#inuit hair

[flyingdorian]

no one ever draws greenland:(

[eywaseclipse]

Spent some time working on this. Got inspired by @thewarmblanket snow clan post and watching informational videos on Greenland lol. I love learning. And this snow na’vi is based off Inuit culture. Including the traditional tattoos called Tunniit. Did I mention this is a free draw with my non dominant hand? 🤗

“The process and method of making Tunniit is called kakiorneq in West Greenland and kagierneq in the east (both can be translated as "sewn with a needle").

The tradition of making and wearing Tunniit has mainly been passed on by Inuit women, as a sign of their spiritual responsibility and sewing skills. The kakiorneq and kagierneq techniques traditionally involve the use of a needle and sinew thread (thread made from the muscle of the reindeer's hind legs) dipped in a mixture of soot, oil and urine to create a line under the top layer of the skin. An alternative method involves the use of a sharp tool to make a small hole in the skin, followed by the application of a sooty substance to create a distinctive dot.”

[atopvisenyashill]

im mostly posting so eye do not forget but i was bored and trying to graphic once again and failing miserably bc i don’t have photoshop anymore and i was trying to find more age accurate fcs (like the actors role at least being closer to the age) and anyway i got these:

Eric Schweig as Ned, Lottie Verbeeck as Cat (he’s too old now but no one matches the Ned in my head the way Schweig as Uncas does) (I mean he’s also too sexy bUT it’s p close) (also give Lottie darker hair)

Anna Lambe as Lyanna, Asivak Koostachin as Jon (again, make Asivak a bit less chiseled and handsome but otherwise, that’s almost exactly how I picture Jon. Anna Lambe is just older than Lyanna here, she’s like 18 I believe)

Kiawentiio as Arya, Riit as Sansa (Riit is too old, I can’t find anyone age appropriate for Sansa. Just imagine Riit but younger and that’s basically how I imagine Sansa. Kiawentiio is the furthest away from how I picture the character but her lil baby fat chubby cheeks matching Lyanna/Lambe is perfect).

Also bonus Heath Ledger as Rhaegar. I know it’s cliche but it’s cliche for a reason. And look at the three together.

IM COOKING!!

[doomstonee]

“Jupiter Jumper” her name is actually Holly Gagne

[mortispbf]

[atlaculture]

Favorite Foods: Sokka

Since Sokka is almost always shown shoveling food down his gullet during meal scenes, I figured he prefers foods that he can stuff into his mouth quickly and in large quantities. Like Katara, I also feel his favorite foods would tie back to key memories in his life.

Sea Prunes (Row 1) - Sokka likes eating sea prunes even more than his sister does. Being Hakoda's favorite food, I think eating sea prunes allows Sokka to feel closer to his father. I think he prefers eating them either stewed in five-spice (five flavor soup) or just blanched and paired with a dipping sauce. Real-life sea prunes are small, leathery mollusks traditionally eaten by First Nation and Alaska Native groups along the west coast.

Muktuk - Muktuk is whale skin and whale blubber served raw, like sashimi. It's typically snacked on as the rest of the whale is being butchered for later consumption. Sokka has fond memories of his father's hunting crew bringing home a whale and his father offering him the first bite of muktuk.

Seal Jerky - Sokka's favorite portable snack. Seals are the largest animal that Sokka has ever successfully hunted on his own, so he feels a real sense of pride when he eats this jerky.

Polar Bear Stew - Stew made from polar bear meat. Polar bears are revered in Inuit culture as the greatest of all bears, so successfully hunting one is a considered an impressive feat. As such, polar bear stew is considered quite a delicacy in the SWT. Sokka has only had the dish once, thanks to the bravery and skill of his father's hunting team, and dreams of one day bringing home another polar bear for the whole village to enjoy.

Fermented Eider Egg - Eider is a species of arctic duck. Their eggs are buried underground and left to ferment. They're said to taste like a strong cheese. There's no deep reason why Sokka loves them, he just likes that he can stuff a bunch into his cheeks like a squirrel. ^_^

Green Kasha - Green Kasha refers to a mash of different tundra greens such as sourdock, rhodiola leaves, arctic willow, and mountain sorrel mixed with rendered blubber oil. The oil acts as an emulsifier as it slowly gets incorporated into the mash of greens. Green kasha is used as a dipping condiment for various types of arctic meat. Sokka likes it because it gives him a whole new way of enjoying his favorite foods.

Kumis - Kumis is a fermented dairy product traditionally made from mare’s milk. Sokka was introduced to the drink by Yue and the two often enjoyed the drink together--- the mild alcoholic content made them feel rather grown-up. The color of the drink also reminds Sokka of Yue's hair, so the drink is tied to Sokka's bittersweet memories of her.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[tlatollotl]

Men’s Trousers, hair side turned outwards

Inuit in East Greenland

1892

Ammassalik distrikt, Tasiilak

Nunatta Katersugaasivia Allagaateqarfialu

[obsidian-pages777]

Pick a Card: Goddess Sedna 's Healing Messages. [Goddess of the Sea]

Left Top [Pile 1], Right Top [Pile 2], Bottom Left[Pile 3], Bottom Right[Pile4]

Sedna, the Sea Goddess of Inuit mythology, reigns over the icy waters of the Arctic seas with power and grace. She is a complex and enigmatic deity, embodying both the nurturing embrace and the fierce wrath of the ocean depths. Revered by the Inuit people as the mistress of marine animals and the keeper of the sea's bounty, Sedna holds sway over the delicate balance between humanity and the natural world. Her mythic tales speak of transformation, sacrifice, and the inexorable cycles of life and death. Often depicted as a beautiful maiden with long flowing hair, Sedna's presence is both captivating and formidable, reminding mortals of the awe-inspiring majesty of the sea and the mysteries that lie beneath its surface.

***********************************************************************************************************************************************

Pile 1: Card drawn: Ace of Cups

Sedna speaks to you of a fresh start in matters of love. The Ace of Cups represents new beginnings, emotional clarity, and overflowing feelings of love and compassion. This card suggests that emotional healing in your love life is on the horizon. It encourages you to open your heart to new possibilities and allow love to flow freely into your life. Release any past hurts or disappointments and embrace the joy and fulfillment that love can bring.

"Let the currents of love carry you to new shores, where the waters are clear and the heart finds its home."

"In the vast ocean of love, every wave carries the promise of a new beginning. Embrace the tides of change with an open heart."

"True love is an endless ocean, deep and boundless. Dive fearlessly into its depths, and you will find treasures beyond measure."

"Love is the eternal dance of two souls, moving in harmony with the rhythm of the universe. Trust in its sacred flow, and let it guide you to your destined shore."

================================================================================================

Pile 2: Card drawn: Three of Swords (Reversed)

Sedna acknowledges your pain and offers solace in the Three of Swords reversed. This card indicates that you are in the process of healing from a painful breakup or heartache. It suggests that you are beginning to let go of the hurt and release any lingering resentment or sorrow. Trust in Sedna's healing waters to cleanse your heart and soothe your soul. Remember that healing takes time, but you are on the right path towards emotional recovery and renewal.

"In the depths of sorrow, find solace in the healing embrace of the sea. Let its gentle waves carry away the pain, leaving only strength and resilience in its wake."

"Like the ocean's tide, healing comes in waves. Allow yourself to ride the currents of grief, knowing that calm waters lie ahead."

"With every tear shed, let the sea goddess cradle your heart and whisper words of comfort. She understands the ebb and flow of pain, and she will guide you to the shores of peace."

"Healing begins with acceptance. Surrender to the healing waters within, and let them cleanse your spirit of all that no longer serves you. From the depths of despair, rise renewed and whole."

================================================================================================

Pile 3: Card drawn: The Star

Sedna shines her light upon you with The Star, a card of hope, renewal, and healing. In the realm of mental and physical health, this card signifies a period of rejuvenation and inner peace. It encourages you to have faith in the healing process and trust that brighter days are ahead. Connect with Sedna's nurturing energy to replenish your mind, body, and spirit. Practice self-care, seek support when needed, and believe in your ability to overcome any challenges that may arise.

"In the stillness of the sea, find the tranquility of the mind. Let go of worries and fears, and allow the gentle currents of peace to wash over you."

"Your body is a temple, sacred and strong. Nourish it with care and kindness, and it will carry you through the roughest seas."

"Like the stars that illuminate the night sky, let your inner light shine bright. Believe in your own strength and resilience, and you will navigate any storm with grace."

"The journey to wellness begins with self-love. Honor your mind, body, and spirit, and you will find harmony in the depths of your being."

================================================================================================

Pile 4: Card drawn: Ten of Cups

Sedna blesses your family life with the Ten of Cups, a card of harmony, happiness, and emotional fulfillment. This card represents the deep bonds of love and connection within your family unit. It suggests that your relationships with loved ones are strong and supportive, providing a source of comfort and joy. Take time to appreciate the love and stability that your family brings into your life, and cherish the moments spent together. Allow Sedna's gentle waves to wash away any tension or discord, fostering a sense of unity and contentment within your family circle.

"Family is the anchor that keeps us grounded amidst life's storms. Treasure the bonds of love that unite you, for they are the pillars of your strength."

"In the embrace of family, find refuge from the chaos of the world. Together, you weather every storm and celebrate every triumph."

"Like the sea, family flows with the rhythm of love. Cherish each moment together, for they are the waves that make up the ocean of your shared memories."

"Family is not just blood; it is the love that binds us together. In the arms of your loved ones, find sanctuary and belonging, knowing that you are cherished beyond measure."

************************************************************************************************************************************************

[princess-nobody]

Avatar Rant: Snowy Region Na'vi

Am I the only one who doesn't like the fanon snow navi designs? Specifically this (I used shitty AI images I found off of pinterest to illustrate the point and to avoid using actual artwork from people 🩷):

(Before I continue my God these are creepy 😭 AI genuinely cannot create Na'vi without them looking uncanny, disturbing and far too human)

I can understand why people choose the more predictable design philosophy – blonde hair, blue eyes, pale/white skin, pretty two pieces – because that's relatively how this sort of lifestyle has been portrayed to us in the media. Every movie or show set in a snowy region always features mostly eastern European characters, so naturally people decide that their snow na'vi must resemble eastern European people to a degree, and this bothers me.

Not because they look like white people (though that is like 25% why ngl) but because it just isn't realistic? Na'vi may be inspired by humans but they are still a different species living on a harsh and deadly planet that humans can't survive in, na'vi winter and snow would be excruciatingly difficult for them, and they would need to adapt to it.

I just don't see how they would be so thin and petite and pale, people say to blend in, but why? Only a handful of animals in arctic regions are actually white to blend in (polar bears, arctic foxes etc.) so wouldn't it make more sense to base them off of arctic animals from the ice age? Back then, animals were bigger, bulkier, with thicker skin and hair all over to protect themselves from the crippling cold – with that in mind, wouldn't snow na'vi be bigger than average na'vi, and bulkier too? Unlike regular na'vi, it would make sense that the snow ones actually have body hair all over, maybe even fur if you want to take it that far.

And if you're basing them off of INDIGENOUS people, then appearance, features and fashion wise, wouldn't it make more sense to base them off of the actual Inuit people of the arctic instead of Elsa from frozen 😭

Because realistically why would they wear flowey dresses and two pieces in weather that is probably 80% worse than any winter humanity has ever faced... especially since na'vi are all inspired by different non-white/european indigenous communities, and yes... non-white/European indigenous people do in fact live in cold, snowy, arctic regions...

To add a little bit of pseudo-psychology to it, it may be done in an attempt from white avatar fans for the most part to feel closer to the na'vi by adding a white adjacent sub-species, as the closer to europeans the na'vi look, the more they see themselves within the na'vi. However, that is purely speculation lol.

Also, I do NOT think you are racist or anti-indigenous or anything of the sort if your headcanon for snow na'vi looks anything like the examples! You're allowed to draw and design what you want, and just because tumblr user princess-nobody doesn't like it, doesn't mean it's bad.

TLDR: Fanon snow na'vi don't make sense and confuse me lol. Imo snow na'vi would be big and bulky behemoths that are covered in thick body hair and wear large, figure covering warm clothing, not skinny little russian girls in ballet outfits LMAOOOO.

[ursie]

There needs to be a conversation about the colorism in the casting of indigenous people so far-even if you believe Sokka’s actor is ndn he along with Kuruk and Katara’s actors are noticeably lighter then their characters. (Comically so in Sokka and Kuruk’s case)

Usually I’d give Katara’s actress a pass because at least she’s visibly brown but with the other actors it’s a :// pattern. This is not criticism at Katara’s actress btw I’m glad a native woman is getting any role but between the colorism and the inability to just cast Inuit people there’s def conversations to be had 😭😔

Image id : a screenshot from Twitter account “discuss avatar” saying “meet your past life avatars from season 1 of Netflix’s avatar the last airbender. Water : avatar Kuruk - Meegwun Fairbrother. Earth : avatar Kyoshi - Yvonne Chapman. Fire : avatar Roku - C.S. Lee.” Underneath are three headshots of the actors over their characters (a lightskinned man with green eyes over Kuruk a darkskinned man dressed in white fur, an Asian woman with short hair in a black dress over Kyoshi an Asian woman in white makeup and green robes, and a bald asian man with a mustache over a Asian man with long hair and a beard in red robes.) : end id.

[anxious-witch]

So, Jan and Nace photoshoot analysis. This will definitely be long, and idk how coherent I will be. As always this is entirely subjective, this time maybe more than ever. I am up for friendly discussions and disagreements, but also after today if you are a dick, I will block you.

Anyway.

So let's go pictures by pictures first and then observe how they interact. We start off with the top one, that almost seems like it was two individual shots first, but go glued together. To focus on Nace first, he is looking directly into the camera, his face completely visible, but his hair and body is in the shadow. His leather jacket is even covering his neck. He is in "full armor", except for his face. His face having a layer of combativness only add to that imagery.

Now to focus on Jan. I'd say he is in a similar state, his stare perhaps even more defiant, as if daring us to judge. His face is half covered by his hair, which makes sm sense in a way that we know Jan is a quite private person. He doesn't want people to full see him behind a curtain. Some things are private and he doesn't want to show us everything.

I also find it interesting that these pictures have less contrast than the ones we go later, as if there is additional layer of gray over them. Like they weren't sure it was just yet time to full pull the curtain away from their intimate moments, making them softer and more blurry. As someone else pointed out, it's giving a vibe of them being in the shower, the hot stream muddyijg up the pictures.

Then, right below it, we have Jan and Nace doing an Inuit kiss, their noses touching. And my god, I am so insane about this complete shift in perspective. They aren't looking into the camera, but at each other, with an almost painfully soft expressions.

What struck me as really interesting is that with Kris and Bojan's shoots, they were the most honest and open in the pictures where they look into the camera. Here, it's the opposite. In moments where they are focused on each other, you get the feeling they aren't even aware they are being observed. Looking into the camera, to the viewers seems uncomfortable.

Then, we have this set. Top one resembles first one from the set, except for few significant changes. It's clearly one photo, not two separate ones glued together. Jan is closer to Nace, as if he moved close to protect him. Also another thing that I find interesting, although I am not sure of it was purposeful or simply a trick of the light but! In all pictures where they are together, it looks like they both have just a bit of smudged eyeliner. And I will even go as far to speculate it might be on purpse as if to imply their facade is getting smudged. They can't hold it in place anymore.

In picture two(my favorite, my beloved). We get them favung each other once again, and this time, Nace is openly laughing and Jan is smiling and looking at him with what I will dare say is the closest to adoration.

Jan's eyes are open and more visible, unlike from the first shot, where they were mostly covered by his hair. Almost as if seeing Nace in a happy and relaxed state made him show off a bit more of himself.

Last picture in this set has Jan looking at the camera, his hand clasped over Nace's mouth and Nace has his eyes half close, blind to the viewer, only focused on Jan.

And, okay. This is where my interpretation loses any pretense of objectivity, but I simply can't see this any other way. I read this as Nace being blind to them being watched so constantly and perhaps saying something that should-by Jan's standards-stay private. He is, unlike Nace, looking directly to us, and looks caugh, out of breath.

There is also that aspect of protectivness too-if he can stop Nace from revealing something us as views are not meant to hear, perhaps he can protect him from it.

Now, to focus on their separate pictures. Or well, mostly separate. Let's go with Nace's first.

To start with the top picture, Nace looks both tired and defiant here, staring directly at the camera. His arms are crossed over his chest and he is gripping his shirt very tightly, pulling it away from his arms and towards his chest.

Again, throwing objectivity out of the window because I simply cannot be bothered today, but. This reads to me sm like he is showing off his tattoos and hiding chest? As if he wishes to be judged by art he choose for himself. It could also tie into the fact that due to some body issues, his arms are truly something he likes to shows off in comparison to the rest of his body.

Second picture on the left is connected. Once again, he is not looking at the viewer, unaware he is being observed and thus, showing how under the facade of intensity and defiance, the pressure is getting to him.

Third picture is SO INTENSE. Nace is gagged by some sort of fabric and the shadow/makeup around his eyes is the most intense. He looks the most brooding and his features look almost twisted. Like he is being silenced and put in the shape he doesn't want to be in.

Then, we get this. What a transformation. The pure softness, the trust in Nace's eyes here. It's literally giving the intimacy of sharing an intimate moment with a lover to me, especially with the way these are positioned. Like Nace is laying down and softly looking up and then almost bashfully lowering his gaze. I am genuinely unwell with how intimate this looks.

Now, THIS. We have Jan, staring at the camera, pulling Nace closer to himself. Nace is standing with his back to us.

This picture once again shows to me of how protective Jan feels over Nace. This is giving such "Don't you dare touch him" vibes, it's insane. Jan's hair is messy and untaimed, and still half hiding his face and yet, he is not turning away. Because turning away would mean leaving Nace vulnerable so instead he faces the camera head on while providing a safe space for Nace.

And at last, two solo photos of Jan. First one has Jan showing off his painted nails, which we don't see in any of the other pictures. His face is half covered in both pictures, first with the hand and hair and the other with the hair only.

In the first picture, he is still looking at us, almost as if saying, "Are you watching? Do you see what I am showing?" While in the other one, he is looking at something away from the camera, in an almost resigned way. He is tired of the preformance, of being on guard. He is just letting hinself be observed.

Another thing that was pointed out to me was white frame for Nace vs black frame for Jan. And not to go totally off the rails at that, but-Nace providing a light to Jan, a hope of brightness and warmth, which Jan provides the comfort of dark, safe place for Nace is just bfjxnxkdjx.

Alll in all, I absolutely adored these and I am half asleep so I probably forgot half the stuff I wanted to say so please feel free to add on your thoughts.

[survivalove]

Katara the selfcare queen

Every canon instance or mention (that i can rmr) of Katara indulging in selfcare in the middle of a war because I find it quite amusing yet fascinating.

I may or may not have made a post like this before but I wanted to expand on it.

1. Skincare routine

In 1x14, The Fortuneteller, Katara reveals she has a special seaweed lotion that she carries with her for soft skin. (Avatar Extras also made a point of saying that it smells…?) She even offers to get Aunt Wu some, as if she has extra. So my question is, who is this plug that she gets her steady supply of seaweed lotion from? 😭

Real-life: Seaweed has been used in skincare for thousands of years, first recorded in ancient Chile. Nowadays, seaweed extract is pretty common in skincare products especially from emerging brands in Nunavik and Iqaluit, Canada.

My headcanon: This is probably a recipe Katara picked up from the older women of her tribe, so she just plucks some seaweed whenever the gaang stops by a body of water. And she definitely makes it in cute glass jars and shares it with her fellow healers in the Republic City Hospital ✨selfcare queen✨

2. Spa Day

I just find this funny because when and how did she even find this spa? How long has she been going by herself? Look how comfortable she is like dhjfjcd she’s definitely a regular and they all know her.

Real-life: Saunas are pretty modern, starting up in Finland around 1112. (In canon, I think a firebender and a waterbender run a sauna in Republic City so hey.) Mudbaths on the other hand have been around for centuries and people have been doing it at any naturally occurring hot spring they can found. I don’t even have to tell you about massages so

My headcanon: Katara always knows where the spas and selfcare places are wherever they go. I definitely think she scooped up some stuff at the perfume abbey in season 1 (because she’s a kleptomaniac). I also headcanon she would have a spa setup in the back of Republic City Hospital because selfcare is healthcare too. Also, Aang gives her massages at home and he’s surprisingly good at it, but, Katara sucks at massages and Aang never lets her do it to him after that one time 💀

3. Yoga

In 3x11, Nightmares & Daydreams, Katara teaches Aang yoga to de-stress in a hot spring. My thing is, when did she learn about yoga and how often does she do it? We needed the Katara yoga mini shorts special. The kids would’ve loved it.

Real life: Yoga originating from ancient India is practised in a variety of forms in Hinduism, Jainism and Buddhism. The poses they do are the Upward Salute and the Wide Legged Forward Bend.

My headcanon: I imagine Katara must have read about this at the Air Nomad Section of the Spirit Library, given the cultural heritage. Knowing her she found a yoga scroll and swiped it (can you say klepto?). This is another selfcare thing she does with Aang because it’s his culture! They do it every Saturday until he starts complaining about his old bones 😅

4. Hair care

Katara also wears a special cap on her head when doing yoga which I assume is to protect her hair from the steam 🤔 I just found it very interesting since we hardly see her hair covered. Then I also realized Katara is the only character shown actually combing her hair and styling it like 4 times: from the bun-braid, to the formal earth kingdom look, to her fire nation look and finally the bun with her hair out.

Real life: I typed so many things and I finally found something similar called a chinoiserie satin skull cap? (sorry pic limit). It’s similar in design and even has a tassel like Katara’s. Focusing on her hairstyles, the signature “hair loopies” are actually based on a traditional Inuit style known as qilliqti and her earth kingdom look is based on a traditional Manchurian style called liangbatou.

My headcanon: Like Katara’s mysterious seaweed lotion recipe, she probably makes several haircare products for herself, and has a major hair routine. So, it would make sense she wears protective caps from time to time. I also think both Hama and Katara are tied to the myth of Senna, the Inuit sea goddess, through the comb Katara uses which I headcanon is the identical comb Hama had in her home (again klepto).

If there’s any more selfcare moments I left out, please feel free to share or reply with your own Katara ✨selfcare queen✨ headcanons!

[mushyposts]

WOAH! THE CREW???? THE CREW FROM HIT FANFICTION NO THING DEFINES A MAN LIKE LOVE??? WOAH WOAH WOAH??? Anyway yes omg its them!!! This took me so long and im so tired but look at my ANGELS!

UM! Friendly reminder that I myself am not Inuit/Indigenous! I did research + had an Indigenous person helping me w the tattoos, but if theres anything wrong/disrespectful pls do let me know and I will fix it. All the tattoos r on a seperate layer so it'll be an easy fix and one i am more then happy to do. A few of the designs changed between this and my written description, so... Oops?? Especially Morqa. I got carried away ok.... ANYWAY I have some little notes abt their designs here and there so! Kaiqa: He used to have shorter bangs around his face but they annoyed him so he tried to let them grow out but that annoyed him so he would cut them again and then try to let them grow out and now he just has perpetual baby hairs that wont get any longer. Mikla: UM. Not much to say here. Isnt he pretty tho?? Buteq: SOMEHOW ENDED UP THE MOST MAJESTIC MAN EVER. HELLO?? The two beads on the right are for his nieces and the one on the left is for his sister! Neter: One time he got super cocky abt being 7 years older then Nitya which meant he was a better fighter and so Nitya was like "yeah?? ok bet." and then punched him and broke his nose and was like "hm where are those warrior reflexes?" so now Neter has a permanently bent nose. Sorqai: He got the scar thats through his beard in the same raid that cause Nitya and Konait (Kaiqas older brother) to die. Nitya died trying to get Konait and some other kids out of the mess, and Sorqai got injured trying to get to them to help. He's mostly numb on that side of his face due to nerve damage ! Causes him to lisp a bit, especially w the chipped tooth (which he got from tripping) Natai: He wears both his own and Nitya's necklaces their parents made them, and intends to only take of Nitya's and let it go into the ocean where he was buried when the war is over. His own way of keeping Nitya involved in the war effort, something that was really important to him. Kutai: Again, no real notes here but isnt he pretttyyy..... Kovak: Honestly, very likely one of my favourite character designs I've ever made. Im kind of obsessed with him. He doesnt wear his necklace from his parents because he wasnt on good terms with them at all while they were alive. He took it off before they died, and hasnt been able to bring himself to put it back on. he intends to give it to his kid when he gets back. Mori: UM! I dont have a lot of notes here. Mori has two kids ! Hence the three tattoos under their chin, I saw an inuit creator/source say that sometimes people will add lines as they have kids and I thought that was really lovely so yes!! Again im just. I think hes so pretty. Luqait: Im so sorry king I did u dirty posting this after that one chapter. Each one of the beads he wears is dedicated to someone he knew in the tribe who died, theres more not visible on the other side of the braids. I can say for 100% certainty theres one for Kya and Nitya. Saila: Saila was actually a design i struggled a lot with, but I think I got them to a point im happy with!!! They're a good amount intense, androgynous and also have that amber flash in their eyes. The amber comes from having Fire Nation somewhere in their ancestry, something I dont think will really come up in the fic, but a detail I think is good to know! Morqa: I changed Morqa's design the most, especially his hair! But I think he's ended up being a design I am most proud of. The piercings especially!! Eventually u will run out of space (that we can see ig??) king but today is not that day godbless.

OKAY! THERE WE GO... I HOPE EVERYONE LIKES THEM UM PLS BE NICE AND DONT REPOST AND IDK JUST.... I HOPE U LIKE THEM AS MUCH AS I DO i know oc's in fics arent always peoples favourites but the reception of these guys has been like. Beyond mindblowing. Im so fucking excvited and happy everytime people in my comments talk about how much they love the characters i've created. Like.... The fact that people enjoy the OC's and not just for what the give to Zuko, but for what they give to each other and their own individual stories is so incredible to me. I hope u guys like this and I hope it helps u visualise them better!! : D

[bestiarium]

Aagjuuk the Entrail-Stealer [Inuit mythology]

In an earlier post, I talked about Taqqiq, the benevolent lunar spirit from native Inuit religion. Whenever a person dies, it is Taqqiq who guides them to the afterlife. Though he is a powerful and important spirit, he is not the sole inhabitant of the Earth’s moon. When Taqqiq is guiding a soul, they are greeted by Aagjuuk, also called Ululijarnaat or Aukjuk. This enigmatic spirit resembles an old woman and some versions claim that she is Taqqiq’s cousin. She always carries an ulu knife (a traditional Inuk tool for cutting ropes, hair etc.) and a copper pot.

Aagjuuk puts on a kind and friendly façade, but in reality she is a cruel and vicious monster. She will attempt to make the visitor laugh, but this is a test, and the soul must remain absolutely emotionless. If the victim so much as giggles, she will slice open their stomach with her ulu knife and then collect their innards with her copper pot. She then devours the victim’s entrails. Because of this, this spirit is fittingly called the ‘entrail-stealer’.

An Angakkuq (an Inuit shaman) could also converse with Aagjuuk through a special spirit-summoning ceremony, something like a séance. But this was a dangerous practise, for the entrail-stealer would then attempt to make the shaman laugh. If she succeeded, she would open the shaman and steal their entrails, just like she does with victims in the afterlife.

Oosten argues that it is also a symbolic thing: a hunter who does not manage to restrain or control himself will eventually become food for something else.

Sources: Christopher, N., 2013, The Hidden: a compendium of arctic giants, dwarves, gnomes, trolls, faeries, and other strange beings from Inuit oral history, 191 pp, p. 178-183. Oosten, J. G., 1981, The structure of the shamanistic complex among the Netsilik and Iglulik, Études/Inuit/Studies, 5(1): pp. 83-98. Barraclough, E. R., Cudmore, D. M. and Donecker, S., 2016, Imagining the Supernatural North, University of Alberta, 328 pp. (image source: Eva Widermann on Artstation)

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Women’s Trousers, hair side turned outwards

Inuit in East Greenland

Ammassalik distrikt, Tasiilak

Nunatta Katersugaasivia Allagaateqarfialu

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Inuit carving of a tupilaq (spirit), from Argnagssalik, East Greenland, 1931–32. National Museum of Denmark.

In Greenlandic Inuit religion, a tupilaq (tupilak, tupilait, or ᑐᐱᓚᒃ in Inuktitut syllabics) was an avenging monster fabricated by a practitioner of witchcraft or shamanism by using various objects such as animal parts (bone, skin, hair, sinew, etc.) and even parts taken from the corpses of children. The creature was given life by ritualistic chants. It was then placed into the sea to seek and destroy a specific enemy.

The use of a tupilaq was considered risky, as if it was sent to destroy someone who had greater magical powers than the one who had formed it, it could be sent back to kill its maker instead, although the maker of the tupilaq could escape by public confession of their deed.

Because tupilaq were made in secret, in isolated places and from perishable materials, none have been preserved. Early European visitors to Greenland, fascinated by the native legend, were eager to see what tupilaq looked like, so the Inuit began to carve representations of them out of sperm whale teeth.

Today, tupilaq of many different shapes and sizes are carved from various materials such as narwhal and walrus tusk, wood and reindeer antler. They are an important part of Greenlandic Inuit art, and are highly prized as collectibles.