#iranian graphic designer

[opoloop]

Sadegh Hedayat ::: The Blind Owl

[chahab]

[susannatosatti]

[usafphantom2]

The SR-71 crew who training in anti-SAM tactics left a 5-mile-long contrail in the stratosphere after dumping fuel for 10 seconds to see if the afterburner would ignite the fuel trail

The Blackbird

The SR-71, unofficially known as the “Blackbird,” is a long-range, advanced, strategic reconnaissance aircraft developed from the Lockheed A-12 and YF-12A aircraft. The first flight of an SR-71 took place on Dec. 22, 1964, and the first SR-71 to enter service was delivered to the 4200th (later 9th) Strategic Reconnaissance Wing at Beale Air Force Base, Calif., in January 1966. The U.S. Air Force retired its fleet of SR-71s on Jan. 26, 1990.

CLICK HERE to see The Aviation Geek Club contributor Linda Sheffield’s T-shirt designs! Linda has a personal relationship with the SR-71 because her father Butch Sheffield flew the Blackbird from test flight in 1965 until 1973. Butch’s Granddaughter’s Lisa Burroughs and Susan Miller are graphic designers. They designed most of the merchandise that is for sale on Threadless. A percentage of the profits go to Flight Test Museum at Edwards Air Force Base. This nonprofit charity is personal to the Sheffield family because they are raising money to house SR-71, #955. This was the first Blackbird that Butch Sheffield flew on Oct. 4, 1965.

During its operational lifetime, the SR-71 provided intelligence about the Yom Kippur War in 1973, the Israeli invasion of Lebanon in 1982, the US raid on Libya in 1986 and the revelation of Iranian Silkworm missile batteries in 1987. The USAF ceased SR-71 operations in January 1990.

Throughout its nearly 24-year career, the SR-71 remained the world’s fastest and highest-flying operational aircraft. From 80,000 feet, it could survey 100,000 square miles of Earth’s surface per hour.

SR-71 crews anti-SAM tactics

In 1968 the SR-71 crewmembers spent most of their time in the crew lounge, discussing anti-SAM tactics.

As told by Paul Crickmore in his book SR-71 Blackbird (Combat Legends), as the 9th Strategic Reconnaissance Wing approached the time when they would be flying out of the country at Kadena Air Base, Okinawa.

The SR-71 crew who training in anti-SAM tactics left a 5-mile-long contrail in the stratosphere after dumping fuel for 10 seconds to see if the afterburner would ignite the fuel trail

This print is available in multiple sizes from AircraftProfilePrints.com – CLICK HERE TO GET YOURS. Dawn at 80.000ft – SR-71 Blackbird

The plan was to penetrate enemy airspace at Mach 3. If fired upon, the pilot would accelerate to Mach 3.2 and climb, thereby forcing the missile’s guiding system to re-calculate the intercept solution. One idea was also to dump fuel to become lighter, thereby increasing the climb rate.

A 5-mile-long contrail in the stratosphere

A crew ended that debate during a Sortie over Montana by dumping fuel for 10 seconds to see if the afterburner would ignite the fuel trail. Instead, this turned instantly into an ice cloud in the fridge -55° C stratosphere and left a 5-mile-long contrail finger pointing directly at the aircraft.

The pilot reported that he could see the trail for hundreds of miles after turning back towards the west. That plan was scratched. That was the opposite effect, but they wanted regardless, the SR-71 was the first attempt at stealth in an airplane.

Be sure to check out Linda Sheffield Miller (Col Richard (Butch) Sheffield’s daughter, Col. Sheffield was an SR-71 Reconnaissance Systems Officer) Twitter X Page Habubrats SR-71, Instagram Page SR71Habubrats and Facebook Page Born into the Wilde Blue Yonder Habubrats for awesome Blackbird’s photos and stories.

@Habubrats71 via X

[mybeingthere]

Born in 1972 in Tehran, Golnaz Fathi is a contemporary Iranian artist recognized for her reinterpretations of traditional Persian calligraphy. She studied graphic design at the Islamic Azad University and went on to study traditional Persian calligraphy, receiving a diploma from the Iranian Society of Calligraphy. She was named Best Woman Calligraphist by the Iranian Society of Calligraphy in 1995. She lives and works in Tehran.Fathi is widely recognized for expanding the tradition of calligraphy and pushing it to new heights. 

Her works are inspired by American Abstract Expressionists and Iranian and Middle Eastern modernists, who pioneered the use of the written word as a pictorial element in the late 1950s and early 1960s. Technically brilliant, she has developed a new visual language, which reconciles the ancient with the contemporary. Fathi's interest in calligraphy derives from the medium's intention to match the visual beauty of a text with its content. Instead of communicating with words, she pushes the gestural qualities of calligraphy beyond language, into abstraction. Her works repeat forms, creating a meditative quality.

https://www.operagallery.com/artist/golnaz-fathi

[strathshepard]

Poster by Iranian graphic designer Moyamez, 1970s

[pronounmelon]

So I was tryna figure out: how would the Younique staff fit into my little story?? Several of the characters have pretty cute looks, I didn’t wanna throw em away or make them terfs

well, solution!! For at least a couple of em, anyway.

reminder that TERFs literally CANNOT ALWAYS TELL that people are trans… they are so often wrong it is comical. A TERF bar could more than likely let in trans women without knowing or batting an eye… in my rewrite, Younique only profiled Ginger, Cherish, and Kaiya because they were so open and proud. Often why TERFs pick us trans folk out to begin with!! If you’re too proud, too open, too showy, they’ll try to take ya down. It sucks, but it’s why I’m so proud to be me. I’m so proud of my transgender siblings, because everyday we face the worst from society, and here we are, still standing.

I did change up Shanzay and Parniya’s styles quite abit… god, you can tell that there’s only *one* kind of lesbian Rusty thinks should exist. The diversity of women is a beautiful thing, and I wanted to show just how differently these two butch lesbians can present themselves, because there is more than one type of butch lesbian. (RUSTY.) People should dress how they’re comfortable, however the amount of characters were supposed to like who have the exact, plain style bothers me. People look different, even those within the same subcultures and similar presentations. I want to highlight that!!

Anyway, on to the character bios!!

Shanzay Binti Meriam!! Malaysian-Australian She/They, Transfeminine lesbian

Shanzay used to go to Younique with her girlfriend Parniya regularly, speaking with other regulars who took no issue with their trans identities. Shanzay is a confident woman who runs women’s martial arts classes with her girlfriend and her mother, Meriam. Unfortunately, after learning of the hateful incident at Younique regarding the GAP gang, Shanzay, Parniya, and several other regulars were horrified to learn of the hateful nature of a staff member of Younique. They took the issue to the owner, only to learn that this is standard behavior for the staff, and that a large majority of the staff are loud and proud transphobes. Shanzay and Parniya felt completely horrified that their less cis passing sisters went through this, not to mention that they had given their patronage to such a hateful business. They rallied many Younique regulars to take their leave, and to give their support to the GAP gang, giving their money to the PayPlease fund that would eventually help the girls open up GAP, their trans friendly nightclub. Shanzay now works for GAP as a bouncer, and is good friends with Kaiya particularly, bonding over their shared pride and love for their families.

Parniya Amira Gallus!! Iranian-Australian She/her, Transfeminine intersex lesbian

Standing at nearly 6’8, being transgender and intersex, and suffering from chemical burns at a young age, Parniya is not a very average looking woman. She is very quiet and mellow, and doesn’t wish to draw much attention to herself. Because of her wallflower nature, it’s no shock that the transphobic staff of Younique looked right past her and her girlfriend Shanzay whenever they walked in. Parniya identifies as a butch lesbian, though she still embraces her feminine side often. After finding out about Younique’s transphobia against the GAP gang, Parniya was particularly shaken. Even after rallying other regulars to leave with her and Shanzay, Parniya doesn’t go out nearly as often anymore. She wears much more makeup now, perhaps in an attempt to pass more, like she believes she will run into Younique staff again. Parniya does remote graphic design for GAP, and as a result is well acquainted with Theodosia, and has quickly become good friends with her. They bond over a shared love of old princess stories, as well as their passion for art and other women.

[abwwia]

Maryam Lamei Harvani, Birds are gathered in God, 2021

Maryam Lamei Harvani was born in 1985 in Sarab, a historical city in northwest of Iran. After graduating in Graphic Design, she was awarded the National Art Prize and the art award from the Ministry of Science Research. Her work is inspired by the Iranian Golo Morgh (Flower and Bird) paintings, a traditional Persian way of painting in which the flower is the beloved and the bird is the lover. Via toiartgallery

[innervoiceartblog]

Remember the nameless ones

Who survived the kiss of glacier

The years of lean and those of plenty

Whose genes slipped through pogroms

Who turned right instead of left

Whose soft, quick tongues made jokes of fate

Whose fingers shaped scraps into latkes

Who clung to their traditions, their songlines

Their medicine plants, their kinship

With Grandmother Earth, Grandfather Sky.

Blessed are the vanished ones

Whose habitat became expendable

Whose lives were extinguished by indifference

Whose pelts, horn and other body parts

Were worth more to those

Whose backs, walls and libidos they adorn

Those creeping, flying, swimming, leaping ones

Whose raucous calls, gauzy wings,

Webbed toes and gaudy hues

Will not be heard or seen again.

Give thanks to the myriad scavengers

Who scuttle and hover; who devour matter

Whose unseen industry tidies away death

Who rag-pick life from a mountain of leavings

Whose ingenuity fashions answers from decay

Whose webs and threads spin shrouds

Blessed are the wanderers who leave no trace

Who huddle under flyovers, in rotten wood

Who eat from skips and tips and gutters

Who sup from the kindness of strangers

Who sleep nightly under the infinite.

- Rachael Clyne

Artwork: "Birds are Gathered in God" (date unlisted) by MARYAM LAMEI HARVANI (Iranian, born 1985).

Acrylic on canvas

20 × 24

Maryam Lamei Harvani was born in Sarab, a historical city in Iran. After graduating in Graphic Design, she was awarded the National Art Prize and the art award from the Ministry of Science Research.

Her work is inspired by the Iranian Golo Morgh (Flower and Bird) paintings, a traditional Persian way of painting in which the flower is the beloved and the bird is the lover.”

[paganimagevault]

Sassanid helmet (6th-7th C. CE) & Luristan helmet (6th-9th C. BCE)

"The helmet housed at the Römisch Germanisches Museum in Mainz, Germany (Inv. O. 38823; Fig. 26) is dated to the late 6th-early 7th century CE. Discovered in Iran’s Amlash region, this helmet was built of bronze, silver and Iron. The Varanga “feather” (?) and/or “scale” pattern (?) is again evident as would be expected of late Sasanian helmets from the empire’s Western regions. The band enclosing the bottom area of the helmet is also decorated in the same Varanga/scale design. At the front of this area is a rectangle that has within it two vertical “sine wave” graphics. At the bottom edge of the rim can be seen punched holes, along with some cracks.

Unique in the case of this helmet is a crescent moon decoration like the one seen on Figure 25 cited previously. Atop the rectangle with the two “sine wave” designs on the helmet from Mainz is an upright crescent motif apparently based on a much earlier tradition; this is strikingly similar to the much more ancient 9th-7th century BCE one-piece domed bronze helmet (possibly Kassite in origin) excavated in Luristan (Fig. 26). At the back of the Luristan helmet is a repoussé hook and dot pattern, with a notched band of flecked triangles appearing along the border.38 The frontal decoration attached on this helmet consists of opposing mythological beast heads with a crescent ornament atop the figures. Interestingly, the Luristan helmet’s crescent motif appears in the same upright orientation as the Sasanian helmet suggesting a possible design motif spanning over 1000 years (Fig. 26)."

-Farrokh, K., Karamian, Gh., Kubic, A., & Oshterinani, M.T. (2017). An Examination of Parthian and Sasanian Military Helmets. In “Crowns, hats, turbans and helmets: Headgear in Iranian history volume I” (K. Maksymiuk & Gh. Karamian, Eds.), Siedlce University & Tehran Azad University, pp.121-163.

[itsideh]

Journal Entry #7

ARTGR #520

From the onset, there has been a strong connection between our design and cultural semiotics course and the ongoing women's protest in Iran. Every aspect of this event has been intertwined with our course.

Firstly, On the 16th of September 2022, a 29-year-old woman named Mahsa Amini was reportedly murdered in Tehran by security forces while she was in custody for having an inappropriate hijab. Amani’s death sparked outrage and protests across Iran in cities like Tehran, Isfahan, and Tabriz, later spreading worldwide, with demonstrators demanding justice for her and ending police brutality and violence against women. The designs of protest posters, banners, and other visual materials play a crucial role in conveying the message of the protests. Using symbols, colors, and imagery can communicate powerful messages and ideas and reflect the cultural and historical context of the protests. For example, the hijab as a symbol of oppression and resistance is a common motif in protest art and design. Iran also gained international attention from this protest, with human rights organizations and activists worldwide expressing solidarity with the protesters and condemning the Iranian government's response. Even the United Nations also called for an investigation into Amani’s death and urged the Iranian government to ensure accountability for the perpetrators. Many human rights organizations, including Amnesty International and Human Rights Watch, condemned the Iranian government's response to the protests and called for an independent investigation into Amani’s death. These organizations also expressed concern about the broader issues of police violence and discrimination against women in Iran. Without the use of posters, animations, and prompts to spread the message to the world, none of these events would have occurred. Upon reading about the Madame Binh Graphics Collective (MBGC), I came to the realization of integrating graphic design into a larger ethical framework that encompasses concepts like allyship and privilege as a means to achieve revolutionary goals.

The protests in Iran also highlighted long-standing issues of police brutality and violence against women. Women in Iran have long faced discriminatory laws and practices, including mandatory hijab laws, which they have protested in the past. The protests after Amani’s death are part of a broader movement for greater gender equality and human rights in Iran.

Also, cultural semiotics did help me to understand the deeper cultural and social meanings behind the women's protests in Iran. The hijab, for example, is not just a piece of clothing but is also deeply embedded in Iranian culture and history. By protesting against the compulsory hijab, Iranian women challenge traditional cultural norms and assert their right to self-expression and individual freedom. Understanding the cultural and historical context of the hijab and its symbolic significance is essential for understanding the meaning and significance of the protests.

The international support for the protesters in Iran highlights the growing awareness of human rights issues in the country and the importance of solidarity and collective action in promoting greater freedom and justice for all.

Finally, design and cultural semiotics shed light on the power dynamics in the women's protests in Iran. By analyzing the visual language and symbolism of the protests, we can see how different groups and individuals are positioning themselves toward each other. For example, using the hijab as a symbol of resistance can be seen as a challenge to the authority of the Iranian government and the conservative clerical establishment. Understanding these power dynamics is essential for understanding the protests' broader social and political context.

[chahab]

[williamjone]

Top 4bet Betting Strategies for Success

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The Appeal of 4BetFarsi

Persian Language Interface

Localized Payment Methods

Access to Popular Iranian Sports and Events

Comprehensive Sportsbook with International Coverage

Casino Games, Slots, and Live Dealers

These tailored features make 4BetFarsi a go-to platform for Iranian bettors who may face barriers accessing major international betting sites.

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The platform supports pre-match betting 4bet as well as live betting, allowing users to place wagers while games are in progress.

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These games feature advanced graphics and are developed by reputable gaming software providers, ensuring both entertainment value and fair play.

3. Mobile Compatibility: Recognizing the growing demand for mobile betting, 4BetFarsi offers a fully responsive mobile site, allowing users to place bets, deposit funds, and withdraw winnings directly from their smartphones. This convenience makes betting on the go easy and accessible.

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Safety and Security

Is 4BetFarsi Safe?

Online betting platforms operating in regions 4bet سایت with strict regulations on gambling must take extra precautions to protect user data and funds. 4bet سایت 4BetFarsi implements a range of security measures, including:

SSL Encryption to protect user data during transactions.

Secure Payment Gateways tailored for Iranian users.

Anonymous Payment Methods to enhance user privacy.

Account Verification Protocols to prevent unauthorized access.

Although 4BetFarsi aims to provide a secure environment, users are encouraged to use VPNs or proxy services when accessing the platform to further enhance privacy and avoid regional internet restrictions.

Payment Methods:

Deposits and Withdrawals: One of the primary advantages of using a localized betting platform like 4BetFarsi is the availability of payment methods suited to Iranian users. These include:

Cryptocurrency Payments (Bitcoin, Tether)

E-Wallets and Digital Payment Platforms

Iranian Bank Transfer Workarounds

The use of cryptocurrencies has become increasingly popular due to their ability to bypass traditional banking restrictions on gambling-related transactions.

Responsible Gambling Features

Promoting Safe Betting Practices

4BetFarsi actively promotes responsible gambling through:

Deposit Limits

Betting Limits

Self-Exclusion Tools

Educational Resources

The platform encourages users to gamble responsibly and provides links to international organizations offering support for gambling addiction.

Legal Consideration

Understanding the Legal Landscape

Gambling laws in Iran are strict, for bet with most forms of gambling being prohibited. However, many Iranian users access online betting sites through VPN services or proxy connections. 4BetFarsi operates from offshore jurisdictions, allowing it to legally offer betting services to users residing in Iran, although users should be aware of the potential risks involved.

Tips for Safe Access

Use VPN Services to anonymize your connection.

Avoid sharing excessive personal data.

Use cryptocurrencies for maximum privacy.

Familiarize yourself with your local laws regarding online gambling.

User Experience

Ease of Navigation

4BetFarsi’s website is designed for seamless navigation, even for users new to online betting. The Persian-language interface ensures users can easily find:

Sports Markets

Betting Options

Casino Games

Account Settings

Promotions and Bonuses

Customer Support

The platform offers 24/7 customer support through:

Live Chat

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Telegram Support Channels

This ensures that users can quickly resolve issues, whether related to account verification, deposits, withdrawals, or technical difficulties.

Advantages of Choosing 4BetFarsi:

1. Localization: 4BetFarsi caters specifically  4 bet to the Iranian market, offering Persian-language support, Iranian sports markets, and familiar payment options.

2. Comprehensive Betting Options: From global sporting events to Iranian leagues and online casino games, 4BetFarsi covers the full spectrum of betting entertainment.

3. Privacy and Anonymity: With crypto-friendly payments and secure access options, users can bet privately without fear of exposure.

4. User-Centric Promotions: Regular bonuses and promotions reward both new and loyal players, enhancing the overall betting experience.

Final Thoughts:

4BetFarsi stands out as a leading online betting platform for Persian-speaking users, combining local expertise with a wide array of international betting options. With its user-friendly interface, secure payment methods, and commitment to responsible gambling, it provides a comprehensive, reliable platform for Iranian bettors who wish to enjoy the excitement of sports betting and online casinos.

[usafphantom2]

SR-71 Pilot tells why the only SAM that had a chance to hit the Blackbird was a Nuclear S-300 fired ahead of the Habu

The Blackbird

The SR-71, unofficially known as the “Blackbird,” is a long-range, advanced, strategic reconnaissance aircraft developed from the Lockheed A-12 and YF-12A aircraft. The first flight of an SR-71 took place on Dec. 22, 1964, and the first SR-71 to enter service was delivered to the 4200th (later 9th) Strategic Reconnaissance Wing at Beale Air Force Base, Calif., in January 1966.

CLICK HERE to see The Aviation Geek Club contributor Linda Sheffield’s T-shirt designs! Linda has a personal relationship with the SR-71 because her father Butch Sheffield flew the Blackbird from test flight in 1965 until 1973. Butch’s Granddaughter’s Lisa Burroughs and Susan Miller are graphic designers. They designed most of the merchandise that is for sale on Threadless. A percentage of the profits go to Flight Test Museum at Edwards Air Force Base. This nonprofit charity is personal to the Sheffield family because they are raising money to house SR-71, #955. This was the first Blackbird that Butch Sheffield flew on Oct. 4, 1965.

During its operational lifetime, the SR-71 provided intelligence about the Yom Kippur War in 1973, the Israeli invasion of Lebanon in 1982, the US raid on Libya in 1986 and the revelation of Iranian Silkworm missile batteries in 1987. The USAF ceased SR-71 operations in January 1990.

The Blackbird was designed to operate at extreme velocities and altitudes: in fact, from 80,000 feet, it could survey 100,000 square miles of Earth’s surface per hour. Achieving a radar lock on it was extremely difficult not only for any fighter jet then in service, but also for any surface-to-air (SAM) missile.

45 degrees of bank for a designated high bank turn

Thus, the rumors that the SR-71 stopped flying because it could be intercepted by jet fighters then in service with neutral countries in the Baltic or by Soviet MiGs are not true. There were so many factors in place to protect the Blackbird from being fired upon, some of which cannot be discussed in detail as they are still classified.

artwork

This print is available in multiple sizes from AircraftProfilePrints.com – CLICK HERE TO GET YOURS. Dawn at 80.000ft – SR-71 Blackbird

Former SR-71 pilot David Peters confirms this statement;

‘We were allowed 45 degrees of bank for a designated high bank turn. Radius is about 60 miles at 3.2. But your change of heading is pretty rapid you are just covering a lot of ground and air doing it. Most people don’t understand the dynamics. We were not going to outmaneuver much of anything. What matters is the proximity to start with. The speed and range of the protagonist.

‘One of the real highlights of flying above Mach 3 and above 80,000 feet is nobody is up there with you. They have to see you (radar) first. How far away is significant because we are not just larking along.

‘If you are talking surface-to-air missiles, how long does it take to launch get to 80,000 feet? How long does it take, and how close does it have to get to be able to maneuver if we are not going straight ahead?

‘Very few missiles could go far enough to make up 36 or more miles per minute.

‘All this is not taking any consideration of our ECM capability.’

SR-71 Pilot tells why the only SAM that had a chance to hit the Blackbird was a Nuclear S-300 fired ahead of the Habu

S-300 SAMs

A Nuclear S-300 fired ahead of the SR-71

Peters concludes;

‘The bottom line is the only surface-to-air missile that had any chance at all was the SA-10 [SA-10 Grumble, the NATO reporting name of the S-300 Soviet SAM system] if it was nuclear. That would allow them to fire it out ahead of us with an air burst at altitude, which we could possibly not circumvent. Airborne I.e. interceptors none had any chance what so ever.’

Be sure to check out Linda Sheffield Miller (Col Richard (Butch) Sheffield’s daughter, Col. Sheffield was an SR-71 Reconnaissance Systems Officer) Twitter X Page Habubrats SR-71, Instagram Page SR71Habubrats and Facebook Page Born into the Wilde Blue Yonder Habubrats for awesome Blackbird’s photos and stories.

@Habubrats71 via X

[watchonlineir]

watchonline

Watch Online, operated by Ava Zaman Mandegar Company, was established with the mission of becoming a leading company in Iran’s watch industry. The company initially secured the exclusive representation of the well-known OMAX brand and later launched Watch Online in 2013 to revolutionize the way consumers purchase and learn about watches.

In today's digital era, consumer preferences are rapidly evolving. Watch Online embraces change by offering the latest products and exceptional services, aiming to become the leading platform for online watch sales in Iran. With core values rooted in ethics, respect, and social responsibility, the company continuously enhances its service quality through scientific models such as ISQ, which was presented in the International Journal of Quality and Service Sciences in 2014.

As a trusted reference for watch reviews and online sales, Watch Online provides a diverse selection of timepieces, including wristwatches, wall clocks, and desk clocks, from the world's most prestigious brands. Through significant investments in advanced hardware and software infrastructure, the company ensures that customers receive in-depth product information, making informed decisions with maximum confidence.

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Advanced digital marketing strategies to promote the sale of original watches and combat counterfeit products

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[mybeingthere]

GOLNAZ FATHI, Iranian artist, b 1972.

While studying Graphic Design at Azad University in Tehran, Fathi, always fascinated by the expressive potential of traditional Persian calligraphic forms, immersed herself in a sustained six-year study of traditional calligraphy. She then became one of only a tiny handful of women trained to the highest level within that discipline. Despite this Fathi felt the need to expand her practice and developed an idiom of her own with large, bold abstractions. In recent work Fathi developed the technique of Siah Mashgh, a dedicated practice of repeating letters over and over until the ink creates a densely textured, solid black impression. Fathi’s hand movements form uncompromised gestures, emerging out of the deep layers and attempt to capture a thought, emotion, or sound. Undertaken with the same consideration, each work is densely inscribed with potential meanings allowing unrestrained imaginative possibilities.