#is it plausible? not really

[eldal0te]

Gil-Galad origin story of the day: he is the son of Finrod and Amarië. Or rather, he is the son of Finrod and Edrahil.

We are told that Amarië wanted to follow Finrod into exile, but was not permitted to. So she didn’t. In the general confusion that occurred, I imagine it would be easy for someone to disappear (Amarië is angry now, she is just ignoring everyone, give her a moment and she will come back, right?). Nobody hears about Amarië following Finrod, it’s Edrahil who follows him instead (by the time her family realizes what happened they are already on the ice). Is Amarië pretending to be a guy because it’s easier at the moment? Is Edrahil a trans guy who used that moment to come out? Who knows.

When Beren comes to Nargothrond, Edrahil decides to follow Finrod into the danger again. The moment he picks the crown and asks Finrod to choose the steward it be given to, he also asks him to choose the guardian for their underage son. 

The events of Tol-in-Gaurhoth are already one of the most dramatic moments in Silmarillion, let’s make them even more depressing by making it the moment Gil-Galad loses both of his parents

[birdmenmanga]

they are putting yaoi in the city art museum and censoring nsfw content with heat-responsive material so you have to put your hands on it to see dick

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[araneapeixes]

in the bathroom at the gay clubbbb

[lesbiansagainstdnp]

okay we went for vegas over marriage for brighton night two. however, dan did say after his story about setting a box of pizza on fire in the oven that he’ll make a terrible wife someday so

[actual-haise]

I love how the dragon in Dungeon Meshi doesn't have the usual lizard-y limb anatomy but something more along the lines of a large land mammal or even a sauropod +500 points from me (also the way the fire breathing is explained is in line with a lot of spec evo stuff, cool)

[plausible-possible-perhaps]

Revisiting my [Reevesverse] Babs design

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[fury161]

im sure this has been done but im doing it anyways. fruk mer x pirate au

[herrscherofmagic]

came across this post on tumblr and was like "dang that kinda reminds me of Kiana" so i made this out of it

tho the original post was about IRL stuff, so it feels a bit weird making it into a silly fictional character thing x-x

[kaiserouo]

let them use social media

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[jewomens]

I just want to take a second to say that - regardless of what people think of the ending - it was incredibly ballsy of Neil Gaiman to take an ambiguous and inoffensively queer relationship that half the fandom denied existed, and make the romance and love between them so obviously canon. That kind of easily deniable queer relationship is common, and it was super refreshing to have an author actually be willing to alienate part of their audience in order to be true to the characters and take a definitive stance.

The fact that he managed to do that while still preserving that delicate tenderness everyone loved about them to begin with is everything I could’ve hoped for tbh.

[kaban-bang]