#instructional media examples
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chibishortdeath · 11 months ago
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Ok stupid rant, but I’m sick of looking up a game and only being able to find guides and wikis made by people who obviously hate the game they’re writing information about.
I was looking for guides for the hedge maze portion of Castlevania 64 because I was stuck in it and couldn’t visualize what the layout of maze looks like (turns out, it’s not technically a traditional maze, aka one route to the exit, which helps a lot) and the only guide I can find is one on gamefaqs or something where the person cannot contain themselves from constantly interjecting to say how much they don’t like Malus cause “ugh overdramatic cutscene, his parents are dead who cares, he looks like a girl” or how they hate the game cause it’s too hard and annoying and “oh boy as if this game couldn’t get worse”.
And like dude! Sincerely! Shut up! I don’t care! I just want to know what I’m supposed to do! You are allowed to dislike the game and express your opinions, just please keep those to a little ending opinion section or a review!!! Stop breaking up actual instructions I can’t keep track of what you’re telling me to do!!!!!!!!!!!
And I saw something similar happen on a different smaller wiki-ish sort of website (it might have been the Castlevania Dungeon, I’m not sure. Definitely not Fandom tho.) on the Castlevania: The Adventure page when I was looking for some facts. Again, the person writing was constantly being all “not that this game is important anyway” and like! I literally don’t care if you don’t like the game that’s not what I’m here for!!! Heck the website even had some misinformation on the page too saying that Christopher was Simon’s grandson in that “or whatever, it doesn’t matter” kind of tone! Like!!!!! Shut up!!!!!!!!!!!! I am here for factual information! Not a review!!!!!!!!!!!!!!!!!!
It’s just absolutely annoying and now I don’t even know what I’m supposed to do in CV64 cause I can barely process what this guy is saying ugh.
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lena-cant · 1 year ago
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I kinda get sad whenever they make a remake of a game that is similar enough in enough aspects that people begin to view it as a replacement for the original game.
Let's take the example of Resident Evil 4, since its remake came out at the beginning of this year and it's fresh in my mind. The Resident Evil 4 remake (let's call it RE4R for brevity) is a pretty great game and in a lot of ways it's a noticable improvement from the original. It rewrites the plot in such a way to shuffle around the order of events, and I'd argue that the result does flow better. The game feels really good to control (I never really had a problem with the original's tank controls but RE4R is still a noticable improvement) and the enemies that you fight are generally more responsive. The game is better (though still not perfect) in the way that it treats women, and avoids (some) of the overt male gazey-ness of the original. A lot of the characters have been redesigned and they generally better suit my taste. They removed (most) of the god awful quicktime events and managed to make interesting sections of gameplay to replace them. All of these improvements make it, in my opinion, a better game than the original and I would probably recommend RE4R over the original if I was asked a question like "if I could only play one of them, which should I play?"
But the thing is, I still love the original RE4 and it is different in enough ways to make it a distinct game from the original. Ignoring the changes that I referred to as improvements previously, the remake also made a lot of changes that I think of as lateral moves. The tone is darker and it leans less into campy vibes than the original. The level design is different and can often feel more sprawling than the original. The voice actor for the merchant just isn't nailing the vibes. You can upgrade the knife but it has durability. It's a whole bunch of little things, really, that make RE4 a different game from its remake that's worth going back to and playing, even when the remake is out and (I would argue) better.
And even the little, shitty annoying things about RE4 are still things I like about it. The quicktime events are bad, sure, but their existence as an early implementation of the concept is charming to me, I see them and roll my eyes. "Oh, those quicktime events, god bless 'em." Sometimes I fuck up with my movement because the controls are less than ideal and I die for it, but that feels to me like a bit of texture in the wall, that subsequently was sanded off. Like, yeah it was giving people splinters, but it just doesn't feel the same with it gone.
I'm not really sure what the point of this post was, I guess it's just "if you liked the RE4 Remake you should play the original too." And more broadly "if you liked a remake of anything you should play/watch/read/etc. the original." If nothing else it'll be an instructive experience in how far that medium has come. I don't know. Maybe I'm just getting old (I was 4 when RE4 came out but shut up) but it just seems really sad to me when a remake like that replaced the original. Especially when it seems like the creators behind them (like with the case of RE4) seem to be wanting to actively revise the history around the game.
When RE4R came out, they just called it "Resident Evil 4," and they retroactively retitled the original to be "Resident Evil 4 (2005)." It feels to me like Capcom wants us to forget the original came out at all. Which would be a shame, because the original is such a fun and interesting and unique game that I'd hate to lose it in the stream of time.
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dnickels · 5 months ago
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"Surely there was a better way to convey this information" probably! That may be why I'm no longer asked to contribute to our social media page at work!
But its that season again and i want to remind everyone that just because an object is vest-shaped and floats does not make it a lifejacket. Only a Coast Guard approved PFD is tested and rated to save your life. Here's an example of what I'm talking about:
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This...thing pops up in searches for "child's inflatable lifejacket" and bills itself as such. But scroll down and we find an explanation:
In contrast to life vests meant to keep your head above water, our vest enables you to swim smoothly with your head in the water. It keeps you buoyant longer for a safe and enjoyable experience - without worry of surprise riptides or fatigue.
Catch that? This thing is not intended to and will not keep your head above water, the single most important thing a personal flotation device should do. What if you are in a riptide and fatigued while wearing this thing and not longer able to keep your breathing hole above the water's surface? You're shit out of luck. You drown.
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Consumers may notice that there is a warning notice on the back, but the good people at Amazon have cleverly obscured it. We can still make out "does not protect [...] drowning". If your waterwings, floaties, or vest-shaped inflatable have a disclaimer like this then they are not rated to safe your life, your child's life, your dog's life, whatever!
By contrast, every Coast Guard approved PFD has labeling like this:
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It will clearly say USGC approved and have an approval number. It will say WHO it is rated for (infant, child, youth, adult), the size (small, medium large), an upper weight limit, and generally what kind of recreation its approved for (near shore versus offshore etc). It will give you instructions for proper use and signs that your lifejacket is nearing the end of its utility and needs to be replaced.
Not all personal flotation devices are suited for all activities. Whitewater kayaking and deep-sea fishing need more specialized gear than a day at the lake. But you should have, at minimum, a correctly-sized, well-fitting, CG approved PFD in serviceable condition for any kind of activity on or near the water. Have it, but most importantly, wear it!!!!!
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art · 7 months ago
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Creator Spotlight: @camberdraws
Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!
Check out Camber’s interview below!
Did you originally have a background in art? If not, how did you start?
I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.
How has your style developed over the years?
As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.
What is one habit you find yourself doing a lot as an artist?
Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!
Over the years as an artist, what were your biggest inspirations behind your creativity?
I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.
What is a medium that you have always been intrigued by but would never use yourself?
I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!
What is a recent creative project that you are proud of?
I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!
What advice would you give to younger you about making art that’s personal or truthful to your own experiences?
I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.
Who on Tumblr inspires you and why?
My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!
Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!
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Phone 📱
Leah Williamson x Reader
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warning :
summary :
During training, while watching a match, fans notice Leah frequently checking her phone and smiling, a rare distraction for the usually focused player. Speculation can't help but grow.
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It was a chilly evening at the training grounds, and the Arsenal team was hard at work. The drills were intense, with coaches shouting instructions and players moving in perfect sync. Leah, known for her focus and leadership on the pitch, was no exception, giving her all as always. But today, something was different. During short breaks or while waiting for her turn in a drill, Leah would sneak glances at her phone, a soft smile tugging at the corners of her lips each time she read a message.
A few of her teammates noticed, nudging each other with amused expressions. “What’s got her so distracted?” one of them whispered, stealing a glance at Leah, who was now quickly typing back a response, her eyes sparkling in a way that was rare to see during training. It wasn’t like Leah to be distracted, especially during practice, where she was known to lead by example. But today, she didn’t seem to mind taking those tiny breaks to check her phone.
The coaches raised an eyebrow but didn’t comment. They trusted Leah; if something was pulling her attention away, it had to be important. After the training session ended, the players gathered their things, and one of Leah’s friends decided to tease her. “Alright, Leah, spill. Who’s got you grinning like that during training?”
Leah tried to play it cool, shrugging nonchalantly, but the blush on her cheeks gave her away. “Just checking in on something,” she said with a small, knowing smile. She didn’t offer more, but anyone who knew her could see that this “something" was clearly making her day a little brighter.
A few weeks later, Leah had the chance to watch a game from the stands, and she was excited to cheer on her friends. But throughout the match, fans nearby noticed something strange. Every few minutes, Leah would pull out her phone, quickly typing out a message before her attention returned to the game. She was still cheering, still fully engaged, but it was clear her focus was divided.
Social media was quick to pick up on it. Fans began to speculate, tweeting about how Leah, who was known for her love of the game, was clearly texting someone important enough to split her attention. Some joked that it must be football-related, while others wondered if it was a special someone. Between the cheers, the occasional glances at her screen, and the soft smile that followed each reply, it wasn’t hard to guess that she was thinking about someone specific.
As the match wrapped up, Leah headed down to the sidelines, where some fans were gathering for autographs. Someone playfully shouted, “Leah, who were you texting so much?” She laughed, shaking her head, not offering an answer but not denying the question either.
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(I don't like it that much :/ )
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tarotwithavi · 3 months ago
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I get money, I am a star
How can you make more money? How can you attract abundance into your life?
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
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**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
How to choose a pile?
Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.
This is a general reading, so take what resonates and leave what doesn't.
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THANK YOU SO MUCH FOR YOUR LOVE AND SUPPORT 🫶🏻❤️
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
PILE 1
You have a special ability to attract people, and that's because the way you see and understand life is very different from everyone else. I'm also getting the message that you can use your unique perspective and appearance to earn more money. For example, you could become a social media influencer or start your own blog where you share your opinions with others. You might even consider writing articles or books to share your knowledge, which could also help you earn more.
You have a talent or skill that could lead to great financial success. All you need to do is focus on developing it. This might seem like a random message, but I sense that some of you have hacking skills that could be used to catch online predators. You could make money while also doing something good for society, and you can do this without revealing your identity.
I also heard the phrase “secret superstar,” which might have special meaning for some of you.
You can attract abundance into your life just by being yourself. You don’t have to follow strict instructions on how to manifest things. You are fully capable of discovering new methods that work for you when it comes to manifestation. Remember, sometimes you need to "fake it till you make it." Don’t worry about what others might think or say; be the most confident and imaginative version of yourself. Believe in the impossible, and you’ll see it become reality. Dream big, and don’t hesitate to manifest the most outrageous things, even those that seem out of reach.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
PILE 2
I see that some of you are thinking about choosing a business major in college, and I want you to know that this is a great choice for you. I got the message that you have the potential to make more money by helping others learn how to manage and grow their own money. You could become a freelancer, offering advice on how to use money wisely, or you might even start a course where you teach people how to invest and handle their finances.
You have a special knowledge or skill that could be valuable to others, and you could exchange this knowledge for money. Some of you might also be excellent teachers, guides, gurus, or counselors. You hold the key to success—your ideas, inspirations, and whatever thoughts come to your mind right now could be what lead you to success.
I also see that some of you don't feel the need to make a lot of money; you just want to earn enough to live a good, comfortable life. You don't necessarily desire a luxurious lifestyle. Some of you could even become great spiritual teachers.
You can attract abundance into your life by growing spiritually. However, I also notice that some of you have been slacking on your spiritual practices. For example, something you used to do regularly, like manifestation, meditation, or journaling, you now barely do once every two weeks. These practices help keep you emotionally stable. If you start doing them regularly again, you'll notice a significant change in the energy around you.
At this moment, you need to focus on your studies and avoid chasing temporary pleasures. Concentrate on the things that will bring you long-term fulfillment and happiness.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
PILE 3
You need to break free from the cycle you're currently stuck in, and I'm getting the message that this may be connected to your ancestors. It’s possible that your family has experienced a fluctuating cycle of wealth and poverty over time. As a result, you might be afraid of making more money because you fear that you’ll end up facing the same ups and downs as your ancestors did.
I also see that you have a mindset of lack when it comes to money, and this needs to change. If you don’t shift your thinking, you may struggle to manifest more money in your life. Another issue is that you tend to overspend on things you want but don’t really need. Then, when it comes time to spend on something you actually need, you might find yourself short of money. It’s important to learn how to manage your finances better so that you have enough money for both what you want and what you need.
Some of you might be thinking about starting a business or entering a partnership with someone. This could be a good opportunity, but you need to be very careful about who you choose to partner with. For others, starting your own business could be a great option. I see that some of you are considering businesses related to jewelry, clothing (especially thrifted clothes), or decorative items.
You also need to let go of habits or memories that are no longer serving you. You can attract abundance by releasing an addiction or behavior that is holding you back. For instance, I see that some of you may be spending too much time on social media or on your phones. You need to be mindful of how much time you’re wasting on these activities. Instead, invest your time in something that will benefit you. If something isn't adding value to your life, don’t waste your time on it.
**•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙˚˚*•̩̩͙✩•̩̩͙*˚**•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚*
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is Jewish Voice for Peace actually Jewish? I've heard a couple different things about that but no sources
@gryphistheantlerqueen also asked:
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Whooo boy. So this has been sitting in the inbox for a few months, I wrote up a draft, and then it just sat... until this past week, when some new JVP BS hit the fan and gave me the kick to finish it.
Sooooo...
Verdict: Not Actually Jewish
(updated verdict after finding out about the “self-managed conversion” and “teacup mikvah”) Jewish, technically, and that "technically" is doing a lot of heavy lifting, and is actively debatable without access to a detailed breakdown of JVP’s actual membership rolls. 
In general summation, JVP is a far-left radical antizionist group that is headed by a few visibly antizionist Jews and whose membership rolls are either a strong minority or outright majority of non-Jews, based on variable statistics that they've released. Although they claim that the “majority of their members and staff are Jewish”, this seems to be both statistically unlikely and actively suspicious due to their noted tendency to instruct even non-Jewish members to speak #AsAJew on social media, and their instructions to do “self-managed conversions”.  However, due to their title, they are very popular with people who want a Jewish Stamp Of Approval for demonizing Israelis and Zionist Jews as a result. In effect, they are Jewish in the same way that people like Candace Owens and Hershel Walker are Black—as self-tokenizing minorities who throw the rest of their ethnic group under the bus in exchange for power and political access.
And despite the claims that they are “inspired by Jewish values and traditions” (as put on their website) and “oppose anti-Jewish hatred,” JVP routinely engages in antisemitic rhetoric, up to and including blood libel and antisemitic conspiracy theories, and acts as a shield against non-Jews who also engage in antisemitic rhetoric so long as the non-Jews in question remember to shout "For Palestine!" first. This is not an exaggeration. 
The primary example of their in-house antisemitic rhetoric is their "Deadly Exchange" program, where they explicitly and conspiratorially blame Israel as being responsible for American police brutality and militarization. However, for all of their fearmongering and blame-casting on the subject—as if American cops needed outside help in brutalizing minorities or gaining military-grade handmedowns from the Pentagon, both of which are explicit claims of the "Deadly Exchange" program—they have a hard time actually identifying specific deaths associated with the international training seminars they're holding up as responsible.
One of the the closest they've come to a specific allegation is claiming that "former St. Louis County police chief Timothy Fitch trained with the Israeli military three years before Michael Brown’s killing and the Ferguson uprising." (Note: this was in a video that appears to have since been made private.) But Darren Wilson worked for the Ferguson PD, not the St. Louis PD, and Fitch retired months before the killing. So he was in a completely different police department, and this is the closest JVP comes to pointing to specific deaths or acts of brutality that they blame on Israel. Everything else is literal fearmongering--up to and including the classic conspiratorial tropes of "secretive Jewish governmental influence".
JVP has also happily supported the words of white supremacists like Richard Spencer, taking his “You could say that I’m a white Zionist in the sense that I care about my people," statement at face value, using it as the basis for entire articles where they compared Zionism to White Supremacy as a deliberate misrepresentation of the ideology that is common on the extreme political Left (you can compare that treatment again with how Candace Owens treats the word "Woke" on the Right). Even when the Charlottesville "Unite the Right" march happened, JVP wasted no time in comparing Zionism with the very ideology fueling the people chanting "Jews Will Not Replace Us," saying that Zionism is "Jewish racial supremacy" and calling for a universal condemnation of the ideology as a form of White Supremacy... which was the exact sort of message that many of those same White Supremacists would have happily agreed with.  So JVP is essentially siding with literal White Supremacists,  even as they claim that "Jews are not the primary victims of White Supremacy."
JVP also engages in Holocaust revisionism, such as with this lovely quote from Cecilie Surasky, the deputy director of JVP, “I believe it is critical to situate the genocide of Jews in a broader context, and not as an exceptional, metaphysically unique event. Some 6 million Jews died, but another 5 million people were also targeted for annihilation.”
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(another quote, from an article by Surasky, which compares Netanyahu to Hitler.)
This is just straight revisionism of the entire Holocaust and the unique fixation the Nazis had on the Jews. Literally, even when they were losing, they were diverting resources from the war just to kill more Jews. Quote Hitler himself, "Jews must be prevented from intruding themselves among all the other nations as elements of internal disruption, under the mask of honest world-citizens, and thus gaining power over these nations." The very basis of the Nazi ideology paints Jews as an existential threat to the human race's peace and security—a far cry from JVP's claim that the Jewish suffering in the Holocaust wasn't unique or exceptional.
Additionally, JVP ignores or re-envisions Mizrachi Jewish history. They call the very term Mizrachi “Zionist rhetoric,” and refer to Mizrachi “immigrants,” (“Deadly Exchange,” pg. 16-17), and claim “the Israeli government facilitated a mass immigration of Mizrahim” (“Our Approach to Zionism”) as though those weren’t the direct result of the mass expulsion of and violence against Jews in MENA countries. These weren’t immigrants, these were refugees. 
And as for the question of “Are they Jewish?”, well...
Statistically, they are not representative of the Jewish population as a whole, 90% of whom identify as some degree of Zionist in the sense of “Supporting Jewish self-determination.”  One does not need to be Jewish to join JVP, as they proudly state on their website. Their membership rolls are also extremely obfuscated, and the fact that they encourage their followers, whether Jewish or not, to post and speak “as Jews” on social media makes it even more difficult to figure out what percentage of their membership is actually Jewish.  Furthermore, they have instructions for their members to engage in “self-conversions” that are not acceptable to Jewish law or tradition, and misuse/appropriate other sacred Jewish traditions to the point that “blasphemy” is an accurate description, with their instructions on the mikvah (a sacred bath) being outright offensive.  
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(note that one has to be completely nude and bare of any adornment or makeup to use the mikvah, which is a pure pool of collected rainwater to be immersed in, for context on the above... misuse.  Trying to claim this as being “in line with sacred Jewish tradition” is like trying to claim to be Catholic while also saying that the Pope is the Antichrist and that using beer and a doughnut for the Eucharist is acceptable. For more information on mikveh, see: The Jewish Virtual Library, Aish, myjewishlearning, or Chabad.
There's also no altar.
The irony of asking people not to appropriate while doing this is astonishing.)
It’s also telling that they straight up say they are “claiming” the practice as their own.
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Furthermore, JVP has hosted panels on “antisemitism” in the past... headed by people who are not only not Jewish, but who have been credibly accused of antisemitism in the past.  
JVP has also endorsed The Mapping Project Boston, which was a Boycott, Divest, and Sanction (BDS) subsidiary, listing every “Zionist” organization in Boston, Mass. This included Jewish schools, elder homes, community centers, disability centers, and more; all of them painted with scary and misleading “links” to non-Jewish organizations to insinuate Jewish control of the state and city governments, invoking age-old antisemitic tropes of a conspiracy of Jews as they did so:
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(first image is the Mapping Project, the second is a 1938 Nazi political cartoon)
The Mapping Project also, and this is my personal favorite, accused Harvard University of doing “racist science” for engaging in archeological and genetic studies of Jews and Jewish history.  Tellingly, BDS actually disavowed The Mapping Project (albeit for bad optics, not for the rank antisemitism they were promoting)... but JVP has not, even though the Mapping Project’s entry for the ADL reads as follows:
Masquerading as a “civil rights” group, the ADL is a counterinsurgency and espionage organization whose mission is to protect the mutual interests of the US and Israeli governments, and to eliminate solidarity among oppressed peoples, especially concerning Palestine. The ADL spies on and criminalizes activists (using its connections to governments, police, schools, and corporations) while undermining their work by pushing its own state-sanctioned, pro-“Israel” agenda. And while the ADL claims to represent Jews and to fight “antisemitism” on their behalf, the organization has supported anti-Jewish state violence and sanitized Nazis. The ADL cannot be reformed: it must be dismantled and whatever resources it has should go towards repairing the many harms it has done. (Emphasis added.)
Of course, JVP has also engaged in similar conspiracy-toned antisemitic dogwhistles, such as this fun bit from their first Deadly Exchange video:
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So clearly (to me at least), they have no problems with The Mapping Project’s tone and presentation.  
And this isn’t even going into JVP’s routine promotion of blood libel, their egregious double standards, their approving of pogroms, their active support for Hamas terrorists and demonization of Hamas’ victims, their attempted revisionism of Jewish history, their abject rejection of Jewish culture, and their other actions that show not just bias, but outright hatred for 90% of the world’s Jews.  
As one commentator put it, JVP as an organization is very much like Autism Speaks is to Autistic people--a thinly disguised hate group that views the people they’re supposedly speaking for as the problem, and themselves as promoting the Solution.  To this moderator, they’re the equivalent of the Association of German National Jews, who were also known as the Jews for Hitler; they wanted to abandon Judaism and embrace Naziism... and they got sent to the gas chambers anyway.  
Mod Joseph
Sources:
www.adl.org/resources/backgrounder/jewish-voice-peace
www.jewishvoiceforpeace.org/wp-content/uploads/2017/11/Mikveh-Guide-for-Jewish-Voice-for-Peace-Outlined.pdf
(and also just... a general experience/exposure to them on social media, where even the most progressive actions taken by Israel, such as the recent ruling regarding queer Palestinians being able to claim sanctuary in Israel, being labeled as “pinkwashing”)
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jentlemahae · 2 years ago
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robynochs · 1 year ago
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"Are we removing books from any school or media center, Prek-12 if a character has, for example, 2 mothers or because there is a gay best friend or a main character is gay?" the librarians asked. Charlotte County Superintendent Vianello answered, "Yes."
What is happening in Florida is extremely dangerous. We must take a stand against book banning.
LGBTQIA+ people are here, we are numerous & we will not rendered silent or invisible. Those days are long past. Children DESERVE accurate information about our history & our present.
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lnmei · 5 months ago
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Here’s a bit of a departure from my usual art posting but I’d like to get the word out about my dear friend Edrian and his friend Angeles’s endurance performance and hunger strike for a free Palestine in Los Angeles starting today, June 17th. (More info on Edrian’s Instagram and at venerations.cargo.site)
Edrian will begin cutting out paper dolls and ribbons to reach 35,647 of each, reflecting the reported death toll of Palestinians killed by Israel’s genocide in Gaza since Oct. 7th. He will not move from the venue until he is done and do nothing aside from cutting with few exceptions made for his own physical and economic survival. In addition to that and to represent a microcosm of the suffering in Gaza and Palestine, he will be on HUNGER STRIKE until he finishes. It’s an impossible task to do alone before starving so audience participation is essential. I’m spreading the word to ask for support through participation!
You can participate in a number of ways (more detailed instructions here):
Spread the word. Word of mouth and social media sharing are crucial as this performance is being promoted pretty exclusively via word of mouth.
Donate money to Palestinian aid funds! Certain high donation amounts can help Edrian continue his endurance performance by allowing him to engage in life-giving activities like showering or socializing with a loved one, and reaching the 100k total goal allows him to end his hunger strike.
If you live in and around Los Angeles, visit the venue (800 Date Ave, Alhambra, CA 91803) There you can help him cut and show your support. ***The performance is on the second floor of the venue and there is no elevator so it is not accessible except by stairs :(
If you don’t live near LA, you can cut paper dolls and mail them to the venue address to count towards the total. (printable templates here) This is what I will be doing. It’s easy to do with any spare time you’re not using your hands. I recommend mailing them in small batches if possible to get them in on time and reduce the risk of losing mail. I also recommend including info about the count of paper dolls in each parcel (for example include a note telling the total number of paper dolls) Every small amount counts!
If you are an Art Center College of Design student or alumni, sign the petition to pressure Art Center to divest from Israel! Art Center has refused to host Edrian and Angeles for their performance, torn down their posters promoting it, and in general refused to take a stance against Israel’s genocide. As artists and human beings we must resist genocide and refuse to support institutions that side against the people.
He is also live-streaming his performance and documenting progress if you would like to show support just by being present.
If you’ve never participated in a political performance before now’s a great chance, any little bit counts! I appreciate any time or effort you take to read this, support my friends, and work towards a free Palestine! ♥️🇵🇸
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goldsbitch · 10 months ago
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Just don't talk-
-if you can't hear me. p2 to Just don't talk
summary: Enemies to lovers on steroids. Lando can't stand Y/N, the first female driver in F1. He also can't stand not having her with her clothes on.
warnings: minors do not interact, biting, cursing...just generally don't take this one too seriously
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It would have been too obvious by the media teams to put Lando and Y/N together in a video out of the blue without any obvious reasons. The brands were not connected in any way and had a completely different online strategy. But serious damage had been done by the two at their last joint interview, so there was a meeting between the teams and F1 media and the request to have them paired up together at a next bubbly F1 video was bargained for and agreed upon in exchange for some favors.
There was a long and very detailed briefing for each of them. At the end they even received something resembling a script. They were both quite good at public speaking and charming the crowds, but it only worked on a spontaneity and intuition base. They were far from actors and the more instructions they received, the more mad it made them, each one in a different way, of course, because hell would freeze over before these two had found something in common. Lando had to fight the urge in him to slam the doors on all of these people. All this media planning was making Y/N dizzy. Had it been anyone else, she'd be slaying this like a pro. But for some stupid reason the PR teams were just not going to let them go and bury their little feud down. She thought this was a bad idea anyway - nothing good could come out of this.
And yet, there they were. Getting ready for the shoot in an F1 hospitality centre, with twenty other people, mostly film crew members. The two barely looked at each other, let alone said hello, just casually pretending the other one is invisible. The director really tried to get them hyped up before the shoot, resulting in one of the most awkward silence the poor lady had ever had the misfortune to have on her set. Only once she gave up and excused herself pretending to be adjusting the camera shot, did Lando shoot a quick look at Y/N. She'd already been looking at him. In that one look they shared their own hidden amusement, obviously enjoying having people being thrown into awkward situations because of their own incompetence to manage each other. At least, this was what Y/N was thinking. Lando was thinking about the gap between her thighs. And only she saw the way his eyes shot down shamelessly to her chest and giving her a quick approving look, probably non verbally complimenting the way hot the race suit covered her chest tightly.
"Who does a whisper challenge in this day and age anyway?" was an unspoken thought that many people shared while getting ready for yet another whisper challenge video to complete the collage of several driver from different team duos, one of which being the pair that was secretly playing with each other under the bedsheets every other night.
Finally, after final touch ups, they were sitting on a couch, across each other and as far away as the couch allowed. That was a conscious decision, as their bodies were becoming so familiar to the proximity and contact, that they had to actively stop each other from mimicking each other's gestures. "Ok guys, I understand this might not be the most comfortable thing you ever did, but we will have to push through it. Lando, will you be ready to introduce the video concept?"
"Yeah, sure," Lando sighed, trying desperately not let anything he that was actually on his mind slip his mouth. Like for example how stupid this was.
He turned his full on youtuber style speech mode on within seconds, actually shocking Y/N.
"Welcome everyone, we're here with F1 and today, we'll be trying a cross team whisper challenge - you never know with whom you'll be sharing a team in the next years anyway!" he said, having the first line vaguely memorized.
"Cut," said the director immediately after that first line. "Thank you Lando, that was some great energy," she dug deep into her professional training and started on the one thing that was positive. "But, the line should be something like "because we rarely get to know one another", your version is opening up place for some unwanted speculations. And, Y/N, you were obviously not ready, as your expression in more of a shock that excitement." It took them five more takes on this before the director made a note mentally to shoot a back up version with a different driver pair.
All the questions had a weird undertone. They were competing more than this situations required. People normally laughed during the takes - Lando was an expert on this, he did videos like this with Oscar often, and he gave him almost nothing to work with. He still managed. Not with Y/N. Tension grew over time. Y/N got almost all of her guesses on the first go. When it was his time, he was opted for staying silent than taking a wrong guess, so she had to repeat everything three times at least. Nobody in the room was having fun. The media interns present were terrified of having to present this at their next meeting and were already trying to find the most upbeat song to pair this up with in their group chat. Few more questions to end this nightmare of an afternoon for everyone.
"Would you like drive with me or do you prefer Oscar?" Lando's face was blank. Not giving any reaction. Y/N took a deep breath and looked to Lando's eyes once again. Same look as she had that one time he tied her up. Frustrated. "Would you like drive with me or do you prefer Oscar?" Still nothing. Dry. She smiled and repeated, loudly as if that was to help. "Would you like drive with me or do you prefer Oscar?" Lando finally responded. Without a beat. "Would you like to ride with me to see who comes first? Brain reads what the mind wants. One would think silence does not have a volume. Anyone present in that room on that day would know better. There were levels to silence and this was a loud one.
Now, innuendos were fairly normal theme in whisper challenges. And they were fun, little things to spice a lonely afternoon for those who were watching. But there was just something in the chemistry these two had that you could not just laugh it off or go on the "will they won't they" route. Aggressive undertone overcame any other vibes. There were two other lines for Lando to guess, he did not get any of them and the whole shoot was quickly wrapped up after. Both of them exited, again, without a word to anyone. Y/N was fuming internally. She texted Lando to come and see her immediately. So her dressing room it was.
"What the fuck, Lando?!"
"Hello to you too, miss fun," he responded, annoyed as ever.
"Don't. Just don't."
Communication was definitely not something they'd win contests at.
"You're exhausting me! I'm like...so mad!"
"Eloquent. You should write poetry. Would be treat to read," he responded, unfased by her outburst.
"Fine. Fuck you then," she lost it completely, anger and frustration built up in her finally taking the best of her. He thought she was mad? He hadn't seen mad. She could not care less of what he thought of her. When she got closer to him, he thought she was going for a kiss. Instead she grabbed him arm and bit him hard. Shock wave ran thought Lando and he froze in the spot. She held her teeth in long and firmly. Shock was quickly replaced by pain, a lot of pain. He played a hero for few moments and then gasped. She stopped with the first sound he made. He stared at her, shocked, confused and weirdly turned on. The pain turned into adrenaline high. A really strange high. He quickly looked at his arm and saw a bruise forming, marking the shape of her teeth. She had a proud look on her face, finally getting it out of her system.
"Great. Better now. Hope it stays on for weeks."
With that, she walked away, leaving confused and dazed Lando behind in her dressing room. He could still feel her teeth in and the adrenaline as if he had just drank three double espressos in one sitting. Why was this turning him on. Why was anything she did the hottest thing anyone ever did. And how the fuck was he suppose to cover this up. He had a photoshoot scheduled for tomorrow. And when was he going get to fuck her again?
p3
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dandp · 3 months ago
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Announcing Incophearent!
**Submissions are now closed**
Hi everyone! Myself, @mothmanbussy420, and @steveandscraggy are teaming up to help bring @fletthewreck's vision (x) to life and make a dnp-themed Incohearant deck. **
Our plan is to make a 50-card deck that will be given to them at a tit m&g, and we're asking for submissions from anyone who would like to participate! (one submission per person)
For the submission form, you will need:
Gibberish version of the answer
Answer
Hint
Name and/or social media handle that you want to be credited with (or you can stay anonymous if you choose!)
Instructions are also on the form, but to reiterate them here:
Submissions should be directly related to dnp and follow the basic Incohearent structure (examples on form)
Since these are being given to Dan and Phil, make sure the phrase is something you and we would feel comfortable with them seeing! We may decide to reject a submission if it is something inappropriate to give to them, in which case we will reach out to you and have you provide an alternative.
Please fill out this form to submit your phrase. Also be sure to check out the spreadsheet linked within the form to see what phrases have already been taken to help avoid duplicates.
We can't wait to see everyone's submissions!
** @steveandscraggy has also put together a great compilation of all the examples on the original post that is available for within-phandom use, check it out here!
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shibaraki · 6 months ago
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🍉 ─ SPONSOR A WIP FOR GAZA
Hi friends!! I don't know how this will go but I wanted to participate and help contribute a little bit more to the fundraising efforts for Gaza set up by ficsforgaza. I’m taking things slower on the writing front this year so I only have a few to list, some longer than others. Even so, I hope some appeal to you and encourage you to give a donation.
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RATE: $1 per 100 words
INSTRUCTIONS: donate to a vetted fundraiser of your choosing, take a screenshot of the donation confirmation (make sure your private information is censored) and send it to me along with the title of whatever WIP you're sponsoring!
Here’s an example:
hi monty! here's proof of my donation to child mohammed and family's gofundme. I'd like this to go toward the wip 'name your courage' :) ty!! [screenshot.png showing evidence of donation states that $5 was given, therefore 500 words will be written for the wip titled 'name your courage']
Upon receiving your ask (I won't be publishing them) I will amend the list below and prioritise progressing that WIP as well as keeping this post updated weekly. Just for clarity: I’ll be submitting redacted evidence I receive to @ficsforgaza to try and ensure that people are not sending those same screenshots to different writers.
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TO AVOID BEING OVERWHELMED I HAVE MADE A DONATION WC GOAL FOR EACH WIP❗️Just to be clear—donations go towards progressing a WIP. The sole purpose of this is to encourage donations and spread awareness. Every little bit helps. Even if a fic doesn’t get completed right away I still appreciate your participation and promise to fulfil the WC goals.
🍉 ─ WIPS AVAILABLE:
↳ NAME YOUR COURAGE — BAKUGO KATSUKI #: GN AFAB reader, post canon au, quirkless discrimination, falling in love, social work, worldbuilding, angst + fluff + eventual smut
determined to reach deep inside himself and reconcile the shame that still lingers there, pro hero dynamight publicly aligns with a well-known quirkless charity organization. what he gains is greater than he could’ve imagined.
current wc: 12,932/20,000+ donated (goal) wc: 5,000/5,000 🎊 ☑️
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↳ A MANY SPLENDORED THING — KUROO TETSURO #: GN AFAB reader, divorcee kuroo, best friends to lovers, heavy mutual pining, hurt/comfort, eventual smut + romance
you wonder, not for the first time, why tetsuro could never see what was right in front of him. it was as though the compass of his sharp intuition reversed polarity when you were in the vicinity. you’ve been in love with him since you were sixteen and he’s the one person that never noticed.
current wc: 13,962/20,000+ donated (goal) wc: 5,000/5,000 🎊 ☑️
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↳ #HEARTBURN — TODOROKI SHOUTO [COLLAB FIC] #: GN reader, meet-cutes, social media + shipping, reader is a paramedic, strangers to friends to lovers, fluff + humour
who knew your run-ins with the suspiciously accident prone pro-hero shouto would capture the hearts of the general public—or that a bit of harmless flirting could have such inconvenient consequences?
current wc: 2,900/5,000 donated (goal) wc: 2,500/2,500 🎊 ☑️
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↳ EMERGENCY CONTACT — AIZAWA SHOUTA #: GN reader, friends to lovers, fluff + humour, sexual tension, reader is an underground hero, adopted eri, getting together
when aizawa gives eri a special card with a number to call if there’s ever a big emergency and no one else is around who can help, he doesn't consider the fact that her idea of an emergency is vastly different from his.
current wc: 2,300/3,000 donated (goal) wc: 2,500/2,500 🎊
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↳ THE STAG — OKKOTSU YUUTA [RETURNING WIP!] #: AFAB reader, courtesan au (no curses), courtesan yuuta, reader is a tailor, falling in (forbidden) love, fluff + angst, love letters
your hands were made to embroider, to cut fine silks and sew tales into fabric. from time to time they’ll find themselves touching a courtesans skin. it is only to measure, and never for pleasure.
current wc: 649/? donated (goal) wc: 2,000/2,000 🎊
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↳ SOMETHING BORROWED — NANAMI KENTO [EVENT WIP!] #: AFAB GN reader, no curse au, neighbours to lovers, single parent nanami, foster kids yuji + sukuna, fake engagement, pining, getting together
the precious little you know about your neighbor is that he’s handsome, unmarried, and he has two long term foster sons. after the twins panic during an inspection and identify you as nanami’s fiancé, you’re left with the opportunity to learn more. 
current wc: 10,288/? donated (goal) wc: 250/2,000 ☑️
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That’s all for now, though there is a possibility that I will add more WIPs later. And let me know if you’ve got any questions (or if I’ve missed anything lol).
It’s totally fine if you can’t donate or if none of these fics appeal to you!! Please feel free to check out the other writers on @ficsforgaza’s page if you’d rather sponsor some different fics, or even make requests to those accepting them ^_^ thank you guys!
HERE’S EVEN MORE WAYS TO HELP PALESTINE, AND DON’T FORGET YOUR DAILY CLICKS!
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olderthannetfic · 8 months ago
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I found AO3 pretty intuitive. Took me like 5 minutes to realize how all the little buttons work. They're pretty straightforward. Apart from the AND filters - took me a while to realize what type of filters AO3 used. Beyond that, I'm not sure why people have a hard time? Wattpad and FFnet are way more of a pain in the ass.
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It's all about familiarity.
I mean, look, AO3 works how my brain works. When we first set it up, it was what we were all used to, more or less, but an upgrade. It was hard to even see how it could ever be unintuitive because this was just How Things Were. From the style of trope tags to the fact that there's an index of fandoms by media type, it was all familiar.
But that thinking is a trap.
It's easy to say "Oh, well, that person's just an idiot", and sometimes, the problem really is laziness or sleep deprivation, but a lot of the time, it's different cultural context.
By the time we were designing AO3, I'd had many rounds of formal instruction in how to use library catalogues of various sorts, familiarity with Delicious, years in LJ slash fandom whose assumptions form the metadata structures of AO3, etc.
There's nothing strange about going "Why are ship types a top level system of organization?" or "How do I search for genre X in any anime fandom but not in non-anime fandoms?"
It's strange to me, but it's not strange in the context of people who read fanfic overall.
It's not just about learning the search features that do exist: it's about unconscious assumptions about what metadata must exist.
If you don't know to look for something and you aren't coming from a culture where poking buttons is encouraged, you're going to take a lot longer to find things than if you already have a good idea of what's probably there somewhere.
To pick two very obvious examples:
If I were designing a gen-focused archive, I'd make genre a top-level organization system, like on FFN.
If I were designing a more x-reader-focused or One True Character-focused archive, I'd make the ship searches work like Character X/Anyone instead of having to click on each ship of your blorbo or each ship with Reader.
If someone has years of experience searching for some bullshit 'trickyfish' style nonsense ship name because they're on sites with garbage searches, they'll go to AO3, plug some words into the search bar at the top, and then feel like they can't find any relevant results because everything that turns up is just that word in author's notes on an irrelevant fic. They might even go to advanced search...
...and then totally miss that the sidebar filters are the best part of AO3, and they don't appear when you do a search search as opposed to starting from a tag.
Isn't Advanced Search the most... well... advanced search? On every other website, it is, but not on AO3.
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Each new site/technology/culture/etc. a person has to learn takes time and attention. If you're exhausted and burnt out, that's hard. Even if you're not, it takes at least some effort. It doesn't Just Happen, not for every person and every new thing.
We should tell people to read the damn FAQ, yes.
But I can't say I always do that myself on every site unless I'm both having a problem and invested enough to care about solving it.
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On an average day, most of us don't need to care why some people have a hard time figuring out AO3.
But if anyone is planning to design a site or needs to teach a bunch of kids how to use the library or something, it's worth keeping in mind just how many unconscious assumptions are hiding behind the idea of something—literally anything—being "intuitive".
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uwmspeccoll · 1 year ago
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Typography Tuesday
Last month, the Milwaukee Public Library's Arts & Media Department held its first Art Book Club session. Intended as an informal art book appreciation club that meets once a month in the Art, Music, and Recreation room, each session explores a different theme by looking at the wide variety of art materials in the collection. The collection is historical, non-circulating, and vast. I attended and spent an hour and a half mesmerized by the array of luscious materials presented.
There was design, architecture, fashion, and much more. As a type nerd, I was especially drawn to the several late 19th- and early 20th-century type specimen books on the tables. Here, for example, are some pages of chromatic initials by various European and American companies from Schriften Atlas, compiled by Ludwig Petzendorfer and published in Stuttgart by Julius Hoffmann in 1898.
MPL held its second Art Book Club session on the theme of "Animals" last night, but I missed it because I was conducting an evening instruction session. Dang! But I'll be attending future sessions when I can and I'll keep y'all apprised.
View other type specimen books.
View more Typography Tuesday posts.
-- MAX, Head, Special Collections
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