#is it a normie thing where its like 'finally something to reflect my identity as a guy who likes potato chips'?

[unopenablebox]

why do people collect squishmallows. 1 usage-wise are they mainly a pillow or a stuffed animal or a third thing 2 arent they incredibly spacefilling given that its a big sphere. how do you fit 9 of them in your home comfortably. is this just a hobby for non-renters

[robedisimo]

Deadpool from script to screen: what we were getting vs. what we got

Standing as we do a year after Fox’s Deadpool hitting theatre screens – with it having become one of the highest-grossing films of 2016 in the meantime – the time may be right to reflect on one topic I haven’t seen discussed as much as I’d have expected upon the film’s release: namely, how does the finished product stack against the script draft that had been leaked during the extended period of time the movie spent stuck in development limbo?

What follows is a brief account of what changed from the original script to the product we got on-screen, going over not just what changed but also why it changed. How does the final version stack up against what could have been?

LESS MONEY = LESS ACTION

Deadpool was not written to be a particularly cheap film, but in the end it was precisely that: with a production budget of $58 million, it’s by far the least expensive entry in the X-Men franchise, even cheaper than the original 2000 movie, which clocked in at $75 million (and a lot more when adjusted for inflation).

This, of course, because of the studio’s doubts about the film’s marketability given its questionable content and hard “R” rating. Since then, Deadpool’s success has opened the door to more R-rated superhero adaptations such as the now-opening Logan, which in turn runs on a $127 million budget.

In practical terms, a smaller budget meant a massive reduction of the film’s action side: the opening set piece on the freeway was originally bigger and almost twice as long, a lot more action was supposed to happen in the middle of the film, and the escalating climax was supposed to be a veritable cornucopia of bullets, explosions and sick fighing choreography...

... all of which was of course sabotaged by Wade forgetting his gun-packed duffel bag in the actual film – one of a few moments in which it’s kinda hard to tell whether badass action was sacrificed for the sake of comedy, or the comedy itself is there to cover for a lack of funds.

PASSING THE BECHPOOL TEST

The first thing that leaps to the eye while going through the script after having watched the finished product is the conspicuous absence of two characters that feature more-or-less prominently in the final draft: Negasonic Teenage Warhead – Colossus is the only X-Man appearing in the original script – and “Angel Dust”, Ajax’s super-strong henchwoman.

The inclusion of both these characters is easily explained by an understandable desire to add a couple more female roles to an otherwise heavily male-centric story – never mind that the proper movie doesn’t actually pass the Bechdel test, as no female character ultimately interacts with another – by throwing some variety into the mix, which is a commendable thought.

The most egregious product of this policy being the strange screen adaptation of the Negasonic character, who only shares the name with her psychic-powered comic counterpart: her power set in the film making more a gender-swapped version of Cannonball, if anything. Which brings us to...

A DAMPER ON SUPER-POWERED FUN

I think most comic book fans will agree with me that Deadpool is at his most entertaining when right in the middle of Marvel’s panoply of colourful characters, where his violent and irreverently trope-aware narrative style can shine all the brighter by stark contrast with other heroes’ more conventional streaks.

And yet the film was rather low on super-powered spectacle, even joking about how it “couldn’t afford another X-Man”. The original script, however, played at a higher level by giving prominent roles to a then-expunged trio of Ajax henchmen: Garrison Kane, a cyborg whose bionic arms turn into rocket launchers and flamethrowers; Sluggo, a colossal, superhumanly-strong brute; and Wyre, a mutant whose fingers produce inorganic filaments to whip or strangle his enemies. The Angel Dust character would eventually inherit Slug’s strength – as well as his role in the climactic Colossus scrap – and Wyre’s plot-crucial matchstick-chewing schtick.

Now, this ties into a strong impression left upon me by the Marvel/Netflix television franchise: namely, that comparatively lower-budget productions tend to have a very small pool of go-to clichés when it comes to depicting superhero action, revolving mostly around super-strength and explosions. The reason is simple: they’re both really cheap effects, as inhuman strength can be easily portrayed by means of lightweight, brittle props and attaching wires to any stuntman who’s meant to be tossed across a room. It’s no surprise, then, that Luke Cage, the upcoming Iron Fist and Jessica Jones all feature characters with stock super-strength, the latter with the addition of a villain who’s super power is just to... talk to people, something very cheap indeed.

And so we end up with complex, spectacular villains replaced by a routinely super-strong hench-girl and a teenager whose power is to blow herself up. The unexpected consequence of this choice is that our hero finds himself “challenged” by nothing but simple humans throughout the movie, which makes his triumphs entirely unimpressive. This is at its most evident in the actual film’s climax when compared to the original script’s third act, in which Deadpool has to defeat Kane – as well as an army of heavily-armed mercenaries – before getting to big-bad Ajax. It’s a long sequence in which Wade’s fighting prowess is highlighted at every turn, against insurmountable odds and super-human foes.

Conversely, what we got in the movie was Wade casually offing a handful of faceless normies and then going on to face Ajax, who – it bears saying – is clearly the least impressive of the only two antagonists in the movie... and even then not really managing to steal the win until he gets some accidental help. Not a particularly good show on his part, and not a particularly memorable action sequence, when all’s said and done.

Will this change in the sequel? The inclusion of characters such as Cable and Domino would suggest as much, as does director Tim Miller’s departure over “creative differences” concerning the studio’s unwillingness to keep the second film small and low-budget. Whether this will mean an improvement over the first instalment remains to be seen.

LESS OF A PSYCHO, LESS OF A HUMAN?

The way Deadpool is depicted varies a great deal from the first-draft script to the released product – in the script his disfigurement isn’t consistent with the comic design, as he’s described as horribly scarred but still retaining his hair, his scars being the result of the experimental surgery performed on him rather than outright mutation – but it’s arguably his inner portrayal that differs most from that original write-up, way more than his exterior.

This is exemplified in three moments throughout the script: first, a scrapped montage featuring Wade visiting increasingly-shady “alternative medicine” parlours, ultimately ending up in a fradulent psychic surgery shack in Mexico. Here he shares an earnestly empathetic moment with an elderly cancer patient, only to later murder the charlatan “doctor” by ripping his still-beating heart out.

Second, a brief scene in which he mercy-kills his fellow Ajax victim “Worm”, an entirely-unnamed character in the finished film whose fate is there mostly ignored. And lastly, a whole mid-movie montage revolving around Wade’s repeated and varied suicide attempts after escaping Ajax’s “workshop”, again scrapped from the final draft of the script.

In the actual movie, the latter montage is replaced by the one detailing Wade’s killing spree as he goes through Ajax’s contact list. All in all, the final script doesn’t back that far away from Deadpool’s violent, even sadistic nature, but it certainly focusses more on the lighthearted side of it than on any semblance of actual human pathos and emotion. Which leads us to my next point...

MORE SEX, LESS (MEANINGFUL) VIOLENCE

The final version of Deadpool is more a comedy than an action movie; the original script is indeed filled with jokes, but there’s no doubt that the version we got to see tipped the scales decidedly in the direction of laughter, and all clues point to the cast being largely responsible for that.

This brings us back to my previous mention of the recent break-up between director Tim Miller – who reportedly aimed for a “stylised”, small-scale sequel – and lead actor Ryan Reynolds, who on the other hand wanted a “raunchy comedy”... which, it’s reasonable to expect, is what we’ll ultimately get now that the man got his way.

The comedy in the film is similar to that of the original script, save for a couple adjustments: one, the script was more comic-oriented in its references, while the film includes way more nods to other superhero movies; two, the amount of sex jokes and general toilet humour is decidedly higher – in no small part, I’m sure, due to on-set improvisation on the cast’s part.

One joke that didn’t make it to the final draft is an entertainingly bizarre running gag revolving around Wade having chosen Amy Winehouse as his pick for the “Dead Pool” betting board, leading to a series of brief cut-away scenes throughout the movie in which the singer goes through all manners of ridiculous near-death accidents. This was obviously perceived as in too poor taste after the artist’s actual death before the film could start production.

In my review of the film I made no secret of my general unimpressed feeling towards the constant barrage of Seth Rogen-like scatological humour, but there’s absolutely no denying that it was likely an important factor in the movie’s commercial success, as well as a solid contribution to the cause of lending the product a distinct identity of its own.

CONCLUSIONS

Call it a case of sour grapes if you want, but all in all the version of the Deadpool movie that emerges from the original script is the superior one, at least where my personal taste is involved. The one we got to see is definitely recognisable as the same film, but there’s a good deal less of it in several departments.

It would’ve been interesting to see this never-produced “writer’s cut”, evidently axed due to the studio being too doubtful about the project’s commercial prospects to invest all the money the script begged for. You can read it over here or by putting a little effort into a simple Google search.

[courage-a-word-of-justice]

Reflection 12 (FINAL) | Netjuu no Susume 1 | Mahoutsukai no Yome 1 | Code:Realise 1 | Kino’s Journey (2017) 1 | Dynamic Chord 1 | Houseki no Kuni 1 | Anime-Gataris 1 | Idolmaster Side M 1

Kekkai Sensen seems to be off limits, even when I try to comprehend the relevant JavaScript after dodging region lock. Grr…I spent and hour and 30 mins just trying to figure out that code!!! Oh well (dejected tone), at least I have Classicaloid…

Reflection 12 (FINAL)

Oh please, X-On. Fighting fire with fire is the worst thing you can do. Haven’t you learnt that over the course of this show?

Gahhhh! Finally, the magical girls have arrived! Thank you, Stan Lee!

Wowee, that was some concentrated sound, so to speak.

Well, that’s just original, y‘know? Pyramid. In the desert. Whoop-de-doo.

Rule number 14138008 of crime-fighting: Always make sure you have a backup in case someone uses yorur kryptonite against you. Or in this case, a superpower-stripping technique.

I don’t think X-On’s become one with the Darkness yet. He has some flippin’ plot armour on his side, after all. Why haven’t any of these guys succumbed to the ageing process yet?

Well, I got my answer to my previous question, but how did vision!Eleanor appear, anyway?

Wait…wait. I knew he had plot armour! Argh! X-On! What the heck did you do to deserve plot armour???

Oh, the magical girls are part sentai and part actual magical girl. Notice they have kanji across their chests for their associated element.

“Why won’t you accept Darkness’s darkness?” – Okay, “Darkness’s darkness” is a bit too redundant, y’hear?

Wait…wait. Ninth Wonder only had 4 members??? Wat. Then Ian goes and undoes all their hard naming work by calling them by their real group name, dangit. You ruined a perfectly good magical girl show, Ian.

They didn’t even put in the crack on X-On’s helmet…head…thingy.

Okay, I am so confused…Guh. Thank goodness it’s over.

Netjuu no Susume 1

I like the rare stories where a girl transforms into a boy for non-hentai reasons. This is the closest anime I’ve gotten so far to that concept, so…yay, me?

“Recommendation of the Wonderful Virtual Life” and “Recovery of an MMO Junkie” mean two very different things on the same topic. What was happening in the localiser’s mind when they created this title for the English-speaking audience???

That scene where Moriko collapses on her bed…for some reason, someone was watching a show with the Moonlight Sonata in the background, so now I think MMO Junkie is sad. (Which is probably wrong.)

Oh, by the way. The –juu in Netjuu gives the word a special kind of connotation. A riajuu is what’s known as a normie, or a non-otaku, non-gamer sort of person. A netjuu must therefore be a net addict. Kiznaiver taught me that.

“I chose the NEET life.” - I know that feel, Moriko.

Oh, they even gave Moriko’s character Saiyan hair for a moment, LOL.

Okay, here’s a pun. Mori (forest) is 3x ki (tree) and hayashi (grove) is 2x ki. That’s using the kanji, though.

The guy with the glasses looks like a dude from Occultic;Nine. I have bad memories of that show because of Ryouka…er, big knockers girl.

Owee. I once joined an RPG because of some IRL friends but I forgot to ask them what group they were in, and so I was a solo quester…so I know that feel, Moriko.

This is based on a Comico manga, so the designs are simple to draw and they were originally in colour, so they just needed to be reworked for animation. See? Backing Comico in my Superstar wa Nemurenai days wasn’t such a bad idea, now, huh?

Himeralda? For a guy character? Well, that broke the gender barrier.

Christmas is a holiday for lovers in Japan, so I suspect it’s something to do with that.

Lawson -> Cowson, LOL.

Despite all the obviously still motion shots, I’m really enjoying this. Why does it have to be 10 eps??? (By the way, why didn’t I get Kekkai Sensen??? Dangit, Funi!!!)

Oh, this is so adorable! Lily even dressed up and Moriko got her chicken! It’s such a heartwarming Christmas for these guys.

These transitions, while not original, I find are really cool. Not Disney-level, but still inventive. Also, that green dot is definitely Hayashi and the pink one Lily.

LOL, Lawson was a sponsor this ep, it seems. Had I paused a little later, I would’ve missed its credit!

This is a keeper for sure. I’m just disappointed about the short ep count (due to the nature of Comico)…and Kekkai Sensen, uwu…

Mahoutsukai no Yome 1

Le hype. That’s all. I’ve been watching 1 – 2 eps per day (for these first eps of the fall season) and since the weekend is so full of good shows, I don’t know how people can watch entire seasons like this…As for my take on this show, it’s pretty and well-received after the OVA and advance screening, so hopefully this will deliver. I’m not an AMB manga fan by the way.

It’s normally a bad sign to start with an OP, but it shows off the animation, so I’m not complaining.

The English title shows how interconnected the world is these days…it’s kinda scary, actually.

Chise looks lke a bride here, or she’s on her deathbed. Both symbolic meanings are applicable.

I never thought Japanese people would be able to capture Western elegance so well.

The chibi-ish style doesn’t suit such a serious show. Are these chibi-ish sections also part of the manga?

I thought the woman with the bonnet was called Silky? Not Silver? The promo materials all say “Silky”, and the OVA did too IIRC.

I think the biggest descriptor of this show is “whimsical”.

Historically, fairies lure people into Fairyland like the stereotypical portrayal of sirens, and they’re not as benign as my portrayal of them in One Wish They Never Wanted.

The irony of a dog-face skull calling you his puppy. It really brings an odd sense of humour to this show.

Welp, that’s another safe keeper. I’ve being quite definite about my choices, as you might have noticed, since the weekend is positively overloaded with shows (as I mentioned earlier).

Code:Realise 1

It’s an otome game adaption. They don’t always go down well, but it’s worth a shot.

Isn’t it “London Bridge is falling down”?

CR seems to have forgotten to title this ep “London Steam” on their site.

Well, they’re guards. Y’think lowering their guard would’ve been a funny pun, at least if this were dubbed in English (which this will be…eventually).

Ooh, so this plain bishie is Arsene Lupin? Me likey.

Like, seriously, Where are this tiny spark-star-thingies coming from?

Impey…who? Update: Google (plus previous spoilers) tell me that Impey is Impey Barbicane, accomplice to Lupin.

LOL, I’ve watched me too many Kaito Kid heists. Me likey, once again. However, the thing I don’t get is the voiceover. Couldn’t Lupin have actually said these lines instead of putting them on voiceover???

Gahhhhhhh! This eyecatch’s bishie has such horrible eyes that they burn mine! Get me out of here!

How does Impey know Cardia’s name??? Update: You’ll get the answer later…

It’s a few generations too early for a man to go to the moon, LOL. Poor Impey.

Victor…well, I never. Anime really does cover everything. Plus, Frankenstein ain’t his monster in this one, which would make Mary Shelley proud.

Hey, Kaitou (Phantom Thief) Lupin is one thing but using your real name as your kaitou identity is taking it a bit far. Sure, there was Kaito Kuroba, but at least he was Kaito Kid as well.

Sheesh, the Horologium sounded like nuclear power before Lupin explained it was Cardia’s heart…that would’ve been tonnes scarier, had Cardia been a nuclear monster.

LOL, Lupin’s so tsundere! Hahaha…

Oh please. Don’t let the vampires steal away Cardia (LOL)!

Victor being pegged as a terrorist has something to do with Isaac, right?

Lupin’s so effin’ short. No wonder he stands in high places when he lords over the British Army, haha.

Smol corgi with cyborg leg is probably my new dog aesthetic, haha. Plus top hat. I like top hats.

Shouldn’t the corgi have died when Cardia grabbed it though, or was that because of its leg?

The rainbow transition was a bit much, but okay. I can live with it.

So smol corgi is called Sisi? What a weird name.

It’s…not bad, I could probably watch until the end. However, the colour scheme seems to be “bright” with these recent female games (see Sengoku Night Blood for another example of what I mean). Well, since I said that, it’s a keeper. (I think the random James Bond-esque scene involving shooting guns then being in front of an explosion in the ED sealed the deal though, LOL.)

Kino’s Journey 1

I’m a noob to the world of Kino, so please don’t spoil me on anything you’ve seen in the previous adaptations! All I really know is the shtick: Kino is neither a guy nor a girl. They stick around in a country for 3 days then leave. They have a talking motorbike named Hermes…that’s pretty much it.

Lerche? On Kino? Y’think someone else could’ve done it better? I feel like a washed-out, subdued feeling would suit this show best. However, these words are coming from a Kino’s Journey noob, as I just said, so disregard me if you want.

Mori no naka de…b? What’s the “b” for?

A few times when they say “country”, I imagine a sea. That makes sense, considering it’s the sea that separates a lot of us.

How does Hermes talk???

Hermes is CGI. Trust my eyes, they’ve seen a lot of CGI for their time.

The gun is called Cannon? Wuh? The other gun is called the Woodsman? Wuh wuh???

A motorrad appears to be a motorbike, but…okay. It’s a BMW make of motorbike. Like a Ford Gran Torino.

*Kino points the gun* Whoa! What a fakeout!

Kino is CGI sometimes, too, it seems.

Those cows seem to be angry at Kino for some reason…

Why does no one question the talking motorbike???

Oh, I see. That was what I suspected from the moment the rifle was shown in the store. Public order is good here because people simply turn a blind eye.

I think Kino hopping behind Hermes should’ve been 2D. It’s not fluid enough in 3D…not quite yet to convey a proper sense of action, but enough to create a sense of disquiet. (Which is what I believe the show wants, so I’ll take my words back for the moment.)

“Ow!” is an understatement, considering it (the arrow) must’ve severed a muscle or two.

Ah, loophole. I didn’t see that coming.

Whoa. What dramatic irony.

I swear they recycle parts of this footage over and over again. I’m getting dejavu.

Hahaha, that crepe ending was funny. It wasn’t an ideal way to finish such an unsettling episode, but it was a good punchline.

Well, I think this is going to be really repetitive, so I’ll put it on hold and roll the next show up.

Dynamic Chord 1

More Ume. As an Ume fan, I’m spoilt for choice this season.

Cherry blossom opening is probably a bad omen. It’s probably the most cliched opening you could go for.

Holy eye colours, Batman! “That yellow should not exist as an eye colour,” is all I’m saying.

Honestly, this is the least gripping band/idol anime I’ve tackled all season. If they’re just going to be angsty in the rain, they should’ve been one season earlier because I would’ve taken this over The Reflection or In Another World With my Smartphone, laser eye boy be damned.

Wait, is pinkhead in the car or out of it? Update: He’s in a convertible. So it’s a yes and a no.

That metronome transition was pretty bad. Really hamfisted.

That transition away from the metronome, I couldn’t even tell that was a transition!

Aw gawsh, spare me. This looks like one of those ads you see play between shows on TV channels without company sponsorship. Or an only-half-decent MV.

I think they’re trying to be Dark and Edgy (TM) in comparison to, say, TsukiPro, but that was better than this.

Extended Pans for No Reason Whatsoever (TM)! Also, Bumblebee car. I’m having fun ripping this show apart, man. Now I see the real quality of Hatewatches (with a capital H), but it’s only been 5 minutes...

Dual eye colour boy (Reon), oi. You really didn’t do anything. Don’t give yourself unnecessary credit.

Bumblebee boy has way too long eyelashes, by the by. Did I ever mention that?

At least they justified the previous shots. That one there, at about the 6 minute mark, was not justified.

Based on Dai Murase (Ume’s role in TsukiPro), I thought the Kyohso doppleganger was gonna be Ume, but he thankfully got someone more attractive (Kuro of apple polisher). I still don’t like the name apple polisher though, how the heck did that name “get popular overseas”???

The camera shakes sometimes for no reason at all.

Reon seems constantly grumpy for some reason…

C’mon…this production is visually quite junky. Admit it.

Please don’t make this another ad fakeout. Only play your cards once for a certain trick…

Pink and blue eyed boy looks like a villian, but he’s probably a “hero” in this story.

This is probably a music video, but if I wanted a music video, I’d go to YouTube. Not an anime, unless it were an anime musiv video (a proper one, not an amateur effort YouTube Poop).

Wait, they spent 5 minutes just showing us a music video? It was pretty bad, so of course I noticed it in a bad way.

What is up with black and blue guy’s hair? I thought bumblebee guy was bad enough.

Sometimes removing the volume is all you need to figure out if an anime is good, since if they cared about their visuals and plot enough, then they wouldn’t be relying on shots of dudes rocking backwards and forward so much.

I get not all band people are singers, but still…bumblebee boy, if you’re so willing, why not you take Reon’s place?

Wait, so pink-haired convertible boy is the famed Yorito??? Dorito, more like it!

If the animators for this show were any good, they’d animate the fingers when the guitarists play. I’ve seen people play the guitar before. I used to take music classes. Geez, Pierrot. Stop skimping.

Another Skimping Technique (TM) – Speedlines in Replacement of Actual Motion (sic).

Too bad Dorito’s skipping practice, eh, Reon?

C’mon, Dorito. First it’s an angsty rain scene, now it’s an angsty shower scene? You don’t even look half hot here. Or half wet, for that matter.

I know anime is meant to look flat, but these sections I’ve been calling “music videos” are…superflat, to give them a name. They look like paper overlaid on the anime background, with little to no real animation being done, and that’s why I’m giving this show such a bad rap.

All that angst…for this? It seems a little anticlimatic, is all I’m saying.

Well, I made it through one episode. It’s probably not as bad as I made it out to be, but I do hatewatch picks for my own pleasure and this just became one of them. Onto the drop pile it goes…

Houseki no Kuni 1

This is the last debut of the fall season, at least until someone hands me Kekkai Sensen. Okay, here’s the story about why I’m here: I heard good things about Steven Universe in my home country, so I went on a trip and tried some Cartoon Network there. Thing is, Steven Universe didn’t resonate with me as much as I thought it would. Therefore, to take the concept and turn it into a real anime – would that do it for me? Let’s find out.

Hmph, I had the sound on this time and I had the feeling all the gems were voiced by women. Like Steven Universe.

When they said “sunspots”, they…uh, kinda meant it.

I feel like Master Kongo’s VA is a bit too soft. Otherwise, this show is pretty good.

Whoa. Seeing Phos shattered like this and still conscious must be freaky. Makes for some good body horror, eh?

Well, this show has some excellent worldbuilding. That’s something I haven’t said in a few seasons…in this simulcast commentary, that is. Made in Abyss has good worldbuilding too. The only problem with this is…where did Phos’s gloves come from?

The eyecatch seems to be in English. Like Princess Principal last season.

The echo, I think, had a worse effect this time than when Kongo destroyed Phos.

“Don’t use that hand!” - LOL.

So Cinnabar’s poison creates amnesia and (an indirect need for) amputation, eh? What a duo of afflictions.

Well, it’s…actually pretty good. Let’s press on.

Anime-Gataris 1

I actually wanted to pass on this, but after seeing Karandi pass judgement on its second episode and seeing a Haruhi reference, I decided I would pass a judgement on it too. Well, it’s an anime about anime. What do you expect, really?

Hahaha…Oarai is known for being popularised by Girls und Panzer, so Galtan is short for Girls with Tanks.

Haritaro = Hamtaro, Dezumon = Digimon, PreFae = PreCure. Haha, it’s an anime watcher’s paradise of parody anime!

“Double riding is illegal.” - I think that’s a reference to the first episode of Gekkan Shoujo Nozaki-kun and the tandem bike.

Fish??? Wuh???

Aw. That fakeout, I was hoping for it to be A Certain Magical Index or something.

Geez, typical School Council Pres with optional Ethereal Glow. Now available in Blonde too, it seems.

Sebastian Michaelis right there.

The teacher just did the flippin’ Ringo (from UtaPri) intro! Holy gender-barriers, Roppongi is a man??? Why I don’t react like that to Ringo, I’ll never know.

The “I should go by myself” bit is also from UtaPri, IIRC. The bit where one of the boys reveals he’s actually the star Haruka likes.

Obvious Chuunibyou with extra Fake Magic. Geesh, if it weren’t for the anime references…I really wouldn’t be covering this…

That’s my face when people talk about anime, LOL. Hero School = Boku no Hero Academia while R:Zero is Re:Zero.

Shika = deer, hence the weird deer. I don’t know what the references around the Shikabari one are, though, including the fence jump.

You picked a fight with the wrong anime lover, Anime-Gataris (I specialise in recent anime, for obvious reasons)! Tamukeda = Tanakeda (Tanaka-kun wa Itsumo Kedaruge) and Toramiko = Kumamiko. Clearly someone doesn’t remember that Kumamiko was a controversial flop, anime-wise.

Bakusou = Bakuon. Therefore, Shikabari is probably��Kiznaiver? No, it’s Kabaneri. That’s the best match, considering we’re talking about spring 2016. Time Travel Shonen = Time Travel Shoujo. Still don’t get the fence jump though.

Kyou Kara Sessha Wa!! = Kyou Kara Ore Wa!!, where “sessha” is an pronoun for…I think it’s older males. Angel Story = Angel Legend (Angel Densetsu).

The OVA references went over my head again…

Gachiemon = Doraemon, naturally. Nobue = Nobita and Karashi = Takeshi (Gouda). Well, while looking for the Gachiemon movie, I found Reddit spoiling it all for me. Refer to it if you don’t want me doing it for you, because I’m going to...ignore it! Haha, you thought I was going to use it as a crutch now, didn’t you? I like this challenge.

The dog one is A Dog of Flanders, Everstrike is Evangelion. I thought the Cinnamon Roll one would be the not-often-mentioned Powerpuff Girls anime  but Reddit says it’s Dragon Ball??? Autumn Wars = Summer Wars.

Light music club = K-On, classical literature club = Hyouka, NJ club = GJ Club.

The cover of this magazine appears to be Newtype or Animage, which I think both started around the 70s or 80s. That’s definitely Urusei Yatsura on the front, though.

The Girl who Slept Through Time = The Girl who Leapt Through Time and Replica…Paprika, perhaps? (Think I was recalling Reddit there.)

Is that…a Boueibu reference?! Or is that just a cliché…? (If it’s a cliché, I’d feel sad, man.)

I feel like the video quality seems to warp a little at infrequent moments. It’s quite disappointing for a 2017 anime to be suffering from strange visual problems like that.

There’s a KonoSuba poster…sort of.

Maria Clara doesn’t look like anything I’ve seen although it does kind of look like Hatsune Miku or Elsword.

Dang that fakeout, I thought she meant the beret.

I feel like this is best binged to get at all the references, so onto the on hold pile it goes. I think its plot will be cliché but its references are the best thing about it.

Idolmaster 1

Time to thin out the herd! This’ll be tough, since all the contenders I’ve kept have the potential to be great.

The pun here is that 315 (saikou) can mean “the highest”, or in this case, “the best”.

The eyeless producer (and Saito, by the by) was probably a bad idea.

Hey, it’s a 315 business card!

The cardboard boxes say “Bear Mark Moving Company” (Kuma no Ma-ku no Hikkoshi Kaisha).

Ooh! I like ponytail boy. I have a thing for bishies with ponytails.

“Handwriting” is probably the wrong word for a typed contract, CR subbers.

An odd juxtaposition between lawyer (or any other job) and an idol. That’s what piqued my interest about this idol anime specifically – because there is clearly going to be some dirty stuff that comes to light once characters have debuted as idols, and the more disconnect between the past and the present, the more the paps are gonna eat it up. At least, that’s my thoughts, having written Half-Paid Heroes. (I’m currently not sure if I should continue on HPH though, since I had a fight with fellow Honeyfeed writer Aura…).

Nice shirt, Teru (LOL).

When Kaoru broke the cheery atmosphere, Teru’s shirt suddenly said roiya (“lawyer” in katakana, transposed to hiragana).

Dandou literally translates to “male way”. It’s actually hilarious since it sounds really macho…in a bishie show intended to capture a female audience.

“I want us to work together…”

Does this producer have a name? I get the feeling he doesn’t. Maybe, instead of that woman producer they were hinting at at the end of Side Jupiter (was that a woman?), it was this guy.

Sakuraba’s being kind of awkward on the side with his fistpump. I like him.

“Then from now on, the three of you…”

If you know me from Boueibu, you’ll know the line Saito says should actually be “Boys be ambitious”.

The board up the back of the Dramatic Stars’ party says “Celebrate! Dramatic Stars’ Formation”…or something like that, anyway…(Happoro beer, LOL.)

Oh, it’s Hokuto, Shouta and Touma from Jupiter.

It’s this shot from last episode. Oh, okay. It’s kinda like Death Parade in that there are two backstories leading to the same ending shown in ep 1.

What’s with those 17 badges, guys???

This frog mascot looks kinda funny in a (LOL) sort of way. I think Ume’s character will be in a unit with the shota that likes this frog mascot, so…good on me.

At least “Drive a live” doesn’t sound as bad as “Burny!!” or “Crazy Baby Show”, namewise. It does, however, sound like a slogan for a drink-driving government prevention scheme.

I think Ume’s character is the guy behind the counter, although I’m a bit sketchy on that. We’ll see in a few eps.

I think I’ve probably been missing out on something by not listening to the trio with the music. Even though I threw the others out based on visuals and plot, an idol/band show is nothing without its music, so I’ll put Idolmaster on hold so that I don’t become too attached to any of the trio and maybe someday I can evaluate TsukiPro vs Idolmaster better.