#is that all you got out of her character? that “fiction doesnt affect reality”? is her existence just a mere reinforcement of that to you?

[supahstarrr]

sometimes i think its hard for the fandom to have genuine deep conversations about veronika's character because of how much she's flanderized and reduced... but also i think its because of how people interpret her relationship with (horror) fiction being so drastically different from each other.

youll get "she'll be a murderer because she likes horror" (← she could be a murder but how fiction impacted her is way more complicated than that) and then "her character is a clear example of how fiction doesnt affect reality" (← really?) but also "she doesnt think fiction affects reality." (← that is a way more complicated statement than you think knowing we don't even know how she personally defines fiction, but also shes obviously aware of how much myths and lies has an affect on the cast and especially arturo but those things may not be defined as fiction in her eyes). But also due to jarring opinions even among people who tolerate or like her or understand her, unfortunately conversations might get devolved into debates about the relationship between humanity and fiction, but also about fiction itself.

i see the last two statements more often than the first when people comment about her ... i feel like people project how they personally define fiction and think of fiction's impact so much onto her that her character gets lost on them and dont think how much their statements about her lessen the depth of her character. thing is that whatever they will feel about the relation with humanity and fiction theyll need to get over it because its one of the main things that make veronika and arturo clear reflections of each other and contributes plus adds onto her depth

im saying this as someone who do think fiction itself and its impact on the person & society doesnt exist in an vacuum. But I am especially saying this as someone who finds her obnoxious, annoying and very cringe but tries to find her depth despite of my feelings about her.

[thewertsearch]

JASPERSPRITE: Whats a timeline? :3 […] AC: :33 < ok imagine a long tempting strand of yarn […] AC: :33 < now imagine instead of being made of wiggly enticing stuff, its made of what lets you exist AC: :33 < and you are right at the twitching tip of it, dont you s33? […]

I like Nepeta's perspective here, that a timeline is made of 'what lets you exist'. She's saying, I think, that timelines are made out of reality - out of the firmament that distinguishes the multiverse from the Furthest Ring.

Her imagery suggests that she understands at least the basics of her world's deeper mechanics, despite not actually using this knowledge during her time on-panel. I would have liked to learn more about her perspective, but we're almost out of time. From where we're sitting, Nepeta's already dead.

AC: :33 < […] look at the sky! JASPERSPRITE: Meow yes i see the sky and can tell that indeed something is going on. JASPERSPRITE: But aside from that i dont really understand what you said being a cat and all.

Even though he’s a Sprite, the poor guy just doesn’t have the brainpower to use this information he's getting - and that's if Sprites are even told about Scratching.

The world’s being ripped to pieces, and he’s just going to watch the pretty colors until there is no more Jaspersprite. Someone please get this cat a ticket to the Yellow Yard.

AC: :33 < im a bit nervous for you, especially since you remind me so much of someone i already lost AC: :33 < but maybe youll be ok? i dont know

It’s difficult to say. The troll sprites were implied to have died when their session ended, but this session isn’t really ending; it’s being rebooted. Sprites might be doomed in a normal game, but we’re pretty far outside of normal parameters, so there may still be hope.

...right, Sburb? I'm right, aren't I?

...Sburb?

AC: :33 < did you ever have someone nice back on earth who you loved? […] AC: :33 < […] i bet lots of girl cats would have loved to be with you, if only there had b33n some around to hear your lovely meows :33 JASPERSPRITE: Youre really nice to say so nepeta what about you though? […] AC: :33 < […] yes i have liked somebody for quite some time, but alas he doesnt know it

Nepeta’s tale is one of missed opportunities. She never got to wax poetic about her love of shipping, never got to confess her feelings to to Karkat, and - let's be entirely honest with ourselves - never really got to be a character at all.

Now, if you’re an optimist, you could take this as evidence that Nepeta’s story isn’t over – that we’ll be expanding on her character in the Dream Bubbles, perhaps.

I'm... let's say I'm a realist.

I think Nepeta is simply a victim of Homestuck's enormous character roster. Ever since Hivebent started, it's become increasingly obvious that there are some 'important' trolls, and some less important ones. This isn't a bad thing - it's just how fiction works, and it would be borderline impossible to juggle rich, satisfying, 8000-page arcs for sixteen primary characters, no matter how quickly you're putting up panels.

Nepeta simply isn't a protagonist. She's a total sweetheart, but in the end, she didn't make the cut.

JASPERSPRITE: Maybe you can win his affection by rubbing your cheek against him thats what i would do. AC: :33 < ohhh no no no, im too shy even for that! […] AC: :33 < its hard to explain, maybe cats think diffurntly, but trolls tend to be pretty cautious about expressing their f33lings when it comes to the flushed quadrant JASPERSPRITE: Whats a quadrant? […] AC: :33 < a quadrant is a thing in a group of things that consists of four similar things JASPERSPRITE: Like paws? AC: :33 < EXACTLY like paws!!! :DD

But damn, if she isn’t a sweetheart.

[paintingchimera]

Do you think Ariane ever wanted her mom? Like because when we’re in pain, or scared or really anything we tend to want our mothers, so it’d be natural for Ariane to want her mother. GOD I IMAGINED IN ARIANES LAST MOMENTS BEFORE THE BIORESONANCE THING SHE WAS CRYING FOR HER MOM

Now that got me thinking, what about the replikas?? Do they long for the neural pattern’s mothers even though they’re not biologically their child?? When they destabilise I mean, like imagine a dying STAR on the battlefield calling out for her neural patterns mom oh my days

You guys cannot convince me ariane did not want her mom, especially with how she was raised I would reckon they had a very close bond. I wish there was more stuff surrounding ariane’s mom and even the itou twins mom like who is she?? Anja Itou or Lilith itou?? I would think Anja, because Lilith never had a male lover (that we know of) but she had Alina. Lilith being a possible older sister to them seems like a much more likely scenario than their mother, and personally on how lilith’s personality is shown (this is with the theory that she’s Elsters neural pattern) she probably would not want kids

And if the case was that Lilith was their mom, realistically then, Elster would’ve most likely atleast had some more instinct to protect isa— meanwhile with a sibling you really don’t have that urge (unless their like a baby) and honestly, I think Lilith and the twins wouldn’t of known each other for that long. Lilith would’ve been just a faded memory from childhood [if I’m correct on the timing of when Lilith might’ve been put into whatever they do to the replika neural pattern and that she is Elsters neural pattern] I mean, the faint possibility of her being the twins mother is that if Alina was their second mother, but that doesn’t make sense: Ariane is often portrayed as a ‘clone’ in a way of Alina, looking almost exact same as her. So why would Alina be their second mom? And it wouldn’t be possible because Alina was in the sierpenski as we know it,

So that would leave Anja to be their mother, Lilith? Maybe a cousin or older sister. Looking at Isa (assuming that Erika looks basically the same) she looks like she would relate to Lilith but not in a mother and daughter way; more like a cousins or sisters way. And What is the deal with Alina?? Is she just meant to be Lilith’s lover, or does Ariane end up being like some reincarnation of her? Or is Alina in retrospect just made to be that person Ariane triggers Elsters neural pattern memories with? But that would make her character practically basic if she only had one purpose. But I can’t figure out what she’s even here for, maybe she doesn’t really have a purpose? Some characters in fiction might not have proper purpose but they’re very important to plot I think,

Oh the ariane having acute radiation syndrome, she would be in SO much worse of state in reality, burns everywhere only getting worse, skin cells dying, even her bone marrow [i forgot if this parts correct shh] possibly started to degrade [I think I’m thinking of chromosomes], her teeth falling out, her organs dying from the inside out, losing absolute control over her own bodily fluids, I understand that it’s probably for creepy affect with her very basic black arms and legs to show nercotic skin but realistically ariane would’ve been dead much sooner when the radiation kicked in, even with the cryo medical pod. We all know of the person who had severe radiation poisoning, he died after a long battle. Considering Ariane would’ve practically be begging Elster— if Elster didn’t die first, because to me atleast, Replikas much more fragile when it comes to things like radiation, excluding MNHR units. They would start to degrade faster than a human would,

Ariane would be in so much pain, her skin wouldn’t even turn black it’d fall off exposing muscle and nerves. And her hair doesnt make sense, when someone has that much radiation and Ariane probably got out through so much more radiation, her hair would’ve fallen OUT, not grown. She would’ve looked like a burned mummy, and most likely. Elster wasn’t Alive to see any of Ariane’s true pain, yet Ariane probably would’ve still chosen the Penrose program. Why? Because hearing how sierpenski is that shit is SCARY. But also, we all know of Ariane’s bullying on rotfront. With how much she was getting bullied [I heard she even got put in hospital temporarily?? Idk if that’s right] she would of course pick that option. It’s like giving someone the option to choose: Go to school for years, Go for a year and get all of your diplomas immediately [of course it’s not a accurate comparison but shut up]

Bullying fucking ruins people, from experience I wanted to leave my entire country because I got bullied so badly. I wanted to leave the planet [as in going to space], when your given a choice between going to a facility or seeing the stars? You’d the stars especially in ariane’s place. The eusan nation is strict, and rotfront was terrible to ariane. Why would she want to put herself through more??

Anyways I’m literally ariane yeong (I bleached my hair to look like her, my roots are over grown tho 🫡) also sorry for so much writing, I have no one to really yap my ideas to 😔🙏

[hyperfixationspam]

moral severity in fiction: a ramble about some shit ive been thinking about for a long time bc ive started seeing marwa discourse again

ok my central thesis is this: the moral severity of a given action or belief in fiction does not necessarily equate to the moral severity of said action or belief in real life, and is moreso affected by the public acceptance and treatment of it. namely bigotry.

a lot of times i'll hear the "anything goes in fiction" crowd say "hey youre ok with wanton murders in fiction but when sexual violence is casually depicted suddenly its glorification?" while murder may be morally worse than sexual violence irl, it is not socially on the same level. like. everybody knows murder is bad. generally speaking if you murder someone you are going to get arrested and people will think you are bad. but sexual violence is very normalized. (there's a reason its called rape culture and murder culture isnt a thing.) even if people on a surface level think they are against sexual violence most will turn their back on victims once it actually happens and support predators.

and on a more specific level some types of murder ARE normalized. police brutality, war, hate crimes etc. and these, just like sexual violence, need to be handled very carefully in fiction. bc 1 there is a high chance that someone in your audience is or knows a victim of said violence and will be hurt by it. and 2 there is a high chance that someone in your audience on some level genuinely believes that violence is justified and your work will help enforce that idea.

ok now onto wwdits. theres a lot of violence and terrible shit done by our lovable main characters that is treated very lightly. the reason theres no moral panic (as far as ive seen) about this is cuz. well. first of all vampires arent real. but even taking out the fantasy aspect ppl going out to find virgins to kill and drink the blood of is not a problem that is happening in real life. it is just not connected enough to reality to be considered "glorifying" anything.

so while nandors (and the show itself) treatment of marwa is not in the reality of the show worse than the vast number of people he eats it is absolutely worse from a writing perspective. again if we're taking out the fantasy aspects of djinns and mind control then all we've got is a woman of color being manipulated and brainwashed by her husband to be more appealing to him and then being discarded without a second thought. which. yeah. is not an uncommon situation. and definitely one that people will make excuses for irl. its just not something that can be comfortably laughed off like crazy gore. i didnt expect her to become a fully fleshed out character or even to survive. its the specific manner of the way her story is told that is uncomfortable. like. i legitimately wouldve preferred her graphically dying than the psychological horrorshow shes subjected to in canon. it doesnt make me dislike nandor as a character (although i understand if it does for some people) bc it doesnt change much about his own morality but it absolutely says something about the writers that they didnt think through the way they wrote her

[auron570]

2018 Readlist

FAQ

Why do you read so many old books?

Because most of them belong to the public domain, and are thus freely available online. Also it is fun to see how much the past influences and creates the foundation for the present. And how much or how little has changed, and what this says about humanity.

 Orwell - Animal Farm (1945)

A satire on the Russian Revolution and the failure of communism. Among other things, Animal Farm underlines the importance of learning to read properly and think for oneself, in a way that tickles with dark humor.

 Orwell - 1984 (1949)

Similar to Animal Farm, 1984 is an even more systematic and total examination of a society where all history and information is tightly controlled and constantly being rewritten. Being published after WW2, 1984 trades some of Animal Farm’s humor for more serious and tragic imagery of concentration camps. In a sense, 1984 is an exploration of the possibility of mind control or brainwashing through societal-level propaganda.

 Huxley - Brave New World (1932)

Absolutely fantastic. If 1984 was about what would happen if everything we read was false, then Brave New World is what would happen if no one had the desire to read at all. Brave New World shows a futuristic society that runs like clockwork with the help of genetic engineering and a miracle drug called Soma. COMMUNITY, IDENTITY, STABILITY. BNW examines the costs of a society that is mass-produced off assembly lines.

 Fitzgerald - Great Gatsby (1925)

A criticism of conspicuous consumption and the Roaring 20s. You can’t bring your mansion with you when you die. Mortality sucks that way. Throughout the novel we are invited to ask ‘what makes Gatsby (the character) so great?’ From rags to riches to death, Gatsby’s lonely existence is pitiable, tragic and relatable as ever.

 Steinbeck - Grapes of Wrath (1939)

Steinbeck’s illustration of the 1930s Dust Bowl and the resulting migration of impoverished families west across the United States, is a poetic masterpiece. ‘You want to work for 15cents an hour?! Well I got a thousan’ fellas willing to work 10cents an hour.’ Also featuring two of the strongest female characters in modern literature, Grapes of Wrath is a powerful lesson on human dignity.

 Shakespeare - Hamlet (1599)

The more I read Hamlet, the more I come to the conclusion that Hamlet is about delay of action. In a way, Hamlet forces himself to be penitent for something he doesn’t do. The more time he spends contemplating whether or not to kill Claudius, the more time he has to beat himself up and call himself a coward, and for accidents to pile up. ‘But put your courage to the sticking place!’ Hamlet is what happens when you ask a philosopher to commit murder.

 Shakespeare - King Lear (1605)

A lesson in parenting. If you want people (especially your children) to respect you, do not spoil them. Lear learns this lesson far too late, and gives up his inheritance far too early. Another possible lesson is to not trust liars, and instead divine a person’s character by their actions. The trouble is, with so much action going on behind the scenes, the opportunities for dramatic irony and treachery are twofold!

 Wilde - Picture of Dorian Gray (1890)

An example of 19th century Gothic Romanticism. And also, similar to Great Gatsby, another cautionary tale against conspicuous consumption. Dorian Gray, forever beautiful, forever young, is by all appearances the outward ideal of a dandy. As the novel develops, his cruelty and vanity plunge to increasing depths.

 Wilde - Importance of Being Earnest (1895)

The comedic side of being a dandy. If the suit makes the man, surely if I wear a different suit I become a different man? In a play of double-identities, love polygons and other trivialities, Earnest is a raucous upset of 19th century decorum.

 Ibsen - Hedda Gabler (1891)

A complex and cruel character, Hedda’s penchant for destroying the lives of others, seems to stem from bitterness and boredom toward her own life.

 Williams - Glass Menagerie (1944)

Theater is a box through which we view the lives of our fellow homo sapiens. Like passing by an exhibit at the museum, or peeking in on pandas at the zoo, Glass Menagerie presents a slice of life.

 McCourt - Angela’s Ashes (1996)

A coming-of-age memoir about an Irish boy growing up in an impoverished family. From the day he’s born to the day he becomes a man, memorable moments include: father always coming home drunk, scavenging for coal to get the fire going, stealing loaves of bread, shoes made of tire rubber, having an affair with a terminally ill girl, having pig’s head for Christmas, and wearing Grandma’s old dress to stay warm at night.

 Salinger - Catcher in the Rye (1951)

A tightly written story of teenage angst, about the few days after an unmotivated student drops out of a New York prep school. Unable to face his family, he wanders around the bustling city, growing increasingly depressed. Holden’s conversations with different characters throughout the novel, underline a simple moral that sometimes we just want someone to listen. (Preferably someone who isn’t a phony!)

 Shakespeare - Macbeth (1606)

A bloody and ambitious soldier descends into madness after the murders the King! It can be difficult interpreting and staging the supernatural elements of the play (e.g. do you show the ghosts on stage? what about the Witches? When, why). But remember Shakespeare is writing in a time hundreds of years before modern psychology, where memory and cognition was still immaterial and mysterious. Similar to Dorian Gray (1890), Macbeth is a moral on how one’s actions affect one’s mind.

 Albom - Tuesdays with Morrie (1997)

Succumbing to ALS near the end of his life, sociology professor Morrie Schwartz welcomes death with open arms. Hosting many visitors and having many conversations with family, friends, past students, the media, Morrie’s affable outlook on life and mortality shines.

 Golding - Lord of the Flies (1954)

An allegory on the state of nature. One wonders if/how the story may have been different (and possibly more horrifying and prone to censorship debates) if female characters were involved. I suppose that would be a separate inquiry. Unable to see beyond the horizon, and unwilling to look at themselves, Jack and his follows almost doom them all.

 Lowry - The Giver (1993)

Another science fiction dystopia in a similar vein as Brave New World or 1984, but less difficult and more relatable for teenagers. Those who enjoy The Giver, should check out the film Pleasantville (1998) featuring Tobey Macguire getting stuck in a black-and-white world. Naturally the lesson being that life is never so simple.

 Naipaul - Miguel Street (1959)

A collection of short stories centered around unique characters in a slum in Port of Spain. Featuring arson, domestic violence and plenty of eccentric amateurs, Miguel Street illustrates a colorful community.

 Thiong’O - Weep Not Child (1964)

Set during the Mau Mau Uprising against British colonial rule, Weep Not Child follows one boy’s goal of education. Meanwhile his family falls apart around him, and is cut off from his best friend.

 Montgomery - Anne of Green Gables (1908)

Having recently been adapted by CBC/Netflix into a series (which is very good), the original novel is full of comedy, quaint coming-of-age lessons centered around school, tea parties, accidents and adventures. But despite this levity, Anne ends with a tragic turn which places it well within the realm of reality.

 Shelley - Frankenstein (1818)

Another example of 19th century Gothic Romanticism (like Dorian Gray). Doctor Victor Frankenstein becomes obsessed with the idea of creating life from inanimate material, only to spurn his own creation just after giving life to it. The monster, filled with rage and envy, murders Frankenstein’s dearest friends. A sort of cautionary tale in the same vein as Doctor Faustus by Marlowe, Frankenstein is a counter-weight to the enthusiasm around science at the time. That science can not only produce miracles, but also horrors in its own way if one is not careful.

 Anderson - Winesburg Ohio (1919)

A collection of short stories revolving around a small community (similar to Miguel Street). Themes of religion, old age, loneliness, love, feeling stuck in a small town, Winesburg is full of some of the most heart-rending stories in all literature. Also Winesburg manages to accomplish a unity of themes in very short space. The whole of Winesburg is much more than the sum of its parts, such that it can stand just as well against other great novels.

 Bronte, Charlotte - Jane Eyre (1847)

One could argue that Jane Eyre is the predecessor to Anne of Green Gables. The latter frequently references the former, both are about orphan girls who grow up successfully in the face of many adverse challenges. While Anne ends with the protagonist becoming a young adult, Jane Eyre ends with a more traditional romantic happy ending, but like Anne is not without its tragedy.

 Bronte, Emily - Wuthering Heights (1847)

Fun fact, Wuthering Heights was a novel I considered doing an independent study essay on, but didn’t since I didn’t know anything about literature back then. Although technically of the gothic genre, Bronte primarily uses cruelty and domestic violence to evoke scenes of horror, as opposed to ghosts and monsters, while at the same time using these as tools to explore very down-to-earth themes of social class and gender inequality.

 Joyce - Dubliners (1914)

Very similar to Winesburg Ohio, but without the same unity. For example, one story is difficult to read without first reading about the history of Ireland. There are some tear-jerkers and lovely metaphors. For example the final metaphor of “snow falling faintly through the universe”, is a variation of the oft-used metaphor of flowers. How they bloom for a short period then die. What is new with this metaphor is that each snowflake is unique, thanks to the chaotic tumbling of water droplets through the atmosphere, just like how every live is unique. But all snowflakes much reach the ground some time and then melt away into nothingness.

[thespacehairandthespaceidiot]

1 - 19

Nat. You I hate you. But I love you. Ok, strap in. this will get a little long. Everything has wasn’t asked already.

1. Babyfic

Matt and Alex have a one night stand. Go their separate ways. She very surprisingly ends up pregnant. After a few more weeks, they meet for lunch. She tells him. He doesnt believe her at first but then is stoked. She’s worried about a lot of obvious things but cautiously excited. He wants to be around for the baby but also her, she’s not so sure. He promises to convince her to let them be a proper family. It kinda goes from there. It’s mostly in note form right now, but a good bit of it is pretty well mapped out. And the concept has been done a million times before but I’ve wanted to put my own spin on it for a long time. Maybe some day I’ll get around to it. We’ll see. 

2. Big Finish

Someone on here sent me a prompt after I asked for them (I don’t remember who rn, but I still have the email with the notification saved somewhere) to write Matt and Alex being reunited to record a Big Finish series together. They haven’t seen each other for a long while and all the pent up emotions and sexual tension come to a head in their off hours. They spend some time together and old feelings come spilling out and things get hot. Probably leading to extra flirty banter in the recording booth and hoping other people cant tell they’ve brought fiction into the world of reality. 

5. Luggage

Matt and Alex, traveling with the rest of the cast and crew to film in Utah, get off the plane, both exhausted beyond measure, and end up taking the other person’s luggage back to the hotel with them by mistake. Once Matt gets there, he goes rifling through what he thinks is his bag for a pair of joggers to change into and instead pulls out a number of things rather more frilly and battery operated than he was expecting to find. His mind, understandably, goes a bit haywire and suddenly, sleep is the last thing n his mind. 

(A bunch more under the cut)

6. MattexJournal

Matt has keep keeping a journal with stories he’s written about he and Alex, mostly of the filthy variety. After a night of running lines and an enjoyable dinner at Alex’s flat with the Team Tardis foursome the night before, Matt wakes up and can’t find the journal anywhere, soon realizing with dawning horror that  it must have dropped out of his bag and been left in Alex’s flat. He contemplates with dread having to go back to ask for his notebook back, but little does he know that Alex has already found and accidentally read enough to know exactly what is between the pages. 

7. MattexSims

This one is very cracky. Alex gets called back to set on a day the cast was supposed to have off. Matt volunteers to sit with Salome while she’s gone. But Sal is a kid who doesn’t need much supervising, content to sit on her computer and play the sims for the afternoon. Matt, never one for video games, asks her to show him what the game is about. When he realizes how easily you can play out your own stories with whatever people or characters you want, he gets the idea to make characters of him and his coworkers as a bit of a laugh. But soon he finds himself strting to play out a very not-true-to-life game with his and Alex’s characters that makes him start thinking about how to bring them to life. He just hopes Alex never finds out what he’s been doing with his very limited spare time. 

8. Moving

Matt has just moved into a new neighborhood. On his first night in his new house, he heads to his room to get ready for bed and can’t help but notice that he has a very clear view from his window into the bedroom of the woman next door and that she has the shocking habit of walking around her bedroom in the nude, despite there being no curtains on the window. There hadn’t been a car in front of her house all day, so she might not know the long-empty house next door has anyone living in it just yet. But when she shows up at his door a couple of  days later to welcome him to the neighborhood, he doesn’t know whether or how to mention the nightly show she’s been giving him without making her never want to face him again. 

9. Olympics

Ok this is also slightly cracky. I read an article during the last summer Olympics about how sex-crazed Olympic Village always is and how they organizers give out like 100,000 condoms to the competitors during the span of the event. So when Alex, the older equestrian likely competing in her last Olympics, gets dragged out to the party scene after a busy events and meets Matt Smith, the awkward but enticing 18 year old up and coming football star, she finds him a little hard to resist. A one night stand in Olympic Village with a much younger competitor is one thing, but in the light of day, when he wants to continue seeing her, how can she allow herself to indulge him when both of them have have the competitions of their lives ahead of them? And what happens if, when the end of the Olympics come, neither one of them feel capable of stopping?

10. Online Dating

I think I’ve explained this on here before but I have no idea where. Alex is convinced by her sister after a girl’s night in to set up a dating profile for herself on a site that keeps i’s users completely anonymous. No names, no pictures, no identifying information. Just good, old fashioned person-to-person talking and personality quizzes to determine compatibility. She indulges her sister but has no plan to actually speak to anyone on the site, especially as she’s heading back to Cardiff shortly to film a few more epidodes for Who. Until one message comes through from a very highly-compatible match who stands out from the boring or creepy messages she’s gotten so far. Meanwhile, back in Cardiff, Matt hears about the same site, and tired of random hook ups with women whose last names he doesn’t know or care about and relationships that head nowhere, decides to join up. He’s quickly disillusioned by it, until he comes across one woman who makes him think this idea wasn’t a complete waste of time. As the two start messaging each other back and forth, getting to know each other, they slowly starting to fall for the mysterious strangers on the other side of the computer screen. It’s too bad both are also contending with the enticing costar they see a work every day in addition to their new secret penpals. How do you reconcile feelings for two different people when one is unattainable and the other is someone who may never live up to the expectation you’ve built up in your head?

11. OverlookCaught

Matt and Alex have been together for a couple of years now, but they’re still very much a secret from the general public. They’re at a convention together and when they find themselves alone for a few moments, Matt can’t help but get a little closer than they’re allowed in public. She’s knows it’s a bad idea- who knows when someone might walk in?-but she cant resist giving into his affections for just a minute. When they head off to the last event of the convention, they think they got away with their little moment together but when video leaks online of her and Matt kissing just minutes before, all hell breaks loose. Suddenly the romantic weekend alone they planned after the con becomes about PR management and hard reconsiderations about the so-far rock solid relationship they’ve built together. This is what I’m actively working on right now. It was meant to be something short to get me back in the swing of writing but it’s a little longer than I planned. Still under control through and should be done soon. 

12. Pornstar AU

Matt and Alex are both relatively new actors working in the porn industry, disillusioned after their proper acting careers both failed to take off. When they get the assignment to make a film together, it’s just another job. But after filming their first sex scene together on day one, Matt recognizes Alex as his old drama teacher back home that he used to fantasize about. When he reminds her that they used to know each other, they leave set and grab dinner to catch up. Before they know it, they’re bringing the steamy sex scenes from work back home with them and falling hard for their screen partner. This was something @beware-my-sting and i were working on together. It’s fallen by the wayside for now, but who knows if one or both of us will get our shit together to continue it? Hopefully lol. 

13. Proposal

It’s their anniversary and Matt plans on popping on the question. He wants everything to go exactly right to give himself the best chance of getting Alex to say yes, but he’s worrying himself frantic and not much seems to be going right. 

14. Proposal/Meet the Family

It’s Christmas and Matt has been planning to propose. They’re in a pretty great place and he thinks he’s broken through Alex’s defenses enough that he’s not super worried about getting a no. But a last minute change of plans has them spending the holiday with his family. Who don’t yet know about Alex. So while he’s introducing his much older, long-term secret girlfriend to his rather surprised family, he’s also getting ready to make the biggest commitment of his life. He just hopes the weekend goes well enough to not ruin his plans of a happy life with Alex or his hopes of a close relationship between her and his family. The awkwardness and stress may be getting to him just a bit. I love fics that incorporate either of their families and the probably likely reality that the relationship would take a little getting used to by their relatives, but also don’t like ones when things are actually hostile between them. This will be written with them being confused and very concerned and awkward about everything but no one will be being mean to Alex. Cuz i hate that. 

16. StolenTardisFicathon

This is a River/Doctor fic for a ficathon I signed up for forever ago.I don’t even know which one anymore because I suck. But young, babyfaced Eleven has dropped off Amy and Rory for a romantic weekend together and is off exploring a strange planet on his own. He soon runs into the mysterious River Song who is in possession of his tardis, having obviously swiped it from him at some future point in time. As usual, he’s completely captivated by her but there’s a niggling thought in the back of his head, spurred on by talk of good men and murder and prison sentences, which whispers that maybe she’s just come from murdering him in cold blood before stealing his ship. That thought really should send him running for the hills, but he his feet refuse to move unless its in step with hers. 

17. Tattoo

Matt is dreading going back to set after a break a week’s break from filming. On the last night before he returned from Cardiff, he got very drunk and woke up in the morning sporting a tattoo on his arm. This would be bad enough, but the tattoo in question bears the name of his very captivating co-star. This this episode also heralding the return of River Song, Alex would be on set. It wasn’t like he planned to be taking his shirt off on set or anything, but if she were to somehow find out what he’d done, surely she’d never want to speak to him again. Or at least look at him with pity in her eyes at the obvious signal of his very unrequited feelings for her. He gets through the work day decently enough, but when Alex suggests running lines together and catching up that night, he worries he won’t be able to keep his shameful secret much longer. 

19. WeddingInvitation

Alex is getting married. The invitations have gone out and everyone has RSVP’d. Except for one very conspicuous person. She and Matt haven’t spoken in quite a while, their once close friendship fading into one of quick and impersonal birthday messages and not much else, but she did want him there to celebrate her wedding with. When she calls him to confirm whether or not he’ll be joining the rest of their friends from the show at her wedding, he’s cagey and non-committal until he breaks and responded with a no and a suspicious apology. It doesn’t take much thought afterward to figure out the real reason why he won’t be attending. After their time on the show together led to nothing happening between them despite the years of flirting and tension, she’d well and truly put the feelings she’d felt for him behind her and she’d honestly thought he’d also gotten past whatever feelings he’d harbored for her. Apparently not. Disappointed, she marked his as a no on the guest list and gets on with planning her big day. She’s surprised, however, when Matt shows up in town the week before the wedding with a confession and asks her to call it off. Maybe those feelings of hers hadn’t been as completely buried as she’d thought, but she can’t throw away a love and a life she’d been excited about only moments before for Matt, can she?

[evandorepart2]

about my novels. well i have lots and lots of ideas at all times. too many ideas. but most of them are usually reused concepts. basically just running one idea through my head til the point it breaks apart and i piece it back together and boom! novel idea. but i have three that im going to be focusing on.

the first one - funny enough is the only one that doesnt follow that format. it came directly from my brain and developed in a way that was so unprecedented that i have no choice but to write it out. its called Love To My Dear Yorick, its an experimental psychological horror and tragedy told in the second perspective told through a series of letters and play-like prose about a woman named Ophelia who can see ghosts, set during the midst of a cultural revolution. themes of identity / morality and mortality / the idea of being a Character. vaguely inspired by hamlet in the way of taking textual symbolism and motifs and butchering it for my own purposes. the summary is: your name is Ophelia. this is not your story.

^ very near and dear to my heart and i want to do my dear ophelia justice. i have many many thoughts about her and the story basically comes down to me wanting to tell her story but no one gets to know her but Me. she is not me but she is Mine if you know what i mean.

the second one is completely tonally different and was a culminations of ideas ive tossed around in my head since very young. its a urban fantasy young adult novel with the Main goal of course being to tell my story but to also have it. Meaningful. in a way i dont think a lot of ya achieve nowadays. its called To The Sea. it follows a third generation selkie who sets off from home to discover her family, history, and self with the help of a blind seer claiming to be her best friend. it has heavy themes of family and that feeling of a lack of belonging and the need to 'discover' yourself. its probably my most...clear? novel for lack of a better term. theres not much experimentation in terms of the contents itself and im going to be fairly straight-forward with it.

as well as finally get out my very complex and long thought out selkie lore ive been developing over the years under the idea it existed in our world and what the affects of human influence would Do to it. anyway.

the final one is...for lack of ability to explain in a less pretenious way- an experimental speculative fiction antinovel. its existential horror. the working title is What Do Rabbits Do When the Wolves Come? which may or may not be changed. its the least planned of the three in the way i have No Idea how i am going to tell it. i know pretty well whats going to Happen but the actual..getting that across is going to be fairly difficult. it follow a young girl named Bunny who wakes up with no memories of who or where she is. shes joined soon by another who functions as a caretaker in their strange world of layers and machines and cult-like groups of surviving humans. things arent as they initially seem of course as Bunny ventures into discovering the truth of this strange world by venturing deeper down. themes of reality / capitalism and religion / defamiliarization.

i want to heavily experiment in the presentation and writing of this one which is honestly going to be quite difficult as i ascribe heavily tp patterns and forms but i just want to have fun and play around lol

so ummm yea those are my things i want to write ^_^ or at least the Big Ones in terms of like. novels and stuff hehe i like them all but love to my dear yorick is definitely my favorite in terms of. i am just hopelessly in love with ophelia. she is so so tragic and deserves so much more than she got...i mean i am the author i can change things but of course not lol but i do actually have a dedicated sideblog for the story which is @/ophiliatic where i keep track of like. insp stuff so you can def see what im leaning towards tone-wise