#intoner one

[madotsukidream]

Drag-on Dragoon 3: Setting Materials + The Complete Guide. 'Collaboration illust 07' by MAYA, 2013.

[nyctimist]

Today I give you a fanart of a wonderful and underrated videogame, Drag-on Dragoon 3, also known in the west as Drakengard 3. I love the characters, One especially got to be my fave Intoner of the game 💕

[misssugahpink]

some old drakengard chibis i made :D

[grimoireroseart]

Posted this on wife’s strawpage, giggling rn

[bernkastel-ao3]

Drakengard 3 fic here.

Description: One muses on her particular interest, her affection for reading, as one might do.

[tapioca-puddingg]

One, the Goddess of Diligence: A Drakengard 3 Analysis

WARNING: SPOILERS AHEAD! READ AT YOUR OWN RISK!!

Hey, it's been a while since I've done one of these. I took a break from doing these long analyses in favor of shorter and quicker content just because it's easier on my brain. I apologize to those that I may have kept waiting with this one, but I'm back now.

If you're new to my blog, I post analyses about video game characters that I think are interesting, amongst other things. This is my Seven Deadly Sins/Heavenly Virtues series of Drakengard 3. And do be sure to like, reblog or leave a comment if you enjoy my insane ramblings.

"Facing the people crowding the streets, I gave a wave from atop my steed. This caused them to cheer even louder, and I felt the animal tense beneath me. I am not fond of horses due to their strong odor, but in this case I could sympathize with the beast. We were both being forced to parade our way from the harbor towards the cathedral. I would have preferred to have snuck back after sunset; I wanted to be alone. My mind, exhausted from battle, sorely needed a rest. But I was not allowed to be so selfish. It was my duty as an Intoner to symbolize order and peace having returned to the world, even if that meant being made a spectacle of. And how could the innocent people know that their cries of elation were causing me, with my heightened senses, to feel as if my head were being split in two?"

One is the second eldest Intoner sister and is the head of the Cathedral City. As the second eldest, she is the leader of the Intoner sisters. She is level-headed, intelligent, and capable. Not to mention the fact that she is well-respected by her younger sisters. Of the Intoner sisters, One is the most interesting in my opinion. She's the only Intoner that becomes self-aware and questions the world around her.

As with the others, One's novella gives us more insight into her thought processes, as well as her struggles and curiosities. She behaves as you'd expect; calm, composed, deliberate, thoughtful, calculated. Every move she makes has an intent and a purpose, and her logic is always sound. As I said a second ago, she’s the only Intoner to question their collective existence; where they came from, why they’re so powerful, etc. Her assessment of her sisters is objective, as she sees the good and the bad in all of them. As such, she does her best to position them for success as leaders in each of their respective lands, and tries to play to their individual strengths. For instance, she tasks Two with governing the Land of Sands in hopes that her optimistic nature could lift the spirits of the citizens, given how hard life in the Land of Sands is.

And yet, One has her own struggles, just like any of us would. Each Intoner deals with a certain bodily aspect that continuously grows at an alarming rate. Two's physical strength/muscles, Three's hair, Four's fingernails, Five's breasts, and One's senses continue to grow far faster than that of a normal human. For One, it is easy for her to become overstimulated due to her heightened sense of smell, hearing, touch, taste, and sight. The taste of food is too intense, the body odor of humans and animals are too strong, and even the feeling of clothes on her body can be uncomfortable. It's the reason why she's always in solitude. Damn, she just like me fr. Anyway, on top of having to shoulder so much responsibility on her own due to Zero's absence, she also is having to battle with heightened senses that hinder her everyday life. That takes a lot of strength.

"A disciple is a tool for battle. But it didn’t feel right using someone else as a weapon. So instead, I created a copy of myself. And since it was a copy… no matter what happened to it, it would always forgive me. Or I would forgive myself, I suppose. I used the Cathedral’s magical energy to infuse my copy with disciple-like powers. More than enough to take on the lords of these lands. Thus, I gained a partner I could rely on. And a way to forgive myself for what I had to do."

Not counting Zero, One was the only Intoner to not be given a disciple. She created Brother One from one of her ribs as both a combat partner and a failsafe in case she died. She also admits in her Prologue that she was lonely, so I'm sure that also may have been a factor in this decision. One is also vastly introspective, always pondering over philosophical or moral dilemmas. She notes the benefits of having a disciple and lists her sisters' main motivators in their lives: sex, honor, cruelty, and romance respectively. But she struggles to answer what it is that she truly desires in this life. In being the primary leader, she's bound by so much responsibility and duty that she doesn't really get to be herself, whatever that may mean. She always has to put the needs of everyone else before herself.

"You pretend to be all grown-up and mature, but you haven’t changed since childhood. We all need some kind of mental support, you know? Even Intoners. Heck, you probably need it MORE than the rest of us." "I suppose there’s some truth to that. Perhaps we’re weaker than we’d like to admit." "Aw, come ON! You’re supposed to get all mad and yell and stuff! I don’t like this pensive you. Quit messing with my head!"

Gabriella, being the boss bitch that she is, calls out One for shouldering too much responsibility on her own. One agrees with this, which, surprisingly, catches Gabriella off guard. What I find really interesting is that she says, "I don't like this pensive you." This implies that One used to respond negatively to Gabriella's brutal honesty but has grown since then.

And speaking of Gabriella, I wanna talk about her for a bit before I move on. Her personality so unique from all the other characters in the game. It feels like if you took a person from the real world and plopped them into a video game. They say that a dragon can see a person's heart, their true nature. And she always lives up to that expectation. The One/Gabriella partnership is almost opposite to the Zero/Mikhail partnership. Mikhail is a literal child and Zero is sort of motherly to him. She softens up to Mikhail more and more as you progress through the other branches. Even though their dynamic is short-lived, Gabriella is like an aunt. She doesn't mince words, but I got the impression that she does care about One at least a little bit. She sees some good in her. So that has me wondering, what the hell happened to her? By the time the main game starts, Gabriella has been replaced by Gabriel, and Zero states that he's a demon dragon whose power has been enhanced to fight off her and Mikhail. She was about to talk about the consequence of doing such a thing, but she trailed off before the line was finished. One of the last things Gabriella says is that she's the boss of her own fate. With her being so headstrong, I can't imagine her going along with being transformed in this way. Perhaps she agreed to do it because she grew to trust One? We may never know this tidbit.

"If you think you’re the only one suffering here, you’re out of your goddamn mind! Two, Three, Four, Five… You gave life to each and every one of them. Then you went and killed them all! What did you expect? Cursing the world then saving the world. You thought you could do everything by yourself? Well, THIS IS WHAT YOU FUCKING GET!"

As for the events of the main game, she is the voice of authority, as usual. By the end of Branch A, she's killed by Zero and is then killed by Two in Branch B. But come Branch C and D is where things get more interesting. By both branches, One is completely self-aware. She knows that the Intoners originate from Zero and that the Flower won't stop until it destroys the world. One has reached the same conclusion as Zero in that the Intoners should not exist, as they pose a major threat to the world. However, this is where they clash. Their goals lie within their names. Zero wants all the Intoners to be killed, including herself. One believes that she herself should be the only surviving Intoner. Maybe that's why the two of them share the same color scheme: they're more similar than they are different.

One hopes that her and Zero are able to understand each other since they both have a mutual understanding of their place in the world. But Zero of course shuts down the idea, calling her an "offshoot." Despite literally fighting for her life, she remained calm for a lot of this fight, but she does break her composure in the above quote. It's about time. She points out the contradictory nature of the situation, the fact that Zero created the Intoners just to destroy them in the end. She's technically not wrong, but we know that it's not the whole truth.

I mentioned One's loneliness earlier, and another wrinkle in this is the fact that she becomes the only sentient Intoner. Throughout the entire main story, she's aware of the aforementioned info about their link to the Flower, but she keeps it to herself. Maybe she thinks that her sisters wouldn't understand. And during the later branches, when the other Intoners start to become driven insane by the Flower's influence, she's the only one to remain sane. By sheer willpower alone! She is killed in all branches, never getting to bring peace to this world the way she envisioned. I start to feel bad for her when I think about it like this.

Because I gave her the title of the Goddess of Diligence, this would make her a foil to Three, as diligence and sloth are opposites. Both women have proven to be highly intelligent and curious. The difference being the way they wield their knowledge, right? Three constantly uses her intelligence for her own self-indulgence, without a thought or care of the people she's victimized. One, whether you agree with her actions or not, does what she believes is the right thing for the greater good of humanity.

Her last appearance is in the Final Song. Because she is an odd number, her dance is asymmetrical. One is usually so composed, and yet here she is, thrashing and flailing about. She's not at all timed to the music, nor is there a direction. Her movements are more controlled than Three's, for instance. But not as controlled as the others. Almost seems as if she's fighting. Fighting for control of her fate? Fighting for the peace that she envisioned? Perhaps fighting for her own autonomy.

TLDR: One was an intelligent, capable leader that only sought to do the right thing. Because Zero had no intention of being a leader, she was given a mountain of responsibilities to bear alone, until she created Brother One. She was also someone that dealt with her share of loneliness, as well as overwhelming sensory issues. She died by Zero's hand and shared the same fate as her other sisters, never getting to enact the peace that she wanted.

AFTERTHOUGHT:

Phew! I changed things up this time around bc I felt that it flowed better this way. If you've made it this far, thank you so much for reading and I do hope you enjoyed it. And I do apologize again for those that had to wait such a long time for this. I promise that I never forgot about these analyses, I just put them off bc they require a lot of brain power. Anyways tho, that's the post. Dunno when I'll start doing Zero's, but it'll probably be in two or three parts. Thanks again, until the next post!

[squeaky-potat]

Sometimes when art block hits it’s best to draw your favorite dragon girls ✨

I’m probably gonna do the rest of the intoners too.

[compassmili]

Companthem (Gabriel) from Drakengard 3 (2013)

[beatgrooves]

HAPPY BIRTHDAY DRAKENGARD 3 I don't have any digital art but i have these from my sketchbook. I wonder who my fave intoner is

[definesanity]

You like Arlecchino because she is 'Mommy'.

I like her because she oddly reminds me of Intoner One from Drakengard 3.

We are not the same xd

[zobjilan77]

Yay Intoner One & family of course.

Intoner Project: Subject One (+ Brother One)

One is the CEO and head of the Red Eye Corporation, an expansive megacorp established in Cathedral City that deals in a variety of services (home security to personal entertainment to weapons).

An experiment to create a superior corpo, under the former Red Eye regime, One is outfitted with highly classified implants. Her talents lie in Netrunning and diplomacy, and her even sense of justice makes her the ideal corporate figurehead. One has not only fulfilled the role she was created for but has far exceeded expectations. She works tirelessly to keep her sisters protection ensured and secured, even at the cost of her own safety. She would do anything to prevent harm coming to her sisters, even if it meant killing them herself.

Brother One is the genetic identical of One. He was created as part of a corporate peace treaty between Red Eye and the Hamelin Organization, and is considered one of the Ark Project’s best successes in human cloning and genetic copy+pasting. Some of his genetic instabilities have been fixed with Implants, making him considerably more susceptible to Cyberpsychosis.

Artwork (c) Julia C | Bioswear - 2023

[madotsukidream]

intoner sisters' profile from their concept art ⸻ drag on dragoon 3, 2013.

[galactic-rhea]

The thing with Anakin TCW is that I try to reconcille both "versions" of Anakin, but because I keep in mind that at the end of the day, TCW is a serialized kids show, and he's also a general and in charge of a padawan so he must be really charismatic for that to work (long rambling ahead)

This show came in an era where shows ran long, with very random plots per episode and just very few that advanced "a plot", so characters that are new for the show get more development (since they were at zero), and Anakin with already three movies (technically 6 if we count the original trilogy), a mini series, and a bunch of books and comics, feels more flat for the very short narrative purposes.

The way i see it, TCW can be like seeing Anakin from someone's else eyes, like that's probably how Obi-Wan and Ahsoka and Rex saw him, cocky and sassy and fearless and daring and untouchable and cool and sometimes with anger coming from apparently nowhere, and the movies are the actual "omnipresent" look, we see how actually deeply fucked up and scared Anakin is!

TCW gives like a very pink tinted glasses view of him, a very standarized version of him, since the "otherness" that he has in the prequels was really hated (and with otherness i mean that he acts alienated and tormented, is because of the trauma, but also because he can be so easily read as neurodivergent and/or queer; movie Anakin looks like he might as well be a giant walking target for bullying, so to speak), so TCW Anakin looks like he totally would have never ever been bullied, he's the cool kid.

If I don't constantly keep on mind this is probably Ahsoka's POV, it can be a bit hard to connect, like the last episodes in TCW, when he sees Ahsoka, he's like 2 days before ROTS, and he looks so cheerful and normal and sassy, but then if you look at ROTS, he looks so tired and beaten up and just depressed after that battle. But Anakin, in AOTC and ROTS, in general, is a person that looks like doesn't even want to be there at all, he looks like he would rather turn invisible.

I don't have that many problems with Anakin in TCW except for certain arcs (looking at you clovis), because many things in the show do add to Anakin's narrative and character (or more like, pilling up even more trauma onto him for the big moment), but it's not a complete look because by the point we should see how he's dealing or coping with something the episode ends and the next episode is about something different. TCW is plot focused and there are very little "breathing" moments before the action, and is not very character focused. Which leaves the audience with the task of remembering that whatever happened in the show is another piece of the puzzle that may or may not fit perfectly with the character that was presented on the prequels.

"This episode very painfully reminds you that he was a slave, and he's angry about it, very angry...for one bit of the episode, let's go back to the fun action." It touches it, but it doesn't explore it, if you get what I mean? Like, we can only imagine if he had difficult weeks after that or how even was the conversation after all that whole mess, just as an example.

I agree that Anakin in TCW is a incomplete version of his character, because TCW focuses a lot on the Clones and Ahsoka and other little stories, however I also think it does add lots of stuff to explore, even if the show didn't explore it deeply, but touched on it.

And I understand too why it causes such a division, and why some may prefer the TCW version more, and why some may prefer only the movies version.

I mainly use the movies, and then take from TCW what I feel like it fits/makes sense for him, and shake TCW a little bit if i need to, although i still really love it : D

[polzkadotz]

“I should have let him kill you,” Jean said.

Neil:

[grimoireroseart]

Intoner One cause i find her quite interesting, possibly my favorite too

[geothewriter]

Vermillion Seas Cardinal Skies: Chapter 29 - Resonance

Training time in Toph’s gauntlet means dealing with some uncomfortable truths that have slumbered just beneath the surface for far too long.

--

Hey y'all! Thursdays are coming rapidly along the path now, and it feels like I just posted the last chapter yesterday, yet here we are on the day I mentioned in chapter 28.

Today’s chapter is brought to you by the Melon Lord. May she have mercy on all our souls.

On a more serious note, #itshappening. The board is set, the pieces are in motion. We are on course to finish my first big long fic! I can’t believe I first posted this thing in October of 2023, and now we’re in 2025. It’s been a long journey, but it’s been so very enjoyable.

Thank you always, @achillmango. Your editing and support have been heaven-sent. Thank you again.

No more delays - please enjoy Chapter 29 - Resonance.

He can feel his mind struggling in the quiet calm of the night. Months of constant silence have given way to a cacophonous, gentle hum of whispered voices. The voices wake Aang in the middle of the night with his head throbbing for the fifth time in three hours after far too little sleep. It's too loud in his own mind, and it almost feels like there's an unconscious pull toward the sea, to the open, cool air above it. He opts for a glass of water instead. It's probably just a sign that he’s dehydrated.  In the minutes that follow, he meditates, calming the choir in his head, then forces himself back to bed.  Perhaps twenty minutes go by before he wakes again, then again. Restful sleep evades his clutches the entire night, except in the darkness just before morning, when a deep, perfect slumber claims him; complete silence embraces his body for ten minutes before the sunrise greets his room, signalling the start of his day.

-------------------------

“You really outdid yourself, Toph! This is incredible!” Sokka shouts across the chasm of exposed rock. The training ground stretches along the beach before wrapping inland through a Toph-made slot canyon. The narrow vertical walls extend for several hundred feet before opening into a wider ravine where strategically placed boulders sit at uneven intervals along its slopes. At the end of the ravine lies the most surprising aspect of her creation, an obsidian platform lined with boulders soaked in oil, ready to be lit.  “Where did you find a piece of obsidian this big in one piece?!” His jaw drops as he considers it. “That’s gotta be worth a fortune!” “Made it. Now, if you’re done being a slack-jawed dummy, there’s one last thing I need to do.”  He refuses to close his mouth as the young girl impales a melon atop a large stone spike, then bends a pair of arms from the rock before placing it atop the obsidian platform.  Toph’s excited voice betrays her attempted evil tones, “Behold! I am the Melon Lord! I will destroy everyone if you don't stop me! Beware my fire! Muahahaha!”  At first, Sokka is skeptical of the melon-topped mannequin, but hearing her cackle menacingly at the end of her monologue sends a legitimate chill down his spine. He’s so glad she’s on their side. He isn’t sure the world would be able to deal with two evil maniacs.  “Alright, alright! Save it for the training exercise!” He shouts, then clears his throat to address the others. “We’ve come a long way. From humble beginnings at the South Pole–”  “Get to the point, Sokka.” He can see Katara’s eyes rolling as she speaks.  Fine. No special pointers then. “Everyone. The comet arrives in less than a month, and for at least the next two weeks, this is going to be our home. We are going to eat, sleep, dream, and fight our way through this training ground until we’re ready to take down Fire Lord Ozai once and for all!”  He pauses and lets it all sink in before continuing. “Suki, you and I will handle the beach approach, taking down enemy resistance. Katara, you and Zuko will take the assault in the canyon and ravine. You’re the most capable of covering that much ground that quickly. Aang, you’re up last for the finale. You’ll take down the…uh… Melon Lord, when we’ve opened up the path for you.” “What about Toph?” Aang asks. “Toph will be running our training program,” Sokka replies dryly. “Blame her if you get hurt.”  “What he means,” Toph interjects, “Is that I’ll be handling any weak points during our actual take-down of the Loser Lord.”  He’s so glad she’s not really against them.  “Alright! Who's ready to kick some butt?”  “I am!” Toph shouts at the top of her lungs. “You losers better prepare yourselves! I’m not going easy on you!”  Great.

Continue reading on AO3.