizarre accident in China, Ranma turns into a girl when soaked with cold water and back into a boy when hit with hot water. Shenanigans ensue as Ranma and Akane’s contentious relationship hits innumerable peaks and valleys, all the while fighting off an ever-growing menagerie of powerful, fight-happy suitors gunning for the hands and lips of Akane and both versions of Ranma.

MAPPA of all studios being the one to re-adapt Ranma came as a surprise, and you probably could’ve convinced me David Production took over this Takahashi adaptation as well. Ranma’s remake adopts several of the same visual flairs you’d see in Urusei Yatsura, including the Ben Day dots, color inversions, and manga-style onscreen onomatopoeias. On the other hand, while most of the moment-to-moment character animation is pretty much what you’d expect from any given anime, several of the action sequences are very well-animated to MAPPA’s typically high standard. I just hope the animators weren’t getting the Chainsaw Man or Jujutsu Kaisen treatment.

Ranma ½ is as hilarious as ever, but it can get a little wonky thematically when it comes to gender politics, boundaries, and expectations, as I’d been made aware before ever engaging with the work. I also knew from the Urusei Yatsura remake that this was basically Takahashi’s wheelhouse, as there are a couple of pretty genderbendy characters in there as well. Several of the male antagonists in Ranma are more than a little pushy when it comes to women who catch their eye, and a lot of the humor around Ranma’s gender swaps revolves around how their male socialization affects the lack of modesty with which they present their female form (more on that later). People who are much better versed in gender matters than myself, both academically and personally, can speak on the positives and negatives of these things much better than I can, and it’s too early in the series for me to really make a judgment call. I do think it’s odd, though, that even with the central romance, Akane doesn’t seem to remotely entertain the thought of getting involved with Ranma’s female side, and unfortunately I don’t really see that ever happening. So far, all of these things just come across as flat-out silly and more of a product of its time than anything nefarious. 

The original Ranma ½ adaptation remains a seminal work for a solid generation and a half of anime fans, so of course a remake was going to be met with some criticism. Some didn’t appreciate the more muted color palette compared to the late 80s/early 90s Studio Deen version, and while it’s certainly missing some of the flair of the hand-painted backgrounds and saturated lighting effects the medium has missed since that era, I personally like the softer hues; I find them a lot more reminiscent of Rumiko Takahashi’s own colorations for her art outside of the manga. It’s not as technicolor as the Urusei Yatsura remake, but I think that actually helps set the new Ranma apart rather than riding the former’s coattails.

The main difference people seem to be complaining about, however, has more to do with boobs. Takahashi has never been shy about including nudity in her manga, and in an era where uncensored bazongas were perfectly fine to publish in boys’ manga magazines, she was typically more matter-of-fact about the female form instead of pursuing titillation. As such, a story like Ranma’s, in which its title character is typically blase about presenting their female incarnation modestly, had a lot to work with on that front, and the original anime played along.

Not so with the MAPPA version. Nipples are conspicuously missing in scenes that legitimately do call for nudity, and an ass crack appears to be missing from an early scene as well. Personally, I don’t mind the Barbie doll treatment, and as I’d been reading the manga as the anime’s story progressed, I didn't find all that much missing in the transition from page to screen. Weebs tend to convince themselves they’re the most oppressed people on earth, so of course there were cries of censorship, which is a claim I don’t really care to entertain. These are different times, broadcast regulations in Japan are almost certainly different from what they were 35 years ago, and Netflix and/or MAPPA likely didn’t see the need for it. Could be any of those things. I’m not losing sleep over it.

And with that, I’m done talking about Rumiko Takahashi (for now). I’m grateful for everything related to her work, even tangentially, that came out this year, and my life is richer for it. I’m glad to have gotten into her work in earnest this year, and I can say with all conviction (hot take incoming) that she’s one of the greatest mangaka ever. I look forward to diving further into even more of her work.

12. The Elusive Samurai

I’d have been perfectly happy if Wind Breaker had been CloverWorks’ only beautifully-animated oddball shonen hit this year, and then they went and outdid themselves the very next season with this one.

The Elusive Samurai is a gorgeous, timeless-looking piece of historical fiction beginning at the very end of the Kamakura period, following the last survivor of the Hojo clan, the young Tokiyuki, as he’s urged by an eccentric priest to lead a pack of freedom fighters and take revenge. Despite coming from a prominent family within the shogunate, Tokiyuki was an impertinent kid and preferred to play hide-and-seek instead of attending any combat training. The priest, Yorishige, receives a vision of the future that predicts that Tokiyuki will fell his family’s usurper not by becoming a powerful warrior, but by doing what he’s already best at: Being a squirrelly little shit.

I just gushed about how good this show looks three months ago, and even now I’m thinking back fondly on how well it blends whimsy with brutality. You can have Yorishige and the kids goofing off and cracking jokes one minute and vibrant crimson beheadings the next. Even little Tokiyuki makes a joyful game out of slicing a bandit’s veins to ribbons later in the season. It feels like a callback to anime films and OVAs of the 80s, with the film grain effect to match. Almost every single thing about this show looks and sounds incredible.

Of course, there’s the CGI. I really don’t like complaining about that sort of thing, but it was such a blatant and unnecessary cost-cutting move that it almost cheapens the rest of the show. Look, I get that horses can be a pain to hand-animate after a while, but having characters’s CGI models speaking while riding on horseback is just enough to take me out of the show, especially when they already look as bizarre as, say, Sadamune. How that passed muster with the rest of the show’s standard is beyond me.

So, maybe I did dock it a spot or two for that, but I see that as a wrinkle that can be ironed out. The Elusive Samurai is absurdly promising, and its debut season is a tremendous statement. Can’t wait for more.

11. Makeine: Too Many Losing Heroines!

As I made clear last year by putting 100 Girlfriends’ debut season in my top ten for 2023, for as much as I love a good straight-up romance story, I have ample room in my heart for trashy dipshit romcoms as well. Makeine shares that affection and forges its own identity from it, establishing its own throne atop a hill of garbage.

This is not a “yeah it’s good if you can look past the tropes” show. Makeine is firmly on its bullshit, and it is firmly about its bullshit. It’s not nearly as off-the-wall as 100 Girlfriends, few shows are, but it’s well aware of your expectations and leaves you guessing whether you’ll have them expertly subverted or just thrown right back in your face. Even the protagonist, the light novel fanatic Nukumizu, is calling out the tropes as they happen, but it’s been a fun time watching him learn that he’s more than just a wet-blanket LN protagonist. He thinks he’s just along for the ride like any other blank-faced self-insert in these stories, as gets roped into the personal lives of these poor girls and learns that, yes, they are real people and that, yes, he is too.

I could go on and on about Too Many Losing Heroines’ idiosyncrasies and offbeat characters and punchy dialogue, but I did that plenty just a few months ago. Instead, I want to call attention once more to just how freakishly well-made this show is. A-1 Pictures had zero reason to go this hard on a goofy, trashy light novel romcom adaptation, and yet here they were, throwing their A-team at the whole project. Character animations are intricate, background art is sumptuous, lighting effects immaculate, and music on point at all times. The OP is an earworm (and one of a surprising number of ska intros and outros I’ve taken in this year), and having each of the main titular heroines perform her own story-appropriate ED was a masterstroke. Even the visual gags are perfect and allowed to land on their own.

I already cannot wait for more of this. If A-1 has given us all we’re going to get of the Kaguya-sama anime, then I’m as all-in on Makeine as they are. Not the best romcom out there, but easily one of the best-made out there.

[my-plastic-life]

Inspiring Women: Rumiko Takahashi

New custom doll is here! I'm sure we all know about the Mattel Barbie Inspiring Women doll line, right? Well, I took it upon myself to create one of my own because I'm sure Mattel will never make one lol. Click here for behind the scenes on how I made this doll!

I opted to create an Inspiring Woman Barbie based off Rumiko Takahashi, the Japanese manga artist who created my all-time favorite manga and anime, Inuyasha. But that isn't the sole reason she's deserving of this title. Yes, that creation got me into all things Japan and introduced me to the entire anime genre, but this mangaka has excelled in her career for 45 years - a profession that has been primarily male-dominated since its inception.

I also created a box for her designed after the official Mattel Inspiring Women boxes. The outfit she's wearing is inspired by the one she wore during the 2023 knighthood honor she received. Accessories include her most recent book, Rumiko Takahashi: Colors 1978-2024, as well as her 35th anniversary book that comes with removable genuine sketches, plus the first volume of the Inuyasha manga (original Japanese version). The doll I used was the Asian sister of Ariel from the live action Little Mermaid, but I cut her hair and styled it differently, painted some age lines on her face, removed her pink eyeshadow, and gave her some glasses. I also gave her a curvy body with the same articulation that dolls in this series have - movement at the shoulder, elbow, wrist, hip, and knee. Because I'm that much of a perfectionist. :D

Doll in the Inspiring Women box. The scene behind her is an actual photo of Rumiko Takahashi's studio.

Back of the box, all made by me based on actual Inspiring Women boxes.

Fun facts: Takahashi has never been married, and she has stated in interviews that she doesn't plan to. In addition, she works with women exclusively as she writes and creates. She has specifically said that she wouldn't hire a male assistant because he would be "troublesome." She prefers the atmosphere of a studio of women working together without distraction. Her work stands out among other shonen pieces because of its creativity, complex characters, and nuanced romances. Her woman and girl characters are never accessories to the guy hero, which was often the case in early shonen stories, especially. Takahashi often likes to implement strong, independent, multi-facetted female characters in leading roles into her stories. Talk about girl power!

Now for more information as to why she's so deserving of having her own doll in my collection. :D Strap in, because this post is a doozy!

BIO: Rumiko Takahashi (born Oct. 10, 1957) is the best-selling female comic artist of all time, selling more than 170 million copies of her work in Japan alone, and one of the names by which to reckon the evolution of anime. She is one of the wealthiest women in Japan, all of her longer running manga have become TV series, and nearly everything she has written has been adapted into animation (OVA or TV). Perhaps more importantly, her influence and the nature of her series since 1980 have been cited as large contributors to the perception and acceptance of anime as a medium today.

Rumiko with her new Colors book. Outfit inspired by the one she wore when receiving her knighthood.

All of Takahashi’s work has become popular throughout the world, and with more than 20 years of publishing her manga art, she earned the title of The Princess of Manga.

Takahashi's professional career began in 1978 when she was a university student. That year, she worked on her first full-length series entitled Urusei Yatsura. It became one of the most loved manga and anime comedies in Japan. In 1980, when she began to publish regularly, she began her second major series, Maison Ikkoku. This series is now considered to be one of the all-time best manga romances.

As her stories appeared and attracted many fans, Takahashi grew in popularity as an artist while improving her writing and artistic abilities. In 1987, a huge year for her career success, three of her most well-known stories ended and she began work on Ranma ½. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ and its anime adaptation are cited as some of the first of their mediums to have become popular in the United States. While publishing Ranma ½, Takahashi was hospitalized several times for peritonitis. But even during her second hospital stay, the series did not stop.

35th anniversary book has removable sketches - real photos actually drawn by the artist. The background is an actual photo of her basement (note all her figures!)

During the latter half of the 1990s, Takahashi began her fourth major work, Inuyasha. With this series, Takahashi is also often said to be the first woman to successfully set foot in the Shōnen genre and leave a lasting impact on it. To date, Inuyasha is her longest-running series, ending in 2008. In 2020, it received a sequel series titled Yashahime: Princess Half Demon.

In the basement library (actually in her home) with the first volume of the Inuyasha manga.

On July 30, 2008, Takahashi noted her 30th anniversary as a mangaka, and on July 8, 2009, during Shonen Sunday's 50th anniversary celebration, characters from three of her most popular series (Urusei Yatsura, Ranma ½, and Inuyasha) joined together in a short crossover to welcome everyone to the celebratory milestone. That same year, VIZ Media, one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, announced the launch of a brand new imprint, Shonen Sunday, featuring the works of some of the top shonen manga creators in the world today. Takahashi's series RIN-NE was the first to be featured in the new imprint, and was the first manga novel ever to be published simultaneously in Japan and North America.

In her studio showing off genuine sketches. Featured here: Featured here: Lum from Urusei Yatsura, the Tendo house from Ranma 1/2, and Inuyasha character heights. This outfit is inspired by the one she wore at the Rumic World 30th anniversary ribbon-cutting.

Early in her career, Takahashi expressed that though she doesn't write love stories often, she loves a good love story. While none of her works are straightforward romances, many of her works early and later on have compelling romance subplots that are integral to the characters and world. Her works like Inuyasha and Ranma 1/2 are known for their romances. Takahashi's romances are varied, and they are trendsetting. They set the standard for popular romance tropes like slow-burn romances and love triangles. The love triangle between Kagome, Kikyo, and Inuyasha is one of the most iconic in all anime.

In her studio showing off genuine sketches. Featured here: Ranma from Ranma 1/2, Lum from Urusei Yatsura, and Mao and Kiba from Mao.

In her studio showing off genuine sketches. Featured here: Yashahime, Inuyasha 20th anniversary, and Inuyasha, Kagome, and Moroha.

Outfit inspired by the one worn during the Rumic World 30th anniversary ribbon cutting.

HONORS: * Takahashi won the New Comic Artist Award in 1978. * Winner of the 1994 Inkpot Award at The San Diego Comic Con in America. *In 2016, ComicsAlliance listed Takahashi as one of 12 women cartoonists deserving of lifetime achievement recognition, stating that "any one of her projects would be the career highlight of another talent." In 2017, Takahashi was inducted into the Science Fiction and Fantasy Hall of Fame as part of the 2016 class. *In July 2018, Takahashi was inducted into the Eisner Hall of Fame. She was previously nominated for entry in 2014, 2016 and 2017. *In January 2019, Takahashi won the grand prize at the prestigious Angouleme International Comics Festival in France, becoming the second woman and second Japanese manga artist to win the award at the festival. * In 2020, Takahashi was awarded Japan's Medal with Purple Ribbon. First awarded in 1955, this honor is awarded to individuals who have contributed to academic and artistic developments, improvements, and accomplishments. * Takahashi was inducted into the Harvey Awards Hall of Fame in October 2021. The Harvey Awards are one of the comic industry's oldest and most prestigious awards. Recognizing outstanding achievement in multiple categories, the Harvey's have been a fixture of the comic industry since 1988. * In April 2023, Takahashi was conferred the Chevalier de l'Ordre des Arts et des Lettres (Order of Arts and Letters) by the French government. She is the first female mangaka to receive this honor.

Books: 35th anniversary (with removable genuine sketches inside), Colors: 1978-2024, and volume 1 of the Inuyasha manga.

Genuine sketches, all fit inside the 35th anniversary book.

Source photos (first is from being bestowed a Knight of the Order of Arts and Letters, second is from the Rumic World 30th anniversary ribbon cutting in 2008):

[runningfrom2am]

cold nights // part twenty-seven

summary: you were back in the capitol, and you would be damned if you didn't try your hardest to make it worthwhile.

pairing: coriolanus snow x fem!reader

wc: 3.4k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, depictions of mental illness, also she's is very smart (as she should), district twelve!reader.

a/n: omg we're coming up on the end i could cry :') i finished writing everything and i feel like a shell of a person rn without this fic to plan and write, but i hope you guys are excited! there will be five more parts after this and then the epilogue, which brings me to some really exciting news!!

big news #1: i'm opening oneshot requests for this series!! my normal requests will remain closed but i'd love to see what you guys want for the more of this series! (link is here!)

big news #2: the end of this story is opening the doors to my third coryo series which I've been working on for a hot minute, and it'll be called requiem! (see the original request for it here to get the vibes before i post anything!)

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist

The protests caught you off guard, more than anything.

It had only been two weeks since you started your classes and you were loving them, but you hated getting dropped off in the morning and picked up in the afternoon. You and Coryo could no longer eat lunch outside, and the previously full lecture halls you had occupied saw more and more students dropping out as people stood outside just to shout at you as you came and went from the school four days a week. To call you an animal, that you don't belong there, that you should be "put down" for crimes against the Capitol. What they were? You had no idea.

Suffice to say, parents were not happy that you were there.

Generally, Coryo said that people had loved you in the games. You were "harmless", and "sweet", you gave them someone to root for- but now that you were walking freely among them instead of being kept behind the bars at the zoo or trapped inside the arena awaiting your death, you were suddenly a threat.

"They... they think I'll hurt someone?" You sniff, watery eyes overflowing as you look at Coryo lying beside you in his bed.

He bites his tongue, nodding as he wipes away your tears with the hand he has resting just under your cheek on top of his pillow. "They're afraid. That's all, it's not because of anything you did."

"I won't." You cry. "I would never, you know that, right?"

"I know, love. I know that." He promises you quietly.

"I don't want people to be afraid of me. It's not fair to them... If they feel unsafe I should just drop out."

"You're not doing that." He insists with a slight shake of his head. "We'll figure it out. Okay? Don't worry about them."

You just nod softly, wiping your eyes as he pushes his arm under your neck. "C'mere." He mumbles rolling onto his back and you move closer, laying your head on his chest as he pulls you closer to his side.

Coryo did figure it out, for the most part, which is how you ended up standing in Capitol TV's studios, awaiting an interview with Lucky Flickerman, someone you definitely thought you would never see again after the games. You didn't know how Coryo did it, who he had to talk to in order to convince them to let you plead your case so publicly. Apparently, the Snow name came with more power than you knew.

"You're gonna do great, love." Coryo whispers to you. "Just be yourself, but remember what I said about your essay, right? Be honest, but think about how you word things. I know you can do it." He assures you quietly, hands resting on your shoulders.

You nod, giving him a hopeful smile. "Thank you."

"I'll be right here, I'm not going anywhere." These types of reassurances were becoming less and less necessary over the month you've been here, but still, you don't like it when he's far, and he doesn't like it when he doesn't know where you are. It worked nicely for you both.

"Miss Y/L/N, whenever you're ready." One of the crew directs you, pointing to the comfortable chair they had set up in front of a homey-looking backdrop. It was fake, but it was meant to look like you were in someone's house. The idea of it was confusing to you, but you supposed it was also unimportant. You had much bigger concerns.

"Thank you." You smile at them and give Coryo another quick nod before making your way over to the seat that they said was yours.

Coryo watches as you carefully brush your hands over the front of your dress, smoothing it as you sit down. You looked so elegant as you did it, if he didn't know better, it looked like the habits of the people you were now surrounded with were rubbing off on you quickly. He had watched you rehearse how you would carry yourself and how you would speak and act with Tigris just this morning, after she fit you into the dress she had made for the occasion. Clearly, you had been paying attention.

When you draw your hair from your back and over your shoulder so your meticulously styled curls wouldn't be crushed against the chair, Coryo thinks he might need to sit down. Especially so when you look back at him again, subtly waving at him with your hand from where they are placed in your lap. The dress Tigris had given to you was red- a deep red silky material that complimented the red of his coat and mimicked the shade of the Capitol's flag but still had you standing out on your own. Seeing the way that dress fit you and hugged your form in all the right ways even as you were sitting, he was sure he had never been more grateful to his cousin and her talents.

"Y/N, it's so good to see you again." Lucky smiles at you as he sits down across from you, adjusting the small device attached to his lapel as crew members come up to you and fasten the same thing to the front and back of your dress.

"You as well." You grin, trying the best you can to mask your nervousness.

"Are you ready? Do you need anything?" He asks and you shake your head.

"I am ready whenever you are." You confirm, looking around as some more lights flick on, bright in your eyes as the man behind the camera starts counting down.

You look over at Coryo one last time and he nods at you. It was just like your first interview all over again- you had to sell yourself to the people. To prove that you were worth trusting.

"My name is Lucretius "Lucky" Flickerman," You smile as he flips a coin up into the air. You've seen him do it before, but you still weren't sure how the trick worked. "Amateur magician and your host for everything interesting on Capitol TV, and today is certainly no exception. Today, I have a familiar face with me who I know you will all recognize as well, the Victor of the Tenth Annual Hunger Games, Miss Y/N Y/L/N." He looks over at you and you keep your eyes on him, certain that all cameras are watching you now.

"Y/N, I am so happy to have you back. How have you been?" Lucky asks you and you're already fighting off the need to fidget with your hands.

"I am very well." You smile at him. "How about yourself? It has been a while."

"I'm great, thank you! You know, I was not allowed to bet on the games, but anyone who was there can tell you that I predicted your win from the beginning. You certainly are something else."

"Oh, well thank you." You giggle. "Though, I can't fully be credited for my win. I have to thank the sponsors who allowed Coriolanus to send me food and water. That made all the difference in my game."

"Oh, most definitely." He agrees. "But you shouldn't deny your own role in that. Hiding in the vents, that was genius!" Lucky claps. "Truly, that was a jaw-dropping moment for all of us watching. I remember thinking 'wow, how did she think of that?' It was incredible!"

"Yes, well, I saw the grate and knew it was worth a try." You shrug, slightly laughing. "I had nothing to lose."

"Yes, well, I'm dying to know- what have you been up to the last few months? You went back to Twelve, and then what?"

"Oh! Yes, I did. I've been spending time with friends and family, I got a job at the local library, catching up on some reading, that sort of thing." You grin, glancing at Coryo for only a moment and he gestures for you to continue. "I got home and I really realized for the first time how much we should be appreciating everything we have- even out in the Districts where sometimes life is tough, it's key to remember how privileged we are to be alive. The games were truly eye-opening for me."

Coryo gives you a quick nod of approval, and you smile, training your view back on the man across from you.

"Yes, I agree. Live life to the fullest, that's what they say." You just nod at his response. "Which also begs the question, if you were happy back in Twelve, what brought you back to the Capitol?"

Let the lies begin.

"Well," You laugh nervously. "When I was given the opportunity to come here for the games back in July, I was so interested in everything. The people who I got to talk to, the things I got to see, it was all amazing and I was just dying for more."

"So you decided to come study at the university here, is what I've heard."

"Yes, exactly." You grin. "I just think that the Capitol has so much to offer as far as education goes, I am already learning so much and I am having so much fun doing it."

"So really, your focus is just on your education." He prompts you and you nod.

"Definitely, considering the course load I don't have time for much else, but that doesn't really bother me. Like I said, I just want to learn from the greatest minds in the nation. Even the other students, it's amazing! Everyone has earned their spot there and I can see why and all the work they have put in to be there. It's a privilege to study among them, and I am so grateful that I was given this chance."

"You say 'all the work that they put in to be there', but you didn't attend the academy, so how is it that you were admitted?"

"I filled out the same application that all the other students did, I went through all the same testing." You confirm, nodding at him. "Although," You laugh slightly. "I was only given one day to complete it all. I was locked away in my room working on it all night. I hardly had time to blink, it was tough."

"Wow!" Lucky laughs. "One day? I remember when I applied to the university, my application took months to get just right. You must have aced it all."

"I am very proud of the work I did to be admitted, yes." You smile.

"From what I hear, you should be." He agrees. "So, you're really not in it for the sake of making friends."

"Well, I certainly would love to, but it is not my priority." You nod. "But, if any of my classmates are watching, I promise I am good at proofreading and if you need a second set of eyes on your papers, I'm happy to help. I'd also love to have more people to discuss our readings with." You joke, looking into the camera for the first time.

Lucky laughs. "You've heard it here, everyone. Y/N's pitch to make some friends!"

"Yes, I suppose it was." You chuckle, smiling at him.

"Now on the topic of friends while we're getting to know you better," You tilt your head at him while he begins the question, unsure where it is going. "Back home, do you have a boyfriend? Surely he must be missing you."

"No, not at home..." You laugh, catching in the corner of your eye as Coryo shakes his head at you, his face flat of emotion. "I don't have a boyfriend. Again, that's really just not where my priorities lie at the moment. I've... I've had a very busy year, you could say." You explain hesitantly.

"Wow! A beautiful girl like you?" You laugh nervously at his response. "Capitol boys! She's smart, pretty, and single. Just saying." He says, raising his hands.

You knew his job today was to help you, to make you more likable and more normal, to humanize you, but it was still uncomfortable to hear. "Oh, please." You laugh nervously, waving a hand at him. "Like I said, I'm just here to learn. I'm not after anyone's son."

"No? Not even all the handsome boys in your classes? I'm sure there are at least a few." He teases you and your cheeks flush red.

"I wouldn't know, I'm watching the lectures." You shrug jokingly.

Coryo is trying not to lose his mind while you talk about how single you are. Not that you were much of a willing participant, and to be fair he did tell you not to indicate to them that the two of you were together. You technically weren't, if he was being totally fair, but just because it hadn't been said doesn't mean it isn't real. He knew you knew that, though. So why was he getting so mad?

He doesn't even realize how little attention he was paying after that until you're standing up and shaking Lucky's hand. It was over, you'd done everything you could have to ease the minds of scared and angry Capitol parents.

Lucky gives you a quick hug, wishing you good luck in your classes before you're allowed to rejoin Coryo. "Ready to go?" He asks and you nod.

"How did I do?" You ask as you walk out of the studio and into the hall, aiming for the elevator to take you back to ground level.

"Amazing, love. You were perfect." Coryo confirms, still noticeably tense as he walks next to you.

"Are you sure?" You ask as he presses the button to call the car up to your level, unsure since he still hasn't really looked at you.

The door opens and you both step in. "Yes." He tells you again, quickly tapping the door close button.

"Oh, good. I was really nervous..." You laugh slightly as the doors slide shut, and as soon as any light from the hall ceases to enter the elevator his hands are on you and his lips are pressed against yours.

You let out the slightest squeak out of shock, but quickly relax as Coryo rubs familiar small circles on your hips with his thumbs. How he could be so gentle as he backs you into the wall of the elevator you don't know, but you're grateful for it as you hum into his mouth. But still, something was different.

Spending so much time with you only made him want you more. He loved you, he knew that, and someplace deep in the corners of his mind, he had always wanted you in a way he never thought possible when he first fell for you before the games. Now, with you curled up under his sheets almost every night, seeing you step out of the bathroom with damp hair after a shower in pyjamas that don't fit you quite right, he thought about it more than ever. Thoughts of you plagued him more than usual, and the best way to describe the accompanying feeling was guilt. Guilt that he couldn't show you off given the circumstances- at least not yet.

He trails his kisses away from your lips and across your jaw, pulling you tighter against him. "You're so beautiful, my love..." He mumbles into the skin just below your ear, leaving a kiss in his wake that has your head spinning.

You giggle, eyes fluttering open. "What has gotten into you?" You ask, hands sliding up over his chest to rest on his shoulders.

"I can't tell my girlfriend that I think she's gorgeous?" He asks, shaking his head slightly as he looks down into your eyes.

"Oh, so I am your girlfriend." You giggle and he nods, kissing you again.

"Of course you are, and don't forget it." He chuckles, pulling back from you as the elevator stops moving, waiting for the doors to open.

Your skin is flushed down to your chest as the doors slide apart and even though he's not touching you anymore, you can feel the ghost of his hands on you. You look up at him, a lingering smirk still on his face as he looks straight ahead and leads you out of the car.

The phone rang at the time you were eating dinner, and you quickly asked if you could be excused to go answer it. Coryo and Tigris both just nodded at you, but you could still feel their grandmother's eyes burning into your back as you quickly walked away. She still wasn't fond of you, but she tolerated you. For now, that was just enough.

You grab the phone off the receiver as the small round screen flickers to life. "Hello?" You answer, hopeful that it would finally be your family you see on the other side.

You had answered every call that came to the Snow's apartment for weeks, waiting anxiously to hear their voices again.

"Y/N, is that you, honey?"

You gasp with excitement when you get a clear enough view of your ma. "Ma! Hi!" You smile, leaning in a little closer to get a more clear view as the camera on their end begins to adjust. This was likely the first time it was being used.

"Oh, honey, how good it is to see you!" She smiles, and out of nowhere, you feel hot tears welling up in your eyes.

"You too, Ma." You nod, biting into your lower lip. You didn't want to cry so quickly into the call. "How are you? How's everything at home?"

"Same old." She shakes her head with a slight laugh. "I'm much more interested in you- how is everything? How is school? And how is Tybalt settling in? How are you settling in? My goodness, I just have so many questions!"

You laugh, quickly wiping a stray tear. You had told them about all of this in letters, of course, but she just wanted to hear you say it all. "Everything is good. School has been so lovely, Coryo walks me to all my classes and we eat lunch together between. And Tybalt just loves it here! They have a garden on the roof, and I take him up there as often as I can. Tigris won't stop giving him treats either so he couldn't be happier."

You look down at the animal as he brushes against your leg, looking up at you.

"That's amazing. I've been so worried, it's just so good to see your face again. God, we've been missin' you..."

"I miss you too." You agree, careful not to choke on your tears. "How is Len? And have you seen Lucy Gray and the Covey?"

"He's... He's doing alright." Your mother looks off-screen, and you assume he must be there. The look on her face, one of nervousness and hesitation tells you he doesn't want to speak to you. "But Lucy Gray has been around every day, she and Maude Ivory come over and they help me with hanging the laundry and such... It's been good to have them around."

You smile sadly, nodding slightly with the receiver pressed to your ear. You felt bad about that aspect of leaving- you spent as much time as you could before the games helping out around the house, but even in the summer when you came back you weren't much help. Your mother wouldn't let you do dishes all summer, for fear that the sight of a knife might set you off. She knew you came back a different person, and she wasn't taking any risks. All she really allowed you to do was hang laundry and "keep her company" while she did other home chores. But now, she didn't even have that.

"Can I speak to him?" You ask, referring to your brother who you knew was there.

She nods, waving off camera and holding her hand over the wrong part of the phone. "Lennox, come over here. Y/N wants to talk to you."

His response is muffled, but you make out the gist of it. 'I don't want to talk to her'.

"She's your sister, Lennox. You can't ignore her forever."

'If she wants to talk, she should come home.'

Your heart clenches in your chest and you chew your lip. You have to pretend you couldn't hear, but you just felt so horribly guilty. You shouldn't have left, but he doesn't understand you had no choice. He wouldn't be able to understand until you could come home and see him again, likely not until the summer. Coryo had told you to be mindful of what you write in letters and what you say on the phone, it's possible others were listening. The Capitol was always listening.

"He's just a little busy right now, honey." She smiles at you, but you can see right through it. "But tell me about your day! Did you have class?"

taglist: @soulessjourney , @that-veela-girl ,  @dreamyysouls, @rockstarbfs, @maysileeewrites , @baybieruth , @kitscutie,  @fratboyharrysgf0201 , @totallynotkaibiased , @stelleduarte , @secretsicanthideanymore , @bejeweledreverie , @drewsandsebastianswife , @niicole-87 , @queenofshinigamis , @innercreationflower , @nallasstuff , @iovemoonyy , @thatmarvelchick19 , @wearemadeofstardust0 , @regulusblackcore , @puredreamagination , @fantasticchaosthing , @becauseseaotters , @secretsicanthideanymore , @strawberryflavouredkisses, @cascadingbliss

okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry!

also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)

[blueikeproductions]

Zeta Prime as the 13th Prime is admittedly unusual.

Conceptually, the 13 were initially meant to be an intentionally vague group shrouded in mystery. It wasn’t until the Bay Fallen that the Primes began being fleshed out as a group more, with The Fallen, Alpha Trion, Liege Maximo, Vector Prime, Prima and Maccadam chosen to properly be members of the group. To fill in the gaps and explain other series concepts Onyx, Solus, Nexus, Micronus, Amalgamous and Quintus were created.

That left one unaccounted for.

Aligned tried to be cute about, by dubbing them “The Arisen”, another Prime like The Fallen whose name was stricken from history, but unlike Megatronus, The Arisen was highly regarded.

In actuality, the 13th was Optimus.

Perhaps a decades late overreaction to 80’s kids horrified at Optimus dying, and Rodimus as such not being embraced, Aligned opted to make Optimus so special, so meant to be a Prime, he WAS one of the 13.

This … isn’t exactly a popular idea among fans, as it greatly lessens the appeal that Optimus EARNED his position, rather than he simply already WAS Prime. This probably is meant to tie into the Dynasty of Primes concept from the movies that was fleshed out more in the IDW movie comics. I think it worked better there because it was just a one off thing, and Optimus didn’t even believe he was Prime, and was too humble to accept it.

Aligned would explain it as Optimus sacrificing himself on ancient Cybertron and being reborn into Orion Pax, minus his memories. TFP and RiD15 would mimic this… multiple times, having Optimus live up to being the Arisen, but that this specific cycle keeps happening makes me think the Arisen has a thinly disguised fetish.

Other media like Forged to Fight, Cyberverse and IDW would also use this concept to some extent, the simplified version being the 13th Prime is the one that was destined to truly bare the Matrix. Everyone else was just keeping it warm for him.

This typically means Optimus, except for Prime Wars where Rodimus, Optimus and finally Optimus Primal bore the Matrix, with the Boss Monkey being Optimus Prime’s true successor while Hot Rod was in a coma after being overshadowed by Unicron.

IDW saw Optimus use the religious colonists’ belief in The Arisen as a political tool to ensure Cybertron, Earth and related planets stay United. The Arisen was also one of the ancient tribal Primes, though we never got a proper look at him. Shockwave, having gone back to the past, would say Optimus truly is the Arisen, but the matter was intentionally left vague and never addressed.

Forged to Fight leaned more in the original Aligned concept, where The Fallen immediately recognized Optimus as the 13th, but Optimus has no clue what he was on about.

Cyberverse tries to split the difference. Optimus is marked as the 13th Prime when he dies in the Robo-Robotnik universe, and joins the Matrix. In the main universe, Zeta Prime is implied to be among the 13 Primes, as a power mad Starscream names several Scraplets after them.

Because of TFONE looking to greatly simplify things, the somewhat complex idea of the Arisen was tossed aside in favor of sticking Zeta Prime in the role instead. Not to mention Orion being preordained to be Optimus doesn’t fit at all for the story the movie is trying to tell.

But who is Zeta?

Well…

He’s more a concept than a character. He doesn’t really have a preexisting counterpart from Marvel or Dreamwave to give us an idea of what he’s like.

His origins seem to lie in the WFC game.

While his colors evoke Marvel and Animated Sentinel, it appears there was conflicting ideas on what his name was. The game studio declared he was Zeta Prime, while Hasbro insisted he was Sentinel Prime, with ultimately the character becoming “Sentinel Zeta Prime”. The game still calls him Zeta nonetheless, with ancillary media describing him as a former, fiery military officer who lost touch with the robots he represented. He was responsible for chasing off the Quints and ushering in the Golden Age with the various Colony Worlds until the Rust Plague happened, forcing the Space Bridges to be shut down. That seemed to mark the downfall of Zeta going forward, as he was also the Prime that retained the Quints’ oppressive caste system that Megatron (and Orion Pax) rose up against.

Hasbro’s insistence he was Sentinel persisted in the Covenant of Primus, where his younger self resembled TFA Sentinel Prime, along with having an association with the Elite Guard.

This connection to Sentinel is semi referenced in TFONE, as Zeta was the first Matrix barer, with a power hungry Sentinel shooting him dead and eagerly tearing into his chest to claim the Matrix. Perhaps this was meant to be a meta gag on the writers’ part, with Sentinel going “I’m the guy before Optimus, not you, ya pompous poser!”

The only other Zeta that we know of is from IDW, a significant Prime that like Nova Prime, influenced a lot of the lore.

Initially he looked like this.

Your typical IDW “OC”, with him eventually donning on armor that became his standard look.

I swear someone on staff at the time clearly liked Digimon, because that is straight up Seraphimon.

It even had the loin cloth sash thing.

Other artists would Roboticize the design, making the Seraphimon influence less obvious though.

What this version of Zeta Transforms into is never specified, but with IDW original villains tending to favor flying machines, I’m going with a jet.

Zeta and Orion Pax were former students of Shockwave (pre-emotionless cyclops), both being seen in having greatness to being a Prime. Zeta became Prime after Sentinel’s “death”, fulfilling Shockwave’s desires. Zeta would become Orion‘s teacher and friend, but like Megatron, Orion would notice Zeta increasingly slip into megalomania, the stress of the early Great War against the Decepticons growing, feeding Zeta’s own lust for power. The mask finally having slipped, Zeta Prime used a “Vamparc Ribbon” in an attempt to wipe out the Decepticons or any form of rabble rousers, nor particularly caring who or what the ribbon sucked the Energon out of in the process. Orion and Megatron saw fit to team up against a mutual enemy and destroyed him, though the Great War waged on regardless.

TFONE Zeta Prime visually draws inspiration from his WFC counterpart, though simplified and a bit more ancient looking. While the character model is clearly blue and gold, the in movie model looks more dark gray-ish to me, somewhat evoking Liege and Prima.

We know very little about him, though as he is worthy of carrying the Matrix, clearly he wasn’t at all like his psychotic IDW counterpart. Perhaps the stand out thing is Zeta is the first Prime to carry the Matrix here, as that usually goes to Prima. Presumably this is a vestigial nod to the old “the 13th is the true Matrix barer”, as Optimus later is the only other Prime to carry it, completing the reference. Despite this, the Primes wax on about Orion’s bravery and self sacrifice to protect his friends and expose Sentinel, dodging the preordained Optimus thing.

A notable fan theory states that Optimus’ axe on the finale might be donated from Zeta thru the Matrix, as he too carries an axe as his signature weapon.

This seems to suggest that on top of needing to simply the Prime concept, perhaps Hasbro is moving away from the concept of “The Arisen” altogether. It also implies, with the use of Zeta, the 13th can be anyone a particular story needs it to be, referencing the original concept of the Arisen being a “mystery” anyway.

I think what bugs me more is The Arisen feels like a reinterpretation of Hot Rod’s chosen one role from the original movie and Marvel comics. Modern material is pretty dead set that the Prime lineage ends with Optimus, another instance of ignoring Rodimus.

But Hot Rod & Rodimus Prime fit this Arisen role so much better, due to the Marvel Comics better emphasizing Rodimus’ connections to Primus.

As Primus in his original form more heavily resembles Rodimus.

I would like to think that if the 13th Prime is free to be anyone, that some writers will take advantage of that and stick Rodimus in the role, where he reincarnates in the modern era as Hot Rod and arises once more as Rodimus Prime. It’d be nice to give Rodimus some respect for once, rather than being the whipping boy of angry nerds ala the IDW Deviations comic or, to some extent, MTMTE/LL. We got a better outcome in ReGen One, hopefully that can be replicated in a future cartoon or the Energon Universe somehow since Hot Rod is a major character in Void Rivals. Incidentally, Hot Rod exists in the One universe also, so if the story continues, maybe we could see TFONE Rodimus at some point.

As for Zeta, we’ll have to wait and see if future material keeps him as the 13th and if so, if they try fleshing him out more. Maaaaybe leave the IDW interpretation in the past tho’, or at least reinterpret the Vamparc Ribbon as both a Solus invention and a weapon of last resort Zeta doesn’t like using if we want to let him as the good guy.

[sjbattleangel]

Public Service Announcement: There Is No "CalArts Style".

Can't believe I still have to say this!

Despite everything you might have heard, there is no "CalArts Style." It doesn't exist. CalArts isn't an art-style or animation studio, it's actually a university for art and animation founded by the Disney brothers. (Yes, THOSE Disney brothers)

I know there's this image going around of these cartoon characters sharing the same head, eyes and smile...

but that's deliberate, misleading exaggeration. In reality..

They're actually very different from one another. Sure, they share a few faint similarities but overall each character and their respective series have their own style and identity.

Animation with those similarities? (Round eyes, mouthes and bendy limbs) There're actual names for that style of animation: Rubber-Hose, Bean-Mouth, Noodle-Arm, Fleischerian. take your pick.

But to call all animation with those little similarities "CalArts"? It's stupid, lazy and dishonest. CalArts didn't create or popularize the Bean-Mouth. Like all art-styles, it became trendy following the major success of shows like Adventure Time, Steven Universe, ect. And most importantly, there is no uniform style at CalArts. In fact, here, let me show you the work of noticeable CalArts Alumni:

Just look at the diverse art-styles and animation, all from former CalArts students!

On a side-note:

Rebbeca Sugar (Steven Universe) never went to CalArts.

Ben Bocquelet (Gumball) never went to CalArts.

Nate Stevenson (She-Ra) never went to CalArts either! (Something I find hilarious since She-Ra doesn't look anything like the aforementioned Bean-Mouth cartoons but rather a bold, modernized version of Sailor Moon)

Another reason why people must stop using the term "CalArts"/"CalArts Style"? It was coined by none other than disgusting predator John K. Yes, John K, the co-creator of Ren & Stimpy who used his influence to prey on teenage girls. (TW: sexual exploitation, grooming, gaslighting.) He coined the term "CalArts"/"CalArts Style" to bash works like The Iron Giant, Animaniacs, Gargoyles, Les Triplettes De Belleville (which is also ridiculous since Sylvain Chomet didn't go to CalArts) along with the works of Disney, Warner Bros., Dreamworks, Richard Williams and Don Bluth. In simple terms, he was a toxic piece of work who loved tearing anything that didn't meet his standards of zany, off-model grotesqueness.

Here, a friend of mine on social media explains better than I can:

Thanks for listening. Hope I helped.

[nightingaelic]

Things that are Now Fallout Canon

(according to the Special LIVE Report from Galaxy News that preceded the Fallout TV series' teaser trailer release on December 2, 2023)

Vault 33, the focus vault of the Fallout television series, is located beneath Santa Monica, California. It's also implied to be very, very expensive to get into.

Bottle and Cappy, the mascots for Nuka-Cola and its theme park, Nuka-World, were about to embark on a seventeen-movie-long series of animated films before the bombs fell.

The sinking of the RMS Titanic happened in Fallout's alternate universe. The news announcer jokes about the world going down like the infamous ship, including the deadly lack of lifeboats.

Camels exist in this universe, too! The news announcer actually fucks this one up, because he says dromedary camels have two humps - dromedary camels have one hump, while Bactrian camels have two. Or maybe we'll get a sound bite from Todd Howard in a few months where he claims the camel breed names are swapped in Fallout, who knows.

Pets were not allowed in the commercially-advertised vaults. The news announcer regrettably informs listeners that they can't bring their cats, dogs, or even fish with them due to logistical concerns and safety hazards, but they are more than welcome to purchase Vault-Tec-branded gravestones and hold pet funerals before they move underground. Hypothetically-speaking, it wouldn't surprise me if people tried to smuggle their animals in, anyway.

Someone stole the Fallout universe's original moon landing flag from the Museum of Technology in Washington, D.C. - another headline report, with no further details. It was in the same exhibit as the Virgo II lunar lander, which stayed put for at least 200 years.

Vault Boy was named "World's Sexiest Man" in 2077 (when the report is being aired) - no word about which publication or organization bestowed this title upon an animated mascot.

Vault-Tec trademarked the thumbs-up emoji in the Fallout universe - which is very much in character for the company, but something about there being emojis in the world at all hit me wrong.

Vault-Tec instituted a "breeder search program" alongside vault placement purchases, and encouraged polyamory to get people to procreate (and buy more vault spots). I'll admit that this one seems plausible but shaky, because by this point in the report the news announcer is losing his mind while stalling for the vault door to open, and he might just be making shit up.

Nuka-Cola ran its own version of the Pizza Hut "BOOK IT!" reading program, called "ZAP IT!" Kids were required to read over 10,000 books to win rewards. If we use picture books for the math, and allow for five minutes to read each book, that's about 833 hours (34 straight days) of reading to get some soda.

Moby-Dick by Herman Melville and the ancient Greek myth of Daedalus and Icarus both exist in the Fallout universe.

Resulting Thoughts

"The ghoul" in the show is possibly named Howard - unsure if that's a first or last name. In the teaser trailer, Walton Goggins (who plays the ghoul) is shown dressed like a Hollywood cowboy on the day of the Great War, riding a horse to try to escape the nuclear bombs that hit Los Angeles with an unidentified child. Meanwhile, the Galaxy News headlines report that a box office hit called "The Man From Deadhorse" is getting a sequel, which is currently filming at California Crest Studios, and the news announcer says the film is "Howard-led." Whether the ghoul is the lead actor, we don't know, but it seems like a solid enough hint at his origins.

I'm glad that the show is going to delve more into the idea of the haves and have-nots, what with vault entrance being both selective and expensive. The most recent games in the series don't talk about this enough, in my opinion.

This isn't specific to the show adaptation, but it's becoming more noticeable to me that the Fallout series is crawling forward in terms of relating to modernity. I'm not sure how to feel about this - for example, I don't really mind if the soundtrack of Fallout 76 features the Beach Boys and other 1960s songs when it used to be strictly limited to 1930s and 40s music. On the other hand, I thought that using a news announcer that sounds more like a modern podcast host than a Transatlantic-accented journalist was an odd choice, and as I said above, I really did not like the idea that pre-war America knows what an emoji is. I'll get over it, but I'm anticipating that there will be some more artistic choices in the adaptation (and future games) that rub me and others the wrong way because they don't fit our definition of what Fallout "is." I'm not saying anything new, people have been arguing about that forever.

Overall, I'm excited. We're probably not getting a new Fallout game until 2030, so I might as well try to enjoy this. I will be keeping my bingo cards handy, though.

Anyway, I transcribed the damn report because I'm very normal. Feel free to use!

Fallout - A Special LIVE Report from Galaxy News

with occasional commentary from yours truly

[An upbeat, strings-led orchestral jingle plays, and black-and-white picture focuses on a spinning, silver globe. The globe is being circled by a vintage toy rocket. The words "GALAXY NEWS" fly in, and are quickly wiped and replaced by script declaring "Vault-Tec Presents..." The picture is circle-wiped and transitions to a high view of a vault entrance, with no visible script or markings to indicate which vault it is. The large, circular vault door is closed, and the access bridge to the door is not connected. A timer counting down from 60 minutes is overlaid in the bottom left corner, just above the Galaxy News globe logo and a signal tower graphic next to the word "LIVE." News headlines scroll along the bottom of the screen, the first of which reads "GALAXY NEWS SIGNS 10-YEAR PARTNERSHIP DEAL WITH VAULT-TEC." The headlines are separated by small lightning bolt graphics. The music continues throughout, and a male news announcer's voice cuts in.]

Good morning! Or, afternoon! Or evening, depending on where in the world you are. If you're just tuning in with us now, you're in for a treat. Welcome to the unveiling of Vault 33, one of the flagship vaults of Vault-Tec's arsenal of vaults.

[The second scrolling headline reads "VAULT-TEC VOTED AMERICAN COMPANY WITH BRIGHTEST FUTURE."]

Galaxy News is here live with an exclusive look at the next generation of apocalypse-proof, purpose-built luxury housing, sponsored by our friends at Vault-Tec. Vault-Tec: Revolutionizing safety for an uncertain future.

[The third scrolling headline reads "ROBCO INTERPLANETARY PROBE PROBES DEEPER INTO SPACE THAN ANY PROBE HAS PROBED BEFORE."]

If you're a regular viewer of our programming, we consider you an astute, engaged citizen, doing your part to stay informed on the latest news impacting this beautiful country of ours, and so it will be no surprise to you that we are on the precipice of a nuclear armageddon. But, fear not, Vault-Tec is building the ultimate shelter-in-place solution for the more doomsday-savvy customer: A veritable ark meticulously designed to weather the geopolitical storm surely headed our way any day now. And for the first time on live broadcast, the fine folks at Vault-Tec will be giving you a tour of their newest product unveiling, from the comfort of your home.

[The announcer takes a break, and the music swells. The vault remains closed, and no activity whatsoever is visible around it. It might as well be a static image. The fourth scrolling headline reads "NUKA-WORLD BREAKS ATTENDANCE RECORD FOR FOURTH STRAIGHT YEAR. GALACTIC ZONE GIVEN CREDIT FOR INCREASED NUMBERS." The initial song ends, and a new strings song with a more staccato rhythm begins. The news announcer returns.]

Welcome, once again, to Vault 33, nestled in the coastal west side of sunny Los Angeles County, and minutes from the yet-to-be-destroyed, bustling downtown promenade. Should nuclear annihilation one day come for this quiet beach-side town, you can take comfort in knowing you are safely buried deep, deep below what numerous trade publications once called "one of the best places to live." Right now, ladies and gentlemen, what you're looking at is peace of mind. Billions and billions of dollars and decades of R&D funneled into the high-grade protection engineering that only Vault-Tec can bring you.

[The fifth scrolling headline reads "WE ASKED OUR VIEWERS TO ANSWER A SIMPLE QUESTION: WHAT IS THE GREATEST NATION ON EARTH AND WHY IS IT AMERICA? HEAR THE RESULTS TONIGHT AT 10PM EST." At this point, the news announcer starts to sound less formal and more excited.]

Aren't we a bunch of lucky ducks! Vault-Tec has tapped us into their closed loop security feed to bring you a sneak peek behind a vault entrance airlock. That large, fortified steel blast door you see there is the only thing standing between you and the rads.

[The sixth scrolling headline reads "UNITED STATES AGAIN ACCUSED OF ATMOSPHERIC COUNTER-ESPIONAGE BY THE REDS."]

Very soon - very soon, I'm told - Arnold? Are we - yeah - and we're very soon, and we're very soon. Very, very soon, I'm told, that gear door will open, and Galaxy News will be on the ground to give you all a walking tour of the facilities! Including the accommodations one might expect in a state-of-the-art, modern residence thanks to a partnership with RobCo Industries and some of your shelf-stable forever favorites like BlamCo and Sugar Bombs! There's nowhere to hide from explosive good taste! Boom!

[The news announcer disappears again, and the strings conclude and are replaced with a meandering clarinet-led number. Several scrolling headlines go by: "U.S. RENEWS DEFENSE CONTRACT WITH WEST TEK, HERALDS VALUE OF POWER ARMOR IN ALL THEATERS OF WAR." "ESPIONAGE THREAT SUBDUED IN DOMESTIC URANIUM MINES." "PRESIDENT DECLARES NUCLEAR STOCKPILE 'SAFE ENOUGH.'" "BULLETIN OF THE ATOMIC SCIENCES SETS DOOMSDAY CLOCK TO HALF A NANOSECOND TO MIDNIGHT." "ATLAS OBSERVATORY CHRISTENS NEW TELESCOPE, RE-COMMITTING TO A NON-VIOLENT PURSUIT OF KNOWLEDGE." The song ends, a new one begins, and the news announcer returns. The vault still hasn't opened, and he's dropped what was left of his professional tone.]

And we are... stalled out. We're still... having technical difficulties. You know, sometimes things go bad and there's just no way you can plan. It's kind of like what's happening with the world right now, there's no way you could've been born into the world and know how you were going to end - know how the world would end. How will the world end, in fire or in ice? Well, it turns out -

[laughter]

It turns out it's gonna be fire...

[The twelfth scrolling headline reads "CHRISTMAS TOY TRENDS: RETAILERS REPORT SHORTAGE OF POWER ARMOR FIGURINES."]

Arnold! What's that? Okay. Yes.

[sound of paper pages being flipped through]

Okay. Arnold just handed me a fun fact. We're gonna do fun facts, fun facts.

[The thirteenth scrolling headline reads "NUKA-COLA QUANTUM GETS FDA APPROVAL, FOUND TO CONTAIN 'HEALTHY AMOUNT OF RADIATION."]

Fun fact about the construction of these massive vaults: They use concrete. Hm. That hardly counts as a fun fact, Arnold. Now is there an update on when the door... the door's gonna be open? Arnold? I'm sorry, is there an update on the door? Is there an update on the crane? Is it a crane problem, or a door problem? Is it a pr- is it a crane problem, or a door problem? Arnold? Arnold! Arnie!

[sigh]

Okay...

[The news announcer gives up, and a song with a lot of muted trumpet comes in to serenade more scrolling headlines. "NO ONE'S BEATING THIS DEADHORSE. 'THE MAN FROM DEADHORSE' TOPS BOX OFFICE. A SEQUEL IS ALREADY IN THE WORKS AT CALIFORNIA CREST STUDIOS." "ATLAS WEATHER EXPERIMENT BELIEVED TO BE THE CAUSE OF UNEXPECTED SNOW FLURRY IN LOS ANGELES." "DEVELOPING: REDS CONTINUES TO DENY EXISTENCE OF STEALTH SUBMARINES, US INTELLIGENCE SUGGESTS OTHERWISE." Woodwinds replace the trumpet, and the news announcer returns, pivoting to an unrehearsed sales pitch for his sponsor.]

If you have the money, please - please, guys - get a Vault-Tec vault. Get in there! Think of it as a life raft, a bit. Our country is the Titanic, and these vaults are the life rafts - right? - attached to the side of it.

[The seventeenth scrolling headline reads "NUKA-COLA MASCOTS 'BOTTLE AND CAPPY' TO APPEAR IN ANIMATED FILM FROM CALIFORNIA CREST STUDIOS. WILL BE THE FIRST IN A SEVENTEEN PICTURE DEAL BETWEEN THE COMPANIES."]

Now, were there enough life rafts on the Titanic? If you remember - no, no there weren't enough, and so many, many people died, and so, it's a nice allegory actually, because they're not going to die in the freezing ocean, which would be - actually, it's a little faster to die by fire than it is by drowning in the cold, so it is kind of an advantage to be dying now, th- rather than on the Titanic, the RMS Titanic.

[The eighteenth scrolling headline reads "SUPPLY LINES FOR RED FORCES BREAKING DOWN." Sort of like this announcer. He pivots again.]

Now - can you call a survivor of a nuclear holocaust a person, anymore? I don't know. Their brain is going to be cottage cheese, and they will be crawling... crawling on the ground, stuffing sand in their mouth, their blind eyes melted out, like the white of an egg, just dripping and dribbling out of their eye sockets.

[The nineteenth scrolling headline reads "VAULT-TEC ANNOUNCES COMPLETION OF VAULT 33 UNDER SANTA MONICA, CA."]

They raise their face towards their... god... and scream, "Nooooo! Whyyyyyy! What did it all mean?" It turns out it didn't mean much if you didn't get a spot in a Vault-Tec vault."

[The twentieth scrolling headline reads "MILITARY UNITS SENT TO QUELL UNREST IN SEVERAL STATES."]

"Now, let's talk about the luxury interiors of Vault-Tec vaults. We have camel leather. You've heard of cow leather. Probably. Camel leather is a great deal softer, isn't it? It comes from the camel, who keep their water on their backs in a hump. Sometimes two, if they're a dromedary. Now, let's talk about camel leather and why it is more supple, and why it is cooler to the touch, and we can talk about it forever but what you want is luxury, what you need is safety: Where you go is Vault-Tec. That's it.

[I feel like I need to point out that dromedary camels only have one hump, and no camels store water in their humps: It's actually just fat up there that they can live off of while traversing deserts. Regardless, the announcer is gone again. The scrolling headlines remain. "NUKA CORP SPINS OFF ATOMIC RESEARCH ARM INTO SEPARATE CORPORATE ENTITY AFTER SEC APPROV." "SUPER DUPER MART ANNOUNCES RECALL OF BLAMCO MAC & CHEESE FOR TRACE AMOUNTS OF DAIRY." "VAULT-TEC STOCKS SOAR AS US ECONOMY BECOMES FEAR-BASED." "BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND LASERS TAKE DOWN NATIONWIDE WEAPONS SMUGGLING RING." Another woodwind-heavy song starts up, and so does our announcer.]

Um... Arnold?

[throat clearing]

Arnie! Can we- do- do we have a- can we start a clock? Can we - is there, like, anything we can do? I feel like people need something to hold onto, there's a lot of empty air. There's a lot of dead air, here. People need something to hold onto, people are freaking out, and I'm freaking out because I like to have - I like to bring people comfort - uh, in, in this crazy time. There's, there's only a few things you can predict -

[laughter]

In - in the world, and uh, I thought that opening the vault on time would be one of those things.

[The twenty-fifth scrolling headline reads "MILITARY SETS THREAT LEVEL OF POSSIBLE BIOLOGICAL WEAPON ATTACK FROM REDS TO HIGH."]

I was kind of counting on it as a - a thing that would bring some amount of normalcy, some amount of comfort. Something happening the way it's supposed to in a world that feels like it has been turned upside down by evil. But, unfortunately that is not the case. Here we are. Another thing we don't know. Another thing we have to grapple with.

[The twenty-sixth scrolling headline reads "TEDDY FEAR MANUFACTURER SETTLES CLASS ACTION LAWSUIT, DENIES TOY BEAR CAUSES SLEEP PARALYSIS NIGHTMARES IN CHILDREN."]

This particular vault and these technical difficulties that we're having right now have absolutely nothing to do with the product that you will buy when you buy a Vault-Tec vault. Now, Vault-Tec vault living is living the dream, and it's the only way to safety unless you're... the President of the United States, or something like that, and you have a mountain in Colorado to go under and direct the events of the world. Not many of us are that, there's only one of those... uh, and his various and sundry advisors, I'm sure they'll be fine, but you won't! You won't be fine!

[The twenty-seventh scrolling headline reads "WERE TEDDY FEAR BEARS MISUNDERSTOOD? ONE PSYCHOLOGIST THINKS SO."]

If a vault is out of your price range, there are lower-cost alternatives to purchasing a spot with Vault-Tec. They don't sound... good, if you ask me. Anti-radiation pills? Good luck with that. Not sure how anti-radiation pills will hold up against temperatures rivaling the surface of the sun, for example. But maybe that's just me!

[He's gone again. We're 15 minutes into the countdown, and the woodwinds have really started to outdo their own whimsy, at this point. Headlines continue. "TEDDY FEARS SKYROCKET IN POPULARITY AND PRICE DUE TO SCARCITY CAUSED BY RECALL." "VAULT-TEC ANNOUNCES NEWLY AVAILABLE SINGLE VAULT SPACES FOR SALE." "THIS YEAR'S FALLOUT SUIT DESIGN FEATURES ENHANCED PROTECTION, 20% MORE ZIPPERS." The whimsical woodwinds finish up and a bouncy, brassy horn piece takes over. This summons the announcer.]

When you see that vault, it's all gonna be worth it, fellas. It's all gonna be worth it when you see that vault. Now kids, you're probably wondering: Can I bring my pet doggy, or my pet kitty, into the vault? You can't. Unfortunately... it's a hazard in so many different ways. Uh... tch, uh, their hair can get caught in the ventilation system, you'll have endless problems, where do you put their waste? Where do you put... their food? So many, so many problems, so... we have specially-made Vault-Tec gravestones.

[The thirty-first scrolling headline reads "VIRGO II LUNAR LANDER NOW ON DISPLAY AT MUSEUM OF TECHNOLOGY IN WASHINGTON, D.C."]

We have specially-made Vault-Tec pet gravestones for your children to have many funerals for their pets before you go into your Vault-Tec vault. Memorialize your pets now with Vault-Tec mini pet gravestones! Dig a hole in the sand, put the pet in there, and put that gravestone - and it's got a space where you can write the pet's name - right before you go in the vault, no pets in the vault. Not even fish. No, not even fish.

[The thirty-second scrolling headline reads "FLAG FROM VIRGO II LUNAR LANDING STOLEN FROM MUSEUM OF TECHNOLOGY." The news announcer is really getting aggravated.]

What is happening? What is - Arnie! What is - what is happening? Okay - okay! Alright!

[The music and the headlines fill the space again. "NUKA-WORLD TO RAISE TICKET PRICES FOR UPCOMING SEASON, EXPECTING AN 'EXPLOSIVE' YEAR." "GWINNETT ANNOUNCES NEW PALE ALE SO PALE IT'S TRANSPARENT." "HAPPY NATIONAL SOCK HOP DAY!" "VAULT BOY NAMED WORLD'S SEXIEST MAN." The news announcer tries again, attempting to play up the complete inactivity happening onscreen.]

So much is happening here, we've got... the crane, as you can see, it's - it's about to be lowered, and I'm told - and I'm told... the weather. The inclement weather is - keep - I think the weather... there's a pressure cha- it needs to be - yes, of course. The pressure needs to be right to open the vault, or else the differential pressure between underground and overground will cause... a, uh... uh, the furniture to, uh...

[The thirty-seventh scrolling headline reads "VAULT-TEC REGISTERS TRADEMARK ON THE THUMBS UP EMOJI." This one made me physically recoil.]

L- Look... get a Vault-Tec vault. If you can't afford a whole vault for your family, that's fine. Buy time in a timeshare, one of our timeshares. And it's not the kind of timeshare you're going to regret, this is one that's not a scam, because you can look down at your intact body in a Vault-Tec vault and say, "Look at me! I'm whole!"

[The thirty-eighth scrolling headline reads "NUKA-COLA PATRIOTICALLY SALUTES SUCCESS OF NEWEST FLAVOR LAUNCH - NUKA-COLA VICTORY. EXCLUSIVE REDESIGN COMING NEXT YEAR WITH 'A TASTE AS SWEET AS FREEDOM.'"]

Stay whole in a Vault-Tec vault! Keep it together, meaning your corporeal form! Keep it together in a Vault-Tec vault! You'll be skipping around in a workout area, and... check out those barbells! Why not work those biceps while you're down here? What if there's an emergency, and somebody breaches your Vault-Tec vault door? Well, you're gonna want to be in shape to fight off that rageful beast!

[At this point the scrolling headlines loop back to the beginning.]

Now, is it a human? If you kill it, will its soul go to heaven or hell? Don't worry about it! Just get it out, because even its presence in your Vault-Tec vault could kill you and your entire family! These people are irradiated. It's not healthy, right? It's like putting your hand on a radiator. Don't do it.

[Music break. That vault still isn't opening. The song ends, and the news announcer clears his throat.]

We don't... have the exact scoop yet, ladies and gentlemen, so Arnie, why don't we put some music on while we wait for the skinny?

[noticeable pause]

I- I- I- I- don't know what song, put on anything, I'm dying up here.

[The next song opens with energetic trumpets that sound like they're charging through a movie theater snack stand. It's followed by a big band track that seems to re-energize the announcer.]

And, if you're just joining us, we're preparing to head inside the latest and greatest product offering from Vault-Tec. Vault 33, a pristine subterranean society purpose-built for America's best and brightest to wait out the nuclear fallout. There's no telling what will remain once this global conflict reaches its inevitable conclusion: That's why it's important for patriots like you to purchase a guaranteed spot in America's future. It's up to you to keep our golden society going, propagating forth until we have the ranks to repopulate the world outside.

"What if I don't have a partner or family right now?" you may be asking. "Don't give up on love so soon!" I say. Where better to meet eligible partners than in a cherry-picked community of like-minded individuals? If you find you need a bit more assistance, Vault-Tec has breeder search programs to help you find the one, or the two, or the three, four, five! Vault-Tec is a very open society, so go ahead and purchase that single vault space, and that single may become a double before you know it! And what better place to find someone to love, than safe underground?

Please stay tuned as we prepare to bring the crew, and the world at large, inside our Vault-Tec facility.

"But what if I don't have the money for a vault right now?" you may be thinking. You should never let not having the funds today stop you from reaching your dreams. You can always pay tomorrow, into perpetuity. Vault-Tec is reportedly constructing financial packages that allow for customers to continue payments on select economy vaults, in the event of total societal extinction. So don't worry, purchase away! Vault-Tec upholds traditional American values, and they believe no one should be excluded from the pursuit of life, liberty, and debt.

[Music break, wherein the song concludes and switches to something more pensive and staccato.]

A- Alright? Yes? Arnold is telling me - yes? We are moments away! Moments away - from having some kind of movement here. I'll believe that when I see it. Sorry Arnie, but your credibility with me could not be any lower at this point.

Let's talk about the amenities in these concrete miracles. Radiation King will be providing television sets, modern kitchen appliances.

[throat clearing]

The sofas will be... I'm sorry, do we know who makes the sofas? I'm sorry, do we - do we know who makes the sofas? Do we know who makes the sofas? Arnold, do we know who makes the sofas?

[Arnold does not reply. The announcer is miffed.]

What else is new. Yeah.

[Dejection turns to anger immediately.]

If you could please just give me something? If you could please just give me something to update? I'm sitting here with nothing! I'm sitting here... with nothing! This isn't my job! I'm a journalist! I report things, I don't... vamp! Is there even a - is, is there a clue? Is there, do the crane people - have the crane people chimed in? Have the door people chimed in? Is it all one person?

[Arnold presumably says some inaudible form of "I don't know." This does not please the news announcer.]

Well maybe con- maybe connect yourself to them. You should get yourself a radio. Get yourself a radio, Arnold. That's your job, to communicate with me the facts about what's going on, and it's my job to communicate to the people who are watching - we're trying to save their lives - you know, and this isn't advertising for me. This is a product I believe in!

Arnold, what do you do? What skills do you - are you somebody's son? Are you - are you somebody's kid, or something?

[Arnold can finally be heard, somewhat garbled from distance or technology: "My uncle is, uh, is the general manager of Galaxy News, your employer." The news announcer considers this.]

Your uncle is the manager of Galaxy New - mmm. Well, that explains how you got this internship. I'm sorry for everything I said, but... you can understand my frustration, here.

[The music concludes, but the announcer keeps going.]

The, uh, vault foreman is out here, and he is, uh, uh, doing hand signals. Ooh, yes, it's going to be a while, let's play some music for the people, Arnie.

[A new song starts. We're nearly 30 minutes into the countdown before the song switches over and the news announcer starts up again.]

All right folks, we have an update! They've got eyes on the gatekeeper out walking the grounds. It appears he was attempting to retrace his steps after misplacing the key and his wallet - still no word on the key itself, please stand by for more on the wallet, as this story continues to unfold.

Still on standby as we wait for the situation in the vault to resolve, but folks, there is plenty to get the American public up to speed on in the meantime. World news stories! Breaking, breaking news from the international desk. Peace negotiations between America and her adversaries crumbled in Anchorage, Alaska, this past weekend, a city recently liberated from foreign occupation, leading experts to believe nuclear war is indeed on the horizon. One more reason, America, to tune into the presentation Vault-Tec has for us today. Preparation, resilience, and smart spending are the only way our precious republic makes it through that long, dark night.

[This revelation approximates the date of the broadcast, which is happening not long after the Battle of Anchorage. The clash in Alaska officially ended on January 10, 2077: This news bulletin proves that attempted peace negotiations followed, then failed.]

Going the way of the dinosaurs has never felt this fun! If only the dinosaurs had Vault-Tec technology. Now, the dinosaurs died because... a meteor came from space, right? They had nothing to do with it. We have everything to do with our own demise. It's almost like… people are a virus that is destroying the Earth, we're a planet-killing virus. And people do say, "Oh, well, you know, well, the cockroaches... will outlive us and the the aardvarks or whatever will outlive us." Well, they won't. They're going to die too, because this is the real deal, guys. This is the end. So if you're not underground, I don't know what you're doing.

I wonder how we'll evolve. Will we develop a different kind of skin, some kind of leathery, plastic skin to fight off the nuclear fire? Who knows, but the only way to find out is to purchase a Vault-Tec vault, or a space in one of our timeshares.

[Music break again. It's a rather lively waltz.]

For those gathered around their Radiation King TV sets today, thank you for your patience. Rome wasn't built in a day!

[laughter]

Very soon you will witness… one of the greatest modern advances since the Virgo II moon landing - you won't want to miss this, the future of you and your future children depends on it.

[Exasperation sets in.]

Honestly, who wrote this copy?

[Arnold presumably raises his hand.]

You did, Arnold? Well, that's not surprising. It leaves… yes, well, it leaves a lot to be desired. They couldn't hire a professional writer? You look like you're 15 years old.

[Arnold inaudibly corrects him.]

You're 23? Yeah, well, 23-year-olds look like they're 15 now, still too young. What could you know about the - what could you possibly know about the written word, Arnold? Goddamn it. What could you - what do you know about writing and oratory? Nothing, I'll answer y- for you, nothing. The lack of professionalism - myself not included - disgusts me. The lack of professionalism disgusts me, Arnold!

Speaking of nuclear fire, you should see the muffin tray they left out for me. People want a blueberry mu- you want a muffin, okay? A muffin. Not a little squirt of dough, with a little powdered su- give me a muffin, give me a real thing, okay? Give me some snacks! You're going to give me some coffee? Good. I need a snack, to balance it. I'm not the only person in the world who needs a little bit of fat in their stomach when they eat a... big haul of caffeine.

[throat clearing]

Stand by as we wait for the situation in the vault to resolve.

[The music does some flourishes, then finishes.]

Ladies and gentlemen, it's official: We're experiencing some technical difficulties. And before we can open the vault - Vault 33, our flagship vault, full of the, uh, finest luxury items available to mankind, a- as of now - maybe we could put something on to keep people company while we figure out the technical difficulties. Sorry, these difficulties of course have nothing to do with Vault-Tec's vault tech. In- in- indeed…

Look, I need to have a whole cigarette right now. Just put on the song. Where are my smokes?

[The music starts up again while the announcer burns through a cigarette at the speed of a Corvega.]

Well, well, well! Here we are again! Ladies and gentlemen, we're dealing with a hiccup. Now, hiccups... might seem like a momentary stoppage, but this is a big hiccup. It's like God is hiccuping.

Vault-Tec is reporting that there's only one gatekeeper and one key on this vault model. The keys for these vaults are one of one, it fits like a glove, but it's - it's - these - these locks are very, very complicated.

God, it's so good to be on the other side of this. I don't think people know. People really don't know what's coming, and that's probably good. If you haven't watched… if you haven't watched the news up to this point, don't pick it up. Don't… just try and stay ignorant, uh, really don't find out what's going to happen because… it's bad, um, it's over.

[laughter]

The Earth is a slaughterhouse, and we are cattle!

[laughter]

We- we'll go back into, uh, a society resembling Bronze Age Mesopotamia. That's where we're going. It's not fun. Um... disease is… really prominent, um… we don't treat women well - let's just face it, it's - they - we don't treat them well now, but back then… oof. Rough. Rough treatment of women. You think we're racist now?

It's going to get bad. Where you want to be is underground. Vault-Tec vaults.

[A really tinny muted trumpet rises to its occasion as he disappears again for a bit.]

You know what else is great about Vault-Tec vaults? The air purification system. Let's talk about air. You need air to breathe, I need air to breathe, we need air to breathe. Vault-Tec's got it in spades! We've got oxygen candles straight from our finest nuclear submarines that you can burn, that turn nitrogen and carbon dioxide into oxygen molecules. Perfectly breathable, perfectly safe for your children, and your children's children, and your children's children's children in case we're there for three sweaty generations of sweaty living underground! In a fresh vault!

In fact, we put a family in a vault for 10 years and let them out just to see how it would go… and here they are now! "We loved it, uh… We loved it! That was great!" Uh… that's - I'm making it up! I'm making that up. I am imagining what could happen if I had more information about the vaults, but I don't have that information, so I'm making it up! Ha! Vault-Tec vaults, yes. Say yes to the tech!

[The music saves us for a bit.]

Unfortunately, we are back, the vault hasn't opened, and we have had absolutely no movement towards the vault opening, so! Hope you enjoyed that music. I know I was tapping my feet. Let's get back into it, where are we?

The US government has been quietly testing T-60 power armor suits as part of their long-standing defense contract with West Tek, following up the T-45 and T-51 efforts in the ongoing war with the People's Liberation Army.

[hisses through teeth]

How about that? How about that. The Man from Deadhorse gallops to a fast start at the box office! The Howard-led western is said to be the next smash for California Crest Studios.

[So the ghoul's name is probably Howard Something, or Something Howard. Interesting, but the announcer doesn't care and decides to throw another tantrum.]

Am I crazy or is this taking forever? I don't think I'm crazy, but I feel crazy! In fact, I might be the only person involved in this whole production who hasn't lost his mind! I'm looking at you, Arnie, I'm looking at you!

[Looking at Arnie yields nothing, again.]

"You don't know what to do, you don't know what to do." You idiot! I can't even get the word- I can't even get the information from you. Worthless!

[grunt of rage]

It's just me and Arnie here, I'm in hell, he's sitting there smiling at me, I'm in absolute hell!

Do you have a spot, Arnie? Do you have a spot in a vault? Oh! You do! What vault is that?

[long pause]

Oh, that's the one I'm in. Oh. Dear God.

[deep breath]

I guess we should get to know each other.

Ladies and gentlemen, we don't even know what's wrong here… but I can assure you that what isn't wrong is Vault-Tec technology, this has nothing to do with Vault-Tec's patented lock technology and everything to do with stupid people and human error. If you're this inefficient at work, what is home li- do - how do you wipe yourself?

[Uncalled-for, news announcer man.]

Ladies and gentlemen, please enjoy this music while we figure out what's going on.

[Musical break number who knows. Just over 11 minutes remain on the countdown.]

In other sponsored news, Nuka-Cola is celebrating the success of one of their newest flavor launches, Nuka-Cola Victory, with an exclusive redesign release later next year. Students that read over 10,000 books can be part of the ZAP IT! Program, rewarding literacy with sugar!

[deep breath]

I don't like Nuka-Cola. Personally... I don't like Nuka-Cola. Too sweet. I don't drink it. But it's popular, I have stocks in it, I invest - I invest in it. I don't drink it. It's the way the world is. Just because it's popular, doesn't mean it's good, just because it's good, doesn't mean it's popular. A can of Nuka-Cola, what is that, it's energy slowed down, right? It's the energy of the universe slowed down, right? What are we, what am I? We are energy slowed down into the form of a human being. All that's about to stop.

[laughter]

All that's about to stop! All that's about to go away! Maybe there's life on other planets. Maybe there's not. Are they going to come save us, no! If I were on another planet, and I came here, I would have an endless belly laugh at our folly, I mean, the folly of man! It's funny, there's so much written about the "folly of man." I mean, read Moby-Dick. Read… uh… what di- what happened with the - the wax wings, the wax wing guy? Wax wing man, Mr. Wax Wings, Daedalus. What's his name?

[Arnold hazards a guess we can hear: "Shakespeare?"]

Arnold, Shakespeare? Arnold, Arnold, good god… Shakespeare? Where did you go - you went to one of these hippie schools...

[Arnold tries again: "I think it was Icarus?" The announcer is ecstatic.]

Icarus! Icarus. Wow! You are good for something. Wow, Arnie!

Now, Icarus, he was close to the sun. In a Vault-Tec vault, you'll be as far from it as possible. You will be up to 50 feet underground, in a Vault-Tec vault, safe and sound in the knowledge that the wax on your wings will not be anywhere close to anything that will make it melt, except our new Vault-Tec oven!

[The horns come in again.]

Where are you f- what's your family situation? Do you have kids or…

[Arnold probably shakes his head.]

No kids? Good for you.

[laughter]

Are you single?

[Arnold: "Yeah."]

Ahh, yeah. I wouldn't recommend going into a vault single. You might want to lock someone down and take you in there - if only to help you fight - and, uh, survive, it's good to have a partner. Yeah… oof!

Anyway, glad I'm safe and secure in my vault! Um… I'm in the tax bracket that kind of... automatically gets a vault, so, sorry everybody. Uh… I'll be, uh, doing this thing called surviving, while you are all burning.

[deep breath]

What's the point of any of this? What's the point of any of this? Nobody - nobody listening to this can afford one of these things. Everybody listening to this is about to turn into an idea!

[laughter]

Instead of a being! But, here we are! Let's whoop it up! Let's whoop it up! It's a big parade… for the end of mankind! It's a big parade! Here's the final celebration, Arnie! Here we are!

Let's stake our claim in a dying planet! Let's plant our flag in a dead rock, and see how we feel. Let's see how we feel after the flag is planted, Arnie.

[a deep sigh]

I don't know how much longer I can do this, man.

[another deep breath]

My voice hurts, I'm thirsty, we're out of water, the muffins they laid out at the top of the day are dry and old, I feel dry and I feel old.

I give up! I give up.

[chuckles]

What's the point of this? I mean, what's the point of anything? I'm... I'm broken.

[Emotion creeps in.]

I'm broken. I'm changed. I am broken and I have changed. I…

[one more deep breath]

Thanks to you, Arnie. Thanks to you, man. Thanks, you're the best, yeah, thanks to you, pal. Thanks to you, buddy boy. You are just awful. You disgust me. Yeah, I'm just - I'm sorry. I'm - I'm just… I'm fried, man. I'm - I'm fried, pal. I'm fried. Dead. Gravestone, dead. Oh yeah, that's, okay.

Oh, god. Where are we in the process of the door opening?

[Arnold: "Yeah, it's over."]

What?

[A record scratch stops the music. Two minutes remain on the countdown.]

What's that? Oh!

[The announcer clears his throat, and the music changes to a triumphant fanfare.]

Ladies and gentlemen, I'm getting word. Ladies and gentlemen... I've gotten word that we are star- we are starting, ladies and gentlemen. It's happening! Here we are! Here we are, we got it, we got it, and now…

N- and now, this afternoon is unlike any other afternoon, ladies and gentlemen. It was the morning, now it's the afternoon - here we go! The crane is loweri- Here we go!

[relieved laughter]

Okay! Really close to the time where I can go, and get out of here! The crane is lowering, it is happening, the tumblers are tumbling! The crane is lowering, the tumblers are tumbling, we are… go! We're going! It's opening! It's opening!

[The static image of the vault has not changed in the slightest bit.]

You try doing this! You try doing this, Arnie! You try filling the time! Next time we'll switch places, Arnie, and you can try it! Oh boy, oh boy, here we go, thank god we're doing it and it's happening. I see motion, I see- I see Vault-Tec… I am convinced! Guys, this is great, it's been great, Arnie? It's been great. Arnie, it's been great. You know, I hope we are in the same vault. I'd like to spend the rest of my life with you, Arnie.

[slightly unhinged laughter]

As long as this happens right now, I am fine with spending the rest of my life with you! As long as the vault opens right now. The fact that nuclear fire could fall from the sky at any moment has made this broadcast that much more important. Thank you, thank you so much for joining us!