#infinity train samantha

[trauma-express]

[owlfacenightkit]

Some doodles to end the year

[altairsarts]

Drawing 3/4: The Cat

[pettybitchbracket]

Petty Bitch Bracket

[johannesviii]

Anyway here's more

[spop-romanticizes-abuse]

there's a difference between a complex villain and a morally grey character. catra is not morally grey, and she never was.

[earthravenclaw]

[nymphacae]

late night checkout

[trojanteapot]

Obligatory Infinity Train Fanfic Plug I Guess

I have some new followers since I posted about my Infinity Train cosplay process so I guess now's a good time to plug my boring overly-long fanfics that are mostly sad and stuff.

SHIPPING FICS

RYMIN:

Ain't No Cure For Love: Ryan and Min-Gi perform their first gig in Montreal. Min-Gi wants to confess his feelings. (First fic I ever wrote probably a bit rough now and the only fic without any sort of theme besides "love wins" i guess) It Can't Be Helped: Takes place in the mid-2000s when Ryan and Min-Gi's band have become quite successful and are touring East Asia. Ryan has some cultural identity issues to overcome at the age of like, 40-something. (This one is much much better than the first Rymin fic, and is about more than just shipping. I did a ton of research into Japanese-Canadians and Korean-Canadians for it as well! Shout-out to my partner for his huge role in shaping this fic as he is Japanese-Canadian himself.)

GRIMON:

Raison d'Etre (PART 1) (PART 2): Post-Canon AU where Simon survives the Train. Grace and Simon spend about 4 years apart from each other living their own lives on Earth, but one day Grace shows up randomly in Quebec to pay Simon a visit. Traumatic wounds get reopened, things get emotional, philosophical, maybe even a little... sociopolitical? Also interspersed between Grace and Simon's little dates are flashbacks to the Train that explain exactly how Simon managed to leave the Train in this AU.

I separated it into two halves because the second half contains smut. However, the second half kind of needs to be read for there to be a complete story. The smut is entirely skippable and doesn't contribute to the overarching plot so I do encourage you to read both halves.

(Also of note is that this takes place not in the "present" but in the past (2018), because I am An Old Person(TM) and so I made Grace and Simon millennials. And I also didn't want to write about the pandemic. It's not that noticeable and you can ignore that timeline fuckery if you want.)

True Love Waits: (VERY VERY CURSED) Sort of not a shipping fic? But Grace gets pregnant here and we all know who the father is! So Grace needs to leave the Train before the baby is born. Canon complacent so Simon is dead. (TW: other than pregnancy there's also thoughts of self-harm and mentions of abortion)

Leave It In My Dreams: Grace's sad nightmare in Alma Mater but from Simon's perspective.

Shame On You, Blue-Eyed Fox: Grace lets her guard down and harassed by a rookie cop. Simon finally makes himself useful for once in his entire life. (TW: real world racism obviously.)

GENERAL FICS

Alma Mater: Post-Canon. Tulip starts college, is very typically Tulip about it, but she befriends an older student named Grace Monroe who helps her through it. However, Tulip comes to learn that she and Grace have more in common than they realized at first. Also Jesse and Lake get thrown into the mix and drama ensues. (Mostly canon complacent except for 1. time period, and 2. Grace is from California, not DC, but her parents work in DC.)

Initial State: A side story to Raison d'Etre. After Simon realizes he's wrong he works with the Cat to bring his number down and leave the Train. But this isn't as easy as he thought especially when he meets a denizen he's recently met before, but never expected to meet again (becausehekilledherlol).

Semi-Automatic Lonely Boy: Prequel to Raison d'Etre. Just a series of vignettes of Simon's life after returning to Earth. (TW: depictions of self-harm) Other than It Can't Be Helped, this is the other fanfic that I am the most proud of so far. Literally went and relearned French to write some of the dialogue in this.

I'll Get It Right Sometime (ongoing): Four years after Book 3, Hazel and Amelia have a pretty decent life on the Train. But this peace is interrupted when Hazel meets a passenger and decides to help him through the Train. How can Amelia keep Hazel safe? Who is this passenger anyway? Why is the Cat so interested in interfering? Why is Simon somehow involved?! Why is JESSE somehow involved?!?!??! (Note: I think Hazel ages normally, so she's 10 years old in this one.) This is also my most ambitious fanfic yet. I have an Entire Homestuck Reference chapter, a Reddit chapter, and I plan to have several Discord chapters.

[ramblesbiab]

I know this has nothing to do with anything at all but.

Frank the bear.

What a cool guy.

[mettywiththenotes]

This has probably already been pointed out but

This tea has a bug with a cowboy hat on it, from The Old West car! The one where Samantha met Ryan and Min-Gi

[trauma-express]

[oakwolves]

Mother knows best

In this verse of the AU Samantha is the Vampire King (Queen?) and she raises Grace as her ward because Ryan was never around to find Grace

[best-fictional-cat]

Round 1 Group 16

Artemis (Sailor Moon) vs Samantha / The Cat (Infinity Train)

[yuppievalley]

ermmm is this what they call old woman yuri or something . . .

[johannesviii]

Nearly every time I've rewatched Infinity Train Book 3 since I first saw it in February, I saw more parallels and narrative echos, and infodumping my friends about them isn't enough anymore

I figured I should do a post about this one because I don't think I've seen a post about that specific thing yet, and I love this show's writing, and. idk. I just need to praise it I guess

So, the most obvious part first:

Grace became everything she hated about her parents

When Grace mentions her mother in the Debutante Ball Car, it's made pretty clear she's trying to distance herself from her mother as much as possible, and at this point, we realise retrospectively that Grace's room in the Mall Car in episode one was full of sports clothes - it seems she tries to avoid things reminding her of her life before the train. And of her mother. And yet-

She tries to control everyone and everything around her, and makes people do what she doesn't want to do

And she decides what's cool and what isn't

She makes people kneel in her presence, like her mother towers over her in her mind's eye

Obviously she constantly lies to get what she wants, and her dad does that in her tape

When her younger self looks up, she looks right through adult Grace, and it's actually her parents she's looking at! Her younger self is metaphorically seeing her parents where her adult self is standing!! I still can't get over this shot

Also I feel the need to mention her mother has the same voice actor as her in her tape and even if it might be to cut corners in the budget, that feels significant (and to be fair, sometimes you can cut corners while making meaningful choices at the same time)

Now you might think I'd have nothing to say about Simon on that matter, since we don't see any flashback of his life before the Train, and we know next to nothing about his parents. But I think it's very telling that the only actual backstory we get for him is his backstory with The Cat.

Because-

Simon became everything he hated about The Cat

Ok I never see anyone mentioning this, but hear me out

First, we have no idea if Simon knew The Cat was routinely invading people's privacy through their memory tapes, but he sure has no issue doing the exact same thing

But that doesn't stop there. He also collects things obsessively

And makes kids collect things for him as well, by the way

He thinks he's above others, but he immediately switches to victim mode when it comes back to bite him

HE. ABANDONS. A CHILD. WHO WAS UNDER HIS CARE!!

And. Uh. They both dig their heels instead of trying to change, too

Don't get me wrong, on some level I would have liked to know what Simon's parents were like too. I would have liked that a lot. But there's a good chance it wouldn't change anything, because everything we need to know about his background to understand why he's Like That™ is already in the show

But yeah, Grace and Simon both pretend they found freedom on the Train, and both distance themselves from parental figures who are at the source of their trauma, claiming they're different and better than them - and yet they are both subconsciously repeating patterns that caused at least part of their problems and/or trauma in the first place

And since they decided that making numbers go up was good, as long as they stick to that idea, they are bound to never escape from that self-perpetuating loop of harm and trauma

And I love it

And I hate it